Matthew Barton Decorative Works of Art

Matthew Barton Ltd Decorative Works of Art Tuesday 22nd May 2012

AucTion EnquiriEs And informATion Sale Number: Code name:

006 HEDWIG

Enquiries:

consultants:

catalogue

Matthew Barton Amy-Lynn Kitchen

Peter Arney (Ceramics) Phillip Howell (Ceramics) John Culme (Silver & Vertu) Anabel Yorke (Jewellery) Richard Chadwick (Watches)

ÂŁ15 plus postage

Matthew Barton Ltd 25 Blythe Road London W14 0PD Tel: +44 (0) 20 7806 5545 Fax: +44 (0) 207 806 5546 Email: enquiries@matthewbarton.com Online Catalogue: www.matthewbartonltd.com www.the-saleroom.com/en-gb/auction-catalogues/matthew-barton-ltd Listen to the auction Live, Tel +44 (0) 20 7806 5535

Front cover: Lots 428, 292 Back cover: Lot 13

Live internet bidding available through:

Photography: Lee Turner

Matthew Barton Ltd DECORATIVE WORKS OF ART including part of the Kaars Sijpersteijn Family Collection of Chinese Blue & White Porcelain, a Private Collection of Art Nouveau Photograph Frames, the Silver Collection of the late Andrew Kelly QC and a Private Collection of Gold & Silver Boxes

TO BE SOLD BY AUCTION AT Matthew Barton Ltd 25 Blythe Road London W14 0PD

PUBLIC EXHIBITION Sunday 20th May 12 noon to 4pm Monday 21st May 10am to 7pm Tuesday 22nd May 9.30am to 12 noon

DAY OF SALE

Wednesday 22nd May 2012 at 1pm, precisely This auction is conducted by Matthew Barton Ltd in accordance with our Conditions of Business printed in the back of this catalogue.

View the catalogue online at www.matthewbartonltd.com www.the-saleroom.com/en-gb/auction-catalogues/matthewbarton-ltd i

All lots are offered subject to Matthew Barton Ltd’s Conditions of Business and to reserves. The Conditions of Business for Buyers, are published at the end of the printed catalogue.

PLEASE NOTE THAT ALL MEASUREMENTS ARE APPROXIMATE, THAT WEIGHTS MAY ONLY BE ACCURATE WITHIN 5 GRAMS AND THAT ILLUSTRATIONS ARE NOT TO SCALE. It is common practice for many gemstones to be treated by a variety of methods to enhance their appearance and the international jewellery trade has generally accepted these methods. Although heat enhancement of colour is usually permanent, in some cases this could affect the durability of a gemstone. Oiled gemstones may need re-oiling after a certain period. If no gemological report is published in the catalogue, prospective buyers should assume that the gemstones or pearls may have been enhanced by some method. Buyers should be away that Matthew Barton Ltd’s saleroom estimates assume that gemstones or pearls may have been subjected to such treatments.

Estimates are published as a guide only and are subject to review. The actual hammer price of a lot may well be higher or lower than the range of figures given and there are no fixed “starting prices”.

A Buyer’s premium of 20% is applicable to all lots in this sale. Excepting lots sold under Temporary Import rules, which are marked with the symbol ‡ in the printed catalogue (see below), the Buyer’s Premium is subject to VAT at the standard rate (currently 20%). Unless otherwise indicated lots are offered for sale under the auctioneer's margin scheme and VAT on the Buyer’s Premium is payable by all buyers.

Lots marked with the symbol ‡ have been imported from outside the European Union (EU) to be sold at auction under Temporary Import Rules. When released to buyers within the EU, including the UK, the buyer will become the importer and must pay VAT at the rate of 5% on the hammer price. The Buyer’s premium will be subject to the standard rate of VAT at 20%. Buyers outside the EU will normally be eligible to obtain a refund in respect of temporary import VAT, upon satisfactory documentary evidence of exportation. Further information on this matter is available on request.

Matthew Barton Ltd. will be pleased to execute bids on behalf of those clients unable to attend the sale in person, subject to our Conditions of Business. All bids must be submitted in writing in good time and lots will always be purchased as cheaply as possible (depending on any other bids received, reserves and competition in the saleroom). This service is offered free of charge.

Matthew Barton Ltd. can supply quotations for shipping of purchases, including transit insurance and VAT refund administration fees, and will assist in the application for any export licenses which may be required. Buyers are reminded that it is their responsibility to comply with UK export regulations and with any local import requirements.

Payment Payment is due in sterling at the conclusion of the sale and before purchases can be released. Please note that we require seven days to clear sterling cheques unless special arrangements have been made in advance of the sale.

We are pleased to accept major credit cards but regret we are unable to accept American Express. A surcharge of 3% will be made on all credit cards. There is no charge for payments made on UK debit cards, but please note a 3% surcharge applies to all EU and international debit cards. Cash and credit card payments above £6,000 will not be accepted without prior arrangement.

Electronic transfers may be sent directly to out Bank: HSBC Bank Plc 38 High Street Dartford Kent DA1 1DG IBAN No: GB53MIDL40190491814001 BIC: MIDLGB2128K Sort Code: 40-19-04 Account No: 91814001 Account Name: Matthew Barton Ltd Vat Registration Number: 972118224

Storage On receipt of cleared funds, lots can be collected from the Saleroom during the auction or immediately after its completion. Thereafter, all purchased lots will be stored at Matthew Barton Ltd’s premises for a period of one month prior to transfer to third part storage. A transfer fee of £10 per lot plus all incurred transfer and storage costs due to the third party will be payable prior to release. Please note that collection is BY APPOINTMENT on +44 (0) 20 7806 5545 ii

Matthew Barton Ltd Sale starts at 1.00pm

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1 A PAIR OF SILVER-MOUNTED COPENHAGEN PORCELAIN FISH ETUI, CIRCA 1775 each naturalistically modelled and coloured as a barbel 14cm long, restoration to one tail (2) For a similar model, see Bredo L. Grandjean, Kongelig dansk porcelain 1775-1884, Copenhagen, 1967, p.123, pl.104. Further examples sold Sotheby’s, London, 22 February1988, lot 399 and 6 March 2001, lot 95.

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£600-900 2 A SEVRES COFFEE CUP AND SAUCER, CIRCA 1760 probably later decorated, with scenes of exotic birds in landscapes against a turquoise ground gilt with oeuil-deperdrix and a ribboned laurel band, interlaced ‘L’ marks and painter’s marks in blue enamel (2) £200-300 3 A PAIR OF SAMSON FIGURES OF A GALLANT AND COMPANION, LATE 19TH CENTURY each standing before a flowering tree, raised on a scroll moulded base, gold anchor marks 22cm high, some restoration (2) £120-180 4 A FRENCH BISCUIT PORCELAIN BUST OF NAPOLEON BONAPARTE AS FIRST CONSUL, EARLY 19TH CENTURY supported on a circa 1790 Wedgwood pearlware column applied with paterae and floral swags suspended from rams masks against a brown striped ground 37cm high overall £400-600

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5 5 A MEISSEN DINNER SERVICE, CIRCA 1900 painted with scattered floral sprays and insects, with a border of connected ovals within shaped gilt rims, comprising: thirty-four dinner plates eight dessert plates eight soup bowls a pair of oval serving dishes in sizes a large circular dish a shaped square bowl twelve coffee cups and six saucers crossed swords in underglaze blue, impressed numbers (72) Provenance: a wedding present to Mr and Mrs Sterck, Prague, 1902 and thence by family descent. £2500-3500 6 A MEISSEN TWO-HANDLED VASE, CIRCA 1880 of ovoid form, the deep blue ground with moulded and gilt borders, set with entwined snake handles, crossed swords mark in underglaze blue 27cm high £150-200 7 A CONTINENTAL MAIOLICA CENTREPIECE BOWL, PROBABLY GERMAN, CIRCA 1870 the ribbed bowl modelled as if dripping petrified water, with columnar support, the socle base with three putti seated among flowers 41cm high, impressed numerals £250-350

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8 A SMALL CASTELLI MAIOLICA DISH, CIRCA 1740 painted with figures in a landscape with buildings and craggy mountains in the distance 16.5 cm diameter £400-600 9 A SMALL CASTELLI MAIOLICA PLATE, CIRCA 1740 painted with figures in a landscape with buildings and mountains beyond 18 cm diameter

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12 A PAIR OF FRENCH FAIENCE GADROON MOULDED DISHES, LATE 18TH / EARLY 19 TH CENTURY one painted with a figure walking in a landscape, the other with a naked youth holding an urn, beneath a border of foliated scrolls in blue and ochre 30.5 cm diameter, both restored; together with a tin-glazed circular pierced basket, probably Italian, 17th century, with plain centre and rope twist sides, covered overall in a white glaze 23 cm diameter, glaze chips (3) £200-300

£400-600 10 A SMALL CASTELLI MAIOLICA PLATE, CIRCA 1740 painted with a tree in the foreground, a mountain in the distance 17 cm diameter, shallow chip £400-600 11 A RARE WORCESTER SAUCEBOAT, CIRCA 1765 with ozier moulding and painted with ‘agitated birds’ and interior flower sprays, the moulded borders picked out in puce 21cm wide A very similar sauceboat was sold by Bonhams, 8th December 2004, lot 310. £500-700

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13 A RARE COALPORT ORNITHOLOGICAL BLUE GROUND VASE AND COVER, CIRCA 1870 of tripartite shield shape with domed cover, painted

by John Randall with three panels of birds of prey on branches, divided by vertical pilasters enriched with diamond pattern straps, the conforming tripartite foot gilt with diaper and trellis decoration, gilt ampersand mark to cover 44cm height, knob glued, hairline crack to cover and to rim (2) John Randall (1810-1890) was one of the best known Coalport artists and a great local celebrity. He was apprenticed to his uncle Thomas Martin Randall and painted at the Rockingham factory before joining Coalport in 1835. His earlier work tended to feature exotic birds, but in the 1860s he began to paint more naturalistic studies, often birds of prey in their natural surroundings. In addition to his work at Coalport, he was a botanist, geologist, published local historian and journalist, starting a local newspaper, as well as serving as a postmaster and a borough councillor. ÂŁ1800-2500

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14 A LARGE COLLECTION OF WEDGWOOD BLUE JASPER OVAL MEDALLIONS, 19TH CENTURY decorated in white relief with a wide array of classical subjects 1cm to 4.5cm wide (102) ÂŁ2000-3000

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15 A GERMAN ENGRAVED GLASS LARGE COMMEMORATIVE GOBLET, SAXONY OR UPPER SILESIA, CIRCA 1730 the rounded funnel bowl engraved with a monument inscribed ‘ZÜCHTIG GERECHT GOTTSEELIG’ and the personifications of Chastity, the Blessed and Justice above the motto ‘WO SIND SIE’ within a foliate cartouche beneath the inscription ‘Sie Fragt nach guthen Leuthen.’, the reverse engraved with Hope holding an anchor above the motto ‘WENN KOMMT SIE’ and inscribed beneath the rim, ‘Die Hoffung bessrer Zeiten.’, raised on a knopped stem and plain foot 28cm height, foot repaired The figures and mottos appear to refer to the Convention of Altranstädt held on the 1st September 1707. This agreement gave religious freedom to Protestants in Silesia. For medals commemorating this convention and bearing many of the same mottos, see Victoria and Albert Museum, collections nos. 14701882 and 1464-1882. For a similar cup (with cover) engraved with the same mottos and figures, see Auktionshaus Dr Fischer, Heilbronn, 17th March 2006, lot 127. £250-350

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‡16 A WEDGWOOD FAIRYLAND LUSTRE ‘TORCHES’ VASE, DESIGNED BY DAISY MAKEIG-JONES (1881-1945), CIRCA 1925 shape 3177, typically painted, underside with pattern number Z4968/i and printed ‘Portland Vase’ mark 28.5cm high, interior base drilled

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Literature: Una des Fontaines, Wedgwood Fairyland Lustre, the Work of Daisy Makeig-Jones, London, 1975, p.107. £2000-3000

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Lots 17-44: part of the the Kaars Sijpesteijn Family Collection of Chinese blue and white porcelain.

The sellers are direct descendants of the Kaars Sijpesteijn family, who owned and managed various companies in and around Krommenie (North Holland). The family business stretches back to the 17th century, when they started out as “rolreders“, a very early form of collective/ corporate entity, revolving around the sailcloth industry in the Zaan area of Holland. At the time the Dutch sailcloth industry in Krommenie was not only very well known (the sailcloth was very white and extremely tough), but also had a major economic impact on the region. The family’s products were used in the sailmaking industry and they used them for their own ships as well as others, including prominently the Dutch East India Company. Many of the raw materials were brought in from the East and the family’s trading connections with the Orient were strong for many years. It is hardly surprising the family amassed a large collection of Chinese blue and white wares; the collection remained together until after World War II, when it was split between family members.

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17 A BOWL WITH EVERTED RIM, KANGXI the exterior with panels of figures in pavilions, separated by inscrioptions, the interior with boys at play in a landscape, the rim borders of fruit or emblem panels against a cell diaper ground, six character Kangxi mark, end of the period 21cm diameter, minor glaze crack to foot, some fritting and tiny chips £1500-2000

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18 A BOWL WITH EVERTED RIM, KANGXI the exterior with panels of figures in pavilion gardens, separated by inscriptions, the interior with boys at play in a landscape, the rim with borders of fruit panels against a cell diaper ground, six character Chenghua mark but Kangxi 21cm diameter, some fritting and minor chips £1500-2000

19 A SET OF NINE DISHES, KANGXI STYLE painted with huntsmen on horseback pursuing a fox, the rims with a broad border of flower reserves on a trellis ground largest 28cm diameter, conch shell marks, tiny rim chips, one haircracked (9) £700-1000 20 A PAIR OF LARGE DISHES, KANGXI STYLE painted with a bird perched on pierced rocks among flowering peonies, Chengua mark but later 29cm diameter, one cracked (2)

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£100-150

19 21 FOUR TEABOWLS AND FIVE SAUCERS, KANGXI each fluted piece painted with exotic birds and hares in landscapes kite marks, one saucer broken, one cup and one saucer chipped (9)

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£250-350 22 THREE BEAKERS AND TWO SAUCERS, KANGXI painted with radiating panels of flowering lotus, fungus marks; and a pair of teabowls, Kangxi, with radiating panels of flowers, the interiors with figures on terraces, one rim chip (7)

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£200-300 23 FOUR TEABOWLS AND SAUCERS, KANGXI each painted with a broad border of scrolling lotus typical rim fritting, one saucer chipped (8)

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£300-400 24 SEVEN TEABOWLS AND A SAUCER, CIRCA 1900 painted with a broad band of alternating lotus and flowing plant reserves withing line borders, each with an inscription in running script (8)

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£100-150 25 A GROUP OF MINIATURE WARES, KANGXI comprising: a pair of ewers and covers (one cover associated), a chocolate pot and cover, and a vase, various patterns; together with the following: a cover, a late Japanese vase and a Worcester sugar bowl, circa 1760, crescent mark chips and some damage (10) £200-300

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29 A BLUE AND WHITE BALUSTER VASE, KANGXI painted with a phoenix amongst flowering peony beneath a stiff leaf border 24cm high, haircrack to rim £200-300

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26 SEVEN TEABOWLS AND FIVE SAUCERS, KANGXI each boldly decorated with a sinuous dragon amongst swirling clouds, two teabowls cracked; and three teabowls and saucers, Kangxi, with insects in flight amongst flowering plants, Jue marks, one teabowl cracked (18) £600-800

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27 TWO BOWLS, ONE PROVINCIAL PROBABLY WANLI, THE OTHER QIANLONG the first painted with boldly scrolling chrysanthemum, 15cm high, the other painted with scattered ribboned flower sprays, 20cm high, cracked (2)

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30 A SET OF SIX SMALL PLATES, QIANLONG neatly painted with ribboned emblems and flowers within multiple formal borders 19.5cm diameter (6) £400-600

£150-200 28 TWO SMALL BOWLS, QIANLONG one with a flower basket within fruiting vine borders, the other with flowering prunus within flowerhead drips borders 16cm diameter, rim chips (2) £150-250

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31 A BLUE AND WHITE OVOID JAR, QIANLONG painted with pine, prunus and bamboo with a fenced garden 19cm high including associated Delft cover (2) £600-800

33 33 A FINE SMALL BARBED BOWL, KANGXI well-painted with a continuous scene of ladies contemplating flower vases in a fenced garden, the interior with a single seated man, the rim with fruiting vine, six-character Chengua mark but Kangxi 13cm diameter £800-1200

31 32 AN OVAL SERVING DISH AND TWO CANTED RECTANGULAR DISHES, QIANLONG the oval dish painted with birds in flight among peony bushes in a fenced garden, 41.5cm wide, the two other dishes painted with figures on bridges in pavilion landscapes, 28.3cm wide, some fritting (3)

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£500-700

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34 THREE DESSERT BOWLS, QIANLONG painted with ribboned flower sprays within line and flowerhead borders 23cm diameter, one hair-cracked, a few minor chips (3) £150-250 35 A BOWL AND STAND, 18TH CENTURY painted in blue with figures and flowers, later enamelled with bright flowerheads, six character inscription bowl 12.5cm (2) £150-200

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36 A PAIR OF GOBLETS AND COVERS, KANGXI painted with formed scrolling foliage within still life borders, the domed feet similarly decorated 18cm high, one cover not matching and cracked, one goblet cracked (4) £800-1200

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37 A PAIR OF SMALL LOBED LOZENGE-SHAPED DISHES, KANGXI each painted with a phoenix in flight above flowering lotus within a blue-washed foliate border 16cm diameter, fritting to rimes, one minor hair crack (2) £300-400 38 TWO PLATES, KANGXI AND QIANLONG one with ‘jumping boys’ within lappet panels against a whorl ground, seal mark, hair crack, the other with a pavilion in a fenced garden, fritting, both 26cm diameter; and two deep dishes, Kangxi and Qianlong, one with a flowering peony among rocks, artemisia leaf mark, 21.5cm wide, damaged, the other with birds perched on a peony, 23cm wide, extended firing crack (4) £200-300

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39 A PAIR OF FLUTED DISHES, KANGXI painted in a dark blue with formal flowering lotus, censer mark, 13cm diameter; together with six teabowls and two saucers, Kangxi, painted with insects and flowers, fungus marks (10) £200-300

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40 A EUROPEAN-SHAPED HANDLED JUG, PROBABLY JAPANESE, LATE 17TH CENTURY/EARLY 18TH CENTURY painted with birds among rocks in a flower garden 22cm high, handle sprung and terminal chipped £500-700

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40 41 THREE SMALL DISHES, MID 17TH CENTURY painted with peony and chrysanthemum plants withing a border of flowering branches largest 22cm diameter, small rim chips, two with hair cracks (3) £200-300 42 A SMALL BLUE AND WHITE BALUSTER VASE AND COVER, KANGXI painted with flowering chrysanthemum and peony within barbed panels 19cm high, shallow chip to rim of cover £200-300 43 A MINIATURE PART TEA AND COFFEE SERVICE, QIANLONG each piece painted with bands of scrolling foliage in iron-red gilt and black, comprising: a teapot and cover, a tea canister, four coffee cups and one saucer some damage (8)

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£150-250

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44 A PAIR OF STONEWARE FIGURES, LATE 19TH/EARLY 20TH CENTURY each modelled as an elderly man in a long glazed robe, faces and chests unglazed 12.5cm high excluding fixed wood stands (2) £60-80

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Various Owners

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45 A PAIR OF CHINESE PORCELAIN BLUE AND WHITE LARGE DISHES, KANGXI each painted in the centre with vases, flowers and scrolls, the border reserved with panels of precious objects and flowers 35.5cm high, one with repair to rim and haircrack; together with a pair of Chinese carved wood stands, late 19th/early 20th century, with a panel of scrolls to the front and pierced carving to the rear (4) £1500-2000 46 A PAIR OF CHINESE EXPORT BLUE AND WHITE TWOHANDLED TUREENS AND COVERS, EARLY 19 TH CENTURY of shaped oval form, the interior and exterior painted with the ‘Fitzhugh’ pattern inside a spear head and diaper pattern border 33 cm length, one handle glued, another with crack £500-700 47 A PAIR OF SMALL FLUTED DISHES, KANGXI decorated with panels of foliage within scroll borders 14.5cm diameter

48 48 A SMALL CHINESE BLUE AND WHITE PLATE, WANLI painted in the centre with a vase with pine, prunus and bamboo, the border painted with frogs and a snake amongst flowers and rocks, the underside with birds in branches, 19.5cm high, small chip and haircrack to rim; together with a smaller blue and white saucer painted with central lotus (2) £250-350

£120-180

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49 49 A JAPANESE KAKIEMON BOWL, LATE 17TH CENTURY of lobed octagonal form, the interior enamelled with exotic birds and banded hedges within a broad border of formal scrolling foliage, the exterior with flowering branches 18cm diameter, minor flaking to enamels and minute chips to rim £1500-2000

50 A CHINESE PORCELAIN SMALL TEAPOT AND COVER, TONGZHI painted in ‘famille rose’ enamels with figures at play in fenced pavilion gardens, the couple on the cover play ‘Go’ beneath the peach finial, seal mark 14cm wide (2) £300-400 51 A PAIR OF CHINESE PORCELAIN TEABOWLS, PROBABLY 19TH CENTURY painted in Doucai style with moths among scattered flowers some misfiring, one with rim chip, one with hair-crack (2) £300-500

51 52 A CHINESE EXPORT PORCELAIN RECTANGULAR PEN BOX AND COVER, EARLY 19TH CENTURY painted in underglaze blue with a Fitzhugh type pattern beneath Canton famille-rose enamel 19cm long, some typical wear to gilding (2)

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£100-150 53 A CHINESE EXPORT PORCELAIN ‘FAMILLE-ROSE’ ARMORIAL PUNCH BOWL, QIANLONG the exterior painted on each side with a coat of arms and tied flowers, the interior with a spearhead border 28cm diameter, damaged £80-120

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54 55 54 A SMALL CHINESE CLOISONNE BALUSTER VASE SHAPED SECTION, 17TH CENTURY worked with foliate scrolls above a ruyi border 9cm high excluding later wood stand (2) £250-350

55 A PAIR OF SMALL CHINESE CLOISONNE MOONFLASKS, 19TH CENTURY each flattened discoidal border worked with a circular black ground panel of flowers and insects against a white ground scattered with lotus beneath a ruyi border 12cm high (2) £300-400 56 A CHINESE CLOISONNE ENAMEL STORK CANDLE HOLDER, LATE 19TH CENTURY free-standing with white body and multi-coloured wings, the blueground detachable sconce enamelled with flowers 31cm high £600-900 57 A CHINESE PORCELAIN CELADON VASE, 18TH/19TH CENTURY the oviform body carved with flowering peonies, underglaze blue four-character mark 14cm £200-300

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58 A CHINESE JADE MODEL OF A BUDDHIST LION, MING carved in a recumbent pose, the stone of brown and green colour 11cm long

60 A CHINESE JADE BANGLE, PROBABLY SONG the bluish-green stone with deep brown inclusions 8.5cm diameter

£600-800

£800-1200

59 A CHINESE CINNABAR LACQUER CIRCULAR BOX AND COVER, LATE 19TH CENTURY the cover carved with a panel of two sages and a boy in a landscape, inside a diaper pattern frame, the sides carved with landscape panels 16cm £100-150

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61 A CHINESE JADEITE FISH FLASK, 19TH CENTURY carved as a carp leaping above breaking waves 11.5cm long £400-600

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62 A GROUP OF FOUR CHINESE JADEITE SNUFF BOTTLES AND COVERS, 20TH CENTURY one of slender ovoid form carved with a bird and flowers, one of rounded square form and two of moonflask form tallest 5.5cm high (8) £150-250

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63 63 A CHINESE POTTERY FIGURE OF A HORSE, TANG free-standing, the details crisply incised, washed in black 44cm wide, legs restuck Sold with an Oxford Authentication certificate confirming that the figure was last fired between 1000 and 1600 years ago, Sample No. C111j66. £2000-3000

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64 A SMALL GREEN SPLASHED POURING VESSEL, PROBABLY TANG DYNASTY the green glaze on a white slip, on small spreading foot rim 4cm high £150-200

65 65 A CHINESE GOLD CUP, WANG HING & CO., HONG KONG, CIRCA 1923 the shallow bowl engraved 1873-1923 with two slender loop handles on a pedestal and spreading base with beaded rim, with a wood stand, wirework flower grille and original blue velvet lined wood case, underside of cup with later marks for assay sponsored by W&FCB, London, 1982, at least 18 carat 13.5cm wide, 12cm high including wood stand, approximately 178.8gr (5oz 15dwt) Provenance: this cup, which could happily be termed a Golden Loving Cup, was commissioned from Wang Hing in Hong Kong in celebration of the Golden Wedding Anniversary of Alexander Dalgety and Elspeth Mackay, who married 20th March 1873. Sold together with the lot is a menu of exclusively Scottish fare printed for the dinner held in Hong Kong on the day of the anniversary, as well as two photographs of anniversary cakes, one showing in the background a Wang Hing silver rose bowl, sold in these rooms, 22nd November 2011, lot 70. Thence by family descent. ÂŁ4000-6000

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66 66 A CHINESE CARVED IVORY CASKET, CANTON, LATE 19TH CENTURY richly carved all over with figures amidst garden pavilions, the lid with waved floral border on a diaper ground 26.5cm wide, feet lacking, bottom right side of plinth a later section £4000-6000 67 A CHINESE IVORY PROCESSIONAL BOAT, PROBABLY CANTON, LATE 19TH CENTURY with groups of figures at various pursuits on the twin decks, poles on each side set with lanterns and flags, with wood stand 36cm wide £500-700

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68 A PAIR OF CHINESE IVORY VASES, CANTON, LATE 19TH CENTURY the sides carved and pierced with figures in a landscape with pavilions and trees, the bases carved with flowers 10cm high (2) £400-600 69 A CHINESE IVORY POMEGRANATE SCENT BOTTLE, CIRCA 1860 a single and two smaller fruits growing from gnarled branches in which monkeys climb, the stalk unscrewing to reveal a long chain hung with more tiny monkeys 9cm high excluding wood stand, minor damage to edge of stopper

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£400-600 70 A JAPANESE IVORY BOX AND COVER, MEIJI cylindrical, carved in relief with a tiger snapping at a small bird in flight, red stained single character mark 7cm diameter £150-200 71 A JAPANESE IVORY BOX AND COVER, MEIJI carved in relief with a lion and lioness approaching a tiger 14cm high excluding wood stand, cracks, finial damaged £250-350

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74 A JAPANESE IVORY OKIMONO OF CHINESE SAGE, MEIJI carved standing on an oval base, dressed in long flowing robes with an inro strapped to his waist, holding a rolled makimono raised in his left hand, signature plate missing 25.5cm high Provenance: Sotheby’s London, 11th March 1988, lot 644 £400-600

72 72 A JAPANESE IVORY OKIMONO OF A CHINESE GENERAL, MEIJI carved standing, dressed in long flowing robes incised with dragons and birds, holding a makimono in his left hand and a sword in the right, red signature plate signed in seal script to base 35.1cm high Provenance: Sotheby’s London, 11th March 1988, lot 645 £400-600

74 75 A JAPANESE IVORY OKIMONO OF A MAN HOLDING COCKEREL, MEIJI carved standing on rocky base, holding a frog in the other hand, signature plate missing 27.5cm high Provenance: Paper label, Sotheby’s London, 21st October 1985 £300-500

73 73 A JAPANESE IVORY OKIMONO OF A MAN HOLDING A RABBIT, MEIJI carved standing on rocky base, holding a small rabbit in both hands, a large long-tailed cockerel to his side, green signature plate 35cm high Provenance: Paper label, Sotheby’s London, 21st October 1985 £500-700

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76 A JAPANESE IVORY OKIMONO, MEIJI carved as a man holding aloft a cockerel with long tail feathers in his left hand, a hen at his feet and carrying a chick in a basket across his shoulder, signed on red tablet 18cm high £500-700

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77 A JAPANESE IVORY OKIMONO OF HANDARA SONJA, MEIJI seated on a rockwork base, holding a bowl from which appears a dragon, signed on the base Yukinobu, 10.2cm high

79 A SMALL JAPANESE IVORY OKIMONO GROUP, MEIJI of a mother seated, her robe open, feeding a small boy, who kneels before her, a man carrying a tobacco pouch and leaning on a staff standing behind them, unsigned 8.6cm high

Provenance: Sotheby’s London, 11th March 1988, part lot 641 Provenance: Sotheby’s London, 11th March 1988, lot 655

£200-300

£200-300

78 A JAPANESE IVORY OKIMONO OF A PUPPETEER, MEIJI carved standing on an oval base, dressed in short coat and trousers, his head tied with a handkerchief, a storage box slung around his neck on which he manipulates a puppet, signed on a red plaque Gyokumei 19cm high

80 A JAPANESE IVORY OKIMONO OF A FARMER, MEIJI carved standing on rocky base, holding a basket in his right hand, 20cm high; together with seven ivory toothpicks, a small ivory peacock and two ivory antelope (11)

Provenance: Sotheby’s London, 11th March 1988, lot 653

£100-200

£300-500

81 A JAPANESE IVORY OKIMONO OF A HUNTER, MEIJI carved standing on an oval base, a basket of peaches tied about his neck, and monkey climbing on his shoulder and two at his feet, signed on a red plaque Shugetsu 14cm high Provenance: Sotheby’s London, 11th March 1988, part lot 641 £100-200

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80 (part)

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84 A CHINESE SILVER TEA SET, TUCK CHANG, SHANGHAI, EARLY 20TH CENTURY chased with bamboo sprays on a matted ground, handles simulating bamboo stems, comprising a teapot, a sugar bowl and cover, a pair of sugar tongs and a milk jug teapot 23cm wide, 1229gr (39oz) including bone insulators (4) £1000-1500

82

82 A JAPANESE SMALL LACQUER FITTED BOX AND COVER, LATE 19TH CENTURY the cover with two boys releasing a kite, the interior with two boxes and covers, one with a bird on a perch, the other with stylised flowers, the interiors with nashiji 9cm wide £700-1000 83 A PAIR OF CHINESE SILVER SALAD SERVERS, YOK SANG, SHANGHAI, EARLY 20TH CENTURY the handles engraved with prunus blossom on a matted ground 26cm long, 237gr (7oz) (2) £200-300

85

85 A CHINESE SILVER LADLE, PROBABLY YOK SANG, SHANGHAI, EARLY 20TH CENTURY the bowl chased with a dragon on a matted ground, the stem as bamboo terminating in a leafy figure of eight, 25.5cm long; together with a pair of Chinese silver napkin rings, Treaty Ports, early 20th century, applied with Chinese characters and vacant roundels, 3cm high 147gr (4oz) (3) £150-200

83

84

22

86 86 A JAPANESE BRONZE MODEL OF A LION, GENRYUSAI SEIYA, MEIJI the roaming animal cast in striding pose, signed 22cm long

89

£200-300

89 A PAIR OF FRENCH BRONZE FIGURES OF CHILDREN, AFTER JEAN-BAPTISTE PIGALLE (1714-1785), 19TH CENTURY one happily feeding a dove, the other pensively holding an empty birdcage, on gilt-bronze Greek-key and coin-moulded spreading bases 26cm high (2) £2000-3000

87

87 A PAIR OF BLACK BASALT PORTRAIT BUSTS OF HERACLITUS AND DEMOCRITUS, THE WEEPING AND LAUGHING PHILOSOPHERS, LATE 18TH/EARLY 19TH CENTURY each raised on an integral waisted base moulded with acanthus and shells and titled to reverse 24.5cm height, some damage and repair (2)

90

90 A FRENCH BRONZE MODEL OF A LAMASSU OR ASSYRIAN SPHINX, MID 19TH CENTURY typically modelled 18cm wide including rectangular black marble base

£250-350 88 A PATINATED BRONZE GROUP OF ‘THE RAPE OF PROSERPINA’ AFTER BERNINI, PROBABLY ITALIAN showing Pluto abducting Proserpina to the underworld with Cerberus barking behind 32cm high

£200-300

88

£250-350

23

91

91 A FRENCH BRONZE FIGURE OF THE YOUNG NAPOLEON, VINCENT RIVIERE, LATE 19TH CENTURY shown in revolutionary dress and typically posed with his right hand tucked into his coat, square base inscribed ‘V. Riviere’ 23cm high including yellow marble plinth £150-250

94 94 A FRENCH BRONZE EQUESTRIAN FIGURE OF CHARLES I, CARLO MAROCHETTI (1805-1868), SUSSE FRERES FOUNDRY, PARIS, LATE 19TH CENTURY rectangular base with fluted and guilloche borders, stamped ‘SUSSE FRES’, on corner feet 19.5cm high Baron Carlo Marochetti came to England with Louis-Philippe in 1848, modelling a number of both historical and contemporary members of the Royal family as equestrian figures. Susse Freres produced a variety of differently sized editions of this figure. £200-300 95 A PAIR OF FRENCH BRONZE ‘MILITARY TROPHY’ CANDLESTICKS, CIRCA 1870 each triform base mounted with lances centred by a cannon supporting three helments surrounding six halberds, with drum sconces 33.5cm high (2)

93 (part)

£600-800

92 92 A BRONZE BUST OF A BOY, PROBABLY ENGLISH, EARLY I9TH CENTURY in Neo-classical taste with a draped shoulder 15.5cm high including mahogany columnar pedestal £100-200 93 A PAIR OF PATINATED BRONZE SPILL VASES, PROBABLY ENGLISH, EARLY 19TH CENTURY cylindrical, each applied with pierced figures of a boy with a dog and a girl with a rabbit, 12.5cm high; together with a patinated bronze brûle-parfum, probably French, second quarter 19th century, the cover with squirrel finial, the vase-shaped body with butterfly-capped scroll handles, leafy pedestal, square base and ball feet, 13cm high (3) £100-200

24

95

96 96 A FRENCH PATINATED BRONZE ‘CHIEN POLICIER’ FIGURE, DEMETRE H. CHIPARUS (1886-1947), CIRCA 1925 modelled as a recumbent Alsatian on a mottled black marble base with applied label ‘CHIEN POLICIER / Par D.H. Chiparus / Lauréat du Salon des Beaux Arts’ base 24cm long £400-600 97 A FRENCH SLATE, GILT-BRONZE AND ENAMEL TAZZA, MAISON F. BARBEDIENNE, PARIS, LATE 19TH CENTURY the shallow bowl with a band of strapwork champlevé enamelling between ormolu binding and grotesque mask scroll handles, the ormolu pedestal with further enamelling, on slate foot, pedestal stamped ‘F. BARDEDIENNE’ 33cm wide

99 99 A FRENCH PATINATED SPELTER GROUP, DEMETRE H. CHIPARUS (1886-1947), CIRCA 1930 modelled as a pair of young girls standing warily before a stork on a rectangular onyx base engraved ‘D.H. Chiparus’ base 37.5cm long £500-700

For another cup of the same design but slightly larger and lacking slate foot, see Christie’s New York, 13/14 January 2009, lot 1130, sold for $3000. £300-400

97

100 A BRASS CAULDRON, PROBABLY AUSTRIAN, 18TH/19TH CENTURY baluster, emblazoned with the Reichsadler centred by a shield numbered ‘6’, on three stilt feet, swing handle 25cm high £150-250

98 98 A GERMAN PATINATED CAST IRON NEO-CLASSICAL VASE, BERLIN, EARLY 19TH CENTURY with stiff leafage to the neck above a band of signs of the Zodiac and a frieze of classical figures in various pursuits 25cm high £150-200

100 25

101 101 A FLEMISH LEAD ROUNDEL OF ‘THE DEMOLITION OF THE CITADEL OF ANTWERP BY THE CITIZENS’, ATTRIBUTED TO JACQUES JONGHELINCK (1530-1606), ANTWERP, CIRCA 1580 centred by the Citadel portico and showing in the background the remains of the fortifications being dismantled, with small male and female figures clearing rubble behind a cohort of volunteers in the foreground, shovels to their shoulders, marching back to the city led by a drummer and a smaller group to the lower foreground armed with arquebuses, within a laurel leaf border 18.5cm diameter This roundel is one from a set of six depicting events surrounding the ‘Spanish Fury’ of 1576. The ‘Tericos’, mercenaries in the service of the Spanish authorities, had not been paid, following Spain’s declaration of bankruptcy. Their consequent rampage through Antwerp in November saw three days of horror: the massacre of over 2500 citizens as the Tericos looted and burnt countless buildings, including the magnificent Town Hall. In August the following year a Netherlandish coalition overthrew the Spanish troops in the Citadel and it was subsequently demolished by the citizenry, as shown in the present roundel.

26

Five of the subjects, including this scene, are derived from engravings by the Wierix brothers after drawings by Martin de Vos (1532-1603). Four of the drawings can be found in the Ashmolean at Oxford and one at the Metropolitan in New York. The fine detail and modelling of the figures on this series of circular plaquettes has led to the attribution to Jacques Jonghelinck, the medalist and sculptor who was Master of the Mint at this period.

For another lead roundel from this series see Morton & Eden, 14th June 2007, lot 589, and for another two, see Sotheby’s, New York, Cyril Humphris Collection, 11th January 1995, lot 324. For a full set of the series in bronze see Victoria & Albert Museum, A3338/1975.

Literature: Charles Avery, Studies in European Sculpture, London, 1981, pp.133-147; Ingrid Weber, Deutsche, Niederlaendische und Franzoesische Renaissance Plaketten, Munich, 1975, pp.307/8, cat. nos. 709.1/4, pl.195. £2000-3000

102

102 A BAROQUE SILVER PANEL OF THE ASSASSINATION OF CAESAR, GERMANIC, CIRCA 1680 chased in relief with four armed figures attacking the dictator and upsetting his seat below a richly hung baldaquin flanked by statues, with gesticulating senators to the left, a barking dog in the foreground and soldiers crying in alarm to the right, with Austrian 1806-24 control mark 15.5cm x 22.5cm excluding later tortoiseshell and moulded ebonised wood glazed frame £700-1000 103 A SILVER-GILT FIGURE OF SAINT JOHN THE BAPTIST, PROBABLY SOUTH GERMAN OR NORTH ITALIAN, 17TH CENTURY the contrapposto figure with one arm stretched behind and one foot raised, elongated cross or staff lacking, fixed to a probably late 18th/early 19th century columnar pedestal of various turned marbles with bluejohn stem figure only 13cm high £700-1000

103 27

104

105 (Part)

106

104 A PAIR OF PATINATED COPPER ELECTROTYPE RELIEF PANELS, AFTER THE ANTIQUE, PROBABLY ENGLISH, MID 19TH CENTURY depicting The Sleeping Endymion and Perseus Releasing Andromeda 33cm x 21cm excluding scroll foliate gilt frames (2) John Flaxman paired these subjects, after purchasing the plaster casts directly from the Capitoline Museum in Rome (D. Irwin, John Flaxman 1755-1826 Sculptor, Illustrator, Designer, London, 1979, no. 233, pp. 169-170). They were very popular subjects, as seen in a Wedgwood blue jasperware panel of Endymion (Frederick Rathbone, Old Wedgwood, London, 1898, pl.ii) or a marble relief of Perseus by Julius Troschel (Neue Pinakothek, Munich). For the same scenes in marble relief, apparently Italian, circa 1800, see Christie’s, London, 12th June 2003, lot 1140. £200-300 105 A SET OF FOUR PATINATED COPPER ELECTROTYPE PANELS, PROBABLY GERMAN OR DUTCH, LATE 19TH CENTURY in sizes, each depicting a 17th century type tavern figure or figures and set in deeply recessed frames largest panel 27cm x 22cm (4)

107 107 A GEORGE III PAPER SCROLL TEA CADDY, CIRCA 1790 canted rectangular, with gilt and brightly-coloured stylised foliate and geometric decoration, with an initialled panel to the rear, lid with central contemporary gilt-metal swing handle, on later giltmetal ball feet, the interior showing traces of foil lining and with a satinwood cover with a yew wood oval and ivory handle 16cm wide £1000-1500

£150-250 106 A PAPER SCROLL FRAME, GEORGE III STYLE, CIRCA 1900 with gilt stylised foliate decoration surrounding a beaded oval and flanking beaded circular windows, ribbon moulded gilt gesso border, red buckram backed with easel and suspension ring 35cm wide £100-150

108 108 ANOTHER PAPER SCROLL TEA CADDY, GEORGE III STYLE, CIRCA 1900 canted rectangular, with geometric gilt patterning and set with pressed card Neo-classical ovals, lid with metal seal finial, on ball feet, paper lined interior, with key 14cm wide £300-400

28

109 109 A SET OF FIVE FRENCH ENAMEL PLAQUES OF SAINTS, JACQUES LAUDIN II (CIRCA 1663-1729), LIMOGES, LATE 17TH/EARLY 18TH CENTURY rectangular, polychrome with gilt highlights, depicting: St. Andrew, St. Jude Thaddeus, St. Paul, St. Thomas and St. James the Great, each titled below in Latin and initialled I.L lower right; together with another enamel plaque, probably Laudin workshop, Limoges, late 17th/early 18th century, en grisaille, with gilt highlights, depicting St. James the Less, titled below in Latin each 9cm x 7cm excluding giltwood framing as two sets of three (6) £1500-2500 110 A PORTRAIT MINIATURE OF A LADY, ENGLISH OR SCOTTISH, CIRCA 1805 said to be Lady Leith of Fyvie, shown with a white chevron headdress and simple chevrons to the decolletage, 8.5cm x 6.5cm excluding broad rosewood glazed frame; together with a George IV silhouette, Miers & Field, London, circa 1924, said to be The Rev. Halton, Rector of Wolhamton Nr. Andover, oval, on plaster, original ebonised frame with ‘Miers & Field’ label to reverse, inscribed ‘Sunday July 25th 1824’, 8cm x 7cm (2)

110

£200-300 111 A GERMAN PAINTED AND LACQUERED PAPIER-MACHÉ BOX, STOBWASSER FABRIK, BRUNSWICK, CIRCA 1830 cover painted with a tavern scene including a man holding up a fish, interior base inscribed ‘Stobwassers Fabrik’, base and cover both numbered 13418 9.5cm diameter

111

£100-150

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112 A RELIEF CARVED MOTHER-OF-PEARL PROFILE ROUNDEL OF THE DUKE OF CUMBERLAND, PROBABLY ENGLISH, CIRCA 1750 head and shoulders, wearing armour, sash and Order of the Bath cross and the Garter star, mounted in a later rosewood box with nickel leaf inlay and stringing roundel 6.5cm diameter, box 10cm wide Prince William, Duke of Cumberland (1721-1765), was a younger son of George II. Seen from today’s perspective, his role in the brutal suppression of the Jacobite Rebellion perhaps justly earned him the nickname ‘Butcher Cumberland’, although at the time his prompt action in stopping the war meant he was hugely popular with most of the Scottish population, as well as the rest of country, for delivering them so swiftly from the Jacobite menace.

Following an unsuccessful campaign during the Seven Years War and the humiliating Convention of Klosterzeven in 1757, he resigned from all his military and public offices. He returned to some greater favour under George III, but his health was deteriorating and he died at just 44 years old in 1765.

112

£500-700 113 A RUSSIAN KARELIAN BIRCH CIGARETTE CASE, CIRCA 1900 oblong, the flush-hinged lid applied with cast silver Imperial Russian armorial bearings, Gabriel Sakarinpoika Niukkanen, St. Petersburg, late 19th century 9.5cm wide Gabriel Sakarinpoika Niukkanena was a Finnish silversmith who had an independant worskhop on Kazanskaya in St., Petersburg, supplying small objects for Fabergé amongst others. He specialised in gold cigarette cases and small silver and gold objects.

114 A RUSSIAN SATIN BIRCH PHOTOGRAPH FRAME, CIRCA 1900 rectangular, the dome centred by a blue enamel roundel set with silver Imperial Russian armorial bearings, containing a contemporary photograph of H.I.H. Tzar Nicholas II under bevelled glass, with lacquered brass strut and backing, 25cm high; together with another Russian mahogany photograph frame, circa 1900, rectangular, diagonally set with a crown and monogram MM, with gilt-metal mount surrounding a contemporary cabinet card by A. Pasetti of H.I.H. Tsarina Maria Feodorovna, buckram backed, 26cm high (2) £400-600

£200-300

30

114 113

115 A RUSSIAN STYLE CARVED HARDSTONE FIGURE OF A WINE SELLER, 20TH CENTURY balancing a large crystal jug on his head, with crystal mugs to his hand and in his apron, with rhodonite sleeves, obsidian cap, vest and boots and agate trousers 20cm high £1800-2200

117 117 A RUSSIAN STYLE CARVED HARDSTONE FIGURE OF ‘THE BALALAIKA PLAYER’ AFTER CARL FABERGE, 20TH CENTURY seated on an agate bench, with grey agate coat, lapis lazuli breeches and gold cord belt and enamelled balalaika 12cm high Literature: A.K Snowman, The Art of Carl Fabergé, London, 1953, pl.XLVII.

115

£1800-2200

116 A RUSSIAN STYLE CARVED HARDSTONE FIGURE OF A IMPERIAL ARMY OFFICER, 20TH CENTURY with green agate great coat, obsidian hat and boots, lapis lazuli belt, gold and enamel trimmings and silver medals 19cm high £1800-2200

118 118 A RUSSIAN STYLE CARVED HARDSTONE FIGURE OF A BOYAR, 20TH CENTURY his fur-trimmed pink coat with gold fastenings, the fur hat with nephrite dome, with nephrite shoes and oxidised silver cane 16cm high £1500-2000

116 31

121 A RUSSIAN PORCELAIN BULLET SHAPED TEAPOT AND COVER, GARDNER FACTORY, LATE 19TH CENTURY painted each side with a group of flowers inside a circular gilt frame against a blue ground, red printed marks 13.5cm high (2) £200-300

119

122

119 A RUSSIAN SILVER DISH, MOSCOW, 1733-41 oval, with strapwork below a lobed rim, the central vacant oval surrounded by further strapwork, with worn assayer or maker’s mark D? (in Cyrillic) 42cm wide, 570gr (18oz)

123

£500-800 120 A RUSSIAN PORCELAIN PART TEA SERVICE, GARDNER FACTORY, LATE 19TH CENTURY painted with panels of flowers inside gilt frames against a maroon ground, comprising; a large bullet shaped teapot and cover, milk jug, sugar bowl, nine teacups and ten saucers, red printed marks (23) £800-1200

122 A RUSSIAN CLOISONNE ENAMEL SILVER BELT BUCKLE, ALEXANDER VASILBEV DOMNIN, ST. PETERSBURG, CIRCA 1900 shaped oval, with chained kindjal fastener, the scrolled foliate enamels set against a matted ground 9cm wide £150-250 123 A RUSSIAN SILVER CUP AND SAUCER, MICHAEL JAKOVLEVICH TARASOV, MOSCOW, 1899-1908 engraved with sprays of flowers on a frosted ground, the saucer additionally with scrolled initials below a noble’s coronet 13cm wide, 143gr (4oz) £200-300

120 32

121

124 A RUSSIAN PROVINCIAL SILVER ICON OF THE SMOLENSK MOTHER OF GOD, MAKER’S MARK DAVID DAVIDOV SOLOMONOV, ASTRAKHAN, 1842 three quarter length, the oklad with punched paterae border and applied haloes, pricked initials and foliate flat-chased robes 21.5cm by 17cm excluding glazed later frame £600-800

128 128 A RUSSIAN SILVER AND CLOISONNE ENAMEL ICON OF THE KAZAN MOTHER OF GOD, 20TH CENTURY, BEARING PROBABLY SPURIOUS MARKS OF PAVEL OVCHINNIKOV, MOSCOW the oklad applied with enamelled haloes and drapes, the Holy Child with finely matted drapery, surrounded by a border of paterae and scrolls and applied square patera to the corners, red velvet backed 26.5cm x 22cm

124

£800-1200

125 A SMALL RUSSIAN PARCEL-GILT-SILVER ICON OF THE SMOLENSK MOTHER OF GOD, MAKER’S MARK SKZ (IN CYRILLIC) UNRECORDED, MOSCOW, CIRCA 1890 the titled oklad with a border of scrolls and a rayed ground 9cm by 7.5cm excluding original fitted glazed kiot £300-500 126 A SMALL GREEK ICON OF THE VIRGIN AND CHILD, 18TH CENTURY the central panel of a trytich, painted on a gold ground 7.5cm x 5.5cm

126

125

£150-250 127 A RUSSIAN TRIPTYCH ICON, 18TH CENTURY the central panel of The Transfiguration, flanked by panels of The Mother of God Hodigetria and ten selected saints 30cm wide open, 11cm high £3000-5000

127 33

129 129 A SET OF VICTORIAN TABLE SILVER, CHARLES BOYTON, LONDON, 1891/92 Kings pattern, crested, comprising: twenty-four tablespoons twenty-three table forks twenty-three dessert spoons twenty-four dessert forks twenty-four teaspoons four sauce ladles two basting spoons; together with eighteen electroplate fish knives and eighteen forks, Mappin & Webb, Sheffield, 20th century, matching pattern and crest weighable silver 11490gr (369oz) (160)

131 A SET OF SIX ENGLISH PROVINCIAL GEORGE III SILVER TABLE FORKS, HAMPSTON & PRINCE, YORK, 1790 Old English pattern, crested; together with the following Georgian Old English pattern table silver: a basting spoon initialled A, Smith & Fearn, London, 1792, a set of four tablespoons initialled P, George Cowie, London, 1801, a set of four dessert spoons initialled CMG, maker’s mark J.Mc, Edinburgh, 1794, and a set of six teaspoons, marks worn, probably London, 1807 923gr (29oz) (21) £500-700

£6000-8000 130 A PAIR OF VICTORIAN SILVER BERRY SPOONS, GEORGE ADAMS FOR CHAWNER & CO., LONDON, 1848 crested, with typical later decoration; together with a pair of German silver berry spoons, Wilhelm Conrad Hessenberg, Frankfurt, early 19th century, with typical later decoration 256gr (8oz) (4) £100-150

131 34

132 132 A SET OF FRENCH ART DECO TABLE SILVER, MAISON PUIFORCAT, PARIS, CIRCA 1930 Bayonne pattern (designed by Jean Puiforcat in 1924), engraved with Art Deco initials LDL, comprising: eleven tablespoons twenty-four table forks nineteen table knives with steel blades twelve dessert spoons twelve dessert forks fifteen dessert knives (four with stainless steel blades) twelve butter knives ten fish forks eleven fish knives six oyster forks ten cake forks twelve ice cream spoons four teaspoons five coffee spoons four small serving spoons four toothed serving spoons ten assorted serving pieces 950 standard 10410gr (334oz) weighable silver (181)

133 A SET OF TABLE SILVER, WILLIAM HUTTON & SONS LTD., LONDON & SHEFFIELD, 1907/08/15/17 Old English pattern, initialled CMB, comprising: six tablespoons, six table forks, five dessert spoons and six dessert forks 1486gr (47oz) (23) £800-1200

£6000-8000

133 35

134 135 134 A SET OF TABLE SILVER, HARRODS LTD. OF LONDON, SHEFFIELD, 1933 Plain Pine pattern with the addition of a crown, initialled W, comprising: five table forks, six dessert spoons, six dessert forks and ten teaspoons, PODR No. for 1932; together with a set of seven fruit knives and seven forks, John Sanderson & Son Ltd., Sheffield, 1982, with silver blades and tines and mother-ofpearl handles weighable silver 1038gr (33oz) (41) Whilst bearing Sir Richard Burbidge’s maker’s mark for retail by Harrods, this set was undoubtedly manufactured by Roberts & Belk. The plainer version of this pattern was registered in 1934.

This design of Walter Belk’s was said to have been so popular when launched in the Second Class dining rooms on the maiden voyage of the ‘RMS Queen Mary’ in 1936, that White Star-Cunard wired Roberts & Belk from New York with another order, apparently representing 50% of the original order, for delivery when the ship returned to Southampton, as thousands of pieces had gone missing from the ship’s stock. (http://www.925-1000.com/forum/viewtopic.php?f=35&t=23720 accessed 29.03.2012)

136 A MATCHED SET OF TABLE SILVER, VARIOUS MAKERS, LONDON, 1789-1836 Old English Bright-cut pattern, comprising: six tablespoons six table forks six dessert spoons six dessert forks six teaspoons a pair of sauce ladles a pair of basting spoons 1543gr (49oz) (34) £800-1200

£600-800 135 A SET OF TABLE SILVER, ROBERTS & BELK, SHEFFIELD, 1984 Plain Pine pattern, comprising: six tablespoons, seven table forks, six dessert spoons, six dessert forks, a pair of teaspoons and a pair of sauce ladles 1665gr (53oz) (29) £700-1000

136 36

137 A SET OF SIX GEORGE II SILVER-GILT TEASPOONS AND PAIR TEA TONGS IN CASE, MAKER’S MARK INDECIPHERABLE, ENGLISH, CIRCA 1745 the spoons Rat-tail Hanoverian pattern, the scissor type tongs or nips with scrolling arms, the fish-skin case with red velvet and satin lining 93gr (2oz) £400-600 138 A SET OF VICTORIAN TABLE SILVER, WILLIAM GEORGE JAMIESON OF ABERDEEN (STRUCK OVER ANOTHER), LONDON, 1880 Old English pattern, crested and initialled, comprising two tablespoons, two table forks, two dessert spoons, two dessert forks and twelve teaspoons 688gr (22oz) (20) £300-400 139 A DANISH CHEESE KNIFE AND CHEESE SLICE, GEORG JENSEN, COPENHAGEN, POST 1945 Acorn pattern, with stainless steel blades, stamped ‘STERLING / DENMARK’ and maker’s mark slice 21cm long (2) £100-150 140 A SILVER SET OF THREE DESSERT SERVERS, ATKIN BROTHERS, SHEFFIELD, 1909/13 bright-cut engraved, in original case; together with a set of four silver knife rests, Atkin Brothers, Sheffield, 1917, typical form 545gr (17oz) (7) £300-400

137 141 ROYAL: A VICTORIAN SILVER BASTING SPOON, BENJAMIN SMITH, LONDON, 1846 Albert pattern, engraved with the cypher for Victoria, Princess Royal 31cm long, 191gr (6oz) This spoon appears to be from the nursery service of Queen Victoria and Prince Albert’s eldest child, Princess Victoria (‘Vicky’), who was born on 21 November 1840. Her marriage to Prince Frederick William of Prussia led to her becoming the German Empress. She maintained close links with her mother and siblings; her and her husband’s liberal and English sympathies engendered problems with both Bismarck and their son ‘Kaiser Bill’. £150-250

141

37

143 A ROYAL COMMEMORATIVE SILVER DISH, DESIGNED BY PIETRO ANNIGONI, ROBERTS & DORE LTD., LONDON, 1973 commemorating the wedding of Princess Anne and Captain Mark Phillips, etched with profile portrait heads of the protagonists above Annigoni’s signature and below the date ‘14-XI-1973’, reverse numbered 160, with certificate confirming an edition of 2000, in original case 23cm diameter, 378gr (12oz) The Italian painter and sculptor, Pietro Annigoni (1910-1988), rose to fame for his romantic and celebrated portrayal of the young Queen Elizabeth. In many ways this commission paved the way for subsequent studies of other prominent figures, including Pope John XXIII and presidents Kennedy and Johnson, as well as several other members of the Royal family. £200-300 144 A ROYAL COMMEMORATIVE SILVER DISH, DESIGNED BY PIETRO ANNIGONI, WILLIAM COMYNS & SONS LTD., LONDON, 1972 commemorating the silver wedding of H.M. the Queen and Prince Philip, etched with a view of Windsor Castle below the Queen’s cypher and the dates 1947-1972 flanked by facing profile portrait heads, with Annigoni’s signature, reverse numbered 160, with certificate confirming an edition of 2000, in original box 23cm diameter, 367gr (11oz)

142 142 A VICTORIAN SILVER CORONATION COMMEMORATIVE BEAKER, WILLIAM BATEMAN FOR RUNDELL, BRIDGE & CO., LONDON, 1838 applied with silver-gilt clichés of the obverse and reverse of the Royal Mint’s official coronation medal by Benedetto Pistrucci (1784-1855) within a bead and rail border and below the Royal crown, initialled RD above the date 9th July 1838, foot with gadroon border 11cm high, 191gr (6oz)

£200-300 145 A ROYAL COMMEMORATIVE SILVER DISH, DESIGNED BY PIETRO ANNIGONI, MAKER’S MARK LH, LONDON, 1975 commemorating H.M. Queen Elizabeth the Queen Mother’s 75th birthday, etched with a portrait profile backed by a horse racing scene, with Annigoni’s signature and the date ‘4-VIII-1975’, reverse numbered 160, with certificate confirming an edition of 750, in original box 23cm diameter, 395gr (12oz)

Queen Victoria’s coronation took place on 28 June 1838 in Westminster Hall. Apparently, during the ceremony the Treasurer of the Household threw coronation silver medals to the crowds.

The Queen had sat specially for the portrait (see V. & A. Museum No. A.6-1916). According to an advert in The Times, London, Friday, 13 July 1838, p.7e., the coronation medals were available to the public from Messrs. Rundell, Bridge & Co. and Messrs.

Garrards.

£200-300

£600-800

143 38

144

145

147

146

146 A SET OF FOUR PARCEL-GILT-SILVER GOBLETS, STUART DEVLIN, LONDON, 1980 the conical bowls plain except for falcon crest numbered 10, on slender textured gilt stems, spreading bases 22.5cm high, 850gr (27oz) (4) Presented as a President Falcon Award, 1980: Hambro Life Assurance’s Falcon Club awarded annually a number of Devlin pieces to members. £700-1000 147 A PARCEL-GILT-SILVER JUG, STUART DEVLIN, LONDON, 1979 cylindrical, slanted top, applied with a wide gilt band of irregular wirework on a matted ground, underside with falcon crest 19cm high, 489gr (15oz) Presented as a President Falcon Award, 1979: Hambro Life Assurance’s Falcon Club awarded annually a number of Devlin pieces to members. £500-700

148 148 A PARCEL-GILT-SILVER SALVER, STUART DEVLIN, LONDON, 1978 hammer-finished with wide textured rayed gilt rim, underside stamped with a falcon crest 35.5cm diameter, 1250gr (40oz) Presented as a President Falcon Award, 1978: Hambro Life Assurance’s Falcon Club awarded annually a number of Devlin pieces to members.

For another salver from the same series, see Bonham’s, Knightsbridge, 10th December 2008, lot 732, sold for £1,320. £800-1200

39

149 149 A SUITE OF THREE PATINATED SILVER PORTRAIT BUSTS OF RONALD REAGAN, MARGARET THATCHER AND MIKHAIL GORBACHEV, MODELLED AND FINISHED BY MICHAL GOLABEK (B.1949), SIGNED IN MONOGRAM,1989 each mounted on a white Carrara mable plinth, with applied plaques engraved with the names of the subjects, the busts with sponsor’s mark of Trover Mint Industries Ltd of Washington, Tyne & Wear, hallmarked Birmingham, 1989 29 cm high including plinths, approximately 1800gr (57oz) of silver (3) This trio of busts, centred upon the ‘Iron Lady’ and flanked by Reagan and Gorbachev, forms a group which is iconic of the 1980s. It is one of only three sets made: one set was presented to Mrs Thatcher in 1989.

The Polish-born sculptor Michal Golabek was born in Poznan in 1949. Between 1970 and 1975 he studied at the Poznan Academy of Fine Arts where he received his diploma in Professor Olgrierd Truszynski’s atelier of sculpture. He has exhibited extensively and his artistry has been acknowledged by a number of awards, including the Gold Medal, 5th Winter Salon in Warsaw (1989) and the Bronze Medal, The Survey of Polish Sculpture of the Decade (1989). Among Golabek’s larger work is an imposing figure entitled ‘Jesus’ and an abstract wood and bronze piece entitled ‘Windy everlasting.’ He now lives and works in Chicago. £1500-2000

40

150

150 A SET OF THREE ART DECO SILVER SAUCEBOATS, HARRODS LTD. OF LONDON, SHEFFIELD, 1935 in sizes, oval with partly fluted sides, undersides stamped ‘HARRODS / LONDON S.W.’, PODR No. for 1934, lamp Trade Mark of manufacturer Roberts & Belk pair 16cm wide, larger 19.5cm wide, 516gr (16oz) (3) £300-400

151

151 A SILVER MODEL OF A TIGER, MAPPIN & WEBB LTD., LONDON, 1991 realistically modelled with one raised paw 27cm long, 3930gr (126oz) £2500-3500 152 A SILVER BOWL, PROBABLY MEXICO, 1940s hammer finished, on three horn ball feet, stamped ‘800’ 26.5cm diameter, 448gr (14oz) excluding feet £200-300

153

153 A PAIR OF SPANISH THREE-LIGHT CANDELABRA, POST 1934 each with domed bases and three curved branches centred by a brown aventurine cabochon and a ring of stamens on a tapering support, maker’s mark and 915 quality mark 27.5cm, loaded (2)

152

£800-1200

41

154

154 A VICTORIAN SILVER TRAVELLING TEA KETTLE AND TEAPOT, DESIGNED BY DR CHRISTOPHER DRESSER (1834-1904) CIRCA 1880, HUKIN & HEATH, LONDON, 1896 plain bulbous, the slightly domed covers with wicker-wrapped ring handles, PODR No. for 1881, retailer’s stamp ‘LEUCHARS & SON / GEFFROY SUCCr / 2, RUE DE LA PAIX, PARIS’ teapot 18cm wide, 584gr (18oz) including wicker wrapping to handles (2) Provenance: by repute the estate of the late David Ben-Gurion (1886-1973), Israel’s first Prime Minister. The initial sale of fully provenanced items from Ben-Gurion’s estate by his granddaughter, was auctioned in Tel Aviv, April 2011. This sale caused a great deal of controversy in Israel; consequently a second tranche of Ben-Gurion property, consigned by the same descendant to the same auction house, was sold anonymously. This tea kettle and teapot appeared in this later sale, Shorashim, Tel Aviv, 10th October 2011, lot 69 and although verbal assurances were given as to the Ben-Gurion provenance, the problems following the first sale meant documentation was not provided.

156

£1200-1800 155 A SILVER-MOUNTED PHOTOGRAPH FRAME, MAPPIN & WEBB LTD, SHEFFIELD, 1988 die-stamped shaped rectangular with scroll and foliate border, velvet-covered back and easel support, 26.7cm high; and an inscribed silver mug, Viners, Ltd, Sheffield, 1965, 12.5cm high, 363gr (11oz) (2) £250-350 156 A GEORGE V SILVER CUP, WAKELY & WHEELER, LONDON, 1914 plain urn shaped with two angular handles 19.5cm wide, 427gr (13oz) £200-300

157 157 A GEORGE V SILVER-MOUNTED MAHOGANY SPIRIT BARREL AND SILVER PAIL, MAPPIN & WEBB LTD., LONDON & BIRMINGHAM, 1928/29 the silver-bound barrel affixed to the stand, with silver-mounted cork stopper, the silver spigot supporting the chained pail 24cm long overall £300-500

42

159 158

159 A PAIR OF GEORGE V SILVER SABBATH CANDLESTICKS, SIGMUND ZYTO, LONDON, 1925 shaped square bases, knopped stems and detachable nozzles with lobed bands 31cm high, 492gr (15oz) (2)

158 A PAIR OF GERMAN SILVER VASES, L. NERESHEIMER & CO., HANAU, CIRCA 1910 the trumpet shaped bodies with planish finish and rope girdled small lion-mask drop-rings, domed feet with seraphim and flowers, import marked for Berthold Muller, London, 1911 23cm high, 709gr (22oz) (2)

160 A PORTUGUESE ELECTROPLATE-MOUNTED CLARET JUG, TOPAZIO, OPORTO, LATE 20TH CENTURY the mounts covered in Art Nouveau style foliage, the bulbous glass body etched with sinuous foliage 28cm high

£400-600

£150-200

£300-400

Lots 161-185: a Private Collection of Art Nouveau Photograph Frames

161 AN EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAME, C.S. GREEN & CO. LTD., BIRMINGHAM, 1907 with three sheep grazing in a meadow, surmounted by two stylised peonies, wood backed 23cm high £400-600 162 AN EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAME, J. AITKIN & SON, BIRMINGHAM, 1907 decorated with shaped panels of honesty, wood backed, P.O.D.R. No. for 1903 26cm high £400-600

161

162

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163

163

165

164

163 AN EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAME, WILLIAM COMYNS & SONS, LONDON, 1905 pierced with flowerheads and sinuous scrolls, red velvet backed; together with another Edwardian silver-mounted photograph frame, Henry Matthews, Birmingham, 1902, stamped and pierced with two daisies, green velvet backed largest 22cm high (2)

165 166 AN EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAME, WILLIAM COMYNS AND SONS, LONDON, 1904 circular window bordered with slipper orchids surmounted by two exotic birds, royal blue velvet backed 18.5cm high £400-600

£400-600 164 A VICTORIAN SILVER-MOUNTED PHOTOGRAPH FRAME, HENRY MATTHEWS, BIRMINGHAM, 1900 decorated with sprays of wild roses, green velvet backed 20cm high £400-600 165 AN EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAME, HORTON & ALLDAY, BIRMINGHAM, 1901 decorated with poppies on a matted ground, bevelled glass, blue velvet backed; together with another Edwardian silver-mounted photograph frame, maker’s mark indecipherable, Birmingham, 1903, with flowers and wheat sheaves on a matted ground, beige velvet backed largest 21.5cm high (2) £400-600

44

166

167

168

169

168

167 AN EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAME, C.S. GREEN & CO., BIRMINGHAM, 1905 simply decorated with leather scrolls, bevelled glass, wood backed; together with another Edwardian silver-mounted photograph frame, C.S. Green & Co., Birmingham, 1906, with hammer-finish panels, scrolls and flowerheads, wood backed largest 24.5cm high (2)

167 170 AN EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAME, CONSTANTINE & FLOYD LTD., BIRMINGHAM, 1905 featuring a nightingale singing to a crescent moon in a pastoral landscape amongst prunus branches, brown velvet backed 24cm high £300-500

£300-500 168 A VICTORIAN SILVER-MOUNTED PHOTOGRAPH FRAME, DEAKIN & FRANCIS LTD., BIRMINGHAM, 1900 with tendrils and stylised fruits, leather backed; together with an Edwardian silver-mounted photograph frame, Mappin & Webb Ltd., Birmingham, 1905, with floral sprays, grey velvet backed largest 21cm high (2) £300-500 169 AN EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAME, REYNOLDS & WESTWOOD, BIRMINGHAM, 1902 with stylised foliage and flowers, blue velvet backed 31cm high £300-400

170 45

171

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175

175

171 A VICTORIAN SILVER-MOUNTED PHOTOGRAPH FRAME, THE ALEXANDER CLARK MANUFACTURING CO., BIRMINGHAM, 1899 with two gleeful squirrels and a pair of frolicking pheasants bordered by stylised shoots, brown velvet backed 24cm high

174 AN EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAME, ROBINSON & CO., BIRMINGHAM, 1909 decorated with a scrolling floral motif, blue velvet backed 26cm high

£300-400

175 AN EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAME, E.J. TREVITT & SONS OF BIRMINGHAM, CHESTER, 1903 with flowerheads and tendrils, wood backed; together with another Edwardian silver-mounted photograph frame, James Deakin & Sons of Sheffield, Chester, 1903, with flowerheads and stylised foliage, yellow velvet backed largest 25cm high (2)

172 AN EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAME, HORTON & ALLDAY, BIRMINGHAM, 1902 decorated with a variety of naturalistic flowers, purple velvet backed 25cm high £250-350

£150-200

£400-600 173 AN EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAME, MAKER’S MARK OVERSTRUCK AND INDECIPHERABLE, BIRMINGHAM, 1904 decorated with stylised herbaceous peonies and leafy tendrils, wood backed 22.5cm high £150-200

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176

179 176 AN EDWARD SILVER-MOUNTED PHOTOGRAPH FRAME, J. AITKIN & SON, BIRMINGHAM, 1904 featuring a red squirrel amongst berries and stylised Japanese maple branches, wood backed 24cm high £200-300 177 AN EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAME, J. & R. GRIFFIN OF BIRMINGHAM, CHESTER, 1906 decorated with four cherubs releasing doves within stylised floral motif border, P.O.D.R. No. for 1904, green velvet backed 24cm high £250-350

177

179

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178 AN EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAME, C.S. GREEN & CO. LTD., BIRMINGHAM, 1904 with stylised lilies, wood backed; together with an American silver-mounted photograph frame, Dominick & Haff, New York, circa 1905, decorated with flowers and leafy tendrils, purple velvet backed largest 24cm high (2) £400-600 179 AN EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAME, J. & R. GRIFFIN OF BIRMINGHAM, CHESTER, 1906 featuring a dragonfly as the central motif and decorated with naturalistic flowers and ranceau pattern, brown velvet and leather backed; together with an Edwardian silver-mounted photograph frame, Robert Pringle & Sons of London, Chester, 1904, with floral tendrils, wood backed largest 23cm high (2) £400-600 180 AN EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAME, SYDNEY & CO., BIRMINGHAM, 1906 decorated with lilies-of-the-valley with stylised intertwining stems and leaves, P.O.D.R. No. 1904, wood backed 24cm high £400-600

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182

181 181

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182

184

181 AN EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAME, HENRY MATTHEWS, BIRMINGHAM, 1903 shaped square, the circular window surrounded by pierced scrolling flowers, blue velvet backed; together with another Victorian silver-mounted photograph frame, William Neale & Son, Sheffield, 1898, with exotic birds and squirrels amidst scrolling flowers, red leather backed largest 19.5cm high (2)

182 AN EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAME, J. AITKIN & SON, BIRMINGHAM, 1908 architectural shape, each corner comprising strawberry blossoms, ebonised wood backed; together with, an Edwardian silvermounted photograph frame, Mitchell Bosley & Co., Birmingham, 1903, featuring a circular window with stippled background and stylised floral border, green velvet backed largest 16cm high (2)

£300-500

£250-350 183 AN EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAME, HENRY BOURNE, BIRMINGHAM, 1903 oval window surrounded by stylised aquatic flowers, brown velvet backed 17cm high £250-350 184 AN EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAME, HENRY MATTHEWS, BIRMINGHAM, 1904 circular window surrounded by a border of day lilies and foliate scrolls, wood backed 17.5cm high £250-350

185

185 AN EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAME, APPARENTLY UNMARKED, PROBABLY C.S. GREEN & CO. OF BIRMINGHAM, CIRCA 1905 with a country maid knitting whilst overlooking three geese surrounded by flowers and a farmstead, wood backed 29cm high £200-300

48

Various Owners

186

189

186 A GEORGE V SILVER ROSEBOWL, HENRY MATTHEWS, BIRMINGHAM, 1913 the bowl inscribed below a scroll pierced and waved rim, pedestal foot, wide C-shaped handles 17.5cm high 768gr (24oz)

189 A GEORGE V SILVER ROSEBOWL, GOLDSMITHS & SILVERSMITHS CO. LTD., LONDON, 1917 circular, inscribed above a band of flutes, pedestal foot with egg and dart borders 41cm wide across handles, 2078gr (66oz)

£300-400

The inscription reads: Presented to Brigadier General D. Beale Browne D.S.O. by the Officers and Interpreters who served under his Command in the 2nd Cavalry Brigade October 1915 - April 1918. £800-1200

187 190 187 A GEORGE V SILVER THREE-PIECE TEA SET, HORACE WOODWARD & CO. LTD., LONDON, 1912 with Art Nouveau sinuous panels teapot 26cm wide, 1002gr (32oz) including ivory finial and insulators (3) £500-700 188 A GEORGE V SILVER INKSTAND, REID & SONS OF NEWCASTLE, LONDON, 1913 oblong, gadroon border, the pair of silver-mounted square glass inkwells flanked by pen depressions, on panel feet, underside stamped REID & SONS / NEWCASTLE 20cm wide, stand only 235gr (7oz) £120-180

190 AN EDWARDIAN SILVER INKSTAND, J.C. VICKERY, LONDON, 1904 square, with ribbed rims, ball and claw feet, complete with silvermounted bevelled glass inkwell 15.5cm wide across loop handles, stand only 209gr (6oz) £180-220 191 AN EDWARDIAN SILVER TAPERSTICK, GEORGE UNITE, BIRMINGHAM, 1903 in George II style, detachable nozzle, 11.2cm high, loaded; together with a pair of silver desk candlesticks, C.S. Green & Co Ltd, Birmingham, 1961, domed circular engraved bases, 9.2cm high, loaded; and a vase, Italian, modern, spirally fluted, 16.6cm high (4) £300-400

49

194 AN EDWARDIAN SILVER SWEETMEAT DISH, WILLIAMS (B’HAM) LTD., BIRMINGHAM, 1904 shaped oval, pierced and stamped with scrolls 29cm wide, 243gr (7oz) £100-150 195 A SET OF FOUR GEORGE V SILVER COUNTER TRAYS, ASPREY & CO. LTD., BIRMINGHAM, 1917 shaped rectangular, underside stamped ASPREY LONDON, 10cm long; together with a silver cigarette case, maker’s mark rubbed, Birmingham, 1968, rectangular, engine-turned lid, front inscribed, cedar lined interior, 16.5cm wide; and a silver-mounted cigar cutter, London, 1912, initialled, thumbpiece missing trays only 192gr (6oz) (6) £150-200 196 A SET OF SIX GEORGE V SILVER-MOUNTED GLASS WHISKEY TOTS COMPLETE WITH ACCOMPANYING SILVER BOTTLE TICKETS, HUKIN & HEALTH LTD., BIRMINGHAM, 1920 plain lids initialled DB, kidney-shaped tickets engraved ‘Whiskey’ 10cm high (12) £600-800

192

192 A LARGE SILVER CUP AND COVER, GARRARD & CO. LTD., LONDON, 1939 the plain girdled body with double scroll handles, domed cover with bell finial 53cm high excluding ebonised wood stand, 4387gr (141oz) £3000-5000 193 A SILVER WAITER, MAKER’S MARK HIE, BIRMINGHAM, 1973 shaped circular, on three claw and ball feet, moulded scroll and shell rim, presentation inscription to Pamela Coleclough 16cm diameter, 203gr (6oz) £70-100

196

50

200 197 (Part) 197 A SET OF FOUR SILVER TOAST RACKS, C.J. VANDER LTD., LONDON, 1962 oblong, each with five hooped wirework divisions, central ring handle, on four ball feet, 8.5cm wide; together with another set of four silver toast racks, Mappin & Webb Ltd., Sheffield, 1937, Art Deco design, with five divisions, 10.5cm across end lugs; and an electroplate toast rack, Hawksworth, Eyre & Co., Sheffield, circa 1900, with seven hooped wirework divisions weighable silver 710gr (22oz) (9)

200 AN EDWARDIAN SILVER BRIDGE BOX, WILLIAM COMYNS & SONS, LONDON, 1904 slightly bombé rectangular, lid with reeded borders and initials DDB, fall front revealing a gilt interior with red leather fittings for two packs of cards 20.5cm wide £120-180

£400-500

198 198 A VICTORIAN SILVER COFFEE POT, CHARLES BOYTON, LONDON, 1882 crested, part lobed vase shaped pattern 21.5cm high, 493gr (15oz) including wood handle and finial £250-350 199 VARIOUS SILVER ITEMS comprising: a George II Hanoverian pattern tablespoon, James Tookey, London, 1756; a Norwegian parcel-gilt spoon in 17th Century style, maker’s mark E.C.K., London import marked, 1902, in fitted case with retailer’s label: ‘Dobsons & Sons, 110 New Bond St, London’; a cased set of six Apostle pattern coffee spoons, probably Dutch, early 20th Century; a cased pair of small quaich form salt cellars and spoons, Hamilton & Co, Calcutta, early 20th century; and a milk jug and sugar basin, chased, Indian, early 20th Century 525gr (16oz) (14) £300-400

201 201 A PAIR OF GEORGE V SILVER CANDLESTICKS, HARRISON BROTHERS & HOWSON, SHEFFIELD, 1928 stamped with husk borders and paterae, square bases and outline, one inscribed 26cm high, loaded (2) The inscription reads: Presented by The Officers & Committee of the Achi Tuv Society to Miss Rita Silverstone and Mr Joseph Neidus on the occasion of their Marriage *1st Sept 1929*26th Av 5689* £300-500 202 A GEORGE V SILVER INKWELL, MAKER’S MARK RUBBED, BIRMINGHAM, 1913 of capstan form 20cm diameter, loaded £100-150

51

203

203 A PAIR OF EDWARDIAN SILVER DISH RINGS, GOLDSMITHS & SILVERSMITHS CO. LTD., LONDON, 1901 in mid 18th century Irish style, pierced with figures, animals and scrolling foliage 21.5cm diameter, 954gr (30oz) (2)

205 A VICTORIAN SILVER BASKET, JOSEPH RODGERS & SONS, SHEFFIELD, 1873 shaped oval, engraved: From J.P.W. To his daughter Lilian Gothorpe White, embossed border, swing handle 31cm wide, 655gr (21oz) £250-350

£800-1200

206

204

204 A GEORGE V SILVER INKSTAND, HORACE WOODWARD & CO. LTD., LONDON, 1915 oblong, rim applied with a band of small flowerheads and leaves, inscribed including facsimile signatures, square glass bottles with initialled silver lids (one detached), openwork bracket and paw feet 30cm wide, stand only 781gr (25oz) The inscription reads: “Arthur Donaldson” from “Fred Terry” / Lincoln 1898 Provenance: The Estate of the late Sir John Gielgud (1904-2000) The facsimile signature of ‘Fred Terry’ is that of Sir John Gielgud’s great uncle, a well-known actor/manager and one of the famous acting family, brother of Ellen Terry. £300-400

206 A PAIR OF GEORGE V SILVER STRAWBERRY DISHES, S.J. PHILLIPS, LONDON, 1917 of typical plain form 20.5cm diameter, 628gr (20oz) (2) £400-600 207 ASSORTED CONDIMENT SILVER, COMPRISING: a George III baluster pepperette, Samuel Wood, London, 1759, 11cm high, a Victorian pedestal pepperette, Charles Stuart Harris, London, 1888, a Georgian circular salt cellar on three feet with blue glass liner, marks rubbed, mid 18th century, a Victorian silvermounted glass mustard pot, Birmingham, 1844, a pair of toast racks with five arched bars, Viners Ltd., Sheffield, 1936; together with a pair of Sheffield Plate salt cellars, circa 1800, boat shaped with corded rims and gilt interiors weighable silver 286gr (9oz) (7) £200-300

52

211 (Part)

208 208 A PAIR OF VICTORIAN SILVER CASTERS, D. & J. WELLBY LTD., LONDON, 1897 in Rococo style, engraved with the Rous crest below an earl’s coronet, profusely chased with flowerheads between curved flutes and lobes 20cm high, 451gr (14oz) (2)

211 A PAIR OF GEORGE III SHEFFIELD PLATE TELESCOPIC CANDLESTICKS, CIRCA 1820 with gadroon and foliate borders, 20cm high; together with a set of four Victorian Sheffield plate desk candlesticks, with gadroon borders, 10.5cm high (6) £180-220

Provenance: (Robert) Keith Rous, 6th Earl of Stradbroke, Old Henham Hall, Suffolk, The Principal Contents, Prudential Fine Art Auctioneers, 10-12 October 1988, lot 249. The family’s traditional motto is ‘I live in hope’: sometimes called ‘the Aussie Earl’, having fathered fifteen children, Keith Rous added another ‘We fight like lions and breed like rabbits’. £400-600 209 A MATCHED SET OF SILVER CONDIMENT PIECES, VARIOUS MAKERS, LONDON AND BIRMINGHAM, 1896/1927/28 each with gadroon rims and on three pad feet, comprising: a pair pepperettes, a pair mustard pots with spoons, a pair salt cellars with gilt interiors and two further salt cellars with spoons, pepperettes 9cm high; together with a pair of George V silver sweetmeat dishes, Synyer & Beddoes, Birmingham, 1911, shaped oval, with pierced trellis panels below a guilloche cast rim and ribbon-tied wreath handles, 13cm wide 588gr (18oz) (14) £200-300 210 A GEORGE V SILVER MUG, A. & F. PARSONS FOR TESSIERS LTD., LONDON, 1932 plain, scroll handle topped with inscription ‘G.H.B. / 26-11-32’ 12.5cm high, 458gr (14oz) £200-300

212 212 A VICTORIAN SILVER SALVER, DANIEL JOHN & CHARLES HOULE, LONDON, 1854 shaped circular, engraved with foliate scrolls surrounding worn initials, rocaille and moulded rim, on four foliate scroll feet 27cm diameter, 703gr (22oz) £300-400 213 A GEORGE V SILVER SALVER, OLLIVANT & BOTSFORD, LONDON, 1917 shaped circular, engraved with a presentation inscription to Lt. Philip Rhodes RN…1919, moulded rim, on three scroll feet, underside stamped ‘OLLIVANT & BOTSFORD / MANCHESTER’ 26cm diameter, 525gr (16oz) £280-320

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215 A VICTORIAN ELECTROPLATE CANDELABRUM CENTREPIECE, POSSIBLY THOMAS BRADBURY & SONS OF SHEFFIELD, THIRD QUARTER 19TH CENTURY triform base with two stags sheltering beneath fruit laden vines branching into three candle sconces and central support with cut glass bowl 71cm overall £600-900

215

214 214 A VICTORIAN ELECTROPLATE CENTREPIECE AND MIRROR PLATEAU, WALKER & HALL, SHEFFIELD, CIRCA 1890 the inscribed triform base on volute feet supporting a pair of greyhounds beneath fruit laden vines supporting three baskets with glass liners (one later) and central bowl support, underside with pattern no. 51351, the plateau with further vines and on three feet 67.5cm high overall (2) The inscription reads: Presented to Sir Ralph Barrett Macnaghten Blois on the occasion of his marriage by his tenant farmers April 30th 1898.

Sir Ralph Barrrett MacNaghten Blois, 9th Bt. of Grundisburgh and Cockfield Hall, Suffolk, was born on 21 November 1866 at Cockfield Hall, Suffolk, the elder son of Sir John Ralph Blois, 8th Bt., and his wife, Eliza Ellen (née Chapman). He married Winifred Grace, daughter of Edmund Hegan Kennard and his wife, Agnes (née Hegan), on 30th April 1898 at Christ Church, Mayfair, London.

He died on 18th March 1950 at age 83. Sir Ralph, who was educated at Wellington College, succeeded to the title upon the death of his father on 31st December 1888. A captain in the Scots Guards and afterwards a captain in the Royal Guards Reserve Regiment, he was sometime Deputy Lieutenant of Suffolk before, in 1905, being appointed as High Sheriff of Suffolk.

216 A VICTORIAN ELECTROPLATE CENTREPIECE CANDELABRUM, ELKINGTON & CO., BIRMINGHAM, 1864 the rustic base with two stags sheltering beneath a vine wreathed tree branching into three candle sconces and a central bowl support, with later glass bowl 57cm high

£800-1200

£600-900

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216

219 219 A VICTORIAN SILVER CELLINI PATTERN EWER, HUNT & ROSKELL, LONDON, 1869 of Renaissance Revival taste covered in strapwork, lobes, masks and animals on a matted ground, initialled ER, gilt interior, base rim stamped HUNT & ROSKELL LATE STORR & MORTIMER 5400 31.5cm high, 1048gr (33oz) £1000-1500

217 217 A VICTORIAN ELECTROPLATE CENTREPIECE, PROBABLY SMITH & NICHOLSON, LONDON, CIRCA 1850 the stem of entwined fuchsia springing from a rocky base initialled WEM below a crest, 59cm high; together with a Victorian electroplate mirror plateau, circa 1850, formed as a naturalistic mound with cascades, 50cm diameter (2) A centrepiece with comparable foliage and base was shown at the Great Exhibition by Smith & Nicholson, a company well-known for the manufacture of both electroplate and silver. See the Art Journal, illustrated catalogue of the Great Exhibition 1851, p.176 £600-800 218 A GEORGE III SILVER EPERGNE BASKET, UNMARKED, CIRCA 1765 shaped oval, crested, scroll and diaper pierced sides below a corded rim and swing handle, 15cm wide, 137gr (4oz) £60-80

220 (Part)

221

220 A GEORGE III SILVER GOBLET, PETER & ANN BATEMAN OVERSTRUCK BY THOMAS OLIPHANT OF MANCHESTER, LONDON, 1799 later chased with scrolls and flowerheads surrounding an 1860 inscription, the pedestal foot with a later band of stiff leaves, 16cm high, 199gr (6oz); together with a Dutch electroplate tankard, modern, in 17th century style £100-150 221 A GEORGE III LATER CHASED SILVER CUP, HESTER BATEMAN, LONDON, 1784 baluster, with two scroll handles, the Victorian foliate decoration surrounding a vacant cartouche 12.5cm high, 413gr (13oz) £200-300

55

222 A VICTORIAN SILVER TESTIMONIAL CANDELABRUM, ELKINGTON & CO., BIRMINGHAM, 1850 the rocky base with inscribed tablet supporting a ram and ewe beneath an acorn bearing oak tree with three branches and central stem ending in leafy sconces 57cm high, 3995gr (128oz) The inscription reads: To Charles Brutton Esqr. by the Subscribers to the Fund for the reception of the Royal Agricultural Society at Exeter in testimony of his services as their Honorary Secretary A.D. 1850.

The Royal Agricultural Society of England held their twelfth annual meeting and exhibition during July 1850 at Exeter. Apparently the city celebrated the event with enthusiasm, erecting at least five decorative arches spanning the streets.

Charles Brutton (1791-1854) was a prominent Exeter lawyer, serving as the city’s mayor in 1846 and remembered as the owner at the time of the Exeter Clock, shown at the 1851 Great Exhibition. The Exeter Clock, finished in the 1730s, was said to have taken Jacob Lovelace thirty years to build; measuring 10 feet by 5 feet, it was a Baroque extravaganza displaying a panoply of mechanics and automata. £3000-4000

222

223 A VICTORIAN SILVER INKSTAND, ROBINSON, EDKINS & ASTON, BIRMINGHAM, 1838 shaped oval, with borders of matted scrolls, shells and leafage, on matted leafy panel feet, with a pair of silvermounted glass inkwells flanking the ogee lobed pot with taperstick cover complete with detachable nozzle and original snuffer 32cm wide, 739gr (23oz) including inkwell mounts £700-1000

223

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224 A LARGE VICTORIAN SILVER-MOUNTED LOOKING GLASS, WILLIAM COMYNS & SONS, LONDON, 1899 shaped oblong, headed by a crested Rococo cartouche and profusely stamped and pierced with scrolls, trellis and flowerheads surrounding the oval bevelled plate, blue velvet backed, with easel support 73cm high The crest and motto are those of Gibbs. £2000-3000

224

225

225 A GEORGE IV SILVER TOAST RACK, ROBERT HENNELL, LONDON, 1825 of seven shaped divisions centred by a loop handle above a small engraved crest and motto, reeded base on acorn and leaf headed paw feet, with silver inscribed collection disc 15cm long, 372gr (11oz) The crest is probably that of Trenchard.

Provenance: The Fornari Collection, Rome. £300-400 226 A GEORGE III LATER CHASED SILVER BASKET, HESTER BATEMAN, LONDON, 1790 oval, reeded rims and swing handle, the bowl later decorated on a matted ground with floral sprays and stiff leaves surrounding initials WSEM, rim with contemporary pierced scroll foliate band 35.5cm wide, 652gr (20oz)

226

£700-1000

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229 A VICTORIAN SILVER CHRISTENING MUG, HENRY WILKINSON & CO, LONDON, 1870 cylindrical body with c-scroll handle, decorated with foliate and stellar engraved ornament on a matte ground surrounding four oval beaded panels, one initialled DLM, one inscribed from FH and MCF, the other dated January 4th 1894 9cm high, 186gr (5oz) £200-300

227 227 A VICTORIAN SILVER CHRISTENING MUG, HENRY JOHN LIAS & SON, LONDON, 1873 tapered cylindrical body engraved with a scene of three children playing on a fence amongst trees, inscribed: Pamela Beresford Rhodes 1920, with foliate capped handle, 10.5cm high, 183gr (5oz) £300-500

229 230 A GEORGE IV SILVER MUG, THOMAS CLIFFORD, LONDON, 1821 with a broad band of chased acorns and oak leaves above a faceted band, with entwined snake handle 9cm high, 166gr (5oz) £200-300

228 228 AN INDIAN COLONIAL SILVER CHRISTENING MUG, PITTAR & CO., CALCUTTA, CIRCA 1840 octagonally faceted, each facet engraved with scrolled foliage, one additionally inscribed ‘Marcus Trevelyan Martin’, cast foliate wrapped scroll handle, gilt interior 10.5cm high, 299gr (9oz) Provenance: Marcus Trevelyan Martin(1842-1908) was born in Barrackpore (now Barakpur), Bengal. Educated at Rugby, followed

by Trinity College Cambridge, where he was awarded two cricket ‘Blues’; he also played for Middlesex and Warwickshire. Called to the bar in 1868, he practised at the Chancery and became a Middlesex J.P. He married Lucy Eleanor Raphael, daughter of the millionaire financier Henry Lewis Raphael, at St George’s Hanover Square in 1892. Together with two daughters, the family maintained a large establishment at 70 Portland Place, Marylebone, the 1901 census recording a staff of two nurses, a butler, a footman, a housemaid, a lady’s maid and a kitchen maid.

231 A GEORGE III SILVER TOAST RACK, NATHANIEL SMITH & CO., SHEFFIELD, 1797 oval, with seven hooped wirework divisions, on panel feet 19cm wide, 172gr (5oz)

£300-400

£150-250

58

230

232 A VICTORIAN SILVER NOVELTY CREAM JUG, STAPLETON & SONS, LONDON, 1882 modelled as ‘The Heathen Chinee’, a behatted and mustachioed Chinaman, his queue forming the handle 8cm high, 81gr (2oz) ‘The Heathen Chinee’ was a character most famously burlesqued by the English comic Willie Edouin in Lydia Thompson’s production of in Blue Beard at the Folly Theatre, London, 1878. £200-300

235 232

233 A VICTORIAN SILVER DISH, C.T. & G. FOX, LONDON, 1857 silver-gilt interior with lobed panels of differing foliate, diaper and strapwork engraving 15.5cm diameter, 196gr (6oz)

235 A VICTORIAN SILVER-GILT MUSTARD POT, JOSEPH WILLMORE, BIRMINGHAM, 1839 in Rococo revival style with rocaille and foliage, on four pad feet and with a naturalistic convolvulus handle 8.5cm wide, 98gr (3oz) excluding blue glass liner £300-400

£180-220

233 234 A VICTORIAN SILVER-GILT BOWL, RICHARD SIBLEY, LONDON, 1872 in Indian taste, initialled M.A.B. below a band of mythical figures and animals and between foliate and geometric borders 11cm diameter, 178gr (5oz) £80-120

236 236 A WILLIAM IV SILVER TEAPOT, PAUL STORR FOR STORR & MORTIMER, LONDON, 1836 compressed melon shaped, flat-chased to the shoulder and lid with a band of anthemion and scrolls, cast Rococo spout, leaf capped silver handle 11.5cm high, 731gr (23oz) £600-800

234 59

237 A GEORGE IV SILVER COFFEE POT, PAUL STORR FOR STORR & MORTIMER, LONDON, 1825 baluster, profusely chased in a Rococo style with flowers around the engraved crest of Trotter, cast Rococo spout, leaf-capped chased silver handle 26.5cm high, 985gr (31oz) including ivory insulators Provenance: John Trotter (1757-1833) of Dyrham Park, Hertfordshire. Thence by direct family descent.

237

John Trotter amassed a considerable fortune as an army contractor. “After the peace of 1783 he urged on the government the absurdity and extravagance of selling off all the military stores, only to replace them by new purchases on the occasion of any alarm, and offered to warehouse them in his own premises. This was agreed in 1787. On the outbreak of the French war the business increased enormously, and by 1807 he had established 109 depots, containing supplies insured for 600,000. The storekeepers were all appointed and paid by him; there was no government inspection, and apparently no government audit. The agreement was that he was paid the cost of the stores, plus a percentage to cover expenses and profit. In the hands of an honest and capable man the system worked efficiently, but it was felt to be improper to leave the country dependent on one man or to give one man such vast patronage. In 1807 Sir James Pulteney, then secretary for war, established the office of storekeeper-general, giving Trotter the first nomination to the post and taking into service all his employees. In 1815 Trotter established the Soho bazaar between Soho Square and Oxford Street. Intended at first to enable the distressed widows and daughters of army officers to dispose economically of their home ‘work’ by renting a few feet of counter, the bazaar eventually proved a source of wealth to its promoter. He was a man of many schemes, some of which led to fortune; others died in their infancy, including one for the establishment of a universal language. He died at Connaught Place, London on 6 September 1833.” (J. K. Laughton, ‘Trotter, Henry Dundas (1802-1859)’, rev. Andrew Lambert, Oxford Dictionary of National Biography, Oxford University Press, 2004) John Trotter purchased Dyrham Park in 1798; apparently the park’s entrance archway on the St Albans Road had originally been one of the triumphal arches erected in London by General Monk for Charles II’s entry of 1660. The family remained at Dyrham until the house was requisitioned during the Second World War, since when it has become a country club. £1800-2500 238 A SET OF FOUR WILLIAM IV SILVER SHELL DISHES, PAUL STORR FOR STORR & MORTIMER, LONDON, 1830 formed as scallop shells, engraved Trotter crest, each on two periwinkle shell feet 14cm wide, 657gr (21oz) (4)

238

Provenance: John Trotter (1757-1833) of Dyrham Park, Hertfordshire.

Thence by direct family descent. (See footnote to previous lot.) £2000-3000

60

240

239

239 A GEORGE III SILVER TANKARD, THOMAS WALLIS, LONDON, 1783 plain girdled cylindrical, scroll handle with engraved initials triangle M / AM, volute thumbpiece 18cm high, 615gr (19oz) £800-1200

240 A GEORGE IV SILVER THREE-PIECE TEA SET, CHARLES FOX, LONDON, 1822 crested, with gadroon rims, the bodies covered in alternate broad and narrow lobes teapot 17.5cm high, 1755gr (56oz) including ivory insulators (3) £1000-1500 241 A WILLIAM III SILVER TRENCHER SALT, MAKER’S MARK INDECIPHERABLE, LONDON, 1696 with corded rims and gilt interior; together with a Victorian silver trencher salt, Pairpoint Brothers, London, 1856, similar 8cm diameter, 116gr (3oz) (2) £200-300

242

242 A PAIR OF SCOTTISH GEORGE III SILVER WAITERS, WALTER & PATRICK CUNNINGHAM, EDINBURGH, 1789 crested, with worn bright-cut engraved borders, each on three panel feet 16.5cm diameter (2) £300-500

61

245 (Part)

243 243 A GEORGE III SILVER COFFEE POT, JOHN MOORE, LONDON, 1764 the engraved armorials and crest surrounded by Rococo foliate chasing, with cast spout 30cm high, 1130gr (36oz) including later ivory handle

245 A GEORGE IV SILVER WAITER, JOHN JAMES KEITH, LONDON, 1828 gadroon rim, later initialled CBU, on three ball feet, 18cm diameter; together with a George III silver teapot stand, Henry Chawner, London, 1788, shaped oval with moulded rim, panel feet, 17cm wide; and a silver Armada dish, William Comyns & Sons Ltd., London, 1960, typical form, 12cm diameter 566gr (18oz) (3) £300-500

The arms are those of a descendant of Bradshaw of Bradshaw, Windley, Holdbrook etc. in Derbyshire.

The maker’s mark is recorded in Grimwade No. 3658 as either John Moore or possibly Jacob Marsh, but the attribution to John Moore is much more likely because he is described as a goldsmith and/or a plate worker of 118 Fleet Street; he certainly sent silver to be hallmarked at the London Assay Office around the late 1760s/early 1770s. On the other hand Marsh was a goldsmith of Cornhill so therefore much more likely to have been a retailer. £1500-2000

246 244 244 A GEORGE III SILVER MUG, LANGLANDS & ROBERTSON, NEWCASTLE, 1790 baluster, engraved with marriage triangle F/WS withing a brightcut oval 13cm high, 355gr (11oz) £300-500

62

‡ 246 **A GEORGE II SILVER COFFEE POT, GEORGE WICKES, LONDON, 1733 tapering cylindrical, the borders and spout fla-chased with shells, scrolls and diaperwork, scratch weight ‘22-4’ 19.5cm high, 679gr (21oz) Provenance: S.J. Shrubsole Ltd., 3rd February 1983 £1500-2000

247 247 AN IRISH GEORGE II SILVER-GILT CUP AND COVER, PROBABLY WILLIAM RING, DUBLIN, 1743/44 with leaf-capped scroll handles, engraved with a vacant Rococo cartouche above the girdle, cover and body applied with bands of foliate straps on a matted ground 31cm high, 1921gr (61oz) Provenance: property of the Late Lord Hastings, removed from Seaton Delaval Hall. £2000-3000 ‡ 248 **A GEORGE III SILVER TRAY, JOHN MEWBURN, LONDON, 1814 oval, gadroon border, engraved with armorials 70cm across handles, 3747gr (120oz)

249 249 A GEORGE II SILVER COFFEE POT, GEORGE METHUEN, LONDON, 1750 engraved with a later crest within a contemporary foliate Rococo cartouche 25cm high, 892gr (28oz) £1000-1500

£1500-2000

248 63

250

250 A SCOTTISH SILVER-MOUNTED LABURNUM QUAICH, UNMARKED, CIRCA 1690 the bowl of hardwood staves bound with willow withies centred by a silver octafoil plate engraved with contemporary betrothal initials JW over AY, the silver-mounted lugs with engraved formal leaf borders, plain rim mounts 18.3cm wide For a comparable bowl see Bonhams, Edinburgh, 18th August 2009, lot 221.

Several other examples in silver or silver-mounted wood were included in the exhibition Made in Scotland, George Dalgleish and Henry Steuart Fothringham, revised edition, Edinburgh, 2008. £1500-2500

251

251 AN IRISH GEORGE II SILVER TWOHANDLED CUP, JOHN IRISH, CORK, CIRCA 1750 the vase-shaped girdled body with harpshaped handles 19cm high, 689gr (22oz) £1500-2500

64

252 A GERMAN SILVER STIRRUP CUP, RETAILED BY TIFFANY & CO. OF NEW YORK, PROBABLY HANAU, EARLY 20TH CENTURY realistically modelled as a ten point stag’s head on a plain flared cylindrical body, stamped ‘STERLING Germany TIFFANY’ 17cm high, 369gr (11oz) £500-800

253

252

253 A DUTCH SILVER NOVELTY FIGURAL CUP, POSSIBLY B. OVING OF GRONINGEN, 1898 modelled as an owl, inspired by German 17th century figural cups the detachable head concealing a pouring spout and a pierced cover, marked on body, head and cover, also with import marks for Samuel Boyce Landeck, London, 1898 28cm high, 705gr (22oz) For another see Sotheby’s, London, 27th April 2010, lot 304. £3000-4000

65

254 A SWEDISH PARCEL-GILT-SILVER TANKARD, PETTER BRITT, KALMAR, CIRCA 1710 barrel form, engraved below the gilt banded wrigglework rim ‘D.N.A.C.S. / P.B.S. / K.A.D. / 1721.’, fruit-cluster ball feet headed by applied shaped panels of foliate and fruit, fruit-cluster ball thumbpiece, scroll handle with shield terminal, lid set with a medallion surrounded by floral engraving, gilt interior 17cm high, 1071gr (34oz) £4000-6000

66

256

255

255 AN ITALIAN SILVER ALTAR VASE, MAKER’S MARK RUBBED, ASSAY MASTER (CONSUL) GIUSEPPE SIMIOLI, NAPLES, 1696-98 the oval bowl chased with scrolls and fruit swags between vacant cartouches and applied Renaissance seraphim handles, on stepped elongated octagonal pedestal foot 16.5cm wide, 618gr (19oz) excluding copper liner but including metal foot nut

257 A PAIR OF SPANISH TABLE DECORATION FIGHTING COCKS, POST 1934 each modelled with extravagant tail feathers, stamped with maker’s mark and 915 quality mark longest 25cm, highest 20cm, 563gr (2) £200-300

The maker’s mark is possibly ‘.T.P.’ whose name appears to be unrecorded, see Elio E. Corrado Catello, Argenti Napoletani dal XVI al XIX Secolo, Naples, 1973, p.171. £2000-3000 256 AN ITALIAN COPPER-GILT AND SILVER ALTAR VASE, PROBABLY NEAPOLITAN, LATE 17TH CENTURY the oval bowl with scrolls and foliage between vacant cartouches and applied silver Renaissance seraphim handles, on stepped elongated octagonal pedestal foot 19cm wide £600-800

257 67

Lots 258-328: the Silver Collection from the Estate of the Late Andrew Kelly Q.C. Andrew Kelly, throughout his career practised in planning, local government and parliamentary law - being consistently rated among the top Silks in these fields. He counted English and Irish silver as one of his private passions and spent many years building up his collection. His life was cut short by a sudden illness and he died unexpectedly in April 2011.

Proceeds from the estate go to charity.

258

258 A SET OF THREE SOUTH AMERICAN SILVER ALTAR DECORATIONS, PROBABLY PERUVIAN, 18/19TH CENTURY each of a sheet cut-out and chased in relief as an angel, mounted on fabric-backed stands 18.5cm high

260 260 AN ITALIAN EWER, POST 1944 the ribbed or fluted baluster body in 17th century style, stamped ‘800’ 23cm high, 603gr

£600-900

£400-600

259

261 259 A PAIR OF SPANISH SILVER SALT CELLARS AND SPOONS, A. ULLOA, VALLADOLID, 1ST HALF 19TH CENTURY with shell and scroll rims, each on three ball and claw legs, with a pair of matching salt spoons, spoons unmarked except for French ‘Swan’ mark, salts maker’s mark only (see Alejandro Fernández, Rafael Munoa and Jorge Rabasco, Marcas de la Plata Española y Virreinal, Madrid, 1992, p. 174) 9.5cm diameter, 294gr (9oz) (4) £250-350

68

261 A TAZZA, APPARENTLY UNMARKED, PROBABLY SOUTH AMERICAN, 20TH CENTURY with shell rim 10cm diameter, 636gr £200-300

264 264 A RUSSIAN SILVER SUGAR BOX, YAKOV MASLENNIKOV, MOSCOW, 1780 bulbous shaped oval, shell chased lid with shell thumbpiece, gilt interior, also marks of assay master Stepan Belkin and alderman Fedor Petrov 16cm long, 399gr (12oz)

262

£600-900

262 AN ITALIAN SILVER CHALICE, VENETIAN, LATE 17TH CENTURY with plain gilt bowl, the knopped stem and spreading foot with strapwork decoration, foot initialled G over MG, with Zecca, horse’s head and B in a beaded frame marks 21cm high, 290gr (9oz) £600-900

265

265 AN AUSTRIAN SILVER-GILT LAUREL WREATH, VIENNA, POST 1872 realistically modelled, ribbon tied 24cm wide, 388gr (12oz) £600-900

263

263 A FRENCH ELECTROPLATE WINE BUCKET, SOCIÉTÉ FRANÇAISE D’ORFÈVRERIE ARGIT, MID 20 TH CENTURY tapering cylindrical, with handles issuing from grape bunches, 19cm high; together with a set of four electroplate wine coasters, modern, with gadroon rims and wood bases and another similar electroplate wine coaster (6) £100-200

266 266 A DUTCH SILVER TEAPOT AND COVER, DIEDERIK LODEWIJK BENNEWITZ, AMSTERDAM, 1801 plain oval, reeded rims 12cm high, 312gr (10oz) including wood finial and handle £500-800

69

267 (Marks)

267 267 A CHARLES II SILVER TANKARD, JOHN SUTTON, LONDON, 1680 chased with a band of acanthus below a chased foliate border, foliate chased lid with bifurcated thumbpiece, scroll handle pricked EL 16cm high, 628gr (20oz) £3000-5000 268 A GEORGE I SILVER CASTER, JOSHUA FRENSHAM, LONDON, 1719 girdled baluster, with bun cover 11cm high, 109gr (3oz) £200-300

268 70

269 (Marks)

269

269 A WILLIAM III SILVER MUG, JOHN BODDINGTON, LONDON, 1698 with reeded bands, scroll handle with beading, underside engraved with the marriage triangle intials E/S*P and later initialled W de E / 1866 (possibly Willoughby de Eresby) 10cm high, 293gr (9oz) £800-1200 270 A GEORGE II SILVER MUG, WILLIAM WOODWARD, LONDON, 1747 plain tapering, scroll handle 11cm high, 353gr (11oz) £300-400

270 71

271 (Marks)

271 AN ELIZABETH I SILVER CHALICE AND PATEN, MAKER’S MARK AN ARROW PIERCING H (JACKSON P.99), LONDON, 1576 with foliate strapwork engraved girdle and knopped pedestal, dished paten cover 21cm high, 325gr (10oz)

£4000-6000

72

272 A CHARLES I SILVER WINE CUP, MAKER’S MARK FW IN MONOGRAM (JACKSON P.108), LONDON, 1630 the bowl pricked with initials NT surrounded by scrolls, on triple knopped stem and spreading foot 16cm high, 220gr (7oz) £3000-4000

73

273 A GEORGE I BRITANNIA STANDARD SILVER TEAPOT, JONAH CLIFTON, LONDON, 1724 squat baluster, domed lid, underside engraved IH 15cm high, 442gr (14oz) all in £2500-3500

273 274 A CHARLES II SILVER PLATE, MAKER’S MARK EG (JACKSON P.129), LONDON, 1676 plain circular, reeded rim 19.5cm diameter, 236gr (7oz) £700-1000 275 AN IRISH GEORGE II SILVER SPOON TRAY, DUBLIN, MID 18 TH CENTURY oval, engraved armorials, fluted rim 18.5cm long, 103gr (3oz) The arms are those of Lawless. £250-350

274

275

74

276 A GEORGE II SILVER BEER JUG, MAKER’S MARK APPARENTLY WC, POSSIBLY WILLIAM CRIPPS, LONDON, 1759 plain baluster, leaf capped scroll handle 20cm high, 731gr (23oz) £2500-3500

276

277 A GEORGE II SILVER SALVER, JOSEPH SANDERS, LONDON, 1740 plain except for the moulded shell rim, underside initialled U over IV and later RMN 24cm diameter, 487gr (15oz) £600-800 278 A GEORGE II SILVER LEMON STRAINER, MAKER’S MARK PARTLY OBLITERATED BY PIERCING, PROBABLY BENJAMIN WEST, LONDON, 1749 typical twin-handled form, 18.5cm wide; together with a Georgian style silver lemon strainer, James Parkes, London, 1926, similar, 15cm wide 169gr (5oz) (2) £400-600

277

278

75

279 A GEORGE I SILVER COFFEE POT, EDWARD VINCENT, LONDON 1723, plain tapering octagonal 25cm high, 794gr (25oz) £4000-6000

279

280 TWO GEORGE I SILVER CASTERS, THOMAS BAMFORD, LONDON, 1724/26 in sizes, girdled baluster octagonal 17cm and 14cm high, 342gr (10oz) (2) £600-900 281 A GEORGE II SILVER MUG, JOHN GAMMON, LONDON, 1730 with later engraved Rococo cartouche and crest 10cm, 198gr (6oz)

280

£300-500 282 AN IRISH GEORGE II SILVER MUG, WILLIAM BEATES, DUBLIN, CIRCA 1750 plain baluster, scratch weight ‘oz/7 - dwt/15’ 11cm high, 235gr (7oz) £400-600

282 76

281

283 AN IRISH GEORGE I SILVER COFFEE POT, DAVID KING, DUBLIN, 1727 plain tapering cylindrical, scratch weight 25:12 23.5cm high, 810gr (26oz) all in David King was active from 1690 to 1737, serving a period as Master Warden of the Company of Goldsmiths, as well as being on the Common Council of the City of Dublin.

King Street was named after him. £3000-4000

283

284 A GEORGE II SILVER MUG, JOHN SWIFT, LONDON, 1742 plain except for crest, baluster, with leaf capped scroll handle 11cm high, 288gr (8oz) £300-400 285 A GEORGE II SILVER MUG, FULLER WHITE, LONDON, 1754 plain baluster, leaf capped scroll handle 10.5cm high, 235gr (7oz)

286

284

285

£250-350 286 A GEORGE I SILVER MUG, JOSEPH CLARE, LONDON, 1721 plain 10.5cm high, 247gr (8oz) £300-400 287 A SET OF FOUR IRISH GEORGE II SILVER SALT CELLARS, JOHN MOORE, DUBLIN, CIRCA 1746 circular, each on three lion mask headed paw feet, with gilt interiors, 7.5cm wide, 401gr (12oz) (4)

287

£600-900

77

288 288 A GEORGE III SILVER TRAY, ELIZABETH JONES, LONDON, 1793 oval, engraved with armorials in an oblong cartouche, reeded rim, scratch weight ‘81oz=15’ 60cm wide across end handles, 2501gr (80oz) The arms are those of Gilpin of Scaleby, Cumberland; Gilpin of Westmoreland; or Gilpin of Bungay, Suffolk, impaling Beaumont, co. Leicester, or Beaumont of Beaumont Hall, Suffolk. £2000-3000

290

289

290 A MATCHED PAIR OF IRISH GEORGE II SILVER WAITERS, ONE ROBERT HOLMES, THE OTHER JOHN PITTAR, DUBLIN, CIRCA 1745 circular, crested, scroll and shell rims, each on three pad feet 17.5cm diameter, 568gr (18oz) (2) The crest and motto are those Becher, probably of Ireland. £700-900

289 A PAIR OF GEORGE III IRISH SILVER BUTTER SHELLS, MAKER’S MARK ONLY, JOHN LLOYD OF DUBLIN, CIRCA 1775 typical form, crested below a Viscount’s coronet, each on three limpet feet, 12cm long, 174gr (5oz) (2)

291 AN IRISH GEORGE III SILVER TEAPOT STAND, RICHARD SAWYER, DUBLIN, 1806 plain oval 20cm wide, 259gr (8oz)

£500-800

£150-250

78

292 A PAIR OF GEORGE II SILVER ROCOCO CANDLESTICKS, AYMÉ VIDEAU, LONDON, 1744 the knopped stems and spreading bases covered with foliage, scrolls and rocaille, with detachable nozzles, with Paris import mark 1781-89 25.5cm high, 1942gr (62oz) (2) £3000-5000

292

293 AN IRISH GEORGE III SILVER BASKET, MICHAEL HOMER, DUBLIN, CIRCA 1780 with later handle, crested, oval, pale pierced, swing handle, handle with London Assay Office mark for 2005 30cm wide, 458gr (14oz) £600-800 294 AN IRISH GEORGE III SILVER SWEETMEAT BASKET, WILLIAM BOND, DUBLIN, 1805 navette shaped, on pedestal foot, swing handle, bright-cut engraved 17.5cm wide, 241gr (7oz)

293

£600-800 295 ANOTHER IRISH GEORGE III SILVER SWEETMEAT BASKET, DUBLIN 1801, plain navette shaped, on pedestal foot, swing handle 17cm wide, 251gr (8oz) £500-700

294

295 79

299 AN IRISH GEORGE IV SILVER DISH, EDWARD POWER, RETAILED BY EDWARD TWYCROSS, DUBLIN, 1825 circular, gadroon rim later initialled EC 20.5cm diameter, 282gr (9oz) £150-250

296 296 A GEORGE II SILVER TEAPOT, THOMAS WHIPHAM, LONDON, 1750 inverted pear shaped, with flat-chased foliate band to the rim, scratch weight 16”5 14cm high, 522gr (16oz) including later wood handle

299

£800-1200

300 AN IRISH GEORGE III SILVER TEAPOT, JOHN LLOYD, DUBLIN, 1778 cylindrical, bright-cut, 26cm wide across wood handle; together with a Irish George III silver stand, Robert Breading, retailer Clark & West, Dublin, circa 1780, circular, on three feet, 14cm diameter 682gr (21oz) all in (2)

297

£600-900

297 A GEORGE II SILVER SNUFFERS TRAY, JAMES GOULD, LONDON, 1745 of typical waisted outline with scroll and shell rim, on paw feet 18cm wide, 294gr (9oz) £400-600

300 301 TWO IRISH GEORGE III SILVER SAUCEBOATS, DUBLIN, ONE THOMAS JOHNSTON, CIRCA 1760, THE OTHER MATTHEW WEST, 1791 both oval, the former plain, the latter with beaded flutes 19cm and 16cm long, 409gr (13oz) (2) £600-900

298 298 AN IRISH SILVER BOWL, MAKER’S MARK RUBBED, POSSIBLY JOHN & SAMUEL NICOLSON, CORK, CIRCA 1770 circular, spiral fluted, on three hoof feet, also struck STERLING 13cm diameter, 175gr (5oz) £300-500

80

301

302

302 A GEORGE IV SILVER TEA CADDY, THOMAS BRADBURY & SONS, SHEFFIELD, 1827 bombé form, foliate decorated, crested, the cover with Chinaman finial 14cm high, 252gr (8oz) The crest and motto is that of Bower of Iwerne House, Dorset. £400-600

305 305 AN IRISH GEORGE III SILVER SALVER, RICHARD WILLIAMS, DUBLIN, CIRCA 1770 shaped circular, gadroon and shell rim, engraved with armorials 38.5cm diameter, 1374gr (44oz)

303

£1500-2000

303 AN IRISH WILLIAM IV SILVER WINE FUNNEL, JAMES LE BAS, DUBLIN, 1831 typical form, with detachable strainer with reeded rim, 14cm high; together with an Irish George III silver wine funnel stand, William Nolan, retailed by William Law, Dublin, 1813, circular, crested, gadroon rim, 10.5cm diameter, 209gr (6oz) (2) £300-400

306

304 A GEORGE III SILVER MILK JUG, SOLOMAN HOUGHAM, LONDON, 1802 helmet shaped, with bright-cut Greek key border, 11.5cm high; together with a George III silver milk jug, maker’s mark I.M, London, 1809, bulbous, reeded rim 9cm high, 236gr (7oz) (2)

306 A GEORGE V SILVER ENTREE DISH, COVER AND HANDLE, JAMES DIXON & SONS, SHEFFIELD, 1910 oblong with reeded borders 27cm wide, 1749gr (56oz)

£180-220

£700-1000

81

310 307 307 A GERMAN ELECTROPLATE MODEL OF A STALLION, WMF (WUERTTEMBERGISHE METALLWARENFABRIK), 20TH CENTURY realistically modelled, on naturalistic plinth base 28cm wide

310 A SILVER MODEL OF A HORSE, EDWARD BARNARD & SONS LTD., LONDON, 1972 realistically cast 12cm high, 421gr (13oz) £400-600

£150-250

308

311

308 AN IRISH GEORGE III SILVER TEAPOT, MAKER’S MARK J.M, DUBLIN, 1796 shaped oval, bright-cut, pineapple finial, engraved with later armorials, 30cm wide, 560gr (18oz) all in

311 A SILVER DOUBLE PHOTOGRAPH FRAME, MAKER’S MARK MPL, BIRMINGHAM, 2002 the two plain rectangular panels centrally hinged 20cm high, wood backed

£400-600

£100-150

309 309 A GEORGE III SILVER TEAPOT, SAMUEL GODBEHERE, LONDON, 1785 oval, bright-cut, 26cm wide across wood handle; together with a George III silver teapot stand, Peter, Ann & William Bateman, London, 1802, oval, bright-cut, reeded rim,16cm wide 499 (16oz) all in (2) £400-600

82

312 312 A VICTORIAN SILVER TEA CADDY, D. & M. DAVIS LTD. OF BIRMINGHAM, LONDON, 1898 bombé form, foliate decorated with lobes, initialled ALC, on open scrolling feet, cover with wrythen pointed finial 15cm high, 310gr (10oz) £150-200

317 313

316

313 AN IRISH VICTORIAN SILVER PEPPER GRINDER, WEST & SON, DUBLIN, 1881 of typical form, crested 9cm high

316 AN EDWARDIAN SILVER DRESSING TABLE TRAY, WILLIAM COMYNS & SON, LONDON, 1900 quatrefoil, stamped with ‘Reynold’s Angels’ 31cm wide, 333gr (10oz)

£200-300

£200-300 317 AN IRISH GEORGE III SILVER MUSTARD POT, MAKER’S MARK RUBBED, DUBLIN, 1801 plain oval, 7.5cm wide; together with another silver mustard pot, Edward Barnard & Sons, London, 1913, urn shaped; and another silver mustard pot, maker’s mark rubbed, London, 1909, plain circular 216gr (6oz) excluding their blue glass liners (3) £200-300

314 314 A GEORGE IV SILVER CHAMBERSTICK, WILLIAM ELLIOTT, LONDON, 1827 shaped circular, crested, complete with detachable nozzle and conical extinguisher 14cm diameter, 293gr (9oz) £400-600 315 A VICTORIAN SILVER BOWL, MARTIN, HALL & CO., CHESTER, 1896 plain, 14cm diameter; together with a silver sweetmeat dish, William Hutton & Sons Ltd., Birmingham, 1914, plain circular, 14cm wide across handles 300gr (9oz) (2) £120-150

318 318 A SET OF FOUR SILVER CANDLESTICKS, JAMES DIXON & SONS LTD., SHEFFIELD, 1961/64 Corinthian column pattern, with detachable nozzles 23cm high, loaded (4) £1200-1800

83

319 319 A MATCHED SET OF FIDDLE PATTERN TABLE SILVER, VARIOUS DATES AND MAKERS, PREDOMINANTLY DUBLIN OR LONDON, 19TH CENTURY mostly crested, some initialled, comprising: fourteen tablespoons (including three Russian examples), eighteen table forks, twelve pistol handled table knives with steel blades, eighteen dessert spoons, eighteen dessert forks, fourteen teaspoons, six salt spoons, three basting spoons, two sauce ladles, two mustard spoons, a sugar scoop, a caddy spoon and a Russian soup ladle 4912gr (157oz) weighable silver (110) £2500-3500 320 TWO PAIRS OF IRISH SILVER TABLESPOONS, DUBLIN, JOHN OSBORNE, 1794 AND ROBERT WILLIAMS, 1800 Celtic Point pattern, the former initialled, the latter crested 24cm long, 248gr (8oz) (4)

322

321 TEN ASSORTED SILVER NAPKIN RINGS, PREDOMINANTLY BIRMINGHAM, ONE AMERICAN, 1888-1957 all circular, four engine-turned, four bright-cut, two plain 167gr (5oz) (10)

322 A SET OF WILLIAM IV TABLE SILVER, WILLIAM THEOBALDS, LONDON, 1833/35 Feather Edge Fiddle pattern, crested, comprising four table forks, four dessert spoons and four dessert forks; together with a set of five Irish George III silver teaspoons, James Salter of Cork, Dublin, early 19th century and another matching Irish teaspoon, bright-cut Celtic Point pattern, initialled 825gr (26oz) (18)

£150-200

£400-600

£100-150

84

323 324 323 A SCOTTISH GEORGE III SILVER SOUP LADLE, PROBABLY ADAM GRAHAM, GLASGOW, CIRCA 1765 Hanoverian pattern 35cm long, 162gr (5oz) £120-180 324 AN IRISH SILVER SOUP LADLE, POSSIBLY MICHAEL CORMICK, SPONSOR’S MARK JOHN LAUGHLIN, DUBLIN, 1767 with shell bowl, the hooked stem stamped with foliage and crested 36cm long, 218gr (7oz) Apparently ‘Mid-18th-century plate bearing the maker’s mark ‘M C’ accompanied by another is often encountered. The first may be Michael Cormick’s, a goldsmith with a workshop in Parliament Street. He was a Roman Catholic and consequently debarred from becoming a freeman and trading directly with the public.

This may have obliged him to sell his work through a registered freeman who may have struck the second mark.’ (Ida Delamer & Conor O’Brien, 500 Years of Irish Silver, Exhibition at the National Museum of Ireland, Wicklow, 2005, p.36)

327 326 326 A GEORGE III SILVER FISH SLICE OR SERVING TROWEL, THOMAS NASH, LONDON, 1769 with scroll pierced triangular blade and Feather Edge pattern handle with shell join 28.5cm long, 127gr (4oz) For a similar Thomas Nash slice see Christie’s New York, 19th October 2004, lot 998, sold for $1076.00

£200-300

£400-600

325 ASSORTED FIDDLE AND OLD ENGLISH PATTERN TABLE SILVER, ENGLISH AND IRISH, 19TH/20 TH CENTURY comprising: eight dessert forks, three dessert spoons, three ladles, five teaspoons, four cake forks (tines probably later cut out of spoons), a mustard spoon, a salt spoon and a berry spoon; together with a pair of silver sugar tongs and the following electroplate flatware: eight Old English pattern tablespoons, two coffee spoons and a preserve spoon silver 835gr (27oz) (27)

328 A VICTORIAN SILVER JUG, THOMAS BRADBURY & SONS, LONDON, 1896 the bulbous body part lobed 13cm high, 378gr (12oz)

£400-600

£200-300 327 A PAIR OF GEORGE IV SILVER-GILT GRAPE SCISSORS, ELEY & FEARN, LONDON, 1824 the handles with shells, acanthus, leopard masks and grapes, initialled WSM 17cm long, 145gr (4oz) £200-300

85

Lots 329-350: a Private Collection of Cigarette Cases and Compacts

331 FIVE SILVER COMPACTS, CZECHOSLOVAKIA, 1929-42 with engine-turned and floral decoration, one shaped rectangular with gilt strip, one circular with gilt strip, one small cut cornered square with gilt strip, another shaped square and one shaped circular, all with mirrors, three with powder netting largest 8cm wide471gr (15oz) all in including metal frames (5) £150-250 332 FIVE SILVER COMPACTS, CZECHOSLOVAKIA, 1929-42 all shaped square, four with engine-turned and floral decoration, one with plaid patterning, four complete with mirrors and netting, one lacking powder netting largest 8cm wide, 576gr (18oz) all in including metal frames (5) £150-250 333 FOUR SILVER CIGARETTE CASES, CZECHOSLOVAKIA, 1929-42 rectangular, with engine-turned and floral decoration, one applied with gilt initials, gilt interiors largest 11.5cm wide, 536gr (17oz) (4)

329–350 (a selection) 329 A FRENCH SILVER METAMORPHIC CIGARETTE CASE/TRAY, IMPORT MARKS FOR COHEN & CHARLES, LONDON, 1912 oblong, engine turned, sides with a Greek key border and oval cabochon sapphire thumbpiece, both sides opening to form three gilt trays with handle, stamped Patent 15743, 8.5cm long; together with a George VI silver cigarette case, L.E. McCann, Birmingham, 1946, rectangular, engine turned, gilt interior with crest, motto and inscription ‘Niall with love. June 21st-48’, 11.5cm long 444gr (14oz) all in (2) £250-350 330 FIVE SILVER COMPACTS, CZECHOSLOVAKIA, 1929-42 one rectangular and four circular, all florally decorated, two with mirrors and powder netting, two with mirrors only and one lacking fittings largest 10cm wide, 645gr (20oz) all in including metal frames (5) £150-250

86

£200-300 334 FOUR SILVER CIGARETTE CASES, CZECHOSLOVAKIA, 1929-42 all engine-turned, two rectangular each with a gilt scroll foliate central stripe, one rectangular with black and red enamelled X stringing and gilt foliate triangles, one shaped rectangular initialled example with blue enamel stringing and diagonal gilt foliate bands, gilt interiors largest 11cm wide, 570gr (18oz) (4) £250-350

335 FIVE SILVER CIGARETTE CASES, CZECHOSLOVAKIA, 1929-42 all rectangular and engine-turned, one with parcel-gilt Art Deco design, one parcel-gilt with plaid design, one with scroll foliate stripe and two with linear designs, three with inscribed gilt interiors largest 12.5cm wide, 875gr (28oz) (5)

340 FIVE CIGARETTE CASES, CZECHOSLOVAKIA, POST 1942 four rectangular, one with bowed ends, all scroll foliate and engine-turned all with gilt interiors except one with initialled interior largest 9cm wide, 428gr (5) £180-220

£300-400 336 FOUR SILVER CIGARETTE CASES, CZECHOSLOVAKIA, 1929-42 all shaped rectangular and with foliate and engine-turned decoration, three with initials and enamel stringing one with initialled interior largest 11.5cm wide, 592gr (19oz) (4) £200-300 337 FOUR SILVER CIGARETTE CASES, CZECHOSLOVAKIA, 1929-42 rectangular, one with scroll foliate decoration, two with parcel-gilt foliate stripes and engine turning, one engine-turned with foliate corner panels largest 10.5cm wide, 510gr (16oz) (4) £200-300 338 FOUR SILVER CIGARETTE CASES, AUSTRIA, POST 1922 rectangular, largest with waved engine-turning, one with gilt foliate central stripe, one with scroll foliage lid and one with two diagonal blue enamel strips, gilt interiors largest 11cm wide, 360gr (11oz) (4) £150-250 339 FIVE SILVER CIGARETTE CASES, CZECHOSLOVAKIA, 1922-29 shaped rectangular, one frosted, initialled NG and engraved with a foliate spray with red stone set flower, two covered in scroll foliage, one with zig-zag engine-turning and gilt strips and one with engine-turning surrounding a gilt initialled oval, gilt interiors largest 11cm wide, 716gr (23oz) (5) £150-250

341 FIVE COMPACTS, CZECHOSLOVAKIA, POST 1942 all engine turned and with mirrored interiors, four also with scroll foliate engraving, three circular and two shaped square largest 10.5cm diameter, 520gr all in including metal frames (5) £120-180 342 FIVE COMPACTS, CZECHOSLOVAKIA, POST 1942 all engine turned and with mirrored interiors, four also with scroll foliate engraving, three shaped square, one shell-shaped, one circular largest 9cm wide, 494gr all in including metal frames (5) £120-180 343 FIVE COMPACTS, CZECHOSLOVAKIA, POST 1942 all engine turned and scroll foliate engraved, all with mirrored interiors, two shaped square, one oblong, two circular largest 10cm diameter, 582gr all in including metal frames (5) £120-180 344 SIX COMPACTS, CZECHOSLOVAKIA, POST 1942 all engine turned and with mirrored interiors, some also with foliate engraving, three shaped square, one rectangular, two circular largest 10cm diameter, 658gr all in including metal frames (6) £150-250 345 FOUR SILVER CIGARETTE CASES, CZECHOSLOVAKIA, 1929-42 all with foliate and engine-turned decoration, three rectangular, one shaped rectangular, three with inscribed gilt interiors largest 11cm wide, 536gr (17oz) (4) £200-300

87

Various Owners

346 FIVE CIGARETTE CASES, CZECHOSLOVAKIA, POST 1942 all oblong, one scroll foliate engraved surrounding a scene of the Three Musketeers, one engine turned with blue enamel stringing and Greek key borders, one engine turned with foliate and linear engraving, one scroll foliage engraved, and one engine turned around an initial B with foliate borders largest 12cm long, 656gr (5) £200-300 347 FIVE CIGARETTE CASES, CZECHOSLOVAKIA, POST 1942 all oblong, one with a pastoral scene, one with a gilt foliate and geometric stripe, one with plaid engineturning, engine-turned with asymmetric foliate band, one scroll foliate engraved with blue enamel stringing largest 11.5cm long, 702gr (5) £200-300 348 SIX CIGARETTE CASES, CZECHOSLOVAKIA, POST 1942 all oblong, one small example with scroll foliage, one covered in scroll foliage, one with engine-turned stripes and blue enamel stringing, one engine-turned with foliate corner, two engine turned with foliate bands largest 12cm long, 783gr (6)

351

351 A PAIR OF GEORGE III SILVER CHILD’S SPURS, BENJAMIN COOPER, LONDON, 1782 typical form with steel rowell and three chains to buttons and buckles 7cm wide (2) Benjamin Cooper is recorded in the 1773 Parliamentary Report as a bucklemaker of High Holborn. For further information, see A.G. Grimwade, London Goldsmiths, p. 471. £500-800

352

£250-350 349 SIX SILVER COMPACTS OR CIGARETTE CASES, CZECHOSLOVAKIA, POST 1929 comprising three oblong engine-turned cigarette cases and one filigree example, together with two engine-turned compacts with mirrored interiors and fittings filigree case 9cm long, 517gr (16oz) all in (6)

352 TWO SILVER NOVELTY CIGAR LIGHTERS one in the form of a lighthouse, Grey & Co of London, Chester, 1911, retailed

by Thornhill, New Bond Street, 13.5cm high, the other loaded spherical, engraved ‘ROYAL AIR FORCE / HALTON’ below a cast spreadeagle, Goldsmiths & Silversmiths Co Ltd, London, 1929, 9.3cm high (2)

£200-300

£250-350

Various Owners 350 AN AUSTRIAN SILVER AND ENAMEL CIGARETTE CASE, GEORG ADAM SCHIED, VIENNA, CIRCA 1900 oblong, with engine-turning and blue enamel stringing 9cm long; together with four Austrian silver cases, 1st quarter 20th century, comprising an oblong box with Lakeland scene, a cigarette case with red enamel scroll foliate reserve, one elongated octagonal engine-turned lipstick case and a square compact with floral needlepoint panel 464gr (14oz) (5) £180-220

353 353 A VICTORIAN SILVER STRING BOX, MAPPIN & WEBB LTD., LONDON, 1898 spherical, with two bands of alternate curved lobes and flutes, on three pad feet, surmounted by a steel string cutter on scroll supports 8.5cm high, 83gr (2oz) all in £180-220

88

355 354 358 354 A SET OF SIX EDWARDIAN SILVER ‘OWL’ CARD HOLDERS, S. MORDAN & CO. LTD., CHESTER, 1904/05/07/08 the owls of a somewhat surprised expression standing on disc bases, one inscribed ‘FROM J.S.B. 1910’, all with P.O.D.R. No. for 1904, in associated case 3.3cm high, 130gr (4oz) including glass eyes (6) £600-800

358 A SET OF EIGHT GEORGE V PARCEL-GILT-SILVER ‘GOLDEN PHEASANT’ CARD HOLDERS, S. MORDAN & CO. LTD., CHESTER, 1913 the strutting silver cocks on loaded gilt oval bases, IN two cases 4.5cm long (8) £500-800

355 A SET OF FOUR GEORGE V SILVER ‘FOUR-LEAF CLOVER’ CARD HOLDERS, MARTIN, HALL & CO. LTD. OVERSTRIKING ANOTHER, BIRMINGHAM, 1911 the green tinted nacre lucky leaves on domed loaded bases 4.5cm high (4) £200-300

359 (Part)

356

357

356 A SET OF FOUR GEORGE V SILVER ‘GAME BIRD’ CARD HOLDERS, G. BRACE & CO. LTD., LONDON, 1912 the duck, grouse, pheasant or partridge standing against disc supports, on oval bases, in case 4cm wide, 67gr (2oz) (4)

360 (Part)

359 (Part)

359 A GEORGE V SILVER DRESSING TABLE BOX, GOLDSMITHS & SILVERSMITHS CO. LTD., LONDON, 1917 elongated oval, with engine-turned lid, inscription to front, 14cm wide; together with a George V silver and tortoiseshell box, maker’s mark rubbed, London, 1915, of semi-circular outline, tortoiseshell panelled lid applied with an initialled roundel, on three bun feet, 13cm wide; and a silver cigarette box, marks rubbed, Chester, circa 1920, tortoiseshell set lid, 9cm square (3) £180-220

357 A SET OF FOUR GEORGE V SILVER ‘DOG’ CARD HOLDERS, S. BLANCKENSEE & SONS LTD., BIRMINGHAM, 1933 each cast as an Alsatian, a terrier, a bulldog and a spaniel standing against a disc, in case disc bases 3.5cm diameter, 134gr (4oz) (4)

360 A GEORGE V PARCEL-GILT-SILVER CIGARETTE CASE, ALFRED DUNHILL LTD., LONDON, 1935 oblong, ribbed between gilt borders and sides with red enamel panels, one panel releasing the sprung lid, inscribed gilt interior stamped DUNHILL LONDON, 11cm long; together with another silver cigarette case, Asprey & Co. Ltd., Birmingham, 1928, applied with initials PBC, engine-turned, patent opening to inscribed gilt interior stamped ASPREY LONDON; and another two silver cases, Birmingham or Chester, 1936 or 1909, the former an engine-turned compact with missing mirror, the latter a plain cigarette case with interior mirror 464 gr (14oz) all in (4)

£350-450

£250-350

£300-400

89

361

362

363

361 A VICTORIAN SILVER SNUFF BOX, DAVID PETTIFER, BIRMINGHAM, 1851 shaped rectangular, scroll foliate engraved on a hatched ground surrounding a vacant cartouche, applied fruiting vines and scrolls, gilt interior 8.5cm wide

365 (Part)

£180-220 362 A VICTORIAN SILVER SNUFF BOX, NATHANIEL MILLS, BIRMINGHAM, 1848 shaped oblong, vacant shaped oblong raised cartouche, bright-cut scroll foliate engraved, gilt interior 8.5cm wide

364 (Part)

366

363 A WILLIAM IV SILVER SNUFF BOX, EDWARD SMITH, BIRMINGHAM, 1830 rectangular, engine-turned lid with vacant rectangle, foliate thumbpiece, reeded sides, gilt interior 7.5cm wide

365 A GERMAN SILVER SNUFF BOX, CIRCA 1825 bright-cut borders, reeded sides, with gilt interior, 8.5cm long; together with two French silver beakers, one Rheims, the other Paris, both circa 1780, bell shaped, stamped with the initials EB and MP, 5.5cm high; another silver beaker, marks rubbed, probably Portuguese, early 19th century, flared cylindrical, 10cm high; and another Continental silver beaker, 19th century, plain cylindrical, stamped ‘No 140’, 7cm high 510gr (16oz) (5)

£100-150

£300-500

364 SIX ASSORTED SILVER BOXES comprising: a William IV rectangular engine-turned and initialled snuff box, Ledsam, Vale & Wheeler, Birmingham, 1830; another smaller similar engine-turned box without initials, S.J. Phillips, Birmingham, 1967; a George IV initialled and engine-turned vinaigrette with scroll foliate grille, John Bettridge, Birmingham, 1827; a plain oblong vesta case, Colen Hewer Cheshire, Birmingham, 1897; a Dutch cylindrical toilet jar and cover stamped with figural scenes and scrolls, Amsterdam, import marked for London, 1892; and an unmarked shaped snuff box, with engraved panels, lid missing an oval applique, Continental, mid 18th century snuff box 8cm long, 282gr (9oz) (6)

366 A GEORGE III SILVER SNUFF BOX, EDWARD FAIRBROTHER, LONDON, 1810 oblong, with linear decoration top and bottom and laurel decorated sides 7.4cm wide

£300-400

£80-120

£150-250

90

£200-300 367 A SILVER-MOUNTED IVORY PAPER KNIFE, ADIE & LOVEKIN LTD., BIRMINGHAM, DATE LETTER RUBBED, CIRCA 1910 with tusk handle and plain mount 37cm long

368 368 A GEORGE III SILVER NUTMEG GRATER, SAMUEL MERITON, LONDON, 1796 egg shaped, reeded girdle, screw top concealing the detachable silver-mounted metal rasp 4.5cm long £200-300

371

371 A FRENCH GOLD SNUFF BOX, LOUIS-FRANCOIS TRONQUOY, PARIS, CIRCA 1840 with damask engine-turning surrounded by scrolled foliage and centred by a vacant cartouche, chased floral borders and thumbpiece, maker’s mark, post 1838 3rd title mark, 18 carat 8.2cm long, 97gr £2500-3500

370 369

369 AN IRISH GEORGE III SILVER COMFIT OR PATCH BOX, JOHN TOLEKEN, CORK, CIRCA 1800 circular, wrigglework decorated, STERLING incuse mark and maker’s mark twice, 2cm diameter; together with a George III silver counter box, unmarked, circa 1800, book form, bright-cut and initialled EL, containing four silver playing cards of one to four hearts, 2.2cm wide (2) For another very similar book form counter box with four cards, apparently marked Thomas Wilkes Barker, London, 1798, see Gorringes, 21st October 2010, lot 1138. £200-300 370 A GEORGE III SILVER VINAIGRETTE, SAMUEL PEMBERTON, BIRMINGHAM, 1808 canted rectangular, bright-cut with leaves on a hatched ground, gilt interior with simply pierced grille, 3cm wide; together with a George III silver pomander ball, unmarked, late 18th century, the simply pierced sphere with hatched decoration and suspension ring, 1.7cm diameter (2)

372 372 A GERMAN GOLD SNUFF BOX, CHARLES COLLINS & SÖHNE, HANAU, CIRCA 1860 rectangular, with engine-turned panels, reeded borders, a vacant cartouche and foliate thumbpiece 7.1cm wide, 41gr £600-900

£150-250

91

373 374 375 376 92

377 378 (Part)

379 380 381 382

Lots 373-382: a Private Collection of Gold and Silver Boxes 373 A VICTORIAN SILVER PRESENTATION SNUFF BOX, EDWARD EDWARDS, LONDON, 1846 rectangular, engine-turned within chased floral and foliage borders, the hinged lid engraved with an inscription, gilt interior 9.5cm wide The inscription reads ‘Presented / TO Mr. JOHN WAKEFIELD / by the Servants in the Locomotive Department / OF THE GREENWICH BRANCH OF THE S.E.R. / as a token of esteem / 1847.’

378 A GEORGE III SILVER TOOTHPICK CASE, LINNET & ATKINSON, LONDON, 1813 rectangular, engine-turned within plain borders, the cover applied with a crested plaque, gilt interior, 7.7cm wide; and two rectangular silver snuff boxes, one Ledsam, Vale & Wheeler, Birmingham, 1828, engine-turned within chased borders, 8.7cm wide, the other Nathaniel Mills, Birmingham, 1838, richly chased, 7cm wide (3)

£400-600

£200-300

374 A LOUIS XVI TWO-COLOUR GOLD AND COMPOSITION SNUFF BOX, AUGUST-GASPART TURMINE, CHARGE AND DISCHARGE MARK OF JEAN-BAPTISTE FOUCHE, PARIS, 1779 circular, detachable cover, inlaid with alternately coloured engraved gold stripes within embossed and engraved borders, tortoisehell lined 6.4cm diameter

379 A VICTORIAN GOLD SNUFF BOX, GEORGE EDWARDS, LONDON, 1859 decorated with wavy engine-turning within narrow borders chased with flowers and foliage, the hinged lid engraved with a crest within rectangular reserve, inscribed on the interior ‘NELLIE. / FROM AUNT ALICE. / JAN. 31. 1894.’, 18 carat 8.3cm, 145gr

Provenance: Christie’s, London, 27 April 1979, lot 117

Provenance: Christie’s, London, 27 March 1979, lot 145

£2500-3500 375 A GEORGE III TWO-COLOUR GOLD SNUFF BOX, A.J. STRACHAN, LONDON, 1811 rectangular, engine-turned within applied lemon gold oak leaf and acorn pattern border, similar shell and scroll thumbpiece, the interior engraved ‘Richard Chadwick / from a grateful Client. / July 1901.’, 18 carat 7.3cm wide, 105gr Provenance: Sotheby Parke Bernet, London, 12 Febraury 1981, lot 21 £3000-4000 376 A GEORGE III GOLD VINAIGRETTE, GILES LOYER, LONDON, 1810 oval, engine-turned all over, the interior with plain pierced hinged grille, 18 carat 3cm wide, 12gr Provenance: Alfred Bromet, 55 Burlington Arcade, London, W1, circa 1980 Giles Loyer entered his mark from 21 Denmark Street, Soho, on 28 October 1799 (Grimwade, p. 361). For further references to him and his associates, some of whom were engine-turners, see Culme, vol, I, p. 87, footnote 3. £300-500 377 A LOUIS XV INLAID TORTOISESHELL SNUFF BOX, MAKER’S MARK RUBBED, CHARGE AND DISCHARGE MARKS OF JEANJACQUES PREVOST, PARIS, 1763 the hinged lid set with a glazed painted miniature still life attributed to Christian van Pol (1752-1813) of fruit, a chestnut and a rose with blue and white jug, the lid, sides and base decorated in three-colour gold and silver piqué posé with sprays of flowers and scrolls, bright cut gold mounts and pierced thumbpiece 7.4cm wide

According to Culme (vol. I, p. 138), George Edwards of 19 Seckford Street, Clerkenwell, a successor to Thomas Edwards of Ratcliffe Row, became bankrupt on his own petition in 1862. £3500-4500 380 A LOUIS XVI TWO-COLOUR GOLD BONBONNIERE, JEANEDME JULLIOT, CHARGE AND DISCHARGE MARKS OF JEAN-BAPTISTE FOUACHE, PARIS, 1776 circular, engine-turned within lemon-coloured borders of stiff foliage, the underside and detachable cover with similar rosettes of swirling leaves 4.4cm diameter, 41gr Provenance: Phillips, London, 15 May 1981, lot 138 £1200-1800 381 A GEORGE IV GOLD SNUFF BOX, CHARLES RAWLINGS, LONDON, 1825 rectangular, engine-turned within plain borders, applied chased floral and foliate thumbpiece, 18 carat 7.3cm wide, 74gr Provenance: Asprey & Co., London, 14 December 1974 £2000-3000 382 A WILLIAM IV SILVER-GILT VINAIGRETTE, NATHANIEL MILLS, BIRMINGHAM, 1833 Rectangular, engine-turned, the lid engraved with the initials BB, gilt interior, pieced and engraved hinged grille, 3.6cm wide; together with a George IV silver vinaigrette, Thomas Freeman, Birmingham, 1827, silver example, rectangular, engraved with a latticework pattern, gilt interior, similar grille , 2.7cm wide (2) £150-250

£1200-1800

93

383 384 385

94

386 387 388

390 391 392 393

Various Owners 383 A GOLD NAPKIN RING, MANOAH RHODES & SONS LTD. OF BRADFORD, LONDON, 1924 with foliate scroll and shell rims, 9 carat 3.8cm high, approximately 40.7gr £500-700

390 A GOLD COMPACT, KUTCHINKSKY, LONDON, 1963 with diaper patterned waved engine-turning to top and base, ribbed sides with thumbpiece set with step-cut sapphires, sprung lid set to interior with mirror, mirror mount signed Kutchinsky LONDON, 18 carat gold hallmarked 7.7cm diameter, 128gr all in (including mirror)

384 A GEORGE III GOLD-MOUNTED, MOTHER-OF-PEARL AND SILVER-GILT TRAVELLING FRUIT KNIFE AND FORK SET, PROBABLY SHEFFIELD, CIRCA 1800 the nacre handles with vacant rectangular cartouches, in original red gilt-tooled morocco case 8.7cm long folded

Originally based in the East End, after opening premises in Knightsbridge the jeweller Kutchinsky became highly fashionable in the 1960s and 1970s. The family business was sold in 1991 to Moussaieff Jewellers Ltd., who maintain a Kutchinsky boutique in Brompton Road.

£500-700

391 A PAIR OF FRENCH SILVER-GILT LORGNETTES, MAKER’S MARK [? EE, A POST BETWEEN], CIRCA 1845 cast and pierced one one side with a bibulous figure and on the other with flowers on a trellis within rustic borders with foliage, pendant ring 7.3cm long (closed)

385 A GEORGE III SILVER AND TORTOISESHELL-MOUNTED TRAVELLING FRUIT KNIFE AND FORK SET, SHEFFIELD, CIRCA 1800 tortoiseshell handles with silver pins, fluted terminals, in original red leather case 7.5cm long folded (2) £180-220 386 A FRENCH SILVER-GILT-MOUNTED CUT GLASS SCENT BOTTLE, RETAILED BY TAULIN, PALAIS ROYAL, PARIS, MID 19TH CENTURY richly cast and chased with openwork scrolls, fruits and foliage, the front with a figure of a young triton standing on a dolphin, hinged lid concealing a ground glass stopper, French control mark (boar’s head), in original green morocco case with printed paper label: Palais Royal No.131 / TAULIN / Ft de Nécessaires / Objects de Fantaisie / PARIS 11.5cm high £800-1200 387 A VICTORIAN GOLD THIMBLE, UNMARKED, LONDON OR BIRMINGHAM, CIRCA 1880 with a bright-cut engraved foliate band and floral cast rim, in original black morocco case with label: S. Smith, 151 &153 / Newington / Causeway / S.E. / Jeweller & Watchmaker.

2.5cm high

£2500-3500

£80-120 392 A MONTBLANC ‘MEISTERSTUCK’ SILVER FOUNTAIN PEN, MODERN, of parallel line pattern; together with a Montblanc ‘Meisterstuck’ gilt-metal fountain pen, modern, engine-turned, and a Montblanc ‘Meisterstuck’ black resin ballpoint pen, modern (3) £150-250 393 A WATERMAN’S GOLD FOUNTAIN PEN, SPONSOR’S MARK OF S.J. ROSE & SONS, LONDON, (DATE LETTER RUBBED) CIRCA 1950 lever action, reeded decoration surrounding a vacant rectangle, 14ct 2A nib, 9 carat gold hallmarked 13cm long £150-200

£150-200 388 AN ENGLISH GOLD-MOUNTED CUT GLASS SCENT FLASK, UNMARKED, LONDON OR BIRMINGHAM, CIRCA 1830 hobnail cut, the hinged lid profusely with acanthus and flowers concealing the ground glass stopper 7.2cm high

394

389 A DUNHILL SILVER LIGHTER, SWISS, CIRCA 1973 engine-turned, in original case, import marked Alfred Dunhill Ltd., London, 1973 6.3cm high

394 A FRENCH GOLD-MOUNTED AND DIAMOND SET TORTOISESHELL CIGARETTE HOLDER, LACLOCHE FRERES, PARIS, 1920s plain gold mouth mount with inventory number 50104, maker’s mark rubbed, brilliant set collar, in a gilt stamped green morocco case with Lacloche labels, stamped 55.416 9.8cm long

£80-120

£300-500

£500-700

95

395 395 A GEORGE V SILVER AND ENAMEL MOUNTED BOUDOIR TIMEPIECE, ALBERT CARTER, BIRMINGHAM, 1925 with blue guilloche enamel shaped oblong plate with silver borders, engine-turned dial with Arabic numerals, circular brass cased eight-day Swiss timepiece with easel support 11.5cm wide £180-220 396 A FRENCH LACQUERED BRASS CARRIAGE TIMEPIECE, EARLY 20TH CENTURY plain rectangular, bun feet, bevelled glass panels, white dial with Roman numerals, eight day movement, in original leather carrying case, with key 13cm high including swing handle £100-150

398 398 DUMB QUARTER-REPEATER WITH RUBY CYLINDER ESCAPEMENT Taylor, London, No. 1089; made circa 1780; fine and rare, dumb quarter-repeating gold pocket watch with ruby cylinder escapement, unusual enamel regulation scale and large diamond endstone; case: two-body, bassine, maker’s mark WQ, polished, the back with shuttered winding aperture and engraved with a family crest and the motto “Loyal Jeserai Durant Ma Vie”, Gilt dust cover; dial: white enamel with radial Roman numerals, outer minute divisions; pierced gold hands; movement: gilt, full plate with cylindrical pillars, fusee and chain, ruby cylinder escapement, three-arm steel balance, flat balance spring, finely pierced and engraved cock with large diamond endstone, foliate engraved plate with white enamel regulation dial, repeating on blocks in the back of the case activated by depressing the pendant; movement and dust cap signed 38mm diameter £800-1200

397 399

397 JOHN WILKINSON, LEEDS, NO.1080. THE CASE WITH LONDON HALLMARKS FOR 1827. three-body, bassine et filets, maker’s mark WW, engine-turned with polished bezel and border, foliate bow, fixed gold cuvette; gilt dust cap; white enamel dial with radial Roman numerals, outer minute track, large subsidiary seconds; gold pear hands; gilt full plate movement with cylindrical pillars, fusee and chain with maintaining power, English lever escapement, three-arm steel balance, flat balance spring, diamond endstone, index regulator; movement signed.

51mm diameter

399 SWISS, NO. 13451, THE CASE WITH LONDON IMPORT MARKS FOR 1930-31 an 18K white gold, fine, slim, keyless dress pocket watch with Breguet numerals and a long chain (unmarked), threebody case, the back with engraved presentation inscription, brushed silver dial with applied white gold Breguet numerals (4 missing), subsidiary seconds, white gold trefoil hands, movement 37 mm, 17 jewels, cut bimetallic compensation balance with flat blued steel balance spring, index regulator, movement and case numbered, with white metal chain 43mm diameter

£500-600

£500-700

96

400 ELGIN WATCH CO., U.S.A. MADE CIRCA 1900 Small 14K gold keyless pocket watch with a silver-gilt Albert chain, Birmingham, 1915; and a silver chain necklace watch 33mm diameter (3) £60-90

403 403 BUREN “RIVAL”, DENNISON CASE NO. 554544, CASE WITH BIRMINGHAM HALLMARKS FOR 1935-5 a 9K gold tonneau-shaped wristwatch, two-body with hinged back and wire lugs, matte silvered dial with Arabic numerals, subsidiary seconds, movement with 15 jewels, movement signed 31 x 30mm £250-350

401 401 OMEGA, GENEVE, MOVEMENT NO. 29870715, CASE NO. 131019, MADE CIRCA 1965 an 18K gold center-seconds wristwatch, circular case, brushed silvered dial with applied gold and black baton indexes, movement Cal. 601 with 17 jewels and two adjustments, dial, movement and case signed 35mm diameter £300-500

404

404 LE PHARE (C. BARBEZAT-BAILLOT, LOCLE), CASE NO. 161911, MADE IN THE 1950S stainless steel and gilt, automatic, water-resistant, anti-magnetic, center-seconds wristwatch with triple date calendar and moon phases, stainless steel case with screw-down back and gilt-capped bezel and lugs, dial signed 33mm diameter £100-200

402 402 TAG HEUER “FORMULA 1” DIVER’S QUARTZ WRISTWATCH black case with bezel for the decompression times, screw-down steel back, Heuer rubber strap, black dial with luminous indexes and date aperture; white luminous skeleton hands; movement with quartz standardisation; dial and case signed.

35mm diameter £100-200

405

405 ASPREY STAINLESS STEEL AND GILT WRISTWATCH WITH FITTED ASPREY & GARRARD BOXES three-body, bassine et filets, maker’s mark; water-resistant case, the back with six screws, engine-turned silvered dial with radial Roman numerals, outer minute track, subsidiary seconds; black skeleton lozenge hands, mechanical movement; dial signed Asprey 35mm diameter £300-400

97

406

408

406 INTERNATIONAL WATCH COMPANY, SCHAFFHAUSEN, “GST CHRONOGRAPH”, NO. 2692482. MADE IN THE 1990s titanium quartz, water-resistant wristwatch with round-button chronograph, registers, date, tachometer and a titanium IWC bracelet with deployant clasp; two-body case with screw-down back and crown, sapphire crystal; black with luminous baton indexes, subsidiary dials for the seconds, 30-minute and 12-hour registers, date aperture, outer tachometer scale, luminous white hands; caliber 631 movement with quartz standardisation, 25 jewels, mechanical chronograph mechanism, hack feature; dial, movement and case signed 37mm diameter

408 INTERNATIONAL WATCH COMPANY, SCHAFFHAUSEN, MOVEMENT NO. 1262954, CASE NO. 1277376 MADE CIRCA 1955.

18K gold square, self-winding wristwatch with centre-seconds.

Polished and brushed case with stepped band and straight lugs, snap-on back, brushed champagne dial with applied gold faceted dart and lozenge indexes, Arabic 6 and 12, inner dot minute divisions; gold dauphine hands. Calibre 852 movement, 21 jewels, straight-line lever escapement, monometallic balance, selfcompensating Breguet balance spring, shock absorber, micrometer regulator; dial, movement and case signed. dimensions 32 x 32mm.

£1000-1500

£1000-1500

407

409

407 BREITLING, GENEVA, NAVITIMER, NO. 1224312, REF. 806, MADE IN THE 1970s stainless steel wristwatch with round-button chronograph, registers, tachometer, telemeter and sliderule; three-body case, polished and brushed, rotating bezel; two-tone black and silver dial with luminous baton indexes, outer tachometer and sliderule, subsidiary dials for the seconds, 30-minute and 12-hour registers, luminous white baton hands; caliber 178, copper-coloured, 17 jewels, straight-line lever escapement, monometallic balance, shock absorber, self-compensating Breguet balance spring, index regulator; dial, movement and case signed 41mm diameter

409 INTERNATIONAL WATCH COMPANY, SCHAFFHAUSEN, MOVEMENT NO. 1164985, CASE NO. 1188309 MADE CIRCA 1950 18K gold wristwatch with centre-seconds; three-body, polished case with stepped concave bezel and elongated curved lugs, recessed winding crown, snap-on back, matte silver dial with applied gold dart indexes and Arabic numerals, outer dot minute divisions; gold alpha hands; calibre C.89 movement, 17 jewels, straight-line lever escapement, monometallic balance, selfcompensating Breguet balance spring, shock absorber, index regulator; dial, movement and case signed 36mm diameter

£700-1000

£400-600

98

411 (Back)

411

411 PATEK PHILIPPE, GENEVA, REF. 1578, MOVEMENT NO. 704222, CASE NO. 685685 MADE CIRCA 1955 rare, large, center-seconds, 18K yellow gold wristwatch with an 18K yellow gold Patek Philippe buckle, polished three-body case with inclined bezel, lapidated lugs, snap-on back with engraved initials “FTC”, brushed silver with applied gold dart indexes and Arabic quarter-hour numerals, outer minutes and 1/5 seconds divisions, yellow gold feuille hands; caliber 27SC, rhodium plated, fausses cotes decoration, 18 jewels, straight-line lever escapement, cut bimetallic compensation balance, blued steel Breguet balance spring, shock absorber, swan-neck micrometer regulator; dial, movement and case signed 35mm diameter £6000-8000

410 410 INTERNATIONAL WATCH COMPANY, SCHAFFHAUSEN, “DER DOPPELCHRONOGRAPH AUTOMATIC”, CASE NO. 2728532, REF. 3713 MADE CIRCA 1995 titanium quartz, water-resistant wristwatch with round-button chronograph, registers, date, tachometer and a titanium IWC bracelet with deployant clasp; two-body case with screw-down back and crown, sapphire crystal; black with luminous baton indexes, subsidiary dials for the seconds, 30-minute and 12-hour registers, date aperture, outer tachometer scale, Luminous white hands; caliber 631 movement with quartz standardisation, 25 jewels, mechanical chronograph mechanism, hack feature; dial, movement and case signed 37 mm diameter

412 BAUME & MERCIER, GENEVE, CASE NO. 1302182/15143, MADE IN THE 1980S an 18K gold quartz wristwatch, circular, two-body, polished and brushed, gilt dial with applied gold indexes, movement with quartz standardisation, with original fitted box and booklets 32mm diameter

£3000-4000

£300-500

412

99

416 EIGHTEEN CARAT GOLD AND DIAMOND BRACELET, CIRCA 1986 the oval links collet set to the centre with a brilliamt-cut diamond, import marks for London, 1986 length approximately 185mm, with additional loose link added 195mm long approximately (2) £2000-3000 417 ART DECO ENAMELLED GOLD BROOCH, 1930s designed as a geometric landscape with enamel decoration, 14 carat £150-250

413 413 OMEGA WHITE GOLD AND DIAMOND-SET LADY’S WRISTWATCH circular case with single-cut diamond-set bezel and integral 18K white gold bracelet, blue dial with applied baton indexes, caliber 620 movement with 17 jewels, straight-line lever escapement, monometallic balance with 2 adjustments, flat balance spring, shock absorber, index regulator; dial and movement signed, case unsigned diameter 22mm £1000-1500

418 MESH NECKLACE designed as a flexible flat ribbon with textured decoration, gold marks, length 420mm approximately, weight 63.4gr

£1500-2000 419 PAIR OF EIGHTEEN CARAT GOLD AND AMETHYST EAR PENDANTS, CIRCA1992 each pear-shaped faceted ameythst suspended from a gold heart shaped surmount, hallmarked London 1992, makers mark SW (2) £400-600 420 PAIR OF EARCLIPS each of two rows of lobes accented with two rows of single-cut diamonds, tests as 18 carat gold (2) £400-600

414

414 LADY’S DIAMOND AND FRESHWATER PEARL WATCH, 1920s AND LATER the tonneau shaped 1920s watch with rectangular cream dial, Arabic black numerals and hands within a bezel of single-cut diamonds, on a later three strand freshwater pearl bracelet with three brilliant-cut diamond accents on either side, to a later pearl cluster clasp length approximately 162mm £400-600 415 LAPIS LAZULI BRACELET designed as a row of alternating panels engraved with a ‘giardinetto’ design and lapis lazuli carved sections length 175 mm approximately £200-300

100

421 COLLECTION OF GOLD JEWELLERY comprising: a charm bracelet suspending nine different charms, predominantly 9 carat, Birmingham and London hallmarks, length approximately 200mm; together with the following: a pair of 18 carat oval cufflinks with chain links, hallmarked London 1937; four wedding bands, one hallmarked 18 carat, one hallmarked 14 carat; a 9 carat tie clip, hallmarked Birmingham, a pair cufflinks with black onyx, three pendants; Egyptian, cross and trumpet shaped; two chains, one hallmarked 9 carat, approximately 460mm and 550mm respectively, the latter suspending a hardstone pendant and a hollow hand 87 gr approximately all in (15) £1000-1200 422 GOLD RING of hexagonal design, size M, 18 carat, hallmarked London, 2003 10.1gr £200-300

415

420 416

419

421 418

417

422

101

423 RUBY AND DIAMOND BROOCH/PENDANT, 1950s the pavé set single-cut diamond bow divided by three curving rows of calibré-cut rubies accented with swags of collet-set single-and brilliant-cut diamonds £600-800 424 ETERNITY RING set around the shank with single-cut diamonds, size R

£300-400 425 VICTORIAN DIAMOND BROOCH, 1890s designed as a crescent set with circular-cut and cushion-shaped diamonds bordered by rose diamonds, later gold pin French assay mark £500-700 426 SAPPHIRE AND DIAMOND BROOCH, 1880s designed as a flower set to the centre with a cushion-shaped diamond within a surround of oval sapphires and pavé-set single-and brilliant-cut diamond petals on a similarly set stalk £800-1200 427 DIAMOND NECKLACE, CIRCA 1960 designed as a row of channel-set brilliant-cut diamonds with a knife wire spray set with marquise- and brilliant-cut diamonds (detached) and an asymmetric cluster clasp similarly set £4000-6000 428 DIAMOND BROOCH, LATE 1950s designed as a flower set throughout with brilliant-cut diamonds £800-1000 429 DIAMOND RING claw-set with a brilliant-cut diamond weighing 3.17 carats, size N 3/4 £8000-10000 430 DIAMOND RING of cluster design set to the centre with a brilliant-cut diamond weighing 1.38 carats within a surround of radiating baguette and marquise-cut diamonds, size O £2000-3000

102

426

428 423

424

425

429

427

430

103

431

437

435 432

434

438 433

436

104

431 CITRINE NECKLACE the front of bib design set throughout with oval citrines linked with fine chain connections length approximately 410mm £400-600 432 PAIR OF RUBY AND AQUAMARINE EARPENDANTS each suspending a spectacle set pear-shaped ruby cabochon with similarly set oval aquamarines on either side (2) £200-300 433 PAIR OF GEMSET EARPENDANTS each designed with a flat hoop suspending a fringe of multicoloured oval amethysts, iolites, peridots, garnets, aquamarines and tourmalines (2) £200-300 434 MOONSTONE NECKLACE designed as a fringe of slighly graduated spectacle set moonstone clusters length approximately 440mm £800-1000 435 PAIR OF TOPAZ, CITRINE AND GARNET EARPENDANTS each suspending a spectacle-set oval aquamarine, citrine and garnet (2) £150-250 436 GARNET NECKLACE of mesh bib design set throughout with oval garnets length approximately 417mm £400-600 437 PERIDOT PENDANT designed as a cross, set throughout with collet-set step-cut peridots on an oval link back chain, chain length 400mm approximately, chain hallmarked London 18 carat £250-300 438 MULTI-COLOURED GEMSTONE NECKLACE the slightly graduated necklace spectacle-set with oval and circular-cut amethysts, citrines, iolites, zircons, periodots and various garnets, with fine chain connection length approximately 530mm £300-400

105

442 TOPAZ AND DIAMOND RING the oval topaz set with a serpentine diagonal mount across the stone between brilliant-cut diamonds, size L, hallmarked Sheffield 9 carat gold

439

£100-150

444

443 YELLOW SAPPHIRE AND DIAMOND RING, CIRCA 1978 the oval-shaped citrine set between textured shoulders designed as overlapping plates and bordered by a row of brilliant- and single-cut diamonds, size P ½, hallmarked London 18 carat gold

440 447 (Part)

£1000-1500 444 PAIR OF EMERALD AND SAPPHIRE RINGS, CIRCA 1978 the interlocking kite-shaped collets set respectively with circularcut sapphires and emeralds, both size Q ¼ hallmarked London 18 carat gold (2)

441

446

£300-400

442

447 (Part)

445 TWO RINGS a lady’s wedding band with engraved design, size R, weight 3.4gr approximately, together with a gentleman’s 14 carat gold ring set with an oval synthetic ruby, size O ½, weight 4.9gr approximately, Polish gold mark (2)

447 (Part)

£150-200 446 RUBY AND DIAMOND 18 CARAT GOLD RING, 1960s designed as an undulating square ‘sputnik’ set to the centre with a circular-cut ruby within a surround of single-cut diamonds, size S ¼, hallmarked Birmingham

448 443 439 SAPPHIRE RING the oval sapphire collet-set in a gold mount, size T, London hallmark for 9 carat gold, 1982

£300-400

£500-700 440 DIAMOND RING the claw-set, circular-cut diamond mounted on a tapering shank, size M ½

447 COLLECTION THREE RINGS comprising: an oval ruby and single-cut diamond ring, size N, a carved half hoop set with graduating oval garnets, size N, London hallmark for 9 carat gold, and a oval collet-set garnet ring, size N, London hallmark for 9 carat gold (3) £150-200

£200-300 441 CARVED HALF HOOP RING set with three graduated circular-cut stimulant sapphires accented with four paste stones, mounted in a scroll setting, size O ½, 9 carat gold shank, hallmarked London, 1975

448 DIAMOND ETERNITY RING set around the finger with marquise-cut diamonds, size O ½ £1000-1500

£100-150

End of Sale Next Sale 20th November 2012 Closing end September 2012

106

Conditions of Business for Buyers 1.

2.

Introduction (a) The contractual relationship of Matthew Barton Ltd and Sellers with prospective Buyers is governed by:(i) these Conditions of Business for Buyers; (ii) the Conditions of Business for Sellers displayed in the saleroom and available from Matthew Barton Ltd.; (iii) Matthew Barton Ltd.’s Authenticity Guarantee; (iv) Any additional notices and terms printed in the sale catalogue, in each case as amended by any saleroom notice or auctioneer’s announcement. (b) As auctioneer, Matthew Barton Ltd. acts as agent for the Seller.

Occasionally, Matthew Barton Ltd. may own or have a financial interest in a lot.

Definitions “Bidder” is any person making, attempting or considering making a bid, including Buyers; “Buyer” is the person who makes the highest bid or offer accepted by the auctioneer, including a Buyer’s principal when bidding as agent; “Seller” is the person offering a lot for sale, including their agent or executors; “MBL” means Matthew Barton Ltd., Auctioneers, 25 Blythe Road London W14 0PD, company number 6504692.

“Buyer’s Expenses” are any costs or expenses due to Matthew Barton Ltd. from the Buyer; “Buyer’s Premium” is the commission payable by the Buyer on the Hammer Price at the rates set out in the Guide for Prospective Buyers; “Hammer Price” is the highest bid for the property accepted by the auctioneer at the auction or the post auction sale price; “Purchase Price” is the Hammer Price plus applicable Buyer’s Premium and Buyer’s Expenses; “Reserve Price” (where applicable) is the minimum Hammer Price at which the Seller has agreed to sell the lot.

(c) Without prejudice to Condition 4(b), any claim against MBL and/or the Seller by a Bidder is limited to the Purchase Price for the relevant lot. Neither MBL nor the Seller shall be liable for any indirect or consequential losses. (d) Nothing in Condition 4 shall exclude or limit the liability of MBL or the Seller for death or personal injury caused by the negligent acts or omissions of MBL or the Seller.

5.

Bidding at Auction (a) MBL has absolute discretion to refuse admission to the auction.

Before sale, Bidders must complete a Registration Form and supply such information and references as MBL requires.

Bidders are personally liable for their bid and are jointly and severally liable with their principal, if bidding as agent (in which case MBL’s prior and express consent must be obtained). (b) MBL advises Bidders to attend the auction, but MBL will endeavour to execute absentee written bids provided that they are, in MBL’s opinion, received in sufficient time and in legible form. (c) When available, written and telephone bidding is offered as a free service at the Bidder’s risk and subject to MBL’s other commitments; MBL is therefore not liable for failure to execute such bids. Telephone bidding may be recorded.

6.

Import, Export and Copyright Restrictions MBL and the Seller make no representations or warranties as to whether any lot is subject to import, export or copyright restrictions.

It is the Buyer’s sole responsibility to obtain any copyright clearance or any necessary import, export or other licence required by law, including licenses required under the Convention on the International Trade in Endangered Species (CITES).

7.

Conduct of the Auction (a) The auctioneer has discretion to refuse bids, withdraw or reoffer lots for sale (including after the fall of the hammer) if (s)he believes that there may be an error or dispute, and may also take such other action as (s)he reasonably deems necessary. (b) The auctioneer will commence and advance the bidding in such increments as (s)he considers appropriate and is entitled to place bids on the Seller’s behalf up to the Reserve Price for the lot, where applicable. (c) Subject to Condition 7(a), the contract between the Buyer and the Seller is concluded on the striking of the auctioneer’s hammer. (d) Any post-auction sale of lots shall incorporate these Conditions of Business.

8.

Payment and Collection (a) Unless otherwise agreed in advance, payment of the Purchase Price is due in pounds sterling immediately after the auction (the “Payment Date”). (b) Title in a lot will not pass to the Buyer until MBL has received the Purchase Price in cleared funds. MBL will generally not release a lot to a Buyer before payment. Earlier release shall not affect passing of title or the Buyer’s obligation to pay the Purchase Price, as above. (c) The refusal of any licence or permit required by law, as outlined in Condition 6, shall not affect the Buyer’s obligation to pay for the lot, as per Condition 8(a). (d) The buyer must arrange collection of lots within 10 working days of the auction. Purchased lots are at the Buyers risk from the earlier of (i) collection or (ii) 10 working days after the auction. Until risk passes, MBL will compensate the Buyer for any loss or damage to the lot up to a maximum of the Purchase Price actually paid by the Buyer. MBL’s assumption of risk is subjected to the exclusions detailed in Condition 5(d) of the Conditions of Business Sellers (e) All packing and handling of lots is at the Buyer’s risk. MBL will not be liable for any acts or omissions of third party packers or shippers.

The Buyer’s Premium, Buyer’s Expenses and Hammer Price are subject to VAT, where applicable.

3.

4.

Examination of Lots (a) MBL’s knowledge of lots is partly dependent on information provided by the Seller and MBL is unable to exercise exhaustive due diligence on each lot. Each lot is available for examination before sale. Bidders are responsible for carrying out examinations and research before sale to satisfy themselves over the condition of lots and accuracy of descriptions. (b) All oral and/or written information provided to Bidders relating to lots, including descriptions in the catalogue, condition reports or elsewhere are statements of MBL’s opinion and not representations of fact. Estimates may not be relied on as a prediction of the selling price or value of the lot and may be revised from time to time at MBL’s absolute discretion.

Exclusions and limitations of liability to Buyers (a) MBL shall refund the Purchase Price to the Buyer in circumstances where it deems that the lot is a counterfeit, subject to the terms of MBL’s Authenticity Guarantee. (b) Subject to Condition 4(a), neither MBL nor the Seller:(i) is liable for any errors or omissions in any oral or written information provided to Bidders by MBL, whether negligent or otherwise; (ii) gives any guarantee or warranty to Bidders and any implied warranties and conditions are excluded (save in so far as such obligations can not be excluded by English law), other than the express warranties given by the Seller to the Buyer (for which the Seller is solely responsible) under the Conditions of Business for Sellers; (iii) accepts responsibility to Bidders for acts or omissions (whether negligent or otherwise) by MBL in connection with the conduct of auctions or for any matter relating to the sale of any lot.

108

9.

Remedies for non-payment Without prejudice to any rights that the Seller may have, if the Buyer without prior agreement fails to make payment for the lot within 5 working days of the auction, MBL may in its sole discretion exercise 1 or more of the following remedies:(a) store the lot at its premises or elsewhere at the Buyer’s sole risk and expense; (b) Cancel the sale of the lot; (c) Set off any amounts owed to the Buyer by MBL against any amounts owed to MBL by the Buyer for the lot; (d) Reject future bids from the Buyer; (e) Charge interest at 4% per annum above HSBC Bank Plc base Rate from the Payment Date to the date that the Purchase Price is received in cleared funds; (f) Re-sell the lot by auction or privately, with estimates and reserves at MBL’s discretion, in which case the Buyer will be liable for any shortfall between the original Purchase Price and the amount achieved on re-sale, including all costs incurred in such re-sale; (g) Exercise a lien over any Buyer’s Property in MBL’s possession, applying the sale proceeds to any amounts owed by the Buyer to MBL. MBL shall give the Buyer 14 days written notice before exercising such lien; (h) Commence legal proceedings to recover the Purchase Price for the lot, plus interest and legal costs; (i) Disclose the Buyer’s details to the Seller to enable the Seller to commence legal proceedings.

10. Failure to collect purchases (a) If the Buyer pays the Purchase Price but does not collect the lot within 20 working days of the auction, the lot will be stored at the buyer’s expense and risk at MBL’s premises or in independent storage.

(b) If a lot is paid for but uncollected within 6 months of the auction, following 60 days written notice to the buyer, MBL will re-sell the lot by auction or privately, with estimates and reserves at MBL’s discretion. The sale proceeds, less all MBL’s costs, will be forfeited unless collected by the Buyer within 2 years of the original auction.

11. Data Protection (a) MBL will use information supplied by bidders or otherwise obtained lawfully by MBL for the provision of auction related services, client administration, marketing and as otherwise required by law. (b) By agreeing to these Conditions of Business, the Bidder agrees to the processing of their personal information and to the disclosure of such information to third parties worldwide for the purpose outlined in Condition 11(a) and to Sellers as per Condition 9(i) 12. Miscellaneous (a) All images of lots, catalogue descriptions and all other materials produced by MBL are the copyright of MBL. (b) These Conditions of Business are not assignable by any Buyer without MBL’s prior consent, but are binding on Bidders’ successors, assignees and representatives. (c) The materials listed in Condition 1(a) set out the entire agreement between the parties. (d) If any part of these Conditions of Business be held unenforceable, the remaining parts shall remain in full force and effect. (e) These Conditions of Business shall be interpreted in accordance with English Law, under the exclusive jurisdiction of the English Courts, in favour of MBL.

Matthew Barton Ltd’s Authenticity Guarantee If Matthew Barton Ltd sells an item of Property which is later shown to be a “counterfeit”, subject to the terms below Matthew Barton Ltd. will rescind the sale and return the Buyer the total amount paid by the Buyer to Matthew Barton Ltd. for that Property, up to a maximum of the Purchase Price.

The guarantee lasts for one (1) year after the date of the relevant auction, is for the benefit of the Buyer only and is nontransferable.

“Counterfeit” means an item of Property that in Matthew Barton Ltd’s reasonable opinion is an imitation created with the intent to deceive over the authorship, origin, date, age, period, culture or source, where the correct description of such matters is not included in the catalogue description for the Property.

Property shall not be considered Counterfeit solely because of any damage and/or restoration and/or modification work (including, but not limited to, recolouring, tooling or repatinating).

Please note that this guarantee does not apply if either:(i) the catalogue description was in accordance with the generally accepted opinions of scholars and experts at the date of the sale, or the catalogue description indicated that there was a conflict of such opinions; (i) the only method of establishing at the date of the sale that the item was a Counterfeit would have been by means of processes not then generally available or accepted, unreasonably expensive or impractical; or likely to have caused damage to or loss in value to the Property (in Matthew Barton Ltd’s reasonable opinion); or

(i) there has been no material loss in value of the Property from its value had it accorded with its catalogue description.

To claim under this guarantee the Buyer must:(i) notify Matthew Barton Ltd in writing within one (1) month of receiving any information that causes the Buyer to question the authenticity or attribution of the Property, specifying the lot number, date of the auction at which it was purchased and the reasons why it is believed to be Counterfeit; and (i) return the Property to Matthew Barton Ltd in the same condition as at the date of sale and be able to transfer good title in the Property, free from any third party claims arising after the date of the sale.

Matthew Barton Ltd has discretion to waive any of the above requirements. Matthew Barton Ltd may require the Buyer to obtain at the Buyer's cost the reports of two independent and recognised experts in the relevant field and acceptable to Matthew Barton Ltd Matthew Barton Ltd shall not be bound by any reports produced by the Buyer, and reserves the right to seek additional expert advice at its own expense. In the event Matthew Barton Ltd decides to rescind the sale under this Guarantee, it may refund to the Buyer the reasonable costs of up to two mutually approved independent expert reports, provided always that the costs of such reports have been approved in advance and in writing by Matthew Barton Ltd.

109

Matthew Barton Ltd

Absentee Bid Form (Please print or type)

Decorative Works of Art Date 22nd May 2012

Name

Code: HEDWIG

Address

Please mail, fax, or scan and email to: Matthew Barton Ltd 25 Blythe Road London W14 0PD

Postcode

Fax +44 (0) 20 7806 5546 Email: enquiries@matthewbartonltd.com

Telephone

Important

Alternative Telephone

Please bid on my behalf at the above sale for the following Lot(s) up to the hammer price(s) mentioned below. These bids are to be executed as cheaply as is permitted by other bids or reserves and in an amount up to but not exceeding the specified amount. The auctioneer may open the bidding on any lot by placing a bid on behalf of the seller. The auctioneer may further bid on behalf of the seller up to the amount of the reserve by placing responsive or consecutive bids for a lot.

Please bid on my behalf at the above sale for the following Lot(s) up to the hammer price(s) mentioned below. These bids are to be executed as cheaply as is permitted by other bids or reserves and in an amount up to but not exceeding the specified amount. The auctioneer may open the bidding on any lot by placing a bid on behalf of the seller. The auctioneer may further bid on behalf of the seller up to the amount of the reserve by placing responsive or consecutive bids for a lot.

Methods of Payment Matthew Barton Ltd welcomes the following methods of payment, most of which will facilitate immediate release of your purchases.

Wire Transfer to our Bank Electronic transfers may be sent directly to our Bank: HSBC Bank Plc 38 High Street Dartford Kent DA1 1DG IBAN No.: GB53MIDL40190491814001 BIC.: MIDLGB2128K Sort Code: 40-19-04 Account No.: 91814001 Account Name: Matthew Barton Ltd. Credit/Debit Card A 3% surcharge is payable on all credit cards and non-UK debit cards; there is no charge for UK debit cards. Please note that we do not accept American Express cards. By signing this form you are authorising payment for this sale.

Sterling Bankers Draft Drawn on a recognised UK bank.

Sterling Cash or Cheque Cheques must be drawn on a recognised UK bank. We require seven days to clear a cheque without a letter of guarantee from your bank.

For Office Use Only Date and time received

Staff initials

Email Signed

Date

Card type (Visa/Mastercard/Debit) Card Number Cardholder Name Expiry Date

3 digit security code

Billing Address (if different from above)

Cardholder Signature

Lot No

Lot Description

ÂŁ Cover Bid

Matthew Barton Ltd 25 Blythe Road London W14 0PD Tel: +44 (0) 20 7806 5545 Fax: +44 (0) 20 7806 5546 Email: enquiries@matthewbartonltd.com www.matthewbartonltd.com