Urban Matrix Magazine Vol. 1; Issue 1 by Urban Matrix Magazine

URBAN

Education and Empowerment Resources for the Entrepreneurial Community

VOL. 1; ISSUE 1 JULY 2017 $7.00 USD

The Business of Fashion spread: Melody Boykin, Cesar Rolon, Tony Long & More! UMAG HOW-TO: Legitimizing Your Hustle WELLNESS: Who is Dr. Truth?

Morocco Omari:

Anecdotes of an Actor

Cover Photo By: Ashley C. Brown, Urban Matrix Magazine, July 2017 Brown Rice Photography

Clara Hubbard: Connecting Seniors to Better Quality of Life Services

INSIDE UMAG

Dr. Ngonzi “Truth” Crushshon

The Business of Fashion Spread

Who / What Is Urban Matrix Magazine? By Janean L. Watkins, Editor In Chief

Who Is Dr. Truth By Dr. Ngonzi Crushshon, Columnist

UMAG Reviews: Uncle Julio’s By Brandon Mazzuca, Staff Writer

Mama Fresh Chi By Vickie Simmons, Web Diva

UMAG Reviews: Dear White People By Vickie Simmons

Clara Hubbard By Theo Daniels, Staff Writer

Angel d’Cuba By Janean L. Watkins; Theo Daniels

Op-Ed: Over Your Head By Janean L. Watkins

Morocco Omari By Janean L. Watkins; Theo Daniels

Legitimizing Your Hustle By Theo Daniels

The Business of Fashion By Janean L. Watkins

Entrepreneuring Youth By Akilah J. Brown, Senior Editor

UMAG Reviews: Five Nights in Maine By Vickie Simmons

Literary: A Poem By Lakeesha J. Harris

URBAN MATRIX MAGAZINE Chicago, IL urbanmatrixmag@gmail.com www.urbanmatrixmag.com Editor in Chief Janean L. Watkins Senior Editor Akilah J. Brown Staff Writer Theo Daniels Arts Editor Melissa Smith

Over Your Head!

Web Diva Vickie Simmons Business Manager Brandon Mazzuca

Ad Inquiries ads.urbanmatrix@gmail.com

Offering the worldâ&#x20AC;&#x2122;s first absinthe-infused cigars, hand-rolled from the Dominican Republic.

www.alphacigar.com Urban Matrix Magazine, July 2017

EDITORIAL

Who/What Is Urban Matrix Magazine?

Janean L. Watkins Editor in Chief / Creator

...this space is for your entrepreneurial spirit. It is where engaging coverage and useful resources come together to entertain and enlighten the modern urban aficionado.

Urban Matrix Magazine (UMAG) is currently online and aspires to become the premier quarterly, print and digital resource for the entrepreneurial community. We're creating articles, videos, audio and events as a means of providing a space for the promotion of entrepreneurship, education the arts, wellness and entertainment. We aim to provide the venue, which is rarely given in mainstream media, for the masterful movers and shakers; artists and entrepreneurs, especially those of color, in Chicago and beyond - to showcase their brand. We want to give professionals, semi-professionals and others a space to network, access resources and showcase their ideas. Our educational and engaging content will go a long way to invite readers to return for each quarterly print issue. Our primary focus is to help to people find success through the empowerment of knowledge and associations. We will capitalize on our communityâ&#x20AC;&#x2122;s networking power to help build our media organization, that is by the people and for the people.

editions, podcasts and videos. We have showcased a great number of artists, entrepreneurs and events and we look forward to meeting even more phenomenal people, discovering engaging brands and experiencing exclusive events. In the near future, we also strive to expand our brand to include youth development in the arena of mass communications. We are always on the lookout for creative and technical support, business advice, sponsorship and funding from investment firms, local businesses, entrepreneurs, community organizations and humanities-focused groups. We are a double minority owned company that strives to reach our goal of helping others while we help ourselves. Please feel free to reach out with any business inquiries, questions or opportunities to: Janean L. Watkins, Editor In Chief / Creator, janean.ubanmatrixmag@gmail.com.

In the past year, we have launched our online presence, our digital and print

@UrbanMatrixMag

www.urbanmatrixmag.com 4

gofundme.com/urban-matrix-media

MEET THE UMAG STAFF THEO DANIELS, STAFF WRITER KIARA SLOAN, VISUALS TECH DION FEFEE, FINANCE CONTRIBUTOR Akilah J. Brown, Senior Editor

NATASHA SLOAN, BRAND AMBASSADOR / REPORTER

Akilah J. Brown is the founder of A&B Fashion Connection; a company that is centered around entertainment, fashion and catering. She started her company in 2012 with the hopes to meet others who have a similar background and mindset.

JESUS “CHUCHO” RAMIREZ, BRAND AMBASSADOR / REPORTER

After winning a battle against Congestive Heart Failure in 2014, Akilah came back in 2015 to start Have A Heart, Give A Heart Foundation, an organization that provides resources, advice and wellness tips for CHF sufferers.

JOYCE BATTLE, CONTRIBUTOR

Her connections and experience on “the scene” make her editorial contributions a central part of Urban Matrix Magazine.

ARCHIE “KENZO” ROPER, PHOTOGRAPHY DIRECTOR

KIZZY TRAWALLEY-ISOM, PROMOTIONS

Vickie Simmons, Web Diva / Contributor Vickie has had love for Web Design and Development since being introduced to Information Technology back in the late 1990’s. Since then, she has pursued and obtained her Bachelors of Science in Information Technology (BSIT) and Masters in Web Development (MSIT) with Kaplan University. Over the last two decades, she has worked on numerous web projects with groups like Real Sista Writers (RSW), Creamkast and a host of other entrepreneurs and writers who are working at creating spaces and a web presence to represent their brand on the World Wide Web. She’s a very passionate techie who is dedicated to her craft.

SPECIAL THANKS TO: TERRY BISHIOP, BISHOP PROMOTIONS YVETTE MAGALLON, GYPSY LOVE RADIO, Melissa Smith Arts Editor Melissa Smith is a writer and editor with a BA in Creative Writing from Kentucky State University. From a young age, she has held a passion for literature; thanks in no small part to her mother’s choice of bed time stories. Where most children were lulled to sleep with Goodnight Moon or The Three Bears, Melissa was escorted to sleep with tales of Hobbits, wizards and more.

BRIAN GORMAN, SOUL SELECTOR DJ’S

Brandon J. Mazzuca, Business Mngr. / Staff Writer

TRICIA ROBINSON, CLUB MATRIX 360

Brandon has been writing since junior high. He has always loved creative writing, as well as, writing and producing articles. A lover of suspense and mystery, he enjoys reading through the novels of Stephen King and James Patterson and watching the American Horror Story TV series.

Urban Matrix Magazine, July 2017

He is also a fan of soap operas and is currently working on a manuscript for a television series. When he’s not working with UMAG, he works as an extra on a number of Chicago television shows. He is very active in the community and loves helping create initiatives that will help those in need locally and globally.

FELICIA APPREY-AGYARE, THE AFRICAN LIFE

In her spare time, Melissa reads Wonder Woman comics or any books that feature dragons. She also enjoys writing, cosplay, and learning new K-Pop dance moves.

FEATURED

Dr. Ngozi Crushshon:

WHO IS DR. TRUTH? DR. NGONZI “TRUTH” CRUSHON, COLUMNIST Ngonzi Truth Crushshon, Psy.D., also known as Dr. Truth, is a license-eligible psychologist, currently completing her Postdoctoral training at the private practice, Hope Haven Psychological Resource, LLC in Indianapolis, Indiana. Postdoc is one of the last two requirements for psychologist licensure (the other is passing the Examination of Professional Practice of Psychology). Her goal is to become a licensed clinical psychologist providing psychological and wellness services within Chicagoland through Dr. Truth & Associates. She is also a regular contributor for Urban Matrix Magazine’s ‘Wellness’ section. Since 2005, Dr. Truth has facilitated the therapeutic process in numerous

community, hospital, school, private practice, and correctional facilities. Her theoretical approach includes an integration of humanistic, cognitivebehavioral, insight-oriented, and dynamic modalities. Dr. Truth has constructed various workshops and presentations addressing conflict and healthy relationships through Chicago Urban Love Series. She is an Adjunct Professor of Neuropsychology and Counseling Children and Adolescents. She has worked with the Children’s Defense Fund in Washington, D.C. advocating for underserved children in America. She is committed to empowering people to find their purpose in life, to live their best life, and to “recreate the village”. Her goal is to partner with individuals/

organizations to revive healthy, loving, supportive families and communities. Generation Hope Youth provides youth, 3-17 years old, with adult mentors, community activities and a village for youth to develop into healthy, well-rounded children. We help participants identify with their ‘current’ internal and external strengths; helping them to achieve their ‘future’ academic goals. Dr. Truth links people to needed community, education/career and mental health resources through the Chicagoland Community Resource Guide, often providing hope to the hopeless. She helps them see beyond their current situation and to visualize their better future. Many

underserved communities are lacking resources or are on long waiting lists to receive needed mental health and other social services resources that they desperately need.

Entrepreneurs within Entrepreneur’s Circle create jobs for those who otherwise may not have an opportunity to work, we “give back” a portion of our profits reinvesting them into the community and local non-profits and we form business collaborations that allow for a greater impact within the Chicagoland community. Urban Matrix: Why do you want to help women, entrepreneurs and families? Dr Truth: I want to help women, entrepreneurs and families because one of Dr. King’s last missions was Economic Development. By empowering single mothers and training business leaders/ entrepreneurs this will help sustain women, their families and the communities in which they reside.

late. The need for services is greater than the resources in many urban communities. UMAG: How is Dr. Truth and Associates different? DT: Dr. Truth and Associates assesses for cultural and spiritual strengths as protective factors for healing and treatment. We try to reconnect people to their true purpose, and to restore family and community relationships. We also encourage civic engagement and people to give back and to volunteer in their own communities. UMAG: Why are you positioned/ commissioned to do this work? DT: This is my purpose to empower families and to empower people to be all that they were meant to be and to find their purpose/calling because there is a greater meaning for you than just “existing” on earth and working a 9 to 5 job. Let’s truly live on purpose!

Dr. Ngonzi Truth Crushshon, Psy.D. 312-409-9371 www.faithhopelovecommunity. com www.chicagolandcommunityresources.wordpress.com/resources/

I’ll also begin to address some of the ills we have in our world like street gangs, substance abuse and other risk factors. Empowering people with the needed community resources, parenting skills, economic support, psychoeducation for mental health/mental health therapy is important for their survival.

! !

UMAG: What happens when people don’t get the support that they need? DT: People fail, they give up, they become discouraged, they commit suicide/homicide, families are destroyed, men/women/youth are incarcerated, children are shot/ victims of gun violence, substance abuse and illegal sex trafficking. The destruction of the family and community. It is sad because some of the things that we are dying from/for we have the answers to but the people/community is not receiving and/or responding to the help needed. Often the help comes too little or too

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Dr. Truth facilitates monthly meetups and workshops for entrepreneurs within the Chicagoland area to provide a supportive, safe environment for entrepreneurs to grow their business and business acumen. She connects entrepreneurs with accountability partners and business resources so they can develop a more profitable, sustainable business.

“I want to help women, entrepreneurs and families because one of Dr. King’s last missions was Economic Development.”

Photo Dr.Magazine, Ngonzi Crushshon UrbanCredits: Matrix July 2017

Email Us: ads.urbanmatrix@gmail.com

UMAG REVIEWS

Uncle Julio’s Restaurant BRANDON MAZZUCA, STAFF WRITER The first thing I noticed, walking into Uncle Julio’s (UJ’s), was the aroma of freshly baked tortillas and chips. These, and many other menu items, are made daily and consumed on location. As is the standard at Mexican based eateries, the first thing brought to my table were chips and salsa. UJ’s chips are thin, delicately crisp, and salted to perfection. The mesquite salsa was very flavorful and added a poignant touch to prepare for my appetizer. I ordered the “Ceviche Fresca” for an appetizer and wasn’t the least bit displeased. It was loaded with a generous amount of scallops and shrimp, married with tangy spices, and served alongside small corn tortillas - a truly decadent

selection. The lemon and lime marinated made to perfection. My server did an awepieces were to die for. some job and the restaurant was timely in preparing and cooking each of my selecTo go with my appetizer I chose “The tions. Swirl”, the original frozen collision of Spain and Mexico and legendary since 1987. UJ’s The prices are well represented by the signature beverage consists of frozen San- quantity and quality of the food I ordered. gria and a Montezuma margarita swirled The restaurant has a private room which into a chilled highball. can cater up to fifty people and the UJs can fit three hundred. For my entrée, I chose the “Carnitas Azteca” provided a satisfying dinner. Along Give it a try; I think you’ll enjoy it. Unwith an endless supply of flour tortillas, cle Julio’s restaurant is located at: the honey seasoned pork went a long way, and with the complement of pico de gallo 855 W. North Avenue, Chicago, IL and guacamole, it was heaven in my mouMexican Cuisine | Price: $$$ th. Brandon’s Score 96/100 Pairing with my entrée, I chose to drink a Midori sour which was a great companion to my main course. Both drinks were

PHOTOS CREDIT: UNCLE JULIO’S

A LOS DURAND FILM...

COMING SOON FOLLOW @AZTECDINERO ON: Urban Matrix Magazine, July 2017

WELLNESS

We don’t want our lives to change after childbirth, we want it to evolve to include motherhood.

Mama Fresh Chi:

Mama’s Are People Too VICKIE SIMMONS, WEB DIVA / CONTRIBUTOR

Being pregnant can be one of the most preternatural moments a woman experiences in her life. From conception, and even during the pregnancy, some mothers form an unbreakable bond with their children. They read and talk to them hoping that their words of encouragement and expressions of love reach and enrich the lives of their children while they carry them in the womb. For some, motherhood fits right in with their expectations from life. For them, having children just... fits. But, how are new mothers ,or career mothers, who moonlight as a societal movers-and-shakers, supposed to embrace motherhood while still

maintaining a level of normalcy in their lives after childbirth? Mama Fresh is one solution. Mama Fresh is a local business in Chicago that was created by Jenn LeFlore, with the sole purpose of helping “Mamas” in Chicago create a balance between both of their worlds. Urban Matrix Magazine: Why the name Mama Fresh? Jenn LeFlore: After having my son, Obie Q, I would spend hours combing various social media pages, websites and new-mom group texts trying to find activities for my son and I to participate in together. I hopped around different ‘Mom’ groups in Chicago but I never truly felt like I found the one that was right for us. Mama Fresh

was born out of a need to have community resources at your fingertips. I soon discovered I needed a fresh approach to this Mama Life! UMAG: Is there a demographic or target audience that can participate in Mama Fresh events? JL: Mama Fresh was built more for "women about town" it embraces that phase in our lives before we became Mamas. Some of us were brunching on rooftops, attending speaking engagements of our favorite author, dancing in the front row at a concert or working endless hours focused on our career. We don’t want our lives to change after childbirth, we want it to evolve to include motherhood. Mama Fresh is creating a movement in Chicago by

building a community of Mama’s. My focus for Mama Fresh is to speak directly to the Mamas -- single, married and everything in between -- to create a safe space to share. There are events, like our dance party, that are perfect for the entire family. It truly does take a village and we want to be a part of that village. UMAG: Are there any membership fees or cost for events with Mama Fresh? JL: Our events for Mama Fresh are a combination of free and paid events. For example, our weekly Stroller Stride and our Pajama Storytime are both free. Our Mama & Me Yoga and upcoming dance party are both paid events. In the future, we are rolling out a Membership Level of engagement for our mama’s. UMAG: What does Mama Fresh Chi hope to accomplish within the communities of Chicago? JL: My vision is for Mama Fresh to create and ignite a diverse community where Mamas are celebrated. I am here to empower Mamas to pack up their little ones and explore the city! There is a gap in the market and these women have been waiting for someone to speak specifically to them. So, after having your baby, you don't have to go into hiding Mama Fresh Chi is here to help you. A Mama’s time is precious and we know how much effort and time it takes to get to an event nevertheless on time! We will make your time worth it. Our events are meetings with a purpose and after attending our events, our Mamas leave with fresh tools to take home for use with their babies right away. UMAG: Where do you want to see Mama Fresh in five years? JL: Mama Fresh will organically grow as my journey with motherhood grows. Mamas from other cities have already reached out and asked for a Mama Fresh to be in in their cities. And we definitely will have pop up events and a Mama Fresh One Day

Conference full of curated workshops in our future.....wait I see that for NEXT year! #DREAMBIG. In five years there will be a Mama who is five weeks postpartum and completely overwhelmed by the idea of getting out the house. And she will find Mama Fresh and we will be here to welcome her and her child with open arms. name Mama Fresh? JL: After having my son, Obie Q, I would spend hours combing various social media pages, websites and new-mom group texts trying to find activities for my son and I to participate in together. I hopped around different ‘Mom’ groups in Chicago but I never truly felt like I found the one that was right for us. Mama Fresh was born out of a need to have community resources at your fingertips. I soon discovered I needed a fresh approach to this Mama Life! UMAG: Is there a demographic or target audience that can participate in Mama Fresh events? JL: Mama Fresh was built more for “women about town” it embraces that phase in our lives before we became Mamas. Some of us were brunching on rooftops, attending speaking engagements of our favorite author, dancing in the front row at a concert or working endless hours in focused on our career. We don’t want our lives to change after childbirth, we want it to evolve to include motherhood. Mama Fresh is creating a movement in Chicago by building a community of Mama’s. My focus for Mama Fresh is to speak directly to the Mamas -- single, married and everything in between -- to create a safe space to share. There are events, like our dance party, that are perfect for the entire family. It truly does take a village and we want to be a part of that village. UMAG: Are there any membership fees or cost for events with Mama Fresh? JL: Our events for Mama Fresh are a

PHOTO CREDITS: JENN LEFLORE

Urban Matrix Magazine, July 2017

“Our events are meetings with a purpose and after attending our events, our Mamas leave with fresh tools to take home for use with their babies right away.” combination of free and paid events. For example, our weekly Stroller Stride and our Pajama Storytime; are both free. Our Mama & Me Yoga and upcoming dance party; are both paid events. In the future, we are rolling out a Membership Level of engagement for our mama’s. UMAG: What does Mama Fresh Chi hope to accomplish within the communities of Chicago? JL: My vision is for Mama Fresh to create and ignite a diverse community where Mamas are celebrated. I am here to empower Mamas to pack up their little ones and explore the city! There is a gap in the market and these women have been waiting for someone to speak specifically to them. So, after having your baby, you don’t have to go into hiding Mama Fresh Chi is here to help you. A Mama’s time is precious and we know how much effort and time it takes to get to an event nevertheless on time! We will make your time worth it. Our events are meetings with a purpose and after attending our events, our Mamas leave with fresh tools to take home for use with their babies right away. UMAG: Where do you want to see Mama

Fresh in five years? JL: Mama Fresh will organically grow as my journey with motherhood grows. Mamas from other cities have already reached out and asked for a Mama Fresh to be in in their cities. And we definitely will have pop up events and a Mama Fresh One Day Conference full of curated workshops in our future.....wait I see that for NEXT year! #DREAMBIG. In five years there will be a Mama who is five weeks postpartum and completely overwhelmed by the idea of getting out the house. And she will find Mama Fresh and we will be here to welcome her and her child with open arms.

Mama Fresh Chicago was born out of a need of community and resources at your fingertips. As a new mom, I spent hours combing various social media pages, websites and new-mom group texts to find activities for me and my son ObieQ. Before kids we were “women about town”. Brunching on rooftops, attending a speaking engagement of our favorite author, dancing in the front row at a concert. We don’t want our lives to change, just evolve! We need a Fresh approach to this Mom Life. @MamaFreshChi

UMAG REVIEWS

Dear White People Season (1) -Netflix Series 2017 REVIEWED BY: Vickie Simmons, Web Diva/Contributor

CREATOR: Justin Simien

SYNOPSIS: A diverse group of college students bring attention to racism which has been overlooked by campus administration, while trying to receive an education at a predominantly white, Ivy League university.

WHO’S WHO: Samantha (Logan Browning) is all about setting the record straight in regards to the racism on campus and she has the right outlet: her school’s radio station, until her summer fling is outed; risking everything she has built on her campus. Troy (Brandon P Bell) is the king of the campus. He knows there is a racial divide and casually supports the movement without taking a strong stance on either side - until one night sets things terribly out-of-control.

ear White People is a millennial, ‘no-filters’ take on the racism still plaguing our society. The series successfully highlights the real-life lack of respect and complete marginalization the majority of the African-American community feels on a daily basis. Each episode gives an in-depth perspective on the many personalities that can exist on a college campus. The episodes encourage and enlighten one way or another as the stories relates to at least one aspect of all walks of life. The diversity of the cast is perfect, and the characters skillfully play off of each other to make this series a hit. Mixed with a lot of humor, witty satire, and minor sexual content this series is a great one to watch, with Season 2 available on Netflix now..

Lionel (DeRon Horton) is the smart shy and nerdy reporter struggling to determine his identity; not just on campus, but also in his daily life. Coco (Antoinette Robertson) has dealt with negative stereotypes regarding her skin color her entire life. When Coco got to college, she expected positive changes for her life so she was down for the cause. However, after so many disappointments she soon learns that its money, not color, that is the root of success.

Urban Matrix Magazine, July 2017

ings; especially when compared to children. “Where I was working, I was always responsible for the seniors. In most of my endeavors there were no activities planned [for the seniors].” said Hubbard. “[For example,] when you have a family reunion; no one was focusing on the senior. They would always try to take care of the kids. The seniors would either be in the lobby or the hotel, or you wouldn’t see them until Sunday when everyone goes to church.” At the time, there were no Chicago media outlets that catered to seniors. So Hubbard cornered the market and turned her passion for helping the aged community, into a successful radio show. Now,Senior Talk offers listeners a broad range of programs including trial health care services and even diabetic footwear. Hubbard also works with organizations like Great Lakes Clinical Trials, JenCare Senior Medical Center, and nonprofits like the Metropolitan Breast Cancer Task Force. Hubbard’s current focus is extending access to the senior-focused transportation services. Getting around the city is something the more able take for granted, however, those in need of more specialized services run into limitations. “[It’s about] Finding [a] quality service to allow them to continue their independent living...some transportation companies are not available or they have restricted hours,” said Hubbard. “Transportation is the key.”

Clara Hubbard

Connecting Seniors to Better Quality of Life Services THEO DANIELS, STAFF WRITER Senior Talk radio show is the number one resource and information show for seniors, caregivers, and health professionals across the city of Chicago. Founded by entrepreneur Clara Hubbard, the program seeks to connect the elderly population of

Chicagoland to better quality-of-life services. Born in 2011, the idea for Senior Talk came after Hubbard consistently noticed how few opportunities exist for seniors during family gather-

Currently, seniors have only two carriers to choose from: the Pace Bus Paratransit program or SCR Medical Transportation. “...We’re doing the grassroot work, we’re going to call and find out who they are and what their prices are and maybe even work to create a transportation fair,” said Hubbard. “So people can learn of different services.” Though many senior living facilities

offer shuttles to the residents, distance, time, and general availability is limited, with many places having only one shuttle. Hubbard’s goal is to broaden the senior’s choices. She’s working to have small businesses help transport the senior community to places like the store or movies. Unfortunately, it has not been an easy road. Hubbard’s effort to build a relationship with Groupon are stalled, mainly due to her listener’s limit in technological understanding. “Maybe the seniors’ aren’t comfortable with the electronic side of having their card debited,” said Hubbard. “Maybe there’s a learning curve.” She also faces a jaded community, often pushed to the side, hesitant to take advantage of her offers. “Some people are still virgins to the fact that these services are available at no cost, added Hubbard. “100 percent of the services on my radio program, or my sponsors and clients that are on my radio program, they charge zero dollars.” Despite this, Hubbard is determined to keep moving forward and those that take advantage are grateful. “They want to be a part of the community, they want to be internet and tech savvy; but they need instructions,” said Hubbard. “And I’m working to achieve that so that they can have a better quality of life while still being considered an important part of the community.”

PHOTO CREDITS: CLARA HUBBARD

FB: clara.hubbard.96 T: @clara_hubbard IG: seniortalk YouTube: seniortalk

Urban Matrix Magazine, July 2017

FEATURED

THE MAN, THE MUSIC, THE LEGEND

ANGEL d’CUBA

JANEAN L. WATKINS, EDITOR IN CHIEF & THEO DANIELS, STAFF WRITER After his electrifying performance at the 2016 Hyde Park Jazz Festival, legendary soul-jazz performer Angel Luis Badell, also known as Angel d’Cuba, spoke at length about Cuba, the Chicago music scene, his influences, and his advice to young musicians. d’Cuba is well versed in Chicago’s rich musical history. He cites his love for artists like Jackson Five, who he knows is from Gary, Indiana, but says, “It is like they are from Chicago; it is only a hop skip and a jump away.” People like Lou Rawls, the music group Shalamar, and the incomparable Chaka Khan helped him to realize his love for the Chicago sound. He recognizes the roots of his lineage in the music here. It’s one of the reasons he made this place his home. “…the main reason why I’m here in Chicago is because I want to be around the story of my descendants and my family descendants.” He’s doing just that; making connections rooted in the rich history of his musical ancestors. When North America was experiencing the funk of Rick James and The Ohio Players, Angel was performing for crowds in Havana, Cuba. “The way I sing, the way I move, the way I write my music and [the way] I arrange my music, it’s a mixture of two brotherhoods; the Afro-Cubans from the far side of the ocean, to the African-Americans.” He grew up submerged in the sounds of funk, rhythm, blues, and soul; so much so, that his performance is all his own yet still shows how he was heavily influenced by acts like the Cuban actor and musician Benny More, American superstar James Brown, and African legend Fela Kuti.

Angel’s sound and performance showcases how closely he watched, listened to, and learned what entertainment is supposed to be. His shows at the African Festival of the Arts and Hyde Park Jazz Fest proves what a good student he’s been. Dressed in a lime green, quarter length jacket and a two piece dashiki print ensemble, he took the Midway Plaisance, West Stage by storm with his six piece band. “In my performance, I try to pull back some of what we lost when we were stolen from the Motherland,” Angel explains. “…what I try to do is rescue this sound and create one unique sound that reminds us [of] who we are as an Afro population in the world.” It’s important to Angel that he uses his music to expose the skills, talents, and personhood of the African Diaspora. “My intention was to mix the music from around the world. Brazil, Colombia, Peru, Venezuela, Panama, and the Dominican Republic.,” he lists. “…and mix them into one sound. That is why people feel a connection to my music. It is all there.” Making it to the States wasn’t easy for Angel. His first stint in performances began as a ‘human drum machine’ for hip hop dancers. “Later on, I find out that I wasn’t the only [one] doing the [beat-boxing] when I saw movies [of] other people in Los Angeles [and] New York imitating the instruments and the rappers.” It was his introduction to the world of hip-hop that made him interested in performing. As he sold James Brown records on the streets of Havana, he sought out more ways to be connected to the music he loved. Angel, and a few other friends, decided to start an Earth Wind and Fire fan club. Inevitably, it would be that club that Urban Matrix Magazine, July 2017

allowed him to perform for packed audiences at one of Havana’s most famous places of entertainment. A place he calls, The Castle. His journey was riddled with stumbling blocks, many of which were devised by the authorities. “There was a lot of obstacles from the government,” Angel says. Cuban officials were critical of American cultural mores bleeding into the fabric of Cuban culture during Angel’s youth. Though norms in the country changed a bit during the 80’s and 90’s, dislike for certain aspects of American entertainment remained. “[Hip-Hop music] was prohibited by the government but I was happy.” d’Cuba alludes to finding another way out. “To achieve my dreams, I didn’t follow the rules.” Angel has a strong mind of his own. When music lovers in the States shunned R. Kelly for the allegations against him, Angel maintained his perspective as ‘just a lover of good music’. “People forget about this guy because of drama. This guy was a god of African-American music and American music in Havana…,” he jests. “If you have any opportunity to talk to R. Kelly let him know that there’s a brother here that loves him so much and appreciate his music too.” As Angel grew, so did his signature sound. “Later on I become a well recognized jazz singer in the whole island of Cuba. The jazz came into my life because of the Earth, Wind and Fire fan club.” He knew he wanted recognition for his performances and he knew he wanted that recognition in America. But, unlike many musicians who migrated to Miami, Angel decided to pursue his

musical heroes in the heart of the Midwest. “Chicago hold the energy of the music in America and I see why. I have been living here in [this city] for 20 years.” He admits that making your way in the music industry is a lot more difficult in Chicago than most other places. Despite the hardships, he embraces the tough nature of living in The Windy City. “Chicago is a city of difficulties. It’s a hard city to make anything come true. That’s why I’m here in Chicago because the city has been pushing me to be the one who I am, now-a-days, and I love that.” Not only does Angel give his all in his performances, but he also teaches fitness classes to elders in and around Chicagoland communities. Angel d’Cuba has worked with a number of musicians over the years. He speaks of how fellow musicians in Miami are now reconnecting because of social media; and hopes to have more of them visit Chicago to share their new Cuba-Miami sound.

“Chicago hold the energy of the music in America and I see why. I have been living here for 20 years.”

Spotlighting DREAMS...

Angel’s career is a direct result of hard work, passion and perseverance. It’s why his advice for emerging artists is so valuable. “Whatever obstacle you have to overcome keep on going. When you feel no motivation or even [if you are] frustrated, find a way to get away from that sensation and don’t let anybody [stand] in your way. Keep on going. Never stop dreaming. Never stop hoping in your life.”

Showcasing TALENT!

Photo Credits: Janean L. Watkins

Bishop Promotions is a marketing and promotions company focusing on music, politics, fashion, sports and Business Promotion. We also provide promotion of Chicago artists, politicians and business owners.

esYou t o m o r P p o h #Bis FB: terry.bishop.9212 T: @bishopprolive bishopprolive@yahoo.com 773-392-9866 18

Over Your Head:

Today’s Thought Provoking Music JANEAN L. WATKINS, EDITOR IN CHIEF

There is a vast array of talent within today’s musical landscape. For generations, music has given culture, sights, sounds and arrangements that touch the heart and ignite the soul. In recent years, musicians stepped into the treads carved by legends like James Brown, Marvin Gaye and Bob Marley. The most notable of these artists perform songs or create videos that speak to societal ups and downs, expose our political climate, and create a call to action. In 2012, Yuna brought us ‘Live Your Life’, a song that encourages the listener to be themselves regardless of setbacks, as she croons, “…don’t hide from who you are, and rise before you fall, in hope for something more…” The upbeat track reaches the heart of fans, uplifting their spirits. It serves as an inspirational song, that, in the midst of a world-wide blue funk, offers much -needed elixir. Two years later, Teo and Jaden Smith dropped, ‘Pleadian Message’, speaking to their MSFT (misfit) peers and others about the responsibility of their generation. The mantra, “don’t talk about it, live about it, be about it,” reminds us to live life honestly. Smith intones, “…grab some MSFTS and give ‘em care packages, screw a platinum disc, this is music coming from the soul.” The overall message of the song keeps us grounded in the realities that we are our brother’s keeper. The 2015 year was a big one for thought provoking entertainment. It was the year that brought us Ghanaian rapper, Blitz the Ambassador’s ‘Diasporadical EP’, featuring a plethora of amazing songs, including the standout ‘Shine’. The lyrics of the song undeniably embody a passion for truth, making it a political piece to some and a manifesto to others. Blitz raps, “…the streets they are something to ride around whether from the beast or police they gun us down, want us to dumb it down, the devils they hung

around, pyramids to projects, still rockin’ the crown.” You think the lyrics are something; you need to see the video. That same year, Kendrick Lamar dropped the album, ‘To Pimp A Butterfly’. The track, ‘Alright’, fast became the theme song of the #BlackLivesMatter movement and for good reason. The video was a multi-faceted depiction of hope, struggle and injustice, but the lyrics remind us that despite the struggles, ‘we gon’ be alright’. In the song For Free?, another track from the album, K-Dot drops bars with his line, “I need forty acres and a mule, not a forty ounce and pit bull…”. The truth here is subtle; unless you’re in-the-know about facets of American history, you might miss the allusion to reparations. Finally, 2016 brings us to the visual album, ‘Lemonade’, by Beyoncé. Though commonly considered a ‘break-up album’, that is far from the truth. Knowles briefly let us in on her personal life, both internal and external, to deliver a message that is deeply rooted in how self-love can lead to much needed unity; both amongst family and with peers. The album was so impactful, that it even reached the hearts of other celebrities, including the talented Adele who said, “Beyoncé is the most inspiring person I’ve ever had the pleasure of worshipping. Her talent, beauty, grace and work ethic are all in a league of their own.” The stunning visuals and spoken word poetry written by Warsan Shire was more than fans could ask for. It’s an exciting time for music. The prospect of what’s on the horizon, is a flame all its own.

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Urban Matrix Magazine, July 2017

EPK LOFT

Lyrassist & Ju’shay

Taiwo “Lyrassist” and Ju’shay are both Chicago born musicians whose creativity and energetic performance captures their audience with captivating words and mesmerizing rhythms. They’ve formed a musical bond, playing off of one another’s strengths and unique energy. They’re creative, versatile and ambitious – all qualities that come across in their music. Their powerful presences and engaging performances are sure to attract crowds. Taiwo is the irresistible force who is mellow and intellectual. High spirited Ju’shay is the energetic, driven artist who gets the crowd involved. They both share immense passion for sharing their stories with the world. Though young, they set a vibrant example of self-development and determination for anyone who hopes to make it in the music industry. They both exemplify, style and talent in their uplifting and thought-provoking music. They have combined their forces to become the epitome of hip hop artists who steer clear of mainstream ‘typecasting’, sticking to their roots by sharing their talents with fans and showcasing their natural high for life. Social Media: soundcloud.com/taiwo-tml-hampton facebook.com/taiwo.hampton

FEATURED

Morocco Omari:

Anecdotes of an Actor JANEAN L. WATKINS, EDITOR IN CHIEF; THEO DANIELS, STAFF WRITER

“Everybody wants to be Denzel, but they don’t know what Denzel did to get there.”

hicago’s west side has spawned a variety of famed people and places. From Jane Addams and Fred Hampton, to Garfield Park Conservatory -- the west side produced talented, community -focused people with a purpose to succeed. Morocco Omari is a product of the west side; he makes his hometown proud. WIth acting credits such as NCIS, Chicago Fire, Homeland, and, of course, Empire, under his belt, it’s hard to imagine the 42-yearold actor as anything else but destined for television. But had he followed his childhood plans, Omari would’ve drawn a different crowd. As a young man, Omari set his sights on a football career in football. He attended Jackson State University, hoping to follow the path blazed by running back legend Walter Payton. Despite his excitement at, and excelling in the sport, his focus was divided between his desires and family responsibility, leaving him to make tough decisions on the trajectory of his life. “Family things that were going on in my teen years didn’t allow me to really focus on football; and sometimes [you couldn’t focus] on school because you had to grow up faster.”

But the cosmos had big plans for Omari. He admits to majoring in theater as a fluke. He humorously remembers saying, “I’m going to play pro football and I’m going to major in theater; I did that growing up in school, I’ve always been a class clown. That’s easy, right?” Despite his passion for football, Omari spent the early part of his college career akin to most college movies. Focused more on excitement than education, Omari’s sideways path drew the attention of one of his professors - Dr. Tonea Stewart - who sought to straighten him up and guide him on his path towards his goals. “She said, ‘What are you going to do with your life? Are you going to fight, drink, chase women and party for the rest of your life?’ And I’m looking at her; I’m like 18, 19 and she was [like] ‘You have potential but you have no discipline.’” It was the first time someone kept it real with him. His later decisions were based on what his professor said. “When she said ‘no discipline.’ I said, ‘I’m going into the Marine Corp.’ She looked at me like she wasn’t expecting that. I wasn’t expecting that,” Omari chuckles. “It just, kinda, bubbled out. It took someone outside of my family, outside of my friends,

Urban Matrix Magazine, July 2017

“I think I did that play in 2000 at Victory Gardens Theater. I got a chance to do it in New York and again at The Federal and at Crossroads in New Jersey. And down at the [National] Black Theater Festival in North Carolina,” says Omari.

“...mind over matter. If you don’t mind it don’t matter.”

He bases his choice for scripts on a variety of factors, but the most important are his feelings about the character and whether they will help him stretch his range. It is important to him to feel a sense of hard work eked into the roles he chooses. “You really have to do your research. You may not have the money like Forest Whitaker who went to Uganda to [study for his role in] The Last King of Scotland, he was there for eight to ten months. Many artists don’t have that kind of money to do that…”

outside of my circle to see me.” He joined the Marines and left for boot camp in February. After a tour in Saudi Arabia, where Omari dodged bombs and bullets fighting on the front lines of “Operation: Desert Storm”, he decided, that if he made it home, he would diligently follow the path set for him by the Universe. He explains, “I got home and enrolled at Chicago State, majoring in business and small business management. I didn’t know what I wanted to do. I felt like I was too old to play football. So, I was modeling and being casted in commercials, then I got casted in a video game.” During that time, he talked to other actors, watched what they did and how they did it. Then, he went to his agent to talk about moving from modeling and doing work as an extra, to acting full time. He was advised to take classes and do some work in theater. He agreed and ended up showcasing at Second City, Pippin Theater, and under the tutelage of the late Jaye Stewart at ETA Creative Arts Foundation.

He combined lessons from football, military training, and life experience to hone his craft in acting. “You gotta have that discipline. You gotta have that dedication. You gotta have that ‘never say never’ approach to it,” says Omari. “You know, mind over matter. If you don’t mind it don’t matter.” His philosophy paid off, leading to some very exciting roles and experiences in theater and television. Because characters, scripts, and theatrical experiences have a great impact on an actor’s life, they sometimes find themselves becoming attached to a particular role. Omari recalls his most memorable role as Jimmie Lunceford in Knock Me A Kiss by Charles Smith. The Reader cited Omari’s depiction of Lunceford as, “particularly engaging”.

After his training, he landed his first gig in the adaptation of Zora Neale Hurston’s play Spunk, where he took on three roles. “The first time I stood on that stage in front of that audience, I felt that same kind of adrenaline that I felt being on the football field; and I said yeah, this is it right here. This is what I’m suppose to do,” says Omari.

But, Omari has found creative ways to do his research without breaking the bank. For his role in Blues for an Alabama Sky by Pearl Cleage, he drove from the set, in Montgomery, to Tuskegee, simply because that was where his character was from. While in the historic town, he would, “hang out with the older cats and just ask them questions, just taking on that easiness. I guess the best compliment I got during that play was from a woman from Tuskegee who asked me, ‘What part of Tuskegee are you from?’” His well known, and most recent, role on the Fox television show Empire, ended in the show’s third season finale. Omari played an FBI detective Tariq Cousins, the estranged brother of lead character, Lucious Lyon. Despite the slippery slope, he is hell bent on taking down his brother, whose criminal activities continue to be a mystery to law enforcement. Even there, it is easy to see how much re-

ON PREPARATION

“Just continue to train, continue to walk forward. It’s not gonna happen overnight. You might get a movie, you might get a TV show, but if you’re not ready it’s gonna show,” search Omari puts into his characters. “When I auditioned for [the role] I threw in that ‘Hola, hola papi’, you know, I layered the character,” he explains. “So when I’m talking to a Lucious or Cookie or whoever, I’m adding in that cool New York slick talk. When I’m talking to one of my fellow officers then I’ll pull it back… It gives the audience two different sides to the character.” It wasn’t the first role he played as a law enforcement agent. He played a detective in both NCIS and Chicago Fire. When asked how he takes on roles he loves without being type-casted, he says he’s had to become an expert in “code-switching”: alternating between a variety of language patterns. He does this for casting-calls, while on set, and in conversations with industry executives.

iting the African continent and hopes to see more of it. “So my first time was in 2006, I went to Kenya, it was in Mombasa. I loved and had a great time there for six weeks. I want to see all 54 countries; I have about seven down and 47 more to go.” Omari has contributed greatly in his community; from being named celebrity ambassador at the 2016 African Festival of the Arts in Chicago, to volunteering his time... For aspiring actors, he doles out useful advice on how to break into the industry. “Just continue to train, continue to walk forward. It’s not gonna happen overnight. You might get a movie, you might get a TV show, but if you’re not ready it’s gonna show,” he warns.

“I had to learn how to charm, disarm, and show them who I was. And then go into character. So that, in a sense, is code switching,” says Omari. The most coveted role for Omari is that of Hannibal Barca the military strategist. “I’m writing a film where Hannibal isn’t the main guy. I have no desire to really be in it. I just want to see it made. But it’s my Gladiator; my black 300. Black Gladiator for us - it’s a true story,” says Omari. While working on the Hannibal project, Omari spent time abroad in Rome and Africa. “I went to Rome last year just to go inside the colosseum; to feel those spirits and walk with the ancestors.” Omari recalls how much he enjoys vis-

Images Credit: Ashley Brown, Brown Rice Photography brownricechicago.com FB: @BrownRiceChicagoOnline YT: BrownRice Chicago Twitter: @BrownRiceOnline

Urban Matrix Magazine, July 2017

When directing, he tells actors to, “watch the greats. Watch the Meryl Streeps, the Denzels, the Viola Davis. Watch their movies, watch what’s being nominated. Your eye has to be keen,” he advises. Success in the entertainment industry is the result of discipline; the continued effort of honing one’s craft in ways that the competition cannot fathom. “So train, train, train, train. Keep walking forward. Don’t let success go to your head and don’t let failures go to your heart. You have to go hard at it because, while you’re sleeping I’m training. While you’re checking Instagram and Facebook I’m training,” says Omari.

UMAG HOW-TO’S

Legitimizing Your Hustle THEO DANIELS, STAFF WRITER When defining entrepreneurship, the meaning varies depending on which generation you were born into. If you ask Generation X’ers or Millennials, the term might spark visions of tech billionaires and social media tycoons, whereas, a Baby Boomer might think of inventors and investors. Whether you’re a young person, looking to monetize your passion, or an employee in the corporate world hoping to transform your ‘side business’ into something more profitable, you need to know how to legitimize your hustle. Getting Off to a Good Start

Perhaps your business will provide a service that is specific to a group of users who are often overlooked by the current industry leaders. Now is the time to remember that, what makes you different can be an asset. If you’re a minority or a veteran, there are resources available like the Small Business Association that will assist you in becoming successful.

The first thing you need to do is identify the service, or skill, you will provide for a profit. Today there are a variety of options that you can choose from. Some of the most profitable side businesses can include, but are not limited to: content producThe number of black-owned firms in 2012 tion, web design and development, social increased to 2.6 million (34.5 percent) from media marketing, blogging, consulting, 1.9 million in 2007 according to Census. The and podcasting. largest sector if black-owned businesses are firms in “other services” which include As you decided what you want your burepair and maintenance, i.e., automotive, siness to be remember to target a specialiconsumer electronics, etc. and personal/ zation. For example, if you love to blog you laundry services, i.e., hair/nail salons, dry should consider having a niche or area cleaning, pet services. where your honed knowledge and skill will truly set you apart from the other clutter The SBA noted that the top industries online. Then you can figure out how your among black-owned businesses are embusiness will stand apart from the comployment services, company/enterprise petition, which will become an important management and traveler accommodafacet of your business plan. tions. They discovered that there are more young black businesses owners than average business owners.

According to the SBA, a business that was started in 2004 had a 78.9 percent chance of surviving one year and a 48.4 percent chance of surviving 5 years. Other reasons why a business is not successful past the first year can include anything from changes in the industry, to the business no longer being able to retain clients. Being a business owner can be an arduous task and differs greatly from what we see on TV. In order to maintain your business you need to stay aware of industry trends, technology and tools that will keep you ahead of your competition. Businesses owners cannot become comfortable relying only on what they currently know about their industry you have to actively seek out all available resources that can better equip you with information that leads to success.

If you want to improve your chances of success in business, it might be worth it to continue learning all you can. Never be satisfied with only what you know. One way to increase your indusWhen it comes to employment there are try knowledge is by enrolling in a Mas975,000 employees at Black-owned busines- ter’s program, or obtaining some form ses. The SBA also discovered that employer of certification. If you don’t have time, firms, those in other food manufacturing or the cash, to invest in a higher degree have the highest average annual receipts then you can always take online classes per firm ($12.3 million), compared to an in- on Alison, Coursera, or by listening to the Masters in Business podcast. dustry-wide average of $11.7 million. Reasons Businesses Fail

Theo Daniels is a Staff Writer for Urban Matrix Magazine, who prides himself on detailed research. All information in this article compiled by Mr. Daniels.

FEATURE

The Business of Fashion

In 2016, “retail sales in Chicago rose to over $28.4 billion in the City of Chicago alone,” according to a report by Melaniphy & Associates, a Chicago-based firm. That year saw Chicago’s retail spending rise more than area suburbs with higher median home incomes. There is a contingent of native Chicagoans who are determined take advantage of buying trends in the city, aiming to make Chicago a hot spot within the global fashion market. Whether they do it one designer at a time, or through large, city-wide events the purpose is the same – highlight Chicago designers, aesthetics and offerings. These people you’re about to meet are paving the way and training a whole new generation of members of the fashion community. Through their work, they are setting standards and demolishing barriers to an industry where Chicago talent, especially that of talented people of color, is often overlooked. Read on to get to know five influential Chicagoans who are consistently making their mark on Chicago’s fashion scene.

BY JANEAN L. WATKINS, EDITOR IN CHIEF

SUBSCRIBE to UMAG and get the first look at “The Business of Fashion” mini-documentary with full interviewsUrban and more designers, soon! Matrix Magazine,coming July 2017 www.urbanmatrixmag.com/subscribe-1

Melody Boykin

Black Fashion Week USA BFWUSA presents fashion shows, training seminars, a fashion bazaar and a fundraiser for The Purple Carpet Project, an organization dedicated to hosting clothing drives for area families in need and providing resources for local art and fashion students who often struggle to succeed, due solely to financial constraints. They take a hands-on approach in helping youth find success in the fast-paced, costbased world of fashion. The organization’s efforts don’t stop with the showcases. Throughout the years, Boykin has traveled, and learned from her corporate work, mentorships and personal experiences. She even freelances as a personal stylist because of the experiences she has layered over her training. It also helps that she holds a degree in Fashion Merchandising, Design and Marketing. This way, she is well versed in what’s needed from multiple aspects. Altogether, her experience and professional training lend themselves to help her accomplish the goals she sets for herself.

A large amount of her experience comes from her time working with Midwest Fashion Week providing PR, Marketing and Media liaison services. That experience helped her to learn what it would take to launch a fashion week of her own. “BFWUSA was birthed from the idea that there is a lack of Black representation on the runway,” says Boykin. Fulfilling a need may have been the catalyst for bringing BFWUSA to life, but Boykin’s dedication to providing a space for Black fashion icons in the Windy City has been unmatched. Annually, Ms. Boykin presents Black Fashion Week USA. The week long event serves as a public showcase for up and coming designers, models, makeup artists and hair stylists. She hosts entertainment, awards and lectures in various places around the city during the event, as well.

“The fashion industry is fast-paced. It’s like a roller coaster,” says Boykin. “You just have to stay on it.” Melody’s goals, though lofty, are also simple - requiring only the consistency in the execution of her plans. She is constantly working to help the designers she works with strengthen their brand recognition and public readiness. She works with them, personally, to prepare them for the media attention that she purposefully seeks out on their behalf. “I wasn’t even calling it a ‘brand’ in the first place, and then I met Melody Boykin,” says Patricia Dobine-Brewer, creator of The UN-TIE. “She’s given me what I needed to move forward. She believed in me.” Even though Melody has come this far in fulfilling her aspirations, her dreaming hasn’t stopped. Her next goal is to take BFWUSA to other U.S. cities. For her, it’s very important to spread the awareness about BFWUSA and encourage consumers to support new designers and their businesses so they can thrive economically; especially Black designers. She knows that with community support, they will have a chance to compete with mainstream fashion companies.

Photo Credit: Janean L. Watkins

After several years of diligent work, Chicago native, Melody Boykin established Black Fashion Week, USA. During that time, she has been instrumental in training, promoting and supporting Chicago designers, models and fashion related events.

Find BFWUSA online at: blackfashionweekusa.com (Above) Boykin poses for a photo at Bloweout Junkie Salon. Jewelry by Saneeta Golden.

(Right) Models at the 2016 African Festival of the Arts fashion 26 show recognizes Melody Boykin as the coordinator of the show.

Photo Credit: Janean L. Watkins

“The fashion industry is fast-paced. It’s like a roller “The fashion industry is coaster. YouIt’s just have to fast-paced. like a roller stay onjust it.” have to coaster. You stay on it.” -Melody Boykin

Urban Matrix Magazine, July 2017 -Melody Boykin

Cesar Rolon

Latino Fashion Week & Imagen Marketing Consultants Urban Matrix: Can you tell us a little about yourself? Cesar Rolon Jr.: Sure. My name is Cesar Rolon Jr. and I am the co-founder of Latino Fashion Week here in the United States. We’re the only one of it’s kind in the US with a nation tour in four other cities. And also the president of Imagen Marketing Consultants and Hispanic Festivals.com. UMAG: So where did the idea for Imagen Marketing Consultants and Latino Fashion Week come from? CR: Imagen Marketing Consultants was actually the brainchild of the magazine I produced called Nuestra Imagen Hispana - Our Hispanic Image. Once I sold the magazine, I actually kept the name Imagen Marketing. With respects to Latino Fashion Week, [it started because] I was in search of Latino designers and I couldn’t find any here in Chicago. There is zero support in the city of Chicago for Latino designers and models. I’ll give you an example with Kennedy King College. Do you know how many times I’ve reached out to their media department? Not once have they sent anyone to cover Latino Fashion Week. I’m like, how do you want these kids to get the experience? They gotta get there hands wet. Same thing with these fashion schools. UMAG: You’re explaining about the Latino models and designers in the city; how there was no space for them. CR: Yes, there was little to no support whatsoever. If you recall, years ago the city of Chicago had what was called the dress farms of Michigan Avenue. These

were dress farms that were designed by students from the fashion schools here in Chicago. So, I purchased the mannequin. I purchased my location as to where to get placed and I was told they could not find me a Latino student designer and that’s really where the whole brainchild of Latino Fashion Week came out. Of course I discovered a designer here by the name of James de Colon. Who now has a boutique in San Juan, Puerto Rico and the rest is history. Eleven years later we are the biggest fashion event in Chicago and we’re in multiple cities. We say we’re “By Latinos. For Everyone.” UMAG: When you guys started, what were the first steps you took? CR: The very first year in looking for sponsors, I couldn’t get anyone to sponsor Latino Fashion Week. But that year, Jasmine Gonzalez had just participated in America’s Next Top Model so we brought her and some celebrities in. UMAG: What do you love most about the work that you do? CR: Challenge. I love being challenged. Don’t tell me that I can’t do anything. Let me prove you wrong. But at the same time let me educate you. UMAG: What gives you the greatest inspiration for the work that you do? CR: Literally, it’s everyday life. I see what is missing, I see some of the challenges that we have to meet. Chicago is a unique town, in itself. As a Puerto Rican, myself, it’s very unfortunate that these general market agencies pigeon-hole all of us Latinos as ‘Mexicans’. And it’s very unfortunate because we have great demographics here in Chicago. At the same time I have issues with radio and television that don’t segment into our market. So again I meet those challenges. I also have a love for music. I had a record label where I produced house music. So, I come from that spiritual background. But again give me a challenge! I’ll take it every time. UMAG: Have you had any specialized training in fashion design, modeling, marketing business training? CR: I had zero training aside from my college studies, but 28 again, I’m a hoodrat. I’m from the street. So basically you learn

how to survive. I look at just the 101’s of Business Management. Marketing, selling, advertising -- it all intertwines, as long as you know how to speak. Having a dual language of course is a benefit and knowing communities. I understand the thoughts and the sales of the Polish community, the Asian community, the African-American community. UMAG:What are your overall goal for Latino Fashion Week? CR: My overall goals for Latino Fashion Week is exactly what we’ve done already and that is to create more awareness. To open up doors for our designers, for our models, for our stylists, for hair - for our makeup artists and to most of all; really challenge the big box retailers. Because we buy, we shop there, we want to see our own. So, that’s my goal. UMAG: What about Imagen? CR: My consulting firm I re-invent myself all the time. Right up to social media everything changes. So I just opened up an office in Puerto Rico in December so I’m really happy about that. I’m going to be creating lifestyle events in Puerto Rico. And we have many platforms that we are launching; like the halo cam. The halo cam is a selfie platform that we developed for events. But starting next month we now have the halo vanity and we’re launching it here in Chicago and the opportunity there. We can actually install these halo frames these vanity frames in restaurants and people can actually take their selfie and captures their data. If you’re not capturing data you’re no longer in business. Everything. Everything is data captured nowadays It’s the only way that you can communicate with your end user. UMAG: What advice can you give? CR: Keep it real. Be true to yourself, and learn. I mean really just learn, but that’s about as best as I can say. Keep a strong base within yourself and learn how to be a little bit more spiritual, as well. We want everything too fast and we just want it at the blink of an eye. Sometimes you have to look a little deeper to really understand who you are and what’s your purpose. Also, if you don’t know ask questions.

We are trained professionals in Marketing Strategy, Project Management, Direct Mail, Web, PR, Experiential and Activation.

www.imagenconsultants.com 312.896.7977

A Full Service Experiential and Activation Marketing Resource Agency Urban Matrix Magazine, July 2017

Mona Muhammad

Knotty Loop Creations KnottyLoop Creations all started from a dare, according to designer and founder, Mona Muhammad. She and her daughterin-law were flipping through a magazine, one day, when a crocheted dress caught their eye. Mona claimed to be able to recreate the dress, while the young lady beside her expressed her doubts.

more of the mainstream not to be so heavy. Not to be so far on the artistic level that people would feel unnatural wearing them. So I wanted a natural flow to the clothes. So when I design that’s pretty much what I think about.” For Mona, learning the business of fashion was a learning curve. Her trials came in learning what and who she should know to find success. “Trying to find the right connections. Trying to get my feet wet and understand what the best is all about; what was expected of me as a designer.”

“She said, ‘I don’t think you can do it'," Mona remembers. "I’m a sister from the West side of Chicago; don’t dare us to do to much.” Her response to a dare has since turned into a thriving, custom-retail business with Mona driving it forward with a keen business sense and talented hands. The dress she made started a buzz among her friends and family. It was when outsiders began to ask her to make an outfit for them that she realized what she had. “After a while, I was overwhelmed with the response,” she admits. “Not soon after I did my first fashion show.” She knew she didn’t want to make designs that looked like the norm for crocheted clothing. She wanted to go above and beyond for something that looked more refined. Her passion became learning the various colors, textures and types of yarn. She looked for patterns and the overall feel of the threads, aiming for different aesthetics and quality of the fabrics she was creating. “I wanted my clothing line to fit

“It was not a simple checklist of yes, I know how to make this work. I did not know how to make this work.I did not expect to get the success I have had, but it’s been a fun ride.”

Although she has a degree in Business, she found that many of the rules had changed in the fashion industry. “I had to learn this business from scratch. I knew nothing about the fashion industry,” she admits. “I didn’t automatically know what was needed. I did not have a check list. I just number one I stepped out there on faith.” Faith and a vigilance in seeking out connections and information have kept things going for KnottyLoop Creations. She is also very diligent about asking for the opinions of the people who model her clothing, mentally making adjustments and coming up with new ideas in each

interaction. Mona knows that, to stay on the cutting edge in the industry, designers need to push their brand as much as possible. She’s participated in fashion shows, exhibitions and fashion expos in Chicago, Ohio and Michigan - with plans to take things as far as she can go. “My goal is to brand my name outside of Chicago. Which means that there will be some travel - and some of that’s exhaustive work. But, it’s important that Knotty Loop grows and does not stagnate. I want to see the name of KnottyLoop grow.” Mona has been able to maintain her creative side while making sure not to neglect the business. It’s a balancing act that many artists and designers fail to achieve. An important lesson in being a creative entrepreneur is to never forget that balance. Knowing that your business affords your creativity. Mona hasn’t lost sight of that. “You know, it’s all fun and games to do the fashion show. To have the applause all of that is beautiful, but there’s taxes to be paid there’s yarn to be picked up. There’s outfits to be dropped off. Mailings to be done, and you still have to have a social life.” Her inspiration stems from every piece she creates. Every inch of yarn she works with has a calling. She admits that she feels like the yarn speaks to her. It’s fortunate that she listens. “When a model comes in or a client comes back and they try on an outfit and I see that piece actually come to life,” Mona laments. “I still love my work. Those are fulfilling moments that I get to live over and over again. Making make my clients happy is still at the top of my list.” Mona advises that one should always remember why you do the work you do. Remember the clients, models and recognitions, but don’t neglect your daily responsibilities. She says she often thinks of the fact that there are dishes to be done, a house to maintain and family responsibilities - but balance is the key. “When a model comes in or a client comes back and they try on an outfit and I see that piece actually come to life, those are the fulfilling moments,” Mona laments. “I still love my work. Those are fulfilling moments that I get to live over

and over again. Making make my clients happy is still at the top of my list.” Mona accepts that she is creative and impulsive with big plans to push her brand to the limit; seeking recognition for her hand-made creations all over the world. Despite the fanfare, she keeps one fact at the forefront of her mind.

d tar te s t i f “All o dare.” as a

“None of that happens unless I get up out of bed, make a plan and fulfill that plan. So you have to move to action.”

Photo Credit: KnottyLoop Creations

www.knottyloop.com @knottyloop

Photo Credit: KnottyLoop Creations

Urban Matrix Magazine, July 2017

Patricia Dobine-Brewer

The UN-TIE but I had to get this thing together. Once I had it together, and I showed it to family and friends, the next step was to protect my idea.” She worked diligently, studying what was needed for her to ensure no one else could ever claim the idea for The UN-TIE. She learned the basics of social media from her children. She invested time - and sometimes money - in invention showcases at organization gatherings like those held by the SCORE Association, but found that those circles weren’t the arena for her creations. “I put money into invention companies [who said], ‘bring your inventions to me’, but a lot of what I saw there were gadgets,” she recalls. But after turning to investing her time into social media, Patricia found inspiration in the number of “likes” for her products. “Oh my god, when I saw that people liked my stuff, that inspired me more,” Patricia remembers. She has slowly, but surely, found her way in the fashion industry. From a white color worker, to a fashionista may seem like a stretch; but it seems that fashion is inherent in her nature. “I am definitely branching out. I want to get into the wedding market. I want to get into doing weddings. I want to get into doing fraternities and sororities groups,” says Patricia. “My new ascot is coming out and I’m really excited about that.”

In 2005, Patricia Dobine-Brewer’s husband was diagnosed with MS, leaving her to quit her job to care for him full-time. “I had a million things going through my mind,” says Brewer. Because leaving her job would mean major income loss for her household, Patricia knew she needed to come up with a plan. She and her husband developed a routine during her downtime. One day, they were watching an episode of Family Feud with Steve Harvey, when inspiration struck Patricia. “It hit me, [Steve] went over to the guy

and adjusted his tie and I told my husband, ‘I’m gonna make a tie’. That was something I had never done. I sewed everything from curtains, to wedding dresses. But I had never made a neck tie.” From that moment on, Patricia Dobine-Brewer was driven to succeed. She followed her instincts despite being facing hardships and pitfalls. Through trial and error, she taught herself the business of fashion by way of mentors, shows and networking. “I had this design in my mind, I’m not drawer by any stretch of the imagination,

(Below) In The UN-TIE studio at Dobine-Brewer’s home.

(ABOVE) An exclusive sneak peek at the new wedding The UN-TIE GROOM ascot.

FB: @theuntie Twitter: @ TheUNTIE IG: dobinebrewer www.theun-tie.com

“The Business of Fashion” Photo Credits: Archie “Kenzo” Roper, RocStar Studio www.rocstarstudio.com

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Tony Long

FashionBar MISSION: FashionBar, a Chicago strategy and consulting company for Chicago designers, was founded by Tony Long to bridge the gap between the fashion scenes in LA and New York and allow Chicago to emerge as its own front runner fashion scene. Tony Long, founder of FashionBar, Chicago is a person who realizes that the city has a lot more to offer than most people think. He’s someone who feels deeply about Chicago, leading to his strong sense of purpose and responsibility to create spaces for the fashion-focused people who reside here. “I’m here to build a business around fashion,” Tony says. Though Chicago is home to a number of art and fashion-centric educational institutions like Art Institute of Chicago and Illinois Institute of Art, students don’t always have a job in that field when they graduate. Of the nearly 800 students who graduate from these schools annually, the majority who are placed, don’t find work here -- they’re sent to New York and L.A. “It’s a broken promise. We’re trying to fix that for the younger generations,” he says. He’s well on his way to making good on that promise.

FashionBar Chicago is dedicated to building Chicago up as a new epicenter of fashion for the Midwest; adding to the likes of offerings in cities like Los Angeles and New York City. They provide opportunities for training, exposure and marketing for each new designer that comes on board. Their designers provide high-quality Prêt-à-Porter, also known as Ready-To-Wear products for their clients. Also in their repertoire, are custom or avant-garde garments that they claim are, “innovative” and “push the boundaries of structure, form, design, fit, textiles and technology.” He is also highly dedicated to providing a means to ending poverty and crime in the city. “If someone knows the value of what they can contribute to society, they’re going to commit and interact in that society as functional adults. If they don’t have the opportunity for jobs, then they revert to crime.” It’s an old adage that still holds true. Many of Chicago’s youth lack something as simple as direction and support. FashionBar plans to be there as their overall support system; even going so far as to become the first and only fashion company in Chicago to allow trans-identified people walk the runway in their shows. It’s why they were tapped to participate as the only fashion company in the Chicago Gay Pride Parade.

“We’re inclusive, that is the future of fashion,” says Long. Tony is a multi-faceted person who truly believes fashion can help us express ourselves through clothing and accessories. By doing so, he says, “...it leaves no room for questioning who we are,” as individuals. All of his efforts with FashionBar stem from his desire to be true to himself and what he feels is his calling. He urges others to do the same. “Who wants to live a superficial life, when self-truth is the most important thing,” Tony asks.

34 Photo Credits: Janean L. Watkins

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UMAG REVIEWS

Five Nights in Maine REVIEWED BY: Vickie Simmons, Web Diva/Contributor DIRECTOR: Maris Curran SYNOPSIS: When Sherwin (David Oyelowo, Interstellar, Selma), suddenly loses his wife Fiona (Hani Furstenberg Loneliest Planet) in a tragic car accident, his world falls apart. His overwhelming grief leads him to a life of drinking and smoking cigarettes, anything to numb the pain of the loss of his wife. Until one day, he gets a call from Fiona’s mother Lucinda (Dianne Wiest The Odd Life of Timothy Greene, The Big Year) to visit her in Maine. WHO’S WHO: David Oyelowo - Sherwin Dianne Wiest - Lucinda Rosie Perez - Ann Teyonah Parris - Penelope Hani Furstenber - Fiona Bill Raymond - George

aris Curran took the time to highlight and express the levels of grief that accompany losing someone you love. Sherwin struggles to find a way to, somehow, move on without his beloved wife, and seeks comfort in Fiona’s mother, Lucinda. However, Lucinda, as one would expect, is also hurting from the loss of her daughter. Dealing with her own worries of cancer took a toll on her and she lashed out on the one person with whom she was closest - Fiona. Both Sherwin and Lucinda must travel down the path of dealing with and healing from the hurt of losing Fiona so suddenly. For me, it was great to see how Curran used the baggage formed when Fiona was alive to accent the pain losing her caused for those around her. I loved how the story flashed back to the intimate parts of the relationship between Sherwin and Fiona leading up to her death, where Sherwin consistently questions Fiona about having children.

Mother and daughter relationships are so hard to balance. Sometimes, we, as mothers, can be so wrapped up in the hurt of our own lives that we forget to show our children how much they mean to us, which, in turn, could result in said children feeling loveless and abandoned. Clearly, without her mother showing love and support for her choices, Fiona’s own decisions to become a parent were negatively affected. The casting for this movie was truly perfect and the actors did not disappoint. It was especially interesting to see Dianne Wiest in this type of roll. This movie is an emotional journey, from start to finish, as it tackles the grieving and healing processes one-step at time. In the end, it seems that Sherwin and Lucinda found the right path to move on after their five days together. If you are dealing with the loss of a loved one and you are not quite sure where to start picking up the pieces of your life, this movie with give you some tears but it’s accompanied with courage, hope, faith and love to move forward towards healing.

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Urban Matrix Magazine, July 2017

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Fried Green Tomatoes: In Honor of My Aunt Joyce and All Women Who Quietly Impact Our Lives POETRY Lakeesha J. Harris

The yellow Locust Street house, trimmed in brown, lost its sunshine. Your garden covered, buried by droppings of winter. Prize tomato vines without promise of your touch come spring. I remember everything.

Lakeesha J. Harris is currently a Health Educator, Community Health Worker and Alternative Insemination Coordinator at Chicago Women’s Health Center, one of the last remaining feminist health centers in the country. As a community healer, Lakeesha’s primary focus is on centering the complete health and health care access for Black people, specifically queer and trans Black people, who are often shut out of services that are culturally affirming, financially accessible, and whole-being centered. Lakeesha holds a Bachelor’s Degree in Women and Gender Studies from Northeastern Illinois University and Master’s level credits in Political Science. In 2011 she was selected as a Student Laureate of NEIU and received numerous awards for her work as a community activist, poet and is one of the Founders of Seeds Literary Arts Journal of NEIU. She is a Playwright whose collaborative political literary work, Spirit House, was commissioned by the Greater New Orleans Fair Housing Action Center for the educational engagement and healing of the community. As a practicing healer, her work has spanned more than two decades and evolved from her roots as a Certified Nurse Assistant, Doula, Apprentice Midwife and Community Health Worker. Lakeesha was recently trained as a Street Medic with Chicago Action Medical and is a practicing Reiki Master – Teacher.

The week’s worth of laundry, degreased, after work. Money passing between family, words unmixed, the invisible I.O.U. Your savvy frugalality transformed blights into community rental units. Quiet working hands of women often go unnoticed. But my little eyes saw everything. The splitting of lips and heirs, shifting silent spaces: mama, grandmamma, crone, and ancestor. Your land, me conversing, you never tiring of questions. “Auntie, you picked the wrong tomato, this one’s still green? Not red like the others?” “Honey chil’ the green ones be the best.” Pepper, Salt, Cornmeal, Hot Oil are truth. I watch, committing it all to memory. My tongue be scripted paper, cosigning your recipe, proof that you lived.

that her project is versatile and shows young entrepreneurs how to create a brand that will gain recognition. She also helps these young people with clothing, shoes, food, toiletries, advice and guidance if needed. “I’m like their ‘outside’ parent. I do what I can for [the youth] with no questions asked. I have genuine love for these young people,” Gaiter says. Though most adult have a peer who encourages them to be successful, but not Deola. Her hero is her daughter Daria Jordan. 14-year-old Daria is a bright and enigmatic young lady who does work as a Brand Ambassador for Chicago artist and designer

Deola Gaiter:

Who You Should Know and Where They Are BY AKILAH J. BROWN

Deola speaks fondly about how she got started with her ideas for uplifting the youth. The first of which was The Bloom Project, which gave her the insight to expand the concept for Skin So Sweet. She describes her organization with pride. Skin So Sweet is sweet scented body products created for girls and young ladies. We also host events to uplift and encourage,” Deola explains. “Our desire is to inspire through our products and services.” Gaiter works diligently to ensure

Last, but not least, is Shauntera Wilson age 17 who write the book True Survivor, a story about being bullied – a challenge that she, herself, endured while in middle school. Her book is available on Amazon for $10. She also created Epic Destiny Youth Foundation, a non-profit organization whose goal is to educate, prepare, inspire and teach confidence to young girls between the ages 12 through 18. For more information about the program, or Wilson’s book, visit her website at: www.shaunterawilson.com. Look at what God can do with one person who helps an entire community of people bring their dreams to life. Deola Gaiter, an angel from Chicago’s Westside who truly is a driving force for young entrepreneurship. We thank you for your diligence in uplifting our youth.

ENTREPRENEURING YOUTH: Deola Gaiter is an inspiring leader for young women and preteens who encourage them to follow their dreams. Her vision as an entrepreneur is to mentoring and to instill motivation to the youth she serves.

ed to change and broaden the taste of Taffy Apples using flavors such as a Jolly Rancher or Virgin Pina Colada. She works with her 14 year old sister, Tammy Costello who specializes in creating butter cookies and butter cookie cream parfaits; other flavors include berry bomb. They are two hard-working young ladies who make their parents proud by seeking to take their inventions to restaurants all around the world.

photo credits: deola gaiter (Above) Deola’s daughter, Daria Jordan TStar, and a co-host with Shauntierra Wilson on the Teens with Voices radio show. Chicago is fortunate to have a mentor like Deola Gaiter, a Black woman who leads by example. For instance, one such mentee is Nadia Anderson – an adult woman who runs a home school, After School Matters leadership program where she teaches youth how to create jewelry. Then, there’s Tamiya. A. Costello, age 12 who is the owner and creator of Tasty Apples Creations. Tamiya want-

Urban Matrix Magazine, July 2017

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