University of Illinois Press Spring 2010 Communications, Media, and Film Book Catalog

Communication, Media, and Film Studies 2010

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contents General Interest and Bestsellers 1 General Interest and Bestsellers

communication and media studies

3 Theory

4 women and gender

6 Television

7 Newspaper and radio history

8 history of communication/ asian

film studies

12 theory and culture

14 French Film Guides

15 latin american/Asian Film

16 contemporary film directors

18 Journals/Women and gender

20 Women and film history International

Examination Copies Visit the “For Instructors” page on our web site for a downloadable order form, or make requests on departmental letterhead by mail or fax. Provide the name of the course, estimated enrollment, and the semester/year taught. Include $7 to cover processing and shipping, (payable to the University of Illinois Press by check or credit card). Limit: 3 paperbacks per semester. For hardback copies, contact the Sales Department.

The Genius and the Goddess Arthur Miller and Marilyn Monroe Jeffrey Meyers

Meyers has crafted a richly nuanced dual biography based on his quarter-century friendship with Miller, interviews with major players of stage and screen during the postwar Hollywood era, and extensive archival research.

“This superbly written, thoughtful work will have wide appeal among general readers and academic audiences and will reward readers with deeper insight into two famous personalities and the world they inhabited.”—Library Journal (starred review) “Prolific biographer Meyers is particularly well equipped for the task of gleaning something new from this heavily harvested field. . . . Meyers recognizes that Miller truly loved Monroe but finally ended the marriage when he realized she was destroying him. He’d spent three years working on a film for her (The Misfits), earning only her scorn, and her needs were too complex and her problems too intractable.

In the final chapter, Meyers thoughtfully mines Miller’s last plays for nuggets about Monroe.”

—Kirkus 384 pp. 6 x 9. 31 Black & White Photographs. 2009.

1 Cloth 978-0-252-03544-9. $29.95

Send order to: Exam copies/Sales Department University of Illinois Press 1325 S. Oak Street Champaign IL 61820-6903 Fax: (217) 244-8082

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g e n e r a l i n t e r es t a n d b es t se l l e r s 1

Citizen Spielberg

The Mouse Machine

Lester D. Friedman

Disney and Technology

“A systematic analysis of the various genres in which the director has worked . . . concludes that Spielberg’s films present a sustained artistic vision combined with a technical flair matched by few other filmmakers, and makes a compelling case for Spielberg to be considered as a major film artist.”—Screening the Past

J. P. Telotte

376 pp. 6 x 9. 33 Black & White Photographs. 2006.

2 Paper 978-0-252-07358-8. $30.00

By exploring the technological context for Disney creations throughout its history, Telotte illuminates Disney’s extraordinary growth into one of the largest and most influential media and entertainment companies in the world.

Women for President Media Bias in Nine Campaigns Erika Falk

Second Edition Newly updated to examine Hillary Clinton’s formidable 2008 presidential campaign, Women for President analyzes the gender bias the media has demonstrated in covering women candidates since the first woman ran for America’s highest office in 1872.

2010. 240 pp. 6 x 9. 8 Black & White Photographs.

3 Paper 978-0-252-07691-6. $25.00

When Frankie Went to Hollywood Frank Sinatra and American Male Identity Karen McNally

“McNally’s study . . . has an unexpected share of gossip and biographical surprises. . . . An exploration of Sinatra’s forthright ethnicity, his strident championing of civil rights and his sexual objectification.”—Times Literary Supplement “[McNally] provides meaning and recognition to Sinatra’s films, a very important part of his career and his life.

Her book is well worth reading.”—Film International 248 pp. 6 x 9. 10 Black & White Photographs. 2008.

4 *Cloth 978-0-252-03334-6. $65.00.

5 Paper 978-0-252-07542-1. $24.95

“The Mouse Machine is a copious history of Disney’s innovations and preoccupations; it makes clear just how consistently and significantly Uncle Walt used technology to gain an edge on the competition.”—Jon Lewis, editor of Cinema Journal

232 pp. 6 x 9. 2008.

6 *Cloth 978-0-252-03327-8. $60.00.

7 Paper 978-0-252-07540-7. $20.00

Disappearing Tricks Silent Film, Houdini, and the New Magic of the Twentieth Century Matthew Solomon

“A truly important and impressive book, the most thoroughly researched and broadly conceived history of the interaction between magicians and cinema that anyone has offered or is likely to offer.”—Tom Gunning, author of The Films of Fritz Lang: Allegories of Vision and Modernity 200 pp. 6 x 9. 27 Black & White Photographs. 2010.

8 *Cloth 978-0-252-03510-4. $65.00.

9 Paper 978-0-252-07697-8. $22.00

The Powers That Be David Halberstam

“Halberstam deploys a stunning novelistic skill in showing how his scores of characters feel about one another. . . .

Every page carries a graphic revelation of some piece of subtle delineation, flashes of insight struck off by the adjacencies of power. So understanding is the reporting that the skeletons, once hauled from their closets, don’t rattle much.”—Anthony Smith, The Nation 792 pp. 6 x 9.25. 2000.

10 Paper 978-0-252-06941-3. $24.95

To receive 30% discount use order form on last page, call 800-621-2736, or visit www.press.uillinois.edu.

Use code CMF10 when ordering. * U n j a c k e t ed u n i v e r s i t y o f i l l i n o i s P r e s s • w w w. p re s s . u i l l i n o i s . e d u

2 general interest and bestsellers

Art and Freedom of Speech

History by Hollywood

Randall P. Bezanson

The Use and Abuse of the American Past

“Reaches beyond legal theory to explore the role of art as a human product, its production, consumption, and meaning. Art and Freedom of Speech represents a brilliant mind at work—in a lovely, intellectually playful tone.”—Linda R. Hirshman, author of Get to Work: . . .

And Get a Life, Before It’s Too Late

Robert Brent Toplin

“A comprehensive, in-depth examination of First Amendment principles as they pertain to the arts.

Bezanson’s detailed and lively analyses of Supreme Court arguments help clarify the conceptual bases of each case.”—Joan DelFattore, author of The Fourth R: Conflicts Over Religion in America’s Public Schools

Second Edition “Succinct and accessible. Toplin has raised a number of significant questions for historians and others concerned with the ethical and intellectual aspects of historical filmmaking.”—Reviews in American History “A ‘must read’ for those who study, research, and write about the history of the motion picture.”—Journal of Popular Film and Television 280 pp. 6 x 9. 9 Black & White Photographs. 2010.

15 Paper 978-0-252-07689-3. $25.00

328 pp. 6 x 9. 17 Black & White Photographs. 2009.

11 Cloth 978-0-252-03443-5. $35.00

Journalism in the Movies

How Free Can the Press Be?

“Ehrlich wisely avoids cataloguing every journalism movie ever made and manages to proceed both chronologically and thematically, demonstrating how genre begat genre and how archetypal figures have shapeshifted with the currents and tides of culture and history.”—American Journalism

Randall P. Bezanson

Best of the Best from University Presses “Bezanson raises some unexpected questions and provides some provocative insights. Bezanson’s analyses of the arguments are . . . clear, well-reasoned and thorough.”—American Journalism “An intelligent discussion of real constitutional issues affecting the press and journalism in the United States.”

—Library Journal 2007. 272 pp. 6 x 9.

12 Paper 978-0-252-07520-9. $24.95

Matthew C. Ehrlich

208 pp. 6 x 9. 20 Black & White Photographs. 2006.

16 Paper 978-0-252-07432-5. $20.00

The History of Communication

The Struggle for Control of Global Communication The Formative Century

The History of Communication

Jill Hills

How Free Can Religion Be?

“For the first time, the jockeying for position between British and U.S. authorities is brought forward as the organizing principle in international telecommunications system development during the first century of transnational network building. The treatment is nuanced, as Hills does not impute any single overriding interest or logic to either state actor. Rather, she integrates the often discordant needs and demands of private corporations into her sweeping analysis.”—Dan Schiller, author of Digital Capitalism: Networking the Global Market System and How to Think about Information

Randall P. Bezanson

A provocative discussion of eight Supreme Court decisions on church/state separation, from claims for religiously sanctioned polygamy to the teaching of evolution and creationism in public schools.

296 pp. 6 x 9. 2006.

13 Cloth 978-0-252-03112-0. $29.95.

2010. 14 Paper 978-0-252-07699-2. $20.00

344 pp. 6 x 9. 2002.

17 Cloth 978-0-252-02757-4. $39.95

The History of Communication

For more titles in the History of Communication series, see pages 8-11

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t h e o ry

c o m m u n i c at i o n a n d m e d i a s t u d i es 3

Embargoed Science

Key Concepts in Critical Cultural Studies

Vincent Kiernan

“[A] compelling critique of the self-aggrandizing embargo system that currently rules scientist-editorreporter relations . . . Kiernan wins the argument about embargoes cleanly and comprehensively.” —Science Divulging the realities behind the collusive practice of embargoing scientific news, Kiernan investigates the embargo’s impact on public and academic understanding of science and medical issues, and highlights abuses such as stock trading based on early receipt of embargoed information. He also proposes alternatives to the embargo process.

Edited by Linda Steiner and Clifford Christians

“An unusually full and rich—and sometimes passionate— conversation on communication and culture, this volume offers a selection of illuminating and provocative responses to the life’s work of James W. Carey.”

—Carolyn Kitch, author of Pages from the Past: History and Memory in American Magazines 288 pp. 6.125 x 9.25. 2010.

22 *Cloth 978-0-252-03506-7. $75.00.

23 Paper 978-0-252-07695-4. $30.00

192 pp. 6 x 9. 1 Line Drawing, 1 Table. 2006.

18 Cloth 978-0-252-03097-0. $30.00

How to Think about Information

Human Organizations and Social Theory

Examines the history and growth of information as a commodity, and the different dimensions that make up this commodity, including the creation of new technologies; the culture industries; and the role of China.

Dan Schiller

Pragmatism, Pluralism, and Adaptation Murray J. Leaf

“This stimulating work offers a new, promising, integrated theory of social behavior. A timely and welcome attempt to move social theory beyond the debate between positivism and postmodernism.”—Martin Ottenheimer, author of The Anthropology of Kinship: An Introductory Text The theory in this book fills in the missing analysis of organizations and specifies the pragmatic analysis of communication with an adaptation of information theory to ordinary unmediated communications.

264 pp. 6.125 x 9.25. 5 Black & White Photographs, 15 Maps, 6 Tables. 2009.

19 Cloth 978-0-252-03424-4. $50.00

Normative Theories of the Media Journalism in Democratic Societies Clifford G. Christians, Theodore L. Glasser, Denis McQuail, Kaarle Nordenstreng, and Robert A. White

“[The authors] see four roles for the press: a monitor of events in the world, a facilitator of democratic decision making, a radical communicator free of any restraint, and a collaborator with those in power. Each of these four is explained in detail, with many excellent examples. . . . Highly recommended.”—Choice “This long-awaited book by a group of the most distinguished scholars of journalism and the media will define the terms of discussion of normative theory for the next generation.”—John C. Nerone, coauthor of The Form of News: A History

“Dan Schiller is today probably the most lucid and critical scholar writing on the structure and history of communication and information systems—not just in the U.S., by the way—and this book demonstrates that in spades.” —Richard Maxwell, professor of media studies, Queens College, City University of New York 288 pp. 6 x 9. 1 Table. 2007.

24 Cloth 978-0-252-03132-8. $35.00.

25 Paper 978-0-252-07755-5. $25.00

From Papyrus to Hypertext Toward the Universal Digital Library Christian Vandendorpe Translated from the French by Phyllis Aronoff and Howard Scott

“A well-written, pedagogical reflection on the historical, theoretical, and practical position of hypertexts as a new medium of communication. The advanced reader will enjoy the limpid presentation of what we now understand about hypertext; the reader new to the field will have a very readable introduction to what makes it exciting.”—William Winder, coeditor of Computing in the Humanities Working Papers 208 pp. 6 x 9. 10 Black & White Photographs, 1 Line Drawing, 1 Table. 2009.

26 *Cloth 978-0-252-03435-0. $65.00.

27 Paper 978-0-252-07625-1. $25.00

Topics in the Digital Humanities

296 pp. 6 x 9. 3 Line Drawings, 2 Tables. 2009.

20 *Cloth 978-0-252-03423-7. $75.00.

21 Paper 978-0-252-07618-3. $30.00

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4 women and gender

Let Something Good Be Said

Feminist Literacies, 1968-75

Speeches and Writings of Frances E. Willard

Kathryn Thoms Flannery

Edited by Carolyn DeSwarte Gifford and Amy R. Slagell

“Innovative and well-researched. Flannery’s fresh look at second-wave feminism within the context of literacy practices will interest a wide range of readers who want to know more about the ‘initial generative tangle’ of these volatile years of the women’s movement.”

—Women and Language

“Gifford and Slagell apply their combined expertise in history, gender studies, and rhetoric to select, edit, annotate, and contextualize 22 excerpts from Frances Willard’s speeches and publication, 1874-97. . . . Highly recommended.”—Choice 312 pp. 6 x 9. 2007.

28 Cloth 978-0-252-03207-3. $45.00

The Crimes of Womanhood

280 pp. 6 x 9. 16 Line Drawings. 2010.

31 Paper 978-0-252-07728-9. $25.00

Science on the Home Front American Women Scientists in World War II

Defining Femininity in a Court of Law

Jordynn Jack

A. Cheree Carlson

“Jack has worked insightfully through a wide variety of documents that have been less studied, and she introduces important women psychologists, anthropologists, physicists, and nutritionists whose stories have been neglected. A stimulating and compelling work about gender and genre in science.”—Ann B. Shteir, coeditor of Figuring It Out: Science, Gender, and Visual Culture

“Written in a lively style and full of insightful analysis, The Crimes of Womanhood offers an important contribution to rhetorical scholarship. The book will make an excellent addition to courses exploring the intersections of rhetoric, gender, and/or the law in the United States I look forward to using it.”—Sara Hayden, professor of communication studies, University of Montana 200 pp. 6 x 9. 2009.

29 Cloth 978-0-252-03401-5. $40.00

Never Seen the Moon The Trials of Edith Maxwell Sharon Hatfield

Winner of the Thomas and Lillie D. Chaffin Celebration of Appalachian Writing Award and the W. D. Weatherford Award for Non-fiction in Appalachian Studies “Hatfield uses the page-turning story of the murder and trials to open up the larger cultural and historical discourses around them.”—Journal of Appalachian Studies “How refreshing to read a page-turner of a true crime chronicle that refuses to pander to the morbid curiosity of the commercial market. . . . An important book about a crime committed in the 1930s that remains a mystery, and a disturbing morality tale, for our times.”

—Bloomsbury Review 320 pp. 6 x 9.25. 19 Black & White Photographs, 1 Line Drawing.

2009.

30 Paper 978-0-252-07633-6. $14.95

176 pp. 6 x 9. 2 Black & White Photographs, 1 Table. 2009.

32 *Cloth 978-0-252-03470-1. $60.00.

33 Paper 978-0-252-07659-6. $20.00

On the Picket Line Strategies of Working-Class Women during the Depression Mary E. Triece

Recipient of the Bonnie Ritter Book Award from the National Communication Association’s Feminist and Women Studies Division “Important in its linking of the study of communication to social science history in pursuit of this complexity; the interdisciplinary nature of this book should be appealing to students of women’s and labor history across a variety of disciplines, from communication to political science to history to women’s studies.”—Journal of Women’s Politics and Policy 192 pp. 6 x 9. 9 Black & White Photographs. 2007.

34 *Cloth 978-0-252-03151-9. $60.00.

35 Paper 978-0-252-07391-5. $25.00

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women and gender 5

Josephine Baker in Art and Life

The Edge of Change

The Icon and the Image

Women in the Twenty-First-Century Press

Bennetta Jules-Rosette

Edited by June O. Nicholson, Pamela J. Creedon, Wanda S. Lloyd, and Pamela J. Johnson

“Well-researched and original. . . . [Jules-Rosette] cleverly exposes Baker’s manipulation of race, class and sex (that’s gender and sexuality). . . . Abandoning the quest for transcendent truths, she focuses instead on decoding the wide array of Baker’s performances—both on and off stage.”—New York Times Book Review 392 pp. 6 x 9. 54 Black & White Photographs, 1 Table. 2007.

36 Paper 978-0-252-07412-7. $25.00

Cancer Activism Gender, Media, and Public Policy Karen M. Kedrowski and Marilyn Stine Sarow

“Cancer Activism is a well-written and engrossing account of how a determined group of grassroots leaders— many of them feminists— changed the face of medical research.”—New Scientist 320 pp. 6 x 9. 3 Line Drawings, 49 Tables. 2010.

38 Paper 978-0-252-07777-7. $25.00

Available Fall 2010

Dirty Words The Rhetoric of Public Sex Education, 1870-1924 Robin E. Jensen

Robin E. Jensen considers the history of public sexual education in the United States and investigates the communicative and rhetorical practices surrounding the emergence of public sex ed, showing how women in particular struggled for a platform to create and circulate arguments concerning this controversial issue. Jensen specifically analyzes the work of Ella Flagg Young, Rachelle Slobodinsky Yarros, Margaret Sanger, and other activists who promoted the concept of public sexual education during and directly after the Progressive Era. 264 pp. 6 x 9. 11 Black & White Photographs. 2010.

39 *Cloth 978-0-252-03573-9. $75.00.

40 Paper 978-0-252-07766-1. $25.00

Foreword by Ellen Goodman

“A much-needed update of existing books on women in the press. The richness of this work lies in its use of accomplished women’s own voices to tell of their achievements and their struggles, even into the twenty-first century. Anyone interested in women’s history will enjoy this fine book.”—Kay Mills, author of Changing Channels: The Civil Rights Case That Transformed Television 360 pp. 6 x 9. 14 Black & White Photographs. 2009.

41 *Cloth 978-0-252-03448-0. $75.00.

42 Paper 978-0-252-07649-7. $25.00

Women in American Journalism A New History Jan Whitt

“A readable and comprehensive book on a subject that does need updating . . . . Will be well read and appreciated by those interested in journalism history, women’s studies, and journalism in general.”—Marilyn S. Greenwald, author of A Woman of the Times: Journalism, Feminism, and the Career of Charlotte Curtis 216 pp. 6 x 9. 2008.

43 Paper 978-0-252-07556-8. $25.00

For Women and Gender in Film Studies, see pages 18-19

Examination Copies For information and downloadable order forms: • visit our web site, • click on “Books” in the top menu • select “For Instructors” in the drop-down menu

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6 television

Talking with Television

Global TV

Women, Talk Shows, and Modern Self-Reflexivity

New Media and the Cold War, 1946-69

Helen Wood

James Schwoch

“A rare product: a theoretically informed empirical study, using data in sophisticated ways to produce far-reaching insights into the practice of television viewing and the construction of gendered subjectivity. A significant contribution to sociology, media and cultural studies, and gender studies.”—Ann Gray, author of Research Practice for Cultural Studies: Ethnographic Methods and Lived Cultures

“A portrait that brings forth many treasures, some comic, some poignant, from the Cold War era, and also provides some serious food for thought in considering current U.S. policy about international media and goodwill building.”—John Durham Peters, author of Courting the Abyss: Free Speech and the Liberal Tradition

256 pp. 6 x 9. 1 Table. 2009.

44 Cloth 978-0-252-03391-9. $65.00.

45 Paper 978-0-252-07602-2. $25.00

256 pp. 6 x 9. 28 Black & White Photographs. 2009.

48 *Cloth 978-0-252-03374-2. $70.00.

49 Paper 978-0-252-07569-8. $25.00

The Prime-Time Presidency

Feminist Studies and Media Culture

The West Wing and U.S. Nationalism

Redesigning Women

Trevor Parry-Giles and Shawn J. Parry-Giles

Television after the Network Era Amanda D. Lotz

“This is an interesting and in-depth assessment of television’s changing portrayal of female characters in comedy and drama.”—Communication Booknotes Quarterly “Focusing on the way in which competition for a similar audience demographic can result in ‘innovative’ rather than ‘derivative’ programming, Lotz’s study can be viewed as an important starting point from which to develop work that offers more detailed assessments of series within a particular institutional and historical context.”—Screen 240 pp. 6 x 9. 10 Tables. 2006.

46 *Cloth 978-0-252-03067-3. $50.00.

47 Paper 978-0-252-07310-6. $25.00

Feminist Studies and Media Culture

“All in all, the Parry-Giles team recognizes for us the powerful role television plays in fostering cultural beliefs. The book is well worth reading, provocative as it is, for it analyzes TWW (The West Wing) as a site of meaningful discourse about presidential leadership and national identity.”—Television Quarterly “In Prime-Time Presidency, the authors make a substantial contribution to television studies as well as the broader scholarship of representation in media.

The study provides an excellent, detailed reading of the content of the first four seasons of The West Wing (19992006). Little is lacking in their thorough examination of the portrayals of gender, race, and militarism on the show. . . . This is an excellent book with superb analysis and reasoning.”—Journal of Mass Media Ethics 248 pp. 6 x 9. 2006.

50 *Cloth 978-0-252-03065-9. $50.00.

51 Paper 978-0-252-07312-0. $28.00

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c o mm u n i c at i o n H i s t o ry 7

Air Castle of the South

Available Fall 2010

WSM and the Making of Music City

Pen and Sword

Craig Havighurst

American War Correspondents, 1898-1975

“A fascinating case study in the rise of commercial broadcasting. . . . Mr. Havighurst has done a service in preserving the colorful and instructive history of WSM—and in reminding us that giants once lived on the radio dial.”—Wall Street Journal

Mary S. Mander

Sparked by public outcry following a proposal to pull country music and the Opry from WSM-AM in 2002, Havighurst researched and wrote this history of the station that shows the essential role it played in the rise of Nashville and country music.

320 pp. 6 x 9. 23 Black & White Photographs. 2007.

52 Cloth 978-0-252-03257-8. $29.95

“A thoughtful consideration of the history and culture of war correspondence in the United States. Written in an engaging muscular voice and filled with flashes of insight, Pen and Sword makes novel arguments based on significant archival research.”—John C. Nerone, coauthor of The Form of News: A History 208 pp. 6 x 9. 2010.

57 Cloth 978-0-252-03556-2. $45.00

Shadow of the Racketeer Scandal in Organized Labor

Music in American Life

David Witwer

The Lincoln Image

“David Witwer is a remarkably energetic and insightful historian, and his study of Westbrook Pegler and the role he played in the construction of a New Deal era discourse of corruption and racketeering within the house of labor is an extremely provocative and path-breaking book.”—Nelson Lichtenstein, author of State of the Union: A Century of American Labor

Abraham Lincoln and the Popular Print Harold Holzer, Gabor S. Boritt, and Mark E . Neely Jr.

“Written in a clear, straightforward style. . . The Lincoln Image remains a model of how to study the interactions of art and society—not by using pictures to illustrate ideas but by deriving information and enlightenment from the pictures themselves.”—American Studies 264 pp. 8.5 x 11. 106 Black & White Photographs. 2005.

53 Paper 978-0-252-06984-0. $19.95

336 pp. 6 x 9. 5 Black & White Photographs, 6 Line Drawings, 4 Tables. 2009.

58*Cloth 978-0-252-03417-6. $80.00.

2009. 59 Paper 978-0-252-07666-4. $30.00

The Working Class in American History

Devil’s Game

Available Fall 2010

The Civil War Intrigues of Charles A. Dunham

Becoming the Second City

Carman Cumming

Chicago’s Mass News Media, 1833-1898

“The reader’s mind finally boggles at the brazenness of Dunham’s trickery and the extent to which his many gulls swallowed it whole.”—Civil War Book Review

Richard Junger

328 pp. 6 x 9.25. 27 Black & White Photographs. 2008.

54 Paper 978-0-252-07519-3. $19.95

Le Jazz Jazz and French Cultural Identity Matthew F. Jordan

Jordan draws on sources including ephemeral critical writing in the press and twentieth-century French literature to trace the country’s reception of jazz, from the Cakewalk dance craze and the music’s significance as a harbinger of cultural recovery after World War II to its place within French ethnography and cultural hybridity.

Using a model of media and the social world developed by sociologists David Crouteau and William Hoynes, Becoming the Second City explores the infinitely complex relationship that has existed historically between Chicago and its news media. Richard Junger argues that not only did the news media make and remake the popular image of early Chicago, but the media itself was an invaluable tool in the creation and development of America’s “Second City.”

232 pp. 6 x 9. 10 Black & White Photographs. 2010.

60 *Cloth 978-0-252-03589-0. $70.00.

61 Paper 978-0-252-07785-2. $25.00

320 pp. 6 x 9. 23 Black & White Photographs. 2010.

55 *Cloth 978-0-252-03516-6. $75.00.

56 Paper 978-0-252-07706-7. $30.00

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8 t h e h i s t o ry o f c o mm u n i c at i o n

New and recent titles in the History of Communication series, edited by Robert W. McChesney and John C. Nerone This series invites original and well-researched books on the history of media—radio, TV, newspapers, magazines, the Internet—and on their many functions as reporters, advertisers, opinion leaders, public relations for government and corporate interests, and businesses that compete with each other. Histories of major media, biographies of important figures, and studies of key events in communications are welcome.

Normative Theories of the Media

Muting Israeli Democracy

Journalism in Democratic Societies

How Media and Cultural Policy Undermine Free Expression

Clifford G. Christians, Theodore L. Glasser, Denis McQuail, Kaarle Nordenstreng, and Robert A. White

“[The authors] see four roles for the press: a monitor of events in the world, a facilitator of democratic decision making, a radical communicator free of any restraint, and a collaborator with those in power. Each of these four is explained in detail, with many excellent examples. . . . Highly recommended.”—Choice “This long-awaited book by a group of the most distinguished scholars of journalism and the media will define the terms of discussion of normative theory for the next generation.”—John C. Nerone, coauthor of The Form of News: A History 296 pp. 6 x 9. 3 Line Drawings, 2 Tables. 2009.

20 *Cloth 978-0-252-03423-7. $75.00.

21 Paper 978-0-252-07618-3. $30.00

Key Concepts in Critical Cultural Studies Edited by Linda Steiner and Clifford Christians

“An unusually full and rich—and sometimes passionate—conversation on communication and culture, this volume offers a selection of illuminating and provocative responses to the life’s work of James W. Carey.”

—Carolyn Kitch, author of Pages from the Past: History and Memory in American Magazines Contributors are Stuart Allan, Jack Zeljko Bratich, Clifford Christians, Norman Denzin, Mark Fackler, Robert Fortner, Lawrence Grossberg, Joli Jensen, Steve Jones, John Nerone, Lana Rakow, Quentin J. Schultze, Linda Steiner, Angharad N. Valdivia, Catherine Warren, Frederick Wasser, and Barbie Zelizer.

288 pp. 6.125 x 9.25. 2010.

22 *Cloth 978-0-252-03506-7. $75.00.

23 Paper 978-0-252-07695-4. $30.00

Amit M. Schejter

“A fascinating and highly readable contribution to our understanding of the fragile state of Israeli democracy.

Schejter shows how painfully complex the very distinction between a democracy and a non-democracy really is.”—Daniel Dor, author of The Suppression of Guilt: The Israeli Media and the Reoccupation of the West Bank “Reassesses some of the tenets of traditional Zionist discourse and points critically to the roles that statism, cultural policies, and political economy have played in rendering the prevalent power imbalance in Israeli society.”—Yaron Shemer, assistant professor of Israeli culture and modern Hebrew, University of North Carolina 216 pp. 6 x 9. 3 Line Drawings, 7 Tables. 2009.

62 *Cloth 978-0-252-03458-9. $60.00.

63 Paper 978-0-252-07693-0. $20.00

Refiguring Mass Communication A History Peter Simonson

“This book is particularly powerful because, like rhetoric itself, it is not limited to any one discipline. Simonson uses cultural studies and rhetoric as energizing points of departure for rehabilitating and reinforcing the idea and social form of mass communication.”—Rosa A. Eberly, author of Citizen Critics: Literary Public Spheres Organized around narrative accounts of individuals and their communicative worlds, Refiguring Mass Communication illuminates significant but overlooked rhetorical episodes in history to enable modern-day readers to rehabilitate and reinvigorate their own engagements with mass communication. Peter Simonson compares his own vision of mass communication with distinct views articulated throughout history by Paul of Tarsus, Walt Whitman, Charles Horton Cooley, David Sarnoff, and Robert K. Merton, utilizing a collection of texts and tenets from a variety of time periods and perspectives.

280 pp. 6 x 9. 2010.

64 *Cloth 978-0-252-03517-3. $65.00.

65 Paper 978-0-252-07705-0. $25.00

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t h e h i s t o ry o f c o mm u n i c at i o n 9

Speech Rights in America

Everything Was Better in America

The First Amendment, Democracy, and the Media

Print Culture in the Great Depression

Laura Stein

David Welky

“The greatest strength of Speech Rights in America is Stein’s ability to look through the lens of the individual.

Legal histories have been told for much too long from the omnipotent, often disconnected perspective of legal experts who tell us which case decisions are important and why. . . . The best way to get students engaged in any course material is to tell them the information is relevant to their lives. Stein does just that. She makes legal history relevant.”—Journalism & Mass Communication Educator

“A launching pad for students’ own exploration of values projected by mass media both today and in the past.”

—Journalism & Mass Communication Quarterly

184 pp. 6 x 9. 1 Table. 2007.

66 Paper 978-0-252-07536-0. $20.00

“There are few more combustible combinations than a father, a son, and a newspaper chain. . . . The story is told effectively . . . and is an excellent addition to the flourishing Illinois ‘History of Communication’ series.”

—Columbia Journalism Review

Prologue to a Farce Communication and Democracy in America Mark Lloyd

“Mark Lloyd offers a wide-ranging chronicle of American communication policy from the founding of the republic through the present day. This work is unique among historical examinations of American communication policy in that it is less about reforming media than about reforming democracy by providing citizens with full access to important public information.”

—American Journalism 352 pp. 6 x 9. 2006.

67 *Cloth 978-0-252-03104-5. $60.00.

68 Paper 978-0-252-07342-7. $25.00

280 pp. 6 x 9. 19 Black & White Photographs. 2008.

70 *Cloth 978-0-252-03299-8. $65.00.

71 Paper 978-0-252-07504-9. $25.00

The Scripps Newspapers Go to War, 1914-18 Dale E. Zacher

304 pp. 6 x 9. 2008.

72 Cloth 978-0-252-03158-8. $45.00

Freedom from Advertising E. W. Scripps’s Chicago Experiment Duane C. S. Stoltzfus

“A case study about the complexities of two current seminal journalistic debates: the role of objectivity and the search for a viable business model to accommodate the industry’s civic responsibility.”—American Journalism 208 pp. 6 x 9. 10 Black & White Photographs, 5 Tables. 2007.

73 Cloth 978-0-252-03115-1. $40.00

Democracy, Inc. The Press and Law in the Corporate Rationalization of the Public Sphere David S. Allen

“Allen presents a clearly reasoned argument in place of table-pounding denunciations of the corporatization of the press and law. He attributes the problems of democracy neither to conspiracies nor to unbridled greed, but to the structure of a particular brand of capitalism whose modes of support he clearly identifies in law, making clear the route to real reforms in the process.”

—Thomas Streeter, author of Selling the Air: A Critique of the Policy of Commercial Broadcasting in the United States 69 216 pp. 6 x 9. 2005.

Cloth 978-0-252-02975-2. $30.00

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1 0 t h e h i s t o ry o f c o mm u n i c at i o n

Outside the Box

Investigated Reporting

Corporate Media, Globalization, and the UPS Strike

Muckrakers, Regulators, and the Struggle over Television Documentary

Deepa Kumar

Chad Raphael

“Not only a significant contribution to the field but also a practical guide to how organized labor can intervene and enact social change in a still severely compromised public arena.”—Journal of Communication

Recipient of the Frank Luther Mott–Kappa Tau Alpha Research Award for the Association for Education in Journalism and Mass Communication (AEJMC); Recipient of the History Division Book Award of the AEJMC; and winner of the Donald McGannon Award for Social and Ethical Relevance in Communications Policy Research

2008. 264 pp. 6 x 9. 5 Black & White Photographs, 7 Tables.

74 Paper 978-0-252-07589-6. $25.00

Telecommunications and Empire Jill Hills

“The best single source for tracing much of the global communication developments of the last 170 years.”

—Communication Research Trends 312 pp. 6 x 9. 2007.

75 Cloth 978-0-252-03258-5. $45.00

Advertising on Trial Consumer Activism and Corporate Public Relations in the 1930s Inger L. Stole

“Advertising on Trial is filled with vivid visuals from advertising’s past and is one of the most complete scholarly treatments of the 1930s consumer movement. . . . Stole’s work here returns a missing part of history to the fore so that scholars and general audiences alike can benefit from knowing that advertising was not always considered a natural part of American life.”—American Journalism 312 pp. 6 x 9. 10 Black & White Photographs. 2006.

76 *Cloth 978-0-252-03059-8. $50.00.

77 Paper 978-0-252-07299-4. $25.00

“A very useful and insightful study of a period too easily forgotten three decades and more later. And the value of the study is more than historical, for the methods of analysis and many of the conclusions apply readily to media today.”—CBQ (Communication Booknotes Quarterly) 320 pp. 6 x 9. 12 Black & White Photographs, 1 Line Drawing, 6 Tables. 2005.

78 Cloth 978-0-252-03010-9. $45.00

Women Making News Gender and Journalism in Modern Britain Michelle Elizabeth Tusan

“Offers a richly researched analysis that advances women’s journalism history beyond fragmentary accounts of individual experience to place the women’s advocacy press at center of the cultural and political emergence of the British woman citizen.”—JHistory 320 pp. 6 x 9. 29 Black & White Photographs. 2005.

79 Cloth 978-0-252-03015-4. $45.00

Communities of Journalism A History of American Newspapers and Their Readers David Paul Nord

Examination Copies For information and downloadable order forms: • visit our web site, • click on “Books” in the top menu • select “For Instructors” in the drop-down menu

“Nord, . . . a skilled and incisive practitioner of journalism history, has collected in this volume his essays of the last twenty years, centered on the theme of newspapers and their communities. In the most entertaining, he traces the sources of today’s tabloid news to the bizarre occurrences recorded to show the divine hand at work in seventeenth-century New England. At the other end chronologically, he finds that the search of public, or civic, journalism for a single, unified community fails to come to grips with the realities of power in a divided, ‘interest-group society.’”—Columbia Journalism Review 2007. 312 pp. 6 x 9. 17 Tables.

80 Paper 978-0-252-07404-2. $20.00

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t h e h i s t o ry o f c o mm u n i c at i o n

Asian 11

Radio’s Hidden Voice

Reorienting Global Communication

The Origins of Public Broadcasting in the United States

Indian and Chinese Media Beyond Borders

Hugh Richard Slotten

“Impressively researched and clearly written, Radio’s Hidden Voice recovers a lost and important chapter in American broadcasting history.”—James L. Baughman, author of Same Time, Same Station: Creating American Television, 1948-1961 344 pp. 6 x 9. 32 Black & White Photographs. 2009.

81 Cloth 978-0-252-03447-3. $50.00

Edited by Michael Curtin and Hemant Shah

“Meets an urgent need in the fields of media globalization and international cultural studies by providing an in-depth examination of the Indian and Chinese media industries and the changing concepts of ‘nation’ and ‘home’ in an increasingly globalized world.”—Shujen Wang, author of Framing Piracy: Globalization and Film Distribution in Greater China 328 pp. 6 x 9. 9 Black & White Photographs, 7 Tables. 2010.

85 *Cloth 978-0-252-03501-2. $75.00.

86 Paper 978-0-252-07690-9. $30.00

Waves of Opposition Labor and the Struggle for Democratic Radio

Popular Culture and Politics in Asia Pacific

Elizabeth Fones-Wolf

Gandhi Meets Primetime

“Elizabeth Fones-Wolf has written a definitive history of how, from the 1930s to the 1950s, unions struggled with corporations for radio outlets, airtime, and audience attention, in both national and local arenas. . . . This detailed study places labor radio at the center of everyday political and cultural life in this period.”—Journal of American History 320 pp. 6 x 9. 20 Black & White Photographs. 2006.

82 *Cloth 978-0-252-03119-9. $60.00.

83 Paper 978-0-252-07364-9. $25.00

From Yahweh to Yahoo!

The Religious Roots of the Secular Press

Shanti Kumar

“This book breaks some new ground in its approach to Indian television and national identity. By including a consideration of how original visions of the nation by Gandhi and Nehru played out in public policy regarding television’s role in national development, Kumar has illuminated the complex and sometimes contradictory views by Indian politicians and intellectuals. . . . This work deserves attention by readers of media globalization literature.”—Communication Research Trends 256 pp. 6 x 9. 12 Black & White Photographs. 2006.

87 *Cloth 978-0-252-03001-7. $45.00.

88 Paper 978-0-252-07244-4. $25.00

Doug Underwood

Co-winner of the Society for the Scientific Study of Religion Book Award “One of the finest books written on journalism in the United States. . . . Underwood has delved deeply and fairly into the range of myths that have driven the journalistic enterprise in America.”—Mass Communication Quarterly 2008. 368 pp. 6 x 9.25 . 21 Tables.

84 Paper 978-0-252-07571-1. $25.00

Globalization and Nationalism in Indian Television

Popular Culture and Politics in Asia Pacific

Chinese American Transnational Politics Him Mark Lai Edited and with an Introduction by Madeline Y. Hsu

“A remarkable collection that shows the dedication, diligence, and accomplishments of Him Mark Lai, an amateur historian who devoted himself to researching and writing the history of Chinese American communities.”—Renqiu Yu, author of To Save China, To Save Ourselves: The Chinese Hand Laundry Alliance of New York 296 pp. 6.125 x 9.25. 1 Black & White Photograph. 2010.

89 *Cloth 978-0-252-03525-8. $75.00.

90 Paper 978-0-252-07714-2. $30.00

The Asian American Experience

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1 2 f i l m s t u d i es

Lowering the Boom Critical Studies in Film Sound Edited by Jay Beck and Tony Grajeda

“[Lowering the Boom reclaims] cinema as an ‘audiovisual’ object, demonstrating conclusively that whatever the relative importance of the ‘audio’ and ‘visual’ parts, neither can be ignored . . . . I hope Lowering the Boom is widely read.”—Jump Cut 360 pp. 6.125 x 9.25. 2 Black & White Photographs. 2008.

91 *Cloth 978-0-252-03323-0. $60.00.

92 Paper 978-0-252-07532-2. $25.00

Pop Modernism Noise and the Reinvention of the Everyday Juan A. Suárez

“A book of encyclopedic proportions, Pop Modernism is brilliant, and will set a new path for Modernist Studies.”—Paula Rabinowitz, author of Black & White & Noir: America’s Pulp Modernism 336 pp. 6 x 9. 14 Black & White Photographs. 2007.

93 *Cloth 978-0-252-03150-2. $60.00.

94 Paper 978-0-252-07392-2. $25.00

Feeling Modern The Eccentricities of Public Life Justus Nieland

“In Feeling Modern, Justus Nieland demonstrates the capacities of modernist writers to evoke states of sympathetic, trans-individual experience and, through the intricacies of fictional and cinematic texts, to communicate them to audiences and reading publics.”—Tyrus Miller, University of California at Santa Cruz 336 pp. 6 x 9. 24 Black & White Photographs. 2008.

95 *Cloth 978-0-252-03337-7. $60.00.

96 Paper 978-0-252-07546-9. $25.00

Distributed for Power Publications at the University of Sydney

The Filmmaker and the Prostitute Dennis O’Rourke’s The Good Woman of Bangkok Chris Berry, Annette Hamilton, Laleen Jayamanne

Bringing newspaper and journal reviews together with theoretical essays, this collection offers comprehensive coverage of the debates surrounding the controversial film The Good Woman of Bangkok. This film refracts currents of contemporary thinking—on alterity, feminism, postcoloniality, and globalization.

232 pp. 8.25 x 9.75. 5 Black & White Photographs. 1997.

97 Paper 978-0-909952-28-0. $25.00

The Illusion of Life 2 More Essays on Animation Edited by Alan Cholodenko

The Illusion of Life 2 continues the first volume’s pioneering work in the theory of animation. Covering a range of key topics, the sixteen essays and introduction provide an abundance of new understandings, approaches, correctives, and challenges to scholars of animation as well as film.

576 pp. 6 x 8.5. 12 Black & White Photographs, 1 Table. 2007.

98 Paper 978-0-909952-34-1. $47.00

Falling for You Essays on Cinema and Performance Edited by Lesley Stern and George Kouvaros

Focusing on the work of the actor, but not simply about acting, this study offers a range of theoretical approaches for illuminating the affective force of cinema.

321 pp. 5.5 x 8.25. 1999.

99 Paper 978-1-86487-025-1. $25.00

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t h e o ry a n d c u lt u r e 1 3

Film Adaptation in the Hollywood Studio Era

German Film after Germany

Guerric DeBona

Randall Halle

“Guerric DeBona’s new book makes a powerful case that film adaptations are shaped as much by contextual forces as by their literary forbears. Once it is as widely read as it deserves to be, adaptation studies will never be the same.”—Thomas Leitch, author of Film Adaptation and Its Discontents: From Gone with the Wind to The Passion of the Christ

“Through his breadth, originality, and ‘nose’ for ongoing transitions in culture and cinema, Halle provides a muchneeded overview of the complex funding ensembles existing in and beyond Germany today.”—Linda Schulte-Sasse, author of Entertaining the Third Reich: Illusions of Wholeness in Nazi Cinema

224 pp. 6 x 9. 2010.

100 *Cloth 978-0-252-03541-8. $70.00.

101 Paper 978-0-252-07737-1. $25.00

Toward a Transnational Aesthetic

256 pp. 6 x 9. 2008.

105 *Cloth 978-0-252-03329-2. $60.00.

106 Paper 978-0-252-07538-4. $25.00

The Devil You Dance With

Contesting Identities

Film Culture in the New South Africa

Sports in American Film

Edited and with an Introduction by Audrey Thomas McCluskey

Aaron Baker

“[A] welcome addition to our understanding of sports, movies, and politics. These provocative essays draw attention to a compelling subject and an abundant amount of films that have suffered neglect even as sports films became an increasingly important part of our entertainment culture.”—Cineaste 176 pp. 6 x 9. 8 Black & White Photographs. 2003.

102 Cloth 978-0-252-02816-8. $34.00.

2006. 103 Paper 978-0-252-07354-0. $20.00

“An extremely important work, The Devil You Dance With is the first comprehensive study of South African filmmaking in the critical post-apartheid period. This book gives vital insight into how globalization actually impacts a non-Western society that has few defenses beyond the awareness and canniness of the artists involved.

Strongly recommended to anyone interested in film.”

—Peter Davis, director of award-winning documentary film Winnie Mandela “Filled with rich insights. . . . It is a gold mine for African film scholars.”—Cineaste

African Americans in Cinema The First Half Century Project director: Phyllis R. Klotman

“One can only feel grateful for the work done by Phyllis R. Klotman, whose editorial hand is firmly felt throughout the publication. The general quality of the essays is excellent, both informative for undergraduate and stimulating for scholars.”—Image & Narrative

248 pp. 6 x 9. 21 Black & White Photographs. 2009.

107 *Cloth 978-0-252-03386-5. $65.00.

108 Paper 978-0-252-07574-2. $25.00

2003. 104. CD/CD ROM. 978-0-252-02892-2. $26.00

Examination Copies For information and downloadable order forms: • visit our web site, • click on “Books” in the top menu • select “For Instructors” in the drop-down menu

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1 4 T h e F r e n c h F i l m g u i d e s : Copublished with I. B. Tauris and Co., Ltd.

Alphaville

Amélie

Chris Darke

Le Fabuleux Destin d’Amélie Poulain

This definitive guide to the Jean-Luc Godard’s most famous film, Alphaville, explores how this auteur director’s experimental approach to filmmaking revolutionized film noir.

Isabelle Vanderschelden

128 pp. 2005.

109 *Cloth 978-0-252-03088-8. $40.00.

110 Paper 978-0-252-07329-8. $15.00

Provides analysis and social context for the film and the reasons behind its success.

128 pp. 5.5 x 8.25. 2007.

189 *Cloth 978-0-252-03221-9. $50.00.

190 Paper 978-0-252-07470-7. $20.00

The French Film Guides

Les Diaboliques

Le Corbeau

Susan Hayward

Judith Mayne

In this informative and accessible guide to the film, Hayward presents a illuminating look at the production of Les Diaboliques, its reception by critics, its cast and its crew, and the many attempts to remake the film.

Le Corbeau stands as the premier film about the German occupation of France. Judith Mayne’s book analyzes the film’s brilliant visual style and dark tone and provides a guide to its many possible interpretations (in line with the period’s “cinema of paradox”).

128 pp. 2005.

111 Paper 978-0-252-07330-4. $15.00

La Reine Margot Julianne Pidduck

This critique probes the artistic, historical, and political influences that inspired Patrice Chéreau’s infamous epic film of a monstrous, murderous family set against the violent backdrop of sixteenth-century France.

128 pp. 2005.

112 Paper 978-0-252-07331-1. $15.00

La Haine Ginette Vincendeau

This work analyzes the film’s place within the film industry and French society; the film’s narrative tension, stylistic sophistication, and ideological ambiguity; and answers why, out of so many films about disaffected youth, La Haine caught the audience’s imagination and became an instant classic.

128 pp. 2005.

113 Paper 978-0-252-07332-8. $15.00

128 pp. 5.5 x 8.25. 2007.

191 *Cloth 978-0-252-03218-9. $50.00.

192 Paper 978-0-252-07457-8. $20.00

Casque d’or Sarah Leahy

This guide analyzes the film, offers detailed discussions of its production and the public’s response to it, and places it within the context of cinema and social history.

128 pp. 5.5 x 8.25. 2007.

193 *Cloth 978-0-252-03219-6. $50.00.

194 Paper 978-0-252-07472-1. $20.00

Cléo de 5 á 7 Valerie Orpen

Looks at the variety of influences and the unusual feminist theme that make this French New Wave film a classic.

128 pp. 5.5 x 8.25. 2007.

195 *Cloth 978-0-252-03217-2. $50.00.

196 Paper 978-0-252-07458-5. $20.00

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l at i n a m e r i c a n

asian 15

Screening Cuba

China Forever

Film Criticism as Political Performance during the Cold War

The Shaw Brothers and Diasporic Cinema

Hector Amaya

“An impressive, in-depth inquiry into the historical mutations, cultural innovations, and political implications of the rise and development of the Shaw Brothers’ movie empire.”—David Der-wei Wang, author of The Monster That Is History: History, Violence, and Fictional Writing in Twentieth-Century China

A sophisticated comparison of U.S. and Cuban reactions to Cold War films “Truly groundbreaking. Amaya’s provocative and illuminating analysis uses a Cuba-U.S. framework to address film criticism as a way of exercising political citizenship, providing a glimpse into the cultural and political effects of the Cold War.”—Ana López, coeditor of The Ethnic Eye: Latino Media Arts 236 pp. 6 x 9. 1 Black & White Photograph. 2010.

197 *Cloth 978-0-252-03559-3. $80.00.

198 Paper 978-0-252-07748-7. $30.00

Edited by Poshek Fu

Contributors are Timothy P. Barnard, Cheng Pei-pei, Ramona Curry, Poshek Fu, Lane J. Harris, Law Kar, Sundiata Keita Cha-Jua, Lilly Kong, Siu Leung Li, Paul G. Pickowicz, Fanon Che Wilkins, Wong Ain-ling, and Sai-shing Yung.

280 pp. 6 x 9. 12 Black & White Photographs. 2008.

118 *Cloth 978-0-252-03273-8. $60.00.

119 Paper 978-0-252-07500-1. $25.00

Latina/o Stars in U.S. Eyes The Making and Meanings of Film and TV Stardom

Popular Culture and Politics in Asia Pacific

Mary C. Beltrán

Afghanistan in the Cinema

“Latina/o Stars in U.S. Eyes is well researched, highly readable, and tremendously significant in terms of how it expands our understanding of media, stardom, and Latino and multiracial identities historically and in the present day.”—Diane Negra, coeditor of Interrogating Postfeminism: Gender and the Politics of Popular Culture

Mark Graham

224 pp. 6 x 9. 18 Black & White Photographs. 2009.

114 *Cloth 978-0-252-03454-1. $65.00.

115 Paper 978-0-252-07651-0. $25.00

Latin American Melodrama

“In analyzing film depictions of Afghanistan, Mark Graham makes a wise and rarely heard argument about the ways the international art film festival circuit is guilty of ethnocentrism. An eloquent and challenging study with much potential for teaching and discussion around issues of the so-called clash of civilization between Islam and the West.”—Ellen Seiter, creator of the documentary Projecting Culture: Perceptions of Arab and American Films

Passion, Pathos, and Entertainment

208 pp. 6 x 9. 9 Black & White Photographs. 2010.

120 *Cloth 978-0-252-03527-2. $65.00.

121 Paper 978-0-252-07712-8. $22.00

Edited and with an Introduction by Darlene J. Sadlier

Chinese Face/Off

“A welcome addition to the literature, particularly given melodrama’s centrality in cinematic and televisual discourses in Brazil, Mexico, and Venezuela. A very important volume.”—Randal Johnson, author of Manoel de Oliveira Contributors are Luisela Alvaray, Mariana Baltar, Catherine L. Benamou, Marvin D’Lugo, Paula Félix-Didier, Andrés Levinson, Gilberto Perez, Darlene J. Sadlier, Cid Vasconcelos, and Ismail Xavier.

192 pp. 6 x 9. 24 Black & White Photographs. 2009.

116 *Cloth 978-0-252-03464-0. $60.00.

117 Paper 978-0-252-07655-8. $25.00

The Transnational Popular Culture of Hong Kong Kwai-Cheung Lo

In looking at various media and entertainment, Lo uncovers Hong Kong’s importantly “transnational” identity defined in terms of complex relationships with mainland China, other diasporic communities (like Taiwan), and the West.

296 pp. 6 x 9. 1 Table. 2005.

122 *Cloth 978-0-252-02978-3. $45.00.

123 Paper 978-0-252-07228-4. $20.00

Popular Culture and Politics in Asia Pacific

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1 6 c o n t e m p o r a ry f i l m d i r e c t o r s

Contemporary Film Directors presents short, engagingly written, useful commentaries on living directors from around the world, including those who deserve greater attention in the English language. Each volume also includes an interview with the director, an annotated filmography, illustrations, and a bibliography. Cloth editions are unjacketed.

Pedro Almodóvar

Atom Egoyan

Marvin D’Lugo

Emma Wilson

124 Paper 978-0-252-07361-8. $19.95

133 Cloth 978-0-252-03430-5. $65.00.

134 Paper 978-0-252-07620-6. $19.95

Jane Campion Kathleen McHugh

Abel Ferrara

125 Cloth 978-0-252-03204-2. $65.00.

126 Paper 978-0-252-07447-9. $19.95

Translated from the French by Adrian Martin

Joel and Ethan Coen R. Barton Palmer

Nicole Brenez 135 Cloth 978-0-252-03154-0. $65.00.

136 Paper 978-0-252-07411-0. $19.95

127 Cloth 978-0-252-02936-3. $65.00.

128 Paper 978-0-252-07185-0. $19.95

Available Fall 2010

Jean-Pierre and Luc Dardenne

Celestino Deleyto and María del Mar Azcona

Joseph Mai 129 Cloth 978-0-252-03528-9. $65.00.

130 Paper 978-0-252-07711-1. $19.95

Claire Denis Judith Mayne 131 Cloth 978-0-252-02991-2. $65.00.

132 Paper 978-0-252-07238-3. $19.95

Alejandro González Iñárritu 137 Cloth 978-0-252-03569-2. $65.00.

138 Paper 978-0-252-07761-6. $19.95

Michael Haneke Peter Brunette 139 Cloth 978-0-252-03531-9. $65.00.

140 Paper 978-0-252-07717-3. $19.95

Jim Jarmusch Juan A. Suárez 141 Cloth 978-0-252-03201-1. $65.00.

142 Paper 978-0-252-07443-1. $19.95

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c o n t e m p o r a ry f i l m d i r e c t o r s   1 7

Jean-Pierre Jeunet

Manoel de Oliveira

Elizabeth Ezra

Randal Johnson

143 Cloth 978-0-252-03318-6. $65.00.

144 Paper 978-0-252-07522-3. $19.95

156 Cloth 978-0-252-03202-8. $65.00.

157 Paper 978-0-252-07442-4. $19.95

Neil Jordan

Roman Polanski

Maria Pramaggiore

James Morrison

145 Cloth 978-0-252-03325-4. $65.00.

146 Paper 978-0-252-07530-8. $19.95

158 Paper 978-0-252-07446-2. $19.95

Abbas Kiarostami Mehrnaz Saeed-Vafa and Jonathan Rosenbaum 147 Paper 978-0-252-07111-9. $19.95

Sally Potter Catherine Fowler 159 Cloth 978-0-252-03382-7. $65.00.

160 Paper 978-0-252-07576-6. $19.95

Jerry Lewis

Nelson Pereira dos Santos

Chris Fujiwara

Darlene J. Sadlier

148 Cloth 978-0-252-03497-8. $65.00.

149 Paper 978-0-252-07679-4. $19.95

161 Paper 978-0-252-07112-6. $19.95

Terrence Malick Lloyd Michaels 150 Cloth 978-0-252-03385-8. $65.00.

151 Paper 978-0-252-07575-9. $19.95

Chris Marker Nora M. Alter 152 Cloth 978-0-252-03073-4. $65.00.

153 Paper 978-0-252-07316-8. $19.95

Albert Maysles Joe McElhaney 153 Cloth 978-0-252-03429-9. $65.00.

154 Paper 978-0-252-07621-3. $19.95

Paul Schrader George Kouvaros 162 Cloth 978-0-252-03306-3. $65.00.

163 Paper 978-0-252-07508-7. $19.95

Wong Kar-wai Peter Brunette 164 Cloth 978-0-252-02992-9. $65.00.

165 Paper 978-0-252-07237-6. $19.95

Edward Yang John Anderson 166 Paper 978-0-252-07236-9. $19.95

u n i v e r s i t y o f i l l i n o i s P r e s s • w w w. p re s s . u i l l i n o i s . e d u

18 journals

women and gender

Figures of Resistance For subscription and pricing information, visit www.press.uillinois.edu/journals

Essays in Feminist Theory Teresa de Lauretis

Edited and with an Introduction by Patricia White

Music and the Moving Image Official Journal of the Film Music Society Edited by Gillian B. Anderson & Ronald H. Sadoff

Music and the Moving Image is published in collaboration with the Film Music Society and is sponsored by the NYU Steinhardt Department of Music and Performing Arts Professions.

Music and the Moving Image is an online journal dedicated to the relationship between the entire universe of music and moving images (film, television, music videos, computer games, performance art, and web-based media).

Journal of Film and Video Official Journal of the University Film and Video Association Edited by Stephen Tropiano

The Journal of Film and Video focuses on scholarship in the fields of film and video production, history, theory, criticism, and aesthetics. Article features include film and related media, problems of education in these fields, and the function of film and video in society.

Crucial essays and unpublished lectures of internationally renowned theorist Teresa de Lauretis, spanning twenty years of her finest work, invite us to reflect on the history and power of feminist theory.

320 pp. 6 x 9. 3 Black & White Photographs. 2007.

167 *Cloth 978-0-252-03197-7. $65.00.

168 Paper 978-0-252-07439-4. $20.00

Sexy Thrills Undressing the Erotic Thriller Nina K. Martin

“In this extremely well-researched, -organized, and -written book, Martin makes a strong case for the importance of these films from a feminist perspective.” —Peter Lehman, editor of Pornography: Film and Culture 216 pp. 6 x 9. 9 Black & White Photographs. 2007.

169 *Cloth 978-0-252-03195-3. $65.00.

170 Paper 978-0-252-07437-0. $20.00

Queer Gothic George E. Haggerty

Considers the ways in which gothic fiction helped shape thinking about sexual matters, create the darker shadows of the dominant fiction, and jump-start the age of sexology.

248 pp. 6 x 9. 2006.

171 *Cloth 978-0-252-03108-3. $65.00.

172 Paper 978-0-252-07353-3. $20.00

To receive 30% discount use order form on last page, call 800-621-2736, or visit www.press.uillinois.edu. Use code CMF10 when ordering.

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women and gender 19

Wanted Cultured Ladies Only!

“Baad Bitches” and Sassy Supermamas

Female Stardom and Cinema in India, 1930s-1950s

Black Power Action Films

Neepa Majumdar

Stephane Dunn

“A brilliant, groundbreaking study that illuminates a heretofore little known era of Indian cinema. Its combination of rich historical research, rigorous analysis, and sophisticated critical insight marks the best, most effective film criticism.”—Corey K. Creekmur, coeditor of Cinema, Law, and the State in Asia

“Dunn puts the whole blaxploitation experience into logical context, explaining the social conditions of the era relating to race and gender that affected how the black community observed these films. . . . An essential companion to the black film studies genre.

Recommended.”—Library Journal

272 pp. 6 x 9. 26 Black & White Photographs. 2009.

173 *Cloth 978-0-252-03432-9. $65.00.

174 Paper 978-0-252-07628-2. $25.00

“Intellectually stimulating and immediately accessible.”

—Atlanta Journal-Constitution 192 pp. 6 x 9. 2008.

179 *Cloth 978-0-252-03340-7. $50.00.

180 Paper 978-0-252-07548-3. $20.00

Women and Experimental Filmmaking Edited by Jean Petrolle and Virginia Wright Wexman

“I unreservedly recommend this collection both to those already familiar with the experimental films and filmmakers under analysis, as well as to the newcomer who has yet to discover the richness and diversity of the work that women experimentalists are contributing to the history of cinema.”—Women’s Art Journal 312 pp. 6 x 9. 2005.

175 *Cloth 978-0-252-03006-2. $40.00.

176 Paper 978-0-252-07251-2. $19.95

Into the Vortex Female Voice and Paradox in Film Britta Sjogren

“What wowed the crowd . . . was ‘Levels of Narration: Multiplicity and Voice’. This intriguing section really explains how film and sound mix and meld and really give the reader an insider’s look of how a story develops and how we process it based on sights and sounds presented to us. The world of cinema has been home to a number of films that gave voice to women but never before have the voices off and on screen been so dissected and investigated.”—Film International

The New Black Studies Series

Divas on Screen Black Women in American Film Mia Mask

“An original and imaginative work that is full of intellectual energy, insight, and engaged writing.”

—Hazel V. Carby, author of Cultures in Babylon: Black Britain and African America “Mia Mask deftly weaves the lines of inquiry, theory, popular culture, and history while making the complex lives of these amazing, charismatic black women [Dorothy Dandridge, Pam Grier, Whoopi Goldberg, Oprah Winfrey, and Halle Berry] accessible and understandable in fresh conceptual ways.”—Ed Guerrero, author of Framing Blackness: The African American Image in Film 320 pp. 6 x 9. 16 Black & White Photographs. 2009.

181 *Cloth 978-0-252-03422-0. $75.00.

182 Paper 978-0-252-07619-0. $25.00

For more titles in Women and Gender in Communication and Media Studies, see pp. 4-5

264 pp. 6 x 9. 23 Black & White Photographs. 2005.

177 *Cloth 978-0-252-03028-4. $40.00.

178 Paper 978-0-252-07267-3. $20.00

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2 0 W o m e n a n d f i l m H i s t o ry I n t e r n at i o n a l S e r i e s

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Universal Women

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Filmmaking and Institutional Change in Early Hollywood

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Series edited by Kay Armatage, Jane M. Gaines, and Christine Gledhill The series investigates the significance of gender in the cinema century by taking advantage of new print material and moving picture archival discoveries as well as the benefits of digital access and storage.

Mark Garrett Cooper

“With rigorous focus, admirable economy, and wideranging research, Cooper outlines a sophisticated strategy for investigating how and why Universal Studios hired women as directors and then stopped doing so. This is the book we have been waiting for.”—Kay Armatage, author of The Girl from God’s Country: Nell Shipman and the Silent Cinema 264 pp. 6 x 9. 31 Black & White Photographs, 1 Chart. 2010.

183 *Cloth 978-0-252-03522-7. $70.00.

184 Paper 978-0-252-07700-5. $25.00

$70.00

$49.00

The Uncanny Gaze

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$52.50

The Drama of Early German Cinema

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$59.50

Heide Schlüpmann

Translated by Inga Pollmann Foreword by Miriam Hansen “Schlüpmann’s approach to early German cinema is central to current thinking about early cinema, aesthetic formations, and female spectatorship. This translation will prove enormously helpful to scholars both within and outside the United States”—Patrice Petro, author of Joyless Streets: Women and Melodramatic Representation in Weimar Germany 336 pp. 6 x 9. 188 Black & White Photographs. 2010.

185 *Cloth 978-0-252-03283-7. $85.00.

186 Paper 978-0-252-07671-8. $30.00

A Great Big Girl Like Me The Films of Marie Dressler Victoria Sturtevant

“An important, groundbreaking work. In reminding us of the stardom of Marie Dressler . . . Sturtevant not only tells the definitive story of this unjustly forgotten figure, but calls into question the very idea that stardom is simply an ‘industry of desire.’”—David Desser, coeditor of Hollywood Goes Shopping

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208 pp. 6 x 9. 27 Black & White Photographs. 2009.

187 *Cloth 978-0-252-03428-2. $60.00.

188 Paper 978-0-252-07622-0. $20.00

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communication, media, and Film studies