All this has been possible because I am delighted to report that Kent
of the confidence of the University
School of Architecture (KSA) has
in the School of Architecture, and
arrived (at last) in the Top Ten
the promotion of the school by the
UK
Faculty through the support of our
schools
of
architecture
in
the prestigious Guardian League
Dean.
Tables for Architecture, 2013.
Our job next year is to rise
Our
further up the rankings based on the
staff and students deserve all the
quality of our research and teaching,
congratulations that such an honour
and the unique experience offered to
merits.
our students.
In the coming year, KSA will further
Peep Show is an unusual title for
strengthen the resources available
an End-of-Year Show, although it
to our students with the opening of
is true that the best architecture
our new Crit Space, which will allow
often reveals itself in slices and
students to present and develop their
fragments, or at least, from unusual
work using state-of-the-art digital
viewpoints. I wasn’t thinking of the
motion-sensitive projection, much in
television programme when the name
the manner of Tom Cruise in the film,
was suggested. “Peepshow” was the
Minority Report.
In our workshops,
title given to Filippo Brunelleschi’s
we will have the benefit of a suite
early experiment in perspective,
of new 3-D scanners and printers
first described by Antonio di Tuccio
which will facilitate even greater
Manetti, Brunelleschi’s biographer
creativity in model-building from
of c1480. Brunelleschi constructed
our best designers.
a painted view on a small panel of
introduction the Florentine Baptistry as seen
your way to a series of soon-to-be-
from a point about five feet inside
demolished single storey teaching
the portal of the unfinished Duomo,
blocks which have been transformed by
Florence’s new cathedral. According
the students.
to Manetti, Brunelleschi had made a
rooms you will find drawings, models
hole in the panel on which there was
and digital representations of the
this painting; ... which hole was as
projects our graduating students
small as a lentil on the painting
of Architecture and Interiors have
side of the panel, and on the back
undertaken
it opened pyramidally, like a woman’s
high
straw hat, to the size of a ducat
intriguing, relevant and buildable.
In this labyrinth of
over
energy,
the
past
year:
thought-provoking,
or a little more. And he wished the eye to be placed at the back, where
It is not possible to introduce a
it was large, by whoever had it to
review of the year at KSA without
see, with the one hand bringing
mentioning the increasing authority
it close to the eye, and with the
of CASE, the Centre for Architecture
other holding a mirror opposite, so
and Sustainable Environments, which
that there the painting came to be
has brought a number of research
reflected back; ... which on being
projects into the school, while
seen, ... it seemed as if the real
adding depth to teaching at all
thing was seen: I have had the
levels.
painting in my hand and have seen it
Centre for Research into European
many times in these days, so I can
Architecture, the profile of the
give testimony.
research activities of the school
Alongside
CREAte,
the
has been raised at the same time as Moving the panel to one side would
the standing of KSA has increased in
reveal the actual view – identical to
the profession.
the painting -
impact on student design work in the
resulting in surprise
You will see the
and delight for the viewer.
exhibition.
Brunelleschi’s inventive, ground-
I hope that you enjoy the show and
breaking, revelatory insights changed
the contents of this catalogue,
for ever the way painting is both
which goes some way to represent the
understood and presented.
experience of each graduating student
So, a good
model for EXIT:2012.
in the past academic year.
To experience this year’s show, you
Don Gray – June 2012.
have to leave the school and make
Head of School 1
M ARCH
(arb/riba part 2)
From the perspective of the Master
harbour reached by an ever silted
of Architecture (MArch with ARB/RIBA
creek that winds through pastoral
Pt 2 exemption) at Kent School of
farmland. A history of mercantile
Architecture it never seems that we
trade, ship building, hop growing,
are far from the ‘edge’. The north
brewing, brick and gunpowder making
and south Kent coasts are both only
leave a rich legacy for the creek-
a few miles from Canterbury, and as
side site (1) of Standard Quay.
they converge on the Isle of Thanet from London and East Sussex, they
At Uplees Marsh, an apparent rural
constitute (somewhat contentiously)
idyll
the longest ‘edge’ of any county
remains
in the country. Geologically and
country’s largest guncotton and
geographically our ‘edge’ has always
munitions industry up until the end
been on the move, and so, literally
of the nineteenth century. All that
and
human
remains today amongst the grazing
engagement with it. Our developing
cattle and waterfowl are a collection
fascination with ‘edge conditions’
of Ballardian sumps and blocks, and a
and
is
hundred concrete slabs all on a grid
natural
as if laid-out from space; site (2)
metaphorically,
their
ephemeral
therefore
perhaps
has
context a
consequence. At Kent, students in
that of
belies what
the was
peppered once
the
has something sublime about it.
the final year of the MArch develop their own interests and agenda as
Between Faversham and Uplees lies
aspiring architects through a year-
even older gunpowder works at Oare,
long
three
the ruined fortifications for which
terms. This year Stage 5 looked at
are dug into the woodland floor of
another one of Kent’s very particular
site (3).
thesis
project
over
‘edge conditions,’ what we called ‘The
Swale’
–
cartographically
On the Isle of Sheppey the town
water
of Queenborough, had a prosperous
Sheppey
oyster fishery until the arrival
from the mainland, today the name
of a porcelain industry in nearby
is also attached to Swale Borough
Rushenden. Two projects this year,
Council, the organ of local civic
on different sites, one a post-
administration.
industrial porcelain landscape (4),
an
estuarine
separating
channel
the
Isle
of
of
the other a civic park (5), mediate On one side of The Swale lies the Kent mainland, with Faversham, a Limb of the Cinque Ports, a once great 2
between these conflicting legacies.
M ARCH Sheerness
was
from
up
a
1669
fire
in
a
Royal
until
1820,
Dockyard
1960.
the
After
dock
was
(arb/riba part 2)
Glass Factory; Maritime History Repository; and Birth, Marriage and Death Registry.
extensively rebuilt gaining Georgian administrative buildings, perimeter
Elsewhere,
wall, Officers’ Houses, and a neo-
Virginia
studying
Palladian church- the shell of which
Matthew
constitutes site (6).
Building Centre on the Potomac River,
Tech Armitt
(VT)
abroad
in
the
designed
a
at
USA, Boat
and also designed and hand-built a Warden Point is our final site (7). A
ribbon
settlement
single skull canoe to row on it!
orientated
perpendicularly towards the coast it has been falling into the sea for hundreds of years. The soft clay
cliff
disintegrates
at
an
alarming rate, though with a strange rotational slump, pulling the grass over it, like a blanket. Amazing paleontological finds can be lifted from the exposed clay, whilst the few disenfranchised, almost heroic
Stage 5 Students (* abroad): Matthew
residents refuse to retreat from the
Armitt*, Stephen Athanasiou, Louisa
encroaching cliff. At the base of the
Clifford, Deborah De Boer, Isabel
cliff lies a collection of fallen
Diez De Ulzurrun*, Scott Douch, Conal
military costal defence structures.
Gallagher, Tzi Man, Julian Messent, Raz Rahmani-Shirazi, Dhoopa Shah,
Design
responses
included a
a
‘Graveney
to
Museum Boat’
the
sites
Matthew Stanley, Richards Stevens,
of
Silt;
Mohammed Syeed, David Taylor.
Museum
and
Restoration Centre; a campus for an
Tutors: Tim Carlyle, Gordana Fontana-
Alchemist; a combined Ornithological
Giusti, Ben Godber, Ed Holloway,
Centre and Nitrate Film Archive,
Michael
Porcelaneous Organic Medical Devices
Richards.
Holms
Coates,
Michael
Research Institute; Paleontological Centre; Gunpowder Stout Brewery;
Guest Critics: Gerry Adler, Gian Luca
Studio for a Gunpowder Artist; Oyster
Amadei, Don Gray, Manolo Guerci,
Nursery and Restaurant; Museum of
David Haney, Rachel James, Shaun
Wartime Costal Defence; Stained
Murray, Henrik Schoenefeldt. 3
1
2
CATALOGUE 2012
4
3 1 Section Model
5
5 Silt Tray
2 Landscape Models 3 Inside the Tunnel Network 4 Bottle Wall Drawing
Stephen Athanasiou Random studio natter: K-bar for one?. wowsers!. Just tek it.. That’s what SHE said. what’s gwaning?. roll ova!. what’s up mcfly? same @ @ @ @ different day. whaatt?..I just wanna have a parrtay!. hiccup. essentials meal deal. can’t be arsed. what time do we start today?. cuppa tea?. freebie hot chocolate.. RIIICHARD!. see you on the other side. you doing an all nighter?.I’m hungry. Five years at UKC, thanks for the memories guys! Good luck to everyone and well done, its all over, woohoo! 4
1
2
4
March (Part 2)
3
1 Thames Barge Restoration Centre: View Across Dock 2 Thames Barge Restoration Centre: Construct Collage Thames Barge Restoration Centre: View Up to the Graveney Boat 3 4 Thames Barge Restoration Centre: Thames Barge Studies
Louisa Clifford Hiccup!
5
1
2
CATALOGUE 2012
4
3 1 Coagulation Lab Perspective
5 4 Dissolution Lab Exploded Axonometric
5 Dissolution Lab Sectional Perspective 2 Coagulation Lab Sectional Perspective 3 Coagulation Lab Exploded Axonometric
Deborah de Boer Five years of Architecture school later and here I am at the end of this stretch of the road.
So, I will try to member wise
words; ‘Don’t cry because it’s over. Smile because it happened.’
6
1
3
4
March (Part 2)
2
1 Cinema Elevation 2 Swale Explosion 3 Extraction Vehicle 4 Cinema Section
Scott Douch 85 words is not enough to fully express how much I have enjoyed the last two years at KSA, thanks to all my classmates who have made the experience so good. What about them Giants huh?
7
1
CATALOGUE 2012
2
3
4 1 P.V. Roof Tiles 2 Section of Prosthetics Factory 3 M odels 4 Scheme
Conal Gallagher 6 years has come to an end. As I sit in the studio writing this with my fellow class mates everyone is so delighted to be finished, plans begin to develop, dreams start to seem reality and most of us see it as the beginning rather than the end. During the time we have spent designing forms to be built, we have built something far more important - Relationships. Architecture friends aren’t just friends. They are family. 8
March (Part 2)
1 1 Warden Point
Tzi Leung Man So, what now?
9
1
CATALOGUE 2012
2
3 1 MDP Concept 2 MDP Mechanical Processes Concept 3 MDP Plan
Julian Messent Hard work doesn’t always guarantee success
10
2
3
March (Part 2)
1
1 Gallery Elevation 2 Studio Section Tower 3 Dynamic Plan
Raz Rahmani I’d like to thank each and everyone one of my classmates for an unforgettable two years. So many fond memories, from San Francisco all the way to Margate‌I will miss you all dearly and look forward to spending time with you outside the studio. x
11
CATALOGUE 2012 1.Oyster Farm 2.Interior Activity 3.Oysters filtering water 4.Oyster Farm
Dhoopa Shah
12
1
2
3
4
1
2
5
4 1.Exterior View
March (Part 2)
3
5 Floor Plan
2.Building View 3.Model 4.Section
Matthew Stanley The paradox of wartime coastal defences being overcome by coastal erosion provided a fascinating back story to the proposals for a Museum of Coastal Defence. By embracing rather than resisting the onward erosion process the museum continues to tell that story. Adapting to an ever changing environment we all now step forward to write the next chapter in our own career stories. 13
CATALOGUE 2012
1 1 M DP Floor Plan
Richard Stevens
14
2
1
3
4
6
7
March (Part 2)
5
1 Interior 5 Interior 2 Section
6 Exploded Model
3 Exterior 7 Exterior 4 Interior
Mohammed Syeed
15
1
2
3
4
CATALOGUE 2012
5
1 D eath
5 Birth
2 Spatial Dynamic Site Model
6 Technical Section
Life 3
7 Me & Geoff
4 Development Model
8 Long Section
6
7
8
9
9 Birth Life & Death of Warden Point
David Taylor 2 years of masters, 2 years of stress and strain, 2 years spent in what seemed like another world, but what a great time I’ve had. Thanks to Eleanor for looking after me, thanks to the parents for funding me and thanks to the gang especially Tzi for making it the best two years I could have wished for. Good luck you to all, I’ll see you in K-Bar for the reunion 2022…. Hopefully we’ll have found a job by then. 16
17
BA (Hons) ARCHITECTURE
(ArB/RIBA Part 1)
In their final year our undergraduate
to house the famous architectural
Architecture
plaster
students
undertake
cast
collection
of
the
projects,
Victoria and Albert Museum and it
combining these with written or
also marked the bicentenary of the
interdisciplinary work that provides
gothic revival pioneer A.W.N. Pugin,
an opportunity for research and
who lived and worked in the town. All
engagement with the history and
our stage-three design projects this
theory of architecture. In the Autumn
year demanded a high level of enquiry
term ‘Modular’ module, each student
and analysis into urban sites, and
designed student accommodation for
talks and lectures were provided
a site at the heart of Canterbury,
from experts on the various themes
building up a complex and varied
concerned.
two
major
design
structure from modular components
18
and exploring the use of systematic
Alongside their design projects,
design from small-scale details up to
students
modelling of a large building. ‘Urban
‘Modernisms’
2’, the second and larger project
directions
which takes place during the Spring
architectural history and theory;
and Summer terms, involved the design
towards the end of the year they
of a new architectural museum on one
submit an essay on the subject. The
of two sites at the heart of Ramsgate
final module, ‘Options’, gives every
in Thanet. This project was intended
student an opportunity to develop
join in
a
module
which
called
explores
twentieth-century
BA (Hons) ARCHITECTURE
(ArB/RIBA Part 1)
their own personal architectural
Urban: a museum of architectural
and design interests in a structured
history
way,
by
submitting
a
building
appraisal study, a history or theory
The centre of the largely Regency
dissertation, or an interdisciplinary
town of Ramsgate is dotted with
project which involves both the
undeveloped urban spaces as well
creation
as large unsympathetic structures
of
an
artefact
and
a
supporting text. This module has
from
always resulted in a very wide range
fully integrated into the fabric and
the
1960s
that
have
never
of different types of work, and also
life of the town. We chose two of
ensures that every student has a
these sites – each one with quite a
strong opportunity to develop and
different character – and developed a
express a personal voice.
brief for a large and complex museum. The famous plaster casts from the Victoria and Albert Museum require a variety of different settings: some are very large indeed, and some are very small. As well as permanent
Modular: student accommodation in
and temporary exhibition halls, the
Canterbury
project also required the design of workshops, an archive, a library and
At the heart of Canterbury and within
an auditorium.
the old city walls there is a large, green space crossed by historic
This year marked the bicentenary
water channels and the picturesque
of A.W.N. Pugin, and students were
remains of an ancient friary. In a
asked to devise a narrative for their
masterplanning exercise, each group
museum that would relate to the
of students divided the site between
unfolding history of architecture.
them and agreed common themes such as
Ramsgate itself has many interesting
heights, materials, massing and uses
buildings which include Pugin’s
that would bring their individual
revolutionary ‘Grange’ and church
schemes
student
of St Augustine’s, and the project
then developed on their own site a
together.
Each
required considerable sensitivity to
personal project that combined the
the town’s varied urban typologies.
design and use of modular components with the development of a programme for a lively and multifunctional communal building.
Timothy Brittain-Catlin Stage 3 Architecture Co-ordinator 19
1
3
CATALOGUE 2012
2
4 1 Urban Elevation
5
5 Interdisciplinary Storyboard Still
2 Urban Perspective ACM Daytime Render 3 4 Urban Elevation
Srimathi Aiyer For everything I enjoyed, it gave the motivation to always start. For everything I disliked, it gave me the motivation to never finish. The bottom line is: I didn’t give up. Thanks KSA for the motivation.
20
1
3
5
6
4
7
8
1 M odular Plan
5 Modular Model
2 Modular Exploded Construction
6 Modular Elevation
M odular Section 3
7 Modular concept Sketch
4 Interdisciplinary Chiaroscuro
8 Interdisciplinary Chiaroscuro
BA (HONS) ARCHITECTURE (pART 1)
2
Shakirah Akinwale Trying to ‘find’ my style amidst the ever developing knowledge, materials and technology I am exposed to this year through research into Gothic and, I ‘fell in love’ with Organic Modern Architects whose influences include L.Sullivan and F.L.Wright. Their various concepts, and designing through the harmonious incorporation of function and form.... There I began to find my direction in Architecture (& possibly engineering). I’ve only JUST begun and THE BEST IS YET TO COME!
21
1
2
CATALOGUE 2012
4
5
6
7
1 M odular Section Perspective
5 Urban Section
2 Urban Exterior Sketch
6 Urban Courtyard
Urban Interior Sketch 3
7 Urban Daylit Gallery
4 Urban Approach
Nicolas Alonso Guillen ‘I am very fond of sunsets. Come, let us go look at a sunset’ - Antoine de Saint-Exupéry, The Little Prince, Chapter 6.
22
3
2
3
4
5
6
1 Modular Section
5 Modular Section
2 Urban Concept Model
6 Urban Concept Model
3 M odular Section
BA (HONS) ARCHITECTURE (pART 1)
1
4 Urban Concept Model
Felicia Anderson Pushing architecture to new dimensions has its benefits and its risks, but regardless if it works perfectly or not new ideas arise and new prospects emerge.
23
CATALOGUE 2012
1
2
3
4
5
6
7
1 M odular Elevation
5 Urban Model
2 Modular Plan
6 Urban Sections
M odular Elevation 3
7 Urban Perspectives
4 Urban Perspective
Alan Austin Remember:
Live in the moment because every second you spend
angry or upset is a second of time out of the architecture studio that you will never get back. All the best.
24
Good Night.
1
5
2
4
6
7
1 Urban Panorama
5 Sketch proposal
2 Urban Perspective
6 Urban Perspective
3 Urban Massing
7 Light study
BA (HONS) ARCHITECTURE (pART 1)
3
4 Urban Massing
Alexander Bayliss Architecture or Architorture - you decide.
25
CATALOGUE 2012 1 Urban Night Perspective 2 Urban Section Urban Perspective 3
Patrick Blanchard Take it easy. There’s no use crying over spilt milk.
26
1
3
4
5
6
7 M odular Elevation 1
5 Urban Interior Perspective
2 Modular Perspective
6 Urban Elevation
Urban Elevation 3
7 Urban Perspective Section
4 Urban Interior Perspective
8 Urban Sky View
8
BA (HONS) ARCHITECTURE (pART 1)
2
Michael Boalch “How thick is wall?” - Jez
27
1
2
CATALOGUE 2012
3
4 1 M odular Elevation 2 Modular Perspectives Urban Sections and Renders 3 4 Urban Renders
Pelagia Bourma ‘Architecture starts when you carefully put two bricks together. There it begins.’ Ludwig Mies van der Rohe
Three of the most cheerful and unforgettable years of my life!
28
3
4
5
6 Urban Isometric 1
5 Urban Plan 4
2 Urban Plan 1
6 Urban Section
Urban Plan 2 3
BA (HONS) ARCHITECTURE (pART 1)
1
2
4 Urban Plan 3
Jody Bryan A long journey but worth it in the end, looking forward to a future in design.
29
1
2
3
CATALOGUE 2012
5
6
7
8
1 Urban Curatorial Concept Sketch
5 Modular Exterior Perspective
2 Urban Harbour Perspective
6 Modular Exterior Perspective
Urban Leopold Street Perspective 3
7 M odular Plan
4 Urban Temporary Gallery Perspective
8 Urban Elevation
Jennifer Butler ‘Life is full of surprises and serendipity. Being open to unexpected turns in the road is an important part of success. If you try to plan every step, you may miss those wonderful twists and turns. Just find your next adventure - do it well, enjoy it - and then, not now, think about what comes next’ - Condoleeza Rice 30
4
31
3
1
4
CATALOGUE 2012
2
6
7
8
1 Urban Library Perspective
5 Urban Spatial analysis
2 Urban Atrium Perspective
6 Interdisciplinary 1920’s dress design
3 Urban Atrium Sketch
Urban elevation 7
4 Landscape Water Garden
8 Modular Aerial View
Anna-Marie Bywater
32
5
1
3
5
6
4
7
1 U rban Foyer Perspective
5 Urban Exterior Perspective
2 Modular Model
6 Urban Gallery Perspective
3 L andscape Model
7 Urban Section
BA (HONS) ARCHITECTURE (pART 1)
2
4 Urban Gallery Perspective
Nicholas Chandler To get something you never had, you have to do something you’ve never done. I’m Nick Chandler, you stay classy Kent School of Architecture.
33
CATALOGUE 2012
1
3
2
4
1 Adapt and Extend Model 2 Adapt and Extend Perspective 3 Urban Perspective 4 Urban Detail
Joshua Charlton
34
6
7
8
9
3
4
5
10
1 Urban Entrance Perspective
6 Urban Entrance Atrium Bird’s Eye View
2 Urban Concept Gaff Sail
7 Urban Entrance Atrium Worm’s Eye View
3 Urban Concept Symmetry of Islamic Architecture
8 Urban Exterior Perspective
4 Urban Section
9 Urban Structure
5 Urban Model
10 Urban Main Staircase Perspective
BA (HONS) ARCHITECTURE (pART 1)
1
2
Abadur Chowdhury
35
2
1
3
5
CATALOGUE 2012
4
6 1 Advanced Computer Modeling
5 Urban Exterior Perspective
2 Modular Elevation
6 Urban Elevation
3 Interisciplinary Video Still 4 Urban Interior Perspective
Eleni Christofi ‘I wanna be the very best, like no one ever was. To catch them is my real test, to train them is my cause.’ - Ash Ketchum
36
2
3
4
1 Urban Perspective 2 Urban Model 3 Modular Elevation
BA (HONS) ARCHITECTURE (pART 1)
1
4 Modular Exploded Perspective
Athanasia Chrysanthou “Architecture is an art when one consciously or unconsciously creates aesthetic emotion in the atmosphere and when this environment produces well being.” - Luis Barragan
37
1
3
4
5
CATALOGUE 2012
2
6
7
8
1 Urban Section
5 Urban Perspective
2 Urban Interior Perspective
6 Urban Elevation
3 Urban Visual Perspective
7 Urban Gallery Perspective
4 Urban Concept in Context
8 Urban Section
Hannah Couper ‘The highest reward for man’s hard work is not what he gets for it, but what he becomes by it’ – John Ruskin
38
1
3
4
5
7
6 1 Modular Elevation
5 Modular Elevator Model
2 Landscape Concept
6 Modular Elevator Detail
3 Interdisciplinary Artefact
7 Modular Elevator and Walkway Models
BA (HONS) ARCHITECTURE (pART 1)
2
4 ACM Night Render
Melanie Louise Courtney It’s been an experience; a dream, a risk, emotional and exhilarating. I’ve made friends with my intuition and trusted my gut. Made a million mistakes and learnt to admit it. Now I can own my reality without apology, be bold, fierce, wild, crazy and be free to go and live.
39
2
3
CATALOGUE 2012
1
4
5 1 Modular Concept
5 Interdisciplinary An Urban Experience
2 Urban Perspective 3 Landscape Site Plan 4 Modular Model
Christina Dahdaleh ‘Architecture is not produced simply by adding plans and sections to elevations, it is something else and something more, It is impossible to explain precisely what it is, its limits are by no means well-defined. On the whole, art [Architecture] should not be explained; it must be experienced.’ - Rasmussen S. E. …Trip to Essentials anyone? 40
2
3
4
5
6
7 1 Urban Floor Plans
5 Urban Section A
2 Urban North Perspective
6 Urban Section B
3 Urban North East Elevation
7 Urban Perspectives
BA (HONS) ARCHITECTURE (pART 1)
1
4 Urban Perspective
Naomi Eszter Danos Thank you to all the architects for making this past three years amazing. And thank you to whoever invented the 35p energy drink for helping me through the countless all-nighters. BEST.3.YEARS.EVER.
41
1
2
3
4
6
CATALOGUE 2012
5
7 1 Modular Perspective
5 Urban Section
2 Modular Plan
6 Urban Elevation
3 Urban Elevation
7 Interdisciplinary Artefact
4 Interdisciplinary Artefact
Akua Danso Architects love to discuss how much sleep they’ve gotten. One will say how he was at the studio until five in the morning, only to have returned two hours later. Then another will say, oh that’s nothing. I haven’t slept in a week! And then another will say, guess what? I’ve NEVER slept! Dear architects, the measure of how hard you have worked and how much you’ve accomplished is not related to the number of hours you’ve slept. Rem Koolhaas is always sleeping, and I hear that he gets stuff done! 42
2
3
5
4
7
6 1 Urban Perspective Section
5 Urban Perspective
2 Urban Interior Perspective
6 Urban Plan
3 Urban Perspective
7 Urban Plan
BA (HONS) ARCHITECTURE (pART 1)
1
4 Urban Plan
Muneeb David I cannot wait for the day when I become the next Richard Rogers and Alex Kendall-White asks me for a job.
43
1
CATALOGUE 2012
2
3
4
6
7
1 Urban Perspective
5 Urban Section
2 Modular Perspective
6 Modular Perspective
3 Modular Perspective
7 Urban Lecture Theatre
4 Urban Plan
Christopher Davies
44
5
1
3
4
6
5 1 Urban Entry
5 Urban Stratification
2 Urban Plaza
6 Urban Elevation
3 Urban Marina
BA (HONS) ARCHITECTURE (pART 1)
2
4 Urban Asscension
David Dawson ‘Begin at the beginning and go on till you come to the end: then stop.’ - Lewis Caroll It’s been one of the most intense, rewarding, sleep-deprived, caffeine fuelled experiences of my life. I’ve met some of the most fantastic people I’ve ever met, and somehow come out of the other side more or less in one piece.. Now only four years to go! 45
1
2
4
3
5
CATALOGUE 2012
6
7 1 Urban Section
5 Urban Elevation
2 Urban Floor Plan
6 Urban Elevation
Urban Floor Plan 3
7 Urban Elevation
4 Urban Section
8 Detailed Section
8
Jennifer Edwards Having turned up in the first year with a scale ruler and pencil in hand, it’s hard to believe how far and how much we have learnt over the past three years. This course has definitely been the most challenging thing I’ve done so far, but the stress, all nighters and deadlines have all been worth it and everyone should be proud of what they have achieved. “I know the price of success: dedication, hard work, and an unremitting devotion to the things you want to see happen”
46
1
3
4
5
6 1 Modular Perspective
5 Urban Perspective
2 Modular Perspective
6 Urban Panorama
3 Urban Perspective
BA (HONS) ARCHITECTURE (pART 1)
2
4 Modular Elevation
William Emmett The past three years have certainly flown by. The course, the friends and Canterbury have certainly been worth it. I would like to thank all the staff for their dedication and commitment in getting me to reach my potential. Best of luck everyone for the real world!
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1 M odular Elevation
5 Urban Elevation
2 Modular Site Plan
6 Urban Floor Plan
Urban Library Perspective 3
7 Interdisciplinary Artefact
4 Urban Floor Plan
Sarah Evans The secret to happiness is not in doing what one likes to do, but in liking what one has to do. What an amazing three years, couldn’t have done it without you guys xxxxxxx
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4 1 Urban Perspective
5 Urban Section
2 Urban Perspective Urban Perspective Night 3
BA (HONS) ARCHITECTURE (pART 1)
1
4 Urban Section
Donald Findlater Three years of lectures in ten words; 1) 1:20 span: depth ratio. 2) Thermal Mass. 3) Pugin is superior. A brilliant three years, will be sorely missed.
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CATALOGUE 2012
6
8 1 Urban Floor Plan
5 Interdisciplinary Artefact
2 Charcoal Drawing
6 Interdisciplinary Model
ACM Night Render 3
7 Urban Perspective
4 Urban Model
8 Urban Perspective
9 9 Modular Plans
Camille Frichot I have been passionate about art and architecture from a young age. I have developed a keen eye for the sculptural aesthetic. I enjoy a challenge and like to test myself. KSA has allowed me the room to grow and develop my initial ideas to bring them to fruition. Studying architecture has allowed me to explore my creative side, using and developing a vast range of media, from free hand charcoal drawings to computer visualisations of my concepts and designs.
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1 ACM Night Time Render 2 Modular Module Design Urban Elevation 3
BA (HONS) ARCHITECTURE (pART 1)
1
4 Urban Elevation
Benjamin Gander A thoroughly enjoyable three years which has gone extremely quickly, in which I have learnt a lot about myself and my friends, and a few things to do with Architecture hehehe.
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CATALOGUE 2012
1
2 1 ACM Night Time Render 2 Urban Panorama
Dharmin Ghandi ‘All architecture is great architecture after sunset; perhaps architecture is really a nocturnal art.’ As one chapter closes, a new book begins. A big thank you to all those involved in making my experience at the Kent School of Architecture a truly memorable one!
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1 Urban Plans
5 Urban Perspective
2 Urban Construction Detail
6 Urban Perspective
3 Urban Section
7 Urban Perspective
7
BA (HONS) ARCHITECTURE (pART 1)
1
4 Urban Perspective
Iskra Garbachkova Space is the most luxurious thing anybody can give anybody in the name of architecture.
- Sir Denys Lasdun, 1997
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CATALOGUE 2012
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1 M odular Perspective 2 Urban Model Urban Model 3 4 Urban Model
Nathan Gilbert
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4 5 Urban Model
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1 M odular Perspective
5 Urban Perspective
2 Landscape Perspective
6 Urban Perspective
3 Landscape Perspective
7 Urban Section
4 Urban Perspective
8 Urban Gallery
9 9 Urban Interior
BA (HONS) ARCHITECTURE (pART 1)
5
Matthew Girling
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CATALOGUE 2012
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8 1 M odular Elevation
7
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5 Urban Staircase
9
10 Urban Concept
2 Modular Atrium
6 Urban Elevation
Urban Gallery 3
7 Urban Floor Plan
4 Urban Exterior
8 Urban Model
Urban Model
Joanna Gkritzani You know you are a doomed architecture student when… -you abandon ANY ambition for social interaction -you have a long-term relationship with your laptop -you consider sleep as the biggest gift god ever gave to humanity -you are asking yourself ‘why on earth did I chose this course?’ at least twice a day But... admit it... deep down you couldn’t do anything else!!!
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1 Interdisciplinary Artefact
5 Urban Section
2 Urban Perspective
6 Urban Interior Perspective
3 Urban Perspective
7 Urban Elevation
BA (HONS) ARCHITECTURE (pART 1)
1
4 Urban Interior Perspective
Paul Gorzelak After three years of living in my overdraft, the dream is to one day hit positive figures.
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CATALOGUE 2012
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1 Photography Kent Dance Show
5 Urban Exterior Perspective
2 Urban First Floor
6 Urban Interior Perspective
3 Urban Second Floor
7 Urban Interior Perspective
4 Urban Third Floor
8 Urban Interior Perspective
Sarah Grant “Architecture is inhabited sculpture” Constantin Brancusi
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2 1 Urban Elevation
5 Caravanserai Model in Context
2 Urban Ground Floor Plan 3 Modular Perspective
5
BA (HONS) ARCHITECTURE (pART 1)
3
4 ACM Night Render
Christopher Gray The Architect’s Formula: Select, Ctrl+C, Ctrl+V.
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CATALOGUE 2012
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1 Urban Section 2 Urban Perspective 3 Urban Detail 4 Urban Elevation
Ross Hammond I have thoroughly enjoyed my time at Kent and have learnt a lot about architecture and plenty more. The course has been challenging but rewarding, allowing my passion to flourish. Truly the best years of my life.
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1 Urban Elevation
5 Urban Detail
2 Urban Elevation
6 Urban Section
3 ACM Night
7 Urban Sketch
3
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BA (HONS) ARCHITECTURE (pART 1)
4
4 Urban Elevation
Thomas Hanson
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CATALOGUE 2012
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1 Urban Section
6
Modular Perspective
2 Urban Grid
7
Modular Section
3 Urban Facade
8
Urban Entrance
4 Urban Stairs
9
Interdisciplinary
5 Urban Perspective
10 Interdisciplinary
Goneta Heta Less is boring.
62
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1 Form and Structure Bridge Model
5 KASA Design Competition Interior Sketch
2 ACM Night Interior
6 KASA Design Competition Model
3 Interdisciplinary Poster
7 Modular Elevation
4 Interdisciplinary Artefact
8 Modular Model
BA (HONS) ARCHITECTURE (pART 1)
1
Iain Hughes It’s been an intense few years, providing me with much more than a degree.
Thank you all for an unforgettable experience.
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CATALOGUE 2012
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1 Urban Section 2 Modular Perspective Section 3 Urban Internal Gallery 4 Urban External View
Hannah Hurst Urban:
In this project I wanted to allow museum visitors to
experiment with different ways of viewing and interacting with an exhibit, regardless of age and height. Modular: Using prefabricated modules, I attempted to create the most cost effective and user-friendly environment for possible future students living in Canterbury. 64
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5 1 Urban Night Perspective
5 Urban Elevation
2 Urban Interior Perspective 3 Urban Exterior Perspective
BA (HONS) ARCHITECTURE (pART 1)
1
4 Urban Exterior Perspective
Daniel Jacobs I used to think I was indecisive, but now I’m not so sure…
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CATALOGUE 2012
3
4 1 ‘I will show you fear in a handful of dust’. Urban 2 ‘Freud would say something about those pink pods’. Modular ‘This field of dreams we’re dancing in’. Climate 3 4 ‘Argggh, still only 74% Final Gather’. ACM
Alexander Jeremy I’d like to say that this is the hardest thing that I’ve done, but at night I dress in lycra and fight crime.
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3 1 Urban Bird’s Eye View 2 Form and Structure, Butterfly Bridge 3 Adapt and Extend Interior Perspective
4
BA (HONS) ARCHITECTURE (pART 1)
2
4 Modular Third Level Plan
Alexander Kendall-White It’s been emotional... ;) And I’m now looking forward to watching Muneeb mopping floors in Tesco.
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1 Urban Elevations
5 Urban Daytime Perspective
2 Urban Courtyard Perspective
6 Interdisciplinary Tri-Tonal
3 Urban Interior Perspective
Architectural Music Projector
4 Urban Large Scale Section
Jay King And in the end, The Pro Plus you take, Is equal to the buildings you make
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4 1 Urban South East Elevation
5 Urban Interior Perspective
2 Modular Model
6 Urban Interior Perspective
3 Modular Model
6
BA (HONS) ARCHITECTURE (pART 1)
3
4 Urban Night Perspective
Zoe Kotsis Thanks to everyone (staff and students) for making my time here so brilliant and helping me through it. The list is too long for shout-outs, but you know who you are, much love x
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CATALOGUE 2012
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1 Urban Atrium Perspective
5 Urban North West Elevation
2 Urban South East Elevation
6 Urban Arium Perspective
3 Urban South West Elevation
7 Urban Section
4 Urban Perspective
Anna Koumi For those who underestimate architecture, try living in the studio in front of a computer screen and forgetting what the word ‘sleep’ means. It requires courage, confidence and a dream to make an architect so if you are not ready to fly, do not jump. It has been 3 years of hard work and a lot of criticisms. And yet, I would do it again! 70
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5 1 Modular Model
5 Urban Interior Gallery Perspectives
2 Modular Elevations 3 Landscape Site Plan
BA (HONS) ARCHITECTURE (pART 1)
1
4 Landscape Interior Perspective
Mark Latter ‘Day man, fighter of the night man, champion of the sun, you’re a master of karate and friendship for everyone’ - Charlie Day
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CATALOGUE 2012
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5 5 Urban Courtyard Perspective
1 Urban Elevation 2 Urban Site Plan 3 Urban Section 4 Urban Perspective
Timothy Leung “All architecture is shelter, all great architecture is the design of space that contains, cuddles, exalts, or stimulates the persons in that space.� - Philip Johnson
72
BA (HONS) ARCHITECTURE (pART 1)
The last three years...
Iury London “Your toughest competitor is your own potential” Iury London
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CATALOGUE 2012
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3 5 Urban Interior
1 Urban Section 2 Urban Perspective 3 Urban Interior 4 Urban Perspective
Samuel Lyons Can I go to sleep now?
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1 Urban Section 2 Urban View from Top Floor 3 Urban View of Harbour
BA (HONS) ARCHITECTURE (pART 1)
1
4 Urban Interior Perspective of Walkway
Charlotte Mace My Urban museum was designed to highlight and therefore promote Ramsgate’s architecturally significant buildings and developments. This was done by creating opportunities for views of the three grade I listed buildings and Ramsgate’s harbour from within the building. The walkway around the building was also designed to enable visitors to view Ramsgate when circulating through the building as though the town itself were an exhibit.
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2 1 Urban Exterior Perspective
5 Urban
2 Urban East Elevation
6 Urban Gallery
3 Urban Section
7 Urban Gallery
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4 Urban Entrance
Katja Majcen 3 years at Kent School of Architecture have flown by and will remember the time as the best and probably the most challenging of my life, meeting incredible people and living in a beautiful place! I will leave the school with more skills, more experience and more friends‌Thank you!
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5 1 Modular Perspective
5 Urban Section
2 Urban Interior Perspective 3 Urban Interior Perspective
BA (HONS) ARCHITECTURE (pART 1)
1
4 Urban Interior Perspective
Timothy Matthews
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CATALOGUE 2012
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1 Urban Elevation 2 Urban Sketches 3 Urban in Context 4 Urban Panorama
Monil McGlynn Boldness, Vibrance, Simplicity.
78
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3 1 Modular Building 2 Modular Masterplanning 3 Urban Louvres
BA (HONS) ARCHITECTURE (pART 1)
2
4 Photography Leopard
Victoria Meadows “I don’t see much sense in that,” said Rabbit. “No,” said Pooh humbly, “there isn’t. But there was going to be when I began it. It’s just that something happened to it along the way.”
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4 1 Urban Perspective at Night
5 Urban Interior Perspective
2 Urban Perspective 3 Urban Perspective at Night 4 Urban Perspective from Street View
Anish Mistry The course has allowed me to develop my skills and create my own personal architectural style, clean form, linear lines with complex spatial arrangements. It has been enjoyable and I’ m thankful to my tutor Jef Smith who has guided me and pushed me to my maximum potential.
‘You can sit around, admire and watch other people do it, or you can get up and do the damn thing yourself, architecture is what you make of it’
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1 Urban Perspective
6 Interdisciplinary
2 Urban Perspective
7 Interdisciplinary
3 Urban Detail
8 Interdisciplinary
4 Urban Detail
9 Interdisciplinary
5 Urban Detail
BA (HONS) ARCHITECTURE (pART 1)
7
Elliot Mitchell
Thank you Kent School of architecture for all you have taught me, and for providing me with the thirst to learn more. ‘When I draw something, the brain and the hands work together.’ - Tadao Ando
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CATALOGUE 2012
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1 Urban Elevation 2 Urban Perspective Urban Context Sketches 3 4 Urban Perspective Night
Nathaniel Morris
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1 M odular Module Perspective
5 Modular Living Space Perspective
2 M odular Module Plan
6 Modular Exterior Perspective
odular Exterior Perspective 3 M
BA (HONS) ARCHITECTURE (pART 1)
3
2
4 Modular Kitchen Perspective
Philippa Morris
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CATALOGUE 2012
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5 1 Urban Elevation
5 Modular Room
2 Urban Ground Floor Plan
6 Urban Model
3 Urban Lecture Theatre
7 Urban Library
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4 Urban Library
Leo Mulkerns Well what a great but quick three years, we struck a balance between culture and fun and for me architecture and football. There are so many good memories it’s hard to write them all down from the trips to Barcelona and Berlin to being part of the football team. It’s a shame to leave but bring on the next chapter! Good luck to everyone, whatever you do!
Finally just for the 9 Glen Iris house:
its Omicron not Omnicron and that is a scientific fact!
84
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3 1 Urban Approach
4 5 Urban Perspective
2 Urban Section 3 Urban Model
5
BA (HONS) ARCHITECTURE (pART 1)
2
4 Urban Perspective
Ali Mustafa There are two rules for success: 1) Never tell everything you know
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1 Urban Orthographics
5 Modular Section
2 Urban Lattice Facade
6 Urban Staircase
ACM Night Render 3
7 Urban Facade
4 Urban Exploded Views
Natasha Neera Nathan Richard Meier once said that architecture ‘is not about making a building or monument, it is about creating a place and making a statement’. I was always inspired by this way thinking. As architects we have the ability to shape an exciting living experience for the users by creating an interactive space within any given setting.
I’ve had a great experience at Kent and will
continue to strive in pursuing my passion of Architecture.
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4 1 D eep in the Jungle
5 Urban Night Perspective
2 Urban Section
6 Urban
3 Urban Elevation
6
BA (HONS) ARCHITECTURE (pART 1)
1
4 Urban Site Plan
Craig Page Architecture is cool. Dinosaurs rule.
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CATALOGUE 2012
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4 1 Urban Perspective
5 Urban Interior Perspective
2 Urban Section
6 Urban Interior Perspective
6
3 Urban Interior Perspective 4 Urban Section
Carl Patten “Architecture is basically a container of something. I hope they will enjoy not so much the teacup, but the tea. “ - Yoshio Taniguchi Studying architecture has been a character building experience throughout. Thank you to all the tutors who have been fantastic, particularly this past year. Despite the immense effort and dedication required to flourish at this course, I have thoroughly enjoyed my time at Kent and have met a great group of people.
88
JÄSKE!!!
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M odular Interior Perspectives Form & Structure Bridge Design Landscape Modular Massing Model
BA (HONS) ARCHITECTURE (pART 1)
1 2 3 4
1
Rebecca Phythian Play hard, but don’t forget to work hard!
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CATALOGUE 2012
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7 1 2 3 4 5
CM Day Render A Modular Interior Perspective Modular Detail Modular Perspective Urban Section
6 7 8 9
Form and Structure Bridge Urban Perspective Urban Floor Plan Urban Perspective
Joshua Piddock In 3 years of architecture school I have learnt many things from furthering my love for socks, to being told wearing pants under swimming shorts in a pool is not normal. No way.
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1 ACM Day Render 2 KASA Design Competition 3 Modular Perspective
Tayra Pinto Intense, fulfilling, rewarding, 1095 days, sugar hypes, sleep deprivation, friends, Studio 1 film nights, Essentials, Haribo, Haribo, Haribo, 35p, Doughnut deal, Lets go get coffee, Wood, PS, PS PS... All of which simply assure that yes, I am doing what I love. Thank you KSA and best of luck to all you 2012 graduates!
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CATALOGUE 2012
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1 Urban South West Elevation
4 Urban Gothic Museum Perspective
2 Urban Courtyard Perspective
5 Urban Gothic Museum Perspective
3 Urban Exterior perspective
Sadaf Pourzand
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1 Urban Model
6 Urban Perspective
2 Urban Section
7 Urban Interior Perspective
Urban Model 3
8 Urban Perspective
4 Urban Elevation
9 Urban Model
5 Interior Perspective
9
BA (HONS) ARCHITECTURE (pART 1)
1
Edward Pryke
It’s been a long three years, with many late nights and lots of hard work, but I have enjoyed every minute of it and would do it all again, I have learnt many new skills and made some great new friends. Best of luck to everyone!
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CATALOGUE 2012
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1 Urban Elevation
5 Urban Section
2 Urban Structure
6 Modular Perspective
Urban Render 3
7 Modular Elevation
4 Modular Perspectives
Amrit Rajbans Building the blocks of life – Part 1.
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1 Urban Floor Plan 2 Urban Elevation 3 Urban Section
BA (HONS) ARCHITECTURE (pART 1)
1
4 Urban Night Perspective
Matthew Rice-Tucker Milk and Jaffa cakes got me through this…
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CATALOGUE 2012
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6 1 Urban Perspective
5 Urban Section
2 Urban Roof Structure
6 Urban Gallery
Urban Section 3
7 Design Sequence
4 Urban Gallery
Benjamin Roberts The end of 3rd year isn’t the end‌ it is just a short break from the relentless mistress that is architecture.
96
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1 M odular Perspective
5 Urban Main Entrance
2 Modular Interior Perspective
6 Urban Gallery Perspective
Urban Front Elevation 3
6
BA (HONS) ARCHITECTURE (pART 1)
2
4 Urban Gallery Interior
Laura Rudokaite ‘The place made the piece’ - Gormley, A.
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CATALOGUE 2012
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1 Urban Section
5 Modular Elevation
2 Urban Interior Render
6 Modular Elevation
Urban Interior Render 3 4 Urban Interior Render
Olivia Russell Just keep doing what you’re doing
98
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1 Urban Section, Perspective & Modular Construction 2 Urban Perspective 3 Modular Perspective
BA (HONS) ARCHITECTURE (pART 1)
3
4 Urban Section
Firas Saad Need to stop panning.
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CATALOGUE 2012
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6 1 Urban Elevation
5 Modular Elevation
2 Modular Room
6 Urban Perspective
M odular Perspective 3
7 Modular Sketch
4 Urban Cafe
Angeliki Sakellariou ‘Architects know little about a great deal, until knowing practically nothing about anything.’ What a three years it’s been! I still remember the first day. Who could believe that it would go by so quickly!
100
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4 1 Urban Elevation
5 5 Urban Concept Sketch
2 Urban Elevation 3 Urban Model
BA (HONS) ARCHITECTURE (pART 1)
2
4 Passive Strategies
Sofia Santos The key to good architecture is through progressive learning and dedication, challenging our ideas and embracing specialised knowledge for the highest quality results. By implementing sustainable design solutions, we will empower the world. Dedication to creativity is power. Thanks everyone who helped me along the way!
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CATALOGUE 2012
1
7 1 Urban Perspective
5 Urban Section Model
2 Urban Model
6 Urban Roof Plan
Urban Interior Perspective 3
7 Urban Section
4 Urban Interior Perspective
Amani Saridar For three years architecture has consumed my life. May it continue to forever do so, but perhaps on a little more sleep.
102
2
4 1 Urban Section Model
3
5 5 Modular Perspective
2 Urban Perspective 3 Modular Detail
BA (HONS) ARCHITECTURE (pART 1)
1
4 Urban Section
Bartram Sawyer No matter what life throws at us,
we can take confidence from
the fact that right now, we have done it, and there is nothing we can’t overcome. Good luck to everyone on the path laid out before them.
103
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4 1 Urban 3D Model 3 Urban perspective 4 ACM Day Render
Alex Seabrook Never again...
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5 5 ACM Night Render
2 Urban Perspective
3
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1 Urban Perspective
5 Urban Elevation
2 Urban Perspective
6 Urban Perspective
3 Urban Elevation
7 Urban Section
4 Urban Interior Perspective
8 Urban Plans
8
BA (HONS) ARCHITECTURE (pART 1)
1
Aneeka Shah I have had an amazing time during the past three years and would like to wish everyone the very best for the future, hope all your dreams and ambitions come true.
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CATALOGUE 2012
7
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1 Modular Elevation
5 Interdisciplinary Panels in Pencils
2 Modular Ground Floor Plan
6 Interdisciplinary Panels in Inks
3 Modular Axonmetric
7 Urban Perspective
4 Interdisciplinary Artefact
8 Urban Elevation 9 Urban Elevation
Shaarif-Azfar Shameem A building has integrity just like a man. And just as seldom.
106
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1 Urban Concept Development
5 Medieval Exhibition Room Perspective
2 Urban Section
6 Palladian Exhibition Room Perspective
3 Gothic Exhibition Room Perspective
7 Urban Elevation
4 Baroque Exhibition Room Perspective
BA (HONS) ARCHITECTURE (pART 1)
3
Urvashi Sharma Architecture is at the heart of a community, it has a lot more meaning than meets the eye which I hope to continue exploring.
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CATALOGUE 2012
2
3 1 M odular Exterior Perspective 2 Modular Exterior Prspective 3 Modular Perspective Section of Module 4 Modular Plan
Ryan Shukla These past three years have been a great experience ... I have met amazing people (SATNAV), had a lot of fun and also managed to do some work in-between. Thanks to everyone and a special thanks to Kent School of Architecture.
108
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4 1 Urban Perspective 2 Modular Ground Floor Plan 3 Modular Perspective
BA (HONS) ARCHITECTURE (pART 1)
1
4 Urban Section
Liam Smith Studying Architecture gives you invaluable experience, notably to be able to work with little or no sleep! The skills I have gained at KSA will be with me throughout my future career, and I want to thank all of the staff for their support. ‘God is in the details’. - Ludwig Mies van der Rohe. 109
CATALOGUE 2012
1
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1 Modular Perspectives
5 Urban Street View
2 Modular Masterplan
6 Urban Perspectives
3 Modular Section 4 Interdisciplinary
Eleni Stamelou ‘I know the price of success: dedication, hard work, and an unremitting devotion to the things you want to see happen’ - Frank Lloyd Wright
110
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1 Urban Night Perspective
5 Urban Library
2 Urban Day Perspective
6 Urban Elevations and Sections
3 Urban Day Perspective
BA (HONS) ARCHITECTURE (pART 1)
2
4 Urban Staircase
Andrea Stavrinidou ‘So many of our dreams at first seem impossible, then they seem improbable, and then, when we summon the will, they soon become inevitable’. - Christopher Reeve Good luck to us all, it was a pleasure meeting every single one of you!! 111
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CATALOGUE 2012
4
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6
1 Form and Structure Sketch
5 Urban Perspective
2 Urban Sketch
6 Dissertation
3 Landscape Perspective 4 Urban Perspective
Mantas Stonkus Architecture’s potential lies in the experiences one has within. That is where a true emotional bond is formed and can be looked back on as moments of happiness. Hopefully, one day you’ll look at your house and Alain de Botton’s prediction could come true, that ‘a beautiful building could reinforce our resolve to be good’.
112
If you want it – get it.
2
3
5
1
1 Landscape Master Plan
5 Landscape Model
2 Landscape Plan 3 Landscape Model
BA (HONS) ARCHITECTURE (pART 1)
4
4 Landscape Elevation
Ozgur Sumbul Building art is a synthesis of life in materialised form. We should try to bring in under the same hat not a splintered way of thinking, but all in harmony together. - Alvar Aalto
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CATALOGUE 2012
4
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7
1 Urban Elevation
5 Modular Mode
2 Modular Exploded Module
6 Urban Perspective
3 Modular Elevation
7 Urban Perspective
4 Urban Section
8 Modular Perspective
Kachaporn Theeprawat Congratulations! Today is your day. You’re off to Great Places! You’re off and away! ‘You have brains in your head. You have feet in your shoes You can steer yourself any direction you choose. You’re on your own. And you know what you know. And YOU are the guy who’ll decide where to go.’ - Dr. Seuss 114
8
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1 D etailed section - Urban
6 F oodscape - Interdisciplinary
2 Interior perspective - Urban
7 Foodscape - Interdisciplinary
Site plan - Urban 3
6
BA (HONS) ARCHITECTURE (pART 1)
1
4 Interior perspective - Urban
Paul Thorpe ‘If you can dream - and not make dreams your master; If you can think - and not make thoughts your aim; If you can meet with Triumph and Disaster And treat those two impostors just the same;’ - Rudyard Kipling
115
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CATALOGUE 2012
3
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1 Urban Nightscape
4 Interdisciplinary Relax, Revive Realise
2 Urban Temporary Gallery
5 Adapt and Extend
3 Urban Holga 120 Montague
6 1st Year Sketchbook
6
Robyn Thurston The architecture related food analogies over the three years have been an absolute treat. My favourite has to be from Manolo “You’re giving me the recipe, I want the cake. I WANT A BUILDING SHAPED CAKE.” Needless to say the room was filled with joy.
116
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4 1 Urban Transverse Section
5 Urban Interior
2 Urban Interior 3 Urban Exterior
BA (HONS) ARCHITECTURE (pART 1)
2
4 Urban Exterior
Oliver Treves The last three years at Kent School of Architecture have undoubtedly been the best of my academic life. It has been a privilege to work alongside such creative individuals and be taught by a group of fantastic tutors. A special thank you to Dr Timothy Brittain�Catlin for your thoroughly inspiring lectures, (the most memorable being those held in the middle of main roads in Barcelona), and for your seemingly boundless knowledge on all matters of architecture. Thanks KSA for having me, it’s been a blast.
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4 1 Urban South Elevation
5 5 Urban 3D Atrium
2 Urban Section A 3 Urban West Elevation 4 Urban Section B
Lezandri Van Rooyen Architecture is the ability to create and form an idea into reality. The last three years have been insane, to say the least. It has been challenging on every level yet SO rewarding. Thank you to every one who has made it such a memorable experience.
118
BA (HONS) ARCHITECTURE (pART 1)
1 1 A First Impression
Johanna Veenendaal ‘It doesn’t work. It doesn’t have to work. Wright had the shape conceived long before he knew what was going into it. I claim that is where architecture starts, with the concept.’
- Louis Kahn
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3 5 Urban Interiro Perspective
1 Urban Plan 2 Modular Exploded Structural System 3 Urban Elevation and Section 4 Urban Interior Perspective
Jonathan Ward Success only comes before work in the dictionary.
120
5 1
1
3
4 1 Modular Elevation
5 5 Adapt and Extend Cafe
2 Urban Galery Exterior 3 Caravanserai
BA (HONS) ARCHITECTURE (pART 1)
2
4 Urban Gallery Interior
Douglas Weare
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1 Urban Perspective Elevation
5 Urban Interior Perspective
2 Urban in Context
6 Urban Library Section
3 Urban in Context
7 Urban Interiro Perspective
4 Urban in Context
Matthew Westwood I was drunk when I applied for Archaeology.
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7
1 Modular Elevation
5 Urban Atrium Section
2 Modular Plan
6 Urban Section
3 Modular Terrace Cafe Perspective
7 Urban Atrium Perspective
BA (HONS) ARCHITECTURE (pART 1)
5
4 Modular Perspective
Luke Wrayton ‘Architecture arouses sentiments in man. The architect’s task therefore, is to make those sentiments more precise.’ - Adolf Loos
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4 5 Urban Restaurant Interior Night
1 Urban Perspective 2 Urban Perspective Night 3 Urban Gallery Interior 4 Urban North East Elevation
Charlotte Yates ‘Creativity is contagious. Pass it on.’ - Albert Einstein
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1 Urban North Elevation
6 Urban Structural Strategy
2 Urban South Elevation
7 Urban Section
3 Urban West Elevation
8 Urban 2nd Floor
4 Urban East Elevation
9 Urban 1st Floor
5 Urban Ventilation Strategy
10 Urban Ground Floor
BA (HONS) ARCHITECTURE (pART 1)
1
3
Priscilla Yeboah 3 years of hard work, and challenging critiques but all in all an enjoyable experience. All praise to God for taking me through and bringing me this far, a big thank you to my parents and all my loved ones and to the lecturers and tutors.
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1 Advanced Computer Modelling Day
5 Urban in Context
2 Advanced Computer Modelling Night
6 Urban Main Entrance
3 Urban Figure Ground Plan
7 Urban Detail
7
4 Urban Entrance Perspective
Shane Young This has been a truly life changing and challenging three years. I have learned an incomprehensible amount about architecture and about myself. There are some incredible people on this course, and I hope to see your names make it big in the future! I want to say I went to University with that famous person – so get to work! Best of luck to everyone for the future, and to KSA in its continued progress.
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4
2
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3 1 Modular North and South Elevations
5 Urban South Elevation
2 Urban Section
6 Urban East Elevation
3 Urban Plan
7 Urban North Elevation
BA (HONS) ARCHITECTURE (pART 1)
1
4 Urban West Elevation
Miruna Zait When I was a child I preferred drawing to playing with dolls and I grew up with the dream of becoming an architect. After three years of study at KSA, I have graduated the first part of my professional development, together with an exceptional team, whose members are tutors, course mates and friends. I am now taking a bow, being grateful for their efforts. I am proud to be part of this community and my heart sings along ‘Gaudeamus igitur’. 127
128
129
InteriorS programmes
BA (Hons) Interior Architecture & BA (Hons) Interior Design
This year’s Stage 3 comprises 5
and Evolution modules AR526 and AR
Interior
508; provisionally retitled; ‘Genius
Design
students
and
4
Interior Architecture students.
Loci’
In Term 1 all Stage 3 students
“Man dwells when he can orientate
undertook
design
himself within and identify himself
project in the North Galleries at the
with an environment, or, in short,
Victoria and Albert Museum. The ‘live
when he experiences the environment
project’ which formed the basis
as meaningful. Dwelling therefore
and brief for the ‘Event’ module
implies
AR508 and ‘Speculate’ module AR525
‘shelter’. It implies that the spaces
was British Design 1948 - 2012:
where life occurs are ‘places’, in
Innovation In The Modern Age, an
the true sense of the word. A place
exhibition designed by Ben Kelly
is a space that has character. Since
Design and currently on show at the
ancient times the genius loci, or
V&A.
an
exhibition
something
more
than
In the main this was a very
‘spirit of place‘ has been recognized
successful project with high levels
as the concrete reality man has to
of attainment and results.
face and come to terms with in his daily life” “Man dwells when he can
130
In the latter part of autumn term
orientate himself within and identify
and
major
himself with an environment, or,
projects I reconfigured the Locate
in short, when he experiences the
as
preamble
they’ve
environment as meaningful. Dwelling
programmes for reuse, which could
therefore implies something more than
significantly enhance the provision
‘shelter’. It implies that the spaces
of contemporary culture offered by
where life occurs are ‘places’, in
the City of Canterbury.
the true sense of the word. A place is a space that has character. Since
Overall the results of the Stage 3
ancient times the genius loci, or
students’ collective and individual
‘spirit of place’ has been recognized
endeavours are quite astonishing.
as the concrete reality man has to
Their
face and come to terms with in his
contemporary diamonds in the historic
daily life”
fabric of the host City of Canterbury
projects
shine
like
and they should be extremely proud of Genius loci. Towards a
themselves; I certainly am !
phenomenology of Architecture Christian Norberg-Schulz
Despite
an
extremely
difficult
start, Stage 3 students demonstrated a great deal of integrity as a group throughout the academic year, allied The results for Stage 3 Genius Loci
to admirable levels of energy and a
Module were generally very good and
substantial appetite to learn more
in several instances, excellent,
about their selected subject.
which became subsequently reflected in the Major Project module AR 503 +
This generated results with over 80%
AR 504, sub-titled ‘Canterbury City
of students gaining grades of 2:1 62%
of Palimpsest’
or higher, which should stand them all in good stead for post graduate
Throughout the spring term all Stage
studies or employment.
3 students worked as a group on a programme of ‘adaptive resuscitation’
Stephen Donald
with a variety of old, obsolete and
Programme Director Interiors
in some instances, historically important City
buildings
(walls)
of
within
Canterbury.
the In
essence this is a master planning and curatorial exercise aimed at producing a co-ordinated series of resuscitated buildings with new 131
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1. Major Work: Isometric
5. Major Work: Main Hall Perspective
2. Major Work: Main Hall Perspective
6. Major Work: Main Hall Perspective
3. Major Work: Main Hall Perspective 4. Major Work: Initial Isometric
Hanah Dosanjh “nulla dies sine linea�
132
Pliny the elder
6
2
3
4
5
6
1. Mezze Teaching Room
5. Dining Hall
2. Elevation
6. Exploded Perspective
3. Demonstration Kitchen
BA (HONS) INTerior Architecture
1
4. Library and Student Area
Nicola Mountford As an interior architect designer, my main issue is to solve problems. I have learnt ridiculous amounts over the last three years, gaining knowledge and experience.
I would like to
thank my family, friends and members of staff that have helped to make these three years possible and so enjoyable.
I look
forward to continuing my studies at The Inchbald in London in September. 133
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3 1 Speculate Sectional Perspective 2 Major Work Perspectives 3 Major Work Section 4 Major Work Elevations
Sarah Sutcliffe With many interesting projects along the way, it has been a challenging yet rewarding 3 years!
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4
2
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BA (HONS) INTerior Architecture
1
Kate Tatchell ‘Creativity is inventing, experimenting, growing, taking risks, breaking rules, making mistakes and having fun’ – Mary Lou Cook
135
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1 Major Work Elevation
5 3D MAX Major Work
2 Major Work Section with material detail
6 Major Work Interior View Photomontage
3 Major Work Photomontage 4 Major Work Photomontage
Seda Avsar So much has changed, over the last three years. I still remember my 1st year at university and looking at it now I can see that have learned a lot. Thank you to all my teachers, friends, family and my dear husband ď Š
136
2
3
4
5
6 1 Major Work West Elevation
5 Major Work Domestic Kitchen
2 Major Work Restaurant
6 Major Work North Elevation
BA (HONS) INTerior design
1
3 Major Work Professional Kitchen 4 Major Work Domestic Kitchen
Sarah Hovey
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4 1 Major Work Street Sketch 2 Major Work Interior Visual 3 Major Work 3D Plans 4 Major Work Section
Louisa Inwood What a great few years, I’ve learnt so much, made lovely friends and I’m looking forward to what the future brings…
138
1
2
3
4 1 Major Work Elevations
4 Major Work Perspective
2 Major Work Elevations
5 Major Work Perspective
3 Major Work Sections
6 Major Work Perspective
6
BA (HONS) INTerior design
5
Joanne Osborne I loved the final project because we got the opportunity to pick our own brief and client. It created a dynamic range of projects within our little group.
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5
6
1 Archaeology Centre: Entrance
5 Archaeology Centre: School Area
2 Archaeology Centre: Study Area
6 Archaeology Centre: Section
3 Archaeology Centre: Ground Floor 4 Archaeology Centre: Museum
Hannah Weston Studying at Kent has been an incredible experience I will always remember. When I look back in years to come I’ll probably think of the time I didn’t sleep for 4 days (!), cheap energy drinks, pro plus and coffee addiction.
Thank you to Jo
for helping me survive the last 2 years and all the interiors girls for putting up with my madness! Love to you all and good luck everyone where ever life takes you! 140
BA (HONS) INTerior design
Sahar Zand I seek to develop whatever talents I have—not security. I want to take the calculated risk; to dream and to build, to fail and to succeed.
I prefer the challenges of life to the guaranteed
existence. It is my heritage to stand proud and unafraid; to think and act myself, enjoy the benefit of my creations and to face the world boldly and say – ‘This is what I have done.’
141
prizes
Each year Kent School of Architecture students excel themselves, producing work of the highest quality. However, there are those students that stand out amongst their peers. This year, the Kent School of Architecture will be awarding prizes to graduatiing students at the Endof-Year Show, EXIT:12 PEEP SHOW. The following prizes are awarded within the School of Architecture.
Hays Prize for written work on Architecture M.Arch: Head of School Prize (BA): Head of School Prize (M.Arch): Portfolio Prize M.Arch: RIBA Kent Branches Student Prize Pt. 1 (BA Hons): RIBA Kent Branches Student Prize Pt. 2 (M.Arch): Stage 3 Arch Portfolio prize: Stage 3 Interiors Portfolio Prize: Undergraduate Most Innovative Written Work:
142
This is the third year that the End-of-Year Show has been designed by committee; the EXIT Committee. Each year, students are invited to register their interest in joining the committee tasked with designing, organising and building the show and this associated catalogue.
EXIT:12 PEEP SHOW is the culmination of a year of planning and hard work, but which inevitably goes right up to the wire. This year, the committee have faced additional obstacles along the way, but they have remained resolute and determined to see the job done.
The theme of the show stems from the students’ desire to tease the audience with intriguing glimpses and curious snapshots of work. Once again, the styling of the show permeates into this catalogue and the EXIT committee has been heavily involved with the layout and paste up of pages and content. Without their continued and often selfdisadvantageous efforts, neither the show nor the catalogue would have been possible.
EXIT:12 COMMittee
Stage 5: Louisa Clifford, Tzi Man, Richard Stevens Stage 3: Nicholas Alonso-Guillen, Alan Austin, Anna-Marie Bywater, Christina Dahdaleh, Ioanna Gkritzani, Sarah Hovey, Alex Jeremy, Zoe Kotsis, Samuel Lyons, Tayra Pinto,Laura Rudokaite, Paul Thorpe KASA: Nick Sexton Staff: Howard Griffin, Roissetter, Kevin Smith
Kendall
Thank you for all your efforts!
Howard Griffin EXIT Committee Chairman
143
M Arch - Stage 4 and his terse observation on post war change and gentrification as he drives along London Wall, the now almost unrecognisable horizon teaming with modernist office towers like refugees from Jacques Tati’s contemporaneous 1967 film Playtime. London Wall then became our site for a series of provocative yet discrete individual sensory interventions amid the composite layers and still evident fragments of nearly 2000 years of urbanism.
Blow-Up and London Wall This year, joined in the Autumn by MA Architecture and Cites (MAAC) students, MArch Stage 4 reopened the case of the murder in Michelangelo Antonioni’s
1966
film
Blow-Up
and discovered new leads. Selfmade
pin-hole
self-developed
cameras
produced
photographs
that
through photogrammetry catalysed the design of a ‘camera obscura’. A re-watching of the film drew us
A Surgical Theatre
to David Hemming’s Photographer In the spring term, as we developed a better understanding of the layered history of modern London Wall we were drawn to a strip of almost empty land caught between the Museum of London and the Worshipful Company of Barbers’, Barber-Surgeons Hall. Bisected by a strip of the original Roman Wall from the Fort of London, 144
the beginnings of the practices
Canterbury and the City of London
of surgery and apothecary, were
via histories of Roman establishment
situated here, with the country’s
and fortification, medieval walls,
first anatomical theatre, and before
theatre, and the Huguenot diaspora,
that, Shakespeare lived here, when
helped
he penned some of his most famous
individual surgical theatres.
informed
the
context
of
plays, whilst he lodged with Huguenot refugees and wigmakers, part of the
Michael Richards
French Protestant diaspora. Today
M Arch Programme Director
an isolated and neglected pocket of graves, heaped against the Roman Wall are all that remains of the former churchyard of St. Giles, Cripplegate, now part of the Barbican Estate. This collision of history, mixing religious refugees with drama and medicine, informed a challenging brief for a ‘Surgical Theatre’. In February a field trip to Avignon in the south of France, linked to both 145
M Arch - Stage 4
146
Stage 4 Students: Fiaz
Ahmand,
Becheru,
Chris
Ben
Ayling,
Blackburn,
Ana
Robert
Burke, Jas Dhillon, Matt Downey Jr., Jessica Fermor, Chris Flavin, Howard Fox, Thomas Futcher, Mark Humphreys, Pearl
Lai,
Sizzy
Li,
Olympia
Nicholaou, Laura Noble, Jo San Ong, Rob Pollard, Rozita Rahman, Ben Rothnie, Nick Sexton, Liam Simmons, Nicolas Tanquerey, Dephine Tatara, Greg Weienrich. MAAC Students: Soheil Fattahieh, Khaled Sedki, Nadzirah Shahrin, Yu Yao, Xiaochen Zhou. Tutors: Keith Bothwell, Tim Carlyle, Stephen Games, Chris Gardner, Sophie Handler, Michael Richards Guest Critics: Gian Luca Amadei, Tordis Berstrand, Gordana Fontana-Giusti, David Haney, Andy Henderson, Ed Holloway, Michael Holms Coats. Stage 4 Collaborators: The Worshipful Company of Barbers and ah architects 147
BA (Hons) ARCHITECTURE - Stage 2
Wide ranges of design solutions were
proposed,
from
minimalist
interventions in tune with the iconic style of the building, to consistent transformations. The Brutalist Trinity House Pilot
Concurrently in the Autumn Term,
Station
students developed skills in Advanced
at
Folkestone
harbour
provided the site for Stage 2’s first
Computer
design project of the year – Adapt
making virtual models illustrating
and Extend. The brief required the
the students’ solutions to the Adapt
creation of a heritage centre for
and Extend brief. The historical and
the promotion of the memory and
theoretical aspects of the course
identity of Folkestone, one of those
on Post Enlightenment Interior were
key coastal towns in Kent which is undergoing an important programme of regeneration and has recently become the centre an art triennial.
148
Modelling,
applied
in
then presented in a weekly series of lectures that focused on critical periods and themes since the late eighteenth century. In the Landscape project students explored
an
urban
site
in
Canterbury including the original Abbott Mill area amongst different parcels between private and public ownership. Based on a real brief and client (the Abbots Mill Project Community Interest Company) and with support and interest from many local
Running parallel with Landscape,
organizations, the task was to create
as part of their Climate studies,
a new building for the community
students developed environmental
within a variegated landscape
strategies
for
the
community
building as well as designing solar shades to prevent summer overheating in offices in the Marlowe building. The principles of structural design were investigated and tested in Form and Structure by the construction of model bridges. Dr Manolo Guerci Stage 2 Architecture Co-ordinator 149
InteriorS programmes - StAge 2
BA (Hons) interiors & BA (hons) Interior Architecture
There are 13 students in Stage 2: 12
the ‘Metamorphosis and Synthesis’
studying BA Interiors and 1 studying
and
BA Interior Architecture.
(AR 524)+505) modules in May and
‘Suspension
of
Disbelief’
expressed a great enthusiasm and BA
Interiors:
12
students
admiration for the students’ efforts.
successfully completed the Term
This will be reflected by organising
with
outline
an exhibition of the Stage 2 students
design modules ‘Process and Fragment
work in Pettman Depository Building
‘(AR535) and ‘Adapt and Extend’
in Margate. This will coincide with
(AR529). This was based on a ‘live’
the Tracy Emmin exhibition currently
project in Margate, located in a
hosted at the Turner Contemporary
handsome Victorian terraced property
Gallery.
investigative
and
in Dalby Square Cliftonville. In January the Contemporary Theories Overall the Stage 2 students spent
and Manifestoes lecture series was
the whole of Term 2 working on a
further updated, making it more
‘live’ project in Margate titled,
subject specific. The students were
‘An Art Hotel For Global Nomads’.
encouraged to study the work of
The students worked as an amalgamated
eminent practitioners and relate this
group throughout on the modules,
to a series of selected methodologies
and successfully completed Paradox
or subject specific topics. A revised
and Symbiosis (AR 504 + 523), in
reading list was issued and several
February.
eminent practitioners and theorists were invited as guest lecturers and
“On Margate Sands I can connect
tutors to teach at KSA during terms
Nothing with nothing”.
1 and 2.
T S Elliot The Wasteland We have also established that the All students went on to successfully
teaching input and learning outcomes
complete the modules, Synthesis +
of CT + M lectures, whilst still
Metamorphosis (AR 524) and Suspension
producing an essay, should moreover
of Disbelief (AR 505) in May.
function as ‘joined up’ thinking exercises
Nick
150
Dermott
Conservation
and
with
the
overarching
results informing the students’
Heritage architect at Thanet District
understanding
of
the
subject,
Council attended the final crit for
which in turn supports the ongoing
nourishment of their evolving design
start, Stage 2 students demonstrated
skills.
a great deal of integrity as a group throughout the academic year, allied
In term 2 we also introduced a series
to admirable levels of energy and a
of weekly specialised communication,
substantial appetite to learn more
presentation
about their selected subject.
and
professional
practice workshops, shared with Stage 3 students, which provided extremely
This generated results with over 70%
valuable teaching inputs and these
of students gaining grades of 2:1 62%
areas of learning outcomes, as was
or higher, which should stand them
evident in term 2 final crit.
all in good stead for their final year of study at KSA.
In summary, the Stage 2 Interiors teaching and learning programmes were based on a series of 1 hour intensive, weekly lectures, workshops Despite
an
extremely
Stephen Donald Programme Director Interiors
and tutorials. difficult
151
BA (Hons) ARCHITECTURE - Stage 1 first childhood spatial memory. These exercises allowed students to think analytically and connect emotionally with people, places, and things familiar to them, as a way of approaching space and design for the first time. The Autumn term was divided into In a continuing effort to improve
two
the course year on year, some minor
in” and “inside-out” as a way of
adjustments were proposed to both the
thinking about the forces that shape
content and delivery of some stage
architecture, coming from the outside
1 modules for the school year 2011-
and from the inside. The first, an
2012.
urban facade, considered how the
projects,
themed
“outside-
outside of a building acts as the Stage 1 continued to recruit large
public face.
numbers onto the course in 2011 and to facilitate this some structural changes were made to the delivery and content of the programme. With aims to better encouraged students to
work
in
the
studio,
and
to
incorporate a building structures component into the first T&E module Enlighten, with the construction elements moved, to the Spring term. This enabled the students to fully absorb the knowledge gained from their Construction lecture programme
The second, a small cubic building,
before being tested upon it, and
was to be a retreat for a character
allowed them to develop a general
of their choice, based on a list
understanding of building structures.
of objects they were given. During
Over the summer, students were asked
the middle of the Autumn term, the
to analyse a public space or “social
majority of students visited the
hub,” collect objects representing
city of Paris for one week, including
their
the Palace of Versailles.
hometown
or
country,
and
make a drawing representing their 152
previously chosen paintings and to include a changeable gallery area. The first changeable exhibition being their own groups 18 collection boxes! A
small
Bar/cafĂŠ
(30
persons)
was to be included and should be capable of preparing the contents During
the
students
Christmas
were
collection
of
asked 7
break to
items
the
make
that
a
had
of the previously designed menu. The client desired a studio of his own incorporated into the design.
meaning to them and mount them in a pre-prepared wooden box. They were further asked to choose 7 paintings by a contemporary artist, to attend a contemporary art gallery and to design a menu for an art gallery cafĂŠ.
Students were asked to demonstrate that they had taken full account of both structure and construction in the design of Caravanserai and to show principle construction of junctions within their design. After Christmas the students were taken to Whitstable to visit the
Assignment 2 followed the interim
site for their design and technology
crit, the students were asked to
modules Caravanserai and Enclose.
assume that the criticism received
The site was on the old sea wall at
during the interim crit was the
the beach edge in the town centre.
clients, so alterations would need
For assignment 1, the brief required
to
a small art gallery upon the site,
criticisms. The client also decided
permanently
to enlarge the studio, to form a
displaying
the
7
be
made
accommodating
those
153
BA (Hons) ARCHITECTURE - Stage 1 studio / apartment. Enclose details
I would like to thank all the staff
would inevitably have to be altered.
who have made this year the success
Communication of the students design
that I believe it to be.
was assessed as 50% of the module Folio. The remaining 50% of Folio
Oasis - Caravanserai
would assess the overall presentation
Enlighten - Enclose
of
the
students
Portfolio.
For
example how well would the portfolio
David Haney, Eleanor Atkinson, Ben
represent a student’s ability at a
Godber, Kate Maclean, Henry Sparks,
job interview?
Richard Watkins, Rebecca Hobbs, Faye Chantler, Jeff Smith, Ilona Hays,
We
believe
that
architectural
all
aspects
education
of
Stephen Setford,
are
dependant, upon each other, and
Folio
endeavour to integrate all design, technology and communication modules.
Howard Griffin, Patrick Crouch,
We further believe in an ethos of
Stephen Athanasiou, Deborah De Boer,
education and not indoctrination.
Olympia Nicolou, Gregg Weinrich,
We wish to understand choices that students make and see them tested through robust debate even if we do not agree with them.
154
Chris Gardner Stage 1 Co-ordinator
155
Graduate taught programmes
MA Architecture & Cities and MA Architectural Visualisation Graduate studies at Kent School of
Khaled Sedki, Nadzirah Shahrin,
Architecture are expanding their
Frankie Yao, Cathy Zhou and Thandi
offer.
Zulu.
This
academic
year
saw
two major contribution: the new programme in MA in Architecture and
Students participate as critics, and
Cities has had its first intake of
regularly exhibit at the end of the
students and the MSc in Architecture
year show.
and Sustainable Environment has been
Gordana Fontana-Giusti
proposed and approved for running
Director of Graduate Studies
from September 2012. MA in Architecture and Cities
MA in Architectural Visualisation
The new students have commenced their
Building
studies with great enthusiasm and
inaugural year, this year’s students
have made a welcomed contribution
have engaged with the programme
to the growing community of Graduate
jointly taught by the School’s of
Students in Architecture. After
Architecture and Engineering and
having completed two modules they are
Digital
now working on their final piece of
energy.
on
the
Arts,
success
with
an
of
the
inspired
work – the Dissertation. In Architecture, the students have MA
in
Architecture
students
Paris where they have visited the
Architecture Setup and have put the
metropolis and traced the layers of
‘Virtual’ into Reality by modelling
city’s strata and the histories of
parts of City of Canterbury to be
urban design that span centuries.
used in real-time games software.
156
also
made
a
trip
taken the quality and realism of rendering to new levels in Digital
have
made
Cities to
They
have
and
visits
to
London, which was also the site of
The MA Student in Architectural
their Urban Landscape project. The
Visualisation 2011/12 are: Mays
programme’s aim is the production
Albelbisi,
of new and sustainable urban design
Mark Eszlari, Kiprop Koech, Elnaz
strategies for the future and these
Maassoumian, Stuart Mansell, Chelsea
students have fully embraced it.
Oni and Jack Wilson.
Oluwatoni
Alebiosu,
The MA students in Architecture and
Howard Griffin
Cities 2011/12 are: Soheil Fattahieh,
Co-Programme Director
2
1
2
3
4
1
4
5
6
1 Urban Elevation (Daytime)
5 Urban Elevation (Night time 2)
2 Urban Site Plan
6 Urban Interior Rendering
ma ArchitecturE AnD Cities
3
3 Urban Elevation (Night time 1) 4 Cross Section
Yu Yao I have learned a lot in this year, I really appreciate all my tutors and they have helped me to achieve my objects.
I
believe design is a very interesting thing; life is filled with different designs, if you put your heart into it, and everything is “distinction�.
157
CATALOGUE 2012
1
2
3
4
1 Tugendhat House Exterior Illustration 01 2 Tugendhat House Exterior Illustration 02 Tugendhat House Exterior Illustration 03 3 4 Tugendhat House Exterior Illustration 04
Oluwatoni Alebiosu It started from the days of the drawing board, to drafting using AutoCAD. But today, we focus on 3D elements of design and illustrations used to create experiential realities offering, and expanding the exploration of space in Architecture. I would like to thank David Byers Brown, Howard Griffin and my course mates for making it a success as it’s been an emotional rollercoaster. ...ceteris paribus, the show goes on....
158
2
1
4
5
6
1 3DS MAX Render for Digital Architecture
5 Interior Render for student competition
2 Group Work Animation 1 (Scorpio)
6 ‘Photoshopped’ sketch as a hobby
3 Group Work Animation 2 (Gemini)
ma architectural visualisation
3
4 Group Work Animation 3 (Aries)
Mark Eszlari In my experience, architecture has taken a new turn: Stupid designs presented amazingly are more likely to get a first than the opposite…
As this course is an MA, it is self-directed and you’ll
have to teach yourself. It will be hard…But truly rewarding! Your life is not about humiliation, stress and surviving from crit to crit anymore. the MAAV room.
Thank you Howard Griffin for your kind help and for Thank you David Byers Brown for teaching animation
and NukeX in particular!!
159
phd students Kent School of Architecture PhD
PhD
students
are
research students had another good
contributing
and exciting year in which they have
teaching on a variety of subjects.
to
regularly
undergraduate
been successfully working on their various investigations, attending conferences and gradually bringing
PhD students are:
work towards completion. They were active in weekly research seminars
Timothy Adekunle, Gian-Luca Amadei,
where their theses are presented and
Tordis Berstrand, Enobong Equere,
scrutinised. Many have visited places
Alkis Kotopouleas, , M.M.M. Mahdy,
of importance for their studies and
Chris
have worked on research related
Odugboye, Itab Shuayb, Carolina
sites. Kent School of Architecture
Vasilikou and Lindy Weston.
Munday-Chanin,
Emmanuel
Carolina Vasilikou 160
The Evolving paradigm of victorian necropolises Their
emergence
and
contribution
to
London’s
plan from early nineteenth century to modernity.
In early nineteenth century medical
cemeteries
research
compared
sustained
overcrowded parish
and
that
poorly
churchyards
of
the
maintained London
were
churchyard paradigm
a
in
to
the
public
health
of
larger
the
in
in
scale,
average
parish
the
capital.
They
not only advocated a revolutionary
a breeding ground for diseases, and threat
were to
an
of
burial
that
combined
way
funerary
unprecedented
Londoners. Prior to the publication
architecture and natural landscape,
of any documented research that proved
but
this statement, private enterprises
innovations in the way funerals and
were already at work establishing new
burial rituals were carried out.
also
introduced
significant
cemeteries in the suburbs of London and exploiting burials as commercial Despite
the
published
diversity work
existing Victorian
Although originally inspired by the
Necropolises
Parisian cemeteries of Père-Lachaise,
been undertaken into studying how the
Montmartre
these
paradigm of the Victorian Necropolises
own
evolved, when analysed in relation to
paradigm that set them apart from
the suburban expansion of London in
others in Europe. The new private
nineteenth and twentieth century.
cemeteries
and
Montparnasse,
developed
their
little
of
on
research
has
PhD
opportunities.
Gian Luca Amedei
161
Splitting and Doubling: Dialectics of Contemporary Dwelling in Works by Kurt Schwitters, Gordon Matta-Clark and Gregor Schneider
A refuge or a point of departure more
is
than a place to actually stay, the
longer either one of two positions,
concept of dwelling is changing. The
inside or outside, this side or that
home projecting us into the world
side, but a vertical repetition of
when we depart and enclosing us when
all our efforts that not only sets
we return outlines its two movements.
our ground in motion, but not really
The first draws a convex profile, a
relies on one.
bow, the second a concave profile, a cave. Together, they execute the dynamics
of
us
the
into
perhaps,
a
a
catapult
world.
oneway
throwing
Increasingly,
journey
without
return.
CATALOGUE 2012
Rotating
the
direction
of
this
contemporary catapult-style dwelling, so
that
the
horizontal
moving
forward, leaving home behind, becomes a vertical jumping in place (on the spot) as on a trampoline, the issue
Tordis Berstrand
162
circumvented.
Home
is
then
no
Applying Architecture Simulation Tools to Assess Building Sustainable Design Offering the maximum amount of comfort
future generations and endangering the
for building users and occupants is
basic life cycles on Earth. So, how
one of the most important aims of
can we offer (as Egyptian architects)
architects, this goal is affected by
thermal comfort to our customers while
many factors, one of the most notably
we sustain the environment, in the
is “Thermal Comfort� which is the
absence of obligatory implementation
ability of the human body to emit
of
the excess heat and humidity produced
taking the code into consideration
due to the metabolism and used mainly
the future climate change?
Support
all
the
voluntary
energy
Code,
and
not
and
involuntary functions in the human
We have to face the high cost of
body..
the
the
renewable
comfortable temperature we have to
for
developing
reach
the
main motivation of this research is
heat gains and losses of the human
to minimize the Energy consumption
body, that can be done by natural
for
means
Egypt (existing or new by using the
In the
order
to
equilibrium
such
as
the
achieve between
passive
design
the
energy
especially
countries,
residential
so
buildings
architecture
such as air-conditioners or heaters
modify the Egyptian energy code to
which will consume more energy and
adapt future climate changes, so we
will
gas
can design or refurbish our buildings
perpetuating
to accommodate or at least mitigate
release
more
that
the
of
cycle
greenhouse
means
destruction
of
the
environment.
the
future
tools
in
techniques, or by mechanical means
emissions,
simulation
the
temperature
to
changes
PhD
to
Egyptian
without consuming more energy, and convince
the
people
to
use
this
By our current use patterns, we risk
code for their own benefits whether
depleting resources for present and
financial or environmental.
Mohamed Mostafa Mohamed Mahdy
163
The supermarket as a renewable energy centre
My
thesis
is
with
the
Consumerism has driven the profile of
car
and
supermarket expansion which has, in
sustainability. It traces the history
turn, had a negative effect on the
of the supermarket from its origins
traditional high street.
supermarket,
concerned
the
electric
as a grocery store in the late 19th century to the present day.
It
It looks
at the wider aspects of
proposes that it can be designed to
the
climate
provide energy, sufficient for itself
the
power
and to power electric car charging
sustainable initiatives such as Sir
pods
Norman Foster and
on
site,
from
sustainable
sources. It
considers
in
what
respect
the
debate,
grid
the
state
infrastructure
of and
Partners, Masdar
in Abu Dhabi,
the Solar City at Linz
in Austria and
urban developments in
China and
the USA.
CATALOGUE 2012
supermarket takes its current form from the cast iron architecture of
It concludes with a design proposition
the railway shed, and whether this
which places the supermarket at the
was
to
heart of a sustainable agenda and
providing large column free retail
redresses the negative aspect of its
space.
expansion.
the
only
logical
solution
Chris Munday-Chanin
164
Study abroad The Kent School of Architecture has
KSA enabling our students to continue
many opportunities for our students
under our curriculum and opening the
to
abroad,
possibility for a longer duration of
whether on field trips or exchange
study abroad. For 2011_12 two Stage
programmes. This year, field trips
5 MArch student ‘pioneers’, Matthew
included Paris, Rome, Barcelona,
Armitt and Isabel Diez De Ulzurrun
Avignon, and Berlin.
studied in the USA for a whole ‘year
undertake
studies
Recruitment
and marketing trips were also taken
abroad’
to Brunei, Malaysia, Singapore and Turkey. made
in
Developments were also securing
more
exchange
opportunites in Rome and Istanbul.
This year, we welcomed two Erasmus students, Nicolas Tanquerey and Dephine Tatara from Ecole Nationale
PARIS
Superieure d’Architecture et de Paysage de Lille (ENSAP) join Stage 4
As
for 2011_12.
abroad series, first year students
part
of
the
School’s
travel
began with a one week trip to Paris KSA
Virginia
in their first term. Paris, the
Polytechnic Institute and State
“City of Light,” is particularly
University (Virginia Tech or ‘VT’)
significant
consortia
schools
students, not only for the vast
Washington
range of historical architecture,
of
has
joined
of
overseas
architecture.
Alexandria
the
VT
Architecture
to
architecture
Center
but perhaps more importantly because
(WAAC) acts as a US facility for the
of the many large-scale urban design 165
Study Tours interventions, such as the Grands
As
Boulevards, and the many palatial
visited the E.U.R. (Roman Universal
parks. In this regard, a visit to the
Exposition) Quarter in the south of
palace of Versailles and its grounds
the city, conceived by Mussolini for
was made to study the vast complex of
the 20th anniversary of Fascism in
buildings and outdoor spaces there,
1942. The area features some of the
surely one of the world’s greatest
most fascinating reinterpretations of
planning exercises. The students were
topical ancient Roman buildings such
led by a group of tutors through the
as the so-called ‘Square Colosseum’
city, who gave them informative talks
or the Palazzo delle Esposizioni,
at every opportunity, and encouraged
effectively a new Pantheon, both
them
and
designed by leading architects of
sketch. These sketchbook exercises
the time. The tour also included
are intended as a means of improving
contemporary architecture such as
their visual analytical skills and of
the new museum of the Ara Pacis by
creating a permanent record of the
Richard Meier and the MAXXI (Museum
trip.
of art and architecture of the 21st
to
constantly
observe
Dr David Haney
for
modern
architecture,
we
century). Dr Manolo Guerci
ROME Students from all stages of the school had the opportunity to visit Rome in February.
The trip has
covered the following key areas of the city: Historic centre, viz.: the major Renaissance and Baroque palaces and churches, including the piazza
BERLIN
S. Pietro and the basilica; the
166
Ancient Roman Forum, starting from
The Berlin field trip in February,
the Capitoline hill and ending at
introduced a group of mainly Stage
the Colosseum; The Pantheon; the
Two students
Tempietto di San Pietro in Montorio
the twentieth century, and put it
on the Gianicolo Hill.
into the context of its nineteenth-
to a fateful city of
century
industrial
rise.
The
BARCELONA & AVIGNON
architecture of neoclassical (and Gothic Revival!) Berlin, of Schinkel
In
above all, was explored, on foot, by
undertook a field trip to Avignon
February
bus, U- and S-Bahn, in particular the
in the south of France and the
Museums Island in the centre of the
surrounding
historic city.
a
return
2012
MArch
region
1400km
as
Stage
part
road-trip
4
of
from
Barcelona in Catalonia, Spain. In
Berlin
we
received
a
unique
insight into the Cold War divide of
Linked to both Canterbury and the
the middle of the previous century,
City of London via histories of Roman
with the architecture and urbanism of
establishment and fortification,
East and West Berlin shown in stark
medieval walls, theatre, and the
variance. Daniel Libeskind’s Jewish
Huguenot diaspora, Avignon extended
Museum, just round the corner from
the interests of the current Stage
our hotel, and Peter Eisenmann’s
4 design project for a ‘Surgical
holocaust memorial bear witness
Theatre’
to the dark side of recent German
Medieval city wall near London’s
history, and the attempt of recent
Barbican Centre.
astride
the
Roman
and
avant-garde architecture to come to terms with it.
Students visited the Palais-desPapes; danced on the Pont d’Avignon.
Berlin
the
They journeyed to Firminy, near Lyon,
rivalries of German architecture:
has
played
host
to
to visit the the marvelous Eglise
at the Kulturforum Mies van der
Saint-Pierre,
Rohe’s New National Gallery vies
completed posthumously in 2007. In
with Hans Scharoun’s State Library
Nimes we visited a Roman temple - the
and Philarmonie Concert Hall, while
‘Maison Carre’, arena, and aqueduct -
at a more modest scale Reitermann
the Pont du Gard, and contrast these
and Sassenroth’s Earth Church and
with Norman Foster’s cultural centre,
Günther Behnisch’s Akademie der
the Carre d’Art.
by
Le
Corbusier,
Künste represent the best of the contemporary home-grown scene.
Our trip started in Barcelona with a visit to the recreation of Mies van
Particularly memorable was the snow
der Rohe’s ‘Barcelona Pavilion’ and
on our second day, and the energetic
we returned via Figueres, to visit
concert at the Philharmonie.
the Salvidor Dalí Theatre-Museum.
Dr Gerry Adler
Michael Richards
167
The 2011/2012 KASA term saw the first joint leadership by Laura Noble & Nicholas Sexton who presided over a Stella lecture series from Stephen Quinlan of Denton Corker Marshall, Director Ho-Yin NG of Amanda Levete Architects and rounded up by Peter Clegg of Fielden Clegg Bradley Studios. KASA continued its commitment to encouraging collaboration within the school and the creation of a strong school identity through the hosting of socials and design charettes throughout the year. Next year we aim to expand what we do. We are in the process of organising our next lectures series, improving our careers advise and plan to enter a team into the AIA design charette.
168
The 2012 Design Competition, the 4th brief issued by KASA, asked for students to tackle the problem of the unsightly exterior of the annex used for the exhibition through an architectural intervention of their design. The competition was the most popular ever run by KASA bringing in 9 separate entries from across all years of the school exhibiting some of the best talent the KSA has to offer. Judging was tough given the calibre of the entries but Peter Clegg finally announced a decision as being first year student Robert Joyce. Exhibited here is a selection of the competition entries. The work and initiative shown by these students we’re sure will prove a valuable addition to their portfolios and we wish them all the best in the future.
KASA is an organisation that can not exist without the help of its volunteer team made from the most passionate and hardworking students in the school. We extend our thanks and best wishes for the future to the KASA team. We are also supported greatly by the school and we would also like to thank Don Gray, Manolo Guerci, Howard Griffin, Brian Wood, Dele Ojo, Kevin Smith and Enzo Labrosciano, Victoria Friedman and Ben Martin for their help.
Finally we would like to thank Lee Evans Partnership for their
sponsorship, Elizabeth Turner of TRADA and all of our guest speakers. Good Luck to all KSA Graduates! Laura Noble & Nicholas Sexton, KASA Co-Presidents 169
COLLABORATIONS... The Kent School of Architecture would
John Hawkins,
like to thank the following for their
contributions over the past year:
Andrew Henderson, ah architecte
Canterbury City Council
Guy Holloway, Mark Ashmore, Project Manager,
Rachel James
University of kent
Jo Barker
Sophie Jeffrey,
Jonathan Barnard, ChromosArt
Dave Battcock, BBC Big Screen
Jo Kidd
David Bennett
Angela Koch, UELT
Miles Berkley
London City Airport
David Bickle, Hawkins\Brown
Paul Mallion
Edward Bottoms,
Manchester Airport
Architectural Association
Thanet District Council
Manston, Kent’s International
Roderic Bunn, BSRIA
Airport
Mike Collins, Campbell Scientific
Martin McKay, Medway Council
Prof. Raphaël Compagnon,
Gilles Maury,
Ecole d’Ingénieurs et
Ecole Nationale Superieure
’Architectes de Fribourg
d’Architecture et de Paysage
Carol Costello,
de Lille (ENSAP)
Paulina McNee
Ted Cullinan Architects
Peter Czarnomski, Director of the
170
Guy Holloway Architects
Estates, University of Kent
Vince Miller, SSPSSR Shaun Murray
Mike Davies, Shepherd Neame
Bridget Orasinsky, director,
Nick Dermott,
Umar Qureshi
Thanet District Council
Strange Cargo
Richard Dunn, director,
Fifi Ramadan
Nick Swinford, Assistant Director,
RE Museum Chatham
Michelle Earnshaw,
Terry Thompson
Guy Holloway Architects
University of Kent
Engineering Workshop team
Carl Trenfield
Luke Engleback
Chris Wall
Folkestone Harbour Co
Prof. David Watkin
Louise Frith, UELT
Craig WIlcock,
Glasgow Queen Street train station
Gordon Engraving Ltd
The Worshipful Company of Barbers
Christian Hamilton, Shepherd Neame
Prof. Simos Yannas,
Richard Hawkes
Portsmouth City Council
Architectural Association
THANK YOU Kent School of Architecture could not operate to such levels of success without the commitment of experienced and dedicated staff. These individuals went far beyond what was required to produce an exceptional experience for our students, and my sincere thanks is due to each and every one of them: Don Gray KSA ACADEMIC STAFF Dr. Gerry Adler
Rebecca Hobbs
Keith Bothwell
Ed Holloway
Dr. Timothy Brittain-Catlin
Michael Holms Coats
Stephen Donald
Phineas Mannaseh
Prof. Gordana Fontana-Giusti
David Moore
Chris Gardner
Ben Prince
Howard Griffin
Fiona Raley
Dr. Manolo Guerci
Jef Smith
Dr. David Haney
Henry Sparks
Prof. Marialena Nikolopoulou
Andrew Tull
Michael Richards
Carolina Vasilikou
Dr. Henrik Schoenefeldt
Lindy Weston
Dr. Richard Watkins SUPPORT STAFF ASSOCIATE AND ASSISTANT LECTURERS Colin Cresser Timothy Adekunle
Enzo Labrosciano
Gian Luca Amadei
Dele Ojo
Eleanor Atkinson
Kevin Smith
Tordis Berstrand
Brian Wood
Julian Bore Tim Carlyle
ADMINISTRATIVE STAFF
Faye Chantler Patrick Crouch
Victoria Friedman
Stephen Games
Ben Martin
Ben Godber
Kendall Roissetter
Sophie Handler
Jeanne Straight
Ilona Hayes 171
172
Class of 2012
Kent School of Architecture Marlowe Building University of Kent Canterbury Kent CT2 7NR www.kent.ac.uk/architecture +44 (0) 1227 824689
02 18 130 142 143 144 148 152 156 160 165 166 168 170 171
MArch (ARB/RIBA Part 2) BA (Hons) Architecture (ARB/RIBA Part 1) BA (Hons) Interior Architecture & BA (Hons) Interior Design Prizes EXIT:11 Committee MArch Stage 4 Stage 2 Stage 1 Postgraduate Programmes Research Study Abroad Study Tours KASA Collaborations Credits
£10.00