FdA Illustration Arts 14-15

Page 1

Academic Partnerships Template

Plymouth University Academic Partnerships South Devon College

Programme Quality Handbook for FdA Ilustration Arts

2014 – 15 Academic Partnerships Teaching, Learning and Assessment Handbook 2014-15 Page 1 of 46


Academic Partnerships Template

Contents

Academic Partnerships Teaching, Learning and Assessment Handbook 2014-15 Page 2 of 46


1. Welcome and Introduction to FdA Illustration Arts. Welcome to the Foundation Degree Illustration Arts. This programme has been designed to equip you with the skills and knowledge base required to work in your chosen specialism or other graduate opportunities. It is also a platform from which you can undertake additional vocational and academic qualifications. This Programme Quality handbook contains important information including: • The approved programme specification • Module records Note: the information in this handbook should be read in conjunction with the current edition of the College / University Student handbook available at (www.southdevon.ac.uk) which contains student support based information on issues such as finance and studying at HE along with the University’s Student Handbook - https://www1.plymouth.ac.uk/studenthandbook and your Teaching, Learning and Assessment Handbook available on your programme virtual learning environment. .

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1. Programme Specification Awarding Institution: University of Plymouth Teaching Institution: South Devon College Final Award: FdA Illustration Arts Intermediate Awards: Certificate of Higher Education (CertHE) Programme Title: FdA Illustration Arts UCAS Code: JACS Code: Benchmarks:

Route A – W213 Route B – E213 FD Qualification Benchmark and relevant sections of the QAA subject benchmark for Art and Design at intermediate level “informed by…”

Date of Approval:

June 2006

Admissions Criteria: Qualification(s) Required for Entry to the FdA Candidates must have at Level 2: At Level 2 Key Skills requirement/Higher Level Diploma and/or GCSEs required at Grade C and above

Comments

Equivalent to those below 5, normally including Maths and English

Plus at least one of the following Level 3 qualifications: Ensure that entries in the following sections are equitable; use conversion tables to relate one qualification to another A Levels required: (College to insert AS/A2/UCAS Points Tariff) Advanced Level Diploma BTEC National Certificate/Diploma HNC/D VDA: AGNVQ, AVCE, AVS Access to HE or Year 0 provision International Baccalaureate Irish/Scottish Highers/Advanced Highers Work Experience

1 A2 level and those qualifications which attract appropriate UCAS points, AS levels, art and design preferred. Minimum 180 UCAS points Relevant Art and Design discipline Level 3 Relevant Art and Design discipline Level 3 Preferred Art and Design discipline Preferred Art and Design discipline Pass – subject to interview with portfolio Preferred Art and Design discipline (College to insert points required) Level 3 preferred Art and Design Interview with portfolio Relevant professional experience within a related field – Subject to interview with portfolio Subject to interview with portfolio

Other non-standard awards or experiences APEL/APCL possibilities Add Academic Subject to interview with portfolio. APEL Regs link) evidence must show ability at minimum Level 3. UoP regulations apply Interview/portfolio requirements Candidates will be expected to attend an 4


interview with a portfolio of recent art and design related work Independent Safeguarding Agency (ISA) / Criminal Record Bureau (CRB) clearance required

No

Aims of the Programme: The programme is intended to: ‌‌.. 1. To answer the needs of the industry by training multi skilled imagers and workers in response to the rapid change in technology and communications necessitating a shift in the way designers function, identifying a need for designers who although have an individual focus, will also have skills and knowledge that is transferable across the industry. 2. To provide an academic framework that stimulates debate, the identification of interests, intentions and ideas that encourages innovation and the questioning of received habits, codes and conventions of thought, production and signification. To encourage students to put their work into context and identify personal creative directions and interests. 3. To provide students with an opportunity to become active, reflective and selfcritical learners with a sound understanding of the relationship between theoretical frameworks and the active empirical methods of enquiry which inform the development, interpretation and re-evaluation of theory. 4. To promote informed awareness of the cultural, social, historical and contemporary contexts of the subjects studied to prepare students for personal development, further study, professional practice and employability.

Programme Intended Learning Outcomes (LO): By the end of this programme the student will be able to: 1. Utilise a range of image making and manipulation skills and processes appropriate to their chosen field. 2. Present, evaluate and interpret information, develop lines of argument and make sound judgements 3. Develop realistic aims, ideas and goals and be self-motivated demonstrate a critical, analytical and creative response to problem solving 4. Demonstrate an informed awareness of the cultural, social, historical and contemporary contexts of the subject studied. 5. Apply the qualities and transferable skills necessary for personal development, further study and employment.

1.

Brief Description of the Programme

This programme is for imaginative, creative people wishing to develop an experimental approach to visual communication. Workshops include, illustration, animation, printmaking, book arts, digital manipulation, and fine art practices. Drawing is a central component of the course and critical to the development of ideas. 5


Students will explore image and narrative in a creative and energetic working environment responding to the increasingly cross-disciplinary nature of current practice. The course prepares students for progression into industry or further study at undergraduate level. 2.

Programme Structure and Pathways

College: South Devon College Year: 2012-13 Course Code: 4346 Full/Part Time: FT / PT Programme Structure for Illustration Arts Level 4 Module Code FVIS 101

Module Title

FVIS 102 FVIS 103 FVIS 104 FVIS 105 SOUD 1187

No. of Credits 20

Core / Optional Core

Module Code FVIS 201

Design Communications Audio Visual & Digital Imaging Structure and Form

20

Core

20

Core

20

Core

Image & Expression Developing Research And Practice

20

Core

20

Core

Introduction to Visual Practice

3.

Level 5 No. of Credits 20

Core / Optional Core

FVIS 202 FVIS 203 FVIS 204

Module Title Integration and Application Negotiated Project Professiona l Practice Negotiated Research

20

Core

20

Core

20

Core

FVIS 205

Final Major Project

40

Core

Progression Route(s)

Students who successfully complete their foundation degree may progress to stage three of the following programme at the University of Plymouth: BA (Hons) Illustration and other appropriate programmes at the University of Plymouth. 4.

Any Exceptions to Plymouth University Regulations

5.

Teaching Methods and Assessments

N/A

A: Development of Knowledge and Understanding By the end of the programme the student

Learning and Teaching Strategy/Method

6


will be able to demonstrate knowledge and understanding of: the wider historical, cultural, technical and professional aspects of art and design and allied fields and are able to make creative links between them. the appropriate methods, technologies and materials with which to respond to the changing and interdisciplinary nature of contemporary visual culture.

Primary Lectures and tutorials Directed independent study Learning from work experience Secondary Case studies Problem-solving exercises Field trips

a range of concepts, values and debates that inform and influence creative practice. the positions and roles of the arts and the artist/ designer in society today. the ethical, social and cultural consequences of creative practice. NB: Benchmark References

Assessment

QAA subject benchmark (Art and Design) FD Qualification benchmark

Assessment is 100% coursework. Testing of the knowledge base is through a combination of assessed coursework in the form of studio based practice. Essays and oral presentations. Assessment is linked to individual learning outcomes and assessment criteria presented to students prior to the start of the module. (see module descriptors)

B: Cognitive and Intellectual Skills By the end of the programme the student will be able to:

Learning and Teaching Strategy/Method Primary Lectures / seminars Group critiques Team working Practical projects and studio practice

Demonstrate critical, analytical and practical skills for problem solving. Synthesise, interpret and evaluate information from a number of sources to form a coherent understanding of theory and practice.

Secondary Negotiated self directed study Presentations Tutorials

Question, research, explore and respond to ideas, processes, materials and other stimuli. Take risks and other speculative actions, to make constructive use of failure and to recognise these as integral aspects of 7


the creative process. Utilise rigorous self evaluation and critical reflection, persuasive argument, respond positively to informed criticism and to contribute an independence of view in the context of understanding others. NB: Benchmark References QAA Art and Design

Assessment Studio practice Written and oral responses. Written project proposals Self evaluation reports

C: Key Transferable Skills By the end of the programme the student will be able to: Awareness and understanding of own aims and intentions. Organise and manage an effective pattern of work. Negotiate and develop independent learning.

Learning and Teaching Strategy/Method Primary Library and other research exercises computer based exercises Group work Work based learning Negotiated project work Secondary Secondary Seminar Group/ peer discussions and forums

Utilise problem solving skills in theoretical and practical contexts Evaluate own abilities, achievement and understanding and reflect on own learning. Work independently and in collaboration with others. Articulate ideas and information comprehensibly in visual, oral an written forms Negotiate and collaborate with outside agencies/ professions. Use digital technology as a communication and as a research tool. Learn within a variety of external contexts. Respond to the commercial world in a manner that is both business like and professional. 8


NB: Benchmark References

Assessment

QAA Art and Design FD Qualification benchmark Skillset

Coursework of all types Group work assessments Oral presentations Essays/ reports/ study files

D: Employment Related Skills By the end of the programme the student will be able to:

Learning and Teaching Strategy/Method Primary Secondary

Negotiate and collaborate with outside agencies/professions Learn within a variety of external contexts Respond to the commercial world in a manner that is both business like and professional. E: Practical Skills Learning and Teaching Strategy/Method By the end of the programme the student will be able to: Primary Studio practice/ workshops An understanding of the requirements of Technical demonstrations commercial and professional practice Seminars and lectures. within their chosen field. Tutorials Utilise skills of visual observation, description and analysis. Utilise a range of practical skills, processes and equipment in an effective and creative manner, in accordance with good professional practice and applied to a variety of contexts.

Secondary Group critiques Work based learning Portfolio preparation and exhibitions Presentations

Realise own intentions through the articulation of ideas and responses in appropriate visual and spatial forms. Present work to an audience/ client in a coherent and professional manner. Complete an appropriate portfolio of work suitable for practice with a broad range of art and design professions. Develop appropriate strategies for integrating ideas and processes towards creative outcomes. NB: Benchmark References

Assessment

QAA subject benchmark (Art & Design)

Studio practice, 9


FD Qualification benchmarks

6.

Professional practice files Placement reports Presentations.

Distinctive Features of the Foundation Degree

The programme responds to the regional skills and training needs for the creative and cultural industries as set out by the Skillset agenda and strategies. Predominately practice based, it provides opportunities to work across a range of image production and manipulation techniques, including printmaking, lens based media and digital arts, and encourages students to experiment with combinations of skills and processes. The programme also provides the opportunity for students to become familiar with the creative industries through a combination of live projects, studio practice and placements

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7.

Learning Outcomes Maps for FdA Illustration Arts at HE Levels 4 and 5

Learning Outcomes Map Graduate Attributes and Skills Core Programme Intended Learning Outcomes

Level 4 Programme Aim

Programme Learning Outcome

Related Core Modules

1. Knowledge/ Understanding Students will be able to demonstrate a knowledge of the underlying concepts and principles associated with their area(s) of study, and an ability to evaluate and interpret these within the context of that (those) area(s) of study. In particular:

2, 3, 5, 6

QAA Art and Design FDQB

SOUD 1187 FVIS 104 SOUD 1187

1. An appreciation of wider historical, cultural, technical and professional aspects of art and design and allied fields and are able to make links between them. 2. An awareness of appropriate methods, technologies and materials with which to respond to the changing and interdisciplinary nature of contemporary visual culture. 3. An awareness of a range of concepts, values and debates that inform and influence creative practice. 4. The positions and roles of the arts and the artist/ designer in society today. 5. The ethical, social and cultural consequences of creative practice

11


2. Cognitive / Intellectual Skills (generic) Students will be able to demonstrate an ability to present, evaluate, and interpret qualitative and quantitative data, to develop lines of argument and make sound judgements in accordance with basic theories and concepts of their subject(s) of study. They will also be able to demonstrate the ability to evaluate the appropriateness of different approaches to solving problems related to their area(s) of study and/or work. In particular to:

1, 3, 4

QAA Art and Design FDQB

FVIS 103, 104 FVIS 103 FVIS 101, 102 FVIS 104 FVIS 105

1, 3, 4, 6

QAA Art and Design FDQB

FVIS 101 FVIS 107, 108 FVIS 103

1. Demonstrate critical, analytical and practical skills for problem solving. 2. Interpret and evaluate information from a number of sources to gain a coherent understanding of theory and practice. 3. Research, explore and respond to ideas, processes, materials and other stimuli. 4. Take risks and other speculative actions. 5. Utilise self evaluation and critical reflection, respond positively to informed criticism and to contribute a viewpoint in the context of understanding others 3. Key / Transferable Skills (generic) Students will be able to demonstrate an ability to communicate accurately and reliably, and with structured and coherent arguments. Students will also be able to demonstrate an ability to take different approaches to solving problems. In particular to: 1. 2. 3. 4.

Awareness of own aims and intentions. Organise and manage a pattern of work. Negotiate and develop independent learning. Utilise problem solving skills in theoretical and practical contexts 5. Evaluate own abilities, achievement and understanding and reflect on own learning. 6. Work independently and in collaboration with others 7. Use digital technology as a communication and as a research tool. 12


4. Employment-related skills Students will be able to demonstrate an ability to undertake further training and develop new skills within a structured and managed environment and the qualities and transferable skills necessary for employment requiring the exercise of personal responsibility. In particular to:

1, 3, 6

QAA Art and Design FDQB

FVIS 203

1, 3, 6

QAA Art and Design FDQB

FVIS 101 FVIS 102 FVIS 103 FVIS 105

1. Collaborate with outside agencies/professions 2. Learn within an external context. 3. Respond to the commercial world. 5. Practical Skills (subject specific) 1. Utilise skills of visual observation and description. 2. Utilise a range of practical skills, processes and equipment in an creative manner. 3. Realise own intentions through the articulation of ideas and responses in visual and spatial forms. 4. Present work to an audience/ client in a professional manner. 5. Complete a portfolio of work suitable for practice within a range of art and design professions. 6. Develop appropriate strategies for integrating ideas and processes towards outcomes. 6. Other

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Foundation Degree Intended Learning Outcomes Map Graduate Attributes and Skills Core Programme Intended Learning Outcomes 1. Knowledge/ Understanding Knowledge and critical understanding of the well-established principles of their area(s) of study, and the way in which those principles have developed; knowledge of the main methods of enquiry in their subject(s) and ability to evaluate critically the appropriateness of different approaches to solving problems in the field of study. They will also be able to demonstrate an understanding of the limits of their knowledge, and how this influences analyses and interpretations based on that knowledge . In particular:

Level 5 Programme Aim

Programme Learning Outcome

Related Core Modules

2, 3, 4, 5

QAA Art and Design FDQB

FVIS 201 FVIS 202 FVIS 203 FVIS 202

1. An informed appreciation of the wider historical, cultural, technical and professional aspects of art and design and allied fields and are able to make considered links between them. 2. An informed awareness of appropriate methods, technologies and materials with which to respond to the changing and interdisciplinary nature of contemporary visual culture. 3. Knowledge of a range of concepts, values and debates that inform and influence creative practice. 4. An informed awareness of the positions and roles of the arts and the artist/ designer in society today. 5. An understanding of the ethical, social and cultural consequences of creative practice.

14


2. Cognitive / Intellectual Skills (generic) Students will be able to demonstrate an ability to apply underlying concepts and principles outside the context in which they were first studied. In particular:

1, 3, 4

1. Demonstrate independent critical, analytical and practical skills for problem solving. 2. Synthesise, interpret and evaluate information from a number of sources to gain a coherent understanding of theory and practice. 3. Question, research, explore and respond creatively to ideas, processes, materials and other stimuli. 4. Take risks and other speculative actions, to make constructive use of failure and to recognise these as integral aspects of the creative process. 5. Utilise rigorous self evaluation and critical reflection, persuasive argument, respond positively to informed criticism and to contribute an independence of view in the context of understanding others.

15

QAA Art and Design FDQB

FVIS 202


3. Key / Transferable Skills (generic) Students will be able to demonstrate an ability to evaluate critically the appropriateness of different approaches to solving problems in the field of study; use a range of established techniques to initiate and undertake critical analysis of information, and to propose solutions to problems arising from that analysis and effectively communicate information, arguments, and analysis, in a variety of forms, to specialist and non-specialist audiences, and deploy key techniques of the discipline effectively. In particular:

1, 3, 4, 6

QAA Art and Design FDQB

FVIS 203 FVIS 204 FVIS 205

1 Awareness and understanding of own aims and intentions 2 Organise and manage an effective pattern of work 3 Negotiate and develop independent learning in response to own needs 4 Utilise appropriate problem solving skills in theoretical and practical contexts 5 Evaluate own abilities, achievement and understanding and critically reflect on own learning 6 Work independently and in collaboration with others where appropriate 7 Use digital technology appropriately as a communication and as a research tool

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4. Employment-related skills Students will be able to demonstrate an ability to apply subject principles in an employment context possibly different from that in which they were first studied; undertake further training, develop existing skills and acquire new competencies that will enable them to assume significant responsibilities within organisations and demonstrate the qualities and transferable skills necessary for employment requiring the exercise of personal responsibility and decision making. In particular:

1, 3, 6

QAA Art and Design FDQB

FVIS 108, FVIS 203 FVIS 108 FVIS 108

1, 3, 6

QAA Art and Design FDQB

FVIS 203

1. Negotiate and collaborate with outside agencies/professions 2. Learn within a variety of external contexts 3. Respond to the commercial world in a manner that is both business like and professional 5. Practical Skills (subject specific)

2 3 4 3 4 7

1 An informed understanding of the requirements of commercial and professional practice within their chosen field. Utilise skills of visual observation, description and analysis. Utilise a range of practical skills, processes and equipment in an effective and creative manner, in accordance with good professional practice and applied to a variety of contexts. Realise own intentions through the articulation of ideas and responses in appropriate visual and spatial forms. Present work to an audience/ client in a coherent and professional manner. Complete an appropriate portfolio of work suitable for practice with a broad range of art and design professions. Develop appropriate strategies for integrating ideas and processes towards creative outcomes.

FVIS 204, 205 FVIS 204 FVIS 204 FVIS 201 FVIS 203, FVIS 205

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2. Module Records SECTION A: DEFINITIVE MODULE RECORD. MODULE CODE: FVIS101

MODULE TITLE: Introduction to Visual Practice

CREDITS: 20 PRE-REQUISITES: N/A

FHEQ LEVEL: 4 CO-REQUISITES: N/A

JACS CODE: W213 COMPENSATABLE: Yes

SHORT MODULE DESCRIPTOR: This module will introduce the students to aspects of good studio and workshop practice and associated development of teamwork, communication and conceptual skills appropriate to visual communications. . ELEMENTS OF ASSESSMENT COURSEWORK C1

100%

SUBJECT ASSESSMENT PANEL Group to which module should be linked: Visual Studies Professional body minimum pass mark requirement: 40%

MODULE AIMS: 7. To introduce and develop practical skills, teamwork, research methods, organisational and communication skills 8. To encourage an exploratory approach to image making 9. To begin to consider the nature and function of drawing in image making and recording visual information. 10. To introduce specialist workshops and health and safety procedures ASSESSED LEARNING OUTCOMES: (additional guidance below) At the end of the module the learner will be expected to be able to: 1. Question, research, explore and respond to ideas, processes, materials and other stimuli 2. Organise and manage an effective pattern of work 3. Utilise skills of visual observation, description and analysis 4. Work safely in a studio environment (selected from Knowledge and Understanding; Cognitive/intellectual skills; Key/transferable skills; Practical skills - see SEEC level descriptors)

DATE OF APPROVAL: 07.06.06 DATE OF IMPLEMENTATION: 01.09.06

FACULTY/OFFICE: AP SCHOOL/PARTNER: South Devon College 18


DATE(S) OF APPROVED CHANGE: N/A

TERM: Semester 1

19


SECTION B: DETAILS OF TEACHING, LEARNING AND ASSESSMENT ACADEMIC YEAR: 2014/15

NATIONAL COST CENTRE: C1

MODULE LEADER: Alison Bryant

OTHER MODULE STAFF: Glyn Newman

Summary of Module Content This module involves both individual and collaborative work. There will be an emphasis on developing practical image making skills that involve play and experimentation. Developing core drawing skills will be an important consideration throughout. Assignments will begin to explore narrative, storytelling and words by producing a broad selection of work which reflects the diverse and expanding worlds of contemporary illustration and graphic design.

C1

Portfolio

100%

Coursework

Updated by: Alison Bryant

Comments Include links to learning objectives

Component weighting

Component Name

Element

Category

SUMMARY OF TEACHING AND LEARNING Activities Hours Comments/Additional Information Scheduled Studio Practice / 60 6 hours per week for 10 weeks Lectures / Seminars Guided Independent Study 140 Directed weekly studio practice and subject specific research Total 200

Date: 09/07/2014

A body of practical work including, sketchbooks, development work and research notes. LO1, LO2, LO3, LO4

Approved by: Tony Weaver

20

Date: 15/07/2014


SECTION A: DEFINITIVE MODULE RECORD. MODULE CODE: FVIS102

MODULE TITLE: Design Communications

CREDITS: 20 PRE-REQUISITES: N/A

FHEQ LEVEL: 4 CO-REQUISITES: N/A

JACS CODE: W213 COMPENSATABLE: Yes

SHORT MODULE DESCRIPTOR: An introduction to freehand and technical drawing conventions via a series of exercises through which students develop and demonstrate their competence to express and describe design ideas. . ELEMENTS OF ASSESSMENT COURSEWORK C1

100%

SUBJECT ASSESSMENT PANEL Group to which module should be linked: Visual Studies Professional body minimum pass mark requirement: N/A MODULE AIMS: • To ensure the student is familiar with drawing conventions particular to the communication of design ideas. • To introduce aids to visualisation as part of the sketch design process. • To provide a base for continued learning. ASSESSED LEARNING OUTCOMES: (additional guidance below) At the end of the module the learner will be expected to be able to: 1. Question, research, explore and respond to ideas, processes materials and other stimuli through drawing 2. Utilise skills of visual observation, description and analysis 3. Develop strategies for integrating ideas and processes towards creative outcomes (selected from Knowledge and Understanding; Cognitive/intellectual skills; Key/transferable skills; Practical skills - see SEEC level descriptors)

DATE OF APPROVAL: 07.06.06 DATE OF IMPLEMENTATION: 01.09.06

FACULTY/OFFICE: AP SCHOOL/PARTNER: South Devon College TERM: Semester AY

DATE(S) OF APPROVED CHANGE: N/A

21


SECTION B: DETAILS OF TEACHING, LEARNING AND ASSESSMENT ACADEMIC YEAR: 2014/15

NATIONAL COST CENTRE: C1

MODULE LEADER: Alison Bryant

OTHER MODULE STAFF: Glyn Newman

Summary of Module Content This module will consist of a variety of small assignments intended to sharpen observational skills, challenge expectations and broaden the students understanding of drawing. Students will work in sketchbooks, draw on location, observe the figure, produce schematic drawing, and work sequentially.

Coursework

Updated by: Alison Bryant

C1

Portfolio

Comments Include links to learning objectives

Component weighting

Component Name

Element

Category

SUMMARY OF TEACHING AND LEARNING Activities Hours Comments/Additional Information Scheduled Studio Practice / 30 3 hours per week for 20 weeks Lectures / Seminars Scheduled Related Location 30 5 hours per week for 6 weeks Visits Guided Independent Study 140 Directed weekly studio practice and subject specific research Total 200

100%

Date: 09/07/2014

A body of practical work. LO1, LO2, LO3,

Approved by: Tony Weaver

22

Date: 15/07/2014


SECTION A: DEFINITIVE MODULE RECORD. MODULE CODE: FVIS103

MODULE TITLE: Audio Visual and Digital Imaging

CREDITS: 20 PRE-REQUISITES: N/A

FHEQ LEVEL: 4 CO-REQUISITES: N/A

JACS CODE: W213 COMPENSATABLE: Yes

SHORT MODULE DESCRIPTOR: This module is an introduction to the use and application of sound and image technology. It will concentrate on underpinning skills and practice enabling students to obtain a basic level of competence in a range of software and technology. Students will be encouraged to exploit personally developed sound and imagery. . ELEMENTS OF ASSESSMENT COURSEWORK C1

100%

SUBJECT ASSESSMENT PANEL Group to which module should be linked: Visual Studies Professional body minimum pass mark requirement: 40% MODULE AIMS: • To encourage creativity in use and application of technology • To identify the formal techniques used in image & sound construction • To resolve design problems through a collaborative and integrated approach • Additionally the module aims to develop a range of skills in: • Image manipulation and application of sound, text & drawing using a range of software e.g. Photoshop, Illustrator, Cinema 4D, Animator, In Design, Macromedia Studio. Students will gain experience in the use of digital cameras, software packages and scanners. The effects and importance of layout and design will emerge through evaluation and discussion of their practical pieces. • Sound recording, editing and manipulation. • Moving image recording, editing and manipulation on location & in a studio setting. ASSESSED LEARNING OUTCOMES: (additional guidance below) At the end of the module the learner will be expected to be able to: 1. Demonstrate critical, analytical and practical skills for problem solving. 2. Interpret and evaluate information from a number of sources to gain a coherent understanding of theory and practice 3. Use digital technology as a research and communication tool 4. Utilise a range of practical skills, processes and equipment in an effective and creative manner, in accordance with good professional practice and applied to a variety of contexts. DATE OF APPROVAL: 07.06.06 DATE OF IMPLEMENTATION: 01.09.06

FACULTY/OFFICE: AP SCHOOL/PARTNER: South Devon College 23


DATE(S) OF APPROVED CHANGE: N/A

TERM: Semester AY

24


SECTION B: DETAILS OF TEACHING, LEARNING AND ASSESSMENT ACADEMIC YEAR: 2014/15

NATIONAL COST CENTRE: C1

MODULE LEADER: Alison Bryant

OTHER MODULE STAFF: Tracey Turner

Summary of Module Content The module acts to underpin the practical elements of the programme through the introduction, exploration and application of digital media. Students will explore digital technology as a means of creating both still and moving images offered by a range of software. A personal on-line blog will enable students to review and reflect upon work produced.

C1

Portfolio

100%

Coursework

Updated by: Alison Bryant

Comments Include links to learning objectives

Component weighting

Component Name

Element

Category

SUMMARY OF TEACHING AND LEARNING Activities Hours Comments/Additional Information Scheduled Studio Practice / 60 2 hours per week for 30 weeks Lectures / Seminars Guided Independent Study 140 Directed weekly studio practice and subject specific research Total 200

Date: 09/07/2014

An on-line blog which evidences a range of digital work. Notebooks and sketchbook. LO1, LO2, LO3, LO4

Approved by: Tony Weaver

25

Date: 15/07/2014


26


SECTION A: DEFINITIVE MODULE RECORD. MODULE CODE: FVIS104

MODULE TITLE: Structure and Form

CREDITS: 20 PRE-REQUISITES: N/A

FHEQ LEVEL: 4 CO-REQUISITES: N/A

JACS CODE: W213 COMPENSATABLE: Yes

SHORT MODULE DESCRIPTOR: This module is a practical introduction to the identification of parts. Students will be expected to expand ideas across a range of media and production techniques. . ELEMENTS OF ASSESSMENT COURSEWORK C1

100%

SUBJECT ASSESSMENT PANEL Group to which module should be linked: Visual Studies Professional body minimum pass mark requirement: 40% MODULE AIMS: • To introduce students to the complexities of image production. • To enable students to exploit the formal elements of imagery in a creative manner. • To encourage a process that involves reflection, evaluation and decision making at appropriate stages of the design process. ASSESSED LEARNING OUTCOMES: (additional guidance below) At the end of the module the learner will be expected to be able to: 1. Exploit appropriate methods, technologies and materials to respond to the interdisciplinary nature of contemporary visual culture in an effective manner. 2. Demonstrate appropriate strategies for problem solving 3. Take risks and other speculative actions, make constructive use of failure and recognise these as integral aspects of the creative process (selected from Knowledge and Understanding; Cognitive/intellectual skills; Key/transferable skills; Practical skills - see SEEC level descriptors) DATE OF APPROVAL: 07.06.06 DATE OF IMPLEMENTATION: 01.09.06

FACULTY/OFFICE: AP SCHOOL/PARTNER: South Devon College TERM: Semester 2

DATE(S) OF APPROVED CHANGE: N/A

27


SECTION B: DETAILS OF TEACHING, LEARNING AND ASSESSMENT ACADEMIC YEAR: 2014/15

NATIONAL COST CENTRE: C1

MODULE LEADER: Alison Bryant

OTHER MODULE STAFF:

Summary of Module Content The module exploits printmaking, digital technologies and drawing to respond to the demands of narrative image making and the book form experimentally. It explores a range of structural approaches to the book, using mock- ups, storyboarding and other planning strategies. Students are encouraged to reflect upon design ideas in order to achieve a finished outcome.

C1

Portfolio

100%

Coursework

Updated by: Alison Bryant

Comments Include links to learning objectives

Component weighting

Component Name

Element

Category

SUMMARY OF TEACHING AND LEARNING Activities Hours Comments/Additional Information Scheduled Studio Practice / 60 6 hours per week for 10 weeks Lectures / Seminars Scheduled Related Workshop 6 Subject specific research Guided Independent Study 134 Directed weekly studio practice and subject specific research Total 200

Date: 09/07/2014

A body of practical work that includes a finished outcome and supporting material. LO1, LO2, LO3 Approved by: Tony Weaver

28

Date: 15/07/2014


SECTION A: DEFINITIVE MODULE RECORD. MODULE CODE: FVIS105

MODULE TITLE: Image and Expression

CREDITS: 20 PRE-REQUISITES: N/A

FHEQ LEVEL: 4 CO-REQUISITES: N/A

JACS CODE: W213 COMPENSATABLE: Yes

SHORT MODULE DESCRIPTOR: The emphasis on this module will be to develop an expressive visual language that communicates. The module intends to develop creative ideas that have a direct relationship to meaning and introduces students to the relationship between audience, expressive content and process. . ELEMENTS OF ASSESSMENT COURSEWORK C1

100%

SUBJECT ASSESSMENT PANEL Group to which module should be linked: Visual Studies Professional body minimum pass mark requirement: 40% MODULE AIMS: • To develop an expressive visual language • To communicate ideas to an audience. • To introduce an awareness of the relationships between content, process and meaning • To develop a variety of visual outcomes. ASSESSED LEARNING OUTCOMES: (additional guidance below) At the end of the module the learner will be expected to be able to: 1. Utilise a range of practical skills, processes and equipment in an effective and creative manner, in accordance with good professional practice and applied to a variety of contexts 2. Present work to an audience/client in a coherent and professional manner 3. Develop appropriate strategies for integrating ideas and processes towards creative outcomes 4. Utilise self-evaluation and critical reflection, persuasive argument, respond positively to informed criticism and to contribute an independence of view in the context of understanding others. DATE OF APPROVAL: 07.06.06 DATE OF IMPLEMENTATION: 01.09.06

FACULTY/OFFICE: AP SCHOOL/PARTNER: South Devon College TERM: Semester 2

DATE(S) OF APPROVED CHANGE: N/A

29


SECTION B: DETAILS OF TEACHING, LEARNING AND ASSESSMENT ACADEMIC YEAR: 2014/15

NATIONAL COST CENTRE: C1

MODULE LEADER: Glyn Newman

OTHER MODULE STAFF: Alison Bryant

Summary of Module Content From initial analysis of a range of historical and contemporary imagery students will be asked to develop a body of work that considers contemporary contexts for illustration. The work will explore visual communication and expression. Through regular group seminars students will analyse responses to their own and others work in order to evaluate and assess their projected outcomes and direction.

C1 Coursework

Updated by: Glyn Newman

Portfolio

Comments Include links to learning objectives

Component weighting

Component Name

Element

Category

SUMMARY OF TEACHING AND LEARNING Activities Hours Comments/Additional Information Scheduled Studio Practice / 60 6 hours per week for 10 weeks Lectures / Seminars Guided Independent Study 140 Directed weekly studio practice and subject specific research Total 200

100%

A body of practical work that includes a finished outcome and supporting material. LO1, LO2, LO3, LO4

Date: Approved by: 09/07/2014 Tony Weaver

30

Date: 15/07/2014


SECTION A: DEFINITIVE MODULE RECORD. MODULE CODE: SOUD1187 CREDITS: 20 PRE-REQUISITES: N/A

MODULE TITLE: Developing Research and Practice FHEQ LEVEL: 4

CO-REQUISITES: N/A

JACS CODE: W213 COMPENSATABLE: No

SHORT MODULE DESCRIPTOR: This module is designed to enable students to understand how their creative practice can be reviewed and developed to meet the needs of the professional workplace. Students will be given the opportunity to examine the underlying theoretical concerns of their practice, to understand the historical and contemporary contexts for illustration, and develop a range of research and communications skills which can be used to inform sustained critical reflection and personal development. . ELEMENTS OF ASSESSMENT COURSEWORK C1

100%

SUBJECT ASSESSMENT PANEL Group to which module should be linked: Subject External Professional body minimum pass mark requirement: 40% MODULE AIMS: • To enable students to inform their practice through research and discussion of historical and contemporary developments in illustration • To enable students to be familiar with a range of theoretical concerns in illustration and two-dimensional visual culture which can inform the technical and conceptual development of their own practice • To support students to achieve autonomy in their ability to research, analyse and present findings using appropriate study skills • To enable students to develop a comprehensive range of evidence which supports their understanding of illustration practice and prepares them for progression to further study and/or employment ASSESSED LEARNING OUTCOMES: (additional guidance below) At the end of the module the learner will be expected to be able to: 1. Demonstrate a comprehensive understanding of the relationship between their own practical work and historical and contemporary developments in illustration theory and practice, and the professional requirements of working as an illustrator 2. Demonstrate sound skills in research, including managing bibliographies and using appropriate referencing (Harvard System) 3. Demonstrate competence in a range of communication skills including: essay writing, report writing, informal and formal oral presentation and discussion 4. Regularly reflect on and log personal progress, and identify strengths and weaknesses to inform a Personal Development Plan (PDP) 31


(Selected from Knowledge and Understanding; Cognitive/intellectual skills; Key/transferable skills; Practical skills - see SEEC level descriptors) DATE OF APPROVAL: 03/2010 DATE OF IMPLEMENTATION: 09/2010

FACULTY/OFFICE: AP SCHOOL/PARTNER: All Partner Colleges TERM: Semester AY

DATE(S) OF APPROVED CHANGE: N/A

SECTION B: DETAILS OF TEACHING, LEARNING AND ASSESSMENT ACADEMIC YEAR: 2014/15

NATIONAL COST CENTRE: C1

MODULE LEADER: Glyn Newman

OTHER MODULE STAFF:

Summary of Module Content Through a series of tutorials, students will be introduced to the conventions for academic writing and presentation. They will also examine approaches to analysis, reflection, self-evaluation, critical thinking and successful planning. The module looks at strategies for academic research, including the identification and recording of a critical selection of scholarly sources. A key focus for the module is the historical and theoretical basis of contemporary illustration practice

C1 Coursework

Portfolio

Comments Include links to learning objectives

Component weighting

Component Name

Element

Category

SUMMARY OF TEACHING AND LEARNING Activities Hours Comments/Additional Information Scheduled seminar 54 2 hours per week over 27 weeks – Introduction programme to history & theory of illustration practice, study skills Student led presentations 6 2 hours per week over 3 weeks Scheduled related visits 10 London visit Guided Independent Study 130 Independent research, guided reading, academic writing to produce essay (2000 words) and research / reflective journal (2000 words) Total 200

100% Including: written reports, essay, oral presentation, records of discussions (group and tutorial), personal reflection and planning (PDP), independent subject specific research, study skills guidance notes. LO1, LO2, LO3, LO4

32


Updated by: Glyn Newman

Date: 09/07/2014

Approved by: Tony Weaver

33

Date: 15/07/2014


SECTION A: DEFINITIVE MODULE RECORD. MODULE CODE: FVIS201

MODULE TITLE: Integration and Application

CREDITS: 20 PRE-REQUISITES: N/A

FHEQ LEVEL: 5 CO-REQUISITES: N/A

JACS CODE: W213 COMPENSATABLE: Yes

SHORT MODULE DESCRIPTOR: This module provides an opportunity to develop a more sophisticated and integrated approach to problem solving across the breadth of creative design practice. From initial ideas students will select appropriate applications. . ELEMENTS OF ASSESSMENT COURSEWORK C1

100%

SUBJECT ASSESSMENT PANEL Group to which module should be linked: Visual Studies Professional body minimum pass mark requirement: 40% MODULE AIMS: • Develop a greater understanding of the relationship between the designer, the client and the outcome. • Expand experience of media and applications toward appropriate and more sophisticated design outcomes. • Provide opportunities to present work in a professional manner. ASSESSED LEARNING OUTCOMES: (additional guidance below) At the end of the module the learner will be expected to be able to: 1. Demonstrate a refined approach and application of appropriate media. 2. Present work to an audience/client in a coherent, dynamic and professional manner. (selected from Knowledge and Understanding; Cognitive/intellectual skills; Key/transferable skills; Practical skills - see SEEC level descriptors) DATE OF APPROVAL: 07.06.06 DATE OF IMPLEMENTATION: 01.09.06

FACULTY/OFFICE: AP SCHOOL/PARTNER: South Devon College TERM: Semester 1

DATE(S) OF APPROVED CHANGE: N/A

34


SECTION B: DETAILS OF TEACHING, LEARNING AND ASSESSMENT ACADEMIC YEAR: 2014/15

NATIONAL COST CENTRE: C1

MODULE LEADER: Alison Bryant

OTHER MODULE STAFF: Glyn Newman

Summary of Module Content This module will consist of illustration briefs each with a very specific focus and timescale . Students will have the opportunity to understand the various stages of the creative process and their importance when working with a client. The briefs will enable students to respond to specific areas of illustrative practice and to understand the importance of refinement, presentation and deadlines.

C1

Portfolio

100%

Coursework

Updated by: Alison Bryant

Comments Include links to learning objectives

Component weighting

Component Name

Element

Category

SUMMARY OF TEACHING AND LEARNING Activities Hours Comments/Additional Information Scheduled Studio Practice / 80 8 hours per week for 10 weeks Lectures / Seminars Guided Independent Study 120 Directed weekly studio practice and subject specific research Total 200

Date: 09/07/2014

A body of practical work. Presentation. LO1, LO2

Approved by: Tony Weaver

35

Date: 15/07/2014


SECTION A: DEFINITIVE MODULE RECORD. MODULE CODE: FVIS202

MODULE TITLE: Negotiated Project

CREDITS: 20 PRE-REQUISITES: N/A

FHEQ LEVEL: 5 CO-REQUISITES: N/A

JACS CODE: W213 COMPENSATABLE: Yes

SHORT MODULE DESCRIPTOR: Students will negotiate a studio project which demonstrates a growing independence in terms of content, process, time management and an awareness of constraints. Tutors will act to guide students in the direction of personal practice, realising your design outcomes. . ELEMENTS OF ASSESSMENT COURSEWORK C1

100%

SUBJECT ASSESSMENT PANEL Group to which module should be linked: Visual Studies Professional body minimum pass mark requirement: 40% MODULE AIMS: • To provide an opportunity for students to evolve and develop a personal/individual approach to their practice. • To encourage independent critical evaluation and reflection at key points in the process. • To increase vocational skills levels and an awareness of the knowledge and expertise required to achieve high standards of production. ASSESSED LEARNING OUTCOMES: (additional guidance below) At the end of the module the learner will be expected to be able to: 1. Utilise a range of practical skills, processes and equipment in an effective and creative manner, in accordance with good professional practice. 2. Realise own intentions through the articulation of ideas using appropriate visual and spatial forms as appropriate. 3. Develop appropriate strategies for integrating ideas and processes towards a creative outcome 4. Evaluate own abilities, achievement and understanding and reflect on own learning via a report. (selected from Knowledge and Understanding; Cognitive/intellectual skills; Key/transferable skills; Practical skills - see SEEC level descriptors) DATE OF APPROVAL: 07.06.06 DATE OF IMPLEMENTATION: 01.09.06

FACULTY/OFFICE: AP SCHOOL/PARTNER: South Devon College TERM: Semester 1/2

DATE(S) OF APPROVED CHANGE: N/A

36


37


SECTION B: DETAILS OF TEACHING, LEARNING AND ASSESSMENT ACADEMIC YEAR: 2014/15

NATIONAL COST CENTRE: C1

MODULE LEADER: Glyn Newman

OTHER MODULE STAFF: Alison Bryant

Summary of Module Content Students will produce a personal project brief which will be guided by and negotiated with the staff team, outlining a specific illustrative focus. In working through the brief they should demonstrate an awareness of scheduling and time management. Students will have the opportunity to discuss their ideas and progress in regular peer group seminars and tutorials. They will write a report which evaluates the success of their outcomes.

C1 Coursework

Updated by: Glyn Newman

Portfolio

Comments Include links to learning objectives

Component weighting

Component Name

Element

Category

SUMMARY OF TEACHING AND LEARNING Activities Hours Comments/Additional Information Scheduled Presentations / 9 1.5 hours per week over 6 weeks – Group Seminar Discussions discussions and seminar presentations to discuss theoretical contexts of student research and assess individual progress. Scheduled Tutorial 36 1.5 hours per week over 24 weeks – One-to-one research supervision Scheduled Related Visits 10 London Visit Guided Independent Study 145 Independent research, guided reading, academic writing to produce extended essay (4000 words) Total 200

100%

A body of practical work including personal brief, report and final outcome. LO1, LO2, LO3, LO4

Date: Approved by: 09/07/2014 Tony Weaver

38

Date: 15/07/2014


SECTION A: DEFINITIVE MODULE RECORD. MODULE CODE: FVIS203

MODULE TITLE: Professional Practice

CREDITS: 20 PRE-REQUISITES: N/A

FHEQ LEVEL: 5 CO-REQUISITES: N/A

JACS CODE: W213 COMPENSATABLE: Yes

SHORT MODULE DESCRIPTOR: This module will investigate the relationship between studio and professional practice, between audience, the practitioner and the business community. The aim is to equip students to function effectively within business and professional communities. . ELEMENTS OF ASSESSMENT COURSEWORK C1

100%

SUBJECT ASSESSMENT PANEL Group to which module should be linked: Visual Studies Professional body minimum pass mark requirement: 40% MODULE AIMS: • To integrate studio practice with professional practice. • To equip students with the necessary skills to function effectively within the business community. • To encourage students to operate within commercial constraints. • To develop an understanding of the relationship between the audience, practitioner and business community. • To develop an awareness of marketing and presentation as tools for success. ASSESSED LEARNING OUTCOMES: (additional guidance below) At the end of the module the learner will be expected to be able to: 1. Understand the positions and roles of the arts and the artist/designer in society today. 2. Have an awareness and understanding of own aims and intentions 3. Have an understanding of the requirements of commercial and professional practice within their chosen field 4. Complete an appropriate portfolio of work suitable for practice with a broad range of art and design professions. (selected from Knowledge and Understanding; Cognitive/intellectual skills; Key/transferable skills; Practical skills - see SEEC level descriptors) DATE OF APPROVAL: 07.06.06 DATE OF IMPLEMENTATION: 01.09.06

FACULTY/OFFICE: AP SCHOOL/PARTNER: South Devon College TERM: Semester AY

DATE(S) OF APPROVED CHANGE: N/A

39


40


SECTION B: DETAILS OF TEACHING, LEARNING AND ASSESSMENT ACADEMIC YEAR: 2014/15

NATIONAL COST CENTRE: C1

MODULE LEADER: Alison Bryant

OTHER MODULE STAFF:

Summary of Module Content Students will examine the role of the illustrator in the contemporary market place. They will be encouraged to develop an awareness of their own place in the global context of graphic communication. Assignments will enable students to understand different areas of commissioning and employment. They will also have the opportunity to develop business skills and materials and strategies for self-promotion.

C1

Portfolio

Comments Include links to learning objectives

Component weighting

Component Name

Element

Category

SUMMARY OF TEACHING AND LEARNING Activities Hours Comments/Additional Information Scheduled Studio Practice / 60 2 hours per week for 30 weeks Lectures / Seminars Guided Independent Study 140 Directed weekly studio practice and subject specific research Total 200

100%

Networking file and promotional materials including a presentation portfolio. LO1, LO2, LO3, LO4.

Coursework

Updated by: Alison Bryant

Date: 09/07/2014

Approved by: Tony Weaver

41

Date: 15/07/2014


SECTION A: DEFINITIVE MODULE RECORD. MODULE CODE: FVIS204

MODULE TITLE: Negotiated Research (Contextual Studies)

CREDITS: 20 PRE-REQUISITES: N/A

FHEQ LEVEL: 5 CO-REQUISITES: N/A

JACS CODE: W213 COMPENSATABLE: No

SHORT MODULE DESCRIPTOR: The module will discuss the cultural context of creative practice and examines issues which may impact on current practice and future design. The content will focus on an individually researched and produced document. . ELEMENTS OF ASSESSMENT COURSEWORK C1

100%

SUBJECT ASSESSMENT PANEL Group to which module should be linked: Visual Studies Professional body minimum pass mark requirement: 40% MODULE AIMS: • To allow students to engage critically and analytically with issues that affects current practice and design possibilities. • To enable students to inform their practice using research. • To encourage integration of theory and practice. ASSESSED LEARNING OUTCOMES: (additional guidance below) At the end of the module the learner will be expected to be able to: 1. Understand a range of concepts, values, issues and debates that inform and influence creative practice 2. Synthesise, interpret and evaluate information from a number of sources 3. Demonstrate a coherent understanding of the relationship of theory and practice that informs own work. (selected from Knowledge and Understanding; Cognitive/intellectual skills; Key/transferable skills; Practical skills - see SEEC level descriptors) DATE OF APPROVAL: 07.06.06 DATE OF IMPLEMENTATION: 01.09.06

FACULTY/OFFICE: AP SCHOOL/PARTNER: South Devon College TERM: Semester AY

DATE(S) OF APPROVED CHANGE: N/A

42


SECTION B: DETAILS OF TEACHING, LEARNING AND ASSESSMENT ACADEMIC YEAR: 2014/15

NATIONAL COST CENTRE: C1

MODULE LEADER: Glyn Newman

OTHER MODULE STAFF:

Summary of Module Content A series of seminars will introduce a range of theoretical contexts for the discussion of illustration practice. These will help inform the students’ chosen area of research and its relationship to their own practice.

C1 Coursework

Comments Include links to learning objectives

Component weighting

Component Name

Element

Category

SUMMARY OF TEACHING AND LEARNING Activities Hours Comments/Additional Information Scheduled Studio Practice / 80 8 hours per week for 10 weeks Lectures / Seminars Guided Independent Study 120 Directed weekly studio practice and subject specific research Total 200

Essay/Report

80%

Critical essay/report on chosen topic LO1, LO2, LO3

Presentation

20%

Oral presentation of subject knowledge and research LO1, LO2, LO3

100% Updated by: Glyn Newman

Date: 09/07/2014

Approved by: Tony Weaver

43

Date: 15/07/2014


SECTION A: DEFINITIVE MODULE RECORD. MODULE CODE: FVIS205

MODULE TITLE: Final Major Project

CREDITS: 40 PRE-REQUISITES: N/A

FHEQ LEVEL: 5 CO-REQUISITES: N/A

JACS CODE: W213 COMPENSATABLE: No

SHORT MODULE DESCRIPTOR: The final major project provides a vehicle to demonstrate accumulated skills and greater independence of the programme and will act to confirm student directions. After approval, you will be expected to manage the whole project, from initiation through to final results, appropriate to your stated aims. The presentation and display of work produced is an assessable part of this module. . ELEMENTS OF ASSESSMENT COURSEWORK C1

100%

SUBJECT ASSESSMENT PANEL Group to which module should be linked: Visual Studies Professional body minimum pass mark requirement: N/A MODULE AIMS: • To provide a vehicle for the accumulated skills of the programme whereby students are able to demonstrate independent and individual approaches toward creative outcomes • To further encourage the integration of relevant processes, reflection and analysis • To demonstrate the refinement of skills • To consider the professional presentation of all aspects of the project ASSESSED LEARNING OUTCOMES: (additional guidance below) At the end of the module the learner will be expected to be able to: 1. Direct an independent project 2. Integrate appropriate processes towards a creative outcome 3. Work independently towards a refined and professional presentation (selected from Knowledge and Understanding; Cognitive/intellectual skills; Key/transferable skills; Practical skills - see SEEC level descriptors) DATE OF APPROVAL: 07.06.06 DATE OF IMPLEMENTATION: 01.09.06

FACULTY/OFFICE: AP SCHOOL/PARTNER: South Devon College TERM: Semester 2

DATE(S) OF APPROVED CHANGE: N/A

44


45


SECTION B: DETAILS OF TEACHING, LEARNING AND ASSESSMENT ACADEMIC YEAR: 2014/15

NATIONAL COST CENTRE: C1

MODULE LEADER: Alison Bryant

OTHER MODULE STAFF: Glyn Newman

Summary of Module Content Students will initiate their own illustration brief with staff acting to confirm rather than direct student decisions. They are expected to manage the whole project from initiation to completion. The presentation and display of work produced is an integral part of this module.

C1

Portfolio

100%

Coursework

Updated by: Alison Bryant

Comments Include links to learning objectives

Component weighting

Component Name

Element

Category

SUMMARY OF TEACHING AND LEARNING Activities Hours Comments/Additional Information Scheduled Studio Practice 80 8 hours per week for 10 weeks Guided Independent Study 320 Directed weekly studio practice and subject specific research Total 400

Date: 09/07/2014

Final body of practical work including Research, development and presentation. LO1, LO2, LO3 Approved by: Tony Weaver

46

Date: 15/07/2014


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