YARD FOR LIVERPOOL BIENNIAL
ARCH 352 URBAN CREATIVE SHUTT, MARTIN
BIENNIAL FOUNDATION YUCHENG DENG 201447446
MANIFESTO
1. MANIFESTO
When one thing (one person) intervenes in another thing (another person), a relationship is established.
Artists connect their lives with social phenomena and create their own works. His projects are a kind of relationship between his life and social phenomenon.
SITE RESPONSE The proposal is to create a permanent space for the Liverpool Biennale foundation. Moreover, try to build a wonderful relationship between architecture, human and natural environment. The building site is located in the grand four streets area, just to the north of Prince's park with a long history and culture. Staff of the Liverpool Biennale foundation, visitors and residents will be the main users of the building. In order to coordinate with the original urban texture, the building will make full use of the site resources. In the interior of the building, the use of fragmented green space breaks the masonry concrete building space, and forms a new place where nature and architecture coexist.
SITE IMAGES
The ducie street, destroyed and abandoned, is but a piece of poison that shows the continual degradation.People in this area have been suffering from some of the social problems caused by degradation.The New Art Foundation aims to provide an active space for the people around it, where everyone can experience artworks in a variety of ways and express their creativity.
Street Culture
SITE ANALYSIS Direction of passenger flow (PRINCES AVE AND GRANBY ST)
Public Transport links There are three bus stops immediately around the site allowing for easy access to to and from the city centre and Beyond the. But there is still a need to build a bus stop specifically for the Liverpool Biennial to serve visitors.Also, a bicycle store is needed to serve local city visitors.
Direction of passenger flow (GRANBY ST and kingsley rd)
Vehicle Access The primary road in proximity of Ducie Street is Princes Avenue which is a key road connecting the site to major roads to the city centre. Granby Street is currently the only accessible route by car to site. However Kingsley Road provides potential for connecting to Ducie road via vehicle, but currenlty blocked by bollards.
SITE ANALYSIS
The remaining residents in the four streets area were furious about this, as they felt that as residents they were not respected, and their houses could be demolished at any moment. As a result, they decided to try to improve their local area so that it would look prettier and therefore less likely to be destroyed so easily. 1993 saw the establishment of the Granby Residents Association for the purpose of protesting against the demolition and to improve their streets.
Urban regeneration has become a necessary issue. Liferpool biennial foundation can use funds to build a new foundation building, including some space for community activities. This can not only attract tourists, but also inject vitality into the old streets. Therefore, it is urgent to demolish the old buildings on duice street.
ARCHITECTURAL SPACE
In the massing stage, architecture integrated with the original block. The building will improve the integrity of the block facade and create an introverted space for people to enter the Ducie street.
1. simply form the boundary by site.
2. Form the basic volume.
3. Identify the location of public and private circulation and identify public space and private space‘s location. Public area is on the top. Create courtyard with skylights in center of public area,
4. Create a green roof on the top.
5. Provide spaces with different functions.
LANDSCAPE
THREE MAIN ELEMENTS FOR STREET LANSCAPE
Initial Idea of a Street Landscape on the Ducie Street
COURTYARD
The general strategy is to build the street landscape through path. But this method can make circulation boring. So I think that using pool to change the direction of path in the place where people gather will enrich the circulation of urban landscape. Pool also builds a good public space where people gather. Curtyard is evenly distributed in the building, breaking the image of solid building. Therefore, courtyard greatly enriches the feeling of indoor space, which is different from the outdoor yard. People will shuttle through the buildings and experience the function of courtyard at random. Green space is distributed on the roof of the building and most of the square, which is also an important part of the street landscape.
GREEN AREA
POOL
STREET LANDSCAPE ON DUCIE STREET
MARKET Initial Idea of a Street Market on the Ducie Street
STREET MARKET ON DUCIE STREET These stalls occupy the edge of the market's usual Street position, lined up in two lines, close to the roadside, and crowded into the drainage ditch, while the sidewalks on both sides allow pedestrians to continue to pass, and the road (at least in theory) is still open. The whole area is surrounded by permanent buildings on the shopping street, which is where the market is. " "Together, these stalls create a sense of fixed location and defined space, redrawing streets in some ways, from external circulation routes to places with a strong sense of interior." I don't think street markets are traditional interior design. However, they do have closed and internal characteristics, and exist in permeability, openness and heterogeneity, which are usually associated with the street landscape. "
Ducie Street market photographed ( The Street Markets of liverpool, 2015.June).
Plan arrangement rule Groups
The size of the building's interior space and the combination of various functions have an absolute impact on the use of the building. This table analyzes the relationship between the circulation and primary and secondary dependency of each space in detail. The whole space can be divided into two parts, working space and living space. The work space will be private and serve the foundation. Living space is not only for artists, but also an important space for community activities.
1. Courtyard 2. Workshop 3. Stores 4. Draught Lobby 5. Conference Room 6. Lecture Theatre 7. Toilets 8. Café 9. Gallery 10. Shop Merchandise 11. Ticket Office 12. Emergency Access 13. Meeting Room 14. Office 15. Accommodation 16. Temp Office 17. Security Office 18. Kitchen Area 19. Public space 20. Bike Store 21. Green Roof
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The ground floor of the building is a coherent space, and each part has an independent exit facing the middle park. Courtyard is evenly distributed in the interior space of the building, which enables people to see the green space as soon as they raise their heads, so that people can quickly extricate themselves from the visual fatigue of the building space. Curtyard is a space enclosed by glass bricks, with certain permeability, which can ensure the life of vegetation. It can also give people a unique visual experience.
JERMYN STREET
KINGSLEY ROAD
PLAN
1. Courtyard 2. Workshop 3. Stores 4. Draught Lobby 5. Conference Room 6. Lecture Theatre 7. Toilets 8. Café 9. Gallery 10. Shop Merchandise 11. Ticket Office 12. Emergency Access 13. Meeting Room 14. Office 15. Accommodation 16. Temp Office 17. Security Office 18. Kitchen Area 19. Public space 20. Bike Store 21. Green Roof
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The first floor of the building is mainly distributed with office space, gallery and artist residence. The two parts of the building are bridged together to build the integrity of the building. There is some office space in the bridge, which can be used when necessary. As part of the span of the bridge is more than 8m, it needs to rely on concrete structure as support.
JERMYN STREET
KINGSLEY ROAD
PLAN
1. Courtyard 2. Workshop 3. Stores 4. Draught Lobby 5. Conference Room 6. Lecture Theatre 7. Toilets 8. Café 9. Gallery 10. Shop Merchandise 11. Ticket Office 12. Emergency Access 13. Meeting Room 14. Office 15. Accommodation 16. Temp Office 17. Security Office 18. Kitchen Area 19. Public space 20. Bike Store 21. Green Roof
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The second floor of the building is some roof space. Green roof design is used on the roof. So, people can come to this area. This location has a good view and overlooks the whole foundation building.
JERMYN STREET
KINGSLEY ROAD
PLAN
1. Courtyard 2. Workshop 3. Stores 4. Draught Lobby 5. Conference Room 6. Lecture Theatre 7. Toilets 8. Café 9. Gallery 10. Shop Merchandise 11. Ticket Office 12. Emergency Access 13. Meeting Room 14. Office 15. Accommodation 16. Temp Office 17. Security Office 18. Kitchen Area 19. Public space 20. Bike Store 21. Green Roof
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Architectural space will be closely dependent on natural space to create a fully interactive space between human, architecture and nature. Brick will be used as the main material of the building facade. The space layout of double skin can reduce the distance between the natural environment and the indoor space. The office area will be closely combined with the workshop. Café on the way to collection lecture room and gallery. It can improve café Space efficiency where will become an important indoor public area. Gallery will be a relatively independent part for foundation building.
JERMYN STREET
KINGSLEY ROAD
PLAN
SECTION 1. Courtyard 2. Workshop 3. Stores 5. Conference Room 8. Café 13. Meeting Room 14. Office 15. Accommodation 19. Public space 20. Bike Store 21. Green Roof
SECTION 8. Café 9. Gallery 10. Shop Merchandise 11. Ticket Office 15. Accommodation 16. Temp Office 17. Security Office 19. Public space 21. Green Roof
SECTION 1. Courtyard 2. Workshop 5. Conference Room 12. Emergency Access 19. Public space 21. Green Roof
ELEVATION
ELEVATION
ELEVATION
BIRDVIEW
DETIAL 1:20
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1. planting 2. 100mm soil 3. filter membrane 4. 50 mm stone slabs in bed of sand protective mat; filter mat 5. 130 mm compression-resistant thermal insulation sealing layer 6. 8 mm vapour barrier 7. 320 mm reinforced concrete slab 8. 600 mm gap for service 9. 15 mm timber finish
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1. salvaged bricks painted with lime mortar 2. 130 mm compression-resistant thermal insulation sealing layer 3. 8 mm vapour barrier 4. 320 mm reinforced concrete slab 5. 15 mm timber finish
30 mm timber floor 15 mm sound insulation 200 mm thermal insulation 240 mm timber beams 220 mm steel ring beam 15 mm timber ceiling finish
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1 reinforcement of composite beam: 400/200 mm Å-beam pretensioned 2 Ø 8 mm stainless-steel threaded rod, suspended 3 50/230/50 mm cast glass blocks with depressions for metal 4 40/4 mm steel flat ribbons 5 5 mm sheet-steel insert 6 2 mm steel section 7 28/230 mm steel fin 8 4 mm silicone seam sealer and polythene sealant 9 1.5 mm stainless steel planter 10 400/600/15 mm stone, reinforced mortar bed 4.5 mm sheet-steel substrate, galvanised 100/100/6/8 mm steel H-beam, galvanised 6 mm steel-channel grating, galvanised liquid waterproofing, fleece-reinforced reinforced concrete 11 40 mm mortar, trowelled, painted 12 sheet-steel gutter
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1. 50 mm stone slabs 2. 50 mm compression-resistant thermal insulation sealing layer 3. 8 mm vapour barrier 4. concrete foundation
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FOUNDATION BUILDING-GRANBY ST
FOUNDATION BUILDING-NEW DUCIE ST
GALLERY-NEW DUCIE ST
BRIDGE-KINGSLEY RD
COURTYARD AND PUBILE AREA
GLASS SCREEN WALL
INTERIOR
COURTYARD
LIVING ROOM FOR ARTIST ACCOMMODATION
LECTURE THEATER
INTERIOR
COURTYARD
LIVING ROOM FOR ARTIST ACCOMMODATION
CAFE
INTERIOR
PERSPECTIVE FOR COURTYARD
GALLERY
WORKSHOP
Precedent Study1 ∂ 2013 ¥ 1/2
Dokumentation a
Residence in Hiroshima
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Architekten: Hiroshi Nakamura & NAP, Tokio Mitarbeiter: Atsushi Ikawa (Projektleiter) Tragwerksplaner: Yasushi Moribe, Tokio bb
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Schnitte • Grundrisse Maßstab 1:400 Sections • Layout plans scale 1:400
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1. Obergeschoss / 1st floor
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The facade of the house uses a brick-like treatment. But just like brick walls, this facade is actually made of glass and steel cables.This form can serve as a boundary in my design.
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PRECEDENT STUDY1: MATERIALS AND STRUCTURE
GLASS SCREEN WALL AND COURTYARD
The facade of the building uses optical screen walls to create a bright and quiet garden in the front of the indoor space. It can effectively improve the indoor air quality and reduce the dependence of indoor space on artificial light source. The main indoor space of the whole building is behind the glass screen wall and garden, which can make people in a bright and quiet environment. The courtyard can improve the air quality inside the building and reduce the use of air conditioning. In this way, introducing the natural environment into the interior of the building can greatly reduce the carbon emissions of the building.
PRECEDENT STUDY2-URBAN PART
For the landscape, I wanted the building space to be interrupted by some resting spaces surrounded by green plants. This works well with my manifesto.
PRECEDENT STUDY2-URBAN PART STRUCTURE ∂ 2009 ¥ 5
452 Dokumentation
449
This case also uses the structure of the bridge.Visually heavy looking bricks are lifted.
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Lageplan Maßstab 1:10 000 Ansicht West Grundrisse • Schnitte Maßstab 1:1000
Site plan scale 1:10,000 West elevation Floor plans • Sections scale 1:1000
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Andachtsraum Pfarrheim Caritaszentrum Kindergarten Hausmeisterwohnung Dachhof Hausmeister Jugendstelle Dachhof Jugendstelle Gruppenräume Jugendstelle
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Chapel Rectory Care Centre Pre-school Custodian’s apartment Custodian’s roof terrace Youth ministry Youth ministry’s roof terrace Youth ministry’s common rooms
Dominikuszentrum in München
2009 ¥ 5 ∂
450 Dominikuszentrum in München Precedent Study1-Structure and Materials
∂ 2009 ¥ 5 2009 ¥ 5 ∂
Dokumentation
451
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1 Fertigteil Betonkern mit Riemchen 24/61,5/200 bzw. 17,5/61,5/200 mm auf Mörtelbett, kraftschlüssig mit Gewindestange vergossen 2 Kupferblech 1 mm Wärmedämmung EPS 80 mm 3 Wittmunder Torfbrandklinker liegend verlegt Kiesbett 90 mm, Trennlage, EPS 180 mm Elastomerbitumenschweißbahn 2-lagig Decke Stahlbeton 160 bzw. 200 mm 4 VSG 16 mm mit grauem Raster im Siebdruck und Einbrennverfahren + SZR 16 mm + ESG 8 mm tiefengraviert, teils Farbe in Gravur eingebrannt Innenscheibe mit Platinverspiegelung gerastert 5 Vormauerung Wittmunder Torfbrandklinker 115/61,5/200 mm, Arbeitsfuge 10 mm, Folie diffusionsoffen, Mineralfaser 120 mm Wand Stahlbeton 300 mm Mineralfaser 50 mm, Dampfsperre, Luftraum 30 mm Klinker im Zierverband 115/61,5/200 mm 6 Sturz Stahlbeton-Fertigteil mit einseitig aufgebrachten Ziegelriemchen 115/240 mm 7 HEA-Luftschicht-Einschlaganker 8 Decke Stahlbeton 160 mm, EPS 80 mm Stahlbetonfertigteil mit einseitig aufgebrachten Riemchen 140 mm an Stahlbetondecke geschraubt 9 Bronze 3 mm auf Holzwerkstoffplatte 25 mm Stahlrahmenkonstruktion 10 Pflasterklinker hochkant verlegt 115 mm Mörtelbett 30 mm, Heizestrich 90 mm Trennlage PE-Folie 0,2 mm Trittschalldämmung 30 mm Wärmedämmung 30 mm Bitumenschweißbahn 10 mm Stahlbetondecke 200 mm Sauberkeitsschicht 50 mm 11 Kunstwerk »Lichtikone« von Anna Leonie, hinterleuchtete Alabasterscheibe 340/600/15 mm 12 Vormauerung Wittmunder Torfbrandklinker 115/61,5/200 mm, Arbeitsfuge 10 mm, Mineralfaser 120 mm, Wand Stahlbeton 300 mm Mineralfaser 50 mm, Dampfsperre, Luftraum 30 mm, Klinker 115/61,5/200 mm 1 24/61.5/200 or 17.5/61.5/200 mm brick-faced prefab element with concrete-core on mortar bed, with grouted threaded rod, force-fit 2 1 mm copper sheet 80 mm EPS thermal insulation 3 Wittmunder peat-fired bricks, stretcher bond 90 mm gravel bed; separating layer 180 mm EPS thermal insulation elastomer asphalt; sealing layer 160 mm reinforced concrete deck 4 16 mm laminated safety glass (with grey imprint, silk-screened and fritted) + 16 mm cavity + 8 mm toughened glass (partially engraved, partially fritted) 5 115/61.5/200 mm Wittmunder peat-fired brick cladding; 10 mm construction joint vapour-permeable membrane 120 mm mineral-fibre thermal insulation 300 mm reinforced-concrete wall 50 mm mineral-fibre thermal insulation vapour barrier; 30 mm air cavity 115/61.5/200 mm bricks in decorative bond 6 115/240 mm precast-concrete lintel with unilateral, brick-faced panel 7 cavity anchor 8 160 mm reinforced concrete deck 80 mm EPS thermal insulation precast concrete with unilateral, brick-faced panel bolted to 140 mm reinforced concrete deck 9 3 mm bronze on 25 mm composite wood board on steel supporting structure 10 115 mm paving bricks, on edge 30 mm mortar bed; 90 mm underfl. heating screed 0.2 mm polythene separating layer 30 mm impact-sound ins.; 30 mm thermal ins. 10 mm welded bitumen sheeting 200 mm reinf. concrete slab; 50 mm subbase 11 artwork “Lichtikone” by Anna Leonie: 340/600/15 mm backlit alabaster slab 12 115/61.5/200 mm Wittmunder peat-fired brick cladding; 10 mm construction joint 120 mm mineral-fibre thermal insulation 300 mm reinforced-concrete wall 50 mm mineral-fibre thermal insulation 30 mm air cavity; 115/61.5/200 mm bricks
The colour of the bricks also affects how people feel about the building space. I used red bricks in my design to reflect the history of Liverpool.
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A concrete structure was used to reinforce the overhanging brick.
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ENVIRONMENT
WIND ROSE DIAGRAM
GREEN ROOF
1. planting 2. 100mm soil 3. filter membrane 4. 50 mm stone slabs in bed of sand protective mat; filter mat 5. 130 mm compression-resistant thermal insulation sealing layer 6. 8 mm vapour barrier 7. 320 mm reinforced concrete slab 8. 600 mm gap for service 9. 15 mm timber finish
SUNPATH DIAGRAM
MATERIALS
GLASS BLOCK (OUTSIDE-FCADE)
GLASS AND STEEL (WINDOWS AND FRAME)
BRICK (INSIDE FCADE AND STRUCTURE)
CONCRETE (STRUCTURE)