Urban Matrix Magazine Vol. 1; Issue 2

How Two Black Men Change The Face of Education in Chicago w/Shaka Rawls and Tim King VOL. 1; ISSUE 2 OCTOBER 2017 $7.00 USD

WELLNESS: Essential Oil DIY Recipes

UMAG HOW-TO: Make Your Fun Work For You!

Dane Campbell: Fearless Fiction Productions

KUUMBA LYNX: The Power of Self-Liberation

Urban Matrix Magazine, October 2017

INSIDE Dane Campbell, Fearless Fiction Productions

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Editor's Note: The Youth-Centric Issue

By Janean L. Watkins, Editor In Chief

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Lizzie G.: Rappin' Positivity

By Melissa Smith, Arts Editor

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REN MCKENZIE

How To Make Your Fun Work For You

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Tee Spirit Jeclewski

By Vickie Simmons, Web Diva

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Black Beauti Flow - Photo Spread

By Kenzo Cohen, Director of Photography

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UMAG INFO AD: Police Stop Etiquette Credit: Dare To Be King Project

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How To Make Your Fun Work For You:

By Janean L. Watkins; Theo Daniels

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FEATURED: Yorli Huff: Superhero of the Community

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FEATURED: Justin Casteneda: Drawing His Own Winning Ticket

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Tom Wilson: The Key To Longevity

By Theo Daniels, Staff Writer

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FEATURED: Victor Dandridge, Vantage In:House Productions

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Youth Entrepreneurship Short List

By UMAG Staff

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Women Leading Girls to Success

By Janean L. Watkins

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You Should Be Reading

By Melissa Smith, Arts Editor

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KUUMBA LYNX: The Power of Self Liberation

By Janean L. Watkins, Editor in Chief

URBAN MATRIX MAGAZINE Chicago, IL urbanmatrixmag@gmail.com Editor in Chief Janean L. Watkins Arts Editor Melissa Smith Staff Writer Theo Daniels Web Diva Vickie Simmons

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Director of Photography Archie "Kenzo" Roper, RocStar Studios

New School Rules w/ Shaka Rawls & Tim King 2

Ad Inquiries ads.urbanmatrix@gmail.com Find us online: www.urbanmatrixmag.com @UrbanMatrixMag on all social media networks.

Urban Matrix Magazine, All Rights Reserved, 2017. All images taken at RocStar Studios, unless otherwise noted.

Find us onilne at: www.rocstarstudio.com.

Our Mission: Kuumba Lynx is committed to the lives of youth using urban art and performance to cultivate strong communities built on a foundation of love.

www.kuumbalynx.com Urban Matrix Magazine, October 2017

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Education and Empowerment Resources for the Entrepreneurial Community

From the Editor's Desk

...this space is for your entrepreneurial spirit. It is where engaging coverage and useful resources come together to entertain and enlighten the modern urban aficionado.

It’s really hard to watch what’s happening in our world, especially to our youth.

With the recent death of Kenneka Jenkins still fresh in my mind, I struggle to think of ways I can help save the rest of our children… mine own included. Almost by instinct, I think of prevention. It’s where the idea for this issue was born. We’re up against a lot, as a whole. We’re only stronger when armed with knowledge.

Despite these grim challenges, there is an army of educators, advocates, leaders and caregivers that are battling the challenges by way of dedicating time and effort to uplifting our youth. They are the people who consistently show that they care by creating valuable, and successful, programs and initiatives. They also provide opportunities and mentorship for young people in Chicago and beyond.

2017 data from the non-partisan initiative, Spotlight on Poverty and Opportunity

We set out to create an issue that featured Chicago’s best examples of those people, while also showcasing a few samples of Chicago’s brightest and most talented, youth. We hope you enjoy everything within these pages. We also challenge you to do what you can to make a difference. Whether it's through someone we introduce you to here, or in your own neck of the woods, as Gandhi said, “Be the change you want to see in the world.”

shows that in Illinois, 67 percent of the population has college debt at an average of $28,984. With an unemployment rate of 5.9 percent, the likelihood of people in debt, scrapping their way out, is slim to none. It's why 30 percent of working families are, still, under 200% of the poverty line.

Another barrier to becoming debt-free is that, of the total 4,778,633 households in the Land of Lincoln, 36 percent are single-parent families with children that are below poverty and 386,326 are paying more than 50% of their income on housing; making it nearly impossible for impoverished families to budget, save and improve their circumstances.

- Janean L. Watkins, Editor in Chief

@UrbanMatrixMag

www.urbanmatrixmag.com

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MEET THE UMAG STAFF ARCHIE "KENZO" ROPER, UMAG DIRECTOR OF PHOTOGRAPHY, ROCSTAR STUDIOS KIARA "KYRA" SLOAN, VISUALS TECH

Janaen L. Watkins, Creator/Editor in Chief Janean found her niche in writing and photography as a student at Northeastern Illinois University. During her time there, she created .:Seeds:. Literary Arts Journal, an award winning publication that has featured content submitted by writers and artist all over the world. ​ Janean is also a network marketing pro, who manages her time to include penning a speculative fiction novel entitled “The Naysayers”. She is also the creator and Editor in Chief of Urban Matrix Magazine, a new publication about and for entrepreneurs, and hopes to make the Urban Matrix brand the top resource for local entrepreneurship.

NATASHA SLOAN, BRAND AMBASSADOR / REPORTER DR. NGONZI CRUSHSHON, WELLNESS COLUMNIST BRANDON MAZZUCA, STAFF WRITER

SPECIAL THANKS TO: YVETTE MAGALLON, GYPSY LOVE RADIO, BRIAN GORMAN, SOUL SELECTOR DJ’S

Melissa Smith Arts Editor Melissa Smith is a writer and editor with a BA in Creative Writing from Kentucky State University. From a young age, she has held a passion for literature; thanks in no small part to her mother’s choice of bed time stories. Where most children were lulled to sleep with Goodnight Moon or The Three Bears, Melissa was escorted to sleep with tales of Hobbits, wizards and more.

In her spare time, Melissa reads Wonder Woman comics or any books that feature dragons. She also enjoys writing, cosplay, and learning new K-Pop dance moves.

JAQUANDA VILLEGAS, JACINDA BULLIE, LA'KEISHA GRAY-SEWELL JAMILA TRIMUEL, TIM KING, SHAKA RAWLS, YORLI HUFF, JUSTIN CASTANEDA, PATRICIA PEGUES, MICHELLE MOORE, VICTOR DANDRIDGE, DANE CAMPBELL, TOM WILSON, PHILLIP MOY, LIZZIE G, JAZMINE ALIYAH MATTHEWS, TEE SPIRIT JECLEWSKI, JEFF MOY, MICHEAL WATSON... ...FOR TAKING THE TIME TO SIT WITH US!

Urban Matrix Magazine, October 2017

Vickie Simmons, Web Diva / Contributor Vickie has had love for Web Design and Development since being introduced to Information Technology back in the late 1990’s. Since then, she has pursued and obtained her Bachelors of Science in Information Technology (BSIT) and Masters in Web Development (MSIT) with Kaplan University. ​ Over the last two decades, she has worked on numerous web projects with groups like Real Sista Writers (RSW), Creamkast and a host of other entrepreneurs and writers who are working at creating spaces and a web presence to represent their brand on the World Wide Web. She’s a very passionate techie who is dedicated to her craft.

Theo Daniels, Staff Writer ​ heo Daniels is a writer and an entreT preneur. Over the years, he has gained a variety of skills in storytelling, web design and development. He has worked on social media marketing campaigns for a sci-fi book series, and written features on entrepreneurs and entertainers for EBONY, NV Magazine, and Rolling Out.

ENTERTAINMENT

Rapping Positivity

GET TO KNOW LIZZIE G

By Melissa Smith, Arts Editor

The first time I saw her, Lizzie G turned a small corner-room art gallery into a rocking party. With contagious energy, strong beats, and a positive message, she got shy children to dance like no one was watching and struck everyone with an I-can-do-anything vibe. Which is exactly her intention.

“As a Christian I wanted to choose a platform where I am sending a positive message, good vibes and not using profanity to emphasize my messages in music.”

Lizzie’s music-focused mission promotes anti-bullying and keeping the peace, a timeless message especially in today’s tumultuous political climate. In addition to performing for all types of events - including weddings and music

festivals, she also works as a motivational speaker and hosts workshops; all centered on positive entertainment.

“As one of the few positive female hiphop artists on the scene, my goal is to spread a message of positivity through my company Lizzie G Entertainment.”

The journey to her current success began in childhood when she first started to produce her own beats, already decided that music would become her path. Lizzie G would later partner with Chicago Public Schools to fill the gap in STEM and music education from which so many children are steered.“ Our youth are extremely intelligent and giving them creative outlets to express themselves is worth it," says Lizzie. “I try to do my part, and I encourage my

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generation to do the same.”

Beyond simply creating music, Lizzie knew her dream would not succeed without a solid business backing.

The creation of her own label was twofold; to ensure her brand and business would become a lasting legacy of positive impact and to create valuable contracts with schools and organizations that could fund her mission.

She says, “I now have worked with dozens of schools, not only in CPS, but nationwide as well, to provide workshops and conduct concerts for the youth.”

Now, with with her fourth album's

release in February of 2017 and her tour schedule already filled through the end of the year, Lizzie’s efforts are paying off.

Backed by an international team dedicated to spreading her message, Lizzie is constantly grateful for her success.

“The work has been extremely fulfilling so far. It does take a lot of hard work, patience and perseverance. Everything happens on God’s time and not ours.

But when we do the work, we do our part, everything will fall into place like it has been for me thus far.”

Patience and desire to implement change. Lizzie credits her process to a very simple plan - seeing a need for change and making it happen.

No Bullying Zone, one of her organizations, resonates with fans, including a 4th grader from Harold Washington Elementary who took the time to write the rapper a heartfelt thank you.

Throughout all of her successes, Lizzie remains humble and encouraging, never forgetting her Christian roots; “Everyone has their timing in life for success. As long as you stay dedicated to your craft, passion and dreams your breakthrough is forthcoming.

Network, always promote yourself and never burn bridges. Keep God first, stay positive in life and your Level Up will surely come in time.”

“As one of the few positive female hip-hop artists on the scene, my goal is to spread a message of positivity through my company Lizzie G Entertainment.”

PHOTOS CREDIT: LIZZIE G - VISIT LIZZIE ONLINE: LIZZIEGMUSIC.COM

PhotoMatrix Credits: Magazine, Dr. Ngonzi Crushshon Urban October 2017

Jazmine Aliyah Matthews SONGSTRESS Born and raised on Chicago's north side, Jazmine Aliyah Matthews hails from a lineage of talent, strength and poise.

She is destined for greatness. Her proud family members jumped at the chance to help her when she expressed a desire to sing for the public. She is a vibrant and ambitious young lady who aspires to change the world for the better with her vocal talents. At the tender of age of 10, Jazmine is working with family and friends to create original tracks, commercials, soundtracks and most recently, exclusive content from her original web series "JAM!".

This young lady hopes to perform large concerts, record empowering music and inspire a generation through song.

Follow Jazmine on all social media @ ChicagoJAM1 and watch the JAM show on her YouTube channel! youtube.com/channel/UCTiqk4M1e9jWUqCRpyfN_WA

ENTERTAINMENT

Tee Spirit Jeczelewski

By Vickie Simmons, Web Diva/Contributor Tee Spirit is a 22-year-old rapper/emcee from Chicago's West Side who brings her

own approach to Hip-Hop music.

Tee Spirit began her career in music in April of last year, when her first single “RUN” was released. Since then, “RUN” has accumulated close to 9,000 plays on SoundCloud.

Not only is Tee Spirit revolutionary in her approach to music, audiences are also describing her as a natural born star. Her love for art began with performance poetry at age 11. She hopes to change the way "Female rap" is looked at in today's society.

Not only does she not lack in "bars" but her spirit is for sure to steal your heart.

Urban Matrix Magazine (UMAG): Who are your biggest influences? Who made you want to become a Hip-Hop artist?

Tee Spirit Jeczelewski (TSJ): I started doing poetry in the 7th grade when I met my mentor/teacher, Zain Bullie. He was the first person to introduce me to poetry and art as a tool for healing and resistance. I immediately fell in love - at first word. He started spitting and my eyes got wide. It was all over from there.

What I loved most about the way he did poetry was that it was more like rap to me; reminded me of Tupac, or something. I was semi-tomboyish so I wanted to be hard all the time. So, naturally if I was going to do poetry, it had to be like me… Aggressive.

So I would say Zain was my first biggest influence. And of course, people who are in the industry. Aja Black of The Reminders, was huge for me growing up and still

to this day inspires me. [Also] Kendrick Lamar, Mick Jenkins, Lauryn Hill, Nas, etc.

UMAG: Who are your favorite artists and why?

TSJ: That kind of piggy backs off the first question. Lauryn Hill might be my absolute favorite. I think I could word for word sing/ rap all of Lauryn Hill's songs. She's probably the most influential for me because she changed Hip-Hop if you ask me. She made it okay to be yourself and I fell in love with that. I know many women who are mc's would probably say Lauryn. At one point, I couldn't go a day without hearing her, so she's most def top dog for me.

Kendrick Lamar. Why? Man, that's pretty obvious. He's one of the most creative minds in music. He keeps giving us "wow".

He has so much fire. You could feel "chosen" in his every word. And I personally am huge on that. I feel like I was chosen for this kind of work long before I started, which is why I'm so passionate about it.

Any artist who reminds me of that, will probably be a fav for me. Mick Jenkins, you probably won't hear a lot of women say Mick Jenkins, but I think he's next level.

I love so many artists, but he does something for me. I'm still trying to figure it out but he was one of the first rappers from Chicago that made me double take. I get compared to him a lot, which makes sense because at one point I listened to him every single day too, but that's just to name a few. I have so many.

UMAG: What are your thoughts on today’s Hip-Hop scene for Chicago female artists?

TSJ: Oh man; I could probably spend all day on this question. I get this question a lot. I think there's not enough women are who willing or allowed to step to men; especially in Hip-Hop. We tend to fall in the shadows and if we don't, we're hot for a second and then it's on to the next.

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We don't have many Chicago women making a name for themselves in the music industry, in fact, we might only have one.

As far as rap goes. There's some singers doing their thing. Which is dope but I would personally love to see more female emcees.

Who says ‘f*#k all that... I deserve to be here and I deserve to be heard, so what's good’?

UMAG: What inspirations you to write the lyrics we hear?

TSJ: For me, it's experience. I got a lot of anger from traumatic things I've been through. People meet me and they love my energy. I'm always smiling, laughing and joking; but they also see strength and power.

Mostly, I just wanna heal. Every single word I write is for healing. That's why I do it; and I hope I inspire others to heal to.

Especially young girls. I want them to get that music is more than what you give to people. It's about what you give to yourself.

I wanna leave the studio at 2 am, crying my eyes out because I laid down a track I've been trying to put into words for however long.

So, I would say my main inspiration is what I go through and of course what's happening in the world around me.

UMAG: If you could collaborate with any Hip-Hop artist past or present who would they be? Also, what would be the shared message between you and that artist that is most important for the public to understand?

TSJ: I would have to go with 2-Pac. I think he changed what it meant to be a revolutionary rapper. In fact, he was the definition of it. Using music to resist. It's something I'm very passionate about and I believe in so wholeheartedly, but I struggle with it in today's Hip-Hop. I want people to understand that yes, I’m about healing but I am also a vessel for truth. I was chosen to relay the message that I do. I'm about the mission. In a perfect world, I'll be exactly what Pac is/was for Hip-Hop.

PHOTOS CREDIT: TEE SPIRIT VISIT TEE SPIRIT ONLINE: IG: TEESPIRITSODOPE BAND CAMP: TEE SPIRIT SOUNDCLOUD.COM/TEESPIRIT/HOMEPROD-MOBEATS

Developed by David Miller, Founder of the Dare To Be King Project http://daretobeking.net/

MISSION The mission of the Dare to Be King Project, LLC (DTBK) is to inspire, support, and strengthen organizations that provide services to boys of color. Our goal is to engage boys and men of color for emotional development, familial reconciliation, and academic success.

DTBK is one of a few firms that solely provide life skills training, parental engagement strategies, and academic interventions for boys of color.

VISION DTBK seeks to expand its network by focusing on two key areas: 1) Provide professional development, best practices and other resources to support and strengthen organizations working with boys of color; 2) Provide organizations with tools (curricula materials, books, and training modules) to ensure that boys of color receive life skills training and strategies to support academic achievement.

Urban Matrix Magazine, October 2017

Black Beauti Flow is a new clothing line,

created by Patricia Pegues and Michelle Moore. The ideas come from both women and Michelle handles the mechanics like the heat press machine, and other design elements. Patricia has been integral in reaching out to business owners for opportunities to showcase their work.

Watch our exclusive video interview to see what's in store for Michelle, Patricia and Black Beauti Flow.

"Stick with it; even if you're not seeing results. If it's your passion or your vision, just stick with it." Michelle 10

FASHION

Patricia Pegues & Michelle Moore are:

Black Beauti Flow

By Janean L. Watkins, Editor in Chief

WHERE DID THE IDEA FOR BLACK BEAUTI FLOW COME FROM? "The idea for Black Beauti Flow came from wanting to showcase women of color, in particular. Show the creative people that we are. We're a unique type of woman; we've been marginalized by society, left behind by the media and talked about so much. So, we wanted to created something that is just for us. That shows Us in an inspiring light."

- Patricia

Urban Matrix Magazine, October 2017

Photos: Archie "Kenzo" Roper, UMAG D.P., Roc Star Studios

"Our people inspire us."

- Michelle Moore

RE: THE HEAT PRESS "I just bought it online, watched a bunch of YouTube tutorials and took it from there." - Michelle

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Find us online: facebook.com/BlackBeautiFlow

RE: MAKING BLACK BEAUTI FLOW FOR YOUNG GIRLS "[We want them to] be unapologetic for your skin color, or the texture of your hair. Have some type of pride in themselves." - Patricia

Urban Matrix Magazine, October 2017

SIGNS THAT YOUR CHILD MAY NEED A MENTAL HEALTH EVALUATION

By Dr. Ngonzi Truth Crushshon, Psy.D., Wellness Columnist

With the myriad of ways youth express their internal struggles and the multitude of “problems” that parents are told to look out for, having professional advice can help parents retain their sanity.

This article serves as a brief overview of behavioral signs, symptoms and changes that may indicate that your child(ren) warrants a mental health evaluation. Length of time and severity of these symptoms is also a factor in determining if and/or, which type of treatment is needed to make a definitive diagnosis. If you notice any of these signs/symptoms affecting your child’s daily functioning, follow-up with your pediatrician or mental health professional for a wellness checkup.

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Irritability, sadness, anger, temper tantrums, behavioral outbursts, destroying property Refusal to attend school/refusal to follow household or school rules Does not enjoy things/activities they used to enjoy Won’t talk or won’t open up or share thoughts/feelings with anyone Feels that nobody understands them or their situation/circumstances Feels outcast, isolated and/or only has 1-2 friends Verbal and/or physical aggression/conflict with family, friends, peers/teachers, strangers School difficulties (failing grades, fighting behaviors, mean girls or teasing behaviors, bullying/being bullied, excessive detention/ expulsion) Ongoing family stressors, conflicts and arguments Undue stress/stressors, worries, nightmares, enuresis/bedwetting (after toilet trained age) Unusual behaviors or sudden drastic changes in behaviors. Doing and or saying things that they normally would not.

Visual/Auditory Hallucinations-Hearing or seeing objects that others may not see/hear or that cause concern for the child or those around them

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•

•

• • •

Suicidal thoughts, self-harm (threatening to harm themselves, suicide notes, thoughts about death/dying, unusual marks, cuts on their body, arms, legs, stomach) Hanging out with the wrong crowd. Notice your children’s friends- help them to balance their time spent in prosocial activities such as extracurricular sports/recreational/ educational activities.

Having difficulty with a major life transition (attending a new school, new family member, relocation to a new home/placement, removal from family of origin, juvenile court/police contact, re-entry into the community from jail or hospital) Grief and loss (incarceration or death of a parent/friend/family member or someone in a close relationship with the child) Report of any child abuse (sex trafficking, physical/verbal/emotional/sexual abuse) Engaging in high risk behaviors (drag racing, carrying/sleeping with weapons-guns/ knives, excessive substance abuse, inappropriate sexual behaviors for their age/stage in life)

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A mental health evaluation lasts for 1-2 hours at a mental health clinic or hospital to determine the strength/need level. The mental health worker will then determine the severity of your symptoms, provide a diagnosis, and link you to the appropriate services, if needed. For more information please visit What Every Child Needs for Good Mental Health at mentalhealthamerica.net/every-child-needs.

Dr. Ngonzi Truth Crushshon is a Licensed-Eligible Psychologist with a doctorate in Clinical Psychology from the Illinois School of Professional Psychology and over 10 years experience as a mental health therapist serving primarily children and families within hospitals, clinics, schools and jails. She can be reached at: www.faithhopelovecommunity.com.

JANEAN SAYS: For years I’ve been attracted to all things fandom. The road to Nerdville is well paved by me and this event was my kind of spot.

Workshops and seminars ranging from Game of Thrones enthusiast talks to roundtable discussions like “Characters Of Color: From Black Panther To Aqualad”, kept me engaged and informed. But, things weren’t all about talks. There were games, COSPlayers and, of course, entrepreneurs!! Rows and rows of them! Watch for some of their full features coming up in new issues of Urban Matrix!

THEO SAYS: The excitement and energy in this 3 day event could be felt in the air as crowds of fans gathered to attend the Wizard World Comic Con 2017. The event was held at the Donald Stephens Convention Center.

One of the celebrities that were scheduled to speak at the event was actor Tom Wilson who was known for the "Back to the Future" franchise. During this three day event fans were able to unleash their inner nerds and meet with local and well known artists at the convention, attend cosplay tournaments, and just nerd out with fans of their favorite fandom which ranged from Harry Potter to Game of Thrones.

IMAGES CREDIT: KIARA "KYRA" SLOAN, JANEAN WATKINS

Urban Matrix Magazine, October 2017

FEATURED

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IMAGES: ARCHIE "KENZO" ROPER, UMAG D.P., ROCSTAR STUDIOS

SUPERHERO OF THE COMMUNITY:

YORLI HUFF

Theo Daniels, Staff Writer & Janean L. Watkins, Editor in Chief “My entire comic book and cartoon enterprise is based on my true life story.

I’m a former undercover drug agent in Chicago and I was discriminated against.”

Huff took a stand against the injustice and filed a lawsuit against the Cook County Sheriff’s Police Department. The lawsuit took her 11 years to win, but ultimately she was victorious.

A valuable lesson that Huff learned from the lawsuit was thinking strategically. And she realized the game that she was playing could no longer be fought with misplaced emotions.

“I moved from playing checkers, which was very emotional-- the anger and the frustration,” reflects Huff. “I moved from playing checkers to begin to play chess and to become very strategic, very focused, and very determined in learning my opponent, because we were about to play a game and my life depended on it.

Once I learned the rules to this particular chess game, then I mastered the rules.”

After her victory she decided to share her story with others by writing her autobiography titled The Veil of Victory: A Memoir of Tragedy & Triumph. Huff received “divine inspiration” to turn her character from Veil of Victory into a comic book and cartoon.

"My inspiration for entitling my comic

book series Superhero Huff was create a different medium to share my story,” explains Yorli. “Superhero Huff is me, animated. She is an undercover drug agent and she has supernatural powers. Since Huff is my last name, it just flowed.”

In addition to her creative works, Huff is also the founder and CEO of Engendering Strength Inc., an organization which is devoted to inspiring and empowering women. It was created based on the experiences that Huff overcame in life and her relationship with God. According to the website, the company was also created to show people how to have a ‘mindset to excel against all things, dream the impossible and dare to be different amongst all odds.’

Since her comic book’s release, the series has gained acceptance by various comic book readers, despite the target audience being teenage girls. “[The comic books] capture a lot of people especially a lot of young women.

Because [the] characters are women,” says Derrell Spicy, is the illustrator of Superhero Huff comic book series and creator of the well-known comic strip, WHATZ UP MAN, which tells the story of “everyday life” in Chicago’s West Side Black community.

“They can relate to it… So, it can be a very good teaching tool and it can be a

Urban Matrix Magazine, October 2017

very good sci-fi tool. They tell different sci-fi stories with a little bit of an element of the neighborhood, an element of the military, and [womanhood].”

The working friendship between Huff and Spicy started on a train ride, together after Spicy purchased Yorli’s book. Then, on another train ride early one morning, Spicy just happened to catch Yorli while she was having an internal battle about the direction of her enterprise.

"He just walked up to me and he said, 'You know they have comics, right?' and in silence I looked at him like, 'What the hell is he talking about?' Then he shows me the Red Eye and it says that the comic book convention is in town. He pointed to the adverts in the article and said, 'You need to take your book down there and let them make a cartoon and comic of your character.' I looked up at him and I was in awe. I said to him, 'Do you know what divine intervention you just spoke?' He just smiled and walked away," Yorli remembers.

Most of the characters in the Superhero Huff series powers come from acts of selflessness.

“The more she surrenders herself to helping others. The more powerful she becomes.” says Spicy.

While a lot of well known fictional heroes’ origin stories may come from

a place of personal tragedy or from some alien planet, Huff decided to take a different approach with her character. She describes Special Agent Phaedra, the protagonist of the series as a, “strong black woman, who represents power, represents intellect and is able to handle her own.”

"My inspiration for entitling my comic book series Superhero Huff was to create a different medium to share my story," She hopes the comic heroine will become an inspiration to today’s generation and help them gain back something that is lacking. She recalls how her generation had hero’s such as Christie Love.

“She is going to become what Christie Love was to us; to those who [remembered] her back in the day,” Huff predicts. “Hopefully she will serve as that motivator, that inspiration that says, ‘you can do it.’”

Wanna know more about the story behind Yorli’s legal battle, watch for our exclusive video interview 18 with her @UrbanMatrixMag on YouTube.

BY JANEAN L. WATKINS ARTWORK: JUSTIN CASTANEDA PHOTOS: ARCHIE "KENZO" ROPER, UMAG D.P., ROCSTAR STUDIOS

Justin CastAneda:

Drawing His Winning Ticket

Urban Matrix Magazine, October 2017

UMAG: Hi Justin, thank you being here…

What side of town are you from?

JC: I am from the South Side of Chicago, I grew up on the Southside I lived in Orland Park UMAG:Do you feel that from being on the southside of Chicago has any bearing on how you react or interact with your experiences in the world of fandom?

JC: Not so much with comics, I think growing up on the southside and being a fan of the Bulls or whether you’re Cubs or Sox; you can’t be both apparently. You know there is that fandom but I think that fandom for Comic-Con culture really hit when I was in college.

I went to The Illinois Institute of Art in Schaumburg and that was a school artists who were all into the same things I was into.

UMAG: How old were you when you first noticed your love for art?

JC: Man! I'm just going to say when I was little - when I could start holding a pencil was when I started to really draw. My love of Saturday morning cartoons helped, too. I probably would say like 7 or 8

UMAG: How about the writing JC: Writing... that didn't come until much later, because I didn't really have stories I wanted to tell. It wasn't until I lived life a little bit, went through all that pressures of high school and deciding what I wanted to become. I liked drawing pictures and I would draw the things that I was a fan of, like Ninja Turtles or Power Rangers, and it wasn’t until I got out of college when I decided to tell my own story.

I had gone to school for media art and animation and I took classes like writing for animation classes and storyboarding classes that really sort of helped me find my “writer's voice”. I still say I'm an artist more than full-fledged writer.

UMAG: You're not just a POC (person of color) Indie artist, yet most of the writing out there about you only shed light on that undeniable fact. What other adjectives would you use to describe what you are?

JC: I am independent, self-driven and creative. (laughs) UMAG: Give us a few adjectives that describe what you do?

JC: I am a self-publisher, children's book

Ghost City Comics Competition 2017 FINALISTS ONE PAGE COMICS JUJU IN THE JUNGLE Check Justin out at: wheniwaslittlebook.blogspot.com

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creator and comic artist. I think “creator” probably fits both descriptions.

UMAG: What was your route for getting published?

JC: With my first children's book, I decided I wanted to [publish] my own. I literally went and Googled, “how to make a children's book”. Stuff came up and one of the things I saw, that was sort of on the rise at the time, was POD - print on demand publishing. There were these companies that were offering to publish your book for you.

I did my research and found a place called CreateSpace; who said they would put my book on Amazon. Once you had your files ready, on their website they coached you.

The process was new and exciting because I was doing something that felt new and fun and fresh to me, so I was all in. I wasn't nervous about anything other than if people would like it or not so for me the process was fun.

UMAG: What would you say is the one thing that sparks your creativity the most JC: I'm a big fan of getting together with my creative peers and just brainstorming, having conversations and pulling from

JUSTIN CASTANEDA CONT... your own life. I think with creative peers you get the best results because they're also creative people and they add fuel to that fire.

UMAG: So what was your degree in?

JC: Media Art and Animation UMAG: Cool, so you are definitely doing something with it?

JC: For sure, it's not what I thought I was going to be doing but you know that's the cool thing about media art and in just art in general takes you on different paths and

that's awesome to me.

I just released a one-page comic called “Juju in the Jungle” which got nominated as a finalist for the Ghost City Comics Competition. That generated from just hanging out with my niece and like she had a vivid imagination and she's like there's a unicorn and I am like where; what are you pointing at? So, just playing with the kids and having conversation with kids, they are creative fuel and they don't even know it. There just happy to be playing and being alive.

UMAG: Congratulations, by the way.

Since you regularly attend Comic Con’s, is it safe to say they help, and/or, enhance your brand?

JC: Yes, I feel like they are part of the business of making comics, especially being an independent artist and self-publisher, it's important to go to these things and just promote yourself and your ideas.You’re networking and meeting other like-minded creatives who eventually want to collaborate.

UMAG: What is the single most important piece of advice that you can get to aspiring artist and entrepreneurs?

JC: The most important thing I tell specifically to a young artist, is to pick up a pencil and start drawing everyday. Whatever you're passionate about whether it's

music, writing or painting do it everyday, even on days when you don't feel like doing anything, do it. If there's something you don't like drawing, draw it. Even if it's going to look like garbage, do it everyday.

I feel like the theme of this interview has been consistency and I'll leave with that.

VISIT JUSTIN ONLINE: JUSTINCASTANEDA.BLOGSPOT.COM WHENIWASLITTLEBOOK. BLOGSPOT.COM

Wanna know more about Justin's collaborations with folks like victor dandridge, of Vantage In:House Productions, watch our exclusive interview @UrbanMatrixMag on YouTube.

Featuring: Stan Lee Jason Momoa Austin Amelio Lennie James Jon Heder Nicholas Brendon ...and more! *TALENT SUBJECT TO CHANGE

WIZARDWORLD.COM/COMICCON/NEW-ORLEANS

Urban Matrix Magazine, October 2017

CLIP CREDIT: UNIVERSAL PICTURES

FEATURED

TOM WILSON:

THE KEY TO LONGEVITY

By Theo Daniels, Staff Writer

UMAG: How have you constantly reinvented yourself over the years, and maintained the longevity that you have?

TW: That’s a good question. I think being in the entertainment business demands lateral movement, you know. You have to be listening to the pulse of the audience; not, quote-unquote, selling out. I decided when I was a kid this was a talent that I had and maybe I could buy food and a car with it. [laughs] So in order to do that it takes listening and attention to what is working and not working.

Also, for me throughout the whole thing, I hope and I think it’s all that stuff anyone would talk about whether you’re going to be a dentist or any other profession, it’s about honesty, professionalism, you know, being friendly with people and being good.

Even in showbiz, the person that is solid at what they do and shows up on time and is a reasonable person -- kind to people, it actually works. I think it’s worked for me.

I did some show in 1987 where I was professional and got jokes done for them on their show; I was on time and everything, and those producers say, ‘Oh you know who would be great at this’ and you end up doing another show.

So it’s ended up that I worked on this show and that show. And they're like, ‘Wow so many different shows.’ The producer has worked with me, or the

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director has worked with me in some way; and it’s not that, I’m, ‘oh so fabulous’, it’s because it has to be built on solid, talented work. Make sure that you’re getting better, always. Then there’s the professionalism and hard work.

IMAGE CREDIT: JANEAN L. WATKINS

QueersPlay Cosplay

www.patreon.com/queersplay WHO’S WHO?: “Kimber Brightheart and I use gender pronouns like ‘they’ and ‘them’... My name is Jess Martindale, and I also use ‘they/them’ pronouns.”

WHAT’S UP?: "We are seven queer and transgender artists that actively aim to create safer spaces for our community to build community within convention spaces. So yeah we’re selling our $#!+, but that doesn’t mean that’s what we are here for. We are selling it to be able to continue building an intentional safer space community for our community."

CURRENT FAVS: Supernatural Chicago, Anime Expo, MCU, Steven Universe MOVING FORWARD: San Diego Comic-Con, Dragoncon

RE: San Diego Comic Con

"It’s expensive as all heck. If you can room with a few people, or you know somebody in the San Diego area,, that could be the way to go. But once you’re inside, you know, in Artist Alley, you just absorb the atmosphere.

Yeah, it’s really a great show for that."

-Phil Moy, Inker IDW Publishing/ Freelance Comic Artist

Urban Matrix Magazine, October 2017

JEFF MOY GEMS: Well-Known Storyboards: - Star Wars: Jedi Knight II: Jedi Outcast - X-men Legends and X-Men Legends II - Marvel Ultimate Alliance - X-Men Origins: Wolverine Uncaged Edition - Singularity - Call of Duty: Black Ops

Image Credit: Janean L. Watkins

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What's The First piece you ever loved?

"Obviously as a comic book person I could easily say that the X-men no.1 was one that just caught my eye.

The first one I truly loved I would say DC comics Kingdom Come and the reason why I give it such high regard is it was the first time I was able to showcase comics as intellectual property in the classroom.

My sophomore year of high school, I had convinced my teacher to allow me to read kingdom come for a book report. Counter to whatever she had set up and when I wrote my report and gave it to her she was like, ‘you know what, this is a comic book, there’s no way that that’s what this is about.

I will give you extra time to read the assigned book, because there’s no way comic books do this.’ And I’m like ‘really? Well it sounds like you have homework,’ and I took out Kingdom Come and I slid it to her and I said ‘I expect this back on Monday and here’s my book report so you can grade it’. She actually took it home, she read it, brought it back Monday, I had an A-plus, and she was like ‘I can’t believe this is what comic books are’ and I said ‘yes, comic books can be anything.’

So that was one of the things I love about Kingdom Come for me to prove everything I already felt in my heart of the value of comic books."

- Victor Dandridge, Vantage in:house prodcutions Urban Matrix Magazine, October 2017

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YOUTH hicago!

Entrepreneurs C Future Founders futurefounders.com Future Founders immerses youth in experiences that inspire and empower them to create their own opportunity. We believe this leads to a generation more determined, hopeful and equipped as they engage the future. To date, our programs have served over 33,000 youth. Join us as we empower the next generation of business leaders and entrepreneurs.

Youth Investors/Entrepreneurship Project (YIEP) thechicagourbanleague.org/Page/374 The YIEP program is a 26-week extracurricular experiential learning program that provides education and skills building in investment and entrepreneurship/business development. YIEP works with participants to enhance their investing and entrepreneurship knowledge and provide opportunities to apply this knowledge to investment simulations and business plan creation.

Chicago Inventors Organization - YOUNG INVENTOR ENTREPRENEURS PROGRAM chicago-inventors.org/programs/yiep Chicago Inventors Organization has enhanced the curriculum of its Young Inventors and Entrepreneurs Program (YiEP). These enhancements provide curricular workshops that strive to expose and generate interest in Science, Technology, Engineering and Mathematics (STEM), innovation and entrepreneurship business concepts (financial literacy, business structure and development, intellectual property, marketing and manufacturing) to underserved students, from middle and high schools, through participation in three thirty (30) hour workshops.

Interested parties should feel free to contact CIO at 773729-0364 (info@chicago-inventors.org) to discuss being a YiEP sponsor.

BLUE 1647 blue1647.com

Youth Entrepreneurs® youthentrepreneurs.org Youth Entrepreneurs began as an eight-week program, eventually expanding into a yearlong, accredited course and experiential adventure for students in high school.

More than 25 years later, YE has inspired thousands of high school students across the nation to achieve more than they ever thought possible.

The Young Women’s Empowerment Project youarepriceless.org/about The Young Women’s Empowerment Project (YWEP) is a member based social justice organizing project that is led by and for young people of color who have current or former experience in the sex trade and street economies.

YWEP is Chicago based project that was founded in 2002 by a radical feminist and harm reduction based collective of women and girls involved in the sex trade and street economy and our allies.We were created by women and girls who believe that any girl can be empowered and that all girls are priceless, creative, and smart and can be leaders in their communities.

YWEP is open to any person who identifies as girl… that means transgender girls are welcome here!

We have an Open Time every Thursday from 4-7pm where girls can: Use the Computer/Internet Get clothes from the FREE clothing exchange Meet and talk with other girls and get support Get FREE clean rigs and works or drop off your dirties Get FREE condoms and safer sex supplies After Open Time you can stay for a GIRLS in CHARGE meeting from 6:30-8:00pm every Thursday Do you have information on other resources for youth entrepreneurs? Tell us about them! Email us at: urbanmatrixmag@gmail.com

Listed in the first City of Chicago Technology Plan, the BLUE1647 community is a vibrant example of the ways in which creative professionals, entrepreneurs, change-makers, and nonprofits can come together to make meaningful, lasting impact.

Urban Matrix Magazine, October 2017

Images Credit: La'Keisha Gray-Sewell

Women Leading Girls to Success: Inspiring Pathways Using Valuable Tools

By Faith Haygood, Correspondent; Melissa Smith, Arts Editor & Janean L. Watkins, Editor in Chief

La’Keisha Gray-Sewell, Girls Like ME Project Founded in 2012, by La’Keisha Gray-Sewell, Girls Like ME Project (GLM) is an Illinois based nonprofit organization that trains

inner-city, African-American girls between the ages of 11 - 16, in the areas of digital media and storytelling. One of the focal points of the organization is the notion that media shapes young Black and Brown women's identities and self-worth in ways that may or may not be apparent right away. Therefore, the young women of GLM are encouraged to use media literacy to push back against stigmas and stereotypes often found in media.

"We do workshops to teach girls about digital media, sisterhood, self-advocacy, how to properly and appropriately use social media -- not as a tool for bullying," La'Keisha states. "...but to help them advocate for themselves and support one another."

Gray-Sewell believes that young girls should be taught about their intersectionality, teaching them the valuable lessons of faith, self-love, and perseverance; while also making sure that the struggles and achievements of young Black women and girls receives the international recognition it deserves.

In March, GLM hosts their annual Women's History Month event, 'Pampered Power Talks' which connects Black girls to information on becoming STEM professionals and resources for STEM-related careers in the self-care and cosmetics industries.

Another of their important, hallmark programs, is their annual Chicago Day of the Girl. In 2017, they hosted for the 6th straight year. The event, which coincides with the International Day of the Girl (Oct 11), is a day to shed light on social and political injustices impacting girls. At the event, up to 150 Chicago girls between the ages of 13 and 18 experience panels, workshops, games, prizes, performances and much more.

"In the international movement for the Girls Empowerment, Black girls - specifically 'urban' Black girls, are often ignored and excluded from that conversation, so we wanted to include them in that conversation. We want to connect them globally to other girls around the world," says GraySewell.

For their efforts, the deeds of GLM were recognized by U.S. Congressional 7th District U.S. Representative, Danny K. Davis (D-IL). But, the accolades aren’t what’s important to Gray-Sewell.

“You have to be the leader. You have to be the one that makes a difference,” she says.

Urban Matrix Contributing Correspondent, Faith Haygood, had a chance to sit down with Gray-Sewell at the Toys For Peace Fundraiser at Games Plus, Inc., Chicago’s only black-owned toy store. Her thoughts about what’s needed were one hundred percent authentic. A dynamic conversation was sparked from the topic surrounding Faith’s daughters and setting examples for young women.

LGS: And in that same vein, that girl is gonna be the girl who everybody else looks to. She is setting the foundation, and those other people -- girls, boys, whomever, are going to make sure that she does not become involved in the shenanigans out there.

They’ll protect their friend like, ‘Nope not Keisha [Faith’s eldest? Youngest?

Middle? daughter]. She can’t--you go to class or do whatever you’re suppose to do.’ You know, they’ll make sure that you don’t get caught up in that.

We’re here to support parents like you because too

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often, many adults don’t see themselves as ‘village’ people.

They think ‘as long as me and mine are fine, I’m good. I’m not gonna worry about you.’ Or, ‘I’m not a role model for you.’ But, you know what, we are all role models. It’s not just all mothers and parents to help.

I mean it’s too much that girls and young people are facing to just leave it in the hands of one parent, or two parents or one family. We have to have a village mindset.

So Girls Like ME Project is helping to create that resource.

All of the social media, all of the television shows, we’re here to help parents to kinda control what girls are watching and to help them to critically think, ‘what am I consuming? What is this doing to my psyche?’

FH: Exactly because the things that we put in our spirit, you know, we really act them out. And even thru music, what we wear, what we think, television, and even

the people that we associate with tell us how we can contact Girls Like Me Project project?

LGS: You can go to girlslikemeproject.org.

We're also on Twitter @GirlLikeMeProj.

We're on Facebook at Girls Like ME Project. We're on Instagram and YouTube @ GirlsLikeMeProject. And we have so much programming free for girls. We have a free summer program that we just finished up, where we took girls all over the city of Chicago where normally, because of segregation and because of income differences, they don't normally get to see all parts of the city. And if they do it's a field trip and it's not [in] a way that they're actively

engaged. So we took girls all over the city so that they can capture these stories and document themselves exploring, but we also do the Annual Day of the Girl. We're about community building which is why I'm glad you all are here.

FH: Wow! Your tagline says, “Empowering girls to transform their community, then it can change the world.” That's powerful, “One community at a time.” Was there anything else that you would like to add about your organization?

LGS: I want people to understand that my organization is non-for-profit. We do not profit or sell anything. So we are always accepting donations. People who are interested can go on the website and just send us a donation. Sign up for our newsletter.

Connect us to a funding resource, sponsor or volunteer. We always need women to come and volunteer. That's the most important -- so support. We love to stay connected and inform people about what we’re doing and offer up opportunities to come out and work with the girls we serve.

We’re on the Southside specially but we travel. Our goal is to branch out and start connecting girls all around the nation in Baltimore, in Atlanta, in Jersey, and in Compton and other places. Oakland so we can form this real sisterhood network of urban girls to advocate for each other and to build a sisterhood.

Trimuel felt the need to share her mother's declaration that 'you can conquer the world' to other young women that she noticed didn't have the same uplifting upbringing. She and her mother had a close relationship built around love and empowerment.

"So growing up I realized, you know, what?

I’m going to start this nonprofit that’s going to not only encourage [girls] and instill those values, but provide them with opportunities that they may not have had," she vowed.

Trimuel's organization goes through a step-by-step process with the young ladies.

Establishing what their life trajectory will look like in regards to career and characteristics, setting goals, creating a vision board, and finally, practicing articulating how they will present themselves. Successfully completing the final steps are the

Image Credit: Vito Rade Photography

VISIT GLM ONLINE: GIRLSLIKEMEPROJECT.ORG

Jamila Trimuel, Ladies of Virtue Ladies of Virtue is a mentoring and leadership program for girls with four locations on the South and West sides of Chicago.

They host Saturday programs for young girls through the park districts and participating area schools. Programs range from college preparedness to leadership development.

girls' right of passage into other facets of the program offerings.

FH: Wow so you have something for all adolescents and up until their teenage years right?

JT: Even after they graduate from high school we will track them, keep in contact and support them the best we can up to six years after they graduate from high school.

FH: That is amazing. What is the mission of your organization?

JT: Our mission is to instill purpose, passion, and perseverance in girls 9 to 18. While preparing them for college, for career, and teaching them to be change agents in their community.

FH: Can you identify some of the needs of your program for us? How can people help?

JT: Absolutely. We’re always looking for mentors. Also, if you have any project management skills. We are also always looking

Urban Matrix Magazine, October 2017

"Our mission is to instill virtuosic characteristics in young women ages 10 to 18 while preparing them for college, career, and adulthood."

Image Credit: Vito Rade Photography

for those type of professionals as well as people for our fundraising and marketing teams, as well.

FH: Wow that’s amazing. I actually mentored at Mitchell Park High School on the west side. I think it’s so important. Mentoring programs are needed both for young ladies and young men. In our program, we had four sessions, 15 minutes per session.

We had to impact them, empower them and catapult them to greatness in such that short period of time. I wish we had more time but, you know, programs like yours helps young girls find themselves.

JT: Oh absolutely. It’s so amazing when we

had our leadership day, we had a session where girls had to speak -- speak their voice. Speak what was on their mind especially there’s so much going on in the city of Chicago.

Also, personally what our girls are facing the issue of dark skin vs light skin. “Do I want to be black vs African-American?” So, we had time for them to be able to voice their own opinions and concerns. A lot of our girls walk away saying, “You know, what? Now I’m able to be more confident, to speak my truth and be more authentic”, not just in a safe setting like Ladies of Virtue, but in their everyday lives.

FH: And how have you seen the young ladies attitudes change from when they first entered program until this point now?

JT: We had a young lady who was giving her testimony on how Ladies of Virtue has impacted her, about how her father was incarcerated and how her mother did not raise her. She was being raised by her grandmother. Ladies of Virtue provided a mentor for her, leadership skills, as well as taught her how to be a lady. Now, she has a 3.6 GPA she’s looking to go into Engineering. She also has a mentor who's been with her for four years. That allowed her to have that stability in her life that she did not get from her parents.

FH: That is truly amazing. It is always important to know what your organization is doing and how people are being influenced.

That’s a testimony of that young lady.

What do you think our community needs more of? Outside of what you do personally.

JT: We need more unity. I’m in the Impact Leadership Development program which is here at Urban League in Chicago. One thing we talked [about] is that sometimes, we get upset about certain people being

30

elected. But at the same time what are we doing to set our own agendas. We need to come together and unify and have our top three or five things and then submit that as a unified front. Not only politically, but even when you think of other organizations in general. How are we coming together on one accord and implementing those strategies as well?

FH: Wow. As a nonprofit organization. How do you get funding for the things that you need? How can we help or donate to Ladies of Virtue?

JT: To donate, go to our website: www. lovchicago.org and click on the donate tab.

We’re fundraising for many aspects of our program, including trips like when we took our girls to Washington, D.C. where they visited the National Museum of African American History and Culture. On trips like these, participants might not be able to afford their food or something of that sort.

So, we are looking for donations for that.

We are funded through grants, foundations, corporations and individuals, as well.

FH: Wow. That’s awesome we thank you so much, Jamila, for talking with us. Could you close us out with a word of inspiration?

JT: Okay. You know, I always say to our girls that a Lady of Virtue is not a perfect woman but she is a woman who knows who she is, that knows what she wants in life, she knows that she can do all things through faith, through perseverance so that she can accomplish her goals. So I just wish that for everyone.

VISIT LOV ONLINE: LOVIRTUE.COM

WELLNESS

Two Essential Oil Recipes You Can Make With The Family

By UMAG Staff

es·sen·tial oil noun plural noun: essential oils a natural oil typically obtained by distillation and having the characteristic fragrance of the plant or other source from which it is extracted.

Lavender Body Wash

Frankincense Body Butter

(auracacia.com/community/recipe/Lavender-Hand-and-Body-Wash)

(recipeswithessentialoils.com/frankincense-body-butter/)

Yields – 4 fl. oz.

Preparation Time – 2 minutes

Yields – 8 oz.

Preparation Time – 5 minutes

Equiptment:

Equiptment: 1 medium mixing bowl stand or hand mixer large spoon 8 oz. amber glass jar with lid

Natural essential oils have been used sin- 4 fl. oz. Amber Bottle with Writable Label

ce the ancient times as aromatherapeutic remedies from enhancing moods, to healing ailments. They are come from the plant’s essence through a distillation process. They are a highly concentrated derivatives of the botanicals they are named for.

Ingredients: 42 drops Aura Cacia Lavender Essential Oil 3 drops Aura Cacia Clary Sage Essential Oil 3 drops Aura Cacia Wild Chamomile Essential Oil 4 ounces unscented liquid soap (Castile Here are two recipes that are easy to soap works best!) make for yourself or with your family. Read more about the background, benefits and Directions: uses of essential oils at the National Asso- 1. Into the amber bottle, measure four ounciation for Holistic Aromatherapy website ces of liquid soap.

- www.naha.org. Enjoy!

2. Add essential oils to bottle. Replace lid

and shake gently.

3. To use, pour into palm of hand and apply to body in bath or shower. Work into a lather and rinse with warm water.

Urban Matrix Magazine, October 2017

Ingredients: 3/4 cup shea butter 1/4 cup coconut oil (solid) 1 teaspoon vitamin E oil 10 drops Frankincense Essential Oil 2 tablespoons of melted beeswax, (optional) Directions: Combine the shea butter, coconut oil, and vitamin E in your mixing bowl. Use a stand mixer or hand mixer to blend the mixture.

Scrape the sides and then whip the ingredients until they double in volume. Add in the essential oil and whip another 10 seconds. Pour or spoon into the jar. Apply a little to your skin to keep it luxuriously smooth.

Fearless Dane Campbell:

Fruition Through Fiction

By Janean L. Watkins, Editor in Chief

Chicago is filled with a hosts of people entrenched in the arts. Performance art,

theater, stand up comedy. Often, they’ve spent years honing their craft, paying their dues and sacrificing all -- to no avail.

But, there’s that often hoped for, seldom achieved, chance for recognition. Maybe it’s having a successful gallery opening, or a packed concert.

For Dane Campbell, it’s positive reviews and high attendance at his plays.

You may have heard of Dane. He was featured on ABC 7 News, for the conversation-starting play "Low Hanging Fruit", which ran in July at Stage 773 in Chicago.

This was just a short while after receiving rave reviews for his production "Grounds For Divorce", featured at Black Ensemble Theater during the playhouse's The Shorties series.

Campbell was on his path for writing well before his plays were staged. He interned among such notables as, Haki Madhubuti at Third World Press, one of the oldest Black-owned publishing companies on Chicago's South Side while in grad school at Northeastern Illinois University. He fondly remembers having a great experience, so much so, that he was inspired to work on a novel at the same time.

He also founded Full Effect Theatrical Dance Company, a theater-based, hip hop dance troupe. Some of his work was featured on America's Best Dance Crew.

They've toured Europe and showcased some of the dancers at the Super Bowl alongside such talents like Missy Elliot, Ciara and many more.

Dane says that Fearless Fiction Productions was born out of a sense of wanting to build something where hidden talent can be exposed.

"I wanted a place where underexposed underrepresented talented could find a place to do some great work."

He explains his process, talks about his

“It was not a simple checklist of yes, I know how to make this work.

I did not know how to make this work.I did not expect to get the success I have had, but it’s been a fun ride.”

hopes for the future and gives some advice to youth; all in one dynamic phone call that we wish we had on film.

UMAG: So what would you say inspires you to write the most? What’s the thing that’s the most inspiring for you?

DC: My stories always come from a question. When I'm questioning a hypothetical situation. So, for "Low Hanging Fruit", the questions were, what happens when a police officer goes home and has to tell his wife that he’s shot an unarmed teenager?

And what happens if he actually has black friends? What does that look like? And because I can’t answer it I have to write it.

UMAG: That makes sense, so inquiry happens with each project.

DC: Yes. The same is happening with "Roomies", my project that’s opening December 21st. It’s a comedy and it’s not as topical as Low Hanging Fruit, but it still started with a question. What if you had a guy who just brought his bachelor pad, a house in the suburbs, and before he could even enjoy it he’s confronted with this huge imposition where his flamboyant gay cousin, his A-1 from day one who’s taken the wrong routes in life, his zany con-artist, sex addicted white college friend and his overprotective mother all need to come stay with him? How would that look? And then how will his new fiance respond to all of this, knowing that she has not even moved into his house.

UMAG: Okay, that’s sounds really good. I can’t wait to see that one. So the production company; it’s artistic, it’s creative, it’s all those things. But, it’s also a business and it’s going well. In regards to business training - have you had any, and if not, how did you figure out what to do to make Fearless Fiction Productions a success?

DC: Really good question. So, in my other life I managed a few banks in Chicago. It was a couple of years out of high school when I became a bank teller, I just had that drive. I quickly got promoted up the ranks.

So, I managed at a TCF, and a Chase Bank -while I did that, I got my associates degree in business management and marketing from Harold Washington College.

I borrowed to start Full Effect Theatrical Entertainment Dance company -- it was a 501(c)(3) and I was the CEO. Now, I have a lot of experience -- also, I’ve just accepted an offer to be an interim department chair in the English department at my school.

I think even though I tried to run from the whole ‘managerial’ thing, it still seems to

32

find me somehow. I kind of wish, in some ways, that I didn’t have a knack for business because it’s never harmonious with the creative side. When you’re an artist there is no budget, you're like, ‘what do you mean? I need to spend $2,000 on this because it will be great.’ And your business side is saying, 'we only have $20 to pay for that'.

UMAG: (Laughs) Right.

DC: So I’m always at war with myself.

Sometimes the artistic side wins and the business is impacted from that. Sometimes the business side wins and the art is impacted. That’s why there are producers who just write checks and make money that they put it in the director or artistic director’s hands.

UMAG: Yeah. I totally hear you. Congratulations to on that new position, you’re a professor? What school?

DC: During the day I teach high school; I’m at Rickover Naval Academy. It’s a CPS military school.

UMAG: Yeah, I know Rickover.

DC: I teach English and Theater there.

Then, I also teach with the City Colleges of Chicago at Malcolm X and Truman colleges. I’m out in Elgin, too.

UMAG: Wow. You’re a busy man. So what are your overall goals for Fearless Fiction, and what are you doing to reach them?

DC: Great. Well, I’m a writer first, and then a performer. I realize the nature of things.

That whether it’s in publishing, the music industry, Hollywood whatever the case may be, you need a following.

You need to prove that you can impact people before big production companies or publications decide that they want to back you. So, my goal is to allow my work and hopefully, with some expansion and more personnel, allow other people’s work to shine. So that we can build a fanbase, build a huge buzz, take over Chicago. I like to look at my work, differently than what’s out there. A lot of African-American playwrights follow certain formulas with their work. I like that my work is topical. I like that I’ve been told that the dialogue is intelligently written, but not over your head.

It’s [dialogue that] makes you think.

UMAG: What are your hopes for how you, personally, will move forward?

DC: I want my voice to be a household name. Hopefully, from that, Fearless Fiction can be taken to greater heights. I just want to be recognized for my writing and have other offers come. I have a finished, unpublished novel that I hope to self-pub-

Images Credit: Dane Campbell

lish, soon. I think that the audience members who come to my plays and support my work will want to buy my novels too.

So that’s the goal.

As an artist, I want to make sure that I can bring unflinching stories to the stage.

"Low Hanging Fruit" was my first one, "Roomies" is too, in it’s own way. I think comedies are very important. We have Shakespeare, he did tragedies and he did comedies. Maybe that’s the road I’m following, so to speak. I know the power of making people laugh. I also know the power of making people leave feeling, a range of emotions. Audience members say, 'It was emotionally exhausting, but in a good way.’ So, if I can be consistent with bringing that type of work to the stage, all of the time there’s no doubt that, you know, --UMAG: It’s gonna be a success.

DC: Yes definitely. That’s my hope.

UMAG: Regarding partnerships and collaborations, with any of the things that you’re doing, how and/or why, should people get involved with collaborating?

DC: Looking at the segment on ABC for "Low Hanging Fruit "and thinking, it’s my first time at bat. I had never produced my own play, and for it to have gotten that far; I think this is just the beginning. Definitely anyone who's interested should take the challenge to offer their talents to this cause, because I'm hard working and of course no one who has ever worked with me can leave saying that I don't come through on my promises.

I am fiercely protective of my goals and

strive for excellence. I would want that to be qualities in any of my business partners and/or, investors. Or even people who can bring an artistic contribution to my work in some way. I've always looked for that, but I've always come up short with finding someone as devoted and as dedicated to it as I am.

UMAG: I totally understand that.

DC: Yeah, , they don’t understand that it’s a grind. What we’re doing is a grind. We’re running of the fumes of our dreams and goals.

UMAG: In creating your business, what has been the most fulfilling, and then most challenging, aspects.

DC: The most fulfilling thing about creating my business has been the audition process. Because again, I’ve had a business before. I’ve had a following. But I think when it got real for me is when I was seeing the hundreds of applicants coming thru to apply just based on the title that’s on the website. You know, all they were offering was probably a brief summary, a description of the character. I understood that these are serious actors who are on the grind. They’re probably applying for 10 or 12 things at a time, but what it did; it afforded me the opportunity to see that a part of our mission is to provide a space for unrepresented talent to bring them to forefront. When you’re seeing hundreds of people, you’re seeing how hard it is. There are actors who will work for free just to get a line on their resume, you know, so being able to provide that space was really fulfilling for me.

The hardest thing is really, you know-- I have a team and I’m indebted to them. I love them, but again there’s an on and off switch. You know, they have their lives their personal lives, their full time jobs, and everything else. You know, sometimes I can’t really delegate the things that I really should be delegating. So, I can really run things the way I want to because if I delegate I run the chance of it not getting done.

Or it not being done the way I need it to be done. So, yeah, that’s what it is. That would be the most disappointing part of this. I’m already seeing how I could be way more effective if I didn’t have my hands in every

Urban Matrix Magazine, October 2017

single detail about this business.

UMAG: That’s funny because that’s one of the challenges I’m facing, too. It’s a similiar thread throughout all the conversations I have with people.

DC: Right, exactly. I will to add to that; we are not typically a people of play goers.

It’s not like going to the movies. If it’s not a bunch of well-known people that are in it. Also a lot of plays don’t really come to Chicago that are welcoming to the African-American population. So, that was another struggle, convincing people, ‘Hey come see a play’, understanding that a play should costs this much-- but I’m low balling because I know I’m a “no name” and this is an original script. So yeah, the idea of people performing live in front of you for two hours as the reason for why plays aren’t cheap.

Also, understanding that there were people I had to convince and stay on top of, to get them out. Once they came out, they were writing huge unsolicited reviews saying things like, “You don’t know how you touched me,” or, “I’m gonna be at the next one,” so that felt really good. But, it was a challenge, you know.

UMAG: When I think about our communities and going to plays one of the things I think about is the cost.

DC: Yeah. I’m telling you. No I was just going to say plays are--plays and musicals are really--if you see like the Motown musical. I remember when it came and it was a time when my finances weren’t where they needed to be to go pay $80 or $100 to see--for one seat. I’m not sure if you know it or not but I am one of the playwrights for Black Ensemble. Roomies, the one act version, was actually performed there a couple of weeks ago.

UMAG: I didn’t know that it played there a couple of weeks ago. I did see though that Grounds for Divorce it played there, right?

DC: Yes it did, it did really well. They’re really responsive to my work.

UMAG: Yes. Ms. Jackie Taylor... It doesn’t surprise me that you’ve had your work there. You are the type of playwright she started it for.

DC: Yeah.

UMAG: So how was that experience?

DC: If I can be honest. It’s been very rewarding in a lot of ways. I think she might be

DANE CAMPBELL, continued on Page 43

YOU SHOULD BE READING: 5 Child-Friendly Books You Probably Haven’t Heard Of

By Melissa Smith, Arts Editor Many of my favorite childhood memories involve books.

Whether it was being tucked into bed to re-hear Bilbo’s party, picking up the newest Goosebumps tale from my elementary school library, or my slow jump on the train to Hogwarts, I can’t think of much that happened in my youth that wasn’t somehow tied to a great tale.

Reading so many wonderful stories, living in a different world that gave me powers or sisters or bravery, expanded who I could become. Sure, I couldn’t be a knight flying on

a dragon, but I could be an explorer or archeologist. I may not have been as unsupervised as the Hardy Boys, but I could one day become a detective. The world within the pages of what I spent so much time reading was a world in which I was capable of anything.

A great story can set any imagination to flight, and these five stories written by or for or starring young readers, are hidden gems to delight.

Dancing in the Wings by Debbie Allen Recommended for Kindergarten – Grade 2 Dancer Debbie Allen paints a relatable tale based on her childhood. Dancing in the Wings tackles something everyone has felt at some point in their lives: the awkwardness of not quite fitting in. For lead character, Sassy, her struggle is her height and larger feet at such a young age. Suffering cruel jokes and the inability to perform with her smaller classmates, Sassy works to maintain hope for her one dream to dance on stage. All readers will be able to see themselves in Sassy’s pointe Mufaro’s Beautiful Daughters by John shoes and the un-sugarcoated reality Steptoe of her pain will resonate with children.

Recommended for Pre-School to Grade The illustrations by Kadir Nelson bring 3 (Ages 4+) life and color to the pages, perfectly capturing Allen’s expressive descripAn African Tale translated by John tions. Great for all young readers at any Steptoe, Mufaro’s Beautiful Daughters time. tells the story of the two young daughters of a village chief as they travel to impress the King of the land and win his affection for marriage. One kind daughter and one ambitious, the story teaches the morals of kindness, patience, and love. Beautiful artwork graces each page and while the story is for younger readers, Steptoe does not shy away from a poetic prose comfortable for parents to read as well.

Great for a bedtime story, young reading practice, school bookshelves.

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Witchworld Series by Emma Fischel Recommended for Ages 8 – 12 A great read for young fans of fantasy. Written like a diary and told in first person, readers of Witchworld are transported to a modern fantasy realm of witches and ghouls where brooms are an archaic method of flying and wands are as ancient as rotary phones (kids, look it up).

Witchworld volume 1 takes us with Flo Skritchett as she discovers that an old, terrible enemy has resurfaced.

Words like ‘witchwardens’, ‘shrikkwable’, and ‘skyriders’ are tossed around without over explanation, giving a natural feel to the author’s flow. Recommended for young readers, comfortable with reading, who want to explore their own story. The Witchworld series currently has 3 books in print.

Tens and Teens The Last Dove: The Trilogy of Aeir by E.S. Hines Recommended for preteens (ages 10-14) The Last Dove written by then high school student Elizabeth Suzanne Hines s a good high fantasy introduction piece full of were-creatures in the mythical kingdom of Enira. The prose is written so that the reader feels as though they were listening to this tale from a travelling bard and is paced quick enough to avoid one losing interest, but not too quick as to leave your head spinning. Readers may find Bria, the main character, quite relatable as she is an outcast from her small village for being unable to change into her animal form; a feat common amongst all of the residences of Enira. While more experienced reader might not take to this easily, younger readers within the recommended age group should find it a comfortable read.

The Ables by Jeremy Scott Recommended for Ages 12-18 Phillip Sallinger is a blind telekinetic just starting at his small town’s superhero high school - only special education kids like himself, aren’t really trained to stop the bad guys. Jeremy Scott - voice of YouTube’s CinemaSins - debuts as an author with this YA novel about 3 special needs, superpowered teenageers as they deal with threats of social stigma and real monsters in the most stressful place - high school. The Ables mixes the social themes of Marvel’s X-men with the concept of Sky High to form a wonderful story that says anyone can do anything. The main characters are all incredibly talented and shine in their specific areas, inspirational to any reader. Scott captures the often sarcastic nature of teenagers well in his words, without creating characters too unlikeable to enjoy. A strong debut novel and a good addition to a growing bookshelf.

Urban Matrix Magazine, October 2017

FEATURED

New School Rules:

HOW TWO BLACK MEN CHANGE THE FACE OF EDUCATION IN CHICAGO

By Janean L. Watkins, Editor in Chief & Theo Daniels, Staff Writer Photos Archie "Kenzo" Roper, UMAG D.P., Roc Star Studios

Shaka Rawls Leo Catholic High School & I.M.P.A.C.T. Program Rawls is a former classroom teacher and assistant-principal in the Auburn-Gresh-

am community. He holds a B.A. from Aurora University in History and a Masters from University of Illinois At Chicago (UIC), in Educational Leadership.

Over the years, he has gained a certain sense of familiarity with the public school system. He has worked in “turnaround” schools for a number of years, which he feels prepared him for the work of being a principal and so much more.

“It is very exciting to get a call from your alma mater saying, ‘we need you to come back’.”

He was tapped to take on the role of Principal at Leo Catholic High School and started his tenure in 2016. Rawls says that he feels his biggest asset is, “I care about the young men in my building.”

His colleagues and others say that one great asset of Rawls’ is his general passion for the success of the young men in his charge. It is that level of passion that leads Rawls to continue to participate in professional development, remain open to challenge and embrace innovative curriculum.

Not everything is peachy, there’s a lot of pressure for his success; not only from parents, colleagues and the Leo community at large, but also from fellow alumni that look to him to do right by their school. But, he doesn’t mind it, “There’s a sense of ownership in the Leo community.”

It’s also a comfort to most parents that at Leo, affording the tuition isn’t a barrier to the great work that is happening in the school. Because of organizations like, Big Shoulders Fund a higher number of urban students, can now afford a Catholic school education.

Rawls’ attention isn’t only on the education of his students, but his own, as well. He is currently completing his dissertation at UIC in the field of Educational Policy Analysis.

The decision to go the route of policy was easy.

Prior to his principalship, he was a classroom teacher who experienced the bureaucracy within the educational system, first hand. He understands how it can impede what teachers want to do in the classroom and stunt educational growth in students.

“So, I realized I wanted to be at the table where decisions are made,” Rawls says.

“Especially decisions that impact the lives of my students.”

He admits to not having specialized training in community engagement, but he hails from the Woodlawn Gardens community on Chicago’s South Side where he received all the training he would ever need.

Woodlawn Gardens, for better or worse, has always been a small and close-knit community. It is a neighborhood where

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Shaka says the philosophy, ‘it takes a village to raise a child’, is taken to heart by residents.

“Everyone there was a part of our family, the elders took care of the children and the children gave back to the elders, as well.

So, there was idea that everyone worked together to make sure we were educated, socially conscious, that we were being good people,” he explains. “That was the spirit in which I was raised, so I wanted to recreate that for the young men who come into my building or who are part of the I.M.P.A.C.T .Program.”

A big part of the I.M.P.A.C.T. Program focuses on the students being good stew-

7901 S. Sangamon St., Chicago, IL 60620 773.224.9600 ards. Rawls and other staff communicate clearly with them, explaining the delicate sociological ecosystem of which they are a part. They aim work with students to build a sense of camaraderie that stretches beyond mentor-to-student interactions, but between each other, as well.

“They give me life as well, there’s a sense of reciprocity when doing this work. The idea is that my mentees will become mentors.”

Shaka says.

It’s a necessary and simple plan that isn’t often implemented these days. There has been a revival in the world of youth development, involving training youth to come back and give especially among people in communities of color.

“Young men have an innate sense of belonging in; whether that’s in a positive atmosphere, in the sense of having mentors and instruction, or if it’s in the street life, where they find that sense of belonging in gangs or whatever, I think that whoever is providing that need, get’s the prize, which is a young male who is willing to learn, is innovative and creative. They can use those skill sets for either good or bad, and I think that’s something we see a lot of," Shaka argues. "I think for the young men who we see are successful in Chicago pub-

lic schools, they have a support system.

Whether that’s additional services outside of school or the love of a sport or maybe it’s a teacher or mentor.”

Rawls also draws from his experience as a student at Leo, which showed him that students need mentors and philanthropic organizations to help them be successful in their high school careers.

“I realized that being an African American male, I needed more than what was offered in the school. I needed churches, I needed mentors, I needed philanthropic organizations; to help me get through the educational process. So, I decided I needed to create that for students.”

Today, I.M.P.A.C.T. is in four schools across the city. The program focuses on African American males, but has serviced others in low-income communities, as well.

“Talking specifically about public schools in Chicago, where the numbers tell a pretty solid story. It says that 80% of schools in Chicago are not meeting state standards; they’re not successful for African American males,” says Rawls. “The discipline numbers mimic that and show that Af. Am males are over-disciplined.

Af. Am females are, as well, more than any other population. Being an African American male in Chicago Public Schools is a contentious position”.

Rawls doesn’t shy away from the fact that today’s political climate is responsible

for heightened racial tension. He feels that, larger organizations like the NAACP, should stand by it’s steadfast mission and allow smaller organizations, like I.M.P.A.C.T., to remain malleable and be better equipped to adapt to the ever changing communities they serve.

In his work with I.M.P.A.C.T., Rawls has had the opportunity to work with Dr. Jim LaPrad, of Western Illinois University and Macomb Correctional Facility for a new program that he is working to expand. In it, the two visit inmates four times per year to record them giving advice, their messages and other vital information. The program is the first of it’s kind. One that gives the men a chance to heal wholistically by addressing the harm they caused within their communities and allowing an opportunity to make amends in a small way.

“It’s transformation,” he says, proudly.

Much of the work hs is doing addresses ills often seen in Black and Brown communities. He is also addressing the question of true wealth.

“I often use the analogy of farming. The wealth is in the soil, not the harvest,” he explains.

He understands the uphill battle the Black community faces and to showcase that, he doles out heaping helpings of love and stewardship. Shaka values love, he values young men's emotional space and their relationship with their mothers. All things that are that are silently under fire in the modern world.

He has advice for other educators that question ‘best practices’ and the like.

“Stop talking about it. We don’t need another interview,” he laughs. “I need you to go into the classroom, to work with students, to struggle with them, to learn new math, to learn educational concepts.

Talk to them.”

For Shaka Rawls, he wants to impact change and suggests that if you want to do the same -- you need to find ways to partner with youth during the educational process. Whether that’s in the classroom, in an afterschool program or just in your neighborhood.

“Just find ways to engage them,” he says.

Urban Matrix Magazine, October 2017

[Left] Students flock to greet their principal as he conducts a school tour.

Tim King: Urban Prep Academies

King studied abroad at the European University Institute in Florence, Italy and the University of Nairobi in Nairobi, Kenya. He also holds a J.D. from Georgetown University Law Center in Washington D.C.

Urban Prep Academies is well known for it’s moniker ‘100 Percent Matters’. It’s be-

cause, in 2010, one hundred percent of the graduating class was accepted into a fouryear college or university. The trend has continued, as most recent data with the Illinois Interactive Report Card indicates that 94 percent of its students graduate in 4-7 years; in comparison to the State of Illinois which stands at 86 percent. It is a story of long standing success, made possible by a massive network of educators and students -- all lead by one man’s vision. That man is Tim King.

Tim King founded Urban Prep Academies as a non profit organization that operates as a network of public schools dedicated to preparing young men for life in college, community and beyond. The idea behind all three schools located in Englewood, Bronzeville and University Village, came as response to the challenges that young Black men are facing in the city of Chicago.

“We had a real issue with graduation rates, high levels of poverty, high levels of contact with the criminal justice system-and I felt very strongly that a way to solve that problem was if we created an organization that was going to be laser focused on [the youth] population,” says King.

During his time in Kenya he learned how differently the students viewed education, compared to students in America.

“The Kenyans were much more serious and focused on their education. In the States, many people take their education for granted and don’t really focus as diligently as they should,” says King.

When he started Urban Prep, he hoped that he would be able to promote the importance of education with the young people in Chicago. He believes that the experiences he had abroad really taught him the importance of education. Although he’s never practiced law, the things he learned during his time at Georgetown University have been yet another key to the creation of Urban Prep Academies.

Many of life’s experiences have prepared King for his role at Urban Prep. The most crucial of influences come from his parents. He recalled how seeing his mother, an educator, work with her students.

undergraduate that focused on entrepreneurship,” says King. “I got a little bit of the Mom gene and the Dad gene seeing as I’m an educator who started an entrepreneurial endeavor of his own.”

Being a pioneer was, seemingly, genetic.

He wasn’t the first in in his family to lay the foundation to something great, “My grandfather started a produce business and he is really credited with bringing to the Chicago market, yams and greens into mainstream stores here,” King says.

King recalled how his community also played a significant role in his development. It is a neighborhood known as Pill Hill. A community whose evolution played home to a large number of Black professionals and Chicago elite.

“I had these incredible role models and examples of excellence,” says King. “To see that diversity of positive role models is one of things that I hope we’re providing at Urban Prep; providing them with examples of models of excellence that they can aspire to.”

Tim basks in the knowledge that it takes a village, he nurtures a network that can be there for students in a variety of ways to enhance their educational experience.

“If you feel the desire to make a difference you shouldn’t waste time wondering how, instead take action,” Tim suggests. “That can be something as simple as picking up trash. If you’re working with young people you never ever know when they are watching.”

Then, he watched how his father built his business, from the ground up. Something that greatly helped to shape who King is today.

Plans for expanding Urban Prep Academies around the nation are always at the forefront of King’s mind. With the need for quality, structured education ever on the rise, it’s a welcome solution to the growing problem of educating young Black men

“On the entrepreneurial side there was no real course that I took in law school or in

“I think our growth and expansion will be about bringing our model to other cities

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across the country and expanding the opportunities from ninth through twelfth grades, to somewhere from K through 12,” King says.

Chicago is a big city, where every mile contains a student in need of help. Tim suggests a number of ways people can support youth.

Image Credit: JBak87

“They can enroll [their student] in Urban Prep, they can work at Urban Prep, they can give money to Urban Prep, they can volunteer at Urban Prep,” says King. “Any of those things or any other ideas people have to support us; we’re open to them.”

Urban Prep Academy - Englewood 6201 S Stewart Ave, Chicago, IL 60621 773.535.9724 Urban Prep Academy - Bronzeville 6201 S Stewart Ave, Chicago, IL 60621 773.535.9724 Urban Prep Academy - West Campus 1326 W 14th Pl, Chicago, IL 60608 Urban Matrix Magazine, October 2017 773.534.8860

KUUMBA

The Power of Self-Liberation Twenty years ago, two young women from Chicago decided to fill a need in

their community. Their vision started modestly. It was vision of them facilitating a space where art, personhood and community would establish roots for change. It was then that Kuumba Lynx (KL) was born.

“Twenty years ago we were mad young,” says Jacinda Bullie, Co-Director. “[We were] just trying to find our own way, so there wasn’t a formula for the process, necessarily.”

Jacinda Bullie and Jaquanda Villegas both come from performance backgrounds. They were very involved in the community and working with youth in many aspects, including in sports programming. Eventually, it was the lack of arts-centered programming that caught their attention. It was then that they set out to work with youth in the area of performance works.

“Kuumba Lynx is good for the city because spaces like Chicago Public Schools don’t celebrate our youth,” says Jaquanda, Co-Director. “They don’t provide access, don’t provide adequate resources. KL is holding a space for youth to thrive, be and exist.”

They both cite their original intentions as setting out to make sure youth voices were counted, to accept youth however

By Janean L. Watkins, Editor in Chief Images: Archie "Kenzo" Roper, UMAG D.P., Roc Star Studios

they show up and be there for them - be a part of helping them to tap into their ‘voice’. They set out to facilitate a space where youth could be bold and unapologetic, where their whole self would be accepted. A place where youth could, “...mess up and learn, mess up and try again,” says Jacinda.

They’ve often succeeded in this goal, so much so that graduates of the program often return to pay the blessing of KL forward to other youth.

What they’ve been able to do seems like a dream, but it’s made possible because of the roots of their philosophy. They feel strongly rooted in their community and they knew they had to take on leadership roles and work with their peers to define for themselves what healing public spaces should look like.

They seem to be well on their way to perfecting the art of peer-assisted, self-empowerment.

“The folks who were supporting us, was the folks we’d grown up with, who had the same vision,” says Jacinda.

“We had the elders supporting us and saying, ‘yes, go do that work. It’s needed and important.’,” Jaquanda explains.

Their communal and familial upbringing was one that instilled the power of community that has always been a common thread in all that they’ve done. Even as

40

with some of their initial projects like the Chi-Town Low-Down newspaper. Even then, Jaquanda and Jacinda recognized the need to combine all their skillsets and work with the community to build something they could all grow in.

“We valued everything that was brought to the table to make things work,” says Jaquanda.

What they’ve done over the years has given voice to youth’s opinions about safe spaces, about what issues are important or needs to be addressed, and in regards to saying what art and culture looks like.

“So, the process for us was about getting a crew who we could build with, that would love on us, that we could trust and do the work with,” says Jacinda.

Kuumba Lynx helps youth to reach inside and find the value in themselves. It’s proven time and time again with their program. Youth who start out quiet or introverted, leave as people who have fully emerged to be the amazing person who was inside all along. Fortunately, this amazing work isn’t limited to targeting a specific age group; likely because of the way it all began.

“KL engages young folks eight and up. We really think of ourselves as a continuum; an intergenerational collective of folks.

So, there’s not really a starting or ending point,” Jacina explains.

LYNX In other words, throughout its growth and expansion, KL has remained grassroots -- of, by and for the community. Their foundations, their practices and even their language showcases a different way of holding space.

“Language can be very powerful,” says Jacinda. “For me, personally, I’m not empowering anyone or liberating anyone. That’s something each individual is responsible for in their own lives.”

This philosophy is likely why their guiding mantra is Show Up. Back when they began, they only had the knowledge they’d acquired to that point.

They had to do what they could, had to show up when it was time to put their plans into action.

“However we showed up, we handled what we had to take care of,” Jacinda explains.

“We built this unique partnership that we really had to defend amongst our peers and amongst others in this field.”

They’ve harnessed their power as women to creatively expand their minds. Bounce ideas off of each other and as Jacinda puts it, “Pour in our radical love, it is special and needed.”

Jacinda and Jaquanda have learned over the years, how to navigate through each other’s strengths and weaknesses, culminating to a strong bond that is consistently on the rise.

Lately, they've been putting a lot of thought into their programming. They're considering how things will look down the line.

They’re planning for their legacy.

“We’re really thinking about the impact and going deeper with our programming and the capacity we have to make that happen,” Jaquanda explains.

They’re even taking action towards further sustainability. Jaquanda cites a list of tasks, like creating and implementing a new staffing structure now that their leadership roles have grown from two to five people, having just recently onboarded three alumni into administrative positions.

In actions like their Chicago Hip Hop Theater Fest, one of their newest ventures designed to recognize alumni, they want to,

“Hold [youth] up in a place where they can expand on their art,” says Jacinda.

Events like the fest and their programs Half Pint Poetics and KL Performance Ensemble, help to spread the word about who Kuumba Lynx is, and what they do.

It’s undeniable to most of the youth who encounter these events that the organizers care. It makes it easy to gain new members of the KL family who understand that, one day, the legacy that they’re helping to create might become theirs to maintain.

“It’s also really important to us in terms of the next 20 years of sustaining this organization; allowing us to step into more creative and visionary positions,” says Jaquanda.

There are also plans in motion for a new facet of their programming. Their upcoming As I Am Initiative, which focuses on people 18 - 26, will answer the need that

Urban Matrix Magazine, October 2017

the city has failed to address regarding resources for young adults.

“Those are young folks who need family,” Jacinda says. “They need guidance and love and support and resources. It never ends, we need it for the rest of our lives.”

With this in mind, their programming is further embracing their intergenerational philosophy. They are trying to model a space that is all-inclusive and that recognizes and embraces the idea that, ‘community is forever’.

Their advice to others is simple. “Show up as your authentic self, believe in yourself and go for it,” says Jaquanda.

“You have to approach your art as if it is your livelihood. The thing that will keep you thriving and surviving,” Jacinda implores. “It is your joy, your justice and your liberation. If you keep that in mind, then you keep moving forward.”

Be A Leader Control Your Destiny UMAG BRAIN FOOD

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considering building another theater space for what she calls ‘experimental theater’.

I think “experimental” in the sense that it won’t be your typical Black Ensemble type of show, where there’s a lot of singing and dancing. It will feature dramas and comedies and things of that nature. So, I believe my work will be a great place for that outlet.

I’m just glad that she’s been in attendance for "Grounds for Divorce", as well as, "Low Hanging Fruit" and has seen the audience reaction. I’m just hoping that she’s looking to produce one of mines.

UMAG: That would be great. I look forward to seeing more collaborations between the two of you. Finally, what is the single most important piece of advice that can you give to aspiring entrepreneurs, especially those in the world of theater?

DC: I don’t want to sound cliche; but, let me structure it this way. Know and understand that there are people out there who are dying for an opportunity, any opportunity to show their talent, so work on your craft. In terms of if you produce a heartfelt piece, or something from the heart that’s entertaining and good people, will support it.

Image Credit: Fearless Fiction Productions

DANE CAMPBELL, continued from page 33

Keep up with the latest works from Fearless Fiction Productions at: fearlessfictionproductions.com [Below] Still image from the stage play "Low Hanging Fruit", by Dane Campbell. Image Credit: Fearless Fiction Productions

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