Nylon 2014 05

HAILEE STEINFELD SHAY

MITCHELL

AUBREY

PLAZA

plus cool new

stars to

crush on!

fresh,

flawless

skin

PRAISE

LORDE! guess who spills her beauty secrets...

297 EPIC SUMMER

LOOKS rad denim

hot tops sweet shorts

SCENESTEALING

STYLE it’s ok

to obsess

MAY

2014

DISPLAY UNTIL

6/9

nylonmag.com

A R T D I R : PA U L M A R C I A N O

GUESS?©2013

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MAY 020 editor’s letter 022 contributors 024 par avion 026 behind the scenes

fashionista 028 semi formal: rising actress (and rock royalty) eve hewson masters the tux trend.

036 fashion news 042 tee of the month: wildfox 044 jeans of the month: articles of society

046 factory girl: dani stahl visits cartier in france to help create some seriously luxe glasses.

050 cory’s corner: cory kennedy checks in with her pal aubrey plaza.

052 girl we heart: tatiana maslany 056 paris, texas: chanel goes to the rodeo.

060 face value: the best ways to beat blemishes 062 get this: beauty products in bloom 064 the look: donna karan spring ’14 066 directory: south american inspiration

beauty queen 080 my blue heaven: cerulean cosmetics have never been cooler.

086 beauty news 088 scarlet fever: it’s a redhead revolution.

on the cover hailee steinfeld photographed by aaron richter. styled by anda & masha. hair: rebekah forecast at the wall group. makeup: hung vanngo at the wall group using ck one color cosmetics. manicurist: casey herman at kate ryan inc. using chanel le vernis. photo assistant: brad ogbonna. digital tech: ross thompson shot at neo studios, new york. jacket by levi’s, shirt by ag, skirt by miu miu, hat by zimmermann, sunglasses by le specs, watches by swatch.

074 mass appeals: pastel takeover

VOLUME 15 ISSUE 5 NYLON (ISSN 1524-1750) IS PUBLISHED MONTHLY, EXCEPT COMBINED JUNE/JULY AND DECEMBER/JANUARY ISSUES, BY NYLON HOLDING, INC., 110 GREENE STREET, NEW YORK, NY 10012.

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Explore and Shop www.cartier.us - 1-800-cartier Š2012 Cartier

—CONTENTS

090 good lorde: our prayers have been answered in the form of a lorde-m.a.c collaboration.

092 luck of the draw: illustrator jamie lee reardin is dior beauty’s latest brand ambassdor, and our new artist obsession.

094 counter culture

fashion & features 096 game on: she’s only 17, but hailee steinfeld is already a seasoned pro at the whole hollywood thing. by luke crisell. photographed by aaron richter. styled by anda & masha 104 just pleat it: the quintessential schoolgirl style, reimagined. photographed by bella howard. styled by siobhan lyons 116 bright young things: meet tomorrow’s biggest stars. photographed by mads teglers and felisha tolentino 136 cream of the crop: pretty little liars’ shay mitchell gets real while rocking this season’s new-shape tops. by kate williams. photographed by guy lowndes. styled by zoe costello

radar 144 oh, you pretty things!: get to know your new favorite show. photographed by patrick fraser 149 culture club: the month’s best art, books, movies, travel destinations, and more 158 shopping list 160 celebrity skin: an exotic leather bag stocked with glamourous goods. packed by dani stahl

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editor-in-chief marvin scott jarrett executive editor ashley baker design director evan campisi

features deputy editor david walters senior editor melissa giannini senior editor mallory rice beauty director katie dickens editorial assistant lisa mischianti beauty assistant jade taylor contributing copy editor matt schlecht

design co-art director chris segedy senior designer haley stark designer kelly shami

photo bookings director beth garrabrant

fashion fashion director joseph errico market director rachael wang senior men’s market editor mitsu tsuchiya associate market and accessories editor tamar levine fashion assistant marissa smith style editor-at-large dani stahl publisher jaclynn jarrett associate publisher karim abay fashion account manager nicole siegel fashion account manager aaron kransdorf fashion account manager julie humeas senior marketing manager jenny peck senior marketing manager lauren cohen marketing coordinator christie chu promotions and marketing designer kristen berndt e-commerce manager katherine martinez

digital web programmer estefanie duque digital design director liz riccardi senior web editor liza darwin men’s content and marketing director josh madden associate web editor steff yotka men’s associate web editor christian lavery newsletter editor jackie yaeger

nylon tv executive tv producer heather catania tv producer blair waters office coordinator cody jones assistant to the editor-in-chief connor stanley advertising information 212.226.6454, fax 212.226.7738 subscription information 866.639.8133

www.nylonmag.com contributing writers rebecca bates, gabby bess, paul caine, luke crisell, kelley hoffman, denise martin, diane vadino, kate williams contributing artists will anderson, bethany bandera, malin bergström, alex brunet, frances carter, patrick fraser, charlotte hadden, bella howard, jens ingvarsson, rowa lee, guy lowndes, kei meguro, clément pascal, annie powers, jamie lee reardin, aaron richter, van robinson, jennifer rocholl, xenia rollinson, david shama, meghann stephenson, pamela loredo sustaita, natalia swarz, mads teglers, felisha tolentino, clarke tolton, kristin vicari, eric t. white, isa wipfli, jessica yatrofsky

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—LET TER FROM THE EDITOR

n o i t a t n e s e r p e r u t a fe

At NYLON, watching movies, and lots of them, is part of the job description. Whether it’s taking in six screenings a day at the Sundance Film Festival or spending the weekend tethered to Netflix and Apple TV, our editors take this responsibility seriously, which is why our annual Young Hollywood issue is among our favorites.

Hailee Steinfeld first appeared on our radar when she was promoting True Grit, and when I saw the film, I was struck by how her performance was just as compelling

as those given by her co-stars, seasoned actors like Jeff Bridges and Josh Brolin. Four years later, she’s proving to be one of the busiest actresses of her generation. But the Young Hollywood issue does not begin and end with film—many of the actors in the portfolio have equally interesting television and online projects. I’m really excited about the new web series “Oh, You Pretty Things!” which was co-produced

by NYLON TV and will begin streaming this month at maker.tv.

As this issue goes to press, we’re having an amazing time at one of the best Coachella festivals in recent memory—and we’re not just saying that because 2014 is our first year co-hosting the Neon Carnival. I caught a fantastic set from Haim, a bunch of over-the-top pool parties, and a lot of cool festival style. Thanks to all this new film and music, 2014 is shaping up to be a pretty great year. marvin scott jarrett editor-in-chief

sephora

c ontributor s denise martin writer, west hollywood, ca interviewed eve hewson for “semi formal” (page 28).

“eve hewson showed up without makeup and talked a lot about frozen. i was a big fan.” hails from: anaheim, ca twitter handle: @denisemartin latest discovery: fresh new orleans beignets— cronut, shmonut travel plans: biking and kayaking with my bff this may in vancouver playing on repeat: judy collins’s “both sides now,” because mad men’s back in my life and i like to cry. also, queen’s “who wants to live forever” because i miss eastbound and down. online fixation: everlane.com compulsively reading: the goldfinch by donna tartt, belatedly mode of transport: my jeep secret skill: i can recite lines from many terrible rom-coms, like something borrowed. i hope you don’t even know what that is. sartorial signature: a pair of polka-dot oven mitts, which i wear often to remove my tasty brown butter dark chocolate chip cookies with sea salt from the oven.

022

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patrick fraser photographer, l.a. shot the stars of oh, you pretty things! (page 144).

“we had a riot on set.” hails from: norwich, england twitter handle: @pfraserphoto latest discovery: saturdays magazine travel plans: itching to go to scandinavia playing on repeat: neil young radio on spotify online fixation: tour de france clips from the ’80s compulsively reading: the 100-year-old man who climbed out the window and disappeared by jonas jonasson mode of transport: a 1976 bmw r75/6 motorbike, but only on the weekends! secret skill: i can play the french horn. sartorial signature: a scarf by animal instincts

illustrator, brooklyn created the artwork for counter culture (page 94).

“i was that teenager from the early 2000s who would cut out illustrations from nylon and paste them all over my bedroom walls, so this has been an amazingly surreal experience for me.” hails from: tokyo instagram handle: @keimeguro latest discovery: the combination of avocado, sesame oil, and kimchi travel plans: tokyo in the fall playing on repeat: blood orange’s “chamakay” online fixation: anything with dogs and gifs compulsively reading: me talk pretty one day by david sedaris mode of transport: the mta secret skill: i can draw an awesome unicorn with my left hand. sartorial signature: a vintage tee, leather jacket, and skinny jeans. i always go back to the basics.

anda & masha stylists, nyc created the looks seen on hailee steinfeld in “game on” (page 96).

“we loved working with hailee. she was so cool and sweet and looked amazing in everything we put on her.” hails from: nyc (anda) and belgrade, serbia (masha) twitter handle: @andaandmasha latest discovery: our new house in l.a. travel plans: croatia playing on repeat: dead sara online fixation: pinterest compulsively reading: the war of art by steven pressfield mode of transport: a range rover sport secret skills: photography and poetry sartorial signature: anda & masha hats and shades

Happiness = Sienna Miller on the cover of @NylonMag. LAUREN THOMASSEN @LAURENLAGUNAA

BEACH, LAGUNA KAPLAN,

LORI @OX_AVIAN

dear nylon, I came across your April issue at the store and was immediately hooked! Love, love, love the original design, photos, and articles. Your magazine is just right for me—can’t wait to subscribe!

DINA SOLIMAN VIA EMAIL

Best April cover goes to @NylonMag with eternal It Girl Sienna Miller!

CHRISTINA MANNINO @MANNEENI

So happy I found this month’s issue of @NylonMag in my town and snagged myself a copy before it sold out! #favoritemagazine

@ROSIEGARSCHINA

@FRENCHKNITS

AMELIA WONG @AMELIAWONG

Reading @NylonMag for days.

CEILIDH MHARI @CEILIDHMHARI JAPAN

Can we all just take a second and admire Sienna Miler on @NylonMag’s April cover?! #babe

ASHIA T. @ASHIAT_

TOKYO,

ANDREA DEVOTO PUERTO RICO

Great piece in the @NylonMag April issue on @iamkelis. You gotta love a fearless woman!

SHIMOTANI,

Thanks to you I’ve discovered new ways to be creative through fashion, and your amazing articles inspired me to study journalism. I can’t even describe the delightful feeling of having a new issue in my hands every month.

YAM

dear nylon,

KATIE

#mynylon tag your nylon collection on instagram and your pic could appear right here.

CA

@ZHANAYAKAYY

— PA R AVI O N

Purchased my new @NylonMag today!

My life is complete!

NICOLE DELOACH @NICOLEKCD

Sienna Miller is on the [April] cover of @NylonMag. I might pass out. Love that girl.

KARLY WALLACE @KWALLACE_89

hit us up! nylonmag.com instagram @nylonmag twitter @nylonmag facebook.com/ nylonmagazine letters@nylonmag.com nylon letters 110 greene street suite 607 new york, ny 10012

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—BEHIND THE SCENES

bright star says Anda. “And Hailee fell for the stylized flower Miu Miu dress, glittery Louboutins, and pastel palette.” The fun extended to a bright beauty look as makeup artist Hung Vanngo used teal liner to add an unexpected pop of color to otherwise classic smoky eyes and slicked a hot pink hue on her lips. Steinfeld’s hair got the cool-girl treatment—loads of texture and beachy waves—thanks to Forecast’s arsenal of curling and straightening irons, plus thickening spray and shine serum.

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Hailee Steinfeld has spent nearly half her life working as an actress, but this Hollywood veteran is far from a jaded diva. “She had a great energy and was really excited about the shoot,” says hairstylist Rebekah Forecast.

Steinfeld’s positive vibes created a party-like atmosphere that lent itself to the veritable clothing rainbow chosen by stylists Anda and Masha. “We loved the colorful leather jackets, green ICB balloon pants, and tiedyed high-top Vans,”

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THE CLASSIC TUXEDO SHIRT GETS A MUCHNEEDED UPGRADE, AS DEMONSTRATED BY ACTRESS (AND BONO SPAWN) EVE HEWSON.

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Style: RB2140QM

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Like any actress with serious ambition, Eve Hewson arrived over-prepared for her meeting with Steven Soderbergh. Vying for a role in the semi-retired director’s 10-episode period drama The Knick (premiering this summer on Cinemax), she came to lunch with pages of notes she had written about the character, a Southern nurse in New York at the turn of the 20th century. “And he was like, ‘So…tell me about Taylor Swift. She has so many Twitter followers. Why is that? What’s the appeal?’” she recalls, laughing. “I thought, Yes! I can talk about this! Then we talked about cats.” Hewson later learned that Soderbergh had already cast her based on the strength of an audition tape she’d submitted. He just wanted to get to know his 22-year-old leading lady, a relative unknown and the daughter of Bono and Ali Hewson, co-founder of Edun.

If you’re wondering, Bono sounds adorably parental.

When Hewson was 14, the U2 singer took her and her older sister to the racy rock musical Spring Awakening.

He hadn’t realized they’d all be treated to “Lea Michele’s boobs” and “some aggressive thrusting” between Michele and co-star

Style: RB3025

Jonathan Groff. During intermission, he appealed to his red-cheeked daughters: “What?! I didn’t know!” But Hewson’s tastes are far from demure.

Between sips of green tea at the Beachwood Café in Hollywood, she ticks off her childhood favorite films: Thirteen, Natural Born Killers, Requiem for a Dream. “I watched all these screwed-up movies as a kid,” she says, adding: “But E.T. is my favorite one ever.”

Hewson grew up in Dublin—as evidenced by her faint Irish lilt–and studied drama at New York University. While in college, she played the wise-beyond-her-years friend of a retired rock star (Sean Penn, channeling The Cure’s Robert Smith) in This Must Be the Place.

Still, Hewson admits to feeling some panic between gigs. “Sometimes I wake up in the morning and I’m like, ‘What am I doing? I can’t do this!’ My mom literally just gave me a pep talk: ‘Get your butt in that audition room. You can do it!’”

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Her parents were initially skeptical of her desire to pursue showbiz, which Hewson understands.

“Everything aside from the acting really sucks,” she says. “Auditioning.

Photo shoots. Red carpets.

I think they didn’t want me to be a part of that.”

Of course, not all photo shoots suck. Hewson loved playing dress-up in dresseddown tuxedo shirts with us, though she usually keeps her look low-key. Today, makeup-free and wearing a black A$AP sweatshirt with a haphazard ponytail, she reveals the love-hate relationship she developed with the corsets she wore throughout The Knick’s fivemonth shoot in Greenpoint, Brooklyn: “I have selfies of me on the floor of the dressing room, like, ‘I can’t move. Help me.’ But now I kind of miss them. You get into one and suddenly your jeans fit so much better.”

Style: RB4171

fashion news

like a moss

Although artist and fashion blogger Garance Dore` is famed for her Internet presence, she's always been equally drawn to print. "Paper creates such an intimate, physical relationship with artwork," she explains.

So this month, Dore` takes her talents to a new medium with the release of her debut stationery and gift collection, created in partnership with the experts at Rifle Paper Co. Her trademark illustrations of elegantly dressed women and nods to her signature French ` sensibility (think: tres ` belle and bonjour tres inscriptions) adorn this range of 30 products, including calendars, cards, notebooks, phone cases, and more. "It tells a story, it's personal, and it's uniquely Garance," says Rifle's creative director Anna Bond. "I don't think there's anything else out there quite like it." LM riflepaperco.com

Every self-respecting NYLON staffer has at least one Kate Moss Topshop item squirreled away in her closet.

(Not all of us keep certain prized pieces preserved in plastic, but that’s another story.) So imagine the mass hysteria when we learned that Moss is back with yet another collection, bowing in stores momentarily.

The fashion icon ponders the process with Ashley Baker.

Which Topshop item have you had the longest? The little Victorian leather jacket from my collection that came out in 2009 is one of my favorites.

How do you organize all of your clothes and accessories? I organize by color-blocking, mostly: black dresses, colored dresses, leather jackets, fur jackets, jeans in all colors (which are mostly black and grays). I am really bad at editing so I also archive pieces, too. Everything is photographed, so I have a record of things, like the last time I wore something.

036

Who are the beneficiaries of your closet clean-outs?

If I’m sent jeans that are too small for me, I give them to my godchildren.

Random question: What are your favorite movies of all time? Withnail & I and Performance.

Who are your style icons? Anita Pallenberg, who has given me most of her stuff. And Keith Richards; the scarves and the shirts, which were all probably Anita’s anyway—she styled The Rolling Stones.

he ar t of palm A resident of Venice, California, by way of Aix-en-Provence, France, Sundry designer Matthieu Leblan infuses his line with equal parts easygoing surf spirit and smart European sensibility. This season, the label lends its vision to J.Crew for a collaboration comprising pieces with a seaside vibe. The

palm tree makes several appearances, whether it’s stamped across sweatpants or printed on an “ex-boyfriend” tee.

Other items are just as tethered to the shore, and the overall effect is understated, yet luxurious—just what the summer ordered. LISA MISCHIANTI jcrew.com

kate moss x topshop: photographed by david shama. stylist: skye stewart-short. hair: travis speck at sally hershberger. makeup: tsipporah using m.a.c cosmetics. fashion assistant: sophie perkins. model: isabella at img. all clothing by kate moss topshop, shoes by superga x the man repeller, sunglasses by preen by thornton bregazzi.

PAPER HEART

fashion news

MOD, MOD WORLD

ZEN LIVING Every yogi knows the joy of a cushy mat beneath her bare feet.

Sanuk captures that feeling with the Yoga Sling 2 sandal's comfortable yoga mat footbed, flexible build, and snug ankle strap. The style has proven so popular the brand is unveiling two new silhouettes: the Yoga Slingshot, with a slimmer ankle strap, and the Yoga Slinger, a flip-flop style. Namaste.

LM sanuk.com

fit to print Finnish brand Marimekko has been churning out peppy and addictive prints since the dawn of time (OK, since 1951). But until now, it required a bit of sleuthing or even a trip to a major metropolis like New York or Helsinki to score some of the brand’s ready-towear pieces. Which is why we're so excited about the Banana Republic Marimekko Collection, which bows this month. It includes shirts, dresses, skirts, and even tees, ranging from $39.50 to $140. Which means you may finally be able to afford a trip to Helsinki. AB bananarepublic.com

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som fun Kohl’s has already partnered with major fashion designers like Narciso Rodriguez, Catherine Malandrino, and Derek Lam, but its latest collaboration with Peter Som may just be its coolest union yet. The collection, inspired by Som’s recent trip to the island of St. Barths, is an airy assortment of flowy maxi dresses, comfy jumpsuits, and printed bombers, clearly inspired by a love of travel and

ease when packing clothes for trips. When it comes to the color palette, Som says it combines “the best of crisp French-inspired nautical colors with a mix of sun-bleached shades while black and white anchor the collection.” And, awesomely, the entire collection is under $100. JADE TAYLOR kohls.com

photographed by david shama. stylist: skye stewart-short. hair: travis speck at sally hershberger. makeup: tsipporah using m.a.c cosmetics. fashion assistant: sophie perkins. model: isabella at img. all clothing by banana republic marimekko collection.

Nobody does Zooey Deschanel's heavily retro style nearly as well as Zooey Deschanel, and finally, a designer has tapped the New Girl star (and She + Him chanteuse) to deliver it to the masses.

To Tommy, From Zooey is a capsule range dreamed up by Deschanel and Tommy Hilfiger that's full of the kind of swingy shifts, pleated shirtdresses, bags, and vintagey baubles that Deschanel is known for. She refers to it as "modical," given the collection's myriad nautical influences. We'll just refer to it as "our new summer wardrobe." AB tommy.com

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wavy lady TENT CITY At the risk of sounding like a total girl, I must admit that the only camping I have any interest in is glamping. So until Meadham Kirchhoff designs some wacky kaleidoscopic camping gear or Rick Owens makes a tent out of 10,000 layers of black chiffon, I'll pass. But the geniuses at Penfield may have just changed my mind with their awesome new collection of tents, picnic blankets, Frisbees, candles, and mugs printed with palm trees and saturated colors that could easily pass as props on a Wes Anderson set.

Music festival season is approaching and unless you want to splurge on a hotel, you better gear up and pitch a tent with your besties in the most fashionable way possible, right?

JADE TAYLOR penfield.com

rebecca taylor “I have always had a love affair with denim— as my mom mad a kid, e our clothes, in all of cluding denim overal ls,” recalls the designer, who has dreamed up a coterie of nontraditio na pieces that in l denim corporate unique textur es and Victorian like leather eyelet . rebeccataylo r.com

je an -ius news Two cool brands are debuting their fresh takes on denim in nifty new capsule collections. AB

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Canham grew up surfing in Hawaii, and eventually became the art director at Surfer Magazine before moving to Northern California.

“Being raised around the beach definitely informed what I do, and living in San Francisco has been a big inspiration,” he says. It was during an apprenticeship at New Bohemia Signs that Canham learned the tricks of the handpainted sign trade, and has since become known for breathing new life into the art form. “Everything I do now has some element of that history, whether it’s the materials or the techniques,” he says.

His work is seen at Mollusk, a surf shop near his studio, as well as at Facebook’s HQ, where, as their artist in residence, he just finished painting murals of PHP code.

KELLEY HOFFMAN target.com

SUIT UP! 3.1 phillip lim The moto jacket and peplum top are just two of the shapes-of-the-moment that designer Phillip Lim is reworking. “I like the crispness of raw denim—in the right use it can take on a whole new purpose," he says. "For me, it’s as classic as black or navy.”

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Just in time for beach season, designer Shoshanna Gruss is lending her expertise in the swimsuit realm to Club Monaco with a capsule collection for the retailer that includes bikinis, onepieces, and rash guards. "My current obsession is the twist bandeau in a beautiful coral print," the designer explains.

"It's the perfect suit to wear poolside." AB clubmonaco.com

photographed by david shama. stylist: skye stewart-short. hair: travis speck at sally hershberger. makeup: tsipporah using m.a.c cosmetics. fashion assistant: sophie perkins. model: leaf at elite. all clothing and accessories by mossimo supply co. with art by jeff canham.

Jeff Canham, an artist, designer, and sign painter, starts his morning by checking the surf from his window in his pastel dream of a neighborhood, San Francisco’s Outer Sunset. If it’s good, he’ll hit the waves with friends, then walk a couple of blocks to his studio, Woodshop, which he shares with three other artisans. Needless to say, Canham's surfer sensibility makes him an ideal guy to create a summer capsule collection for Target's Mossimo Supply Co. brand. The 30-piece range for men and women includes tank tops, board shorts, beach bags, towels, and flip-flops featuring Canham’s stylish, ‘60s surf graphics—and everything is under $25. His inspiration?

“The beach, California, sunshine, good times,” says Canham.

get shor t y If your jean shorts hero is Tobias Fünke, then listen up: Articles of Society has released a style that’s so awesome you may just become a never-nude yourself. The High-Rise Short ($54) in the lightwashed shade of “Storm” has strategically placed rips, and it’s perfect for pairing with a lace top and sneakers, or a white cotton tee, Dr. Martens, and a flannel wrapped around your waist. Can you say #TBT? JADE TAYLOR articlesofsociety.com

photographed by david shama. stylist: skye stewart-short. hair: travis speck at sally hershberger. makeup: tsipporah using m.a.c cosmetics. fashion assistant: sophie perkins. model: leaf at elite. shirt by rachel zoe, shorts by articles of society, shoes by superga, stylist’s own bangle.

—JEANS OF THE MONTH

hawaii five-o As vintage tattoo enthusiasts, we obviously fell pretty hard for Wildfox’s Life’s a Beach ($77) tee. The fieryred scoop-neck shirt has short sleeves and a loose-crop fit with distressed hems and jagged edges (for that deserted island look).

It’s printed with hula girls on heather jersey fabric thin enough to live in during the warmer months. So whether we're pondering some new body art, drinking tropical margaritas, or even traveling to a sandy locale, we’ll be wearing this shirt all summer long.

JADE TAYLOR wildfox.com ladies five lucky free tee will score a .com ag at nylonm

photographed by david shama. stylist: skye stewart-short. hair: travis speck at sally hershberger. makeup: tsipporah using m.a.c cosmetics. fashion assistant: sophie perkins. model: isabella at img. all clothing by wildfox, bracelets by bing bang, necklace by pamela love.

—T E E O F T H E M O N T H

@ elementeden irene dress /bloom jacket /christina dress photo by element advocate crista leonard

I collect—er, hoard—a lot of things, but sunglasses are at the top of the list. I’ve worn them since I was a kid, but I never thought of them as luxury items until I got my first pair of Cartiers. What could be more luxurious than that? I recently lost them, and although we all know that glasses are an easy thing to lose, I took it very hard. So obviously, in true Factory Girl form, I made a call, then flew off to Paris to make myself another pair.

After a fantastically uneventful flight, I settle into my room at the Sofitel near Rue St. Honoré, which is ideally located for my shopping and eating purposes. I immediately run to the dreamy Hôtel Costes for the first of three consecutive lunches I’ll enjoy there during my trip.

The courtyard at Costes is the hub of everything chic, especially during Paris Fashion Week. In case you were wondering, I always order the escargot, mashed potatoes, and haricots verts.

(OK, occasionally, I opt for steak.) After a bit of shopping and wandering, I take in a show at the Crazy Horse and have a restorative night’s sleep before my work begins.

At 8 a.m., a driver collects me from the Sofitel and transports me to the factory in Sucy-en-Brie in the Val-deMarne, just outside the city.

Its façade resembles—what

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else?—a pair of glasses, but like everything in the Cartier universe, it’s sleek and understated. I’m given a lab coat and introduced to Hyginus Kibuanda, from Cartier’s quality control department, and Florent Molaro, a manager at the facility. Although Cartier may be best known for its jewelry, the brand began making optical instruments in 1887, and it first produced commercial eyewear in 1983 with two styles, the Must and Vendôme.

As Kibuanda and Molaro explain their work, it becomes clear that

Cartier pays as much meticulous attention to manufacturing its glasses as it does to creating its finest jewelry. The process begins with a gouache painting from Cartier’s design studio; the style is then interpreted in a wax sculpture before evolving into a resin model or 3-D design. Then the expert modelers make a model, and adjustments to the final design are executed accordingly.

Next comes the metal work. Although I do not participate in the hammering down, stamping, cutting, or perforating of the metal parts—and wisely, I am not anywhere near the

diamonds that polish the bridges and joints—I am enlisted to try my hand at brazing, a technique used to solder two pieces of metal, which allows me to use some very powerful and potentially dangerous machinery.

I am so successful that I’m invited to test my polishing skills. At Cartier, this process begins when the components of the glasses are placed in barrels containing crushed walnut shells or wood, which are mixed with polishing paste. It’s finished by hand, as highly skilled artisans with years of experience masterfully buff each piece. I definitely get an arm workout, but the powers that be declare my efforts to be successful. Moving on! The glasses are given several markings—a serial number, regulatory information, the frame size, temple length, and, for precious-metal frames, the guarantee and Cartier master stamps.

The Cartier signature, of course, is my favorite.

Those glasses bestowed with luxe finishes like gold, palladium, ruthenium, and platinum are electroplated, which deposits the

precious metal layer on a conductive part using an electric current.

The pieces then luxuriate in baths, which is a bit too technical to get into, and then finally, at the assembly workshop, all the parts are assembled, and the symmetry and conformity of each frame are put to the test. My help is once again enlisted, and I pop in the lenses, thus completing the finished project (which is then subject to 25 more quality control tests, but I’m sure my pair will pass with flying colors).

I’m a bit exhausted— all in all, this little pair of glasses required 180 different actions to come into existence. But when I try on the diamondencrusted Panthère style, clocking in at $197,000, I understand how these things add up. Naturally, I need another lunch at Costes (for my usual) before I’m ready to delve into the Cartier archives back in Paris, which, I assume, is my reward for a job well done. They are located above Cartier’s flagship on the Place Vendôme, and they’re presided over by a terribly

chic woman named, appropriately, Violette Petit. She shows me sales ledgers from the 19th century and we pore over antique books of sketches. The most amazing thing I saw was a photograph of Yadavindra, the son of the Maharaja of Patiala, wearing ceremonial necklaces that were dripping in precious gemstones. His mantra must have been: the more jewels, the better.

At the end of the day, I am given a stunning one-of-a-kind pair in marbleized green and purple acetate as a memento of my trip—and they’re just the thing I need, because next on my agenda, of course, is the Chanel show.

La vie est belle!

/ BethanyMota )DQV

—CORY’S CORNER

When Aubrey Plaza first appeared in NYLON, she’d just been cast in Parks and Recreation, which ended up being a star-making turn for the actress. For her column this month, Cory Kennedy catches up with her pal— currently filming Ned Rifle in New York City, with Sundance hit Life After Beth, written and directed by her boyfriend Jeff Baena, out later this summer—to talk about how Tinseltown has been treating her. And, of course, some other totally unrelated stuff.

Let’s start off with what you are doing in this exact moment–please tell. It’s hard for me to answer this question without mentioning you and your question and how I am answering it at this exact moment.

Also, I am listening to a band called You Won’t and eating the tips of my braids. In bed.

What are a couple of things you’ve learned in the five years since your debut in NYLON’s Young Hollywood issue? Never believe what anyone says. Don’t read reviews. Nothing means anything and everything means nothing. Real friends are important. Cars

What’s your pet peeve? Twitter. are stupid. Get it while it’s hot. Keep your head down and don’t take anything too seriously.

And nothing matters.

What would your spirit animal be and why?

(Mine is a sloth—a lot of my friends call me Slory—so beat that.)

I just bought a white jacket with a bunch of deer heads on it.

I think deer are my spirit animals. And foxes. I have no friends.

I have a feeling you like trampolines.

Am I right? Fine, yes.

What bands are you into at the moment?

The Spring Standards, Jukebox the Ghost, and You Won’t.

What’s something you would never do?

Skydive. Upside-down roller coasters. Taco Bell. Grad school.

How about something you want to do? Go to Japan. Own a horse.

Do Broadway. illustrated by pamela loredo sustaita.

aubrey plaza in la-la land

/ MichellePhan )DQV

TATIANA MASLANY actress tatiana maslany is quite the y character. b r ashley bake rphan Even though O na Maslany tia Ta ar Black st for a was nominated e still sh , be lo G Golden m and bike manages to bu where o, nt ro To around works, pretty she lives and . “I don’t much incognito arily look ss know if I nece television,” like myself on is ability she muses. Th dar is ra e th r de to fly un expected un e or m en ev r gig on the considering he t requires hi a B B C Americ only one t no ay pl her to eight its t character, bu es. on cl g) tin un (and co , ny la as M Still, laughs of nd ki s ay w al “I can s.” be anonymou breakout r he e or Bef 2010 e th moment in Grown Up m fil e nc Sunda lany cut as M Movie Star, prov, which her teeth on im ell in this w r he has served science on in sp r lia pecu huge a t no fiction. “I’m but what I o, ad on ci afi sci-fi that [Orphan really liked is e like a Black] felt mor with a e, ec pi character

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a unique tone and really specific characters,” she explains. (In any given episode, Maslany could be conjuring up a trashtalking con woman, a paranoid mother, or an ailing scientist.)

“They’re all a part of me or people I know and love.”

Growing up in Regina, Saskatchewan, she recalls, “My brothers and I would force our parents to sit down and watch us perform dances or little pieces of theater for them in our living room. But I didn’t have aspirations to do this or that. I just enjoyed it, and [my acting career] happened pretty organically. It’s been such a huge part of my personality for the longest time, and a lot of my interests come back to acting in some way or another, whether it’s reading books about it or studying films.”

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That focus has earned her raves for Orphan Black, including a Critic’s Choice Television Award, a TCA Award, and later, the Golden Globe nod in the same category as seasoned heavyweights like Julianna Margulies and Robin Wright. “It still doesn’t feel like it happened,” says Maslany, incredulous even months after she first learned of her nomination through Twitter. At heart, she remains a hometown girl. As for her most Canadian character traits? “The selfdeprecating thing,” she admits. “I find it really difficult to talk about myself, because I don’t know what to say and I don’t think anything’s really interesting. And the ability to withstand minus-50-degree weather! I swear by long underwear.”

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No one puts on a show quite like Karl Lagerfeld, and once a year, he selects a far-flung locale to stage his Métiers d’Art collection. After memorable runway shows on the banks of the Lido in Venice and among the ruins of the Linlithgow Palace outside of Edinburgh, this past December, Team Chanel descended upon Dallas. This was not the brand’s first time at the proverbial rodeo—Coco Chanel visited Texas in 1957, when she was invited to receive the Neiman Marcus Award for Distinguished Service in the Field of Fashion by none other than Stanley Marcus himself.

Nearly 50 years later, Chanel commemorated the occasion with over 900 guests including editors, bloggers, and It Girls (like Alexa Chung, Dakota Fanning, and current campaign face Kristen Stewart). Upon arrival at the home of the Texas State Fair, guests were invited to take their seats in vintage cars at a ’50s-style drive-in movie theater, where Lagerfeld’s new short film, The Return, was screened, and corn dogs were consumed. Then the crowd moved indoors to a tent styled like a rodeo, where models took to the dirt runway in denim, lace, Western jewelry, hats, and cowgirl boots. Everything was tinged with Chanel’s signature sense of couture, of course, and the stylish mix of formalwear with casual looks is only one of the reasons this collection was so inspiring. DANI STAHL

stylist: dani stahl. hair: bethany brill. makeup: katie mellinger at joe management using chanel. model: ona at fusion. all clothing and accessories by chanel.

—T H E L O O K

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neutrogena oil-free acne stress control power-foam wash, $7.50, neutrogena.com

olay fresh effects {dew over!} hydrating gel moisturizer, $13, olay.com

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try anna sui lash amplifyin g masc ara i n 1 00, $28, u r banoutfit ter s.com

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Marc Jacobs further solidified his reputation as the king of cool by enlisting an army of It Girls, including Georgia May Jagger, Sky Ferreira, Cara Delevingne, and Charlotte Free, to debut his spring '14 collection. As the high-wattage models and neo-Victorian getups were quite distracting, it's possible you may have overlooked the badass brown polish that adorned the stunners'’ nails. It was the perfect counterpoint to the preponderance of nude and candy-colored manis this season, and now, eight months later, you can finally get your hands on it (or get it on your hands). Called Bark!, the warm cocoa color is an edgier answer to the everyday neutral. Up next: finding the courage to pull off the choppy bob that also appeared on his runway. JADE TAYLOR marc jacobs beauty enamored hi-shine nail lacquer in bark!, $18, sephora.com

The word rogue can refer to a misbehaving horse, a vagrant, or a mischievous person. It’s the last definition that puts the R in indie haircare line R+Co, which refers to the maverick spirit of its founders, Bumble and bumble’s former senior artistic director Howard McLaren, legendary stylist Garren, and top men’s groomer Thom Priano. “Our concept for R+Co was to bring together a collective of the best hairdressers in the world, which allows us to have multiple strengths and perspectives on everything we do,” explains McLaren. The hair supergroup also enlisted photographers, perfumers, and other like-minded pros to form a kind of beauty think tank. They helped contribute to the smartly designed packaging, the quintet of unique scents including earthy Relative Paradise and juicy Love Bite, and clever names like Atlantis (hydrating shampoo and conditioner), Park Ave. (blowout balm), and Death Valley (dry shampoo). And, of course, the genius formulas. “We develop each product with one stylist, who is known for that type of hair. So if we’re looking to create the best volumizer out there, we work with the person known for creating big hair, and the same goes for glamorous looks, rock ‘n’ roll looks, and so on,” explains Garren. It’s basically like a styling commune, and one that’s bound to amass a cult following. KATIE DICKENS r+co haircare line, $24-$29, randco.com

runway images courtesy of chanel, meadham kirchhoff, and viktor & rolf. caudalie photographed by laure joliet. eternity ad photo courtesy of peter lindbergh.

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scents of style Splurging on a designer bag or dress often means becoming a Cup Noodleseating hermit for months.

But with this trio of fashion-forward fragrance offerings, you can snap up a small piece of the luxe pie without going broke. JT

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Karl Lagerfeld has his signature look—black sunglasses, slickedback ponytail, and fingerless leather gloves—down cold. The designer's new scent comes in what is essentially his bottle doppelganger: a sleek Lucite cap, heavy silver band resembling his beloved Chrome Hearts rings, and a clean, geometric shape. And the eau's mix of juicy fruits, heady florals, and earthy notes is as unexpected as his creations for Fendi and Chanel. k by karl lagerfeld eau de parfum, $85 for 2.8 fl. oz., macys.com

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MEA DHA M KIR CHH OFF

British brand Meadham Kirchhof f's collections embody the subversi ve spirit of the London fashion scene (see: an homage to Courtney Love for spring '12) and that's refl ected in their collaboration with Lond onbased perfumers Penhaligon's.

The fruit of their labor, Tral ala, is a blend of unconventional notes like saffron, whiskey, leather, and patchouli. The result is as awesomely bold as the Rainbow Brite spirit of the brand. tralala by meadham kirchhof f for penhaligon's, $200 for 3.4 fl. oz., penhaligons.com

VIKT OR & ROL F The Dutch duo is known for their quirky designs on the runway and they've extended that avantgarde aesthetic to the vanity, first with Flowerbomb, then Eau Mega (since discontinued), and now with their third creation, Bonbon. The bottle's shape reflects the pair's penchant for adorning clothing, shoes, and jewelry with oversized bows, including the recent couture collection's trompe l'oeil version.

And the scent itself is a curious, yet comforting approximation of a citrus-infused caramel (hence the name). viktor & rolf bonbon eau de parfum, $115 for 1.7 fl. oz., saksfifthavenue.com

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It’s been almost two decades since a freshfaced Christy Turlington memorably sold the public on Calvin Klein’s Eternity fragrance by walking along the beach with a shirtless Mark Vanderloo, shooting meaningful glances his way, and whispering sweet nothings about love everlasting. The scent managed to live up to its name by sticking around for over a quarter-century, which is like infinity in perfume years. To celebrate the milestone, the iconic bottle has been swathed in silver—the traditional gift for a 25th anniversary—and the 1995 ads with Turlington and Vanderloo will be re-released.

Yes, time marches on, but the staying power of both Eternity and Turlington proves they do not abide by the laws of nature. KD calvin klein eternity 25th anniversary edition eau de parfum, $81 for 3.4 fl. oz., macys.com

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[model] Edie Campbell once, whom I draw a lot, and told her that,” recalls Reardin. “It felt weird but she was really flattered.” As part of her work with Dior, Reardin is sketching more portraits, which enables her to zero in on a face full of makeup.

And while her media of choice is usually ink and pencil, she’s having fun creating art with color cosmetics.

“Dior has this new Fluid Stick collection that looks really good on paper,” she says.

“Especially these bright red shades, Wonderland and Pandore.” While her original artistic aspirations included being a Disney animator (“I haven’t given up on that dream yet,” she promises), Reardin is quite happy in her current role. “This opportunity was a no-brainer,” she explains.

“You can’t really pass it up.”

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photo assistant: bobby davidson. shot at shio studio, brooklyn.

While several illustrious artists, including Andy Warhol and Cecil Beaton, have dabbled in fashion illustration, it’s a safe bet that none have referenced anything like Disney villainesses and Tim Burton’s cast of characters in their work.

But such are the muses of Jamie Lee Reardin, whose Instagram’d drawings attracted the attention of Dior Beauty.

“I find [Burton’s] work a little bit dark and tragic, but it’s also charming, and that plays into my style,” says Reardin.

“You can see Cruella de Vil in a lot of my work—her cheekbones, heavy eyes, and bony physique.” It helps that her spooky waifs look perfectly at home swaddled in couture, including Raf Simons’s latest collection for Dior, which Reardin had interpreted even before the brand approached her about this partnership. In addition to fictional characters, models and It Girls inspire Reardin’s work. “I bumped into

as dior’s newest u.s. beauty ambassador, jamie lee reardin is making her mark. by katie dickens. photographed by jessica yatrofsky

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photographed by felisha tolentino. stylist: dani michelle. model: mayson at vision. LEFT hair: bobby eliot at tmg-la. makeup: kristee liu at tmg-la. RIGHT hair: sylvia wheeler. makeup: andre sarmiento at tmg-la.

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GOOD LORDE

m.a.c cosmetics teams up with the patron saint of alt girls. by katie dickens. photographed by frances carter

lorde penultimate eye liner in rapidblack, $19.50

for a while, then moved to lighter stains, and then found a bit of an in-between.

How did you settle on this particular lipstick?

I knew what kind of color and finish I wanted. Because my friends and I want stuff that we can wear for a night out or during the day, it needed to be something you could wear as a strong lip but could also be pressed on like a stain, and was kind of movable as opposed to a chalky matte finish.

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Among a legion of cheerleader-like pop singers, Lorde (née Ella Yelich-O’Connor) is something of an outlier. This is partly due to her genre-bending music, which omits mentions of boys and other clichéd sources of teen angst, but mostly can be attributed to her signature look—long, riotous curls and an inky mouth—which walks the line between goth and grunge.

It’s this last bit that seemed to make the musician perfectly poised for a beauty collaboration. And now her fans’ prayers have been answered by M.A.C in the form of a limited-edition Lorde micro-

When did dark lipstick become your go-to look? I’ve been wearing a version of this for two-plus years, I reckon. Before that, I wore bright orange.

Then all of a sudden I was really into the dark look and wore really strong matte finishes

What are your other makeup essentials?

Most of the time, I’ll have a really thin liquid liner, like this one [from her collection]. My makeup artist [Amber Dreadon] and I try to keep my skin really dewy and fresh, so we have these kind of shiny highlighters that we use.

For your videos and performances, do you come up with all of those statementmaking looks on your own? I do! For the “Team” [music video] braids, I was initially playing with the idea of cornrows because I wanted something that was tough and sort of tribal to go with an atmosphere that feels like a postapocalyptic world. We did a bunch of hair tests and finally came up with this crazy, triangular risingsun-type Mohawk. And then with the Grammys, I was on Tumblr and saw a model that had these dyed fingers and I was

like, “Wow, I love this.”

And it turns out that it was something that Rick Owens‘s wife did, and she’s obviously amazing. I just thought it was strong and quite weird and cool.

What do you do to keep your curls looking so awesome? I wish I had a better how-to, but I just have a curl product that’s really hippie that I scrunch in when it’s wet and just leave to dry. It lasts until I wash it. My hair is good when it’s really gross.

Just don’t smell it or touch it.

How does it feel to be the rebel among your pop star peers?

Obviously, I have a pretty strong aesthetic in terms of what I wear and my lipstick and everything, and it’s not a standard mainstream pop star look, so I think people consider me to be this strange, alternative girl. But I love pop music, so it’s exciting that I can be in the Top 40 world but also have a really strong identity. For a long time people thought that as soon as you became a pop star, you needed to have a kind of homogenized, simplified personality, but I’m pretty weird, and it’s worked out.

dress by miss crabb. makeup: paige best using m.a.c cosmetics.

How did the M.A.C collaboration come about? They approached me because they have a lipstick called Heroine, which is a bright purple, and my album is Pure Heroine, so it felt perfect. And, I’m constantly wearing deep purple lipstick, so it just meshed really well.

Do you remember the first dark lipstick you ever wore? Yeah, it was a M.A.C one—Sheen Supreme in Quite the Thing! It was almost black and shiny, like patent. It was awesome.

lorde lipstick in pure heroine, $16

collection of lipstick and liquid liner (available June 5 on maccosmetics.com).

Here, the teen queen discusses her love of dark lips, unwashed hair, and individuality.

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If the prevalence of flamehaired models walking the runways at the fall ’14 shows, including Theory, Karen Walker, and Peter Som, was any indication, redheads are having a major moment. Whether you want to become part of the crimson club or already are and simply wish to go bolder, Redken Creative Consultant for Color Tracey Cunningham offers up tips on how to do it right.

“Red is an unexpected and fun color,” says Cunningham. “It’s the best way to counteract dullness and warm up the skin.” If you’re ready to go for it, she recommends trying out the most universal shade, a warm red à la Linds ay Lohan circa Mean Girls. Or for a subtle swap, Cunningham suggests picking a hue that’s closer to your natural shade—for blondes that would be strawberry, for light brunettes it’s a vibrant golden red, and for those with dark brown, it’s a deep auburn. Happen to be one of the lucky few to be born with it?

Amp up your natural color by having a red gloss applied to dry strands and set under a dryer for 20 minutes. And if model Natalie Westling’s Atomic Fireball-colored locks (as seen at the Vera Wang and Anna Sui shows) have you craving something a little more eye-popping, start with a medium red base, and then layer a brighter shade on top.

KATIE DICK ENS

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Cunningham explains how to keep your fiery locks burning bright.

ST EP ON E:

WAS H G E N T LY

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Brighten up wi th conditioners and treatments th at add a hint of pigme nt to strands. da vines alchemic cond itioner in red, $28.50 , davines.com; pureology reviving red co pper reflect enhanc er, $40, pureology.com for salons

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STEP FOUR :

SH IEL D AN D SH INE

Tinted gloss treatments and demi-permanent color give new life to tiredlooking tresses. john frieda colour refreshing gloss for cool reds, $13, drugstore.com; l'ore` al professionnel hairchalk in coral sunset, $24, lpsalons.com for salons

runway images (clockwise from top): anna sui, karen walker, proenza schouler, theory, just cavalli, peter som, dkny, peter som, and vera wang.

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T RAC E Y 'S TO P T IPS

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photographed by eric t. white. stylist: liz rundbaken. hair: travis speck. makeup: tsipporah. model: helene desmettre at img.

active Eleven Paris takes us back to the time of TLC and Nirvanaâ&#x20AC;&#x201D;an era when yin-yang symbols, gritty grunge, and sporty styles aboundedâ&#x20AC;&#x201D;with a spring '14 collection inspired by the most beloved moments of the '90s.

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warm up to the latest beauty offerings. by katie dickens. illustrated by kei meguro I consider my mornings to be a personal beauty challenge: Race to see how quickly I can make myself presentable after hitting snooze one too many times. Key to the five-minute face is the multitasking product, like YSL’s new Baby Doll Kiss & Blush. The 2-in-1 liquid adds a hit of color to lips and cheeks in no time.

And the matte, velvety finish offers the kind of polish that suggests you’ve spent way longer in front of the mirror than you actually have. yves saint laurent baby doll kiss & blush, $40, yslbeautyus.com

Bulgari is primarily known for its posh bijoux and massive, glittering flagship stores. Even the brand’s gem-less offerings, like bags and sunglasses, reference its sparkling heritage with blingy details, and the same goes for its Omnia fragrances, based loosely on various gemstones including amethyst, jade, and the newest addition, Indian garnet. The fiery orange stone doesn’t actually emit an aroma, but perfumer Alberto Morillas pays homage to its namesake nation and color with a blend of saffron, tuberose, osmanthus blossoms, and amber. For a country that counts pink as a neutral and offers up the Taj Mahal as a symbol of love everlasting, the warm, intoxicating scent is a fitting tribute. bulgari omnia indian garnet eau de toilette, $82 for 2.2 fl. oz., sephora.com

If you’re one of the approximately 35 percent of hair-dyeing women, then you’re aware of its potential pitfalls—the mixing, the mess, the meh color. Now there’s a better way—L’Oréal’s Super Preference Mousse Absolue.

Unlike other foams, which require mixing and measuring as if you’re baking a cake (without the delicious payoff), this mousse does your dirty work by dispensing the ideal ratio of dye to developer via dual-chambered technology.

All 16 shades were handpicked by genius colorist Christophe Robin, the man behind Catherine Deneuve’s cool blonde and Isabelle Adjani’s chocolate brown strands, so the resulting hues look less like they came from a bottle, and more like you’re genetically blessed. Oh, and rather than toss the tube post-color, you can reuse it for future root touch-ups. For those who’ve experienced the post-dyeing blues, this might be the pick-me-up you need. l’oréal paris superior preference mousse absolue, $15 each, lorealparisusa.com

Was there anything more exciting than cracking open a fresh pack of Crayolas as a kid? You may have outgrown your childhood affinity for waxy implements, but Flower Beauty offers the grownup equivalent with Chubbies, a collection of crayon-like makeup.

Thanks to options for the eyes, lips, and cheeks you can think of your face as a living canvas and put your childhood skills to the test. flower beauty eyes on the prize eyeshadow chubby and lip suede velvet lip chubby, $8 each; glisten up! highlighter chubby and kiss me twice lip & cheek chubby, $10 each, walmart.com

It’s a fact of fragrance: Even if you marinate in the stuff in the morning, there’s a good chance that it will pull a disappearing act by the afternoon.

But the alternative—lugging around a cumbersome bottle (they’re made to be pretty, not portable) of your favorite EDT—isn’t all that appealing. There’s another, better option: L’Occitane’s Fragrance Booster Cream, which is essentially a perfume primer.

Just like the makeup version, which anchors and enhances foundation, this specially formulated moisturizer provides similar benefits to whatever you spritz on top of it. So you can count on your perfume sticking around for a while. l’occitane fragrance booster cream, $36, usa.loccitane.com At first glance, Sephora’s miniscule Press Pods appear to be made for Barbie’s Dream Salon.

The doll-sized, single-use lacquers offer an eco- and wallet-friendly approach— you can sample twodozen Formula X bestselling shades before committing to full-sizes of your favorites. And for you lacquerheads out there, consider this box a personal challenge to try a different color every day for 24 days. It’s a classic case of good things coming in small packages. sephora formula x press pods, $39, sephora.com

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SITTING IN THE CORNER OF A PRIVATE ROOM AT A TABLE TENNIS CLUB THAT SPRAWLS OVER 13,000 SUBTERRANEAN FEET OF NEW YORK CITY’S FLATIRON DISTRICT, HAILEE STEINFELD SURVEYS THE SCENE, A GRIN ON HER FACE. “WELL, THAT WAS FUN!” SHE SAYS, STRAIGHTENING HERSELF OUT A LITTLE. OUTSIDE it’s wet and cold—the oppressive leaden gray of an Edgar Allan Poe story—but in here it feels like an exclusive bar, only one with hundreds of little orange balls all over the floor, all over the carefully curated midcentury furniture, and, until recently, flying in every direction as Steinfeld, her two publicists, and I engaged in a slightly awkward game of doubles, during which it quickly emerged that Steinfeld is about as good at table tennis as I am at the skeleton luge. But, no matter that she doesn’t know her pings from her pongs: The arbitrariness of the venue doesn’t seem to faze Steinfeld any more than the fact that she had been doing a photo shoot for the past 10 hours or that she only got three hours of sleep last night, because she was finishing the coming-of-age drama Ten Thousand Saints with Asa Butterfield and Emile Hirsch, wrapping at 4 a.m.

Even though you can occasionally catch sight of her fatigue through her otherwise omnipresent peppiness, Steinfeld is thrilled to be having this conversation in the first place. It’s a relief to see that even now, with an impressive slate of films behind her and a slew in the works, that excitement is still there, flashing away brightly as ever, just as it was when I first met her, four years ago.

Back then, she was promoting True Grit, the Coen brothers film that would earn her an Academy Award nomination. In the time since, Steinfeld has appeared in a new adaptation of Romeo + Juliet as the ill-fated Capulet, the big-budget sci-fi adventure Ender’s Game, and the thriller 3 Days to Kill, with Kevin Costner. This April saw the release of Hateship Loveship, a charming indie in which she starred opposite Kristen Wiig and Guy Pearce; and this summer she can be seen in Begin Again, a film directed by John Carney, who also wrote and directed the runaway hit Once. Deep breath. Also coming up is The Homesman, a period drama set in the mid1800s directed by and starring Tommy Lee Jones, with Hilary Swank and some woman named Meryl Streep; The Keeping Room, set during the Civil War; the action-comedy Barely Lethal with Samuel L. Jackson, Jessica Alba, and an extremely unfortunate title; and the aforementioned Ten Thousand Saints. In two days, she starts filming Term Life in Atlanta, opposite Vince Vaughn.

Steinfeld’s workload might make anyone not named Beyoncé question their productivity, but the breadth and scope of the actress’s work speak to a combination of talent, ambition, and drive that does not come along very often. And while Steinfeld’s T-shirt is printed with one large word, OOPS, there is nothing accidental about any of this. Says McG, who

personally sought her out for 3 Days to Kill: “I mean, listen, I know you get a lot of bullshit and a lot of fluff when you talk to people about other actors, but from the bottom of my heart: Hailee’s future is limitless. She has a good head on her shoulders, she’s capable of the dramatic, she knows where the funny, comedic turn exists; she’s a very special talent, and she’s making good choices. She’s not chasing any one particular breakout opportunity—she’s amassing a body of work that results in everybody coming out the other end saying, ‘Hailee is great.’ And when you do that you position yourself [to be]...I mean, I wouldn’t be as bold as to say Meryl Streep, but I can’t think of a candidate who could make such a run at it.

[Steinfeld] does certain things now so fucking well that I can’t imagine her taking that expression of her art form any higher.”

previous spread: jacket by j brand, dress by chloé, jeans by diesel, glasses by morgenthal frederics, necklace by dean davidson, bracelet by gorjana. this page: jacket by guess, dress by miu miu, shoes by christian louboutin, glasses by craig and kar l for le specs.

STEINFELD WAS BORN IN THOUSAND OAKS, CALIFORNIA, TO A PERSONAL TRAINER FATHER AND AN INTERIOR

DESIGNER MOTHER (HER BROTHER, ,

Griffin, is a NASCAR driver). Her introduction to acting as a potential career path: She saw her cousin on TV in a commercial for dolls. “It was just something I thought I would never see—my family right in front of me doing something you think is impossible,” she says. “It was so surreal that watching her made me think: ‘If she can do it, why can’t I?’” Her mother insisted on acting classes and took her into an agency called Coast to Coast, which signed her immediately to their print

IT’S OK TO DO THAT

I’VE LEARNED OVER THE PAST COUPLE O YEARS TO ASK QUESTIONS AND KNOW THAT

I WAS JUST SEE THING

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jacket by iro, denim shir t by calvin klein jeans, t-shir t by dkny jeans, pants by jil s a n d e r n a v y, s h o e s b y sandro, necklace by n. historiae, watch by la mer collections.

division. Being a child model, she says, was fun—Steinfeld appeared in campaigns for Gap, Nike, Guess, and others—but it wasn’t enough, and she started auditioning for acting roles when she was about 10, landing a few parts in commercials and then a lead in the short She’s a Fox, which did the rounds on the festival circuit.

At first, neither Steinfeld nor her mom knew about the global search for the role of Mattie Ross in True Grit, but when her mom’s cousin, whose own daughter was too young to read for the role, told her about it, she started rehearsing, despite the fact that her agents were initially led to believe the part had been cast. Steinfeld educated herself over the Christmas break, on the off chance that she might be invited to audition when her agents’ office reopened. “And sure enough, I get a call from the casting director’s assistant,” says Steinfeld. “Two days later, the casting director. Two weeks later, Jeff Bridges and the Coen brothers.”

The critical reaction to True Grit, the second movie adaptation of Charles Portis’s demotic novel, in which Mattie Ross looks back from the 1920s on adventure as a 14-yearold in 1878 where she sets out to bring her father’s murderer to justice, was unanimously positive. The role ensured Hailee Steinfeld was suddenly the name on everyone’s lips, as Precious’ Gabourey Sidibe was the year before. Mattie’s relationship with Rooster Cogburn, played by Jeff Bridges, is a revelation. Steinfeld clearly left an impression with Bridges— who is as deliberate and husky on the phone as he is on screen—and he speaks about her with genuine fondness. “I have wonderful experiences with first-time directors or actors because you don’t know what you can’t do. I mean, we haven’t done much better than Citizen Kane, and that was Orson Welles’s first movie. And if you look at Hailee’s work… it’s so fresh. If somebody is going at it for the first time, you can really use that freshness,” he says, in a laconic drawl that is a world away from Steinfeld’s effervescent staccato. “I really enjoy working with young folks because to me, acting is sort of about advanced pretend. When you’re a kid, you’re closer to that spirit. And when you play as an adult you remember that aspect of acting.” He pauses for so long I have to check he’s still there. “I’m not sure if it’s learning so much as being reminded,” he concludes.

“I realize now more than I did then what a big deal it was, and what a big deal it is,” says Steinfeld, picking up one of the ubiquitous orange balls and rolling it around in her hands.

WHEN YOUNGER, IT MED LIKE SOMEYOU WEREN’T

OSED TO DO.

“For the longest time, so many people were coming up to me and saying, ‘It’s a once-in-a-lifetime opportunity,’ and I would just smile and nod my head. It was in one ear, out the other.

Now I realize I would do anything to work with that group of people again—those actors, those directors... my God.” There’s a tiny, wistful pause.

“It did take me a while to realize how incredible the experience was, but without a doubt I took in every second of every single day. Having done a few more films, you look back on that and think you just owe so much to them.”

Steinfeld is not one to let such moments pass her by. “I’ve learned over the past couple of years to ask questions and know that it’s OK to do that. When I was younger, it just seemed like something you weren’t supposed to do.” On the set of Ten Thousand Saints, which takes place in New York City in the ’80s, Steinfeld would “jump into” conversations between Hirsch and Ethan Hawke, and on 3 Days to Kill, in which she plays the daughter of Kevin Costner’s character—a CIA agent doing one last job in exchange for a drug that could save his life—she and the actor spent a lot of time discussing music. Costner was getting his band, Kevin Costner & Modern West, back together and Steinfeld has been “playing around a bit” herself, writing songs including one called “Warrior” (co-written with Chase Duddy and Tim Myers) that played in the recent Olay commercial during the Grammys, and which she hopes will be released by the time you’re reading this.

Steinfeld says she hasn’t mastered an instrument but she did learn how to pick a few notes on the guitar for Begin Again, where she plays the daughter of Dan Mulligan (Mark Ruffalo), a down-on-his-luck music executive who discovers a talented singer-songwriter, Gretta (Keira Knightley). Steinfeld’s role is small, but an important one in a stellar cast.

“Hailee was very much one of the reasons I wanted to do it, because it’s

I HAVE MOMENTS ALL THE T I M E WHERE I REALIZE HOW FAR AWAY I AM FROM

H O M E AND ALL

always nice working with talent like that,” says Knightley. “You just think, ‘God, where does that come from?’”

In one of the final scenes, Steinfeld joins Knightley’s band on a Manhattan rooftop, where they’re all jamming out. “I’ve never seen anyone who has that kind of natural presence—she can really do anything,” says Knightley. “It’s sort of amazing when you get to do a scene with somebody like that. You can take it anywhere. She is fearless and has this sort of total confidence in herself that is lovely to see.”

The feeling, as you might imagine, is mutual. “I think about people like Mark, Catherine [Keener], and Keira; people who inspire me and have been doing this for so long, and the reason that they’re there is to do great work,” says Steinfeld. “No other reason. You know, we’re out there in the middle of nowhere, it’s freezing cold, and we’re working on a very small-budget film, and we want nothing but to create something extremely special. And to have worked with people like that on pretty much every film I’ve done reminds me why I love doing what I’m doing.”

Originally titled Can a Song Save Your Life?, the film was among the most coveted at the Toronto International Film Festival last September, eventually selling to Harvey Weinstein for a reported $7 million after a dogged pursuit of John Carney. By the time it closed the Tribeca Film Festival this April,

I WANT IS TO

CURL UP IN MY BED AND WATCH A MOVIE, LIGHT A CANDLE, AND BE ALONE.

it had been renamed Begin Again, which is coincidentally also the title of a Taylor Swift track. Steinfeld and Swift are close friends (see their Instagram accounts for photographic evidence of their Christmas party). Steinfeld won’t divulge much about their relationship, but says they met at a preOscar party in 2011 and calls her “an amazing friend.” “I always get the ‘Tell us something nobody knows [about Swift]’ question. And it’s like, we both respect each other tremendously, but we choose to keep our friendship out of the public eye. She’s a really great person and an inspiration to me and many others.” (When I call Steinfeld a few weeks after our interview to ask what she thinks of the changed movie title, and point out the reference, she lets out a little squeal.

“That’s why I had the song stuck in my head all day yesterday!

I couldn’t figure it out! I was going to call her about it!”)

Of course, it’s all very well appearing in the front row (Miu Miu, Prabal Gurung), traveling the world, making movies in some of the most rarefied company in the industry, and braiding TSwift’s hair on the weekends, but what about the whole being a regular teenager part?

Are you a regular teenager, Hailee Steinfeld?

“Yes. I am.” A glance around the empty room. “Yes. I am.”

Really? “Yeah, absolutely,” she affirms. “It is about being honest. People live different lifestyles, and I always find an equivalency: If I’m filming or going to an audition, it’s [the same as] my friends going to school or dance class. I think everyone lives the same way and encounters the same sort of life.” I ask if what happens in her movie life informs her real, 17-year-old life. “Absolutely, and sometimes it’s the other way around—what happens in my life when I’m at home and not working, I really analyze and take to my work. For me, not going to high school every day, not going to the proms and the homecomings and shooting them in movies is weird because I don’t really know what it’s like.”

STEINFELD TRAVELS EVERYWHERE with her mother, who is her manager and legal guardian. “As strict as my mom is,” she says, “I have so much freedom. Everything I do, she does with me and I couldn’t imagine it any other way.” That travel seems almost constant. The films are lined up one after the other, like planes waiting to take off at JFK. “I have moments all the time where I realize how far away I am from home and all I want is to curl up in my bed and watch a movie, light a candle, and be alone.” She gently tosses a ball across the room, and watches it roll under an armchair. “But as often as I have those thoughts, I try not to take anything for granted, because I’m loving it.” There’s a quick, almost conspiratorial look. “I’ve always thought it would be really cool to work in a restaurant as a waitress or at a coffee j a c k e t b y d k n y, s h i r t b y s e e b y shop or something. And I think, ‘Maybe c h l o é , j e a n s b y m a r c b y m a r c I’ll go do that.’” The grin lapses, just a j a c o b s , b e l t b y z i m m e r m a n n . touch. “And then it’ll be written into a h a i r : r e b e k a h f o r e c a s t a t t h e script or something.... And so that’s my w a l l g r o u p . m a k e u p : h u n g opportunity.” vanngo at the wall group using ck one color cosmetics. manicurist: casey herman at kate r yan inc. using chanel le vernis. photo assistant: brad ogbonna. digital tech: ross thompson. shot at neo studios, new york.

PHOTOGRAPHED BY STYLED BY

BELLA HOWARD S I O B H A N LYO N S

TKTKTKTKTK TOP AND BAG

BY DIOR, SKIRT

BY PRADA.

S W E AT E R A N D SKIRT BY CHRISTOPHER KANE, SHOES BY NICHOL A S K I R K W O O D.

JACKE T BY HUGO, JUMPER BY R E D VA L E N T I N O, S U N G L A S S E S AND BAG BY PRADA, SHOES

BY DR. MARTENS.

ALL CLOTHING AND ACCESSORIES

BY CHANEL.

JACKET BY ANTIPODIUM, SHIRT BY SIMONE ROCHA, J E A N S B Y T O P S H O P, S H O E S

BY DR. MARTENS, BAG BY DIOR.

JACKET BY HUGO BOSS, DRESS BY RED VA L E N T I N O , B O O T S

BY DR. MARTENS, SUNGLASSES AND BAG BY PRADA, MODE L’ S O W N S O C K S .

JACKET BY ASHLEY WILLIAMS, SHIRT BY MARNI, SKIRT BY ANTIPODIUM, SHOES

BY EMPORIO ARMANI, CUFF BY CHANEL.

SWEATER AND SKIRT BY CHRISTOPHER K ANE, SHOES BY NICHOLAS K I R K W O O D.

DRESS BY VIKTOR & R O L F, S H O E S BY E M P O R I O ARMANI, NECKLACE AND BRACELET BY CHANEL.

S W E AT E R B Y A N T I P O D I U M , DRESS BY EMPORIO ARMANI, SHOES BY DIOR, BRACELET ON BED BY CHANEL.

B AT H I N G S U I T B Y V O L C O M , B R A C E L E T B Y P R A DA . H A I R : KOTA S U I Z U AT C A R E N U S I N G B U M B L E A N D B U M B L E. MA K E U P: B E A S W E E T USING M.A.C COSME TICS. MANICURIST: M I C H E L L E H U M P H R E Y AT L M C W O R L D W I D E U S I N G M AY B E L L I N E N E W Y O R K . M O D E L : A N J A K . AT P R E M I E R . M A K E U P A S S I S TA N T: D A I S Y H A R R I S - D ’A N D E L . S P E C I A L T H A N K S T O C A F É R O YA L H O T E L , L O N D O N .

BRIGHT

YOUNG

G

GOOD THINGS MAY COME TO THOSE WHO WAIT, BUT THESE STARS IN THE MAKING APPARENTLY DIDN’T GETTHAT MEMO.INTRODUCINGNYLON’S YOUNG HOLLYWOOD CLASS OF 2014, 17 FRESH-FACED, UNCOMMONLYTALENTEDACTORS AND ACTRESSES GEARING UP TOTAKEOVERSCREENSBIGAND SMALL.PHOTOGRAPHEDBYMADS TEGLERSANDFELISHATOLENTINO STYLED BY JILL LINCOLN, J O R DA N J O H N S O N , A N D J E A N I E ANNAN-LEWIN

Hometow n: Haifa, Is r ael , Od e ya R us h was initia l l y exposed to theater at the ri pe ol d age of three, when he r m o t h e r

e nl i s te d h e r to e nte r tain he r young e r b roth er s. “We were al ways pl ayi ng make-bel i e ve,” rec al l s Rush . “ W h e n I c am e to A m e rica, I told my d ad I wante d to be an ac tress. He was l i ke, ‘ OK , c al m down. L ear n Engl i sh .’” T h is s um m e r, th e 16- ye ar- old s tar s in Phillip Noyc e’s m uc h-hyped adaptati on of The Gi ver , al ongsi de Jeff Bridg e s a n d M e r y l S tre e p , b ut f or the time b e ing , s he ’s li vi ng i n Atl anta, fi l mi ng Goosebumps wi th Jac k Bl ac k. AS HL E Y B A KE R G r ow i n g u p i n Isra el, I wa tc h ed Lizzie McGuire , and the s ubtitles were kind of off. L i zzi e sai d, “Co m e t o m y b e d ro om ,” a nd I thoug ht, “Eve r yone in Ame ri c a has a room j ust for beds, j ust to sl eep i n! Am eri c a i s t h e be st !”

Wh e n w e w ere f i lmi n g Th e Giver , Jef f would have jam s es s ions . I don’ t pl ay gui tar, but I j us t ju m pe d i n and sang . He s aid that b e ing g ame for anythi ng i s so i m por tant as an ac tor, bec ause we n e e d t o l e t g o of fe ar and mak e f ools of our s el ves. In s econd grade, I was the only gir l on m y b as ke tbal l t e a m . T h e re are vid e os of me r unning bac k and for th on the c our t—I was al ways open, but t h e bo y s w oul d ne v e r p as s it to me . I’m p re tty good now! S om e people think I’m a princes s , but i t’s the o p p os i t e , b e c a u se I h ave f ou r you n ger brothers —two s ets of twins —s o I had to be the baby s i tte r.

I also have two older brothers! Growing up with all the boys matured me and toughened me up.

RUSH

photographed by felisha tolentino. odeya: dress by valentino, panther ring by david webb, bar ring by jennifer fisher. dylan: plaid shir t by vans, t-shir t by chaser brand.

ODEYA

DYLAN O’BRIE Hometow n: Springfi eld, NJ When you look at Dylan O’Brien, it’s easy to see Stiles, the sarcasti c high schooler from MTV’s Teen Wolf, a fact that near ly cost him the star ring role of a lifetime in Septemb er’s The Maze Runner, based on James Dashner ’s dystopia n YA novel. “When I went in, I was coming from a day of Teen Wolf, so I had spiky Stiles hair. I did the audition and ne ver heard back,” the 22-year- old recalls.

“Tur ns out the director thought my hair was too flashy.” DAVID WALTERS I still remem ber

the Perez Hilton post when the Teen Wolf pilot was announ ced: “MTV Casts Teen Wolf With Teen Nobodie s.”

I thought, “Damn, we’re just gonna get attacked . I hope they give us the time of day.”

But it’s wor ked out OK.

My castma tes and I have never compa red The Maze Runner to The Hunger Games . It’s sor t of ar rogant.

And, honestly , we don’t look at it that way. We look at it like a moder n-day Lord of the Flies. There’s a YouTub e

video of the cast dancin g the Wobble . We would all go out on the weekend s in Baton Rouge, so we lear ned that dance to do at clubs. On wrap day, someone put the music on the loudspe aker s and we all star ted doing it. One

of my acting heroes is Sam Rockwe ll. I just heard this stor y about his audition philosop hy, and it’s really been wor king for me. He says the attitude you have to have walking into the room is not, “fuck you,” it’s “fuck it.” It’s out of your hands; just go in and do your job.

Hometow n: Los Angeles An alum of ABC Family’s The Secret Life of the America n Teenage r, India Eisley, 20, waltzes into consider ably dar ker ter ritor y with the lead in Kite, a live-acti on remake of Yasuomi Umetsu’s anime film. Eisley plays Sawa, a gir l on a mission to avenge her policem an father’s death with the help of his for mer par tner—wh o just so happens to be played by Samuel L. Jackson . Not the wor st guy in Hollywoo d to have on your side. MALLOR Y RICE

My first job was a walkon in one of my mom [actress Olivia Hussey] ’s films, when I was 9, but I don’t really count that. My fir st actual job was an indepen dent hor ror film that was ter rible. I should scrap that. I should use The Secret Life of the America n Teenage r as my fir st actual job. My family’s go-to

movie is T h e B i r d c a ge .

I love the scene where Hank Azaria is dancing to Gloria Estefan while wearing a red wig and Robin Williams says, “You look like Lucy’s stunt double.” I’d love to have my own motorcy cle. The only time I was the cool kid at school was when my dad took me to school on his bike. Then I went back to being the deeply uncool gir l who ne ver spoke.

p h o t o g r a p h e d b y f e l i s h a t o l e n t i n o . i n d i a : s h i r t b y e l e v e n p a r i s , b r a b y e b e r j e y, e a r r i n g b y p a i g e n o v i c k . j a c k : s u i t j a c k e t b y b u r b e r r y l o n d o n , s h i r t b y p r a d a , j e a n s b y 7 f o r a l l m a n k i n d , s h o e s b y t o p m a n , s o c k s b y h a p p y s o c k s , s u n g l a s s e s b y r a y - b a n , r e y n o r ’s o w n w a t c h .

INDIA EISLEY

JACK H o m e to w n : C o u n ty W i ckl o w, Ir e l a n d J a c k R e y n o r ca n ’t r e m e m be r a ti m e w h e n h e w a n t e d t o b e a n y th i ng bu t a n a ct o r, c i ti n g a n ea r l y o bs e s s i o n w i t h D i e H a rd a n d Br u ce W i l l i s ’s e v e r y m a n he r o Jo h n McCl a n e .

T h a t’s o n l y fi t t i n g , a s t h e 22- y e a r- o l d w i l l s t a r i n a b i g - b u d g e t a ct i o n fl i ck o f h i s o w n th i s y e a r : Tra ns fo rm e rs : A ge o f E x t inctio n, a l o n g s i de Ma r k Wa h l be r g . He ’s a l s o j u st w ra p p e d Gla s s la nd, a so m b e r d ram a a bo u t h u m a n tra f f i c k i n g , a n d a n a da pt a t i o n o f Sh a k e spe a r e ’s M a cbe th.

A n o th e r c l ai m t o fa m e : m a k i n g a me a n S u n da y ro a st. L I SA MIS CHIAN TI

A s a kid I s pe nt a l o t of time e x pl o ri ng o n my own a nd l e tti ng m y imaginati o n r un w i l d.

I w a s a n on l y ch i l d, a n d m y h o m e tow n i n t h e Ir i s h c o u n tr y si d e w a s qu i t e r u r a l , so I w o u l d j u s t g o o ff a n d p l a y b y m y s e l f. I t h i n k t h a t d e f i n i te l y sh a pe d m e a s a p e r so n a n d co n t r i bu t e d t o m y c a re e r ch o i ce . Whe n

I’m away f ro m I re l and, I mis s s h i t w e athe r. I re a l l y d o . Wh e n I s e e t h o s e g ra y c l o u d s a n d t h a t dr i z z l e c o m i n g d o w n , I fe e l a t h o m e .

We did si x w e e k s o f s tunt training be f o re w e s ho t Tr ansformer s. I l e a r n e d h o w to d ri f t c a r s , br e a k m y fa l l s p ro p e r l y, an d w a l k o n t i g h t ro p e s—a l l ki n ds o f t h i n g s .

I’m really i nto the ’9 0 s hip- ho p gro up The P harcyde . Th e i r s o n g s a r e i n c re d i b l y i n t e l l i g e n t , a n d th e i r m e l o d i e s a r e j u s t s o b e a u ti f u l . I’ve be e n l i s t e n i n g to th e m e ve r y s i n g l e da y f o r a b o u t fi ve m o n t h s .

FINN WITTROCK Hometow n: Leno x, M A Daytime TV connois s e ur s wi l l rec ogni ze F i nn W i ttroc k from Al l M y C hi l dren, where h e c u t h is te e th p l a y i ng —in typ ical s oap op e ra f as hion—a l ong-l ost bi ol ogi c al son. S i nc e then, the Jui l l i ard-tra in e d a c t o r has h i t B ro ad way, ap p e are d on the Show ti me seri es Masters of S ex, and taken to the bi g sc reen in Da r r e n A ronof s ky ’s Noah . This month, you’ll s e e him i n the HBO movi e The Norm al Hear t, about the AIDS c ri si s in 1980s N e w Yo r k Ci ty, and this De ce mb e r he ’ll appear i n the hi ghl y anti c i pated Angel i na Jol i e-di rec ted bi o g r a ph ic a l d ram a , U n b r ok e n , which te lls the s tor y of war pri soner L oui s Zamperi ni . L M Growing up, I played a lo t o f page b oy s . My d a d wor ke d with Shake s p e are & Company as a voi c e teac her and ac tor, so I was rai sed a r o u n d t h e the ate r. I thi nk watching thos e p lays ove r and over agai n as a ki d taught m e a l ot of what I know abo u t a c t in g .

F i l m i n g U n b r o ke n wa s ep i c . It was ve r y, ve r y i ntense, but Angel i na Jol i e was suc h a great l eader. I thi nk e v e r y o n e u nd e r s tood we we re d oing s ome thing s p e ci al . The real L oui s Zamperi ni i s now 9 7 year s ol d, and onc e I m e t h im , I re a l l y fe l t the s tor y’s we ig ht. I’m a p retty decent juggler. When I was 1 2 year s ol d I had thi s wei rd we e ke n d w h e re I g o t th is b ook on jug g ling , and I jus t di dn’ t stop unti l I c oul d do i t. Now I’ m wor ki ng on keepi ng fo u r ba lls i n the ai r. I n my d ow n ti me I’ve b een goi ng on r uns with my golden retriever, S ol. He’s a l i ttl e out o f sh a pe .

photographed by felisha tolentino. finn: denim shir t by vans, shir t by ag. keke: top by bcbgeneration, skir t by versus, necklace by dannijo, silver bracelet by vita fede, rope bracelet by venessa arizaga, hand cuff by eddie borgo.

KEKE PALMER H o m e t o w n : Ch i ca g o Keke Pa l m e r be g a n a ct i n g e a r l y, a ft e r h e r pa r e n t s spo t t e d a n e w s pa pe r a d fo r a B r o a dw a y pr o du ct i o n o f T he L i o n K ing a n d w h i s ke d h e r to a n a u di t i o n . S h e di dn ’t g e t t h a t pa r t , bu t Pa l m e r — w h o r e ce n t l y e a r n e d cr i t i ca l p ra i s e a t S u n da n ce fo r t h e i nn e r -ci t y dr a m a Im pe ria l D re a m s — h a s be e n w o r ki n g f o r n e a r l y a de ca de n o w. Th i s su m m e r, a u di e n ce s ca n ca t ch th e 2 0 -ye a r -o l d i n t h e D r e w B a r r ym o r e -pr o du ce d h o r r o r th r i l l e r Anim a l, a s w e l l a s o n a n a r c o f S h o w t i m e ’s Ma s te rs o f S e x. MR

My c harac te r i n Imperial D r e a m s was re al l y dif f e re nt f o r m e . Ma i n l y b e ca u s e s h e ’s i n j a i l a n d f ro m t h e pr o j e ct s . S h e h a s a h a r d e dg e t o h e r. A l o t o f m y c h a r a ct e r s h a ve co m e fr o m p ove r t y, bu t t h i s g i r l i s a l i t t l e b i t r o u g h e r a r o u n d t h e e dg e s .

I t w a s r e a l l y fu n t o g e t i n t o tha t m i n ds e t . I pl ay e d C hi l l i

fr o m TLC i n a V H 1 m o v i e .

She w a s m y fa vo r i t e g r o w i n g u p. I t a l ke d a l o t w i t h h e r a n d she w a s r e a l l y h o n e s t . I pr e t t y m u ch l i ve d o u t m y ch i l dh o o d d r e a m : I g o t t o da n ce a n d re-s h o o t TLC’s vi de o s ! Babi e s are f un to w o rk w i th. I’m p l a yi n g t h e Ma s t e r s ’ n a n n y o n the n e xt s e a s o n o f M a s te rs o f S e x. I g e t t o w o r k cl o s e l y w it h Ca i t l i n F i t z G e r a l d, w h o p l a ys Li bby, a n d t h e l i t t l e b a by. Onc e , I i m pro v ’d a

charac te r f o r s e v e n ho urs s trai g ht . It w a s j u s t fo r a n a u di t i o n , a n d I w e n t a l l t h e w ay ba ck t o Ch i ca g o , w h e r e I ’ m fr o m , a n d i m pr ovi s e d the ch a r a ct e r w i t h t h e e n t i r e c o m m u n i t y. Aft e r t h a t w h o l e thi n g , I w a s l i ke , “O h m y G o d, I fe e l l i ke I’m a co m pl e t e l y d i ffe r e n t pe r s o n .”

GINNY

Hometow n: S acr am ent o, C A Ginny Gard ne r ha s spent most of her young c areer ti me-travel i ng , fi r st to t h e Da y -

G l o- ti n g e d 1980s on the ABC s itcom The Gol dbergs, and next i n the upc om i ng Mi c hael Bay - pr o du c e d th ri l l e r P r o je c t Alman ac, ab out f rie nd s who bui l d a ti me m ac hi ne and—sur pri se!—al ter the pr e se n t by m e d d l i ng i n p as t e ve nts . As f or the 18- year-ol d for mer Hol l i ster m odel , we don’ t need to upset t h e spa c e ti m e c onti nuum to s e e b ig thing s in he r future. DW I was drinking a s m oothie in my car when I f o und o ut I go t P r o j e c t Alman ac. I was s o e xcite d that I ran i nsi de to pac k. When I c am e hom e, the nasty sm o o t h ie w as s ti l l i n the re f rom two months p rior, and there were fr ui t fl i es! We s hot s cenes at Lollap al o o z a i n C h i c a go g u e ri lla -style. The d ire ctor woul d j ust throw us i nto the c rowd and tel l us to have fu n . T h e n th i s p oor w oman would have to g e t e ver yone i n the area to si gn photo rel eases! The wardrob e o n T he Goldbergs i s c ra zy: lea th er p a n ts, sh oulder pads , whitewas hed ever ything . Eventual l y, I noti c ed I st a r t e d d o i ng m y o wn mak e up ve r y ’80s , and I had to stop mysel f. I was getti ng a l i ttl e too adj us t e d t o it .

AML AMEEN photographed by felisha tolentino. ginny: dress by thakoon, top (underneath) by bebe, silver diamond necklace and gold necklace with wings by finn, gold moon and star necklace and gold necklace with diamonds by me&ro, diamond bracelet by eddie borgo, all other bracelets on right hand by david webb, gold bangles on left hand by me&ro. aml: t-shir t by buffalo david bitton, jeans by topman, shoes by testosterone shoes.

H o m e t o w n : Lo n do n

Am l A m e e n c r e dit s Maca u la y C u lkin fo r t h e c are e r m o t iv a t io n ; a ft e r seein g H o m e A lo ne a t a g e 6 , h e de c ide d t o be c o m e an a c t o r. Yo u m ig h t rec o g n ize A m e e n a s y o u n g Cecil, Fo r e st W h it a ke r ’s c ou n t e r pa r t in L e e Dan ie ls’ The B ut le r, a n d you ’ll se e h im a g a in wit h Dan n y Glov e r in t h e dr a m a Bl ac kbird, bu t it ’s h is rol e a s A lby, t h e le a de r o f the Gla de r s in The M a z e Run ne r, t h a t will se r v e a s his breakout moment. LM I ca n re al l y thro w do w n whe n i t c o m e s to c o o k i ng Cari bbe an f o o d. My da d i s fr o m St . V in c e n t a n d m y m o m is Ja m a ic a n , so w e le a r n e d a s kids. I c an m a ke c a lla lo o , sa lt fi sh , c u r r ie d g o a t , je r k c hi c ke n , pla n t a in s—I ’m m ak in g m y se lf h u n g r y.

Whe n I was 11 y e ars o l d, I pe rf o r m e d o ns tage w i th Mic hae l Jac k s o n at the Brit Awards . T h e r e wa s a big c a st in g c a ll a n d I was like , “ Go d, ple a se —if you g iv e m e t h is, I will ne v e r a sk y o u fo r a n y t h in g aga in .” I lie d, bu t it ’s a ll ri gh t . I e x pe c t h e ’s u se d to t h a t . One o f the thi ng s I m i s s abo ut Lo ndo n i s Guinne s s Punc h. I t ’s a bi t o f Gu in n e ss m ixe d wi th c o n de n se d m ilk a n d nutme g . I t ’s a be a u t ifu l, swee t , sm o o t h dr in k.

SOPHIE COOKSON Hom et own: L ond on With no p rior b ig-sc reen experi enc e, S ophi e Cookson snagged a l ead rol e in dir e c t o r Ma t t h e w Vaug hn’s up coming s py thrille r The S ecret S er vi ce, repor tedl y l andi ng the gi g over i ndus t r y v e t s like E m m a Wa ts on and Be lla He athcote . Va ughn has a knac k for handi ng bi g breaks to on-the-verge t a le n t ( t h in k A a r o n Tay lor- Johns on and C hloë Grace Moretz i n K i ck-Ass) , so we shoul dn’ t be sur pri sed. Cookson wa sn ’t . OK, m a y be j u s t a little : “I was in comp le te shoc k when I heard I got the par t,” she c onc edes. “I’ m sti l l tr y in g t o c o m pr e h e n d i t, t o b e hone s t. Eve n now it hasn’ t c om pl etel y sunk i n.” L M Throughout the audition proce s s , I ne v e r go t any d i r e c tor’s n otes. I jus t had to tr ust that Matthe w l i ked what I was doi ng . He knows exac tl y wh a t h e wa n t s a n d hi s e ye f or d e tail is p he nome nal, but unl ess he doesn’ t l i ke somethi ng he j ust l eaves you to it —wh ic h in t h e e n d i s q uite g ood , b e caus e you g e t t o m ake your own c hoi c es. My lates t thing is m as tering s us hi . A t r e st a u r a n t s th e y mak e it look s o e as y, b ut then I’ l l go to do i t and ri c e wi l l spi l l al l over and I’ l l pro ba bly e n d u p g iv in g i t to the cat. I’m q u i te i n to f olk s y m us ic. Ri ght now I’ m l i steni ng to thi s c ool band from Liv e r po o l c a lle d T h e H umming b ird s . I’m a n 80-yea r-ol d woman ins ide m y head. Gi ve m e a gam e of S c rabbl e, a c up o f t e a , a n d I ’m h a ppy.

photographed by mads teglers. sophie: jacket by the style merchants, dress by jonathan saunders. edward: sweatshir t by christopher kane, jeans by gap.

Ho m e t o w n : Lo n do n

A t 19, wh ile wo r kin g a s a se t bu ilde r fo r t h e L o n do n st a g e pr o du c t io n o f J e r usa le m a n d wa v e r in g in h is de sir e t o a c t , E dwa r d H o lc r o ft m e t B r it ish t h e spia n Ma r k R y la n c e . “ H e wa s so g o o d t h a t h e ba sic a lly m a de t h e de c isio n fo r m e ,” r e c a lls H o lc r o ft . “ I t o ld h im , ‘I t h in k I ’m g o in g t o a c t be c a u se o f y o u .’” H o lc r o ft ’s c a r e e r h a s sin c e blo sso m e d, wit h r o le s in Va m pire A ca de m y a n d The Se cre t Se r v ice . H e ’s c u r r e n t ly film in g Wo lf H a ll, a B B C h ist o r ic a l dr a m a , a lo n g side —wh o e lse ? — h is o ld pa l R y la n c e . DW The Secret Service c e l e brate s Bri tai n. We a ll we a r im m a c u la t e su it s fr o m t h e be st t a ilo r s in L o n do n , a n d we h a v e t h e sa m e g a dg e t s a s B o n d. I ’ m an av i d tabl e te nni s pl ay e r.

I we n t t o bo a r din g sc h o o l, a n d t h e r e a r e v e r y fe w wa y s t o ke e p y o u r se lf e n t e r t a in e d, so I pla y e d a lo t . I t o ld my agent, “When I get t o a po sit io n wh e r e I c a n st a r t de m a n din g r idic u lo u s t h in g s in m y c o n t r a c t , t h e r e ’s g o in g t o be t a ble t e n n is fo r su r e .” I hav e a c o c ke r s pani e l nam e d H e c to r.

I n a m e d h im a ft e r t h e Tr o ja n wa r r io r H e c t o r, be c a u se h e is qu it e a h a n dfu l. I ’v e n e v e r se e n a m o r e c o c ky, a r r o g a n t do g in m y life .

E D WA R D

SAM REID Home t o wn: N e w Sou t h Wales, Australia

L o n d o n tra ns p l a nt S a m Reid r ec e n tl y took a m o n t h and a hal f of f of wo r k a n d hi t the road , f ir s t t o R o m e a nd th e n to N o r w a y. “ I ’v e b e e n c lim b in g m o untai ns .

It ’s g o o d to e nj oy thi s s t u ff be f ore y ou g o i nto L a -La L and ,” he s ay s . H is p a s s po r t h as g otte n a fe w m o r e stam p s on the fe s t iva l c i rc u i t, to o— f i r s t f o r t h e d ram a s Be lle a n d T h e Ra ilw ay M a n , b o t h o f w h i c h p re m i e re d i n To r o nto ( a nd a re i n th e a t e r s now ) , a nd th e n f o r ’71, a b o ut v i ol e nc e in No r t h er n I re l a nd , w h i c h d ebu t e d i n B e r l i n. A B I l o ve be i n g a n a c t o r, b u t t he re’s a w h ol e o t he r s id e o f i t t h a t ca n take o ve r. I c a n al w a y s g o b a c k to m y ro ots and rem e m be r that none of it rea lly matte r s. F i l m i n g [L o n e Sc h e r f i g’s ] P o s h wa s so mu c h f u n . B u t the film is q u i te b l e a k , s o b y t h e e n d , I th i nk w e w e r e a ll a bit s i c k o f p l a y i ng t h e s e a s s hol e s . I t’s s o in t er es t i n g to thi nk a b out w h a t t h a t d o e s to y our ps yc h o log y, to g row u p in ca s t les a nd l i v e i n m a nor s a n d h a v e n o re al c onc e p t o f t h e o u ts i d e w or l d .

O ne d ay, I ’d l i ke t o s t ud y c l o w ning i n Pa r i s f o r a s ho r t p er i o d of t i m e.

On c e y o u p u t on a nos e , y o u im me d i a te l y l aug h.

E s s e n t ial l y, y our c l ow n i s y o u r s e l f.

OLIVI photographed by mads teglers. sam: jacket by diesel black gold, t-shir t by mcq alexander mcqueen, pants by louis vuitton, shoes by dr. mar tens. olivia: jacket by hugo, shir t by mcq alexander mcqueen, skir t by guess, shoes by allsaints.

H o m e to wn : Ma n c h e st e r, E n g l a n d

“I used t o c a r e m o r e about my a ppe a r a n c e ,” Ol i vi a C o o ke a dm it s, “but af t e r be in g in The Qui et One s a n d se e in g how gro t e squ e I c a n be , I don’ t h a v e a n y dig n it y anym or e .” T h o u g h dig n it y m ay be in sh o r t su pply, steady wo r k is n o t . B e st known a s E m m a , a t e e n sufferi n g fr o m c y st ic fi brosi s o n A &E ’s B a t e s M otel , C o o ke , 20, will next st a r in The Sig na l, a sc i -fi film t h a t wo we d audi enc e s a t Su n da n c e , and Ouija , o u t la t e r thi s yea r. A B I’m s o c o m pe ti ti v e . My agent will t e ll m e wh o el se i s g o in g u p fo r a rol e, so I ’m like , “ I n e e d to tr y h a r d n o w.” I t g iv e s m e an e x t r a e dg e . I di d m y Bate s M o te l audi ti o n tape in l i ke 15 m i nute s .

My ac ce n t wa s t e r r ible .

Three we e ks la t e r, t h e y c al l ed a n d sa id, “ We ’v e penc i l ed y o u in .” I wa s l i ke, “I do n ’t r e a lly kn o w what th a t m e a n s, bu t OK.” I’m abo ut to f i l m M e & Earl & the Dying Girl.

It’s a rea lly fu n n y st o r y about ca n c e r. B e fo r e t h e audi ti o n , I h a dn ’t wa sh e d m y hai r in t h r e e da y s, a n d I have e c ze m a , so m y skin was red a n d r a w. A ll t h e other g ir ls h a d fa c e s fu ll of m ake u p, a n d I t h o u g h t , “You’re pla y in g a g ir l wit h l eukemia , wh y do y o u have l o a ds o f st u ff o n ? ” I went in a n d u n le a sh e d some d e m o n s a n d it wor ked .

JACK J a c k Kilme r f i g ure s he lu ck e d o u t b y b e i n g on e o f t h e o nl y te e nag e fr ie n d s o f u p - and - c om i n g di r e ct o r G i a Co p p ol a.

He w a s n ’ t p ur sui ng a ca r ee r in a c ti ng , b u t af te r C o ppo la had h i m re a d fo r a pa r t i n he r d e b ut fe a t u r e f i l m P a lo A lt o (a n a da p tati on of J am es Fra n co ’s 2 0 1 0 s hor t s tor y co lle ct io n ) she of fe re d t h e 18-y e ar- o l d a l e ad i ng r o le a lo n g s i d e E m m a R o be r t s a nd N at Wo l f f.

(His da d , Val , snag g e d him s e lf a c am e o , to o. ) M R Palo Alto wa s a r ea l l y yo u ng s et . I t m ay hav e co m e in hand y f o r s om e of t h e late r s c e ne s — e v e r y o n e se e m e d to have a lo t o f e ne rg y. I th i nk t h e o ld e s t p e r s on w a s the fir s t a s s i s tant d i re c to r, an d w e w e re a l l j us t w e a r in ’ hi m o ut. I m ov ed int o G ia’s m o m ’s h ou s e wit h N at . I c o ul d h av e st a yed a t m y hous e , b ut m y pa r e nts w e re o ut of t o w n a n d N a t l i v e s i n Ne w Yor k . We j us t d e c i d e d t hat it w o u ld b e s up e r f u n, a nd it w a s . We w e re p rob a b ly la t e a c o up l e ti m e s be ca u s e of i t. I wa n t t o l e a r n ho w t o w o r k o n ca r s. I w ant to k n ow h ow t o fix m y tra ns m i ss i on if I n ee d t o . I ’d l i k e to b e m o r e h a nd s- o n i n that w a y. I ’ ve h ad b ad c a r t r o u ble thi s m o nth.

photographed by felisha tolentino: jack: shir t by sandro. zoë: shir t and large gold chain by victoria beckham, skir t by as by df, sunglasses by cutler & gross, cone necklace and spiked bangle by eddie borgo, triangle necklace by paige novick, ring with chains and cuff with stones by elizabeth & james, gold cuff and ring with bar by jennifer fisher, bangles by me&ro, ring with green spikes by vita fede.

H ome t o wn: Los Angeles

ZOË SOUL Homet own: P laya d el R ey, C A Zoë S oul star ted her c areer i n tel e vi si on, on BET’s R e e d B e t w e e n t he L ine s, a n d

re ce ntly the 18- ye ar- ol d ac tress appeared i n the wel l -re vi e wed Pri soners, al on g side H u g h Ja c km a n a n d Ja ke Gylle nhaal. This ye ar, she’ l l be ser vi ng up TV and fi l m rol es: fi r st, i n The Purge : A na rchy, a se qu e l t o t h e 2013 thrille r ab out th e one ni ght a year when al l c ri me i s l egal , and then on t h e n e w A B C pilo t Se a o f F ire .

Ne ve r one to s it s till for l ong , S oul al so rec ords musi c wi th a fri end under t h e n a m e Zo ë & T h e B e a r. MR I wa s a d a n c er f or a long tim e. I di d a l ot of c ommerc i al s and I travel ed ar o u n d. I t r a in e d a t t h e De bbie Alle n Dance Acad e my, and we were so bl essed to be abl e to do e ver ythi ng fr o m po in t e t o A fr ic a n da n c e t o characte r, F lame nco, and hi p-hop. People us ed to call me “S lowy Zoë.” It w a s r e a lly t r a u m a t izin g , a n d I d on’t know why. I think i t was the onl y thi ng they c oul d thi nk of that rhym ed. I to o k m ay be o ne s ho w e r w hi l e f i lmi n g The Purge. The fi l m takes pl ac e i n one ni ght, over 1 2 hour s, and we h a d t o ke e p g e t t in g dir t ie r a n d d ir tie r and more of a m ess. I thought I j ust shoul dn’ t shower. It was di sgusti n g , bu t it wo r ke d fo r m e . I l o v e tr yi n g n ew h a i rstyles. My natural hai r i s when i t’s real l y bi g and c ur l y and fro- like a n d I lov e t h a t , a n d t h a t ’s me . I have a s trong desi re to c ol or my hai r ei ther pi nk or bl ue ri ght now, but it ’s pr o ba bly n o t a sm a r t ide a .

AIMEE

H o me t o wn: Miami

Ai m e e C a r re ro c re d i ts he r i nvo lv e m e n t i n F l o ri d a Int er n a t io nal U ni v e r si ty’s Mo d e l UN p rog ram w i th piqu in g — and u l ti m a te l y sq u a s h in g — h e r i nte re s t i n a n in t e r nati onal l a w c a r e e r. S ti l l , th e Do m in ic an- b or n 2 5 y e ar ol d h a s u s e d h e r s tud i es to in fo r m he r c harac te r s , mo s t r ece ntl y p l a y i ng a Sa n d ini s ta f re e d o m f igh t e r o n the F X h i t T h e Amer i c a n s . N e x t up i s AB C Fa mi l y ’s Yo u n g & H ung r y , a b o ut a f ood blo gg e r t u r n e d p e r sonal ch ef, a r ol e that al l ow s f o r “ r e s earc h” o f a diffe r en t k i n d . DW Th e fo o d o n You n g & Hungr y is d el i c i o u s .

U s u a lly, t h e y s p ra y f ood wit h , lik e , f o r m al d e h y d e on s et . Th e b u m m e r i s th er e’s n ot a l ot of i t i n my s ce n e s, so I ’m us ually sta r v in g . I go t a n a m a z i n g ma nic ur e a t m y N YLO N sh o o t . I ’ m d o i ng a s c e ne fr o m Unc le Van ya i n acting cl a s s , a n d I ’m p l ay i ng t h is d o w d y 1 9 th - c e n tur y R u s s ia n f ar m e r, a nd I ’ m lik e, “ S he ’s g onna ha v e a mani c ure . S or r y ab o u t t h a t!” I ’ v e s t a r t ed play ing g u i t a r, b u t it ’s no t go i n g s o w e l l be c ause I ’ m i m p a t i en t an d im m e d i a t e l y wa n t t o p l ay “B l a c k b i r d ” a n d “L andsl id e .” I ’m i nto ’ 60s a n d ’7 0 s c l as s i c r o ck . Pe o p l e a re al w a y s li k e, “ Ha v e y ou he ard t he ne w Be y onc é ? ” a nd I ’m li k e, “A ctu al l y, I h av e n ’t , bu t d id y ou k n ow th at C h r is t in e M c V i e i s t o u r in g w i th F l e e tw ood M a c a ga i n? ”

KAREN GILL

photographed by felisha tolentino. karen: vest by buffalo david bitton, dress by louis vuitton, shoes by vans, small gold bangle by alison lou, colored stone bracelet by dannijo, zigzag bracelet by jennifer fisher, pink bracelet by venessa arizaga. aimee: overalls b y v o l c o m , s h i r t b y h o n o r , b r a b y e b e r j e y, s u n g l a s s e s b y i l l e s t e v a , e a r r i n g b y e d d i e b o r g o , a r r o w r i n g b y f i n n , i n f i n i t y r i n g b y e f c .

Hometow n: Inver ness, Scotland

Not all fanboy s are created equal, but betwee n the BBC series Doctor Who and a star ring role in the hor ror flick Oculus , Karen Gillan is attract ing her fair share. Sure to drive the tally e ven higher : por traying the e vil Nebula in Mar vel’s Guardi ans of the Galaxy , a role that require d shaving her head. DW I droppe d out of drama school at 18. It wasn’t the most creativ e of atmosp heres, and I also got offered a job: one episod e of a detecti ve drama. I said, “I’m leaving for the job!” like a drama queen. Then I wor ked in a pub for months . I was like, “What have I done?”

I was on a U.K. sketch comed y show called The Kevin Bishop Show.

I once imper sonate d Angelin a Jolie, but I really just made my lips huge. Mar vel made me the most incredi ble wig from my hair. I thre w it into the audien ce at Comic- Con, and two gir ls star ted fightin g over it!

The securit y guards had to get involve d. I was like, “Oh no, I’m gonna need that back.” I just finishe d filming the ABC pilot S e l f i e . I play a narciss istic woman who’s obsess ed with social media. I went to a SoulCy cle class to hear how the gir ls talk.

TUPPENC

E

In Hol l ywood, i t’s hel pful to have a name peopl e remember, but there’s more to Tuppenc e Mi ddl eton than a uni que m oni ker—spec i fi c al l y a growi ng résumé of presti ge proj ec ts, from the Wac howski s’ J upi ter Ascendi ng ( wi th Mi l a K uni s and Channi ng Tatum ) to the fi l m adaptati on of Ni c k Hor nby’s A L ong Way Down ( wi th Aaron Paul ) to the upc omi ng WWII drama The Im i tati on Gam e ( wi th Benedi c t Cum berbatc h) . L M Tuppence is a nicknam e my grandma us ed to call my mum when s he was a little gir l.

My mum real l y l i ked i t, so that’s what she nam ed m e. I ac tual l y ne ver had troubl e wi th i t at sc hool —ki ds were qui te ac c epti ng . I’m working on a vintage vinyl collection. I j ust i nheri ted an ol d rec ord pl ayer from a fri end and fi xed i t up, so I’ ve been buyi ng a bunc h of al bums. I was pretty obs es s ed with B r e a k i n g B a d when I was working with A aron Paul. That was when I was watc hi ng the fi r st two seasons—then i t got to a whol e ne w l e vel bec ause the show j ust got better and better.

It’s probabl y a good thi ng that I di dn’ t wor k wi th hi m after that, bec ause I’d have been too star-str uc k! I’m taking a cours e in taxider my. It’ l l be the fi r st ti me I’ ve done i t—hopeful l y i t’ l l be fun and I won’ t throw up al l over the tabl e.

odeya rush, dylan o’brien, india eisley, finn wittrock, keke palmer, ginny gardner, aml ameen, jack kilmer, zoë soul, karen gillan, aimee carrero: stylists: jill lincoln and jordan johnson at the wall group. hair: bobby eliot at tmg-la using oribe. makeup: mai quynh at starworks artists using la mer. manicurist: miho okawara. shot at the redbury, los angeles. jack reynor: stylists: jill lincoln and jordan johnson at the wall group. grooming: diana schmidtke using phillips norelco at something. shot at the four seasons beverly hills. sophie cookson, edward holcroft, sam reid, olivia cooke, tuppence middleton: stylist: jeanie annan-lewin. hair: marcia lee at caren. makeup: bea sweet using m.a.c cosmetics. manicurist: sabrina gayle at lmc worldwide using chanel le vernis in eastern light, rouge carat, and emprise. shot at dalston heights, london.

photographed by mads teglers.dress by carven.

H o m e to w n : C l e v e d o n , E n g l a n d

JACKET BY HUGO BOSS, J U M P E R B Y R E D VA L E N T I N O, S U N G L A S S E S A N D BAG BY PRADA, SHOES

BY DR. MARTEN’S.

P R E T T Y

B Y

L I T T L E

K AT E

L I A R S ’

W I L L I A M S

S H A Y

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M I T C H E L L

P H O T O G R A P H E D

S H I N E S

B Y

G U Y

I N

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L O W N D E S

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S T Y L E D

B Y

N E W- S H A P E

Z O E

T O P S .

C O S T E L L O

Shay Mitchell may star on a show called Pretty Little Liars, but off-screen, she’s comically honest. Sitting outside of Erewhon, a West Hollywood health food store that’s about as L.A. as it gets, she leans across the table wide-eyed and whispers, “I think they have a $40 ice cream here.” She straightens back up and shrugs: “But, whatever, they could sell pig shit and I’d probably eat it if it would help my skin.” // There’s no good way to put her claim to the test—even if that particular pork by-product were available here, her skin doesn’t need any help—but this kind of statement demonstrates why Mitchell has not just fans, but fanatics. In a notoriously self-serious industry, she’s learned to take herself only just seriously enough. // From its beginning, PLL sparked a social media hurricane, and Mitchell’s harnessed the power of the storm like a pro. She has more than three million Instagram followers, an eponymous lifestyle blog (“Goop is a huge inspiration for me, even though I can’t afford a damn thing on there”), and she live-tweets the show every Tuesday using the hashtag #PLLAYWITHSHAY. Though a commitment, it was also a no-brainer. “I mean, hello!” she says. “If I could have watched The O.C. and been able to talk to Mischa Barton throughout the episode, that would have been so cool!” // After growing up in West Vancouver, Mitchell left Canada at 17 and headed to Thailand to work as a model. “I’d jump on the back of motorcycles to get to castings. I didn’t know where PREVIOUS PA G E : I was going. I didn’t speak the lanJACKE T BY IRO, RINGS BY M A S O N S TA N L E Y. T H I S guage,” she recalls. “Living there was PA G E : O V E R A L L S B Y a huge shock, but it helped me grow in PA I G E D E N I M , T O P B Y RAG & BONE. so many ways. It helped me affirm

J A C K E T B Y T H E WAY W E WORE, SHIRT BY T BY ALEXANDER WANG, JEANS BY ELEVENPARIS, SUNGLASSES

BY W I L D F OX, E A R R I N G S BY VA N E S S A L E U.

S H I R T B Y O P E N I N G C E R E M O N Y, S K I R T B Y V I K T O R & R O L F, S H O E S B Y E M P O R I O A R M A N I .

S H I R T B Y J I L L S T UA R T, PA N T S B Y E L E V E N PA R I S , H AT B Y S T Ü S S Y.

that I could go anywhere and be OK.” After Thailand, Mitchell modeled in Hong Kong, then made her way to Toronto. When she booked the role of Emily Fields in Pretty Little Liars, she moved to Los Angeles alone. “I’d been there, like, five times before,” she says. “I remember standing in front of the CAA building as a teenager and thinking, ‘I will be here someday!’”

Not everyone she met along the way shared her certainty, though. “At my first acting class, I sat down after doing my monologue and some guy came up to me and said, ‘Honey, you’re too pretty. You could just be sitting shotgun in some guy’s Ferrari.’”

Mitchell shakes her head.

“Fuck that. I don’t need to sit in some guy’s car.

I’ll buy the Ferrari. Get it on your own, and no one can take it away from you.

No one can take this away from me, because I did it.”

S H I R T B Y B C B G E N E R AT I O N , PA N T S B Y T H E Y S K E N S T H E O R Y. H A I R : D A V E N AT CELESTINE AGENCY USING RENÉ FURTERER. MAKEUP: K AT E Y D E N N O AT T H E WA L L G R O U P U S I N G B U R T ’S B E E S. N A I L S : M I H O O K AWA R A . .

M E E T T H E CAST OF YOUR FAV O R I T E

NEW SHOW,

OH, YOU PRETTY THINGS! PHOTOGRAPHED

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ee mills is tenneessss e e is a n

stylist: beth hoppe. hair: sascha breuer for wella professionals. makeup: jamie greenberg at the wall group using mark cosmetics. shirt by suboo, jeans by calvin rucker, moss’s own earrings.

Combine the perpetual drama of Gossip Girl with the sex, drugs, and rock ’n’ roll of the U.K. series Skins, and set it all in Los Angeles’ Echo Park, and you have Oh, You Pretty Things!, a new show from Maker Studios and NYLON TV. O,YPT! tells the stories of music and fashion blogger Olivia Jones, her ex-boyfriend Noah Green, an indie rocker finally getting his career on track (on the strength of the album he wrote about their breakup), as well as a dysfunctional group of bandmates, lovers, friends, and enemies. On May 19, the series will premiere on maker.tv. Until then, read about the talented cast of newcomers in their own words. is elvisd in g m e m b e r . n a fou ro y a ls is is w e a re the “ e lv b a n d , o n m u s ic , e h t is f h o g o c u s in n t t h in g in t ly h e ’s f n ta im p o r e ’s c o n s t a h e h most h d g an t hou li f e , t t e d b y g ir ls l.” c ra d is t ra y in g e n e c it

is shepard

portis “t ho ug h lo vi ng an d co m pa ss io na te by na tu re , sh ep ar d’s gr ow bi tt er an d im pa ti en n t to ili ng in th e m od er m ac hi ne . n w e ar e ro ya ls [h is ba nd ] m ig ht ju st be hi s la st ch an ce to pr ov e to hi m se lf th at go od tr iu m ph s in th e en d— ev en in th e en te r ta in m en t bu si ne ss .”

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“m ar ce ll o is un pr ed av oi ds hi ic ta bl e. he s an d he ’s bi po la r m ed s, im pu ls iv e an d al oo f w hi he ar tb re le hi di ng hi s ak s, w an ti ng to tu rn th em in to ar t. ”

barajas

is ezraa m u s ic ia n ip is rsh “ezra s c h o la s t o ets a ha w h o g k e le y. h e e o ll e g r t o b e b e t we e n c w h a t e do c h o o s in u in g t o e t h in g nt m o r c o e s . it ’s s o w it h : v deal h e lo o p le e e p f o m ay b d n a a lo t ake ppy b e h a o n e y, o r m in g h t m m a k e o in g s o m e y d n d .” m o n e c a n 't s t a u o y

EDITED BY MALLORY RICE

ULTUR LUB Y MA

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BACK TO GIRL-CLIQUE MOVIES GETTING THE MUSICAL TREATMENT? VERY FETCH.

SCHOOL

Right around the time that Sheryl Sandberg launched her polarizing “Ban Bossy” campaign in early March, the team behind the off-Broadway production of Heathers: The Musical was putting the final touches on its adaptation of the 1988 film featuring the bossiest clique at Westerberg high school—and possibly in cinema altogether. Other stage productions of girlgang-centric cult hits will follow: Jawbreaker will embark on a club tour later this year, and both Mean Girls and Clueless are said to be in production.

It’s not hard to see what it is about these films that could translate so well into musical form. High school itself is a theater, with daily micro-dramas that rival—at least in the minds of those involved—Shakespearean tragedy. But what is it about tight-knit gaggles of girls reigning over the halls of their high schools that so enrapture audiences? Does the continued relevance of these films mean that we are not only disinterested in “banning bossy,” but head over heels for tyrannical bitches?

“Heathers was wonderfully subversive because it told the truth—and it was saying, ‘These things are wrong, these things must be fixed,’” explains Larry O’Keefe, co-writer of Heathers: The Musical. “Teen cliques are enacting caveman rituals.

High school is probably one of the purest expressions of our tribe thinking.” So while we may happily quote each film’s reigning crew (and maybe even emblazon those quotes on T-shirts and jewelry), each of these stories ends with its original hierarchy dismantled and belongs, ultimately, to its underdog.

If I were to wager a bet for the reason that these stories are being gleefully re-hashed and championed for a new generation of viewers, it would be this: Elitism has never been less cool, and as a result, crews like the Heathers and the Plastics are more absurd, and hilarious, than ever. MALLORY RICE

back to school: illustrated by natalia swarz. coolhaus: photographed by van robinson. ice cream photographs reprinted with permission from the publisher houghton mifflin harcourt from the coolhaus ice cream book by natasha case and freya estreller with kathleen squires. photography by brian leatart. copyright 2014. cinema vezzoli: top right: francesco vezzoli, michelle williams & natalie portman in greed, the new fragrance by francesco vezzoli, 2009, video, the museum of contemporary art, los angeles, gift of the artist, photo by guy ferrandis, courtesy of the artist. bottom right: francesco vezzoli, milla jovovich in trailer for a remake of gore vidal’s caligula, 2005, video, courtesy tate modern, london and the solomon r. guggenheim foundation, new york, photo by matthias vriens

Q+ A:

the coolhaus girls Natasha Case and Freya Estreller are the architecture aficionados and ice cream enthusiasts behind Coolhaus, a growing mini-empire of, yes, architecturally-inspired ice cream treats. Kate Williams catches up with them in Los Angeles to talk about their new book (out this month from Houghton Mifflin) and how they turned one undriveable postal truck into a mini-empire.

You both had full-time jobs in completely different professions when you decided to start Coolhaus. How did your friends and family react?

Natasha: I’d gotten my undergrad degree in architecture, then my master’s, and was working, so everything was making sense before this. My parents are traditional Jewish parents, so it was like, “intervention.”

Freya: I was working in real estate, and having a sort of quarter-life crisis. When we bought the ice cream truck on Craigslist for $2,900, it was towed to my mom’s house. Her neighbors were complaining! Then we were making the ice cream and cookies in her kitchen and accidentally set the oven on fire, and she was like “Freya, what the fuck is this?

Get out!’”

HOLLYWOOD FOREVER

a new book and exhibit scrutinize tinseltown.

E! ENTERTAINMENT

BY KATE DURBIN Los Angeles-based author and performance artist Kate Durbin is most likely to show up to a stuffy literary event in a custom dress by Peggy Noland (who's outfitted everyone from Rihanna to Miley Cyrus), or a re-creation of Anna Nicole Smith's infamous clown makeup moment. And not unlike her style, Durbin's latest book, E! Entertainment, takes its cues from iconic reality TV episodes. Each chapter is a "channel" focused on a different reality show theme (think: "wives" shows and "fairytale wedding" specials). In Durbin's hands, the tension between friends Lauren and Heidi elevates petty O.C. arguments to the status of serious literature. E! Entertainment is a skilled dissection of TV tropes, the veneer of Hollywood, and the way we construct our own reality.

GABBY BESS

Freya: Right now, we’re in more than 2,000 stores in 40 states, and the goal is to be in 10,000 stores in the next couple of years. We’ll try to give Ben & Jerry’s a run for their money.

Like, why not?

How much experience did you have making ice cream?

Freya: Basically…zero.

Natasha: That’s what the cookbook is about: There’s a little barrier to entry with making ice cream, but once you know the basics, you can go crazy.

Have you made any flavors that didn’t work?

Natasha: We tried to make a Waldorf salad ice cream with blue cheese and apples.

Freya: As it turns out, you can’t use aged cheese in ice cream.

The business has grown so quickly. What’s next?

Natasha: We just launched bars and pints.

The Tahitian vanilla bean bar that’s dipped in salted caramel milk chocolate and rolled in pretzel has already sold out.

The name Coolhaus is an homage to Rem Koolhaas, and several of your ice cream creations are also named after famous architects.

Has Rem ever had one of your ice cream sandwiches?

Natasha: I think so? I’ve been in contact with his son, Tomas, and I know he’s had it several times.

Freya: Frank Gehry had one. He looked at our truck, and said “You sure are making a lot of money from us.” So we were like “Does he mean, from his and other architects’ names, or because we’re parked in front of his office?”

So, what did he mean?

Both: We’ll never know!

CINEMA VEZZOLI AT THE LOS ANGELES MUSEUM OF CONTEMPORARY ART

something of Francesco Vezzoli is the Milan-based an idolater. Much of subjects in the artist's work finds its screen, leading deities of the silver es on a pedestal ladies who Vezzoli rais move. Now through and satirizes in one ts the second in a August, MOCA presen rospectives that trilogy of Vezzoli ret tion with fame and parodies our fascina our most beloved the intimate lives of EED," his Roman celebrities, as in "GR mercial for a Polanski-directed com , in which Natalie nonexistant fragrance Williams wrestle Portman and Michelle in a ritzy boudoir. over a perfume bottle REBECCA BATES

151

A BRIEF HISTORY OF THE STUFF LONDON GRAMMAR HAVE PLACED ON THEIR SLEEPING MANAGER, SWEENEY

TOILET PAPER, A PHONE, A DO-NOT-DISTURB SIGN, A CIGARETTE, AND A DESK CHAIR. ROSES, A CLOCK, A REMOTE, A PEAR, A WIG, AND ELECTRICAL TAPE.

GINGER ROOT, BANANAS, TANGERINES, APPLES, A PEAR, AND A RED SOLO CUP.

london grammar photographed by clarke tolton. from left: dan rothman, hannah reid, and dominic major. stylist: turner. hair: hiro yonemoto at atelier management using make up for ever. makeup: mari shten at abtp using tom ford beauty. on rothman: jacket by topman.

LONDON GRAMMAR CROSS THE POND WITH A VENGEANCE The U.K. trio London Grammar are seated at a rickety wooden table at one of Brooklyn’s finer brick-oven joints, staring at a barely touched margherita pizza, and trying their best to form complete sentences. Having just finished an Australian tour, the group flew in to play Late Night and some intimate gigs.

They have jet lag. Bad. But when The National comes up in conversation— and the fact that the brothers Dessner are only a subway ride away from where we’re sitting— the band perks up. “Don’t tell me that,” jokes Reid. Turns out the two groups shared a billing on the popular BBC Two show Later… With Jools Holland recently, and they’re still a little star-struck. “You expect Matt to be quite a serious man,” says Rothman. Reid jumps in with her best American male accent: “He was just like, ‘Hello, there.’”

She laughs, her eyes sparkling.

“I feel like if I mention them enough in interviews, they’ll have to acknowledge us.”

London Grammar came together at the University of Nottingham and were signed just before graduation. “It was pretty much the luckiest break—about two weeks before we started taking our final exams—and also the biggest distraction,” says Rothman.

Between classes, they’d gather in the guitarist’s garage to write.

“Wasting My Young Years”

came about during one such session. “We were sitting there in this freezing cold garage,” recalls Rothman. “Hannah was triple-layered, with electric heaters pointed at her, and she was playing the song on a little shit keyboard. It’s funny now when I think about it, but it was obviously a fucking amazing song. The lyrics immediately permeate and stick with you.”

To try to classify their music is to want to coin a new genre (dusk-pop?) or at the very least commit hyphen abuse. This might be due to the knot-inthe-throat immediacy of Reid’s lyrics, delivered in a husky timbre that lands like a plane after a turbulent flight—breathtaking and applause-inducing.

Since posting their first track, “Hey You,” to YouTube in 2012, the band has watched their debut full-length, If You Wait, go platinum in the U.K. While it’s still early, London Grammar’s steady ascent begs the question of whether rockstar shenanigans like throwing TVs out of hotel rooms are in their future. Major laughs. “We did put a TV on top of our tour manager once,” he admits.

Rothman explains: “When he has a drink or two—well, a drink or 14—he sleeps and you cannot wake him up. It’s extraordinary. So one day, Dot took the TV off the wall and put it on him.” MELISSA GIANNINI

REVIEW:

NIKKI NACK TUNE-YARDS Merrill Garbus, the fearless performer behind tUnEyArDs, crafts crazy-quilt songs that resemble lost recordings from a very funky island civilization. On Nikki Nack, tUnE-yArDs’ third and finest album, there’s call and response and drumcircle thumping, hacked-up synthesizers, and liquid bass lines, all clattering accompaniment for Garbus’s emphatic yawp. Like labelmates Vampire Weekend, Garbus infuses her music with the polyrhythms and syncopated beats of the global south, picking and choosing as she goes along. (But Garbus opts for mud-caked boots over boat shoes.) tUnE-yArDs’ last album, 2011’s excellent w h o k i l l, glanced toward the dance floor, but never quite committed. On Nikki Nack, Garbus firmly stakes her claim. The album bursts with tracks like “Sink-O,” all stutter-steps and dancehall toasting, and “Water Fountain,” a playground chant transformed into something kaleidoscopic and unpredictable. But Garbus has a soft side, too. “Wait for a Minute,” a kitchen-sink R&B cut with stunning high notes and a dollop of introspection, proves a welcome breather on an album that rarely stops to catch its breath.

PAUL CAINE

GOD'S POCKET

PALO ALTO Filmmakers mine the rich territory of teenage angst all the time, but rarely does it feel as true-to-life as it does in 27-year-old director Gia Coppola’s debut feature, Palo Alto. The film, which is based on James Franco’s short story collection of the same name, follows an assortment of interconnected friends, April (Emma Roberts), Teddy (Jack Kilmer), Fred (Nat Wolff), and Emily (Zoe Levin), as they go about their lives—soccer practice, babysitting, parties, court-ordered community service.

But it’s the way that their internal conflicts meet that propels the film forward—April and

Teddy shyly nurture a mutual crush, though April has become involved with her single-dad soccer coach (James Franco). And Fred, Teddy’s volatile best friend, pushes the “easy” Emily past her limit at a boozy house party. What Palo Alto captures most impressively is the particular energy of being this age, when consequences still feel light-years away. MR

A sociopathic punk is killed in the seedy Philadelphia hood of God's Pocket, the namesake setting of Mad Men star John Slattery's feature-length directorial debut (and an adaptation of Pete Dexter's 1983 novel). Leon Scarpato (Caleb Landry Jones) is struck dead by a coworker at his construction job, and the incident is explained away as a freak accident. Leon's mother, Jeannie (Christina Hendricks), senses something's amiss, and enlists her husband, Mickey (Philip Seymour Hoffman), to investigate—

a task he half-heartedly undertakes between boozing, peddling contraband meat, and betting on the pony races with his buddy (John Turturro). Meanwhile, the alcoholic neighborhood reporter, Richard Shelburne (Richard Jenkins), is also checking out the case—or rather, Mrs. Scarpato. Ultimately, the film uses this storyline to evoke the simultaneous tragedy and black humor inherent in such a tough, insular community. The execution of this mixed tone doesn't always feel spot-on and the characters aren't quite as robust as the cast deserves, but God's Pocket does have its clever moments. And the actors, the late Mr. Hoffman in particular, are a pleasure to watch. LISA MISCHIANTI

NIGHT MOVES

THE DOUBLE Poor Jesse Eisenberg. It's something of a downer to observe the electrifying interpreter of trailblazing agency, his only pleasure gajillionaire Mark Zuckerberg courtesy of his co-worker (in 2010's The Social Hannah (Mia Wasikowska), Network) channeling a lowly, whom he stares at longingly perma-hunched office drone. while she pointedly looks the In The Double, Richard other way. Simon's world is Ayoade's stylish adaptation rocked with the arrival of a of the existential novella new colleague, James Simon,

by Fyodor Dostoevsky, who just happens to share Eisenberg's Simon James his appearance, although his trudges among the cubicles charming personality is quite at a dingy government the opposite. Even though the film's pacing threatens to slow him down, Eisenberg decisively finds his mojo. ASHLEY BAKER

The film Night Moves gets its name from the boat that three radical environmentalists plan to explode as a protes t against an energywasting hydroelectric dam in their town. The y are a rag-tag trio: Jos h (Jesse Eisenberg) is a quiet guy who works on an organic farm, Den a (Dakota Fanning) is headstrong former city girl, and Harmon (Peter Sar sgaard) is an ex-Mar ine whose recklessness becomes obvious whe n the group is too far in to turn back. In the day s following their protes t, it comes to light tha t not everything has gon e according to plan, and the way in which eac h person interprets their role in the outcome is a fascinating look at how tunnel vision can alter one's perception of responsibility. MR

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TOKYO + KANAZAWA it's time to jump- start your lifelo ng love affai r with japan . by diane vadin o

21ST CENTURY MUSEUM OF CONTEMPORARY ART This SANAA-designed art museum may be the country's best, with permanent rooms courtesy of James Turrell and Leandro Erlich, plus terrific ongoing relationships with emerging artists like Shimabuku, who in March wrapped up a yearlong photographic investigation of the Noto Peninsula.

The wedge-shaped Watari Museum of Contemporary Art, designed by Mario Botta, regularly hosts hot-ticket exhibitions—whether from Japanese artists like dotmaster Yayoi Kusama or international up-and-comers like French street artist JR.

When the Issey Miyake boutique opened in November with a lab-inspired aesthetic that incorporates colored aluminum and raw concrete, the Tokujin Yoshioka-designed space joined the rest of the neighborhood's retail architecture classics, from the Herzog & de Meuron Prada and Bruno Moinard's Cartier to Alexander Wang's sleek three-story flagship, which opened in October.

NEW YORK GRILL + THE PARK HYATT

SHINJUKU GYOEN NATIONAL GARDEN

Without blooming cherry trees to draw crowds, this cent rally located oasis is one of the city's most peaceful plac es.

It's easily accessible from top-flight shopping in Shin juku, like big-time department stores Isetan and Takashimaya, worldfamous bookseller Kinokun iya, and Tokyo's second Ope ning Ceremony location, followin g the original in Shibuya.

Lost in Translation's frontand-center hangout remains a must for anyone interested in (a) incredible nighttime city views or (b) seeing where it all went down for Scarlett and Bill.

The rooms below are equally covetable—plus you can see Mount Fuji from the treadmills on the roof-level gym, which stocks Aesop products in its well-appointed changing rooms.

KENROKU-EN SUSHI IPPEI Sushi lovers will find it hard to go wrong in this city on the Sea of Japan— but Ippei, with its tiny, 10seat counter and Englishspeaking proprietress, is our favorite.

DORMY INN You won't find a cheape r, cleaner room in Kanazawa, and there's a great ons en, or traditional Japanese bathing complex, on its 14th floor—ideal for pos texploration lounging.

The nationally revered Kenroku-en, one of the country's sanmeien, or "three great gardens," offers a master class on how trees and shrubs can be arranged to relax . everyone who visits them

POINT A TO POINT B: The best method of transport between Tokyo and Kan azawa is by train, which tak es around four hours. Tho se in a hurry can take a one -hour flight from Tokyo to Komatsu followed by a 40-min ute bus ride to Kanazawa.

Friendly Kanazawa packs some of the country ’s bes t features into an easily walkable city, including the Kenroku-en garden, a world-class art museum, and even a sublime 16th-centu ry castle—so elaborate that it reads more Architectural Digest than Game of Throne s.

(Of course, those 400-ye arold moats were built to kee p somebody out .) Consider this a welcome time-out after Tokyo’s sensory overload— one best spent walking through Kanazawa’s Higash i Chaya district, home to a spectacular assortment of tea houses and ryokans, or Japanese guest houses.

tokyo and kanazawa instagram photographs by (clockwise from top left): @evancampisi, @evancampisi, @evancampisi, @jasonfieldlondon, @allisonfoat_capetowndiva, @jennnnnyu, @evancampisi.

ng a The problem with planni around once-in-a-lifetime trip t they cherry blossoms is tha them, s ase ple it en wh bloom g vin hea of t oun and no am ction of sighs aimed in the dire ind branches now hidden beh can ves lea een -gr ing spr arrived change whether you’ve i, the after the height of hanam an’s annual celebration of Jap (Even favorite flowering tree. to the bs cum suc d’s McDonal ssom, hype, offering cherry blo or sakura, burgers served Fizz” with “Sakura Cherry Mc ting fret of d tea drinks.) Ins city ’s over flowers, explore the ends everyday art, which ext the from ground level (like in Issey Miyake Reality Lab (like Aoyama) to the clouds ble Mori Roppongi Hills’ venera above r floo one m, seu Mu Art n atio erv obs y tor the 52nd-s deck at Tokyo City View).

WATARI MUSEUM OF CONTEMPORARY ART

ISSEY MIYAKE REALITY LAB

DESIGNER SPOTLIGHT

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TEE TIME Cult brand Kid Dangerous presents a NYLON shop exclusive with these tongue-incheek graphic tees.

FLIPPI

NOW TRENDING Get fast-food-centric fashion thatâ&#x20AC;&#x2122;s good enough to eat, like these cheeseburger earrings from Reason To Be Pretty by Nophar and other tasty treats, at the NYLON shop!

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Beach y even m footwear is p o p s ore fun wh w e these ith pattern n it s s from weet sand , like Nami. als

7 for all mankind see 7forallmankind.com 7 for all mankind x malhia kent see 7forallmankind.com adidas originals x the farm company see adidas.com/originals ag see agjeans.com alberta ferretti available at 8626 melrose ave., west hollywood, ca, 310.652.9000 alex and ani see alexandani.com alice + olivia by stacey bendet see aliceandolivia.com alison lou see alisonlou.com allsaints see allsaints.com american eagle outfitters see ae.com antipodium see antipodium.com articles of society see articlesofsociety.com as by df available at sandpiper, 4300 paces ferry rd., #240, atlanta, ga, 770.433.2989 ashish see ashish.co.uk ashley williams see machine-a.com asos see asos.com astars see astarswomens.com [blanknyc] see shopbop.com banana republic marimekko collection see bananarepublic.com bcbgeneration see bcbgeneration.com bcbgmaxazria see bcbg.com bebe see 2bstores.com big star usa available at bloomingdale’s, 504 broadway, nyc, 212.729.5900 bing bang jewelry see bingbangnyc.com black swan see altardstate.com blk dnm available at 237 lafayette st., nyc, 212.966.6258 bongo see sears.com boss see hugoboss.com b.tempt’d see wacoal-america.com buffalo david bitton see buffalojeans.com burberry london see burberry.com calvin klein jeans see calvinklein.com carven available at 83 mercer st., nyc, 646.684.4368 chanel call 800.550.0005 chaser brand see chaserbrand.com chloé available at chloé stores nationwide christian louboutin available at 59 horatio st., nyc, 212.255.1910 christopher kane available at opening ceremony stores nationwide coach see coach.com converse see converse.com craig and karl for le specs see net-a-porter.com cult of individuality see cultofindividuality.com daniele michetti see michettidaniele.com dannijo see dannijo.com david webb call 310.858.8006 dean davidson see deandavidson.ca diesel see shop.diesel.com diesel black gold see shop.diesel.com dior call 800.929.DIOR dior homme see dior.com dkny available at bloomingdale’s stores nationwide dkny jeans see zappos.com dolce & gabbana available at lenscrafters stores nationwide dream collective see dreamcollective.com dr. martens see drmartens.com eberjey see eberjey.com eddie borgo see net-a-porter.com ef collection see efcollection.com element see elementeden.com/store elevenparis see elevenparis.com elizabeth and james see shopbop.com emilio pucci available at 855 madison ave., nyc, 212.752.4777

photographed by clément pascal.

emporio armani see armani.com eric + lani see macys.com fame & partners see fameandpartners.com fausto puglisi call 312.202.0047 finn see finnjewelry.com free people see freepeople.com gap see gap.com giuseppe zanotti see giuseppezanottidesign.com gorjana see gorjana-griffin.com guess see guess.com happy socks see happysocks.com havaianas available at bloomingdale’s stores nationwide hervé léger by max azria see herveleger.com holly fulton see hollyfulton.com holst+lee see holstandlee.com honor call 212.255.2233 hugo see hugoboss.com illesteva see illesteva.com iro see iro.fr j brand available at select nordstrom stores jennifer fisher see jenniferfisherjewelry.com jennifer zeuner see jenniferzeuner.com jil sander navy available at jil sander stores nationwide jill stuart available at 100 greene st., nyc, 212.343.2300 jonathan adler see jonathanadler.com jonathan saunders available at neapolitan collection, 715 elm st., winnetka, il, 847.441.7784 karma blue available at wet seal stores nationwide kate moss topshop see nordstrom.com kate spade saturday see saturday.com kim & zozi see nordstrom.com la mer collections see lamercollections.com levi’s see levi.com libertine see capitolcharlotte.com lizzie fortunato see shoplesnouvelles.com louis vuitton see louisvuitton.com lucky brand see luckybrand.com lulu*s see lulus.com luxury rebel see amazon.com mara hoffman see marahoffman.com marc by marc jacobs see marcjacobs.com marc jacobs available at select neiman marcus stores marciano see marciano.com marni see net-a-porter.com mason stanley see madisonlosangeles.com material girl see macys.com mcq alexander mcqueen see alexandermcqueen.com/mcq me&ro see meandrojewelry.com milly see nordstrom.com miss selfridge see us.missselfridge.com missoni available at 1009 madison ave., nyc, 212.517.9339 miu miu see miumiu.com mm druck see mmdruck.com morgenthal frederics available at 399 west broadway, nyc, 212.966.0099 mossimo supply co. with art by jeff canham see target.com n. historiae see nhistoriae.com nicholas kirkwood available at 807 washington st., nyc, 646.559.5239 nicole miller artelier see nicolemiller.com nila anthony see lulus.com opening ceremony available at opening ceremony stores nationwide oscar de la renta see oscardelarenta.com

paige denim see paigeusa.com paige novick available at saks fifth avenue stores nationwide pamela love see shopbop.com phillips house available at saks fifth avenue stores nationwide pixie market see pixiemarket.com ports 1961 see ports1961.com prada see prada.com preen by thornton bregazzi see net-a-porter.com rachel zoe see nordstrom.com rag & bone available at rag & bone stores nationwide ray-ban available at sunglass hut stores nationwide redvalentino available at redvalentino stores nationwide rochas see net-a-porter.com sandro see sandro-paris.com sanuk see sanuk.com sea available at heidi says, 2105 fillmore st., san francisco, ca, 415.409.6850 see by chloé see saks.com sensi studio call 212.319.0050 silver jeans co. see silverjeans.com simone camille see simonecamille.com simone rocha see simonerocha.com sophia webster see sophiawebster.co.uk stacey singer jewelry see staceysingerjewelry.com stella mccartney available at 112 greene st., nyc, 212.255.1556 stephen webster available at 202 n. rodeo dr., beverly hills, ca, 310.246.9500 stüssy see stussy.com sunahara see sunaharamalibu.com superga see superga-usa.com superga x the man repeller see superga-usa.com swatch see store.swatch.com

t by alexander wang see alexanderwang.com tanya taylor see owennyc.com testosterone shoes see testosteroneshoes.com thakoon see thakoon.com the 2 bandits see the2bandits.com the frye company see thefryecompany.com the style merchants see asos.mp/thestylemerchants the way we wore call 917.250.6800 theyskens’ theory see theory.com tia cibani see tiacibani.com topman see topman.com topshop see topshop.com torchlight see torchlightjewelry.com tory burch see toryburch.com uniqlo see uniqlo.com valentino see valentino.com vanessa leu available at roseark, 1111 n. crescent heights blvd., west hollywood, ca, 310.395.6706 vanessa mooney see vanessamooney.com vans see vans.com venessa arizaga see venessaarizaga.com veronique branquinho available at opening ceremony, 35 howard st., nyc, 212.219.2688 versus see versusversace.com victoria beckham see victoriabeckham.com vigoss see vigossusa.com viktor & rolf see viktor-rolf.com vita fede see vitafede.com volcom see volcom.com wallis see wallisfashion.com white crow see lulus.com wildfox see wildfox.com zimmermann available at 55 mercer st., nyc, 212.226.6440

sh op ping lis t

WILD WILD WEST

when nylon and the dFm do sxsw weekend, the party doesn’t stop. this year, we hit the loft at malverde in austin, texas, for an awesome twoday event packed with live performances, dj sets, artist interviews, and tons of great company. not only did guests get to hear some amazing music, they also got a few goodies from a couple of our favorite brands.

gavin turek belts it out

skaters sports some sweet 47 brand caps

astr looks fly in oakley shades

deap vally rocks a couple of cool kangol hats

nylon's karim abay hangs out with it model ashley smith

betty who checks out göt2b’s great gifts

shaun white signs a gibson guitar for the ebay auction

nylon's melissa giannini interviews the ghost of a saber tooth tiger

y a luck ets g guest cks her lo with d coloret hair spla lk cha

fun custom totes courtesy of volcom

dave 1 of chromeo chats with nylon's josh madden

n r y a o r th j sw e d hemks th h r wo b o o t

—BAG CHECK

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an e j e t- s xo t i c l e a et e sse ther pu ntia ls . p rse tha t ack e d b ’s r o o m y da y en ni s oug tahl h fo r

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BAG, CHLOE, $4,990

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sweater, $195, dkny; sunglasses, $230, preen by thornton bregazzi; ceramide capsules daily youth restoring serum 60 pc., $74, elizabeth arden; denim bracelet, $1,500, chanel; black bracelet, $1,125, chanel; book, $28, living in style; powder brush and core collection, $10 and $18, real techniques; pouch, price upon request, american eagle outfitters; necklace, $425, jessica cushman;

guilty stud limited-edition pour femme, $80 for 1.7 fl. oz., gucci; pure color vivid shine lipstick in forbidden apple, $26, estée lauder; hell’s bells lethal lipstick, $15.50, manic panic; highlighting liquid in sea of showers, $45, rouge bunny rouge; style strap iphone case, $20, david & young; nail lacquer in gala, $20, jinsoon; shorts, $66, asos; shoes, $398, stuart weitzman; emergency kit, price upon request, paige denim; gloss volupte no.

209 smoking, $32, yves saint laurent; gold lust transformative masque, $62, oribe.

Everyone has a passion. A new idea to share.

A stanza to add to the world’s story.

What will your verse be? apple.com/your-verse

Agra, India. Bollywood choreographer Feroz Khan uses an iPad in almost all aspects of production, from scouting locations and mixing music to HTCOKPI GCEJ UJQV CPF TG°PKPI GXGT[ FCPEG OQXG

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