1 typefaces 2 logo / name 3 graphic elements 4 colour specifications 5 magazine template 6 creative categories
Identity Poster – Major Project Philipp Condrau Platform Corporate Typeface
Adobe Caslon Pro Regular – 60pt/72pt
Adobe Caslon Pro Italic – 60pt/72pt
Adobe Caslon Pro Semibold – 60pt/72pt
Adobe Caslon Pro Semibold Italic – 60pt/72pt
Adobe Caslon Pro Bold – 60pt/72pt
Adobe Caslon Pro Bold Italic – 60pt/72pt
"Hi, I am 21 years old and the main body text for the magazine."
Identity Poster – Major Project Philipp Condrau Platform Corporate Typeface
DIN Light – 60pt/72pt
DIN Regular – 60pt/72pt
DIN Medium – 60pt/72pt
DIN Bold – 60pt/72pt
DIN Black – 60pt/72pt
“GENIUS IS 1 PERCENT INSPIRATION AND 99 PERCENT PERSPIRATION.” – Thomas Edison
DIN Light – 10pt/12pt
DIN Regular – 10pt/12pt
DIN Medium – 10pt/12pt
DIN Bold – 10pt/12pt
DIN Black – 10pt/12pt
DIN, an acronym for the German Deutsches Institut für Normung (German Institute for Standardization), and the name of an increasingly large realist sans-serif typeface family. In 1936 the German Standard Committee selected DIN 1451 as the standard typeface for use in the areas of engineering, technology, traffic, administration and business. Among the other recommendations adopted by this committee was an early precursor to the typographic grid. The earliest version of a DIN typeface was released by the D Stempel AG foundry in 1923. Stempel’s design was based on a 1905 typeface for the Königlich Preußische Eisenbahn-Verwaltung (Royal Prussian Railway Administration) and was applied mostly to schematics and blueprints. This version later became the basis for DIN-Engschrift (Condensed). In 1929, the Berthold foundry released a version, and it, too, was used mostly for technical drawings. Both of the early DIN typefaces were made available as lettering templates cut from an acetate material for drafting use. Both of the earliest DIN typefaces were used primarily in oblique form. Popularity grew rapidly, once the DIN typeface was adopted. The most widely-used of the DIN-1451 group was DIN-Mittelschrift (Medium). It was released as a metal type, as acetate stencils for smaller applications, as larger metal stencils for application to vehicles and in train yards, and as cast metal lettering for street and building signage. Polish and Cyrillic variants of the face were developed in the 1940s. Though Bauhaus used a DIN-inspired logo in catalogs and in a periodical during the 1930s, DIN did not become popular in print until the 1960s. The transferable-letteringsheet company, Letraset made several variants available in the 1970s. By the late 1980’s, use of DIN typefaces were appearing in European and North American graphics work. In 1995, Dutch typeface designer Albert-Jan Pool drew a multi-weight version, eventually licensing it to FontShop International as FF DIN. The FF DIN family, unlike DIN 1451, uses simplified-standard weight names.
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Identity Poster – Major Project Philipp Condrau Grid Variations (graphic Element)
A magazine's spine: The pages come together at the spine. The spine holds different articles, thoughts and pieces of work together. spine |spīn| noun 1 a series of vertebrae extending from the skull to the small of the back, enclosing the spinal cord and providing support for the thorax and abdomen; the backbone. • figurative a thing's central feature or main source of strength : players who will form the spine of our team. • figurative resolution or strength of character. • the part of a book's jacket or cover that encloses the inner edges of the pages, facing outward when the book is on a shelf and typically bearing the title and the author's name. 2 Zoology & Botany any hard pointed defensive projection or structure, such as a prickle of a hedgehog, a spikelike projection on a sea urchin, a sharp ray in a fish's fin, or a spike on the stem of a plant. spined adjective [in combination ] : broken-spined paperbacks. ORIGIN late Middle English : shortening of Old French espine, or from Latin spina ‘thorn, prickle, backbone.’
Identity Poster – Major Project Philipp Condrau Graphic Elements
Visible Grid, used as graphic element to represent an important aspect of editorial design, aswell as networking and exchange.
Identity Poster – Major Project Philipp Condrau Graphic Elements
TITLE STUDENT
Lorro doluptatur, solendi tatecte idebitat fuga. Namentium ipis eosa ium ulparchil et ellabo. Nem num quaectur as aligeniendit ex eum idus in
STUDENT
eum dolorem qui sumet latem fuga. Ped maio mo berchil magnis aut odissuntis asi.
Identity Poster – Major Project Philipp Condrau Graphic Elements
TITLE
BUTTON CONTENT BUTTON CONTENT
BUTTON CONTENT BUTTON CONTENT BUTTON CONTENT
99%
Identity Poster – Major Project Philipp Condrau Graphic Elements
ICONS
Arrow black
Arrow white
Pen tool
Shapes
Colour Palette
Rotate
Effects
Image
Stroke
Type Tool
Behance
Behance Prosite
Grid
Edit
No tick
Tick
Follow
Close
Add Friend
View
Invisible
Edit 2
Statistics
Follow 2
Magazine
Buy
Buy
Information
Identity Poster – Major Project Philipp Condrau Graphic Elements
Comment
Appreciate
Profile
Sent Message
Inbox
Message
Friend
Article / Content
Log In
Gallery
Appreciate
Featured
Network
Forward
Identity Poster – Major Project Philipp Condrau Colour Specifications
Identity Poster – Major Project Philipp Condrau Colour Specifications
Primary Colours
C: M: Y: K:
0 0 0 100
R: 0 G: 0 B: 0
Students/Graduates Pantone Solid: 179 M C: M: Y: K:
0 79 100 0
R: 241 G: 93 B: 34
Professionals/Studios
Pantone Solid: 307 M C: M: Y: K:
100 16 0 27
R: 0 G: 120 B: 174
www.spine.com
Magazine Number: NB-234-67
Hyde Park Barracks
ARTICLE 1
Ankaris Personal Projects
ARTICLE 2
Print and Publishing
ARTICLE 3
Leda and the Swan
ARTICLE 4
Fer y Nora
ARTICLE 5
Aymara – Type
ARTICLE 6
Magazine customised by Thomas Barrymore
Title: The Nalden Application Design
24
iPad
Graphic Design
Nalden
Branding and Identity
ARTICLE 6
Application
25