UP Winter 2017 Issue

FASHION

RULES

GIRLS GOTTA EAT STEPPING

INTO the

RING

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contents

Winter 2017 8

Made UP: Power Colors

26

Man Code- Redefining Midwest Fashion: The Normal Brand

28

Music That Changes the Game

38

All’s Fair in Love & War: The Revolutionary Nature of Shakespeare

44

Rain Check: Sophistication and Style Buttoned UP

50

Fashion Wielding Protest

54

Murial, Murial, On the Wall: Oxford Outside the Lines

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staff list Editor-in-Chief Kelly Higginson

Creative Director Danielle Schaefer

Publisher

Francesca Peck

Photo Editor Tiffany Visconti

Fashion Director Karolina Ulasevich

Copy Editor Jenny Henderson

Marketing Director Brittany Czodli Claire Markley

Web Editor Elizabeth Glover

Blog Editors Blair Donovan Madelaine Wood

Event Planning Coordinators Jenna Mrocko Jessie Wolfe

Street Style Photographer Annie Aldrich

Faculty Advisor Annie-Laurie Blair Finance Advisor Drew Davis Founders | 2008 Lauren Kelly Kelly Phelan

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Writers Abbey Gingras Ab Luther Adler Smith Blair Donovan Chase Bailey Emmy Silverman Francesca Peck Haley Jena Jenny Henderson Karolina Ulasevich Kelly Higginson Kevin O’Hara Liz O’Loughlin Madysen George Molly Nicholas Nisa Muhammad Olivia Lewis Phoebe Myers Samantha Forsthoefel Vivian Drury Layout Designers Audrey Hall Becca Nissen Corinne Brown Katharine Stodghill Libby Swofford Maggie Suter Mikayla Zancanelli Morgan Lawrence Samantha Brunn Sara Meurer Photographers Anna Hafner Douglas Chan Francesca Peck Junho Moon Kendall Erikson Kira Salsman Leah Pentecost Livvy List Morgan Minnock Rob Donato Shannon Pressler Tiffany Visconti Event Planning Coley Frommeyer Jenna Mrocko Jessica Pembroke Kathryn Gruner Lauren Marchese Leah McCloud Maddie Persanyi Maeve Cutts Meghan Collins Rachel Brocco Rachel Price Remi Boleky Sarah Gaertner

Stylists Coquise Frost Erica How Gloria Zhu Josie Dondanville Karolina Ulasevich Lily Manchester Lily Sloan Nikki Gundimeda Ryan Steffen Scott Zhao Sofia Bazianos Bloggers Abby Cunningham Allie Eames Allie Palm Angela Glover Azdaan Muqtadir Bella Douglas Chase Bailey Claire Vaughn Hannah Blaze Hannah Wegman Kat Holleran Kaylee Spahr Liz Glover Lizzie Carter Maddie Clark Madelyn Hopkins Nellie Given Nina Franco Pooja Ramchandari Sarah Jako Tori Levy Tyler Aberle Vivian Drury Marketing Alaina Fliotsos Alexandra Bogut Alexandra Standring Alison McCann Annie Lougheed Britt Czodl Brooke Bogucki-Figler Claire Markley Coley Frommeyer Elizabeth Colwell Emily Carroll Emily George Gaby Meissner Ireland Bender Jess Peterson Katherine Ring Leah McCloud Maddie Pine Mariah Kolber Rachael Steed Rachel Price Stephanie Dussias

editor’s letter Dear Readers, Is it just me, or has time started moving faster lately? With a new year comes reflection of the past, and a commitment to the future. Instead of looking at the past year in poor light, the staff of UP Magazine wanted to focus on the positive changes that happened in 2016 and use those to propel us into 2017.

In the music industry, Beyoncé released her 60-minute film album Lemonade, sparking a movement celebrating #BlackGirlMagic and all womanhood.

In the film industry, Moonlight told a compelling story about a young, gay black man and his struggle to find his identity after a very rocky upbringing, which received many awards, including a Golden Globe for Best Motion Picture.

In the beauty industry, CoverGirl announced its first male Covergirl spokesmodel, James Charles. In theater, the broadway sensation Hamilton: An American Musical won a Grammy for Best Musical Theater Album, 11 Tonys, and a Pulitzer for Drama for it’s story about the life of American Founding Father Alexander Hamilton. And most notably, the first female, Hilary Clinton, broke the glass ceiling in being the first female nominee for the President of the United States.

It’s easy to look back on the past and focus on the bad, but we noticed that amongst all of the negativity in 2016,

was also a lot of positivity, and it all embodied something in common: revolt.

Whether it was CoverGirl, who defied the norm that only women are supposed to wear makeup, or Beyoncé knowing that her album would speak volumes during this fragile time, people revolted, and in a really constructive way. This was the premise of our winter theme, Youth in Revolt.

We took Youth in Revolt very literally in our spread Girls Gotta Eat. Stylist Nikki Gundimeda, and models Jackie Schutjer, Rebecca Sowell, and Kenia Vasquez show that eating your favorite junk food and being confident in doing so can be stylish and sexy. Indulge in this spread photographed by Tiff Visconti and Samantha Forsthoefel on page 14.

Remember when wearing white after Labor Day was frowned upon? In today’s society, Haley Jena debunks in her article on page 22 that there’s nothing you can’t wear when it comes to fashion; it simply has no rules.

A recent New York Times Op-Ed by David Brooks noted that our society is more immobile and fragmented than ever. I would like for us as a campus to revolt that notion in the year 2017. Aside from your beliefs and whether you feel comfortable speaking out in rebellion to society, we can all share common ground in one thing: our style. In a society that increasingly pays attention to image, choose to express yourself freely through your personal style. Throughout history, fashion has always been a social thermometer of our times; embodying the temperature of our society.

Our revolt of self-expression through fashion and personal style can exceed political, cultural, and religious boundaries. Join the staff of UP Magazine in making 2017 a year that we can reflect on proudly.

Much UP love, Kelly Higginson Editor-in-Chief

upfashionmag@gmail.com Printer: RR Donnelley 5 | Winter 2017

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the many ways Millennials are refusing to conform by celebrating individualism, promoting equality and eliminating social barriers.

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Power Colors written by Olivia Lewis

photographed by Francesca Peck 8 | Winter 2017

D

iscovering your ideal makeup palette is a little like finding the right size for a popular shoe— there’s that initial soul-crushing ire that makes you want to bang your head in, followed by a rush of ecstasy and bliss once you find the perfect fit.

This Cinderella-esque plight is no different from the one presented in every Sephora, where shelves upon shelves of shades and hues line the walls. With the help of UP, makeup wearers get a breakdown on unearthing the colors that help each face pack its most powerful punch.

FINDING YOUR POWER COLORS To find colors that complement well, look at color theory. According to color theory, finding your power colors involves three characteristics: undertone, depth and clarity. Undertone measures skin’s tint (warm or cool), depth assesses overall lightness or darkness of features and clarity checks the face’s saturation of color (soft or clear.)

These aspects then meld into four seasonal-inspired embodiments based on the intensity of each. Are you the regal, dramatic “Ice Queen” or the soft, yet spunky “Hot Spot?” Only your power colors can tell.

UNDERTONE Finding your undertones involves looking beyond your overtones, or skin color. Take a peek at the veins on the underside of your wrists. Blue-purple veins signal a “cool” complexion, while green ones represent a “warm” one. Have a mixture of the two?

Then “neutral” is your best bet.

DEPTH Depth measures colors’ lightness or darkness. Like most of the features we’re born with, depth is mostly determined by genetics. Genetic markers that help reveal depth include hair, skin and eye color.

It’s crucial to note that any skin color can align with any type. Therefore, it’s important to compare your skin’s shade to other shades within the same color, not outside of it. The trick to figuring out personal depth is to see which side of the spectrum is more dominant.

CLARITY Clarity refers to saturation of color. A vivid yellow is considered clear, while a mustard is soft. For those with soft coloring, eye colors have a smoky

effect, such as blue-gray or green-gray. Hair is often dishwater blonde or mousey brown with no highlights.

Clear coloring is the opposite. Eyes appear sparkly and are usually blues, greens and browns. Hair tends toward dark, medium or blonde and there is a strong contrast between the lashes and the eyes.

RESULTS ICE QUEEN (COOL, DARK, CLEAR.) Crisp and distinctive, Ice Queens are rich and intense in color. The bolder the shade the better with this regal type. Jewel tones like fuchsia, royal blue and bright red help accentuate the depth of coloring that Ice Queens possess, as well as white and black.

Avoid earthy tones and other subdued colors, which invite an ashy look.

DAISY CHAINS (WARM, LIGHT, SOFT.) Sweet and sunny, Daisy Chains are like sunwashed spring goddesses, looking best in berry shades like watermelon and coral as well as turquoise, bright green and peach. Brighter colors look best on this type, but dark, dull ones will wash Daisy Chains out.

HOT SPOT (COOL, LIGHT, CLEAR.) Whimsical and prim, Hot Spots have a lower level of contrast between their hair, eyes and skin than Ice Queens do. To highlight the softness this type embodies, flowery shades like powder blue, dusty rose, lavender and plum are the best bet. Avoid hues that are too intense, as they will overwhelm Hot Spots’ airy, summery feel, as well as earthy tones.

HARD CIDER (WARM, DARK, SOFT.) Gritty and natural, Hard Ciders have a warm, golden and spicy sense about them. Camel, beige, olive, wine purple, orange, and chocolate brown are colors that complement them best, as well as any other shade that invokes autumnal reveries. Avoid brighter shades that make this type look faded, along with over-cooling pastels Whichever your power colors, remember that there will always be a diverse palette to choose from.

No color is out of reach because there are endless variations within each- whether it’s hue, brightness, or saturation. With this in mind, go forth to that local Sephora! You know those shelves upon shelves of color palettes? They’re no problem for the guy or gal that knows their stuff.

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Stepping Into the Ring

written by Vivian Drury

styled by Sofia Bazianos model: Kendall Kropp photographed by Kendall Erikson 10 | Winter 2017

H

umidity lurked in the air as Alyssa Miciunas glared at the swaying punching bag in front of her. She wiped away the sweat that covered her forehead with the scarlet red Miami University Boxing Club glove that enveloped her wrist.

Suddenly the gym went quiet. The distracting noises of punches and groans within the ring behind ceased as Miciunas honed in on the bag. She focused her eyes, thrust her arm backward and released a strong uppercut punching motion. This was her time.

“People motivate you as much as they can because they want everyone to push themselves to improve,” Miciunas said about boxing club. “It is not something you should quit just because it isn’t easy, it is really worth pursuing.”

Miciunas got involved in boxing club after noticing their table at Mega Fair her freshman year. She was instantly intrigued by an activity that allowed her to be active and learn new skills.

“I was really into sports in high school, but I’m not a fan of just general workouts,” Miciunas said.

“BOXING ALLOWED ME GET INVOLVED AND TRY SOMETHING NEW, ALL WHILE GETTING IN A GREAT WORKOUT.” Boxing has gained popularity over recent years, especially for women. The 2012 winter Olympic Games were the first to include women’s boxing.

Before the games, 19,600 women were boxing once a week, yet in 2013, this soared to 35,100, according to BBC Sport.

“Many of my female clients begin training in boxing just for the workout, but they begin to learn that it is so much more than that,” professional boxing and personal trainer Elliott Rios said. “They become so tough and focused and driven so quickly, developing the skills and movements far faster than many of my male clients.”

Rios is a Chicago-based Lifetime Fitness trainer and group fitness instructor that has been training women in boxing for five years, but has seen a rapid increase in the past year.

“Self-defense and boxing classes have gotten so popular,” Rios said. “Many women are interested in it because it’s a very different experience for your mind and body.”

Basic boxing moves include a variety of hits, such as the jab, uppercut, cross jab and hook.

Each movement engages from the upper back and shoulders and works through the entire arm, increasing strength and power throughout the body.

Instructors like Rios also teach leg movements like side kicks and boxer shuffles to shape the lower body and provide other ways to release tension besides hits.

This trend in boxing is due not only to its physical and mental benefits, but how it induces a sense of confidence and power. In a culture that often degrades women and treats them with violence, disregard and disempowerment, boxing pushes women to reclaim themselves with a sense of invincibility that is rightfully theirs.

“Girls are learning that boxing isn’t something that they should be afraid of,” Miciunas said. “There are so many female powerhouses now, especially in the athletic community, that women are realizing that they can do this and they can get aggressive, just like guys.”

With men typically being known as the aggressor in a male/female relationship, women and boxing are continuing the trend of revolting in gender roles.

Women are now taking over this idea of power and aggression that was originally only accepted by males, tossing all female stereotypes out in the process.

“Women are strong, and I don’t think they realize just how strong they are, and can be, until they put on some boxing gloves and start hitting,” Rios said.

“They have a history of fighting for everything and boxing is no exception. Watching them grow and seeing new sides of power come out of them is so amazing.”

“AFTER EVERY SINGLE PRACTICE I FEEL STRONGER,” MICIUNAS SAID. “I put in the effort to do something for myself and I feel the results mentally and physically in boxing.

You can’t get that from just anything.”

Women can get involved with boxing or kickboxing in Oxford through Miami University’s Rec Center group fitness classes or by working with one of the personal trainers. Boxing club is also always looking for new members to teach, leaving them empowered, proud, and with sore muscles.

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The New Sports Bar on the Block written by Blair Donovan

food from: Scotty’s Brewhouse photographed by Kelly Higginson 12 | Winter 2017

W

hen it came to starting his own business, Scott Wise definitely didn’t take the normal route. As a recent graduate of Ball State University in 1996, Wise hated his desk job in Texas. He picked up bartending at nights to meet more people in the area and fell in love with the job and talking to people. Wise had previously worked as a dishwasher, cook and server during college. Looking back on his past experience, he knew the restaurant industry was where he needed to be.

At the age of 22, Wise opened the first Scotty’s Brewhouse in Muncie, Indiana. He always knew growing up that he wanted to have his own business.

“Being raised around two parents who were successful entrepreneurs, I got to see employee morale, how to put together a business plan,” said Wise. “I was raised around business. I jumped into a business I knew I was going to love and that I was in the right place.”

But starting a business so young wasn’t always smooth sailing. When he opened a second Scotty’s Brewhouse location at 24, Wise lost $1 million.

“It was crushing and painful,” said Wise. “It took me seven years to pay it back. But I wouldn’t take away any of those mistakes. They’re what made me become a better person today.”

Now, with 19 locations and more than 105 diverse menu options, Scotty’s has come a long way. The franchise found a home in Oxford in the former Dakota’s Roadhouse in Stewart Square, and opened Jan. 23. Each location makes its own food from scratch, from fried pickles to homemade sauces. Wise has created a cool niche that caters to all different age groups without feeling like a corporate chain.

“WE WANT TO FEEL ‘MOM AND POP, WE WANT EVERY RESTAURANT TO HAVE AN INDEPENDENT, CASUAL FEEL.” As the franchise’s name boasts, Scotty’s Brewhouse also brews its own beer. Wise initially wanted to open a brewery in 1996, but couldn’t afford it at the time. Fast forward to 2009 and he finally accomplished his goal.

“For me that was one of my crowning achievements,” said Wise. “We have really awesome brew masters and we’ve won two medals at the Great American Beer Festival in Colorado.”

Wise uniquely designs each location for the city it’s in. Oxford’s Scotty’s is decked out with a Miami color scheme and framed black and white photos of

the city, including Yager Stadium and Bell Tower. It’s also the only location to have an in-house brewery and beer on-tap for carry out.

A self-proclaimed “techie-nerd,” Wise attributes part of Scotty’s success to being one of the first restaurants to take advantage of Twitter and social media. The franchise even has a restaurant app with mobile pay and rewards.

“I LOVE CHANGE; I LIKE TO CHANGE OFTEN,” SAID WISE. “I GET BORED QUICKLY. BECAUSE OF THAT, OUR RESTAURANT STAYS FRESH. WE STAY ON TOP OF FOOD AND DRINK TRENDS.” After suffering a brain infection four years ago that almost took his life, Wise changed in terms of community involvement. He says he had always been passionate about giving back, but his brain infection amplified that. Wise made it his mission to have an even larger community impact by making it a part of the Scotty’s employee culture.

“For the past three years, every employee every 90 days is required to do some sort of give back to the community,” said Wise. “We even offer assistance and say, ‘Here’s a charity you can go to.’ That’s one of the proudest things I’ve accomplished. It’s not about trying to open a restaurant on every corner on every street in every state.”

Wise had wanted to open a location in Oxford for almost 10 years, but could never find the right spot until Dakota’s Roadhouse recently closed. He thinks Scotty’s will work well in Oxford because it has a similar population to other towns they’re located in.

It will brew beer unique to Oxford and offer delivery and carry out specials.

If you’re at a loss for what to order from the restaurant’s massive menu, Wise recommends the Shewman Special burger, which is topped with peanut butter, jalapenos, cheese and bacon. As crazy as it sounds, he says it’s awesome.

Wise doesn’t consider his original business method the typical formula for success, but Scotty’s Brewhouse seems to be more successful than ever, currently employing about 2,000 people and brewing award-winning beer. He gave up a large part of his youth working to grow the franchise, but it’s paid off in the long run.

“This restaurant is me,” said Wise. “I call it my heartbeat. It’s my blood, my passion, my tears. It’s everything I want it to be. I started it when I was 22 and I’m 42 now. It’s aged with me.”

13 | Winter 2017

s l gir a t t go ! t ea written by Samantha Forsthoefel

O

f the many challenges a girl can face, perhaps the most persistent and personal involves finding the peace of mind concerning one’s body. In a world often driven by self image, it’s no wonder that a girl can’t turn off her mind when it comes to worrying about whether or not her figure is considered attractive by modern standards— standards which, coincidentally, change all the time.

To this day, some of our favorite fashion, health and trends pressure us with appeals to “make over” our bodies and achieve a “sexy shape,” implying that the way we are now isn’t satisfactory. In a long line of fickle movements, big-name publications go back and forth over whether skinny or curvy is currently in, often picking apart those in the spotlight during the process. Judgmental tabloid covers often prove the most indecisive in the least period of time, from the July 2014 issue of In Touch that thin shamed Kate Middleton’s athletic frame, to the December 2014 issue of Famous that critiqued Kim Kardashian for putting on weight after a recent photo shoot.

Through our own fault, we keep shaking every woman’s confidence (and sanity), by telling them that’s what desired one day is out the next when it comes to body silhouette and stature. We can’t seem to make up our minds. But has anyone ever considered that maybe it’s because we shouldn’t have to?

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styled by Nikki Gundimeda models: Jackie Schutjer, Rebecca Sowell and Kenia Vasquez photographed by Tiffany Visconti

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s e m o c t i n e h W , s e i d o b r u o o t is g n i h everyt “in.“

16 | Winter 2017

Should we allow one body type to occupy the temporary limelight, only to throw shade at the others? Of course not. That’s why we need to look to those who advocate acceptance in the face of these inconsistencies, such as the shining example of Dove and its “Real Beauty” campaigns. In rare movements such as these, women are taught to upset the status quo by recognizing what’s truly important. Namely that naturally slim and voluptuous frames should be equally celebrated, as well as all of the lovely shapes in between. Women on a scale of slender to shapely are encouraged to embrace the fact that everyone battles insecurity and possesses a body judged by others. With this in mind, it’s time to collectively revolutionize the way we view ourselves. When it comes to our bodies, everything is “in,” for both this season and the permanent collection hereafter.

However, as I sit here writing this article over a slice of leftover cheesecake from the holidays (thereby proving my devotion to this topic), I am struck by another realization. If being skinny doesn’t make a woman any more beautiful than having serious curves does, what constitutes true beauty must be the expression and ownership behind the body one was given and has molded. Of course, an important part of this molding of our bodies is what we choose to put into it. As a result, the complications of a woman’s diet are often tied to those of her body image. Therefore, if we are on the path to freeing our bodies from stringent expectations, shouldn’t we be justified in doing the same with our diets?

Oftentimes, where we get ourselves into trouble is dealing with our bodies in terms of extremes. When we vow that “our diet starts tomorrow,” we choose to go all-out. Abruptly and without allowance for transition, everything healthy begins and everything unhealthy ends. Both men and women harshly push themselves to quit bad eating habits cold-turkey, refusing to allow room for one margin of error. For instance, allowing yourself a Big Mac for lunch only to starve yourself at dinner just isn’t a sustainable lifestyle. Skipping breakfast and lunch doesn’t justify the enjoyment of a three-course dinner with dessert.

In the long run, it is unrealistic to overcompensate in order to desperately get back on track. We are all human and, as a result, require balance in the form of regular rebellion. Pursuing a form of sustenance for the bodies we love should be healthy, but also hearty.

What most people don’t realize is that stabilizing your body by occasional indulgence is healthy. After all, girls gotta eat.

17 | Winter 2017

But so do guys! Hear me out, gentlemen-- according to Diane Lynn from the Livestrong Foundation, both men and women can benefit physically and psychologically from occasional indulgence. Strict dieting isn’t always the answer, especially on top of everyday stress. Knowing that you can have an indulgence periodically may make it mentally easier to stay focused on healthy eating most days of the week. By keeping everything in balance and nothing in excess, one should achieve long-term health through dieting by treating themselves to what they alone can be satisfied with.

But more importantly, allowing yourself to enjoy some of your favorite dishes isn’t about simply staying on track with your diet. Food, especially within our Oxford bubble, is a cultural staple. It brings people together and makes them feel as if they truly belong in the context of uplifting dishes, atmospheres and friends around town.

Very rarely can a good time not be found near a good plateful of food. Reminding us of our closest relationships and happiest memories, the dish that one craves has the ability to turn the worst day into something salvageable and the heaviest problems to unnoticeably lift from our shoulders. Food provides sustenance, in more ways than one. Unquestionably, comfort food is a recipe of for the best times and feelings around Miami, which is why it’s important to get greasy at some of the best hearty eats uptown.

For instance, Mac and Joe’s has provided salvage for many a hungry college student across generations.

Therefore, the calories shouldn’t stop you at the door.

If you seek solid compromise, split a large basket of Mac and Joe’s Cheese Bites with your best friend, order a sandwich with leaner meat like their Turkey Gobbler Sub, or dive into one of their massive, veggie-packed salad bowls, which range anywhere in variety from the Buffalo Chicken to their Red Brick BLT. Of course, what would Oxford be without a place like Skipper’s? Could any of us resist fulfilling our cravings for their waffle fries? With portion options, choose a basket or a smaller side, depending on where your appetite takes you. Also be sure to sample one of their hearty but well balanced gyros, with roasted lamb or chicken thrown onto a warm pita with ripe slices of vegetable and a creamy sauce to tie everything together. Also on the list, consider grabbing a pizza from Will’s on your way home from uptown tonight or a doughnut from the Oxford Doughnut Shoppe tomorrow morning.

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Food provi des sust enan c in m ore w e, ays than one.

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t e g r o f r e v Ne ce a r b to em rsonal e p r u d yo n a h t l a e h g. n i e b well-

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Either way, never forget to embrace your personal health and well-being ahead of body image and dietary perfection. Life is all about finding balance, as well as the security that comes from knowing you willingly accept yourself and your own form of beauty. Keep in mind that every woman and man has a body and metabolism that varies, so even the same dietary lifestyle will affect each differently.

The human body is supposed to have curves and showcase variety, and we should therefore welcome the beauty accompanying that. All figures exhibit their own attraction and appeal. None are superior but all are different. Let the knowledge that no normal size or silhouette exists dictate the decisions you make in the future. Revolutionize the status quo by proving that there is, in fact, none. Be a rebel with a cause for your own happiness. Pursue health and fulfillment on your own terms, and let that principle alone set the new standard for beauty and the confidence that fosters it.

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FASHION

RULES written by Haley Jena

L

ong ago, etiquette hard-liners declared white could not be worn after Labor Day and that wearing black and navy together was sinful. In the early 20th century, such rules were employed for reasons of practicality, like season changes or strict fashion customs. Seemingly ancient apparel rules that forbade mixing patterns, sneakers and dresses or denim on denim dictated wardrobes worldwide.

These are myths that have since been debunked.

Now in the 21st century, myriads of women like Rihanna, Cara Delevingne, Kylie Jenner and more are ditching old standards and flawlessly donning mismatched frocks. In the constantly-revolving realm of fashion, abandoning these decrepit rules is more popular than ever. Right now, we’re thriving in an anti-establishment era — it’s time for our wardrobes to reflect our revolts. Here, find some of Up’s favorite fashion rules to break.

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MYTH NO. 1: “YOU CAN’T WEAR WHITE AFTER LABOR DAY” In the 20th century, this rule was a rigid no-no.

However, wearing white after Labor Day is totally kosher today. Other old standards — like black only being worn for mourning, or jeans being reserved for blue-collared citizens only — are now obsolete, too. Just like we love our blue jeans and black tones 24/7, white, too, can be celebrated year-round. In the winter, sport a chunky white sweater or vest, and don’t shy away from polished ivory slacks. Post Labor Day, Rihanna once wore a white Versace two-piece; Taylor Swift wore a formfitting alabaster dress to the Toronto Film Festival. Shirk this dated fashion rule and don your crispest whites all year-round to lighten up your winter days.

styled by Gloria Zhu models: Lauren Heil, Audrey Koob, and Jenia Vasquez enny Muehlbauer Katie Walker photographed by Shannon Pressler

MYTH NO. 2: “DON’T MIX BLACK AND NAVY”

MYTH NO. 3: “NEVER MIX PATTERNS”

Perhaps this statute was formed because black and navy are clashing colors, but the fact of the matter is the two hues are neutrals — and neutrals go with anything, including one another. The two can be layered casually for a subtle look, or embraced in bold patterns on top of one another so they don’t bleed together too much. Don’t hesitate to throw on a navy blazer with black pants for a presentation or interview, mix dark wash jeans with black counterparts or throw on sheer black tights beneath your favorite navy dress. Experimenting with texture is a sure bet when it comes to these relaxed chromas. Gigi Hadid was spotted sporting a lacy, navy mini dress with an extended, black sleeveless vest and shiny booties. Additionally, a navy turtleneck with a black leather skirt and tights is a killer combo perfect for the cold. Name a more dynamic duo — we dare you.

News flash: mixing patterns won’t make you look like you got dressed in the dark. In fact, mingling prints will give your outfit a vibrant edge-up. At this year’s American Music Awards, Heidi Klum and Nina Dobrev both donned stunning mixed-print apparel on the red carpet — and you can bust the mix-myth, too. Women can effortlessly pair a favorite flannel with a striped V-neck and necklace to class or a lunch date. Men can prove opposites really do attract by sporting a paisley bowtie on top of a compatible checkered shirt. Nervous about mixing patterns?

A good guideline is color — if the colors go together, odds are the designs do, too. A thin-striped buttondown or casual tee flirts with a checkered skirt of the same colors to create an upscale doublet.

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MYTH NO. 4: “LAYERING CLOTHES IS FOR CHILDREN”

MYTH NO. 5: “ONLY WEAR SNEAKERS WITH INFORMAL APPAREL”

As the sun sets earlier and the days get colder, we love breaking this rule for the sake of both warmth and fashion. People often associate layered clothing like the typical elementary uniform of a long sleeve tee underneath a short sleeve top. But layering isn’t just for the playground — it’s a serious fashion forward go-to. Combine your favorite basic T-shirt and spaghetti strap dress or romper for a new, mod look (a wide-brimmed hat can complete the outfit). A slouchy cardigan and button-down is an essential wintertime look, and Drake has proved the turtleneck can be layered with anything from a heavy-duty trenchcoat to a simple scarf or necklace.

Draping your jacket over a sweater and scarf is a chic one-step layering trick, and wearing a T-shirt under a spaghetti strap dress is a daring but forward look.

Thanks to the soaring trend in fashion sneakers, this myth is one of our favorites to rebel against. You can spot the mega-popular Adidas Superstar sneaker on reams of feet on campus paired with leggings or jeans, but the chic tennis shoe shouldn’t be reserved for just walking to class. Rita Ora paired her Superstars with a feminine two-piece set to create a stunning paradoxical look. Senior Lyka Williams says she loves giving her feet a break and her outfit a boost by throwing on her favorite fashion kicks with a more elegant outfit.

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“I tend to wear more unconventional jean dresses when rocking my Adidas and a basic neutral colored flowy dress with a plaid oversized shirt as a jacket or wrapped around my waist when wearing my Converse All Stars,” Williams said. “My favorite part about this trend is the fact that you can create so many different variations of the looks simply based on what you’re going for that day.”

MYTH NO. 6: “NO DENIM ON DENIM!” At the 2001 American Music Awards, Britney Spears and Justin Timberlake wore their infamous denim-on-denim outfits to the red carpet -- an iconic outfit set in which the two were smothered head to toe on denim. While the rhinestone jewelry might have be a bit too much, Britney and JT would be totally killin’ it 15 years later today. Recently, Kylie Jenner proved the revived trend by flaunting her figure in a denim two-piece with black combat boots.

For a tomgirl-chic style, pair a wide-leg trouser with a chambray of a different wash with strappy heels or sandals for added sophistication. Throw on a tuxedo blazer or a red lip to dress up the outfit. Keep yourself cozy in a patched denim jacket and black skinnies with a white V-neck; watch out for denim mini skirts at winter clearance sales for a boss 70s resurgence. A little denim never hurt nobody.

No matter the fashion rule, celebrities and classmates alike have proved that these fashion myths have been busted.

“I think the beauty of breaking fashion rules is the fact that you are wearing what makes you comfortable because it’s based off your choice and your personal style,” Williams said. “Every sidewalk is my runway, so once I’m wearing something I love and feel I look great in, I want to ensure that everyone around me can get a good look at what I’ve put together. Hopefully then it can inspire them to break fashion boundaries, too.

Don’t waver from white after Labor Day, and embrace the multitudes of layering through different pieces, patterns, denims and more. Breaking rules is no longer risqué, but encouraged. In fashion, there’s just one rule: there are no rules.

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Redefining Midwest Fashion:

The Normal Brand written by Karolina Ulasevich styled by Karolina Ulasevich models: Jack Kellenberger and Brooke Hetman photographed by Morgan Minnock

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JIMMY SANSONE IS REDEFINING FASHION

BY DOING THE EXACT OPPOSITE OF WHAT DESIGNERS CREATE–IN HIS MIND, COMFORT TRUMPS STYLE.

I

magine yourself in the world of Zoolander, battling against your modeling nemesis in a strut off.

Now imagine yourself on set of Project Runway, snipping and sewing away as you rush to add the finishing touches to your “Grocery Store Innovation Challenge” outfit. Rarely do you see athleisure as the prominent trend. These are the things that come to mind when we are asked to define fashion - it is bold, it is outlandish, it is Blue Steel.

Whenever you hear the word “fashion,” you instantly think of quirky, eccentric trends don’t usually fit the everyday norm. From over-the-top geometric designs to crazy teased hair to bright blue eyeliner and yellow lips, fashion tends to embody creativity and art over comfort. While fashion designers and gurus usually favor edgy, experimental looks, the typical young male professional can almost always be found in a uniform of suits and khakis accompanied by dress shoes. One of these young working professionals grew tired of having to spend hours in poorly fitted clothing, resulting in him going on a quest to find the perfect shirt that embodies his authentic self.

Jimmy Sansone is redefining fashion by doing the exact opposite of what designers create – in his mind, comfort trumps style. More specifically, the founder of The Normal Brand is redefining Midwest fashion by offering comfortable and soft yet luxury-type fabric with an everyday accessibility. His brand places a huge emphasis on making the consumer feel like they are being themselves. “We offer everything in the middle in our inventory – that is where the normal brand lives,” says Jimmy.

Raised in a big family in the heart of Missouri, Jimmy was always outdoors. He was raised to prefer comfort over style, so when he entered the working world, he noticed how fast he grew tired of going back and forth between work and leisure outfits.

When he founded The Normal Brand in 2014, he

saw a need for a “normal” shirt, something he could wear from downtown St. Louis into the country after work. From flannels to fleece jackets to the favorite baseball tee, The Normal Brand has it all.

What makes The Normal Brand relevant now more than ever is its celebration of life in the middle – between the city and the country. “We had a rule growing up: before I buy something, I have to think of three different events I can wear it to and that’s what we did with The Normal Brand,” Jimmy said.

“At the time (post college), a lot of lifestyle brands were very coastal or southern, and I didn’t think there was really a brand that was designed or good for the country lifestyle.” He drew his inspiration from his search of a shirt that would fit his lifestyle, which is a duality of downtown and out in the country, thus, The Normal Brand was created.

Jimmy is not the first to embrace simplicity. Look around you - sneakers, joggers and graphic tees are everywhere. Athleisure is dominating our everyday fashion and we are all part of the rebellion. Clothing is breaking down boundaries that reflect Midwestern attitudes and we see more of that now in stores and runways. Today, you can wear athleisure and make it look nice - who doesn’t want to feel comfortable and stylish while reflecting their authentic selves?

The next time you are facing off your archnemesis in a fashion showdown, give the audience a little twist and go the nontraditional route with comfort over style: Be the redefining factor of fashion. Join the rebellion and be the “Blue Steel” of our generation.

Take the time today to check out The Normal Brand online to invest in clothing that allows you to define yourself in a bigger way.

Be sure to check out The Normal Brand on their website - thenormalbrand.com Twitter | Instagram @thenormalbrand

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MUSIC THAT

CHANGES THE GAME written by Francesca Peck

artist: DJ Porter Robinson at the Shelter Live Tour photographed by Ed Derrico

“MUSIC IS A MORAL LAW. IT GIVES SOUL TO THE UNIVERSE, WINGS TO THE MIND, FLIGHT TO THE IMAGINATION, AND CHARM AND GAIETY TO LIFE AND TO EVERYTHING.” –PLATO Exploring America’s top music charts, expect to hear a few inevitable things: the typical party anthem, an upbeat love song followed by a dramatic breakup song, a catchy melody that will later be stuck in your head, a few bass drops, and the theme of “never getting older.” With mainstream music, these things are predictable—they are common, attractive and meant to make us feel good. And they do.

daringly public, political statements with her music: from the iconic florescent lit “feminist” backdrop at the VMAs, to her police brutality protest during the 2016 Super Bowl halftime performance of “Formation.” Beyoncé’s most recent album, Lemonade, reached the #1 spot on the Billboard Top 200 list in the first week of its debut while throwing “middle fingers up” to racism and misogyny.

But if you’re a music fan, like me, you are bound to have noticed a change in conversation among popular artists. As today’s social movements rage on now more than ever, many celebrity musicians are singing their way into social advocacy, using music to fight injustice in our country and around the world.

Another favorite musical activist, Kendrick Lamar, has claimed his fame in mainstream music by criticizing social norms and black oppression.

“Alright,” featured on his latest album, To Pimp a Butterfly, picked up three 2016 Grammy Awards and has become an anthem in the Black Lives Matter movement with its lyrics “we gon’ be alright.”

Aside from civil rights activism, Kendrick’s music frequently comments on the drinking and drug culture of young America, contradicting common themes of mainstream music.

One headliner in musical activism: the Queen, Beyoncé Knowles. A global icon for girl power and African-American pride, Beyoncé has made

This wave of musical protest is inspiring fans to join relevant conversations, but using music as a platform for combating injustice is no new trend.

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For generations, young American artists and fans have rallied around their unified love for music to rebel against social standards and take a stand in any number of social debates. Let’s review: “I’M NOT TRYING TO BE SEXY. IT’S JUST MY WAY OF EXPRESSING MYSELF WHEN I MOVE AROUND” –ELVIS PRESLEY, KING OF ROCK AND ROLL Good old fashioned rock and roll has been altering social landscapes since the early 1950s; this radical music rallied young people while scaring the hell out of everyone else by “sticking it to the man” and breaking the boundaries of appropriate behavior at this time. “Provocative” dance moves of The King, Elvis Presley, and Mick Jagger of the Rolling Stones changed how young musicians and fans publically expressed their sexuality. The genre itself inspired sexy trends: men and women both started rocking messy hair, people wore their pants a little tighter than usual and black leather swept fashion trends.

Even the volume of rock music revolted against social norms: electric guitars, drum sets, microphones and amplifiers turned up the sound, allowing this music and its bold social messages to be among the loudest voices in conversation.

This genre’s legacy is often defined by its call for “peace and love.” The Beatles sang about anti-establishment and self-awareness in several renowned songs, like Imagine and Strawberry Fields Forever. Woodstock, the iconic music festival of ‘69, attracted over 400,000 fans to protest our involvement in the Vietnam War, with shows from the Grateful Dead, Santana and 30 other artists / bands. Further, rock crossed racial boundaries by involving both black and white musicians and fans, while America began desegregating in the mid-50s.

Some seventy years after making its debut, rock music remains a symbol of youth in revolt against social norms—from pop culture to politics.

“HIP-HOP WAS SUPPOSED TO BE THIS NEW THING THAT HAD NO BOUNDARIES AND WAS SO DIFFERENT TO EVERYDAY MUSIC. AS LONG AS IT HAS SOUL TO IT, HIP-HOP CAN LIVE ON.” –TUPAC SHAKUR Looking back at the genealogy of musical genres, rock music played a major role in inspiring the genre that carries musical protests today: hip-hop. Rap

music was born in the 70s on the streets of the South Bronx in New York City, adopting rock and roll themes of social liberation and anti-oppression. Band instruments were replaced by turntables, create new melodies from original music—much of which sampled popular rock songs.

Its lyrics brought slang into conversation: hustle, fiend, OG, crib. Breakdancing took the floor and graffiti became the artwork of hip-hop culture. And, as expected, all of these new forms of expression that hip-hop popularized were considered rebellious by older generations.

Many hip-hop legends claimed their legacy by fighting oppressive social standards. 80s rap group Public Enemy expressed a range frustrations felt by the African-American community, including the NYPD’s passive response in aiding to black 9/11 victims. 90s rap phenomenon Tupac Shakur is known for his inherent passion for criticizing police forces for mistreating minority races. LL Cool J’s album Exit 13 sympathizes with illegal immigrants and questioned the rationale behind the Iraq War. Rap activism has flourished, and these are just several examples of rappers inspiring top artists on the front line of today’s musical protests.

“ONE GOOD THING ABOUT MUSIC, WHEN IT HITS YOU, YOU FEEL NO PAIN.” –BOB MARLEY Key figures from other genres—the King of Pop Michael Jackson, R&B superstar Prince, and Jazz protégé Louis Armstrong, to name a few— influenced social change through music all the same as those legends of rock and hip-hop, as well as today’s activist superstars. But despite their different musical styles, they all share a common variable: fearlessness in promoting unpopular beliefs, challenging the status quo and rebelling against unjust social norms.

So, we all love a catchy party beat and EDM festival.

Songs about college and models and luxurious lifestyles won’t be going away; but as recent Nobel Prize winner Bob Dylan sang in ‘64, “the times they are a changin.” The passion behind indelible music—the music that forces us to face our own prejudices—has the power to invoke change. This music influences more than how we feel, but brings to question what we believe in and care about and fight for. This music goes beyond celebrating our culture; rather, it criticizes it—changes it.

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styled by Liivy List model: Carly Weiner photographed by Livvy List

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not your

BOY FRIEND’S JEANS written by Madysen George

styled by Ryan Steffen model: Olivia Brown photographed by Anna Hafner

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T

here’s nothing wrong with wearing something that flatters your body; bodies are beautiful! But for a little too long, tight cuts and curve-huggers have been perpetuated as the on-trend pieces one must dawn in order to be stylish, and many a girl over the years must have looked on in envy as countless men passed by in cozy flannels and jeans that allowed adequate circulation and wondered what life would be like if she, too, could pull on pants without having to do yoga. That day in the sun seems to have finally arrived, and “sexy” has been redefined: it isn’t how the clothes fit, but rather how they feel. Whether it means leaving something to the imagination or not, sex appeal can now be owed to the style itself. Turns out, all a woman needs to wear to be hot is whatever she wants, and, ironically, this liberation was made possible by The Boyfriend Movement-- and love’s got nothin’ to do with it.

Over the last five years, there has been a rise of “The Boyfriend.” Not a dreamy man, but rather a better kind of life partner-- your clothes. There are Boyfriend jeans, flannels, chunky sweaters, blouses reminiscent of “men’s” dress shirts, and the list goes on and on, but it all means the same thing: oversized. While these pieces may be considered more

“ ”

So at what point, after how many killer outfits, do the girls get to finally lay claim to the clothes supposedly trademarked to our male counterparts?

Well, how about right now, because while this new take on street style was no doubt influenced by menswear, it has definitively evolved; no matter a woman’s relationship status, this look is hers to own. So let’s call it what it is: a trend in womenswear, and, from the looks of it, a trend with impressive longevity. If there is any question as to when this distinction happened, the answer is simply the second a woman put it on. There is no longer a need for the boy to give up his jacket*; you don’t need to steal a hoodie from your guy (you don’t even need a guy) to achieve the relaxed yet sophisticated appearance everyone is obsessed with. A girl need only to go buy one size up of the desired article and keep everyone guessing.

Ready to join the comfort revolution, to liberate your legs, and put the ‘beau’ in beauty? Dare to break the rules; it’s easy to be tempted to pair that looser top with tight jeans, or to offset a baggy jean with a figure-hugging shirt, but venture beyond convention. Try a generously-cut button down halftucked into an ultra-distressed pair of jeans; dress it up with heels and glitz, or make it “one

‘Sexy’ has been redefined: it isn’t how the clothes fit, but rather how they feel traditionally “masculine,” women started stepping out in loose jeans and boxy tops looking chic as ever, and the fashion world couldn’t get enough. In the wake of skinny jean domination, these distressed, cuffed, bulkier jeans seemed radical by comparison. But why have we been trained to believe that femininity is bound to a silhouette or specific fit?

The road to women’s fashion has long been paved with descriptors such as “formfitting,” “figureflattering,” and “slim-cut”; it is not a reach to say that such styles are extremely body-centric. It seems that womenswear has been manipulated to showcase the bodies in the clothes rather than letting the clothes speak for themselves, or even the women wearing them.

for the boys” with a classic pair of Converse and minimal jewelry. Endeavor beyond skin-tight summer and spring styles when the season comes back around. Instead, opt for an oversized light jacket thrown over a slouchy tank tied at the hip and stretched-out cutoffs. For once, it doesn’t have to be either/or; you can have it all. Layer boxy on boxy, oversized on oversized and do so without apology. And don’t forget: when accessorizing “The Boyfriend” look, a decorated left hand is, completely and utterly, optional.

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All’s Fair in Love & War:

THE REVOLUTIONARY NATURE OF SHAKESPREARE

written by Kevin O’Hara

THE THEATRE FALLS SILENT WITH ANTICIPATION. Enchanting notes from a sitar echo across the walls as the lights dim to a purple glow. Flowing fabric cascades from the ceiling as a woman descends to the stage below. Petals dance in the air around her, the beads upon her bodice and crown flashing like stars.

Applause fills the air as the woman’s heels touch the wooden stage, her painted lips curled back in a radiant smile.

THE SHOW HAS BEGUN. Such a captivating description could only be found in a place like The Globe Theatre. Resting alongside the Thames River in London, the reconstructed theatre of its iconic namesake has housed thousands of shows since its opening in 1997. The Globe has borne witness to countless Lady Macbeths, each one more sinister and powerful than the last. It has fallen for the sweet Bianca Minola time and time again, the subsequent discovery of her shrewish nature forever shocking Lucentio and audiences alike. Yet, during the 400th anniversary of William Shakespeare’s death, a classic set of beloved characters took to the stage in an exciting and revolutionary way.

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styled by Coquise Frost models: Argisa Deda, Steele Fitzwater, Akinda Johnson, Hannah Jolly, Buse Onen and Karl Sissman photographed by Rob Donato

“Shakespeare had tons of mythology to pull Under the supervision of The Globe Theatre’s from,” Dr. Bromley said. “By working with ancient Artistic Director Emma Rice, the 2016 production texts, Shakespeare learned to better adapt favored of A Midsummer Night’s Dream brought changes to characters and themes in a way that made them more more than just the theatre itself. While the classical accessible to audiences at The Globe. It is precisely structure of oak-and-thatch was transformed into what Emma Rice did with her diverse production of an ornamented space of dangling orbs and neon A Midsummer Night’s Dream.” lights, the writers adapted the character of Helena by making her into a male character named Helenus.

When Dr. Bromley took Literary London students Doing so equated the same-sex coupling of Helenus to see the show, it became apparent that he wasn’t and Demetrius to the heteronormative coupling of the only one who felt this way. Between acts, many Hermia and Lysander, therefore emphasizing the of the students decided to move from their seats insignificance of gender in matters of love. Once and stand in the pit of the theatre to get a closer the shows began, patrons wondered why Rice had look at the performance. This comes as no surprise, elaborated upon a space that had worked perfectly since the modern nature of the production allowed well over the past 19 years. And why had Rice younger audiences to see aspects of themselves in the altered a show that already incorporated a group of diverse characters going against societal expectations? otherwise aged storyline. It is one thing for samesex attraction to be symbolized, or to equate issues Miami University’s resident Shakespeare professor, from way back when to those of today’s Dr. James Bromley, says the answer world, but it is a whole other matter is found in the tradition of the Bard’s It is one thing for theatrical practice. same-sex attraction to see those things on display under the lights of a renowned stage. Rice’s to be symbolized, perspective helped to further some “Shakespeare’s reputation is disproven or to equate issues of these important conversations and by the detail in his works, which from way back had many viewers saying, “Finally, a helps the reader to resist the view that Shakespeare play about all of us.”

Shakespeare is some unreachable icon,” when to those of Dr. Bromley said. “Shakespeare’s plays today’s world, Recently, BBC News reported that have always challenged us to consider but it is a whole Emma Rice will be leaving The Globe the past and the present in ways we Theatre in 2018 after an executive may not have before, which proves he is other matter to more progressive and less conservative see those things on council decided that “her [theatrical] methods were not authentic enough than one might think.” display under the [for traditional, Shakespearean bright lights of a audiences].” The BBC also reported Dr. Bromley went on to explain how renowned stage. a rise in ticket sales under Rice’s the history of Great Britain isn’t as productions, as well as the fact that her archaic as it is made out to be. Even shows had brought in more diverse audiences than though there were laws in Shakespeare’s time ever before. These facts should have been enough to regarding homosexuality, King James I’s sexuality prove the worth of Rice’s modern approach, but in is debated due to private correspondence between the end her vision lost the ever-present battle against himself and his male courtiers. Additionally, Queen traditionalism. Instead of mourning such a loss, It Elizabeth I reigned over England for 45 years, her is important to recognize how Rice made an impact courage admired for centuries after by men and and followed her gut against all odds. She may not women alike. Could the whispers of King James’s have found long-term success at The Globe Theater, same-sex dalliances have contributed to the likes of but Rice’s work proves how Shakespeare’s works Antonio in Twelfth Night? Or did the intelligence of can be reshaped in order to better learn from the Queen Elizabeth I carve out the cunning natures of past, analyze the present and work toward a more Katherine and Bianca Minola in The Taming of promising future. the Shrew?

While such examples of sexuality and feminism may have inspired Shakespeare to create his stories, they also show how Shakespeare’s world dealt with many of the same issues society deals with today. Dr. Bromley further pointed out that Shakespeare wasn’t the first storyteller to tap into more progressive concepts, but instead adapted many of these ideas from past writers.

“That is the beauty of Shakespeare,” Dr. Bromley concluded. “My only hope is that students don’t give up on his stories, because they have so much to offer. His characters show us how to love, laugh, cry, forgive and live in the best way possible. Most importantly, his stories teach us how to fight against societal expectations and become the people we were meant to be.”

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THESE BOOTS ARE MADE

FOR WALKING written by Molly Nicholas

E

mbracing the winter frost would be nearly impossible without the warmth of a cozy pair of boots. Lucky for us, we aren’t stuck in 17th century fashion when the only options were designed for soldiers in combat with boring leather and thick-soled treads. A pair of ankle booties in brightly colored velvet are a pair of shoes a 17th century European would fawn over. Today, boots aren’t just for military men and women; they come in a variety of textures, colors and styles to make your shoes stand out, rather than just something to stand in.

Velvet and textured booties became popular just this year. This new trend comes in many different types of heels and boot types, but the consistent velvet fabric is what makes them new and unique. Sophomore Elizabeth Palmer just got a new pair of short booties in a blush-colored velvet.

“I’m obsessed with this new trend because I love velvet, and it adds edge and flair to my outfits,” Palmer said.

This type of boot looks great with a solid, light-wash denim and a neutral-toned sweater or blouse. It’s best to be subtle about the other colors in your outfit when wearing these types of boots so the focus is on your amazing shoes.

Boots emerged in Europe in the 17th century during wartime to protect soldiers from injuries as they fought their enemies. Many people throughout history adopted fashion trends that arose during wartime, boots becoming one of those trends.

Military jackets, trench coats and big leather belts are a few other trends in fashion history that first appeared during war.

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The Middle Ages were another popular time for boots. A medieval courtier’s lace-up boots and tights resemble the trendy over-the-knee boot of today, according to Vogue.com. Julia Roberts wore a pair of over-the-knee boots in Pretty Woman that many designers have copied since in leather and suede to resemble her sexualized vinyl version.

Over-the-knee boots were a source of power during the Middle Ages, much like they were for Roberts in Pretty Woman. She wears her scandalous boots to shop on Rodeo Drive with confidence, and that is something we should all consider when sporting a new fashion trend.

Senior Elizabeth Nelsen also appreciates a great pair of over-the-knee boots. Her favorite pair she got this year are made by Stuart Weitzman with fringe in a dark green suede.

“I love them because they are a fun twist to the classic over-the-knee style with the fringe. They can be dressed up or down with a fun pop of color,” Nelsen said.

One of my favorite ways to wear this type of boot is with a sweater dress and a long coat. The different lengths really compliment the over-the-knee look and show off the entire boot. They can also be paired with leather leggings and a long tunic-style top if you’re looking for a more casual outfit.

Although one might think this boot can only serve as a form of protection, snow boots can be chic, too. Sorel makes a great fur boot to protect you from snowy weather, but it also pairs well with sweater dresses. Another outfit option is to throw on some fur Sorel boots with a colorful coat and some winter accessories like a pompom hat and a giant blanket scarf.

styled by Coquise Frost models: Yasmine Islam and Carly Winterburn photographed by Kira Salsman 41 | Winter 2017

Sophomore Hannah McInnis loves the way boots designed for weather.

“I just bought a pair of fur Sorel boots. They’re going to be great for the snow, but they also actually look good with a dressy outfit instead of making me look like I’m trudging around,” McInnis said.

Certainly unforgettable, the UGG Boot is an iconic winter shoe. According to Ugg.com, the trend began when Oprah featured the boot on her list of Oprah’s Favorite Things in 2000. It’s making a comeback this year, although it first became prevalent in the early 2000s. The comfort associated with UGGs are what made them popular in the first place, but this year’s

and still stay cozy and warm walking to class.”

UGG boots are another boot that is paired well with jeans and a cute top. This time, the neutral color of UGGs allows for you to play around with patterns and colors in your jeans and shirts. They can also be dressed up with a pair of leather pants or a sweater dress to add a feminine touch to such a simple boot.

More recently, Kanye West developed a boot this year that resembles the “second-skin” nature of medieval tights and boots. The boot is made of a stretchy fabric that hits just above the ankle complete with a thick heel. The boot is tight-fitting and comes in light brown and dark olive green. The Yeezy heeled

IT’S SAFE TO SAY BOOTS HAVE REMAINED ONE OF WINTER’S MOST ESSENTIAL FASHION PIECES THROUGHOUT HISTORY.

new edition of the UGG boot is a game-changer.

Typically, UGGs dirty quickly because the suede material isn’t designed to go through wintery rain and snow. But, the UGG Classic II Collection, released this year, features the classic suede boots with a pre-treated exterior, making them water and stain resistant. Because of the better fabric, they can be worn with even the most stylish of sweaters and leather pants because they won’t look like a pair of old, dirty slippers.

Shannon O’Brien, a junior at Miami, is always wearing her UGGs to class.

“I never thought they would come back in style, but my favorite shoes for the winter are the UGG Classic Mini boots in chestnut brown,” O’Brien said.

“They are a great staple as a college student because I can wear them with anything from joggers to jeans,

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boots are so popular right now that people are trying to make $5 versions to avoid paying $895 for the real thing. If you want the to emulate the look, the trick is to put on a pair of pumps and then wear a sock on top of them, according to Refinery 29.

It’s safe to say boots have remained one of winter’s most essential fashion pieces throughout history.

Whether you have on a pair of over-the-knee boots or UGGs, warmth is always a factor. Here are some ways to wear this year’s trends on Miami’s campus: Although trends may come and go, boots are an eternal part of our winter attire. Let’s be honest, could we ever really live without something as cozy and protective on a freezing winter day? Next time you’re dreading going out in the winter weather, keep in mind these boot trends and hopefully they’ll make you a little warmer.

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RAIN CHECK Sophistication & Style Buttoned UP

styled by Lily Sloan and Gloria Zhu models: Leo Jin, Kenia Viezcas and Gloria Zhu photographed by Carder Gilbert

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Photo Editorial 3: Boy / Girl: trench coats (if possible)

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Fashion Wielding

PR OTE S T written by Alder Smith

Almost all of us know who LeBron James is. Even if you’re not a basketball fan, you’ve either seen him on Instagram, his Nike clothing line, or in Amy Schumer’s movie Trainwreck. With millions of fans and hundreds of millions of dollars’ worth of endorsements, it’s clear that any decision that LeBron makes is one that has much thought and analysis behind it. It’s moments when LeBron decided to wear a black T-shirt with the saying “I can’t breathe” before one of his NBA games, when society undergoes a variety of emotion from millions of people, ranging from bitter anger to enlightening empowerment.

When LeBron used fashion to protest the killing of Eric Garner by the New York City Police Department, he knew he was taking a huge risk. But LeBron James was not the first person to take this risk with fashion.

When addressing controversial issues today, I find it not only helpful, but inspiring, to look at our past youth and their actions. If we travel back half a century in history, you will see many examples of youth using fashion to protest. These are only a few of hundreds, yet some of the most notable:

1968 SUMMER OLYMPICS One of the most, if not the most memorable examples of young people using fashion to protest happened at the 1968 Summer Olympics.

Tommie Smith and John Carlos were two AfricanAmerican athletes running in the 200-meter final at the ‘68 Olympics taking place in Mexico City.

Tommie Smith ended up winning gold, running a world record time of 19.83 seconds while John Carlos took third place.

When both men got to the podium, their outfits immediately stood out. Both men were not wearing 50 | Winter 2017

any shoes, instead they only wore black socks. Smith also wore a black scarf, while Carlos had his tracksuit top unzipped while wearing a beaded necklace. What happened shortly after would be remembered forever.

Smith and Carlos both rose a black-gloved fist when the anthem started to play and held them in the air until it was over.

ABC play-by-play Brett Musburger shortly after the race said, “Smith and Carlos looked like a couple of black skinned storm troopers (Nazis), holding aloft their black gloved hands during the playing of the national anthem. It’s destined to go down as the most unsubtle demonstration in the history of

protest… and it insured maximum embarrassment for the country that picked up their room and board bill in Mexico” This degrading comment was not only the start of backlash toward Smith and Carlos, but intimidation and death threats.

Smith and Carlos later explained what their outfits really meant: For both men, wearing no shoes represented black poverty. Smith’s black scarf stood for black pride while Carlos’ unzipped jacket was a sign of support for blue-collar workers and his beaded necklace represented those AfricanAmerican who had been lynched and killed.

After much controversy including being expelled from the Olympics, getting their medals taken away and death threats, Smith and Carlos didn’t back down from their cause and continued being civil right activists.

TINKER VS DES MOINES In 1969 a few children from Des Moines, Iowa made a fashion statement that took them all the way to the Supreme Court.

December 1965, 13-year-old Mary Beth Tinker, brother John Tinker, and friend Chris Eckhardt were mourning those who had died in Vietnam.

Every night on the evening news, Mary Beth saw the polarizing images of Vietnam. Pictures of severely burnt Vietnamese children due to U.S. napalm bombing, dead US soldiers could be seen everywhere she went.

Mary Beth knew this war was wrong and wanted to do something about it. It wasn’t until Senator Robert Kennedy called for a Christmas truce in Vietnam in 1965 that she knew this was the perfect time to show her disapproval of the war. Mary Beth, John, and Chris all revolted by sporting a black armband, which acted as a symbol to mourn all those that had died in Vietnam. The three students soon were told that anyone wearing it at school would be suspended. Mary, Beth, John, and Chris decided that they would still wear the armbands, as their disdain for the Vietnam War was bigger than them getting suspended from school.

Knowing that their actions could cause controversy, all three still sported their black armbands to school the next day in opposition. Shortly after, they were all suspended from school until they agree to remove their black armbands, and they obliged.

With seemingly multiplying fashion trends, it’s difficult to feel as though one’s own personal style is impactful.

Following the suspension, and four years later, the Supreme Court would rule in favor of the Tinker family, saying that it was their First Amendment right to wear the black armband. To paraphrase Mary Beth Tinker in a recent interview, “Who would have guessed that a couple of children from Iowa could influence the Supreme Court.”

ENGLISH PUNK MOVEMENT Another great example movements sparked by fashion was the Punk Rock movement of the 1980s, in which English youth used fashion to protest their prime minister, Margaret Thatcher and her conservative policies.

In 1979 the English economy was collapsing.

Joblessness soared while newly elected prime minister Margaret Thatcher let thousands of businesses go bankrupt. Her conservative policies, hurt the youth, lower class, LGBT and feminist communities. Hurt by these policies, the English youth decided to rebel and protest against Thacher.

By wearing ripped-up, all-black tight clothing, they showed their opposition for Thacher’s conservative and traditional values.

We can tell today how successful their movement was by seeing how many celebrities and other icons were influenced by this time period, from Madonna to Kanye, among many others.

• Due to the growing preponderance of social media, people’s myriad fashion choices are easily apparent.

With seemingly multiplying fashion trends, it’s difficult to feel as though one’s own personal style is impactful. Nonetheless, the salient point remainsregardless of whether you are a famous athlete, pop star, politicians, or a college student from Oxford, Ohio: fashion can influence the people around you.

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MUF D M I A M I U N I V E R S I T Y FA S H I O N A N D D E S I G N

SAVE THE DATE Miami University Fashion & Design 11th Annual Fashion Show April 8th, 2017 Doors open at 6pm

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PAINT IT

BLACK written by Ab Luther

Y

ou’re staring at the gaping hole in your closet—the mismatched patterns and colors no longer suitable for your skin tone’s wintery fade. You have exactly three more minutes until you’re seriously late when you spot your black blazer, favorite black pants that have never let you down, and a simple black tee. Unlike any other color, black has this ability to transform, translate and transcend in any situation; whether the problem is as small as confronting a closet every morning filled with ‘nothing to wear’, or how to assert yourself in the real world with style just as bold as your ideas— harnessing the power of wearing all-black is one lesson that’s never too early to learn.

Long before wearing black on black made its way into our wardrobes, the idea first emerged as the de rigueur for funeral attire as far back as Ancient Rome. But even before Brutus was totally stabbing Caesar, political forces were using black to assert their power: such as Cleopatra sporting black 60 | Winter 2017

lipstick and rimming their eyes heavily in kohl powder. While I can’t imagine that Hubert de Givenchy’s iconic ‘Breakfast at Tiffany’s gown’ would’ve been very practical in the sweltering heat of the Sahara, this does not detract from the truth that during the past millennium, wearing, accessorizing, adorning yourself in the color black has always made a statement.

“Black is modest and arrogant at the same time.

Black is lazy and easy - but mysterious. But above all black says this: ‘I don’t bother you - don’t bother me.”- Yohiji Yamamoto Black is evocative, enigmatic and mysterious, yet also acknowledging, powerful and bold. It’s elegant yet simple: a statement of luxury or a statement of humility. It’s a color that is only complete in its context, as its meaning is only defined in the dynamic of a shadow, like the yin of the taichi.

For the modern 21st century woman, or rather the

“Black is modest and arrogant at the same time. Black is lazy and easy - but mysterious.

But above all black says this: ‘I don’t bother you - don’t bother me.”

Yohiji Yamamoto

styled by Francesca Peck models: Patrice Smith and Catherine Christian photographed by Francesca Peck

overworked, sleep-deprived college student, it’s a first-class ticket to dressing like an actual adult with practically little to no effort. Black hides coffee stains and wrinkles when a spritz of Febreeze is all you have time for. Black can be dressed up just as easily as it can be dressed down for a look just as practical for going out attire and for your presentation at 8:30 a.m. the following morning. An all black outfit says “I have a lot to say on the matter, but only if you’re truly willing to listen,” for those moments in life where you don’t exactly believe in pink like Audrey Hepburn. Everyone knows the real slimming power of the mythical little black dress, half visual mind trick, half self-indulgence of the mysterious allure it provides.

For the intellectual, all black is putting the power back into the person and their ideas. For the rich it’s inaccessibility, distance.

For the poor, it’s making an H&M dress appear on same playing-field as it’s $10,000 look-a-like. For the oppressed, it’s solidarity and the reclamation of what darkness has the ability to illuminate with ideas. For 2017 and fashion, black is the great equalizer- a subtle reminder of how transformative fashion is to how we choose to present ourselves and convey a greater meaning.

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Amplify your lips with bold shades: red wine, burgundy, and black cherry red. Pair this look with a clean face, slate colored eyeshadow and light eyeliner.

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