Nylon 2014 02 by valentina jeria

VANESSA HUDGENS LOVES THE DRAMA READY SET GLOW THE KEY TO MAGICAL SKIN

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February 9, 2014

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FEB. 020 editor’s letter 022 behind the scenes 024 par avion 026 contributors

fashionista 028 ruff + tough: go for the frill. 034 fashion news 039 jeans of the month: ag adriano goldschmied 041 tee of the month: young & reckless 044 factory girl: topshop never fails dani stahl. 046 cult of: dior

beauty queen 048 cory’s corner: psychic experience 049 now trending: acid wash jeans 050 face value: super serums 052 get this: oui bit french

070 after the gold rush: gilded accessories made for your mane 076 beauty news 078 the look: rodarte spring ’14 079 counter culture

054 directory: pastels perfect for the cold 062 mass appeals: design duos 066 haute stuff: finds for the season of love

on the cover vanessa hudgens photographed by aaron richter. styled by j. errico. hair: thomas dunkin at the wall group. makeup: katey denno at the wall group using burt’s bees. manicurist: casey herman at kate ryan inc. using chanel le vernis. photo assistants: ross thompson and brad ogbonna. retouching: kate coats for blue space co. shot at go studios, new york. shirt by hugo, bra by fausto puglisi, leggings by louis vuitton, necklace by dolce & gabbana, rings and bracelets by fallon. this page top right: pari ehsan at the paola pivi exhibit ok, you are better than me, so what? at galerie perrotin, new york. photographed by tylor hou.

VOLUME 15 ISSUE 2 NYLON (ISSN 1524-1750) IS PUBLISHED MONTHLY, EXCEPT COMBINED JUNE/JULY AND DECEMBER/JANUARY ISSUES, BY NYLON HOLDING, INC., 110 GREENE STREET, NEW YORK, NY 10012. PERIODICAL POSTAGE PAID AT NEW YORK, NY AND ADDITIONAL MAILING OFFICES. POSTMASTER: SEND ADDRESS CHANGES TO NYLON, NYLON/ADDRESS CHANGE, P.O. BOX 5796, HARLAN, IA 51593-1296.

—CONTENTS

112 run lola run: zoë kravitz will trick you into listening to her new band, lolawolf, if she has to—and she knows you’ll like it. by melissa giannini. photographed by isa wipfli

fashion & features 080 miss bliss: vanessa hudgens can hang with the hippies, be one of the boys, and school you at soulcycle—and that’s all after proving she’s a serious actress. by ashley baker. photographed by aaron richter. styled by j. errico

088 inside out: this spring, the bra top is back in a big way. photographed by silja magg. styled by martha violante

114 looking good: jonathan groff shines in hbo’s anticipated new series looking. by ashley baker. photographed by shane mccauley

096 the reflektors: foiled fashion never looked so sweet. photographed by jason nocito. styled by james rosenthal

116 back in black: dee dee penny presents a deeply personal third album from the dum dum girls. by devon maloney. photographed by ted emmons

radar

119 culture club: february’s best art, books, movies, tech, travel, and more

106 up + at ’em: azealia banks puts herself out there. by jeff weiss. photographed by bella howard 110 we love lucy: vampire academy’s lucy fry is the next big thing to come from the land down under. by emily meyer. photographed by david shama

127 shopping list 128 bag check: start seeing red. packed by dani stahl

editor-in-chief marvin scott jarrett executive editor ashley baker design director evan campisi

features deputy editor david walters senior editor melissa giannini senior editor mallory rice beauty director katie dickens editorial assistant lisa mischianti beauty assistant jade taylor contributing copy editor matt schlecht

design co-art director chris segedy designer kelly shami contributing designer haley stark

photo bookings director beth garrabrant

fashion fashion director joseph errico market director rachael wang senior men’s market editor mitsu tsuchiya associate market and accessories editor tamar levine fashion assistant marissa smith style editor-at-large dani stahl publisher jaclynn jarrett associate publisher karim abay fashion account manager darcie vukovich fashion account manager nicole siegel fashion account manager aaron kransdorf marketing and events manager jenny peck marketing coordinator christie chu promotions and marketing designer kelley garrard e-commerce manager katherine martinez

digital executive web editor rebecca willa davis web programmer estefanie duque digital design director liz riccardi senior web editor liza darwin men’s content and marketing director josh madden associate web editor steff yotka men’s associate web editor christian lavery newsletter editor jackie yaeger

nylon tv executive tv producer heather catania tv producer blair waters office coordinator kellie mcfadden assistant to the editor-in-chief connor stanley advertising information 212.226.6454, fax 212.226.7738 subscription information 866.639.8133

www.nylonmag.com contributing writers jessica bumpus, hazel cills, rachel deahl, banu ibrahim, cory kennedy, maura kutner walters, devon maloney, emily meyer, alexa pearce, jeff weiss

contributing artists will anderson, sergiy barchuk, malin bergström, carine brancowitz, ted emmons, david brandon geeting, lorenna gomez-sanchez, jay hanna, bella howard, lucie hugary, jens ingvarsson, kate lacey, rowa lee, natalie lines, silja magg, yael malka, shane mccauley, caroline morin, jason nocito, ollanski, clément pascal, esra røise, aaron richter, david shama, eric t. white, isa wipfli

interns nova bajamonti, georgina cantwell, rosalva casanova, zoe cohen, alex falconer, tiara goldberger, rachel hagan, andrea huang, banu ibrahim, layla ilchi, quinn kelley, rina kim, stephanie lam, robert libraaten, bria mariette, jennifer mulrow, alexa pearce, rachel perlman, erin ryley, ashley sabino, margot silverstein, samantha sleboda, michelle spollen, bayan talgat, jasmin valcourt, grace van vranken, jessica widas, jamie wilson founders mark blackwell, helena christensen, marvin scott jarrett, jaclynn b. jarrett editorial office: 110 greene street, suite 607, new york, ny 10012

corporate office: nylon holding inc., 174 middletown blvd, #301, langhorne, pa 19047 newsstand consultants irwin billman, ralph perricelli circulation specialists greg wolfe national distribution curtis circulation foreign distribution curtis circulation nylon is published by nylon holding inc. president marvin scott jarrett vice president jaclynn jarrett

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—LET TER FROM THE EDITOR

deep freeze

As we go to press on the February issue, the single-digit temperatures in New York are making all of the spring clothes on these pages an especially welcome sight. Our cover subject, Vanessa Hudgens, wears them well. She last appeared on our cover in 2011, and it’s been cool

to watch her evolve as a dramatic actress and take on projects like her new film, Gimme Shelter. Meanwhile, our roving factory girl, Dani Stahl, went to London to report on the Topshop Unique fashion show. It’s always one of the best scenes at London Fashion Week, and I look forward to experiencing it again in a few weeks. Not only is London one of my favorite

cities in the world, it’s a great place to discover new designers and check out the latest offerings from classic brands. Meanwhile, I’ve been spending a lot of time in L.A., working on some really exciting incarnations of NYLON TV. Stay tuned. marvin scott jarrett editor-in-chief

@ elementeden irene dress /bloom jacket /christina dress photo by element advocate crista leonard

—BEHIND THE SCENES

rock steady Vanessa Hudgens is a style chameleon. When she’s walking the streets of New York, she looks every bit the cool city girl. While taking in a set (or 20) at Coachella, Hudgens goes for fullon boho regalia. So when fashion director J. Errico decided to turn the actress into the proverbial NYLON girl, it didn’t take much to make it happen. “She loved all the leather and sequins,” says Errico. “And she was like a kid in a candy store with the accessories— she just piled on the Hermès bracelets and Fallon rings.” Some of Hudgens’s favorite pieces included a pair of Ashish

shorts and studded Dr. Martens, which she nicked from the shoot (with Errico’s blessing). The beauty look was equally rebellious: Makeup artist Katey Denno darkened Hudgens’s lids and painted her mouth bright red, thereby crushing the old no-bold-eyewith-bold-lip rule. Hairstylist Thomas Dunkin played of the inspiration and gave Hudgens chic rocker locks. Her thick, naturally wavy tresses were treated with two diferent-size curling irons, thickening cream, and a generous helping of hair spray. A quick hair ﬂip gave her mane extra body.

beauty note: “I blended onyx shadow along her top lids and bottom lash lines, then layered iridescent taupe shadow on top, then traced the waterline with black pencil,” says Denno.

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— PAR AVI O N

@NATALIESWARZ

#mynylon tag your nylon collections on instagram and your pic could appear right here. @ddlovato looks AMAZING in this month’s NYLON. Great issue @NylonMag!

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dear nylon, Just wanted to let you guys know that I’m OBSESSED with your magazine. It’s very relatable, totally unique, and I just can’t get enough of it. CAROL SABBAGH VIA EMAIL

I’m so glad you FINALLY put Demi Lovato on the cover! There is no one like Demi. She’s an inspiration for overcoming everything she’s been through and so genuine for sharing her recovery with us. And not to mention she’s a complete fashion chameleon—I always have my eye out for what her next style move will be. GIRL CRUSH! ALLISON S. LONG BEACH, CA

I got my @NylonMag in the mail. It’s going to be a good day. KRISTIAN @KRISTIANVAE

dear nylon,

I hadn’t read you in a while, but when I came across an issue on the coffee table in my dorm’s common room, I was immediately reminded of all of the reasons why I love you. The art is brilliant and the fashion is beautiful!

You and Lana Del Rey are one in the same. You’ve always stayed true and have never let me down! Keep rockin’ and rollin’, NYLON!

Congratulations, Demi and NYLON on a perfect cover. Flawless girl, ﬂawless style.

TAYLOR ZIMMERMAN TUSCALOOSA, AL

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SHIMOTANI,

JOAQUIN VIA EMAIL

dear nylon,

YAM

I’m at the airport in Vegas, lying on the ﬂoor with your November [’13] issue as a ﬁrst-time reader. So, is there a limit to how many times I can re-read the mag before I become brainwashed? Best $4.99 I’ve ever spent!

TOKYO,

dear nylon,

JOURDAN MILLER

c ontributor s allen wood hairstylist, nyc created the coifs seen in the beauty story “after the gold rush” (page 70).

jeff weiss writer, l.a. interviewed azealia banks for “up and at ’em” (page 106).

“there’s an old biggie line about people saying that he was nice, but that it was ‘on the low.’ that’s sort of how it is with azealia banks. she’s earned a reputation as a quick-to-attack diva, but in reality she’s incredibly sharp, well-read, and eager to dispense opinions on any topic—not out of malice, but through genuine interest.” twitter handle: @passionweiss latest discovery: the ’70s jazz-fusion band cymande travel plans: cambria, a little village on california’s central coast playing on repeat: darkside’s psychic online fixation: babylonfalling.tumblr.com and my website, passionweiss.com compulsively reading: autobiography by morrissey secret skill: offensive rebounding sartorial signature: garish faux-fur coats

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aaron richter photographer, brooklyn shot vanessa hudgens for “miss bliss” (page 80).

“vanessa’s shoot was hours and hours of dancing to kanye and disclosure.” hails from: st. louis twitter handle: @richterfit latest discovery: scandal—omfg travel plans: i wish! playing on repeat: chance the rapper online fixation: the nba’s twitter compulsively reading: everything norman mailer has ever written mode of transport: a hoverboard secret skill: making coffee sartorial signature: my glasses

“like a magpie, i’m keen on anything metallic or sparkly, so this hair story featuring gold accessories felt like a match made in heaven. i love the idea of taking a simple style and turning it into something special by adorning it with a beautiful accent piece.” hails from: seattle instagram handle: @allenthomaswood latest discovery: hot whiskey and chai, tom ford’s sahara noir fragrance, and solange travel plans: st. john at the coldest point of the new york city winter, texas to style a bride for her wedding on a 700-acre ranch in may, and i’ll vacation with wild ponies in the outer banks this summer. playing on repeat: my stereo is locked on the classic rock station. online obsession: exotic shorthaired cats on instagram compulsively reading: jhumpa lahiri’s the lowland mode of transport: weather permitting, i bike to work (13 miles round-trip)—otherwise, the subway. secret skill: i grow a major secret garden every summer that completely engulfs my entire patio in vines and blooms. sartorial signature: pacific northwest lumberjack meets viking—a plaid flannel, hiking boots, beard, wild hair, stacked gold and silver bracelets, and my comme des garçons oversized black backpack

martha violante stylist, nyc masterminded the looks in the fashion feature “inside out” (page 88).

“there were so many bra tops for spring—it was fun to research them and then figure out different ways to wear them!” hails from: chicago latest discovery: tokyo bopper, one of my favorite stores in tokyo travel plans: new orleans and l.a. for work, chicago and florida with the family, and tokyo for the shopping playing on repeat: my boyfriend’s spotify mixes online fixation: nytimes.com and style.com compulsively reading: the new yorker and photo/ art books for inspiration mode of transport: uber sartorial signature: flats— being comfortable when i am running from city to city, meeting to meeting, and shoot to shoot is always important. and there are tons of great brogues and flat sandals for spring!

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Available at G-Shock SOHO Store • 454 W. Broadway • New York, NY

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all clothing by louis vuit ton, necklac hand: silver e by nettie k cuff and sha ent, belt by rk-tooth ring vicki turbevi feather cuff by icarus & lle, on left h by pamela lo co., silver ri and: large g ve, large go ng on pinky, old cuff by p ld bangles b ring on poin amela love, y juan carlo ter finger, a on right s obando. nd crystal c uff by unear then,

all clothing by emanuel ungaro, hat by bailey of hollywood, shoes by nifty thrifty, on left hand: large gold cuff by pamela love, gold ring on middle finger by nettie kent, on right hand: silver cuff and shark-tooth ring by icarus & co., silver rings on pinky and pointer fingers and crystal cuff by unearthen, feather cuff by pamela love, large gold bangles by juan carlos obando.

030

all clothing by dries van noten, shoes by nifty thrifty, on left unearthen, silver knuckle ring by gillian steinhardt, gold ring pointer fingers and crystal cuff by unearthen, feather cuff by using chanel. model: chaun at next models. shot at ruby bird

032 hand: large gold cuff by pamela love, gold ring on middle finger by nettie kent, silver wooden ring on ring finger by with black stone by lady grey, on right hand: silver cuff and shark-tooth ring by icarus & co., silver rings on pinky and pamela love, large gold bangles by juan carlos obando. hair: bethany brill. makeup: katie mellinger at joe management studio, brooklyn.

bes t guess

the archives of samples and images from the past and found vintage items online.” And really, history has long been a part of Guess’s appeal, particularly with its years of iconic ad campaigns. “Each of those images brings nostalgia and a smile to our fans, almost like playing an old song,” explains Ernster. “That’s the magic of Guess.” LISA MISCHIANTI guess.com

sc issor sis ters ISLAND STYLE

The union of beloved streetwear brand Stussy and avant-garde jewelry designer Jules Kim is a collaboration to be anticipated by style-philes and feline fiends alike. The range of accessories and apparel was inspired by the culture of Jamaica, particularly the Lion of Judah, a symbol of Rastafarianism. "My boyfriend, photographer Alessandro Simonetti, shot some images of the last Passa Passa street party in Kingston, and I was fascinated by the rawness and real happiness in people's faces," explains Kim. Her unique aesthetic channels Jamaica's wild beauty into golden and gem-encrusted jewels, like a lion double-finger ring, and tail-shaped fingertip nail ring, as well as two muscle tees emblazoned with a king of the jungle. LM stussy.com

“There was so much of the same out there,” says Ch loé Gordon, who designs the new accessories and rea dyto-wear collection Bea ufille with her sister, Parris. “Impeccable workmans hip seemed only to be availab le at an incredibly elevated price point.” Their spring '14 oferings—inspired by the Renaissance and '70 s California skateboardin g culture—evoke a filtered on-Instagram, desaturate d fantasy with muted pas tels, antiqued-print silk chifon s, and hardware-encruste d lambskin leather jacket s. JADE TAYLOR beaufille.com

guess: photographed by isa wipfli. stylist: skye stewart-short. hair: shinya nakagawa using kérastase paris. makeup: daniella shachter at workgroup using nars cosmetics. fashion assistant: sophie perkins. model: catalina at img. all clothing and jewelry by guess, shoes by alice + olivia. stüssy: photographed by alessandro simonetti.

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Denim & Supply Ralph Lauren has produced almost everything one needs, wardrobe-wise, except for shoes— until now. This month marks the brand’s debut of footwear, and true to form, it’s infused with an earthy, vintage-y vibe with a hint of big-city exploration. Expect bandana-print ﬂipﬂops, leather sandals with Western details, and chunky heels with bronze studs— all of which nod to Americana, and will be sold at Macy's as well as Denim & Supply stores. ALEXA PEARCE denimandsupply.com

If eBay is any indicator, stylish shoppers are still very much in the market for retro Guess gear. Lucky for these label loyalists, the brand will be releasing the Originals Collection, a denim range that reintroduces its most beloved classic looks that pair with the line’s signature polka-dot print, black-and-white gingham pattern, eyelet fabric, and patchwork details. The oferings draw direct inspiration from the most quintessential old-school Guess designs while updating them with a more contemporary ﬁt and modern denim technology. “The research process was really fun,” says chief design oficer Sharleen Ernster. “I went through

step ahe ad

White and quilted? Black and perforated? Red and cropped? Richard Chai’s new capsule collection for Andrew Marc has every leather jacket a girl could, and should, dream about. “I like layering them in new ways, or pairing them with unexpected pieces like a ﬂuid, draped dress,” says Chai. But the good times aren’t strictly limited to leather oferings. The collection includes silk button-downs and tech twill pants in black and white that could easily be used as the building blocks of your spring wardrobe—especially since they have leather trim. ASHLEY BAKER andrewmarc.com

le torcyc "A mo is a jacket sic." clas great d Chai r —Richa

cable news

ER:

o, I dropped by a showroom du ring Paris Fa shion Week to ch eck out a ne w collection fr om a long-d orm French fash ion brand. Ca ant rven was launched by Carmen de To mmaso in the 1940 s, but after Madame's retirement in 1993 at ag e 84, the brand's fash ceased. In 20 ion operations 09 Henry was na , Guillaume med Carven 's creative dire ctor, and hi s take on French fe mininity has been a hit. Now op ening new st ores around the world, Carv en's 16th location grac es New York 's SoHo neighborhood . Plywood fi xtures, mosaic-cove red walls, an d frilly furnishings, all away from NY just two blocks LO 83 Mercer St N HQ. AB reet, New Yo rk, NY 10012 ca rven.com

INV AD CE

New York-based multimedia artist Baron Von Fancy has lent his creativity to everything from bow ties to socks to waterfalls, and his new collaboration comes in the form of phone cases, tanks, and ﬂeece. Von Fancy—also known as Gordon Stevenson—has adapted his concept of airbrush-style scribbled catchphrases and conversation snippets for Juicy Couture’s spring '14 collection. The 29-year-old artist describes the common thread between his aesthetic and Juicy’s

as “fun, playful, cheeky, and sometimes even a bit kitschy.” The range's stark white pieces with hot pink spray-paint accents feature maxims tailor-made for nice girls who like stuf, including a leather tote labeled “emotional baggage.” Von Fancy, who showed his artwork at Colette in Paris last year, believes the phrases “belong to the objects and make them more than they would be without their designs.” AP juicycouture.com

S PA

fancy pants

C A RV E N N E W YO R K C IT Y Four years ag

Thirty years ago, David Yurman turned an industrial motif, the cable, into the cornerstone of a ﬁne jewelry collection. Now, to celebrate the anniversary of the famed Renaissance Cable Bracelet, Yurman’s son, Evan, has worked with his father to reinterpret the classic in limited-edition variations that incorporate everything from brightly colored aluminum to pave diamonds. “I believe in the purity of materials,” says Evan Yurman. “Aluminum is not only pure—it can be easily manipulated into a number of shapes and colors. I focused on creating two palettes— saturated and ‘powder’ tones, which were inspired by the colors of the gemstones we use in our ﬁne jewelry collection.” One in every color, please. AB davidyurman.com

andrew marc: photographed by isa wipfli. stylist: skye stewart-short. hair: shinya nakagawa using kérastase paris. makeup: daniella shachter at workgroup using nars cosmetics. fashion assistant: sophie perkins. model: catalina at img. all clothing by andrew marc, ring by bones and feathers. illustration by esra røise.

marc ’s territor y

m ate ri al wit ne ss Whether she’s performing in sneakers or donning jumpsuits on the red carpet, British singer Rita Ora has emerged as a new kind of sporty-cool style icon. It’s a no-brainer, then, that Madonna and her daughter Lola Leon have recruited the pop star as the latest face of their Material Girl line. Ora phoned from the spring '14 campaign shoot in Miami to discuss her new gig with Liza Darwin.

There are some '90s trends we severely regret (e.g., light-up sneakers, the overload of butterﬂy clips, and yes, the dreaded bowl cut). But there were also some major takeaways, like colorblocking, checkers, and animal prints. Enter the new collab from online fashion mecca ASOS and the athletic-wear professionals at Puma, who have teamed up this season to create a serious '90s revival. Zip-up hoodies revamped with fur and zebra print, sweatpants with grafiti embroidery, and that signature Puma logo all come together in a collection that gives of a Kawsmeets-Dionne from Clueless kind of vibe. BANU IBRAHIM asos.com

What’s the coolest part of being the face of Material Girl? Well, I wear most of it! I also just love how it’s vague in terms of age groups; it’s cool for people in their twenties, or with younger teenagers. There are so many options to choose from, and I love the patterns. What’s your favorite piece from the new collection? I’m wearing a jumpsuit now that’s deﬁnitely my favorite. It’s black with a corset top, so you can dress it up or down easily. I’m obsessed with jumpsuits. How does your onstage style relate to your closet in real life? I try to keep the same style going, no matter what hour of the

day or my plans. I just love feeling like I’ve made an efort with my outﬁt— getting dressed feels like an adventure for me. What’s your number one styling tip? I get all of my drama from hair and makeup, so that means I can keep it simple with clothes. White T-shirts and high-tops are really all you need. I have so many pairs of sneakers because I wear them all the time. What’s on your Material Girl playlist? Today we’re listening to ‘70s disco and it’s amazing. A little Donna Summer always makes people smile.

BA RR EL L FE VE R

Although the Johannesburg-born desig ner Alexis Barrell launched her label in London in 2010, it's just now touching down on American shores. For spring '14, she was inspired by cult films Point Break and True Romance and a road trip on the Pacific Coast Highway. "I was wear ing a lot of old-man shirts," she recalls. The collection that ensued is a mix of rewo rked Hawaiian button-ups, '60s-style swim shorts, leather hoodies, oversized T-shirts, and crop tops nodding to '90s surf culture. Anyone up for silk-andneoprene eveningwear? JESSICA BUMP US alexisbarrell.com

rita ora: courtesy of material girl. tee of the month: shirt by young and reckless. photographed by isa wipfli. stylist: skye stewart-short. hair: shinya nakagawa using kérastase paris. makeup: daniella shachter at workgroup using nars cosmetics. fashion assistant: sophie perkins. model: catalina at img.

good sport

—T E E O F T H E M O N T H

seeing green

three lucky readers will win one at nylonmag.com

So many message tees, so few days of the week. But the idea behind Young & Reckless’s cotton “Funds” T-shirt is one we can relate to more often than not. This clever riff on Cyndi Lauper’s girl-power anthem is an especially provocative conversation starter when our funds are depleted for good reason. (“Well, I spent two weeks’ salary on Hedi Slimane’s Saint Laurent biker boots. But can you believe this shirt only set me back $26.50?”) Naturally, you can wear it with jeans, but we also love it with a fully styled look—statement skirt, printed snapback, and serious gold jewels—so it’s very clear that your hard-earned cash has been used for noble purposes. AB

video st ar This spring, Vans proves that footwear isn’t its onl y forte with a reinvented womenswear line of updated materials and styles while maintaining an effortless sense of cool. These designs will be welcomed with a document ary-format video campaign called “Performance,” ﬁlmed in New York’s Jane Hotel. The project’s creative director, social ringleader Chrissie Miller, enlisted a roster of It Girls including Langley Fox Hemingway , Annabelle Dexter-Jones, Coco Young, Georgia Ford, and Luz Pavon for the project. “I wanted people with a real point of view,” explains Miller. Stylist Heidi Bivens help ed the girls create their own Vans looks, which they sport on camera as they share personal stories, like their most embarrassing moments. “I should probably be worried,” laughs Hemingway. “I ten d to tell the whole truth on any occasion, so I’ll regret some of those stories late r!” LM vans.com/womens

DIG ITA L LOVE

Emoticons are the hieroglyphics of the 21st century, so what if you could wear a bauble version of your favorite? Thanks to Alison Chemla, designer behind Alison Lou jewelry, you can. "I'm literally wearing my feelings on my sleeve," says Chemla, who also uses kitschy motifs like the hear-no, see-no, speak-no wise monkeys, apples, queen bees, hearts, and snakes. (More grown-up pieces include necklaces and rings with gilded talons wrapped around gemstones.) JT alisonlou.com

watch the video at nylonmag.com

You best set your iPhone alarm extra early for February 9, because on that blessed morning, another delicious Target collaboration is going live online. Peter Pilotto for Target is a 62-piece collection of dresses, separates, clutches, and swimwear dreamed up by Peter Pilotto and Christopher De Vos, the London design duo. The brand, which caught the fashion

world’s attention when it won the Emerging Talent prize at the 2009 British Fashion Awards, has become a go-to for digital print-crazed style stars like Sienna Miller, Kate Bosworth, and Kristen Stewart. And now that their goods are available from, oh, $15 to $80, there’s no reason not to get in on the action. AB target.com

O U R WO R LD IS FL AT

ve Saint Laurent creati ne is director Hedi Slima shoes, all about statement in es iev bel , but he, too the a good basic. Meet and Ballerina, the sweet has he le sty ile versat ssic. declared a brand cla Naturally, it will be updated in new colors these and treatments—like s— guy ra zeb and leopard .com each season. AB ysl

vans photographed by sergiy barchuk. jeans of the month: all clothing by ag adriano goldschmied, necklace by bones and feathers, shoes by converse. photographed by isa wipfli. stylist: skye stewart-short. hair: shinya nakagawa using kérastase paris. makeup: daniella shachter at workgroup using nars cosmetics. fashion assistant: sophie perkins. model: catalina at img.

prints charming

—JEANS OF THE MONTH

one for the road

In all likelihood, you spent the month of January mostly stationary—recovering from the magical but also soul-crushing holiday travel season, shunning the snow, and agonizing over the new season of Girls. We don’t judge, but society beckons. And when you comply, do so in a new pair of jeans. AG Adriano Goldschmied’s Absolute Legging in Dandy Light Fatigue ($178) is awash in a sweet dandelion print that may be the closest harbinger of spring that you’ll encounter all month. “The feeling of the season is light and airy, with inspiration coming from things that get ‘lost in the wind,’” says Sam Ku, AG’s creative director. “This print captures the spirit of the collection, executed in our slimmest, most ﬂattering ﬁt.” So even if the only traveling on your agenda is a trip to the grocery store, do so in the spirit of wanderlust. ASHLEY BAKER agjeans.com

the super-flexible fabric of the ultra stretch jean hugs the figure for an incredibly clean silhouette.

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In a wor ld ove rrun with dol led -up den im, Uni qlo pre sen ts a per fec t col lect ion of sta ple jea ns for spr ing '14 . Ran gin g from rela xed to slim and reg ula r to hig h-ri se, this ass ortm ent of clas sic styl es cen ters on gre at qua lity, mo der n den im techno log y, and , mo st imp orta ntly, an ide al fit. So for jea ns tha t you 'll live in this sea son , the re are non e bet ter tha n the se Uni qlo bas ics.

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—FACTORY GIRL

top sh op at the topshop unique show in london, dani stahl ﬁnds more than a little magic. photographed by ash kingston

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For way too long, Topshop was sort of a fashion unicorn—its name uttered only when my best friend, Charlotte, would come back to New York after visiting her family in London. “Who made that?” I would ask, admiring her look. “Oh, Topshop,” she would respond with a shrug. So on-trend, so affordable, so hip, but in a cool way, not a wannabe one. Needless to say, my first visit to London was practically Topshop-themed. I was taking summer school classes at Cambridge, and when I could pull myself away from the racks, I also checked out almost-asiconic sights such as Big Ben and Madame Tussauds. My first prolonged visit to the city happened in 2007, when NYLON put together a London issue. Every day was scheduled around my daily Topshop run: Kate Moss’s collection was on sale at the time, and during every visit, I managed to find another gem to add to my growing collection, many of which I still wear. After 10 days of immersion, I finally had a feel for the

city, and the store map of the brand’s Oxford Circus flagship permanently etched in my memory. These days, I go back regularly for London Fashion Week, and naturally, I need to be behind the scenes at the spring Topshop Unique show. In true Factory Girl fashion, last September, I hit up the Oxford Circus flagship within hours of landing at Heathrow. It’s a fashion lover’s amusement park, filled with floors and floors of clothes and accessories. You can get a blowout, manicure, and if you’re so inclined, even a piercing. I have to find a cute outfit for the show, of course, so I settle on a pair of loose-fitting cropped

trousers and a lime green mohair sweater with star appliqués. I complete the look with an oversize leather moto jacket—clearly, the best piece from the Meadham Kirchhoff capsule collection. The next morning, I head to Topshop HQ in central London. The brand started in 1964 as a kaleidoscopic shop-in-shop at a nowdefunct British department store. Today, Topshop makes clothes, shoes, accessories, and great makeup, actually—especially the lipsticks and nail polishes—and lucky for all of us, it’s sold at 440 stores in 37 countries around the world. For the spring ’14 collections, it sponsored the British Fashion Council’s NEWGEN program, which means that they are underwriting the fashion week shows of designers like Simone Rocha and Sophia Webster. As models go about their ﬁttings in one of the brand’s many conference rooms, I take a break to chat with Kate Phelan, Topshop’s creative director and contributing stylist to British Vogue. (She served

as co-fashion director there for many years before joining Topshop in 2011.) As I was coming up in the fashion industry and starting to read magazines from all over the world, British Vogue was a bible for me (enter angelic chorus here). I wanted every single thing shown in its pages; it was just so NYLON! That cool mix of high and low that Phelan does so well is perfectly suited to Topshop. She walks me through the collection, which is full of graphic prints, earthy tones, an alluring hippie-dippy element, and a lot of blue. The inspiration is the day after the big night out—on a far-ﬂung beach, naturally. Unfortunately, the warm vibe inside Topshop HQ does not radiate into the streets outside. The next morning, it’s raining—go ﬁgure—as I make my way to the gardens of Regent’s Park for the show. The buzz backstage, where I

ﬁlm a spot for NYLON TV, is deafening. But the front row, where I soon take my seat, is much more serene. I crane my neck to see why the paparazzi are going crazy across the runway, and when the crowds part, there she is—Kate Moss. My icon! I shouldn’t be that surprised, but I can’t help but spend most of the runway show experience (looks one through 17, anyway) staring mostly at her. Like Topshop, Moss is one of those institutions that always feels new, fresh, and special. A fashion unicorn at its ﬁnest.

go backstage at the topshop unique show on nylon tv

â&#x20AC;&#x201D; C U LT O F : D I O R

master craf ts at raf simonsâ&#x20AC;&#x2122;s dior, the feminine mystique is alive and well. by maura kutner walters. illustrated by natalie lines

Since Raf Simons ascended the creative throne at Christian Dior, tops are wispy, skirts are statement, and trousers are slim. The historically minimalist designer has a refreshingly different vision of the legendary label and the women who wear it—one consisting of pants under gowns, clashing colors, and busy bubble skirts—and if the reception he’s received from the fashion world is any indication, he’s onto something. The Belgium-born, artobsessed Simons has brought a jolt of frenetic energy to the brand after being named successor to John Galliano in April 2012. While his debut couture collection had strong ties to the architectural yet feminine shapes that were hallmarks of Mr. Dior’s New Look (think nipped waists, Bar jackets, and full skirts), two seasons later Simons is forging his own Dior. He’s creating clothes for a new tribe of women who are just as discerning as traditional devotees, but also a little bit wild. Christian Dior was one of the preeminent couturiers in Paris before he introduced the New Look, his revolutionary take on ready-to-wear, in 1947, bringing some long overdue glamour to the masses of postwar Paris. “We were emerging from the period of war, of uniforms, of womensoldiers built like boxers,” wrote Dior. “I drew womenflowers, soft shoulders, fine waists like liana and wide skirts like corolla.” Simons has effectively created a new New Look—one reflective of our time. He has introduced lean suiting, statement outerwear, and psychedelic

riffs on the famous A-line silhouette. But make no mistake: Simons is not scrapping the trademark elegance of Dior. He’s simply showing the next generation of women how to make it their own. Recent faces of the brand’s campaigns—Charlize Theron, Marion Cotillard, Natalie Portman, and Jennifer Lawrence—are the ultimate versions of the new Dior girl. They’re serious actresses, the kind who take on dark, twisted roles, chop off their hair on a whim, win Oscars, and yet remain exceptionally private. The same red carpet queens clamor for Simons’s otherworldly haute couture. At the 2013 BAFTA Awards, Marion Cotillard’s bright yellow silk bustier dress had a revealing panel sliced across the skirt to reveal the tops of her legs. The gray knitted evening dress Jennifer Lawrence wore to the Los Angeles premiere of The Hunger Games: Catching Fire was this year’s smartest take on the nakedbut-not trend, oscillating between transparent and opaque with layers of folded fabric. It’s this fool-the-eye craftsmanship that makes Simons one of the industry’s

most intriguing designers— and it’s what captivates the fashion cognoscenti season after season. Meanwhile, Simons’s python bags and pointy ankle-strap pumps have become ubiquitous among the street-style set, with sartorial stars both reﬁned (French First Lady Valérie Trierweiler) and rebellious (The Misshapes’ Leigh Lezark) pairing his sumptuous accessories with crepe blazers and skimpy crop tops. No matter the length of her hemline, the new Dior woman wants you to do a double take. Her cotton shirtdress has a smattering of crystals on the back, her Bar jacket may moonlight as a minidress, and her heels are spiked. She is not immune to the power of the shock factor. She can’t be bothered with a lot of makeup—a slick of mascara or a bold lip will do—and she usually throws her hair up in a messy bun. (Witness J.Law’s barefaced ad campaigns.) The new Dior woman carries a quilted, chain-handled bag over her shoulder and balances its ladylike form with an oversized gray coat. Her look falls somewhere between polished and provocative. You’ll know she’s a member of Raf’s club by the neon rosebud patch stitched on her blazer, a nod to Mr. Dior’s love affair with ﬂowers.

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aura ana ly

sis MAGIC JE WELRY, 238 CANAL S T.

This aura re located in ader is sid in Chinato e a mini-mall wn. I beg an the process by sitting in front of a Colo r Vision Aura Imaging c am photo ta era to have my ken. When th developed , it show e photo ed clouds of colors represen ting my chakras, I sat dow n with the aura reader to h explanati on. She a ear her dvised m to block e negative energy. She said that I am overly sensitive and need to b protective and selec e my heart tive for ch the small akra, which was est. One upside? I now have a trippy ph n awesomely oto of m yself.

it’s cory kennedy’s birthday, so she’s consulting the experts to ﬁnd out what’s in store for the year ahead. photographed by eric t. white Since February is my birth month (the 21st to be exact—Pisces!), I decide to plan a crazy day in New York City starting in Chinatown, trekking up to Rockefeller Plaza, then back down to SoHo for three types of psychic readings: aura, tarot, and palm. Birthdays are always a time for looking ahead, and I can’t think of a better way to do that. Before this experience I thought all of this psychic stuff was purely a waste of money, just people saying positive things that the customer obviously wanted to hear. Well, guys, those days are over for me. Here’s how it went….

ing palm readPRINCE ST.

tarot cards PATRICK MELVILLE SALON, 45 ROCKEFELLER PLAZA

I met Vanessa, who was recommended to me by a friend, at her office inside a hair salon. She asked me not to talk or ask questions while she channeled, then laid out her deck and started flipping cards over. First she told me that she sees a soul mate buying me a big diamond ring, and that there is someone from my past who wants to talk to me again, but that I shouldn't go back to them. She also said that I shouldn't be afraid to take creative risks this year, which I'll make a point to remember. Also excited about that ring.

048

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hair and makeup: marni burton at crosby carter management using it cosmetics.

0 RAOUL'S, 18

photo: getty images. still lifes: kate lacey.

p i r t d i ac

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— FAC E VALU E

the light stuff

save face by adding superpowered serums to your routine, recommends dermatologist ellen marmur.

olay age defying instant hydration day serum, $11, olay.com

dermadoctor ain’t misbehavin’ acne control serum, $48, dermadoctor.com

jurlique herbal recovery advanced serum, $54, jurlique.com

shiseido future solution lx superior radiance serum, $225, shiseido.com

skinceuticals c e ferulic antioxidant serum, $153, skinceuticals.com

050

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model photographed by isa wipﬂi. stylist: skye stewart-short. hair: shinya nakagawa using kérastase paris. makeup: daniella shachter at workgroup using nars. model: catalina at img. stills: rowa lee. illustration by caroline morin.

If your regular moisturizer isn’t results-oriented, kick your regimen into high gear with a serum. “They’re very effective— lightweight and great for anyone whose skin issues ﬂuctuate, as you can simply switch them up on a day-to-day basis,” says Dr. Marmur, founding director of Marmur Medical. Because they’re light in texture, ranging from liquid to a thin lotion, serums can penetrate deeper into the skin. This makes them more responsive to issues like uneven tone, dryness, and irritation. Serums are also effective delivery devices for antioxidants

dior diorsnow anti-spot serum, $150, dior.com

and brightening agents, and thanks to their barely there ﬁnish, they can be layered to address multiple concerns at once. Most can be worn day and night, but Vitamins C and E, which are especially adept at shielding from pollution and UV rays, do their best work when applied in the morning. Application is simple: Just smooth serum on freshly washed skin, then wait a minute or so before applying another product on top. Finish with your favorite moisturizer. It’s one step that will make a giant difference for your complexion. KATIE DICKENS

strivectin-ev get even brightening serum, $89, strivectin.com

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056

$1,425 6. jonathan adler, $38 7. nike tech, $90 8. l.a.m.b., $495 9. asos, $63 1. peter som, $595 2. mcm, $315 3. pf flyers, $55 4. a peace treaty, $184 5. j brand, pucci, choo, $995 14. samuji, $480 15. holst+lee, $195. opposite page: coat by emilio 10. aldo, $35 11. diesel black gold, $350 12. meredith wendell, $175 13. jimmy hat by american apparel, earrings by hirotaka.

$860 6. mulberry, $4,200 7. yves salomon, $1,726 8. salvatore ferragamo, price upon 1. viktor & rolf, $1,155 2. guess, $79 3. express, $70 4. swash, $720 5. sandro, $300 13. see by chloĂŠ, $330 14. wildfox sun, $179 opposite page: clothing by fortunato, lizzie 12. $130 martens, dr. 11. $99 baby-g, 10. $600 request 9. leila shams, own bandana. stylistâ&#x20AC;&#x2122;s hirotaka. by earrings cartier, by rings coach, by bag rochas, earrings by hirotaka,

059

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8. wes dkny, $125 5. lulu frost, $200 6. g.h. bass & co., $118 7. westward leaning, $180 1. louis vuitton, $1,800 2. buffalo david bitton, $59 3. cult of individuality, $119 4. hat 12. palladium, $85 13. base range, $340. opposite page: clothing by simone rocha, gordon, $2,190 9. equipment, $238 10. lacoste, $175 11. katherine kwei, $970 turnbow at crosby carter management. tattoo artist: rebecca wong using temptu pro. and socks by american apparel, earrings by hirotaka. hair: bethany brill. makeup: tina model: jessica strother at img.

c i m a n y d s o du when it to c ome s bels , t he se la ds t wo he ater are bet e . t han on

1. pants, $1,195, rta 2. bag, $2,925, versace 3. bra, $185, milly 4. hat, $26, st端ssy 5. jacket, $40, karma blue 6. ipad case, $25, burton 7. bracelet, $395, dannijo 8. belt, $180, leatherock 9. belt harness, $98, free people 10. shirt, $70, denim & supply ralph lauren 11. jeans, $98, [blank nyc] 12. shoes, $395, belle by sigerson morrison 13. shoes, $90, t.u.k. shoes 14. skirt, $35, missguided. still lifes: kate lacey.

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1. bracelet, $110, kim & zozi 2. shirt, $265, elizabeth and james 3. shoes, $1,330, isabel marant 4. necklace, $195, rachel zoe 5. jacket, $252, closed 6. jacket, $498, marc by marc jacobs 7. shirt, $58, true religion 8. sunglasses, $150, ivi 9. vest, $59, collection b 10. ring, $355, maniamania 11. bag, $545, boss orange 12. shorts, $76, big star 13. bracelet, $150, giles and brother 14. boots, $210, sorel. still lifes: kate lacey.

1. dress, $35, peter pilotto for target 2. shirt, $178, rebecca minkoff 3. sweater, $195, dkny 4. pants, $725, novis 5. sunglasses, $90, von zipper 6. shoes, $595, robert clergerie 7. jeans, $229, paige denim 8. bag, $495, a.l.c. 9. skirt, $375, joseph 10. jacket, $565, claudie pierlot 11. shoes, $375, tibi. still lifes: kate lacey.

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opposite page: bag by jonathan adler, $198, sunglasses by oliver goldsmith, $1,400, eye bracelet, $2,150, gold heart bracelet, $3,150, and ring, $2,550, by alison lou. this page: sunglasses by linda farrow, price upon request, bag by valentino, $2,295, oxfords by christian louboutin, $1,275, heels by bruno magli, $595, earrings by yazbukey, $136.

shoes by john galliano, $1,700, small clutch by roger vivier, $2,550, necklace by erickson beamon, $1,978, large flower clutch by nancy gonzalez, $3,150.

watch by versace, $1,695, shoe by daniele michetti, $1,248, bracelet by dsquaredÂ˛, $325, coin purse by louis vuitton, $575. manicurist: miss pop using chanel le vernis. model: joline at parts models llc.

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I n s pi re d b y t h e D r i e s Va n N ote n sh o w, h a i rs tyl i st Al l e n Wo od m i x e d g o l d c re am s h a d o w w i t h p om ad e , t h e n u se d an e ye s h a d o w b r u sh to pai n t i t a l o n g o u r m o de l 's p a r t . ch a n e l i l l u si o n d â&#x20AC;&#x2122;o m bre l o n g w e a r l u m i n ou s e y e sh a d o w i n vi s i o n , $ 3 6 , ch a n e l .co m . d re ss by helmut lang.

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To g e t D o l c e & G a b b a n a â&#x20AC;&#x2122; s e t h e re a l s pr i n g â&#x20AC;&#x2122; d o , Wo o d c re a t e d t w o m e ssy Fren ch b r a i d s, t h e n pinned them at the b a ck o f t h e h e a d , b e f o re a d d i n g a c o ine n c r u st e d h e a d b a n d. dolce & gabbana b ra ss c o i n h e a d b a n d , $ 2, 0 2 5 , 877. 70 3 . 4 872 . s hir t b y r a g & b o n e, m o d e l â&#x20AC;&#x2122; s o w n j e a n s.

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stylist: lauren blane. hair: allen wood at bumble and bumble. makeup: tina turnbow at crosby carter management using diorskin. model: shaughnessy at marilyn.

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r e g a l wo r l d inette's Petit As pied-à-terres go, Marie Anto ded). The inten (pun cake the s take on Trian estate ay— anyw s, dard stan l roya y small—b Louis XVI and husb ng doti her gifted to her by gardens, featured ornate interiors, rambling re the teen and a mock farming village whe The retreat . -day for-a serfplay d queen coul corset, her en loos ind, unw was her spot to t at and escape the formality of cour often Versailles. The late Christian Dior y richl her and arch mon the looked to e designing his appointed “country ” home whil apartment, couture creations, decorating his s. The brand’s and adorning the Dior boutique mined this current designer, Raf Simons, also Petit . ction colle ’14 g history for his sprin grounds, and Trianon’s ﬂoral tapestries, lush ired Dior’s ornamental porcelain vases insp a mix of With . ings ofer eup mak on new Trian color, bold of es ﬂash els, past watercolor-like perfectly and delicate bows, it would pair y epic updos. with one of the Dauphine’s man g color sprin on trian dior S KEN DIC KATIE com dior. , collection, $24-$61

MA NE MU SE

Singer-slash-model Sky Ferr eira has a history with hair: Her grandmother raised her in a house that doubled as a salon. "She used to chase me around hold ing a brush in an attempt to detangle my hair," recalls Ferr eira, who was recently named the face of Redken's redesigned line and spanking new stylers. Though she had long hair for most of her life, recently, she's beco me more experimental, debuting a chopped-off coif to lots of online buzz. Now, her tresses are in the capable hands of Redk en creative consultant Guido Pala u. "I showed him a picture of Kurt Cobain for inspiration," says Ferreira. "He gave me an ama zing

rock 'n' roll mullet with a blunt bang." While Ferreira is admittedly low-maintenance, she's not too cool to submit to a blowout every now and then. Luckily, her new cut doesn't require much styling, but still she professes a love for Redken's many hairsprays, Diamond Oil, and her tour staple Two Day Extender dry shampoo. KD redken mov e ability 05 light weight defining cream-paste, $19, and pillow proof blowdry two day extender, $18.50, redken.com for salons

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17 thames st., brooklyn, ny

Tomahawk Salon's new location in Bush wick, Brooklyn, feels more like a thrift shop than a hair and nail salon and according to owner Chantal Savaresse, that's sort of the point. "I always wanted to do something related to antiques, because I've been collecting them my whole life," she says. Some of these treasures now line the salon's walls , and its name was inspired by her collection of Native American tomahawks. Savaresse's nostalgia extends to vintage clothing, which is on offer at the adjacent boutique, Nouveau Vieux . Housed inside a former motorcycle repair shop, Savaresse keeps the badass vibe alive by blasting Led Zeppelin and Slayer. Needless to say, this is not a conventional salon: The colorists are masters at bleaching and "creative color" (think: Chloe Norga ard's Technicolor tresses), and its in-house manicurist/artist Fleury Rose can paint anything from Wu-Tang's logo to the tiniest burger and fries on your digits. If you favor Crayola-co lored streaks over sunny highlights and like to tell a story with your nails, consider this place your beauty mecc a. JADE TAYLOR

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punk are two Polished and t always jibe, n’ words that do to efani’s ability but Gwen St beauty— ol co otr re combine nds, bold red platinum stra ely applied is pout, and prec a badass with liquid liner— at rtainly calls th wardrobe ce So it d. in m to n combinatio d so far-fetche doesn’t seem os ha C k: ’s “Pun that the Met hibit inspired to Couture” ex -Fischmann ss ei W OPI’s Suzi laback Girl ol H e th k as to r newest to serve as he borator— lla co d muse an much to ke ta ’t and it didn “I'm a huge i. an convince Stef co n it mes to girly-girl whe makeup, so d an ir, nails, ha d design an e tiv to be crea t lik lt e a perfec with color fe e Th i. an Stef ﬁt,” explains hip resulted duo’s partners edition dite in seven lim with ﬁtting rs ue cq la il na

ESTÉE LAU DE R + DE RE K LAM For a decade, Estée Lau der creative director Tom Pecheux has worked his magic on the models sto mping down Derek Lam’s runways. To celebrate their partnership, the ma keup brand has created a limited-ed ition set including the navy eye liner, mascara, golden shadow, and bei ge lipstick used at the designer’s spring ’14 show, plus a rose gold lip gloss, and stashed it in a dee p blue clutch designed by Lam. estée lauder derek lam collection, $85, est eelauder.com

ON THAKO ICALS + N A T f o O r ’S B founde C LAR K o Clark, re, wanted a rancesc c F in n k e s h W als ost B otanic e his m Clark’s pouch to hous called t s e v ju , he ul, a festi Panichg products popular friend Thakoon worked d y his goo met when the set at lo e whom h in the fashion c igner s r togethe B azaar. The de ck evening s la ly Harper’ up a sparkly b to simp d dreame is far too pretty koon and a t bag tha moisturizer. th black le ur hold yo tanicals the litt als.com o ic clark’s b 5, clarksbotan $6 clutch,

day in the life ades, like names and sh ic.Baby us .M el ng Love.A d gold), Push an (semi-matte er), lv si e lik eShove (chrom ot pink). y (h and Hey Bab ut is Over do The real stan , a cherry en & Over A-Gw Stefani’s by red inspired ed color, packag signature lip ropriate pp -a er ck ro with ski crystals black Swarov s. There’s ud and metal st t about it, this . ub do , um , no -S B-A-N-A-N-A collection is stefani en gw R O YL JADE TA rs, $9 each; by opi lacque gwen and over & over a- ents, $14.95, em el i sk ov swar opi.com.

There's a reason that Sunday is often prefaced by the word “lazy.” It’s the part of the week destined for guilt-free chilling, recovering from an overindulgent Saturday night, or recharging before the week ahead. For Jo Malone style director Charlotte Stockdale, the day can be summed up in four dreamy vignettes that, in turn, have been translated into a quartet of candles. The ﬁrst is Lavender & Lovage, an olfactive interpretation of waking up in a tangle of scented sheets with fresh herbs by the bedside. Green Tomato Leaf is reminiscent of mornings spent plucking the ripe fruit from the vine. Sweet Almond & Macarons nods to an afternoon of nibbling on French confections and sipping vanilla-tinged tea. Incense & Embers evokes an evening of lounging in front of a roaring ﬁre. So, basically it’s the perfect day. KD jo malone just like sunday candle collection, $65 each, jomalone.com

christian dior images courtesy of dior. tomahawk salon photograph by yael malka. gwen stefani illustration by malin bergström. still lifes: rowa lee.

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t he c ool k ids at rodarte's spring '14 show, california rock chicks and the '80s inspired makeup artist james kaliardos to pair a cat eye with sun-kissed cheeks and hairstylist odile gilbert to accent voluminous locks with zebra-print extensions.

animal hairuwear clip-inions print hair extens an in white tiger Addwith a untamed element t at swath of zebra prin head. the back of your $10, ulta.com

clinique high mascara Th impact easier way ere’s no to lashes than get lush on volumizi by piling ng mascara . $16, clinique .com

peep the guide for rodarte’s cool-girl look at nylonmag.com

nars larger than life long-wear eyeliner in via veneto Line your upper lashlines and the outer third of your lower lids, then draw an extended v-shape at the corners. $24, narscosmetics.com ardency inn americana natural lip color pencil in delancey and houston Impart lips with natural color—this combination of baby pink and peachy beige should do nicely. $23 each, sephora.com

sephora collection long lasting kohl pencil in infinite beige Fake doe eyes by tracing the lower waterline with a pencil that matches your skin tone. $9, sephora.com

nars radiant cream compact foundation Clean up your complexion with a luxe, sheer foundation. $38, narscosmetics.com

john frieda frizz-ease curl reviver styling mousse Loads of mousse at the roots, plus a two-inch curling iron will give you ’80s-era volume. $7, drugstore.com

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mulnars matte illa tiples in anguarm W and altai lexup your compx of ion with a mi ach pe bronze and each, blushes. $39 s.com tic me os narsc

maybelline new york fit me pressed powder Because this is not the time to shine, powder down your t-zone. $8, maybelline.com

paint in nars eye lley Add black va a graphic to impact topping with liner by shadow. $25, m crea smetics.com narsco

john frieda frizzease original formula serum Achieve gleaming tresses by applying glossing serum to wet hair. $10, drugstore.com

grances lining my I have dozens of fray picked because stl mo es, elv booksh e caught my eye. Th the bottle design other hand, often the on , hin wit nt sce cause it fails to goes unspritzed be looks. I think of it as od go as ell sm y sculptures—to the perfumes as tinmy eyes. But be enjoyed only by ge Pretty Face, rpè Lanvin’s Éclat d’A date on the popular an efervescent up original, manages ral ﬂo fruit-drenched adorable Alber to match up to the splashed across Elbaz sketch that’s auty with a Be the purple vessel. She’s a keeper! ? bouquet to match ge pretty face, $77 lanvin éclat d’arpè trom.com rds no , oz. for 1.7 ﬂ.

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Ask any makeup artist to name the one tool that makes the biggest impact appearance-wise, and they’ll usually endorse a lash curler. Sure, those metal clamps can make you look like Bambi in about T-minus 10 seconds, but when you’re trying to cram 20 minutes’ worth of makeup application into the space of ﬁve, that’s one step that usually falls by the wayside. So for those who lack the time to dig out the curler, there is Physicians Formula CC mascara, which does the work for you. A trio of natural ingredients gives you the bended efect without the efort, while also making your lashes look long and lush. physicians formula organic wear 100% natural origin cc curl+care mascara, $10, drugstore.com

persistent One of life’s most your frustrations: When isturizer favorite tube of mo despite d is running low, an ’s supply there being a week the stuf left at the bottom, ged. Yes, refuses to be dislod ppen, but ha worse things can hard-earned when you’ve paid cream, it’s mn da the money for t that 10 fac the t ep acc hard to vable. trie irre is rth wo s’ dollar inﬁnite its in , ora ph Se ly Lucki s managed beauty wisdom, ha m with ble pro s thi y ed rem to a spatula what amounts to rrowers. Bo e Th for ble ita su people, it For human-sized to get the l functions as a too es, jars, last bits out of tub ng goes and bottles so nothi llection co to waste. sephora spatula, bottom’s up beauty $6, sephora.com

The amount of new beauty products that hit shelves every year is mind-boggling. I know, because I scope out each and every one. So when any particular item sticks around, it’s worth noting, especially when it remains a cult favorite for over 80 years. The product in question: Elizabeth Arden’s Eight Hour Cream. In all those decades, the original formula hasn’t changed, but it’s been adapted to include hand, body, and lip treatments. The latest iteration is the Nighttime Miracle Moisturizer, a blend of skin-softening emollients, gentle exfoliants, and antioxidants, which work while you snooze. Slather it on before bed to wake with a dreamy complexion. elizabeth arden eight hour cream skin protectant nighttime miracle moisturizer, $39, elizabetharden.com

“New York Herald Tribune!” That sales call introduces American-in-Paris Patricia (Jean Seberg) to viewers of Jean-Luc Godard’s classic ﬁlm Breathless. She’s not much of a heroine, shacking up with narc issis criminal lunk Michel, but the gam tic, perfect pixie cut lent her an air ine’s of wholesomeness. It also inspired loads of long-locked ladies to follow her scissor-happy lead. If you also happen to prefer your strands short and sweet, you’ll need a little something to keep them in check. Garnier has crea ted just the thing with its Pixie Play Craf ting Cream, a cream-wax that makes look efortlessly textured and shinhair Because nothing negates the whoy. le “short hair, don’t care” vibe like look as if you tried. garnier fructis style ing de-constructed pixie play crafting cream, $6, garnierusa.com

You know when you ma to achieve the ideal sha nage de of auburn, chestnut, or but blonde and then, a mo tery later, your hue has mo nth into something…else? rphed are a number of factorThere can cause color changes that mineral deposits in the , from water supply to UV rays to chl but daily wash and we orine, also have its way. An ar will d no one wants to be desthough as dull, it’s a particularl cribed unfortunate descriptor y your locks. A pro-appliefor glossing treatment can d but sometimes you jus help, have the cash or time t don’t to get thee to the salon. In this case, get yourself sorted at home with John Frieda’s Co lour Refreshing Gloss, wh ich leaves locks gleaming, plus cor any of your color issues rects like brassiness, fading muddiness. john frieda, and refreshing gloss, $13 colour each, drugstore.com

imm inen t star t time , but van essa hud gen s is alre ady prim ed in the fron t row. she wea rs an aero dyn ami c, all- blac k ens emb le, her thic k hair mes sily scra ped bac k into a topk not, and sits with in inch es of toda y’s guru , anth ony, a sine wy club -kid type with a half -sha ved hea d and a vam py man icur e. hud gen s is hun che d ove r her bike , spin ning furi ous ly, eye s clos ed and tran ce-l ike, sha king her hea d bac k and fort h

in a so-bad-it’s-good, no-no-no motion. As the lyrics of Thomas Jack’s “Book a Shake” sharpen, Anthony bellows, “Out of the saddle!” and she lunges toward the handlebars, her legs even blurrier than before. This is Hudgens’s happy place. Throughout the 45-minute session of push-ups, jumps, and crunches that all, improbably, happen while pedaling, Hudgens’s performance is a technically correct yet personalized interpretation of Anthony’s choreography. “I’ve considered signing up to be an instructor, but not in a ‘fuck acting’

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way,” she says afterwards. “Just because it’s fun. But I don’t think my manager would like it.” In the merciless light of the unisex locker room, even the back-row slackers are sweatdrenched, but after a quick face scrub, Hudgens is good to go to lunch. I offer a dab of my moisturizer. “Can I have some?” a pudgy fortysomething dude asks Hudgens ﬂirtatiously, even though it’s not exactly hers to give, before pinching some from my pot. She smiles while wriggling into a gray loose-knit sweater, shapeless black overcoat, and knee-high, fur-covered boots.

Outs ide on onc e-in dus tria l, now con do-h eav y Ken t Ave nue , not far from the apa rtm ent of her boy frie nd, The Car rie Diar ies’ Aus tin Butl er, the afte rnoo n is gray and ding y, and sno wfla kes are drif ting lazi ly tow ard the pav eme nt. Afte r pas sing a plac e haw king $10 “sin gle esta te and sing le orig in” cho cola te bars with thei r own flav or prof iles , Hud gen s duc ks into the yog a cen ter whe re she wou ld like to lunc h. The re’s a pillo w-s trew n alco ve ove r the juic e bar whe re we are sup pos ed to sit on the floo r, but I am spa red, bec aus e they aren ’t serv ing yet. “I kno w ano ther plac e,” she prom ises , lead ing me to a che ery littl e veg etar ian rest aura nt nam ed Blis s. It’s bare ly noo n, but the plac e is fille d with the unc onv enti ona lly emp loye d, and the only tabl e left is a rick ety two -top nea r the kitc hen . “I love fres h juic e— it gets me so

high,” says Hudgens, settling down and ordering one, along with a sexless plate of kale, brown rice, and seitan. The juice-swilling, hippie-dippy greens-eater before me isn’t the most well-known version of Vanessa Hudgens. That would be the Disney queen with over two million Instagram followers, a shameless love of selfies (“It’s the girly-girl me”), an Old Hollywoodthemed 25th birthday party, a Bongo campaign, and an angsty romantic past with her High School Musical co-star, Zac Efron. Self-reinvention is something of a part-time job. The current wave of public image transformation began last spring, when Hudgens starred as a murderous coed-gonewild in Harmony Korine’s 2013 opus, Spring Breakers, which you loved (if you’re under 35) or hated (if you watch The View). “You hear what you want to hear,” she says of the Breakers backlash. “If you’re not into something, be open about it. If you don’t like me, I don’t care.” Hudgens’s performance in her new film, Gimme Shelter, will silence the critics who suggested she was going for cinematic shock value in Spring Breakers. As Agnes “Apple” Bailey, Hudgens plays a pregnant teenager who flees her maternal home—a methden motel—and tries to survive on the streets. “It was the first time I really stepped out of my comfort zone, physically and material-wise,” she says. “I’m a little afraid of myself when I watch it.” Gimme Shelter is based on the stories of young women living in Several Sources, a New Jersey residence for young mothers that was once the home of its founder, Kathy DiFiore. Ron Krauss, the film’s writer and director, spent a year living among its residents and their children while writing the script. “I originally wanted

d go behin es at n e c s e th shoot vanessa’s tv n at nylo

to cast an unknown—I didn’t believe a Hollywood actor could play this role,” he says. When Hudgens auditioned, he claims he wasn’t familiar with her starmaking work on Disney. “But in the end, I put about 15 to 20 girls—some actresses, some unknowns—on a plane to meet the real girls who lived at the shelter, just to affirm my idea of using Vanessa. They didn’t know who she was, but they picked her as well; they thought she was most like them.” To research the role, Hudgens spent two weeks living in the home, where she gave herself a dismal bowl cut and gained 15 pounds strictly by, she swears, “eating lavishly” and carbo-loading on pasta. (She’s lost it all, probably thanks to joyless meals like this one.) Many Young Hollywood types would politely decline such an unflattering proposition, but Hudgens, in all iterations, is eager to work the camera. “I loved looking in the mirror and seeing myself with short hair and bad skin and tattoos,” she says, fingering the diamond-encrusted om pendant that hangs around her neck. “The uglier I could make myself, the more giggly I would get on the inside.” Playing Apple’s drugaddicted mother, Rosario Dawson witnessed Hudgens’s metamorphosis firsthand. “I’m really almost taken aback at just what an intense experience [the film] is,” she says. “It’s a very real and very raw performance.” Dawson happens to have the same manager as Hudgens, so the two had met several times before filming began, and she first learned of Gimme Shelter

when the trio was touching down in Cannes on a private jet. “To see Vanessa shut down and cut [herself] off was painful to watch. But I’m glad she was able to go there—and that she wanted to. You see something like High School Musical and it’s very easy to think that maybe you would never see those kids do a performance like this. Vanessa has been very clear and very specific that she wants to be a great actress, and you can see that commitment in her work.” Krauss, for his part, claims to have never really met his leading lady. “She was always in character,” he recalls. “I didn’t even call her ‘Vanessa’ while we were filming—she was always ‘Apple.’ Months later, I read this story online about Vanessa smoking a cigarette and fighting with some paparazzi guy. And I thought, ‘Oh my God—she’s still in character.’ It must have taken a while to get back to herself.”

Pus hin g the sea wee d aro und on her pla te, Hud gen s pon der s her ima ge. “I don ’t thin k it’s ‘go od gir l gon e bad ,’” she say s of the sto ry line asc rib ed to her in the wak e of a cer tain und erw ate r sex sce ne (wi th Spr ing Bre ake rs co- sta rs Ash ley Ben son and Jam es Fra nco ). “I thin k it’s mo re ‘gir l gro win g into a wom an and bei ng pas sio nat e and tak ing cha nce s.’ I hav e so mu ch wor k to do, and I thin k I wil l alw ays fee l tha t way. The re’ s this quo te: ‘Ble sse d unr est tha t kee ps us ma rch ing ,’ and I fee l like tha t’s how it wil l alw ays be for me . Yea h, I’m jus t goi ng to con tinu e to pus h my sel f and try har der and sta y tru e to wha t I wan t, but it’s alw ays a str ugg le.”

Her religious life is also undergoing a transformation. “I grew up Catholic, and then got really far away from that, and thought I was an atheist,” she explains, obediently finishing the last few bites of her kale. “Then I started to open up to spirituality and seeing the magic and beauty behind everything. Fairly recently, I started going to church, and building that relationship. It’s been the most impactful and beautiful thing that’s ever happened to me.” She attends services at Hillsong, a Pentecostal megachurch with branches in Sydney, Kiev, Cape Town, and New York. “I know God’s plan for me is bigger than anything I could ever plan for myself,” says Hudgens. “It allows me to not worry about the future or what other people think and just to be present and enjoy and try to shine as much as I can.” It’s possible she has such broad appeal because she’s not afraid of being all things to all people. When she’s wandering around Coachella in eyelet pajamas and a flower crown, Hudgens is a credible bohemian. When she’s describing her on-screen threesome as “just the weirdest thing ever” to Jimmy Kimmel, gold manicure glinting as she gesticulates adorably, she’s the perfect male fantasy. Case in point: “One night in Cannes, we went to all these different parties, and we were dancing until the sun came up,” recalls Dawson. “It was one of those epic nights where you end up sleeping all day, exhausted and shutting the curtains like a vampire. We were walking barefoot back to the hotel in the morning, and there were all these paparazzi, and it was not a cute look [for us]—running makeup, matted hair, dirty feet from walking barefoot as we snuck back into the hotel.” After offering to take care of the bill, Hudgens shrugs on her overcoat, and wraps her scarf around and around and around her neck. As she exits the café and weaves her way through the crowd on Bedford Avenue, Williamsburg’s main thoroughfare, the sunlight appears to be draining from the sky. When asked about what’s on the horizon, Hudgens breaks into a grin: It’s a broad comedy called Kitchen Sink, which concerns small-town teenagers (Hudgens, Ed Westwick, and Chris Zylka) who are fighting a zombie/vampire takeover attempt. “It was a riot,” she says, adding that her character is something of a hippie. “But then her life takes a turn, and she turns into an enchanting vixen.” Sounds familiar.

shirt by ashish, jeans by diesel black gold, shoes by dolce & gabbana, chain on pants by louis vuitton, necklace by david yurman, spike ring by dannijo, left hand ring by maniamania.

hair: thomas dunkin at the wall group. makeup: katey denno at the wall group using burt’s bees. manicurist: casey herman at kate ryan inc. using chanel le vernis. photo assistants: ross thompson and brad ogbonna. retouching: kate coats for blue space co. shot at go studios, new york.

t h e c o o l e s t s h i r t s a ro u n d l o o k i n t i m a t e l y f a m i l i a r. photographed by silja magg. styled by martha violante

shir t by b ongo, bra t op by cit izens of humanit y, by briefs and skir t burb erry prorsum, ring by delfina delet t rez . previous p age: shir t by vikt or & rolf, bra t op and shor t s by alex ander wang, cuff by efva at tling, b angle by liz zie for t unat o.

all clothing by prada . opp o sit e p age: jacket by 3.1 phillip lim, bra t op by salvat ore ferragamo, p ant s by c alvin klein jeans, hat by lola hat s .

shir t by a shish, bra t op by acne st udio s, b athing suit b ot t om by just c avalli, brac elet by liz zie for t unat o, handcuff by fallon.

by t op bra denim minkpink, whit e t op by maiyet , skir t by a shish, hat by lola hat s, ne cklac e by b aubleb ar, hand cuff by fallon. opp o sit e p age: denim vest by black swan, bra t op by b eb e, p ant s by s e e by chlo ĂŠ, ne cklac e by liz zie for t unat o, hand rings fallon, by cuff delphine - charlot t e by p arment ier. hair : linh nguyen at kat e ryan inc. using amkia . makeup: deanna mellus o at the magnet agency chanel les b eiges using p owder. mo del: olga at supreme.

PHOTOGRAPHED BY JASON NOCITO. STYLED BY JAMES ROSENTHAL. JACKET BY SKINGRAFT, SHIRT BY ACNE STUDIOS, DRESS BY DKNY, BAG BY BAO BAO ISSEY MIYAKE.

JACKET BY EMPORIO ARMANI, SWEATER AND SHOES BY OHNE TITEL, SKIRT BY RICHARD CHAI LOVE, SOCKS BY H&M.

SHIRT BY ZERO + MARIA CORNEJO, SKIRT BY ZAC POSEN, BAG BY EMPORIO ARMANI, SUNGLASSES BY OAKLEY.

VEST BY OSKLEN, SHIRT BY CREATURES OF THE WIND, PANTS BY THREEASFOUR, SHOES BY DR. MARTENS, CLUTCH BY MATERIAL GIRL.

ALL CLOTHING BY HAIDER ACKERMANN, CLUTCH AND SHOES BY DR. MARTENS, SUNGLASSES BY OSKLEN.

JACKET BY MARC BY MARC JACOBS, DRESS BY ASOS, SUNGLASSES BY OAKLEY, EARRINGS BY EMPORIO ARMANI.

TOP BY ZIMMERMANN, JACKET (WORN UNDERNEATH) BY EXPRESS, SKIRT BY FENDI, EARRINGS BY MATERIAL GIRL.

JACKET BY LACOSTE, SHIRT BY 3.1 PHILLIP LIM, SHORT SKIRT BY TOPSHOP, LONG SKIRT BY SONIA RYKIEL, SHOES BY DR. MARTENS, BAG BY BAO BAO ISSEY MIYAKE.

JACKET BY DRIES VAN NOTEN, T-SHIRT BY BEBE, PANTS BY OSKLEN, SHOES BY HAIDER ACKERMANN.

HAIR:

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B THERE MYS

WITH AZEALIA

BAN KS 'S A S T I Q U E ... ...but there really isn’t a mystique,” explains Banks, barely. “No, there’s definitely a mystique, but I’m trying to hold on to it—trying to keep some secrets a secret.” Secretive maybe not the first word that comes to mind to describe the 22-year-old Harlem-raised rapper, fashion muse, oral sex enthusiast, and occasional mermaid impersonator. For example, last night she met Dave Chappelle at Kanye West’s Yeezus tour stop in Los Angeles and came up with a slew of new ideas. And then she passed out on her couch, facedown, still clothed, makeup caked. In her own words: “I gives no fucks.” But she’s trying not to say these things in interviews, to reserve that candor for Twitter, or at least conversations that take place past noon. At the moment, it’s not even 11 a.m., and Banks is in blue-green pajamas. Her copper-streaked bangs are slightly fluffed, her makeup halfway re-applied prior to a photo shoot, and she’s attempting to explain her newfound awareness of the power of leaving some things unsaid. “It’s hard because I’m always so excited about everything,” she says. “When you hear this album, you’re going to be like, ‘Holy shit, Azealia Banks has gone somewhere else.’” She’s referring to Broke With Expensive Taste, her longgestating Interscope Records debut, planned for an imminent release. “I’m mad turnt up all the time. Sometimes I just want to be like, ‘Hey…guys!’” She says this last part with a friendly wave, as though she’s personally addressing her 360,000-plus Twitter followers. It’s a gesture innate to someone born to be famous, or at least raised in the theater. Before sealing her first record deal at 17 years old, Banks attended New York’s Fiorello H. LaGuardia High School (of Fame fame), acted in a few off-Broadway musicals, and worked as a Starbucks barista. On a whim, she uploaded some demos to Myspace; within months, she nabbed a Diplo co-sign and a record deal with XL Recordings. Shortly thereafter, she moved to London to cut an album. “I needed a way to make money, and my music started popping off,” she explains. “I didn’t want to file some financial aid papers to borrow money to go to school to learn some shit, and immediately pay it back.” When the XL relationship soured in 2010, Banks ditched the “Miss Bank$” pseudonym for her birth name and moved to Montreal, then back to New York. Schemes to pay the rent included stripping and selling key chains at a Manhattan dance club. But once she uploaded the “212” video to YouTube in September of 2011, her days of anonymity were over. If you aren’t one of the 60 million-plus who saw Banks, a.k.a. Yung Rapunxel, rhyming about getting her “cunt eaten” in jean

cutoffs and a Mickey Mouse sweater, stop reading this article and go watch the video. It was as if Lil’ Kim had a daughter who loved Lolita and avant-garde London bass music. NME named her “2011’s Coolest Person.” Interscope handed her a lavish contract. “It’s weird being 20 years old and having a million dollars given to you. I had a lot of fun touring the world and had some really horrible times, too,” says Banks. As in her music, her accent toggles between bialy-thick Noo Yawk and an upper-crust British lilt. “I just want to be more poised. I’m taking myself a bit more seriously now.” She’s lived in Los Angeles since signing with Interscope— the relatively affordable rent being more amenable to her luxe tastes—and it’s unclear whether the bad times are a veiled reference to the innumerable squabbles that have uncomfortably played out on social media. The short list includes Lady Gaga, T.I., A$AP Rocky, Nicki Minaj, Perez Hilton, and Lily Allen. The tiffs threatened to overshadow her music, which quietly broke ground with its fusion of deep house, dancehall, slick uptown New York street rap, R&B, and contemporary dance music. “Azealia Banks is dangerous,” she says with a mischievous laugh. “Life is all perception. That’s why I say whatever the fuck I want.” A long enough conversation with Banks, though, reveals that her biggest problem isn’t an absence of mystique, but rather a lack of a filter. With only a half-functioning internal censor, she’ll opine freely about the sociological treatises she’s reading (The Bell Curve and The Mis-Education of the Negro), racist masquerade balls in Italy, conspiracy theories, the Santería religion, and the overbearing corniness of most major label rap music. She’s blessed with a scythe-sharp intellect and has an impulsive streak that frequently gets her in trouble. But one senses that this same curiosity fuels the relentless eclecticism of her music. When it comes to her forthcoming debut, however, she turns uncharacteristically coy, only divulging that she turned in an ostensibly finished version a few weeks ago. Banks’s label then requested that two tracks be reworked. “It’s like having a girlfriend who loves and takes care of you but might not like the way you dress,” she says, explaining the major label dance. “So sometimes you’ll get dressed up for her because that’s what she likes.” She lifts her forearms to reveal tattoos she got at 17. One reads “patience” and the other reads “perseverance.” “I’m not going anywhere,” says Banks. “I’m always putting new music out. I’ve been allowed a lot of time and space to create and figure myself out and do what I want. I have another surprise for this project, too, but I can’t talk about it yet.” Long pause. “But I want to.”

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WE LOVE australian import lucy fry brings bite to vampire academy. by emily meyer

photo

graph

ed by david shama

stylist: sean knight. hair: rob talty at the magnet agency using bumble and bumble. makeup: vanessa scali at tracey mattingly using chanel beauté. jacket by skotison, shirt by topshop.

LUCY It’s late afternoon in Los Angeles, and Lucy Fry is starving. Settling onto a couch in a makeshift dressing room, she digs into a Greek salad while stylists, publicists, and two French bulldogs buzz about. Out of costume and in a black and white summer dress and cardigan, the 21-year-old Australianborn actress is doing an impressive job of tuning out the chaos around her. “Are you hungry? We can share,” she offers. It’s only after I decline (twice) that she resumes her meal. In addition to being generous with her snacks, Fry is also something of a budding talent. She’s making her U.S. big-screen debut in Vampire Academy (out Valentine’s Day), based on the bestselling paranormal YA series. She understands enough to anticipate the skeptical reactions—“not another vampire movie”— but Fry points out that what attracted her to the project in the ﬁrst place was its unconventional approach: fangs with a generous side of tongue-in-cheek. “We’re quirky teenagers who just happen to drink blood,” she assures. “We don’t take ourselves too seriously.”

Fry started acting when she was 14, and later joined a physical theater company in her native Brisbane. Growing up, her extracurriculars ranged from writing to water polo, ancient history to art, but it was always performing that best suited her. “I loved the release of it, and loved that there were no limits to what you could do,” she says. At 18, she was cast as a surﬁng alien on an Australian TV show called Lightning Point. (American audiences may know it by its decidedly more literal TeenNick name Alien Surf Girls, a title that even she can’t say with a straight face.) Next she channeled her inner Ariel in the hit series Mako Mermaids. “Fantasy is one of my favorite genres,” explains Fry. “I love that you can be something completely absurd and wonderful, and it gives you a lot more creative license— you’re not human so you can be anything.” In Vampire Academy, that means playing Lissa Dragomir, a Moroi princess whose teen angst is exacerbated by psychic abilities including the powers of healing and resurrection. “Lissa’s very human, but she’s got superpowers from

her vampire magic that make her a little bit unstable emotionally,” says Fry. The ﬁlm shot in London, and on her days off, she explored the city’s old playhouses, taking in as many shows as she could, including Othello at the National Theatre, which tipped off a newfound appreciation of Shakespeare. She envisions herself on stage one day, and while her dream role used to be Juliet, these days she’s thinking more along the lines of Lady Macbeth—“something a little bit dark and crazy.” With alien, mermaid, and vampire checked off the list, her range will be tested in the upcoming Australian indie Now Add Honey, opposite Portia de Rossi; Fry plays, wait for it, a human being. (An American pop singer whose life changes drastically when she’s sent to stay with family in suburban Melbourne, actually.) And what was it like to portray a regular girl at long last? “Well, she isn’t really a regular girl,” Fry interjects with a laugh. “She’s an L.A. child star.” We stand corrected.

RUN L by mel issa gi annini

zoë kravitz’s musical hobby just might catch up to her acting career—whether she wants it to or not.

On a crisp night in early November, Lolawolf make their live debut at New York’s Mercury Lounge. A single chord reverberates as the band’s frontwoman steps forward, slightly hidden under a slouchy black sweater and long bangs. She shuts her eyes, clutches the mic stand, and sings her ﬁrst line—a little off-key, but not a catastrophe. The second one’s better, delivered directly to a group of vaguely famous-looking fans air-kissing their way to the front: “I could stare out your window and fuck you tonight.” The fans whistle, the singer smiles, and the room—now wrapped in a fuzzy blanket of synth strains, guitar squalls, and electronic drums—sways. A few weeks prior, Lolawolf were just another mysterious, blog-approved buzz act, swirling an intriguing mix of glistening ’80s pop and unsettling darkwave. But tonight the secret is out: Something of a Brooklyn supergroup, the band is made up of members of Reputante fronted by Zoë Kravitz, star of X-Men: First

it takes a lot to make shameless star emma greenwell blush. by phoebe reilly.

photog

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by isa wipfli

FROM LEF T: raviv ullman, james lev y, zoë kravitz, jimmy giannopoulos. hair and grooming : linh nguyen at kate r yan inc. using amkia . makeup ( kravitz): tina turnbow at crosby car ter management using lancôme.

OLA

Class, friend of Karl Lagerfeld, two-time face of Vera Wang, sometime Swarovski designer, and, of course, daughter of Lenny Kravitz and Lisa Bonet. Seated in NYLON’s SoHo offices a few hours before the band’s inaugural show wearing faded skinnies and an even slouchier top than the one she’ll change into later on, Kravitz looks, understandably, exhausted. In addition to Lolawolf’s self-titled EP, she has several films coming up—including next month’s superhyped Divergent. But the 25-year-old jumps into action when the opportunity arises to tease her band’s bassist, James Levy, and keyboardist, Jimmy Giannopoulos, for being eight years her senior. She claps her hands and mutters, “dirty old men” before exploding into laughter. The band’s drummer, Raviv Ullman, 28, a.k.a. Phil of Phil of the Future fame, also runs Lolawolf’s label, Innit Recordings. Shrouding their identities was Kravitz’s idea. She didn’t want anyone to listen to Lolawolf—or worse, not give it a chance—simply because of who she was, having already experienced eye rolls with her first band, Elevator Fight, for being an actress-turnedsinger and the child of a popular musician. “I just wanted people to listen to the music,” she says.

“And then you can trick those who’d already said nice things, like, ‘Too late! You said you liked it!’” Lolawolf started like so many other bands: as a group of friends, bored, looking for something fun to do. “We were walking down the street in Williamsburg and heard that Joe Jackson song—‘Is She Really Going Out With Him?’—from a car,” Levy says. Kravitz mentioned that she thought it might sound cool sung by a woman. Within 10 minutes, she was in Giannopoulos’s apartment, laying down vocals, changing the song’s key, making it a touch darker. A short while later, Kravitz was in Los Angeles, filming The Road Within, in which she plays a girl suffering from anorexia. “It was a really intense role, and I wanted something to do when I wasn’t shooting,” she says. She asked the guys to fly out, and every night for a week they’d meet at film executive Bruce Cohen’s house behind the Chateau Marmont (the American Beauty and Silver Linings Playbook producer also happens to be Kravitz’s godfather). “We’d bring all of our stuff to this beautiful, empty house where we were too scared to touch anything, and we would record,” she says. They wrote a song per day, without any preconceived notions of what would come of it. “I don’t have an R&B voice and I can’t do riffs,” says Kravitz. “For me, it’s more about being honest.” And with veracity came range, in both her lyrical content and delivery, from the detached monotone of “Drive” (i.e., the “fuck you tonight” song) to the raspier, “Oh shit, you’re actually leaving” despair of “Xplode.” Back at the Mercury Lounge, Lolawolf end their set with an extended jam. The crowd cheers as a tambourine-slapping Kravitz performs silly dances in a futile attempt to distract her band from the steady, upbeat groove of “Give Me More.” The song’s sentiment appears to be shared by the audience, though Kravitz’s bashfulness returns when it’s time to say good night—an adorably awkward “sorry!” whispered into the microphone. But earlier that afternoon, she’d made a promise: “If people keep on responding, we’ll keep playing. If not, we’ll just keep to ourselves.”

LOOKING shle by a pho tog rap hed e han by s mcc aul ey

they’re so intimate,” says Groff. “In some ways, I feel more comfortable in those scenes than others.” Looking films in San Francisco, which Groff admits is “pretty dreamy”; he lives on a jasmine-scented street and rides his bike to the set. Before he knew the city well, he recalls, “San Francisco felt like the gay Oz—a place where you can be whatever you want. The fairy tale I have of it—men with handlebar mustaches—isn’t really there anymore, but there’s still something magical.” Groff experienced a similar sense of wonder entering the world of David Sedaris in Kyle Patrick Alvarez’s 2013 film C.O.G., where he played a disenchanted prep schooler who comes of age while toiling in the bowels of the Oregon apple industry. At the film’s Sundance premiere, Groff, forever at your service, interrupted his first-ever conversation with Sedaris to track down a Diet Coke for his mother, who was likely the lone educator in a room swarming with Hollywood cognoscenti. Sedaris demanded an intro, and 45 minutes later, Sedaris and Mrs. Groff were still deep in conversation, while the former scribbled notes furiously. “I was like, ‘Oh my God—is my mom going to be one of your characters?’” Groff recalls with a laugh. “And David said, ‘She’s absolutely fascinating. She must be the shortest gym teacher in all of Pennsylvania.’”

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When Jonathan Groff orders a turkey burger and a Diet Coke, he is terribly polite about it, probably because it wasn’t all that long ago that he was a struggling actor working for tips in a restaurant on the edge of Times Square. “I was a great waiter,” he declares, dunking a French fry in ketchup at the Mercer Kitchen in downtown New York. “You have to be a shape-shifter. Some tables want to talk, some want to ﬂirt, and some don’t want anything to do with you. I learned how to connect to what people want.” That approach has served Groff well both in and out of the dining room. In late 2005, he scored his ﬁrst big part: the co-lead, alongside Lea Michele, in a little show called Spring Awakening that quickly became the toast of Broadway. “I was Mary Poppins for Halloween when I was three, and we went to Disney World when I was four, which was a very

transformative thing,” explains Groff, 28, of his nascent taste for theatrics. He grew up in what he swears is “a house in the middle of an Amish cornfield” in rural Pennsylvania, where his father trains and races horses and his mother taught P.E. “We had to shovel horse shit and mow lawns,” he reminisces. “From age three to 10, it was romantic—running through fields and building tree houses. From 10 to 18, it was not fun.” During Groff’s senior year, he was cast in a tour production of The Sound of Music, and soon after, he moved to New York. Spring Awakening led to a Tony nomination, and, most recently, television roles on Glee and Boss. Now, he’s starring in HBO’s new series Looking, which industry circles are referring to as Girls-for-gay-guys-in-San Francisco. “I love that, because I fucking love Girls and I’ve seen every episode at least once,” says Groff. “In reality, Looking is a halfhour dramedy about a group of friends, and other than that, there aren’t many similarities.” Groff’s character, Patrick, is a lovelorn video game developer just barely on the right side of 30 who spends his office hours surfing OkCupid. “I’m not quite as awkward as Patrick in relationship settings,” Groff deadpans. (From the looks of his previous relationship with Zachary Quinto, which was heavily chronicled in the tabloids, definitely not.) “I think I have more game—I think, I hope—but I certainly relate to those first moments when you’re with someone and you don’t know how to connect, respond, or eat.” The series’ opening scene shows Patrick on the receiving end of an aborted act of fellatio—one of many saucy moments that will transpire this season. “You can’t lie in those scenes, because

’s in lo o k in g , h b o , es b u zz y n e w se ri p ro ve s ff jo n a th a n g ro . h e ’s g o t g a m e

styl ist: sam spe ctor. groo min g: erin and erso n. jack et and shir t by polo ralp h laur en.

BACK IN BLACK by devon ma loney. photog raphe

Dee Dee Penny is full of advice tonight. It’s chilly outside, but in the dimly lit lobby of New York’s Ace Hotel, the Dum Dum Girls mastermind exudes warmth in a tiny faux-fur coat and blood red lipstick. Over whiskey gingers, she offers tips on everything from choosing a health insurance provider (Freelancers Medical offers free yoga!) to scoring cute, limitededition luggage (she’s currently eyeing a Beatlesprint Heys case on eBay). “I’m just passing it on,” she says, happily sharing the wisdom she’s gleaned from half a decade of Dum Dum Girl-dom. It’s a lot of positive energy for a self-described introvert, and especially surprising if you haven’t checked in with the gothpop outﬁt since their last LP, 2011’s Only in Dreams, which found Penny wrestling with allconsuming grief after her mother’s death. If this is the case, you may want to download End of Daze, the 2012 EP that led the band out of the gloom, as well as the feedback-fueled Haunted Hearts tracks— Penny’s collaboration with her husband, Crocodiles frontman Brandon Welchez. Also of note: the almost jaunty theme song for Cartoon Network’s Beware the Batman, which Penny, a lifelong

Justice League fan, wrote this past summer. While touring for Daze, the frontwoman began conceptualizing Dum Dum Girls’ third album, Too True, stopping in at her Upper East Side loft to demo some tracks during a nine-day break. Back on the road, she noticed that something felt very wrong. Turns out, her ambitious touring schedule had inﬂicted serious damage to her vocal cords. A doctormandated break forced her to pause and truly consider where she wanted DDG to go next. “I stopped playing in other people’s bands and started Dum Dum Girls to have 100 percent creative control, and to really explore that as much as I could,” says Penny, now 31. “The unfortunate reality is—and I don’t think it’s an ego thing—the more people you bring into that process,

FR OM LE FT : ma lia jam es , sa nd ra vu , de e de e pe nn y, an d jul es me de iro s. ha ir: gr iss el es pa rza . ma ke up : da na de lan ey us ing na rs.

d by ted emm ons

the less control you have over the ﬁnal product.” Post-recovery, Penny ﬁnished writing Too True by herself in her bedroom— exactly how and where the project began back in 2008—without input from the Dum Dum Girls touring band of Jules Medeiros

the third album’s a charm for dee dee penny’s dum dum girls.

(guitar), Sandra Vu (drums), and Malia James (bass). When it came time to flesh out the tunes, Penny called on longtime studio collaborators, Sune Rose Wagner of the Raveonettes and legendary girlgroup producer Richard Gottehrer. And the results are an epic, ethereal statement that dips and dives between surfy artnoir, classic girl-group pop, and ’80s dance groove. While instantly familiar, the mishmashes are so varied that even Penny can’t decide whether the album is “more Patti Smith or Pat Benatar.” Lyrically, Too True is the sound of selfacceptance, Penny says, of finally coming to terms with those things you can’t change, and learning to be confident in spite of them. “Sometimes the realest stuff you experience isn’t good,” she notes,

pointing out the album’s name (an abbreviation of title track “Too True to Be Good”). “The things I’ve learned about myself in the past ﬁve years, 80 percent of them are horrible, but I’ve gained something from knowing myself a little more fully.” She downs the dregs of watered-down whiskey from her glass and offers one last bit of hard-earned insight: “Sometimes you have to see yourself as a work in progress, as someone who has good intentions but makes mistakes.”

−PROMOTION

TR EV OR LIV E For 15 years, The Trevor Project has offered crisis management services for LGBTQ teens and young adults with its free and confidential lifeline, inschool workshops, educational materials, online resources, and advocacy. This past December, the e organization celebrated its decad and a half of valuable work with the TrevorLIVE Benefit, an event hosted by comedian Kathy Griffin, which helped the cause and of honored the unyielding efforts am Brigh , Lynch Jane ss actre Glee Young University senior Adam White, and the Toyota company. The guest list was star-studded, with attendees ranging from Nina Dobrev to Fergie, all there to support a group that tirelessly strives to make a difference in the lives of others. thetrevorproject.org

p h a n to g ra m

NYLON has had ele ctronic duo Phantogram on repeat since hearing their 2010 debut rec ord Eyelid Movies. In fact, we’re so into this band that in December we partnered with Smashbox Cosmetic s to host their show at Terminal 5 in NYC. Now, we’re eagerly anticipating Phantogram’s new full-length album Voices (available February 18), which promises to deliver more of the airy voc als and echoing beats that have beco me the group’s signature sound. Ge t your copy of Phantogram’s Voice s from the band’s site, phantogrammu sic.virb.com.

photograph by silja magg

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ULTUR LUB fe ar bru 1 y 20 4

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G IG IT FO U N D E R

After both working in the tech industry and dating a handful of hopeless creatives, Tegan Gaan conceived of the idea for Gigit, a new online platform that aims to make booking live shows a painless process for musicians and venues, all the while encouraging music lovers to chime in and help promote their favorite acts. Mallory Rice catches up with Gaan to chat about the start-up. What’s your elevator pitch for Gigit? The idea is to simplify booking live music. It’s twofold: It’s a marketplace, because hiring live music is a pretty painful kick in the balls, whether it’s massive or up-and-coming. On the other side, it’s a bit more quixotic. I had a lot of creative friends trying to book [their bands] through traditional ways and getting stoked on, like, free drink tickets and it bothered me.

hazel cills, reporting live from the internet.

FYF 2013 in Los Angeles Why: My first festiva l with Windish, thinking, ”One day, I wan t to be this awesome.“ Memory I'll Keep: Literally running from a meeting at Dodger Stadium to catch the final four songs on stage with Beach Hou se. Though I was flying solo, unlike every pair in the vicinity, I had a mom ent.

Q& A:

T EGAN G AAN

E C A P S R E CY B

So was it your friends in bands who made you realize there was a need for this? Coming from the tech side of things, I was going to a lot of events. One of my friends threw a party every week and would be like, “Are you coming?” and I would say, “No, I’m bored.” He said, “I heard you know a lot of bands. They should come over and we’ll pay them.” So I was like, “How do you actually book an artist?” and I was appalled to see all these shitty sites where you would do that. And there’s a groupie component, too? It has started as a soft launch, but you can expect it to be [fully operational] at SXSW, for sure. I got this crazy castle in downtown Austin that’s walkable from the venues. As kids are running around South By, we’ll have a microsite that allows them to say, “I just ran into band X” and they’ll get to play our stage based on demand. And we’ll actually pay them—all these kids are scraping by trying to get their ass to South By to play for free, and that’s bullshit.

Life Is Beaut if Why: My fir ul Festival in Las s the m usic f t true ”tec Vegas estiva h Memo l circu kids invad ry I'll e it K “ eep: T exper days, ien eq an one nig d falling in uila, dancin ce. g for love ht. T Micha hank you B four times el Ang rando in n e lakos, F and...I Ezra K lowers, 'll kee oe p one to my nig, self. Yeezus at Madison Square Garden iant Why: The guy is as brill I'll as he is crazy. Memory ye Keep: Sitting back as Kan Gigit x The Bones of JR ”Eric nt, cha to mob the ced enti Jones on a Brookl and DA“ yn Rooftop DON in st inve Schmidt Why: My fi rs t ne Gi rt—o hea gi to t in Brooklyn realizing—hand 20 people , on a roofto p, and the day I'll work with Kanye. haunting, gr ateful voic e of the talented ar tist who w alked 50 minutes to the gig, ca rrying his gear. Mem ory I'll Kee p: Paying Jonathon an extra $200 for the merchandise we sold fo r him through th e Gigit plat form.

T ECH N

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Can you feel it? Love is all over the WWW! Sure, Tinder’s convenient when you’re stranded at a New Jersey Olive Garden desperately looking to bone, but I’m talking about L-U-V here. The real deal. Though <3s are everywhere online, finding real romance on the Internet is hard. For starters, there are catfishers. Catfishing, coined by the documentary-turned-MTVshow, is when a person fabricates an identity on the Internet to start a romantic relationship. Example: that Channing Tatum look-alike you’ve been flirting with over Facebook? He’s actually a 50-year-old man who lives alone with his pet snake. Maybe he even is the snake? I once had an Internet boyfriend. I was a young lass all over the Web, so it made sense to crush hard on a dude with a cool ’net presence. Problem was, he lived several states away! Before we met IRL, video chats and Gmail already had us in constant contact. When we had the opportunity to hang more in person, he was exactly the dude he said he was, sans the Skype glitch pixels. And that, my reader, is why I’m qualified to train you in Catfishing Self-Defense. Here’s a quick and digi-dirty guide to making sure it never happens to you. One: If all his FB friends look like Gossip Girl extras, he is fake. Two: If he won’t video-chat with you, he is definitely fake. Three: If he’s a prolific, funny, intensely good-looking young man who’s a Pulitzer winner and a talented rock star to boot, then, yeah, that sounds absolutely legit. Go get him, girl!

culture club opener: pari ehsan at the paola pivi exhibit ok, you are better than me, so what? at galerie perrotin, new york. photographed by tylor hou. this page: canvas cooler photographed by lucie hugary. opposite page: tegan gaan photographed by eric t. white. cyber space illustrated by ollanski.

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”Blues in Heav en“”by Sam Doores Th e arrows represent shoo ting your dreams out int o the heavens, and th is song is all about co nnecting with the spirits of people who've passed on.

”Waltz A cross Tex Ernest T as“ by ubb The yellow ro is an ima se ge used a lot in country early music. E rn est Tubb is the ep itome of that cla country ssic sound th at has b such an een influenc e on me.

”Imagine“”by John Lennon In the tarot, the sun stands for enlightenment, positivity, and hope for the future. What better song to represent those things than this one by my hero?

”I Was Young When I Left Home“ by Bob Dylan This one is for the Get Out Fast hobo symbol, a train-riding warning graffito. I heard this while traveling in California after leaving home and it just struck me as my song at that point in my life—it summed up the confusion I was feeling.

”Cant oaB orinqu He`cto en r for th Lavoe This “ by e Pue song rto R is It rep ican rese cultur nts the N flag. u al y ’'60s movement orican o a my da nd '70s, o f the f d to pla was part. which y th He on th e Latin jaz used e Low er Ea z clubs st Sid e.

C T: A RT P R O JE

CANVAS COOLER

We meet Sarah Emerson at the Scope art fair in Miami Beach, where her work is being displayed in Red Bull’s “Canvas Cooler” booth along with 12 other artists from around the country. Emerson’s cartoonish depictions of natural landscapes—often invaded by ominous, dark imagery—can be found in mural form in Atlanta, where she lives, as well as in exhibitions throughout the South. But “Canvas Cooler” is the reason that her work has been summoned to the world-renowned art fair. The competition calls for local artists to use Red Bull minirefrigerators as canvases, which are then displayed in

local bars and restaurants that serve the energy drink. The artists with the most compelling results are invited to display and sell their work during Art Basel. Several past participants have found opportunities through that exposure—Los Angeles’ Gregory Sif has now collaborated with Helmut Lang, and Chicago artist Hebru Brantley has sold pieces to Jay Z and Lil Wayne. “It’s a tool, that sweetness,” says Emerson, of the sugary ﬁrst impressions her work often makes. “Everything [in nature is] really quite beautiful, but there are things happening underneath that are around us all the time.” This month, Red Bull will start its 2014 Canvas Cooler project, inviting artists to beautify their surroundings—yes, even appliances!—for yet another shot at making it to Miami Beach. MR

Q& A:

To fans of the Great White Way, Elaine Stritch is a legend. And a survivor. A fixture on Broadway since the 1940s, Stritch is a former drinker—she calls herself a recovered alcoholic—who is still addic ted to her work. In this documentary, which follows Stritch as she approaches 87 and mounts a new solo show, the focus is not on why Stritch matters. Instead, Elaine Stritch: Shoot Me zeroes in on the indignities of getting older. Still feisty and irreverent, Stritch is, nonetheless, struggling. She forgets her lines, and deals with diabetes-induced meltdowns. Too honest to deny what's happening, she summarizes it this way: ”I've been in the theater so long that I'm now dealin g with how the end of pretend is going to be.“ If this docum entary had delved deeper into that issue—of how one handl es retirement when one's work is one's life—it might have been more interesting. Instead, it serves up what you would expect: lots of scenes of its subject gamely doing her thing. RACHEL DEAHL

the lunchbox Every day Mumbai’s dabbawalas transport thousands of midday meal pails to ofice buildings and back home with renowned accuracy. But The Lunchbox revolves around a rare mistake. In an attempt to save her ﬁzzling marriage, neglected young housewife Ila (Nimrat Kaur) tries to reach her husband’s heart through his stomach by sending him a special, painstakingly prepared lunch. The food, however, is accidentally delivered to Saajan (Irrfan Khan), a curmudgeonly widowed claims department worker who will retire to a lonesome existence just after he trains his chipper young replacement (Nawazuddin Siddiqui). When Ila realizes the error, she includes an explanatory note in the lunchbox the next day, thus beginning a correspondence that blossoms into a friendship between the two strangers. Along with the recipes, they start to share their most intimate disappointments, fears, memories, and hopes, allowing this accidental encounter to become a moment of joy in their otherwise melancholic lives. (Most touchingly, Sajaan’s attitude toward his spirited pupil shifts dramatically as a result .) Ultimately, the ﬁlm conveys an achingly poignant tale of love that is true, albeit chaste and unlikely, and a unique meditation on the way in which food connects us. LM

jillian schlesinger DIR EC TO R OF MA IDE NT RIP

kids say the darndest things when they're sailing around the world alone. our favorite laura dekker lines:

In August of 2010, a 14-year-old Dutch girl named Laura Dekker set of in a boat on a mission to be the youngest person to sail around the world alone. Director Jillian Schlesinger helped document Dekker’s trip, by both filming from a distance and providing equipment and guidance for Dekker to capture the 27,000-mile, two-year journey herself—resulting in the remarkable new film Maidentrip. MR The tone of the film is less triumphant than I expected. When we were making it, we really strongly felt that aspect, and it’s been interesting to see how it plays so positively for a [big] audience. There’s something about watching it alone that makes those [darker] parts come through a little bit more. It’s a very positive journey, but it’s also so dificult—no matter what—searching for self at that age. How did you find out about what Dekker wanted to do? When she was 13, I read an op-ed piece in The New York Times with the headline “How Young Is Too Young to Sail Around the World Alone?” It was around the time she announced her plans and the Dutch government intervened.

She’s not fond of journalists. How did you convince her to allow you to be part of the trip? It was definitely a gradual process. I put a lot of efort into sending her an initial proposal. I had this idea of who she was and wrote the proposal with that in mind. It was very fortuitous that she happened to be that exact person on the other end— just a tenacious, fiery kid, who had the skills and the fortitude to do this incredible thing. I reached out to her as a fellow adventurer, someone doing something crazy and daring for the first time—she hadn’t sailed around the world alone and I hadn’t made my own film. By the end of the trip, did you draw any conclusions about whether it was a crazy thing to do? We all take risks every day. And less conventional risks are looked at as more dangerous. In theory, every day that I get on the subway there could be an accident. There are risks built into your daily experiences, but there aren’t a lot of people setting of on a boat alone. I thought, “Was this the right path for Laura?” and I think, for her, it was.

jillian schlesinger illustrated by carine brancowitz.

elaine stritch: shoot me

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T S U D I R A P Though Pari Ehsan has only been posting to her blog, Pari Dust, for about six months, employees of the galleries and museums where she is photographed for her fashion-meets-art project have already begun to recognize her. Such as when Ehsan arrived at Galerie Perrotin in New York City one day, wearing a cobalt blue Acne top and printed Peter Pilotto pants—the shade of her top perfectly matching one of Paola Pivi’s feather-covered bears on display. “One of the girls who works there was like, ‘Oh, that’s the girl who matches her outﬁts,’” Ehsan remembers with a giggle, sipping a cup of tea at Gemma on the Bowery in downtown Manhattan. “It was funny. Then the gallery owner reached out to me on Facebook and said he liked what I was doing.”

t n e m g i p + palet te 's creativity, add Rebecca's Take former fine art student Sarah Katie's business in throw then social media savvy, and sister trifecta. When eldest background and you get the Crooks a cheaper way to test out Sarah realized that there had to be ion a family affair. The solut the made she cts, new art produ a subscription service te, Palet + nt Crooks's answer is Pigme ize supplies straight delivering the newest trial- and full-s the kits aren't meant to to your door for $15 per month. But lot of people who think a g seein e ”We'r pros: be just for the they need is to give all really but s, they can't be real artist delivery will feature it a shot,“ says Sarah. Each month's , along with in-depth the work of an up-and-coming artist subscribers to have for e chanc a and , ways interviews, givea hope comes of girls the do What their own pieces featured. Sarah. ”That sounds it? ”Everybody working together,“ says of art school. It's nice cheesy, but I miss that atmosphere d you.“ BANU IBRAHIM behin unity comm ive creat to have that

Ehsan has also donned a plaid McQ dress and geometric manicure to complement Barry McGee’s busy-patterned paintings at Cheim & Read, a Rorschach-style Clover Canyon dress for Ashley Bickerton’s show at Lehmann Maupin, and a tropical tunic dress at the new Herzog & de Meuron-designed Pérez Art Museum in Miami. The images, which are accompanied by musings on the artists on her site, are both proof and a reminder of the way in which great art often inspires viewers to create something of their own. “It’s shocking how much I like doing it,” says Ehsan, an interior designer by day. “It feels like my own kind of art.” MR paridust.com

pari dust: clockwise from top left: yayoi kusama, i who have arrived in heaven at david zwirner, ny. photographed by tylor hou; christopher wool at the guggenheim, ny. photographed by tyler hou; pari ehsan photographed by eric t. white; opposite page: the marlton photographed by mads teglers. tipi surf village photographed by peter chamberlain.

ART AT TA CK:

: EN ROUTE

ulaanbaatar mongolia

nomadic I've been enchanted by the as long as for a goli Mon tribes of asy, I I can remember. In my fant i Desert by journey through the Gob atar to nba Ulaa in ving arri e, hors kets and mar ir n-a ope ous shop rauc s. wander ancient temple ruin director –Rachael Wang, market

ANYWHERE BUT HERE nothing give s wanderlust us a case of quite like fe bruary, with its sou lhallmark holi crushing da stubbornnes y and seasonal s (really? s till winter?). he re share the t , nylon staffers rip to take as s s we're ready oon as poss ible.

the marlton

new york city

While I love venturing off to faraway places, there's nothing more luxurious to me than the beloved staycation. This yea r, I'd like to flee my dirty dishes and laundry piles and move into Sean MacPhe rson's new hotel, The Marlton, whe re I'd become the Eloise of the We st Village: lounging in bed all day , celebrating the building's storied tenants by reading Kerouac and watching I Shot Andy Warhol—only leav ing my post to grab a bite with frie nds at the chic lobby-bar downstairs . Added bonus: No airport lines. -Be th Garrabrant, bookings director

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beach emorable icularly m rt I now pa s, a ey er K Aft orida ip in the Fl tal camping as camping tr co r he find ot on an attempt to y time I go most ever gment au to ve options al I'd lo vacation. t out un ed ja nd a te ex ith to Paris w ip t tr ou xt ab my ne which is f Village, al tr en -c to Tipi Sur rf north of su ance. two hours coast of Fr the west y on z da l it al rr ia B h waves tors catc that are s pi Here, visi ti d he . in furnis the water and sleep yards from or it set only 50 ed ce, senior –Mallory Ri

copenhagen denmark There are a lot of reasons to love Copenhagen: the food and coffee, the bike lane system, the architecture, the good-looking residents. The shopping isn't bad either, with stores like Wood Wood, Cos, Norse Projects, and Hope. I visited recently, and already want to go back. Next time, I'm taking a cab straight to Dyrehaven for eggs Benedict, then checking into CPH Living, a hotel that's retrofitted in a boat with exactly the kind of design-y Danish decor that makes the 11-hour flight worth it. –Evan Campisi, design director

cresto ranch

dolores, co

As an outdoorsy typ e with an appreciation for a goo d meal and a comfortable bed, I pay close attention to the Col orado scene, and the new digs in Dun ton Hot Springs have eclipse d my very long list of dream des tinations. With eight tricked-ou t tents and a beautiful lodge on the banks of the Dolores River, Cre sto Ranch is essentially a tiny luxury hotel plopped in the middle of the Rockies. Hiking, mountain biking, rafting, and horseback riding are only a few of the activities on off er. When the sun sets, elaborate meals crafted from the ranch's own farm and winery are served. –As hley Baker, executive editor

gina frang ello

Gina Frangello’s A Life in Men spans continents, telling the story of two best girlfriends, Mary and Nix, who embark on a Greek holiday together after Mary learns that she is sufering from cystic fibrosis. What follows their trip is not exactly what either girl had envisioned while snacking on salty sardines in the sun. Here, Frangello discusses her ambitious, heartfelt novel. MR The book is called A Life in Men, but Nix sets Mary in motion. What is the book’s most significant relationship? There’s no question that Nix is Mary ’s greatest influence. But between the loss of Nix and the

Did anyone try to get you to pitch the book as, like, “Eat, Pray, Love—with death”? No, thank God [laughs]. I was worried about that. One of my fears, honestly, is that men will think the book doesn’t apply to them. In fact, many of the characters whose views we get are men. It’s not just a girl power book, but a book about human relationships. Was there a location that you loved writing about? Except in the last part, each location is somewhere I’ve spent a

The book deals with how a person reacts to ﬁnding out that their time on earth is limited. You must have asked yourself that question. I don’t have a life-shortening condition, but I have thought about it. Literally a month after [the book] was sold, my best girlfriend was diagnosed with cancer, and she died four months later. It was interesting that I had written a template for some of the things I was about to go through—in terms of missing a friend, renegotiating life without this person. It’s not a gift to have, knowing your time is limited, but how many people just assume they have until they’re 85 and there’s no particular urgency to the day?

w o n t h g i r of k c u l d o e go REV

search for her biological mother, Mary doesn’t have [space] emotionally for other women in her life. So her relationships beyond Nix end up being with men, not because they’re more important, but because she’s more open to genuine intimacy with men.

lot of time or lived. A lot of the locations ofered a chance to go back to places that have been incredibly formative in my life, and they were intoxicating to revisit.

IEW

TH E RE AD ER :

ADAM W ILS ON win all the books on t a h t is page om .c g a m nylon

HA RP ER CO LL IN S

alien abduction A tale featuring cat telepathy, respondences cor conspiracies, and one-sided tthew Ma e, Ger d with the actor Richar w-up The follo k boo Play ngs Lini er Quick’s Silv quirk. on vy hea Good Luck of Right Now is l, a Nei ew lom tho Bar on The book centers ire life ent his d live who n ma d age middlea until she died with his mother in Philadelphi a big fan of was m mo His of brain cancer. k to calling Gere, and, in her ﬁnal days, too tholomew to Bar g irin insp her son “Richard,” the actor to ers lett e mat inti ning begin pen cture. stru ry tola that form the novel’s epis learn to ly den sud st mu ew When Bartholom ious cur a , build an adult life from scratch uding incl aid, his to es cast of characters com st, prie er form c holi alco line der a bipolar, bor y rap the f grie a profane feline lover from his ms clai who n aria libr er group, and a volunte rrestrials. This to have been studied by extrate s on a road ark emb band of misﬁts ultimately deeply a is lts resu t wha trip together, and l family iona ent onv unc an of t trai por d nuance give s life’ and ity, ess unit , friendships of nec TI IAN CH MIS A and take. LIS

Adam Wilson’s new short story collection, What’s Important Is Feeling (Harper Perennial), ofers boldly drawn pictures of life in America. Here, he shares his favorite books featuring one facet of American living: the ’burbs.

a field guide to the north american family by garth risk hallb erg There’s a lot of bu zz Hallberg’s forthco about ming City on Fire, but mos t people don’t know that he’s already written a small masterpiece. Structured like an actual field guide, this collection of linked vignettes breathes fresh oxygen onto the tro of Cheever-land. dden lawns safe as houses by marie-helene bertino In eight warped and wonderful stories, Bertino explodes the notion that suburban fiction is irreparably tethered to realism. Humor and pathos abound, and there’s more than a bit of magic, like college kids with the ability to make buildings vanish or a young woman who brings Bob Dylan home for Thanksgiving. eat the document by dana spiotta This fast-paced novel follows a woman named Ma ry Whittaker from her you th as an anti-Vietnam pol itical radical to her life on the lam after an action goes wro ng to her current existence under an assumed nam e as a middle-aged mo m in contemporary suburb ia. It’s a haunting book abo ut living with one’s choice s.

gina frangello illustrated by esra røise. adam wilson and books illustrated by ollanski. the good luck of right now photographed by beth garrabrant. makeup: tina turnbow at crosby carter management. model: veronika vilim at wilhelmina. shot at the mysterious bookshop, new york.

Q& A:

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