PORTFOLIO
Valentine Garcia 2012 - 2018
SUMMARY
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Resume
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Architecture projects
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Gourmet complex
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Housing
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Private habitat
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The patio
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Primary school
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The architectural graft
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Hotel for artists
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Public facilities-urban and architectural project
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co n ta c t +33 6 48 1 2 7 2 4 0
Va l en t i n e G a r c i a
valentine.garcia@hotmail.fr 1 1 ru e J ul e s Fe r r y 9 4 100 st M aur
portFolio
a r c H i t e c t, d e s i G n e r ( i n t e r n s H i p )
Book : http s :/ / i s s u u. co m /val e nt i n e g a rc i a
work experiences date oF B i r t H
09/23/92
natio n a li t Y
2 01 8
arc hi te c t - 6 months - current
FrAnçois leclercq
French
A n d A s s o c i At e s - par is
cu r rent l y d esigning architec t u re pl ans and 3 d m od el s fo r a proj ec t of 3 0 0 hou sings ( passiv Hau s) . M ak ing v id eo e n s k a p e, a
la n GuaG e s French / english/ spanish
good way to show t he proj ec t to t he m ayor. s k etching p ha s e and bu il d ing per m it. appar t m ent s pl an and st ru c t u res and pho to s ho p
strenGHts
and d esigning of t he pic t u res. M ission to coord inate t his hou sing proj ec t bet ween all the a c to r s and 3 ot hers architec t u re agencies.
Moves from vision to design works well in team environment
2 01 6
arc hi te c t i nte r nshi p - 3 mo nths
FrAnçois leclercq
A n d A s s o c i At e s - par is
understands impor tance of budget
d esigned pl ans and 3 d m od el s on a com pet it ion won by the a g e nc y
self directed and highly motivated
feasibil it y st u d ies, pl ans. wor k ed on t he facad es : w hi c h m ate r i al,
skills and proGraMs
in par is, st u d y m od el s, u r ban prescr ipt ion fil e, sp e c i f i c ati o ns, rel at ionship w it h t he exist ing. 2 01 5
arc hi te c t i nte r nshi p - 2 mo nths Me t r a e t a ssoc i es - par is
ad ob e
d esign architec t for com m ercial real est ate bu siness p ro je tc s :
photos hop, i llu st rato r, i nd e si gn , pre mie re
l e G a r a nc e, par is : wor k ed on facad es and par k ing
M icros of t o f f i ce
3d - au tocad and sk etchu p,
word, powerpo i nt, e xcel
r esponsibl e for rel at ions w it h ser v ice prov id ers, am bie nce i m a g e s
autoca d
( ph, i l l )
sketch u p
2 0 15
+ ens ca p e
wo r kc amp i nte r nshi p - 1 mo nth
A t e l i e r 1702
- s aint G il l es d e crétot wood fram e : B u il t an architec t u re agenc y w it h a J a p ane s e techniqu e ( shou su gi B an) . B u r nt wood to bu il d t he f u tu re b l ac k facad e. wor k ed on t he roof, facad es and w ind ows. i s o l ati o n and st ru c t u re. d rew t he inter ior d esign.
c4 d r evit word pre s s
e d u c at i o n
l a n G ua G e s
2 0 1 5 - 2 0 1 8 / par i s - France / en sa par i s B e lle v i lle architecture degree with honors
en g lis h c1 level certificate of toeic
2 0 1 3 - 2 0 1 5 / M o ntré al - canada / ude M Master 1 architecture 2 0 1 2 - 2 0 1 3 / s ai nt M aur de s Fo ssé s - France / M arce li n B e r thelot Baccalauréat es - Mention well
interests art
exposition of my works at palais abbatial - paris - paintings, charcoal drawings and pastel - 200 to 300 guests
sara
Member of the autism association sara - paris - Help handicaped kids
travel
2015 :
sport
2016 : architectural journey in italy : Venice, torino, orvieto, Florenzia, roma and Milano 2017 : architectural journey in France : strasbourg, lyon, avignon, Marseille, corse, pays Basque, Bordeaux, la rochelle. tennis, biking, hiking, horse riding
architectural journey in england : london, oxford, shiefield, Manchester
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Starting from the chef's cooking meA partir de la méthode de cuisine du chef, thod, character and ingrédients the ingredients de sonhis caractère et des qu’il he uses, it's about creating the perfect utilise, il s’agit de créer le complexe gasgourmet complex chef:: Mallman. Mallman. tronomique idéalofde this ce chef
MALLMAN MALLMAN: : GASTRONOMIC UN COMPLEXECOMPLEX GASTRONIMQUE
The site on an L e si t e is e slocated t s ur une î leisland à 2020mminutes i n de from Mallman chef Qu ebQuebec. e c . M all m an eis s t aun chewho f quicooks c u imainly in e contact withr i enature. s ine e soutdoors, s e n t i e lle m nt à l’e xte ur, en He experiments hisnature cooking fire a lot. c o nt a c t av e c l a . I lwith e xpé r i men te bea u c oup s e s cui s s o ns ave c le feu . The words that define his cuisine are found L e s m in o t s this q u i architecture: d é f i n i s s e n t imperfecsa cuition, nature, s i n e scontrol, e re t ro surprise, uvent dan s c e t t elimits. arc h i t e c t u re : i m p e r f e c t i o n , c o n t rô l e , surprise, n at u re , limites.
Hotel PROJECT - restaurant
100 M2 ESPACE
CUISINE CHAMPS
FOYER M2 M2 M2 M2 M2 M2 M2 M2 M2 M2 M2 M2 M2
430 M2 ESPACE
ESPACE
100 M2 ESPACE
FEU - PREPARATION VIN SALLE A MANGER CONSERVATION DES ALIMENTS
100 M2 ESPACE
N
15 CHAMBRES - 20 M2 SALLE A MANGER - 30 M2 CUISINE COMMUNE - 35 M2 STATIONNEMENTS
CONSERVATION DES ALIMENTS
100 M2
CUISINE FORET
ESPACE ACCUEIL - 90 FOYER - 300 CAVE A VIN - 80 CONSERVATION DES ALIMENTS - 10 CUISINE - 18 BUANDERIE - 15 PISCINE - 180 HAMMAN - 20 SAUNA - 20 VESTIAIRES - 40 7 CHAMBRES 1-2 PERS - 25 3 CHAMBRES 2-3 PERS - 30 4 CHAMBRES 4-5 PERS - 30
CUISINE EAU
1190 M2
CUISINE VERGER
LOGEMENT PERSONNEL
PROJET HOTEL RESTAURANT Master 1 Montréal : 1 st semester Master 1 :Montréal : 1 er semestre Teachers Hubert Pelletier Enseignant :Yves Hubert De Pelletier FontenayYves De Fontenay
FEU - PREPARATION VIN SALLE A MANGER CONSERVATION DES ALIMENTS FEU - PREPARATION VIN SALLE A MANGER CONSERVATION DES ALIMENTS
FEU - PREPARATION VIN SALLE A MANGER CONSERVATION DES ALIMENTS
Location plan Plan de situation
Vue interieureInterior sequence d'entree - Parcours chambres view entrance sequencejusqu'aux - way to the rooms
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F G'
F'
G
Plan hotel Hotel- -Central Foyer central Plan focus
CoupeGG’ GG’ Section
CoupeFF’ FF’ Section
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WATER TASTING AREA
CUISINE EAU .A.
-
SCALE 1 / 100
- ECHELLE 1/100 A'
A
Plan
Elevation
Section CoupeAA’ AA'
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Tasting area in the water Maquette cuisine eau
Tasting area in the orchard Maquette cuisine verger
Tasting area in the Forest Maquette cuisine foret
Hotel focus Model
Maquette Foyer Hotel
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From an analysis done on the minimum space, I left on the same concept of configuration of the caravan and a wagon train. The land is divided into 4 students. The ground floor and 1st floor are shared with 3 other housing buildings, forming a parking ramp (1st level) and shops on the ground floor. The site is in the 13th district of Paris on the future slab that will cover the railways. At first, it is the idea of having a frame of the common spaces, separated from the frame of more private spaces by a footbridge. Then, the space of the caravan is illustrated by the external entrance. To enter each apartment, access is through their garden -as a private terrace. 175 dwellings are built in my individual project.
ACCOMMODATION FROM A THEME: Tiny space Housings project Licence 3 : 2 nd semester Teacher : Aghis Pangalos
Wagon spaces - sketch
N Ground plan
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Plan 1st floor (common slab - shared garden)
Plan ground floor (parking)
R+1 level housing
R+3
Section 1
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R+6
Facade North
ZOOM ON TWO appartements : Inspiration of the spatial organization of a train wagon:
Inspiration of the spatial organization of a caravan:
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The exercise consists in designing a housing with a pre-established methodology consisting in freely realizing an organization chart composed of five functions: WASH, MEET, NOURISH, REST, supplemented by a hypothesis which is a quote chosen to give its character to the home . It is a home for a family of two parents, two children and a baby. Each space is defined by specific criteria (centripetal, centrifugal, oriented ...). The intersection between two spaces such as, for example, feeding and washing, must correspond to a time when one can eat and wash: a work plan for example that would serve as thickness of use. The hypothesis: «Time is an invention of movement, one that does not move, does not see the time pass» Amélie Nothomb.
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UNO : THE HOUSE A habitat Licence 2 : 1 st semester Teacher : Lorenzo Piqueras
Washing Eating Sharing Resting
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Plan
Mock-up detail of a thickness of use
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Section AA’
Section BB’
Section CC’
Section DD’
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T he e x e r c i s e i nvol ves c r eat ing a s mall « hou s e » w i t h a c ommon spac e, two i nt i m a t e s p a c e s and a ser ving sp ace. We c o n n e c t t he int imate and the c olle c t i v e . U pon ent r y, t he vis itor i s g u i d e d b y an awning. A patio pr od u c e s t r a f fic spac es dedicat ed to t he i n t i m a t e s paces l ocat ed on the out s k i r t s . W h e n the visitor arr ives he at t en d s a n e x tension of per spec tive. I n ad d i t i o n , t he l ight wil l guide it to t he c o m m o n s p ace: col or s ar e added t o w a l l s ( c o l or ed r ef l ec t ions in the c om m o n a n d d istr ibutive spac e) . T he c om m u n a l a r e a host s a pool that i s z e n i t h a l y l it and al so c ol orful. I nt i m a t e s p a c e s ar e symbol ized by high li ght g u n s . A g eometr ic fr ame is formed and o r g a n i z e s the spac es bet ween t hem.
ABOUT PATIOS
A box Licence 3 : 1 st semestre Teacher : Nicolas Karmochkine
Répartition Répartition espacesespaces intimesintimes communs EspacesEspaces communs
Axes majeurs Référence Caruso St John Axes majeurs
Ground plan Plan masse
Espace commun, le bassin
Espace commun, le bassin Common area, the basin 16
VisiteurWay guidé par by la lumière guided the light
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Program : a primary school whose site is located within the «Cité universitaire» The challenge: Introduces public for children, while dealing noise of the nearby motorway respect to large housing
equipment with the and with buildings.
From a classroom to organize a school. The classrooms are composed of two subspaces including a more intimate space with a small kitchen garden and reading room.
PRIMARY SCHOOL
PUBLIC EQUIPEMENT Licence 2 : 2 nd semester Teacher : Miguel Macian
Corner entry, which offers a breakthrough and views of the courtyard. Organization of the school in «L» with a part for common areas (hall-reading room ...) and the other for classrooms and dormitories. A courtyard isolated from the noise. A gentle slope provides the opportunity for children to climb safely to the roof. Finally, the administrative and management areas are located on the 1st floor. They have a private garden that gives views of the courtyard to watch over the students
Classroom
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Plan
Coupe AA
Coupe BB
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Axonometry exploded - organization of spaces
Perspective from the courtyard
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L a c o n c e p t i o n d u p ro j e t d é bute par l’analyse du pays a g e TL ha e dcpeoa r l a p h o t o g r a p snicg en p toifo nt h ed up r o p j er cotj ehbti e e g. di nésD e s tw h iuéttm eau sn de ss cp- aapyehe at thiepqau arne as l tyl e’sali lnseasol yfqsu tehee lld b c a l i etsrha srgoM su f agcr a e ps ,h i e . hpoaatl ra o gi sr l,aapl e h ysp. h euog nh t pr é o rt o l e s TiDnhetesemtrehssét im csa eutscihq uoaeussetMe olelnn e rauele slleteassi er s -, etscro q iaci esrs,e slaesnsod rsstuetrinfl a lt .cteh se , c o u l escuarl sifearcdseesM, noiunnitttersér saetl n cl eo sl o r isn toef r sn ti gi chet s c o m t .c o r e l e s u e o eu n L a c o n c e p t i o n d u p r o A p acr ot iur l edu er s cdeet t ne u iat sn ael ny s reej sevst ioerndt e tén- t . uF ts la’ n al yn r eoemr tlpehas i sr ga rna om h en psgar:ye -a t s e pb o dsaei lssy sci e n t ee nsdtuti o s aiALngeteep nactroitoinrntpsaad r l a p h o t o g r :c Teth eceentcttorene taa e nc tsa cl yasblaeiepethrw vsiieeee. nnt és smaeanr tdilqebusl iengsdrtae ean iphre e iu .sne o e t fDasectseaatd a v e u g l e . fnlal eldcesaesdsqe ctthaelelnei tessi rto ssi -sr s : c ab lei ienrgsLleM o n t r é a l a i s , l e s s u r f a c e s, i keec o au nn deeennltter e maejne t em étant comm n taaédcldé otsu. ct aé l. i e r s l eest fi n a tceardset i caevse u o g luee. leensc oersec a ll ieesr s c o u l e u r s drmvem t s e n lroeecsnasttoeradtjeoinuntt.éa. esnne etui iu L ’ i n t eTé rht vaeen nti nt cti oeon so int uéiesl é m dans un student area overlooking a square q u aAr t ipear rét itru ddi ea n ct edt o n n a n t ne t ae l ysi ssuerdau aL n’ idn t et hr vee nstui o bw . S i nn n a syt ee saihnteu alvsni oes n u p l a cs e xe s agbroarnddse sd iun t emnét ti or on .s : evqiuspeauotrastlei aercu l n tn tR souy ra lu. n e ro nétt aucdti awni tt hd oMno nu a E l l e e s tL e é gc ao lnetm etn t e net nr e ceosnctaal ci et r s a c p l a c e e t a u x a b o rd s d u m é t ro . v i s ueetTl hfea caiavddeeeac ai svleeut og l e M o n t t heResocya al. E l l e e s t é g a l e mt.ea nkltee s e n ctoyl inpeti rcasaclt é tsvati sneutp escl oo m t taakj eoRuotthyéea. m f am Mv ee o ncut n r elaéell éamnMedonnm l. L ’ i d éme o rees ts cdu el p truerpa rl e n d r e l . In adde i tsi o ne,s -t h i s c a l iLe’iLrinns’ titdeeté enndidesseear eM t prdéhroaedrl alfneossre tuten smpio u e rryvevpeeinn iitoo etr tn hseeqttsu ean d e qluscea s r e n d r e p l u s s c u l p t u r a l . r t i e r é t u d i a n t d o n n a n t s u r u n taal i resr s o ft y M p ioquunet R d oe y aMl o sn itnr céea l i t eiest rd én r ho D e pplleduanesct,ei rcl eeeelstyt t ebar ieaunnsxtededrarevboeonpn ectseutmlupw te ltausi sornod usu titu r a. la. l teeha o e s t é g a l e m e n t e n c o n t a te m é tEalsDp r e d e s e s c a l i e r s d u M o n t p oei sn tt .uc n pr tl ui nsg, cpeo ti nt et iannt de ravne ne tnido n s ué on yMat ol . n t r o y vailm petulai ps h qao uvreeec cd ’eeslsete secMnaotl ineèt r se m e dR u b a s é Frso uyaralul yn,ppuaitsrhcqi o in su u jo er cientmt e inst e rwsch’aeovsl et c eupnnrtoipè L ’ i d é e e s t d e r e p r e n d r e l e d e d ib él la pusasérttsr auetrteudu ignuhtr asdas’ a éielpem.os i-onft n tnpharproo cuo vh eor rcituvsfn c a7dleimeirdnsé Mionnt t rdé’ a a lr r i v eé te . u tpteaysrp.ti qeute u dn e p o d e l e s r e n d r e p l u s s c u l p u ràa l . E n f i n , t o u t c e p r o j e t e s t i l l u s t rt é rdvjee e7 i soitn n iuel ltsuetssut.n tn tem r ée à t r a vDeeErnps fluiunns, ,ctcoeut trt tecfieinl ptmer o m tértaavpehr os ruen dceosu retsfci a l i e r s d u M o l m d e 7 m i n u tnets . ue c’est entièrement V i d réooy a l p pu ub il si éq e ci dessous : b aVsi d é és ou r u pn upbal ri cé o e u r sc a i v edc eusns p oo u isn t : d e ddeéop ap rutb lei st h ue n p o i n t: d ’ a r r i v é e . h t t p sV:i / / y o u t u . b ed/ beeHl oI JwN be5CXE https://youtu.be/eHIJNbe5CXE E nh ft itnp,s t: /o/uyt ocuet up. rboe j/eetH eI JsNt biel l5uCsXtEr é à travers un court film de 7 minutes. Vidéo
publiée
ci
dessous
:
https://youtu.be/eHIJNbe5CXE
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FATIGUE PANORAMIQUE FATIGUE PANORAMIQUE PANORAMIC FATIGUE Architecture, ville et arts médiatiques Architecture, ville etdigital arts médiatiques Architecture, City and arts Master 1 : 2eme semestre FATIGUE PANORAMIQUE Enseignants: Irena Latek et Fannie Master 1 : 2eme architectural graft semestre Duguay- Lefebvre. Enseignants: Irena Latek et Fannie DuguayLefebvre. Master 1 : 2eme semestre Architecture,Irena ville et artsetmédiatiques Enseignants: Latek Fannie Duguay- Lefebvre. Master 1 : 2eme semestre Enseignants: Irena Latek et Fannie Duguay- Lefebvre.
SCENARIO
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Anchored in a landscape lost in the middle of a raging sea, the hotel is composed of 15 places formalized in monolithic «nest boxes». The mood of the sea decides the working environment of the artists. These 15 spaces are incrusted in the rocks attacked by the waves. These are inspired by the massive Mehnirs, a Britain symbol. The interior spaces are designed by void. The “Phare Maudit” is an already existing lighthouse known for its haunted legends. It is the guide of the boats but also becomes a point of reference for the artists who will come to confront this agitation. The journey of each artist becomes a real assault course in several stages: A first stage takes place in the boat which shelters all common services. Artists embark on the Pointe du Raz on the Brittany coast, only in calm weather and at low tide: Journey to the inspiration hotel depends to the mood of the sea. The artists will then disembark in their respective shelter reached by kayak. Finally, visitors arrive in a first inspiring space in which a particular atmosphere is felt. The interior of these places resonates with the sounds of nature that surround the building. The overwhelming volumes evoke the vertical space illuminated by a grazing light, the destructuring and opening
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« Art - lights » Inspiration hotel
OpenGap 2016 Competition Résidence pour artistes Master 2
walls disorient the artist. They are true places of inspiration where the light guides the visitor in his work room and living space. It is also a space that will be accessible and usable only at low tide. Volumes drawn and imposing in the volume are only insinuated from the outside. Everything is guessed when we travel vertically through the volume. The living spaces are not visible at once, we discover them as and when. The artists face themselves for a while and it is only during a weekly passage of the boat that they can restock food or gather in common areas.
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Marseille is a Mediterranean city whose the coastline is essentially boosted by its port activities. The soil of Marseilles welcomes along the coast of ferries, cruise ships and more to the North of freight boats. The maritime flows are therefore in constant circulation. Then Marseille is also a city that develops and densifies, especially with Euromediterranean projects, operation of redevelopment but also development economic, social and cultural an accelerator of attractiveness and the city of Marseilles between Europe and the Mediterranean. However, the port and the city of Marseille do not are not connected and connected enough through various activities or urban projects. The coastal promenade between the old port and the tower Zaha Hadid was refitted to favor traffic soft but the port infrastructure creates a real wall between the city and the sea. A break between the city, the sea and its port feels. The question I asked myself is how to connect the city and the port to through the realization of an urban project, while maintaining port activities on the site. the port of Marseille and two sheds in steel structure are on this floor port. A first step is to reorganize programmatically the site in order to relocate the headquarters of the GPMM within the J1 (hangar in concrete beam stud structure) just to side. The site is then clear and free for intervene on the urban plan. It was not not to destroy to rebuild an element built pure and hard, but to keep this escape visual on the sea to guide the pedestrian to the edge of the sea and to the port. An inhabited ground project is born between harbor terrace and hangar J1.
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BETWEEN SOIL AND SEA Cultural equipment Project graduation Teachers : Bita Azimi Calori and Antoine PĂŠnin Dtails on : https://issuu.com/valentinegarcia/
The public square of La Joliette is extended to the sea and port and urban activities intermingle on a common ground. Within this floor - roof fully accessible, just settlea programmatic mix that welcomes a temporary exhibition hall, a hall covered gastronomic, amphitheatres, a media library coworking spaces as well as music and dance workshops. Finally this new ground also allows passengers to ferries docking along the slab, disembark and arrive directly in the city of Marseille. A boat bus station is also created to make this place a central hub of the city and to promote daily maritime transport. It is unsol that will also create a new entrance more spontaneous to the terraces of the port since it is dircetement connected to the belvedere of Terrasses.
Dégagament de l'axe
Existing site Dégagament de l'axe Dégagament de l'axe
Existing site Dégagament de l'axe Existing site
Travail de dalledesurélevée Dégagament l'axe Existing site Dégagament de Degeneration of l'axe the axis Existing site Travail de dalle surélevée Travail de dalle surélevée Existing site Degeneration of the axis Degeneration of the axis Travail de dalle surélevée
Degeneration of the axis Travail de dalle surélevée Glissement d’un volume coupé dans sa dalle Travail de dalleofsurélevée La mer Elevated Degeneration the axisslab
Project
Le littoral et son port
Glissement d’un volume coupé dans sa dalle Urban complementarity
Glissement d’un volume coupé dans of sa the dalle Degeneration axis La ville
Elevated slab
La mer
Major structuring axes
La mer Elevated slab Le littoral et son port Glissement d’un volume coupé dans sa dalle Le littoral et son port
La ville La ville Glissement
Bus boats flows
Elevated slab d’un volume coupé dans sa dalle Le littoral et son port 3 points de vue mis en valeur La mer
La mer Glissement La ville d’un volume Sliding
Fracture between city and port
Elevated slab coupé dans sa of a volume cutdalle in its slab
Le littoral et son port
3 La mer Sea
Continuity of Euromed projects
points de vue mis en slab valeur Elevated
3 points deLe vue enport valeur littoralmis et son
La ville
littoral and his harbour
Operation of the port before and after the urban intervention 1/10 000
Sliding of a volume cut in its slab La ville City
Sliding of a volume cut in its slab 3 points de vue mis en valeur
Sea
Sea
littoral and his harbour
Sliding of a volume cut in its slab littoral and his harbour
3 points de vue mis en valeur City City
Parcours galeries d’expositions
Sea
Sliding of alittoral volume cut in its slab and his harbour 3 points de vue mis en valeur 3 points of view highlighted City
Sea
Parcours galeries Sliding of a volume cutd’expositions in its slab littoral and his harbour Parcours galeries d’expositions
Sea City
City
3 points of view highlighted
Media, Workspace and coworking, cafeteria 1 450 m²
Multipurpose rooms hosts concerts, conferences, shows ... 260 and 200 seats 2 396 m²
Exhibition room 1 750 m²
Boat bus station 300 m²
Music workshops, dance, reading, videos 2,350 m²
Halle, Food market 2 000 m²
Central hall distributive home
3 points oflittoral viewand highlighted his harbour
Parcours galeries d’expositions
3 points of view highlighted Parcours galeries d’expositions
points of view highlighted Parcours galeries d’expositions Circulation of 3two important streams of visitors Parcours galeries d’expositions 3 points of view highlighted Circulation of two important of visitors Parcours streams galeries d’expositions Circulation of two important of visitors Parcours streams galeries d’expositions
Circulation of two important of visitors Parcours streams galeries d’expositions
Circulation of two important of visitors Parcours streams galeries d’expositions The roof of the port terraces that become ground Circulation of two important of visitors Parcours streams galeries d’expositions
The roof of the port terraces that become ground The roof of the port terraces that become ground
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Story board
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Some points of view which illustrate various courses on this soil, under this soil, showing the connections between the city, the port, the sea, and the existing building. A mixed program accessible to all day and evening ..
1 - A weekend in Marseille, Arrival from the sea by ferry. 2 - Small brunch in the gourmet market of Marseille after a morning shopping at Terrasses. Arrival from the Terrasses du port. 3 - A show evening Arrival from the city: Place de la Joliette
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2
3
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A soil that becomes programm
Un «sol - assise» comme belvedère sur la Méditerannée
Une dalle habitée sur le port
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Coupe détail dalle béton 1 /50e Un «sol - assise» comme belvedère sur la Méditerannée
Une dalle habitée sur le port
Arrival on Marseille soil
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VALENTINE GARCIA valentine garcia@hotmail.fr +33 6 48 12 72 40
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