Edition 6 2021 by VARSITY

22 September 2021 | Volume 80 | Edition 6

We are humans, we are just doing our best too A houseless community is furious over police conduct during enforced eviction in the face of the City of Cape Town’s new Unlawful Occupation By-law. By Ernst Rossmeisl

Calitz

Daniel

Staff Writer & News Editor

n 13 September 2021, a houseless tented community came into conflict with authorities once again as they faced eviction and confiscation of their belongings. For houseless residents like Ryan and S haro n , p ol ic e ev ic tio n s have become almost routine. VARSITY Newspaper arrived on the scene to report. O n Jul y 3 1 s t p ub l i c comments on the City of Cape Town’s new Unlawful Occupation Bylaw closed (another iteration within a long history of policies directed by federal law). It was passed by the Mayoral Committee on September 8th and by the following day police had begun a city-wide clean up campaign. On September 13th, it was the turn of a small, tented camp community along Main Road Constantia. “You see the tents across the road over there?” asks Ryan, taking a break from tending to what he calls his garden to speak to VARSITY, “normally when the police come it’s like a competition – we see who the unlucky ones will be, you know? Forced to move. But not today, today we stood together and supported one another like a community.” The atmosphere was still rife with anger and frustration, and many of the houseless were furious at the police’s conduct. “It’s not

Source: Ernst Calitz / VARSITY Newspaper

even that they always have to try to move us,” says Ryan, “Some of them have a heart and most of them are just trying to do their job – but some of them? They treat us like animals. They swear, they shout, and they threaten us. They are supposed to keep the community safe, to provide a service... don’t we deserve to be served and protected too? The City of Cape Town insists that the process of evictions require houseless residents to be offered “alternative, viable” shelter elsewhere, however houseless residents remain unconvinced. Ryan told VARISTY, “Ja sure, we’re houseless... that doesn’t mean we are homeless! Look how nice my garden is here, do you like it? We don’t cause harm, we’re just doing our best.” Other community members claim that the police never offered them an alternative shelter, but rather just started confiscating their belongings and destroying their tents. Sharon, a member of the community, sat on a small brick wall lamenting: “We are very clean, my dog doesn’t have fleas, nor do we, but the shelters do – they’re too filthy” when asked about the possibility of moving to a shelter if offered.

Ryan, a senior member of the community, added on how the police confiscated his fourman K-Way tent. “I was cold last night, I’ll tell you that!” he shivers, “never mind they took the food we had saved for today – just kicked it and dumped it on the ground.” However, Ryan and Sharon still seem to be the lucky ones, at least this time around. Sharon told VARSITY that many male officers are especially aggressive towards the women in the group, stating that “they get aggressive when it comes to the women, he [specific officer] has problems with them.” Ryan added, “How can they speak about this GBV - this gender-based whatsit - when it’s the same service providers who are doing it to us?” Another woman in the group added how the police allegedly tore her clothing during the confrontation. Multiple houseless residents claim to have witnessed an alleged assault committed by law enforcement against one of the female members of the group. Witnesses claim that her arrest on the grounds of obstruction were a result of

trying to defend herself from being hit. During her arrest, one of the male police officers was alleged to have been seen groping and touching her inappropriately. The chaos mounted once the woman began to experience an asthma attack. Impounded in the back of a police vehicle, she was allegedly denied access to her asthma pump — members of the community had to force the pump into the back of the police van. When asked for comment by VARSITY News, officers at the scene declined to comment. However, later in the evening the authorities confirmed that the woman had received her inhaler at an unspecified point later in the day. No indication has been provided regarding the Covid-19 protocols followed with respect to the inhaler, nor the rest of the eviction. Despite being asked for further comment, Diep Rivier Police Station’s station master did not respond to VARSITY at the time of this article being written. The authorities have, allegedly, failed to provide a bin number or any instruction to the community on how they should go about reclaiming their possessions.

NEWS

22 September 2021 | Volume 80 | Edition 6

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What does the LGBTQIA+ community say about Professor Phakeng? A seminar hosted by UCT’s Vice-Chancellor Mamokgheti Phakeng and presented with Dr. Kgomotso Mathabe has been subject to criticism and public backlash.

By Tefo Kameditse Varsity Contributor Image: Intersex Pride Flag

*Content Warning: The following article contains matter describing potentially triggering discussions regarding sexual orientation and gender. The views expressed are those of the parties involved, not VARSITY COLLECTIVE or any of its members.

n September 4th, 2021,Professor Phakeng held a seminar in conversation with Dr. Kgomotso Mathabe entitled “What does Science say about LGBTQIA+ ?” Dr. Kgomotso Mathabe is a urologist at the Steve Biko Academic Hospital and is the acting Head of Department for Urology at the University of Pretoria. Before the discussion took place, evidence on social media indicated that the nature and framing of the seminar was both offensive and harmful to members of the student body and the LGBTQIA+ community at large. However, the Vice-Chancellor decided to proceed with the conversation. The focus of the discussion was around the relationship between intersex

and trans individuals with conceptions of gender dysphoria, as well as considerations of existing processes for transitioning patients in South Africa. In addition, the discussion delved into two suggested potential biological origins of intersex individuals, as well as commonly observed psychological effects noted by medical professionals engaging with intersex and trans-sex patients. Dr. Mathabe highlighted the psychological damage on people forced to wait for longer periods to undergo surgical transition. Dr. Mathabe also drew attention to the fact that South Africa’s Health Department is under-resourced; a constraint allegedly allowing just four surgical procedures to be performed on transitioning patients every year. The manner in which these topics were discussed drew immediate disapproval from UCT students and LGBTQIA+ activists from outside the UCT community. The Chair of Trans Steering Committee for Iranti, Jabu Pereira, accused Dr. Mathabe of providing “misinformation regarding in-

tersex-born children”. Representing the views of the Gender Diversity Coalition, digital content creator and trans rights activist Zoey Black told one of VARSITY’s reporters that “the views expressed, and practices discussed in the seminar [are] profoundly harmful to [the] LGBTQIA+ community, in particular, to trans and intersex persons. We are outraged […] we are calling for legislation that expressly prohibits intersex genital mutilation, [… and which is] affirming of all gender identities, gender expressions and sex characteristics, in line with values that our Constitution demands.”

“This is not the first time this year that Professor Phakeng has drawn criticism from the student body for her approach to dealing with issues related to the LGBTQIA+ community.” This is not the first time this year that Professor Phakeng has drawn criticism from the student body for her approach to

dealing with issues related to the LGBTQIA+ community. On July 28th, 2021, the Vice-Chancellor hosted an Open Lecture presented by Dr. Chimamanda Ngozi Adichie, entitled “The Idolatry of Theory: a defence of storytelling.” The SRC opposed Phakeng, arguing that hosting Dr. Adichie entailed a “betrayal to the UCT LGBTQI+ community”, insisting that the Open Lecture provided “a platform to an individual who made transphobic remarks.” Despite defending her decision to continue with the event by responding that it was her “view that the invitation […] in no way diminishes, undermines or changes our ongoing efforts in creating a culture of inclusivity, tolerance and acceptance for our diverse community within the university,” Phakeng has since reneged and released an apology “without reserve for the hurt and distress these events [the Open Lecture on 28th July and the seminar on 4th September] caused.”

NEWS

22 September 2021 | Volume 80 | Edition 6

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Guinea coup: most recent addition to a series of violent military uprisings in Northern Africa

Guinea is the most recent state to face this type of internal threat on the continent over the past 12 months. By Ernst Calitz Staff Writer

n September 5th, 2021, the sound of gunfire filled the air in the Guinean capital city of Conakry, as army putschists staged a coup and captured the Guinean President Alpha Conde, aged 83.

A Western diplomat, who preferred to remain anonymous, informed AFP that the unrest started after the dismissal of a senior commander in the Guinea Special Forces, prompting some members of the group to rebel and occupy the presidential palace in the Kaloum district of the city. An unidentified army officer clad in sunglasses and a red beret stated in a video released to the public that the army had taken action due to government dysfunction and corruption. Despite this press statement announcement, which also announced the ousting of President Conde, as well as a suspension of the constitution and the immediate dissolving of government,

Source: Cellou Binani/AFP via Getty Images

confusion was generated when Conde’s government released a statement of their own announcing that the attack on the presidential palace was successfully repelled. However, this was not the case as the situation became clear.

“That same day, the Economic Community of West African States (ECOWAS) announced the suspension of Guinea’s membership as a result of the coup. ” On, September 8th, 2020, Reuters reported that military Colonel Mamady Doumouya was leading an interim military junta. Colonel Doumouya also allegedly ordered the immediate release of 80 political prisoners previously arrested by the Conde government. That same day, the Economic Community of West African States (ECOWAS)

announced the suspension of Guinea’s membership as a result of the coup. The organisation also called for “an immediate return to constitutional power.” However, the former prime minister of Guinea, Cellou Dalein Diallo, has shown public support for the coup, calling it a “welcome development” that “put an end to a situation of lawlessness.” Diallo also called for ECOWAS to reconsider their supposed intentions to sanction Guinea, as he believes that the juntas are beneficial for the country’s development in the long run, due to them ending the authoritarian-esk rule of Conde. President Alpha Conde began to serve his third consecutive term after rewriting Guinea’s constitution in March 2020 to extend the term limits previously set against any individual serving a third presidential term. The October election was met with violent protests

and accusations of electoral fraud. Nevertheless, former President Conde was re-elected on November 7th, 2020.

“Guinea is the most recent state to face this type of internal threat on the continent over the past 12 months.” Guinea is the most recent state to face this type of internal threat on the continent over the past 12 months. Mali experienced two successful coups last year; another attempt in Niger failed, and the military took over the governance of Chad following the assassination of President Idriss Deby. The interim military junta has announced that it will install a unified transitional government – though it has yet to provide any intended timeframe or date.

NEWS

22 September 2021 | Volume 80 | Edition 6

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Women in Afghanistan: violated for seeking civil rights A recent demonstration held in Afghanistan by women, who were demanding continued provision of civil rights, was violently interfered with by the Taliban.

By Asemahle Ntoyakhe Staff Writer

Source: EPA

n September 3rd, 2021, a crowd of women took to the city streets of Kabul and Badakhshan, Afghanistan, calling for equal rights and participation in political concerns under the newly empowered Taliban government. These demonstrations were sparked by rising material inequalities faced by women since the return to power of the Taliban. Despite promises to the West to include representation and participation of women in governance, the Taliban-appointed interim cabinet consists of male members only. Some Afghan women have expressed unease as a result of this decision, fearing further denials of their civil liberties. Demonstrators have reportedly expressed that they are not willing to accept a government with no

“Despite promises to the West to include representation and participation of women in governance, the Taliban-appointed interim cabinet consists of male members only.” women ministers and demand greater female representation. In addition to exclusion from public office, the Taliban have also announced the immediate termination of Afghanistan’s Women’s Affairs ministry. The function of the Women’s Affairs ministry had been to ensure Afghan women’s legal, economic, social, political, and civic rights, given the historical vulnerability and misrepresentation of such issues. According to a report by the BBC, a woman

at the protest said the Taliban had proved unwilling to change their stance, stating: “We are asking the international community, especially those who during the last 20 years tried to provide women with their rights, where are those defenders of women rights today?” Reportedly, the Taliban have been opposed to these protests due to the demonstrators not obtaining the necessary, paramount government approval for the protests to occur. In various circulated videos online, the Taliban fire guns in the air and whip protesters to disperse the masses. According to the BBC, the women were stopped, lashed with whips, and beaten with electric batons. The current situation with regards to women’s affairs remains volatile and the near future, incredibly uncertain.

Access to the country is currently mostly restricted, with outsiders barred from entrance. This fact makes it virtually impossible to acquire information concerning current occurrences with needed immediacy and ease. Additional protests have dispersed throughout the country and culminated in three deaths to date. In addition, reporters covering demonstrations have also been attacked, as they reported an increase in the frequency and intensity of the attacks by the Taliban, as time progressed. “‘We are asking the international community, especially those who during the last 20 years tried to provide women with their rights, where are those defenders of women rights today?’”

NEWS

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Jacob Zuma granted medical parole Former President Jacob Zuma has been granted parole for medical reasons, according to a statement released by the Department of Correctional Services on September 5th. By Ryan Hand VARSITY Contributor

Source: Neville Hopwood/Getty Images

Former President Zuma was sentenced to 15 months imprisonment for contempt of court on 29 June 2021, after defying a court order to appear at the Zondo Commission into alleged state capture. The former head of state handed himself over to police on 7 July 2021, sparking widespread public protests and general unrest within the KwaZulu Natal province and parts of Gauteng. Zuma was admitted into hospital only a month into his sentence, where he allegedly underwent surgery. The decision to grant Zuma parole was made by Correctional Services C o m m i s s i o n e r Ar thu r Fraser, who formerly served as director of the State Security Agency during Zuma’s term as president. In an interview with the SABC News last week, Fraser revealed that he personally ordered Zuma’s release, having rejected the recommendation against parole made by the medi-

cal parole advisory board. In a further twist, City Press reported on Sunday that current head of state, President Cyril Ramaphosa, allegedly approved of Zuma’s release, after consultation by Fraser. City Press, citing anonymous sources, reported that Fraser had volunteered to take the political fall for Zuma’s release, in light of his imminent retirement.

“Fraser revealed that he personally ordered Zuma’s release, having rejected the recommendation against parole made by the medical parole advisory board.” Re ac tio n s to Zu ma’s parole have been unexpectedly diverse. The African National Congress (ANC) party has welcomed the move, with President Ramaphosa stating that “our thoughts and prayers

are with him.” Additionally, several members of the Pietermaritzburg MK Military Veterans’ Association are set to travel to Zuma’s home of Nkandla to celebrate his return. In stark contrast, several opposition parties and civil society groups have lashed out at Zuma’s questionable release. The Democratic Alliance (DA) has branded Fraser’s decision as politically motivated, with party leader John Steenhuisen speculating in an open letter to President Ramaphosa that the decision was made to appeal to voters in the KwaZulu Natal; a tactic for the upcoming local government elections. The DA has mounted a legal challenge to Zuma’s parole, joining Afriforum and the Helen Suzman Foundation in opposition to the parole ruling. On another strand of the political spectrum, Economic Freedom Fighters (EFF) leader Julius Malema told journalists on Friday (10 September) that the EFF did not view Zuma’s

parole with suspicion, and expressed his disapproval of the DA’s court challenge.

“Julius Malema told journalists on Friday (10 September) that the EFF did not view Zuma’s parole with suspicion.” Despite being granted parole, Zuma’s legal troubles may only have just begun. He is still set to stand trial for numerous charges of fraud, corruption, money laundering, and racketeering arising from the 1999 arms deal. Judge Piet Koen postponed the trial for these numerous issues on Thursday (9 September) in light of Zuma’s medical circumstances. Zuma is accused of accepting multiple bribes from French arms manufacturer Thales in order to facilitate illegal arms deals with the South African government. He has pleaded not guilty, and has steadfastly denied any foul play on his part.

Editorial

22 September 2021 | Volume 80 | Edition 6

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Seeing with fresh eyes: what the youth can bring to the South African media landscape attention to the aims that VARSITY had for this year, and how we have achieved them. I believe that this edition is the epitome of these values and aspirations.

By Julia Rowley Co-Managing Editor

y the time this editorial is published, we will be halfway through our vacation with the prospect of term four (and our exams and final assignments) looming. This also means that the current Senior Editorial team at VARSITY will be heading towards handing over to the new 2022 leaders. The past year has been filled with joy, stress, and learning curves - but all of these experiences have taught us exactly what kind of publication we want to be, and the calibre of content that we aspire to produce. As my time as Managing Editor dwindles, I’d like to draw

On the front page, you will find our article about the recent forced eviction attempt less than ten kilometres away from Upper Campus. This piece details the inhumane treatment of a houseless community under the City’s new by-law, and is a much-needed perspective that we are proud to publish. In a city that has a long history of the demonisation of the poverty-stricken, narratives like this are necessary in producing ethical news content. A common trend in the media is to write about the houseless population, rather than writing for them - we often hear of forced evictions and the extent of poverty in our country, but we never hear from the people who are affected by these issues. This article provides athought-provoking, humbling and saddening perspective to the contentious issue of land ownership

and poverty in South Africa - and most importantly, it humanises those who are ignored and mistreated the most. Throughout the past year at VARSITY we have produced humane and important news content, while still maintaining the balance that is integral to the industry. Our mission to fill in the much-neglected gaps in the South African media landscape has also been reflected in our Features and Arts & Culture sections. Our article about the first official Kaaps dictionary is informed by Professor Adam Haupt, Director of the Centre for Film and Media Studies here at UCT and co-leader of the project. This piece showcases the historical and cultural significance of the Afrikaaps language to the Cape, and how it is not a form of slang or skollietaal. Similarly, our profile piece on Nwabisa Plaatjie highlights the work of a black creative who is using her achievements to create a more inclusive space within the arts. We chose to break away from tradition this year

and implemented an Arts & Culture section, because we strongly believe in the role of the arts to help make sense of, and highlight, the joys and struggles that we face as diverse members of the UCT community. “Throughout the past year at VARSITY we have produced humane and import ant news content, while still maintaining the balance that is integral to the industry.” Finally, our Opinions section has been a platform for students of wildly different backgrounds, beliefs and values to debate and voice their views. The ability to engage with those that disagree with us is a crucial value, and although we have made mistakes along the way, we have emerged wiser and continue to share the controversial and thought-provoking views of our heterogeneous community. These values are ones that have informed every step of our journey this year, and we look back proudly on what we have achieved thus far.

The Collective Editor-in-Chief - Lerato Botha Dep. Editor-in-Chief - Jeremy Simpson Branding & Marketing Manager - Nita Naidoo Finance Manager - Savannah Goncalves Creative Director - Navan Coetzee Managing Editors - Julia Rowley & Micha Cerf Deputy Managing Editor - Sane Mhloma News Editors - Daniel Rossmeisl & Imaan Voterson Features Editors - Amber Williams, Tanyaradzwa Gwenhure & Manoa Andriamihariosa Arts & Culture Editors - Nqabisa Faku & Simbarashe Mawere Opinions Editors - Emma Sacco & Maria Ortelee Design Editors - Reabetswe Khutsoane & Meriam Kakuwaezi

Applications for all 2022 positions will open on October 10th. Please email hr@varsitynewspaper.co.za with any enquiries!

Features

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The exciting launch of the first Kaaps dictionary “Kaaps is a language, it is not a dialect, it is not skollietaal, and it is not an informal version of standard Afrikaans…”

By Amber Williams Features Editor

Source: dwkaaps.co.za

he launch of The Trilingual Dictionary of Afrikaaps project has been on the receiving end of a lot of positive reviews and feedback. The project, led by Professor Quentin Williams of the University of the Western Cape (UWC) and Professor Adam Haupt of the University of Cape Town (UCT) received funding by the Western Cape Department of Cultural Affairs and Sport and the University of California, Los Angeles (UCLA). The project found its early beginnings in Quentin and Adam’s involvement in the local Cape Town hip hop scene and their collaborative research with the Heal the Hood project, who work with uplifting the youth on the Cape Flats.

of the Kaaps language which has achieved little recognition and validation to date. “The work came from decades of artists and writers calling for a better understanding of the language and to co-define the language together. Notable cultural figures, such as Peter Snyders with his poem, ‘Ek is Oek Important’ (I Am Also Important), and Adam Smalls with his play, ‘Kanna hy ko huistoe’ (Kanna he comes home), defined an early understanding of the language and its representation.”

Afrikaaps, or Kaaps, is a language largely spoken by the Coloured population in the Western Cape, most notably in the Cape Flats regionan area of land where the majority of the CoThe goal of the project, loured population were Quentin says, is to il- forcibly moved to at the luminate the history height of the apartheid

regime. The language has a long history that dates back to the precolonial era from the 1500s: the Portuguese were the first sailors to stop in Cape Town and encountered the indigenous Khoi-Khoi, who conversed in a simple pigeon. Due to miscommunication and a war in 1510, the Portuguese did not last long in the Cape. It was the more entrepreneurial Dutch who travelled more often around the Cape to Batavia (today known as Jakarta in Indonesia) and set up a refreshment station in the Cape. They started trading with the local Khoi population and throughout a period of time, brought in enslaved groups from Indonesia, Madagascar and India. The Dutch and Khoi’s verbal exchanges led to new terms and words being made up and with the addition of the slaves from Asia, a new lan-

guage emerged which made communication between the various groups easier. This was the early emergence of Kaaps as we know it and as it is spoken today. It is important to understand that before you get Afrikaans, you get Kaaps. Given the language’s long- spanning and complex history it is necessary to ask what relevance the release of the dictionary will have in our current society and culture today. Adam points out that the validation of the language is the starting point and from there on they hope to see the dictionary being used as a resource in official public spaces: in classroom scenarios, in Kaaps speakers’ engagement with government officials and in educational institutions. The release of the dictionary would anchor the belief that Kaaps is a bona

Features fide language and that it should be treated as such. Quentin elaborates this point further with a survey that was carried out where 80% of teachers in the Western Cape did not see the value in turning Kaaps into a language of teaching and learning. “Every child growing up on the Cape Flats is exposed to Kaaps, a version of English and the language of the Number gangs. They are fully multilingual by the time they go to school, but all cultural nuances are beat out of them as they are taught to learn standard Afrikaans, which studies have shown sounds to them like a foreign language.” This will help with misunderstandings in cross-cultural communication and, more importantly, will aid in decolonising language, media and education as a whole. as a whole. “‘Coloured stereotypes would be challenged and so asserting the language is important with regards to respectability politics.’”

The launch of this dictionary will undoubtedly serve as an important resource for Kaaps speakers, but how would the language be

22 September 2021 | Volume 80 | Edition 6

able to find its way into i n stitutio nal spaces, from the primary school level all the way to the university level? “At Stellenbosch there is an insistence not to move away from Afrikaans and UCT remains largely English speaking,” says Quentin. “We need to look at our language policies as universities and see to what extent is multilingualism in education embraced so that it includes and is open enough to include Kaaps as a teaching language.” Adam points out that within the Humanities faculty at UCT, a student may submit their work in their mother tongue and have that work translated for assessment. The other issue, emphasises Quentin, is to unlock training around the Kaaps language and have it taught in schools by educators who have been trained to develop pedagogies in Kaaps. For this to happen, big changes would have to be made to the existing CAPS curriculum so the curriculum could be opened and transformed. “The fact that the Western Cape

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Prof Adam Haupt (left) and Prof Quentin Williams (right). Source: Brenton Geach / UCT News

government’s DCAS is funding this, shows that there is a shift. Things are pointing in the right direction and Quentin has important associations who are responding positively. There is a willingness to make it happen, “says Adam, pointing out the positive feedback and contributions they have been receiving to realise the launch of the project. The launch of this dictionary holds great cultural and social significance to Kaaps speakers but beyond that, it also shows the ways in which resources like these can aid in decolonising language and our own associated cultural stereotypes. With the launch of this dictionary Adam observes: “Coloured stereotypes would be challenged and so asserting

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the language is important with regards to respectability politics. Linguistically speaking, do you suppress where you are from and assimilate to gain some form of respect or do you embrace your multilingual inheritance?” If readers were to want to obtain a copy of the dictionary it may take a while before they are able to do so as the dictionary is still in its early stages. “Dictionaries typically take a long time to produce, and we are working very hard with limited staff on the ground. We will have an online version, a hardcopy version and we will endeavour to produce an app too. I’d say, with our current staff, it would take six months to compile for the online version.”

Features

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Looking towards the future: UCT’s Vision 2030 U C T ’ S Vi s i o n 2 03 0 outlines the university’s goals for the immed iate futu re, wh ic h aims to improve UCT’s academic and research excellence and the institution’s involvement in solving social issues like gender-based violence and inequality. By Tefo Keameditse VARSITY Contributor

hen she was sworn into office in 2018, Professor Mamokgethi Phakeng, the reigning Vice-Chancellor of UCT, had a vision for the university, one that would actively shape and lead the future instead of adapting to it. Her vision for UCT focuses on three key factors: notably excellence, transformation and sustainability. According to Phakeng, “sustainability becomes possible only when transformation and excellence work in tandem”. However, her vision was not immune to criticism and debate upon presentation to the UCT Executive, which led to a revision of Phakeng’s plan for the university. It is through numerous meetings and workshops with various UCT stakeholders, as well as the work of the Futures Think Tank created by Phakeng upon her inauguration, that UCT presented Vision 2030 to the public. “‘UCT lets you say whatever you want, but they do not necessarily listen.’” UCT is currently the best university in Africa, but the Vice-Chancellor has asked herself whether it is the best university for Africa. Vision 2030 strives to solve this question by making UCT the best tertiary institution for the continent. As per Professor Phakeng’s vision, UCT is headed towards a centre for academic and research excellence

Source: News24

although the strategy is more focused ongoing pandemic, the university has on academia. lifted the fee block at the beginning of 2021 for a large number of its students, Vision 2030 acknowledges societal allowing them to register and enrol for issues in South Africa, as well as the the academic year. challenges that are currently being faced in the world such as climate “UCT is currently the best university change, inequality, gender-based vi- in Africa, but the Vice-Chancellor has olence, the Fourth Industrial Revolu- asked herself whether it is the best tion, population displacement and university for Africa.” now a global pandemic. The established vision recognises that these isUCT’s Vision 2030 also mentions the sues need to be tackled in their local university’s commitment to giving its manifestations and global implica- community a voice. Some students feel tions. However, these social issues are like this is the case as UCT has providnot addressed in depth. ed them with channels to voice their opinions when decisions made were UCT’s Online High School is one unsatisfactory. Others, however, argue pathway through which the univer- that despite the platforms they are givsity is addressing growing inequality en, the university does not necessarily in South Africa and the continent at listen to their concerns. For example, large. The quality of education deliv- a second-year BA student said that ered in the country differs substantial- “the institution does not understand ly between children, and this initiative the extent to which mental health can contributes to closing the gap between have an impact on a student. UCT lets high school and university. This allows you say whatever you want, but they for a smoother transition between the do not necessarily listen.” two institutions and ensures sustainable academic excellence in students. In the words of Phakeng, “the UCT Online High School is a key component of UCT’s Vision 2030 and gives effect to UCT’s massive transformative purpose: to unleash human potential for a fair and just society”. Concerning issues such as #FeesMustFall and the

Arts & Culture

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Liliesleaf Farm and the case of the missing millions The historic site faces i nde f i n ite c lo s u re amidst altercations between the Liliesleaf Trust and the Department of Sports, Arts and Culture over mishandled finances. By Seth Meyer Staff Writer

Source: Zute Lightfoot / Alamy

iliesleaf is a name instantly recognisable to many South Africans. The farm complex first made famous as the secret headquarters of some of the ANC’s top leaders (most of whom were arrested there in the 1963 police raid that led to the Rivonia Trial and Nelson Mandela’s life sentence) has since served as a heritage site and museum in the dawn of South Africa’s democracy. In the own words of the Liliesleaf Museum’s website, the farm presently acts as “a site of memory that keeps the history of our liberation alive.” While many South Africans know the story of Liliesleaf, acknowledging its importance, there are also many who are in blissful ignorance of the danger that the heritage site faces. Over two weeks ago, the museum closed its doors indefinitely.

“While many South Africans know the story of Liliesleaf, acknowledging its importance, there are also many who are in blissful ignorance of the danger that the heritage site faces.” Liliesleaf Farm has long been a lynchpin site in the history and legacy of the struggle for democracy and freedom in South Africa, and its purpose today has since been to serve as an exhibition and place of remembrance for future generations. The museum is subsidised by the government and under the custody of the Department of Sport, Arts and Culture (DSAC).

The nature of Liliesleaf as a historical site meant that it has always been an apparent choice to receive a budget from the DSAC but since 2020 the management of finances has come under scrutiny. The problems therein unearthed have led to the indefinite shuttering of the museum stemming from the government’s withdrawal of funding.

“The museum...is likely to remain [closed] until the matter is resolved with definitive timeline...” This withdrawal has occurred well within reason: the Department declaring a discrepancy of missing funds. A ZAR8.1 million budget granted to Liliesleaf from the government for maintenance and enhancement of the site could not be accounted for by the Liliesleaf Trust (the group responsible for the running of the site). The usual workings of government have begun, with an investigation launched by the Liliesleaf board. Their report is still pending with the promise for forensic investigators to investigate the affairs and release the report. Until then, Liliesleaf cannot legally receive any additional financial support until the missing ZAR8.1M is accounted for. While many other heritage sites might still receive funding regardless, spokesperson for DSAC, Masechaba Khumalo noted that

the Liliesleaf Trust has always opted to keep the farm independent. Such action prevents the institution from being designated as a “Declared Cultural Institution” which, by legality, would make its fiscal affairs completely governmental. As it stands, the museum relies on government subsidies and donations to stay alive. However, until the issue of its missing millions is resolved, there will be no further grants from DSAC, looming uncertainty for the farm. The CEO of the Liliesleaf Trust, Nick Wolpe, who ultimately made the call to close the site, has blamed the government for the result, citing mismanagement at provincial and national levels and a misunderstanding of the Memorandum of Agreement that exists between DSAC and the Trust.

“This withdrawal has occurred well within reason: the Department declaring a discrepancy of missing funds.” The museum has been closed since 31st August 2021 and is likely to remain so until the matter is resolved with no definitive timeline of when visitors might again have the chance to visit a site of paramount importance to the story of this nation.

Arts & Culture

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Setting the stage with theatre maker and leader, Nwabisa Plaatjie Nwabisa’s work and purpose revolve around storytelling.

By Sumona Bose VARSITY Contributor

torytelling has always been part of her medium to express her life experiences and evoke a sense of comfort. From playing ‘’IsiQendu’’ - a storytelling game with stones - to pursuing Drama beyond high school, Nwabisa Plaatjie now sits as curator and coordinator of Masambe Theatre, located within Baxter Theatre. Nwabisa knew from when she was young that theatre was an arena she could use as an opportunity to contextualize her stories, activism, dreams and hopes. “It’s important that I make work that reflects me, and people like me. It’s also important for me, that I don’t forget where I came from and the community that has helped me be here today and is watching and following my journey,” she said. In South Africa, theatre and performing arts are forms of art that can be used as a socio-political message to decipher history, mobilize resources, entertain and educate audiences. The essence of Masambe is to harness young creatives and let them collaborate, create new work and build networks without having to pay a venue rental fee. Ultimately the goal is to have more inclusive spaces for upcoming and willing creatives to share their ideas and enthusiasm.

“‘It’s important that I make work that reflects me, and people like me. It’s also important for me, that I don’t forget where I came from and the community that has helped me be here today and is watching and following my journey,’ she said.”

The COVID-19 pandemic has left many uncertainties for both theatre-makers and goers. The theatre industry was heav-

ily affected during the strict lockdown as live performances were prohibited. However, while the Baxter Theatre building may have been temporarily closed, Nwabisa recounted how Masambe Theatre focused on searching for and sharing more creative opportunities and ideas with the community during national lockdowns. She says, “Masambe has not been able to host many shows during this time - so we’ve focused on mobilizing resources - grants, residencies, job opportunities and sharing them with our database.’ It reinstated a feeling of community and solidarity while looking deeper into how the craft of theatre can contribute to growth. Nwabisa looks up to her peers who inspire her to be a go-getter and stake into black excellence. Some of them are familiar names in the industry in a very long list: Buhle Ngaba, Ukhona Mlandu, Faye-Kabali Kagwa, Jefferson Tshabalala, Joshua Alabi from Nigeria, Siphokazi Jonas, Kitso Seti, Babalwa Makwethu, Faniswa Yisa, Mwenya Kabwe and more. These artists are admirable idols that have contributed to her learning and unlearning about the craft and have paved the way for other young creatives today. Most importantly, in navigating her career, Nwabisa has observed other people and learnt from their experiences. From 2020, the Baxter team has contributed to educative platforms; the theatre location became an interim post office packaging and delivering study material and resources for students in the most

Source: Pro-

remote areas of the country who could not study virtually. It also pushes for a more dynamic narrative of Baxter becoming a space for enabling education and inclusion in their artistic practices. Moreover, Baxter Theater CEO Lara Foot has been consistently trying to create opportunities for freelance artists and performers so that work goes on inside Baxter. Currently, Nwabisa is producing the Zabalaza Season of The Best, Masambeni!, which will run at the Baxter Theatre until Friday, 17 September 2021.

“Nwabisa looks up to her peers who inspire her to be a go-getter and stake into black excellence.” As for now, Nwabisa urges young creatives to keep an eye on the Baxter theatre website for calls as the creative teams plan many interactive circles of playwriting, writing residencies and commissions for new work. “Now, I’m working towards making sure that we do more than just providing infrastructure that will help artists create new work, I want us to also start offering stipends and financial assistance for that kind of experimentation,” she said.

Arts & Culture

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Here is what to expect at #Investec Cape Town Art Fair Digital Exhibition 2021 The first digital art fair of the #ICTAF has unique content and is an artwork platform for the world. By Silulundi Coki VARSITY Contributor

Source: Buhle Nkalashe

hether you are looking to buy art or learn more about it, the Investec Cape Town Art Fair will launch its very first digital event happening live from 17 to 19 September 2021, with a VIP preview from 15 to 16 September by invitation only. “Investec Cape Town Art Fair announced that they are thrilled about the online event as the world has shifted to digitalised events.”

There will be 16 new art galleries at the forthcoming show, with six of them being local. The others are from Europe and the continent. In total, the event will showcase 29 local art galleries as well as 24 internationally renowned galleries. The audience can expect to be exposed to rare art pieces, connect with artists they admire, and learn about and appreciate artwork through the collector’s perspective. It is unlike physical shows whereby you experience art through their view inside a room.

Since 2018, Investec has been the title sponsor of the Cape Town Art Fair. Investec’s Head of sponsorship, Peta Dixon, says that they believe that art has the power to bridge divides and bring people together. Investec Cape Town Art Fair announced that they are thrilled about the online event as the world has shifted to digitalised events. In this era, it is crucial to reflect on the utility of building art and give a digital narrative about the art fair.

Due to the contemporary social context, presenting the artwork to the world will be different during the pandemic. The fair will be live and accessible to the world through the Art Shell account with immediacy. To be part of the online event, one needs a device with a stable internet connection. Galleries, artists, VIPs, and visitors will navigate the art community from the comfort of their own homes. There will be no time consuming and hassle cost of travelling. In this way, the fair will be inclusive as its goal is to The goal of this digital art fair is to collaborate with lo- display content and engage in discussion with a larger aucal and international art galleries. To support and provide dience. them with a platform to showcase South African artists whilst connecting with international galleries, business- “The audience can expect to be exposed to rare art pieces, es, and creatives. This year, the art fair will operate parallel connect with artists they admire, and learn about and with Fiera Milano’s sister fair, Miart, an international modappreciate artwork through the collector’s perspective.” ern and contemporary art fair in Milan. “The fair will be live and accessible to the world through the Art Shell account with immediacy.”

From 18 to 20 February 2022, the Cape Town International Convention Centre will host the ninth edition of a hybrid fair that will include a physical and digital fair.

Arts & Culture

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The Labia: against the odds of the COVID-19 pandemic The historic Labia Theatre has managed to survive amid the alternating lockdown levels.

By Siviwe Cingo VARSITY Contributor

he COVID-19 pandemic has affected many micro and macro businesses in South Africa and other countries at large. It has led to many enterprises changing how they operate, and some have suffered the fate of closing. Most notably is the film and media industry, which has encountered vast challenges emanating from the national lockdown restrictions and regulations. “Lockdown regulations caused by the COVID-19 pandemic affected our business operations,” declared Ludi Kraus, CEO of Labia Theatre. An original independent art repository, situated on 68 Orange Street, Gardens in Cape Town, the Labia Theatre consists of four screens, a big 176-seater (cinema 1), a 100-seater (cinema 2), a 65-seater (cinema 3) and an intimate 50-seater (cinema 4). Before the introduction of lockdown on 26 March 2020, the Labia Theatre was always fully packed with audiences. Now, under the current lockdown restrictions, the theatre can only allow a maximum of 50 or fewer people in one of their cinemas provided they can maintain 1.5 meters of social distance.

“Beforetheintroduction of lockdown on 26 March 2020, the Labia Theatre was always fully packed with audiences.” The new lockdown restrictions have rendered the theatre not as profitable as it used to be, and it has recently reopened after nine months of closure. “We were only allowed to reopen in August last year after the initial nine months of lockdown,” he said. However, the different changes in the lockdown levels, especially curfew times, affected the business. Currently, Labia Theatre has been subject to curfew time changes. That means the theatre must close by 9 pm so that the staff and audiences can be at their homes by 10 pm. Other than being mindful of the people they can host, the staff must keep up with regulated operational times of business. “To keep afloat during the nine months of closure, Labia Theatre relied on its savings to continue to pay the rent and their twenty employees.” To keep afloat during the nine months of closure, Labia Theatre relied on its savings

Source: Sydelle Willow Smith

to continue to pay the rent and their twenty employees. Although they were not paid their full-time salaries, they did not get retrenched, and in turn, the staff has been loyal. To date, the business is not as operational as it used to be due to curfew time changes. The most profitable shows were the evening shows - the eight o’clock time slot, before the curfew was established. “The fact that we cannot have an 8pm movie show, because we must close at 9pm, therefore our evening shows must start at 6 or 7pm, that makes it difficult. We most probably lose half of our potential business by having to close early and not have an advantage of the late show,” he said. Amid the loss of financial muscle, the Labia Theatre had to rely on a bank loan as their financial injection due to their excellent banking records. This financial injection has sustained the business

throughout. “The Labia theatre has extended its four cinema screens to have an online movie streaming site titled Labia Home Screen.” Although many people seldom watch movies during the day, the Labia Theatre had to improvise, as the saying goes, “necessity is the mother of invention”. The Labia theatre has extended its four cinema screens to have an online movie streaming site titled Labia Home Screen. This invention has earned Labia Theatre an extra income due to loyal movie audiences who purchase R60 movie vouchers online to stream movies at the comfort of their homes. This cash injection has assisted the business to keep afloat in an indelible manner during the pandemic.

Opinions

22 September 2021 | Volume 80 | Edition 6

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Abandoned in their darkest hour In early September 2021, the Department of International Relations and Cooperation (DIRCO) announced that South Africa will not be temporarily housing 150 Afghan refugees on their way to the United States. This is due to it potentially being a “challenge” according to the head of public diplomacy at DIRCO.

By Ernst Calitz

Source: Huylebroek / The New York Times

he statement given by DIRCO gives appallingly little reasoning as to why it’s justified to abandon the refugees in their darkest hour. The only real excuse given is that of it being potentially challenging and resource intensive, an excuse completely devoid of merit, seeing that the number of refugees barely exceeds 100 and that their stay is temporary. DIRCO and the South African government are morally bankrupt. Yet, I reckon that that doesn’t come as a surprise to anyone. I’m shocked by the complete lack of empathy and humanity of the government

when it comes to the situation faced by the Afghan people. These aren’t just numbers on a spreadsheet, but actual human lives. Lives which are in danger, and the government chooses to do nothing in support.

tinent. In addition, South Africa sports an economy far larger than that of the other prevalent refugee hosting countries. That’s why it baffles me as to why South Africa cannot temporarily vet these people.

“I can concede that the government is hosting a large sum of refugees as is, but that does not excuse turning away those in desperate need.”

This deliberate decision of inaction sets a very dangerous precedent for the future: one where countries that claim to have open borders for refugees can only accept when it becomes convenient and “challenge” free. Sadly, it’s a common theme on the rise in all South African governmental institutions. Seeing police beat and brutalize civilians, then only helping when it’s an easy case. Most government officials are in office only for the money, doing very little as it would be a “challenge”.

So, then the situation begs to ask the question. Why? Is it more xenophobia that still lingers from the violence that occurred in KZN earlier this year? Or is it a complete apI can concede that athetic and selfish atthe government is titude towards others? hosting a large sum Either way, it doesn’t of refugees as is, but make sense. that does not excuse turning away those in “These aren’t just desperate need. South numbers on a Then again, we are Africa hosts far less spreadsheet, but speaking of the govthan the leading refuactual human lives.” ernment that shamegee ‘hubs’ in the con-

DISCLAIMER

lessly loots and plunders the country’s resources while most of the country lies below the poverty line. Appealing to the morality of a government that is willing to steal from the poorest in their society and ignore the crimes of the elite is idiotic. Thus, the government has proven itself as the morally bankrupt institution that it is once more.

This section of the VARSITY is a vehicle for expression, on any topic by members of the UCT community. The opinions within this section are not necessarily those of the VARSITY collective or its advertisers. Letters to the Editor need to be kept at a maximum of 300 words and can be sent to: editorial@varsitynewspaper.co.za

Opinions

22 September 2021 | Volume 80 | Edition 6

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Online school for who? Over the past two years, UCT has become accustomed to teaching online. Riding the wave of this newly found way of life, UCT has come up with the idea to start its very own online high school. By Josh Raynham

ews24 caught up with Vice-Chancellor Professor Mamokgethi Phakeng, where she voiced her stance on the opening of the new school format: “It will be the most affordable private high school in the country, and would be opened to pupils from all socioeconomic backgrounds.”

“I struggle to find hope in this being an accessible secondary schooling system for all socioeconomic backgrounds.” To be honest, I want her to be right. I want an institution that is able to satisfy each and every pupil’s needs in order to run a smooth and concurrent schooling system. However, the sheer fact that there are still countless problems arising in the already unstable environment which is UCT, makes me sceptical. I struggle to find hope in this being

Source: News24

an accessible secondary schooling system for all socioeconomic backgrounds. Pupils wanting to enrol will require a reliable internet connection, as well as a laptop — a smartphone won’t cut it. This is because certain software can only be accessed from a suitable laptop. This blows my mind because, as of the 2019 General Household Survey, it was found that only 6.2% of pupils from grade R to grade 12 in South Africa had access to a fixed internet connection. Of those who lacked connectivity at home, only 2.5% reported having access to the internet in a library or community hall, and 6.7% reported having internet at school. This already cuts out more than three-quarters of our population and whilst the word “affordability”

has been thrown around like a rag doll, the extra costs some would have to endure would make attending this new school a moot point.

“Perhaps we should focus on issues already present within UCT rather than trying to further privatise it.” The second issue arises when one looks into the environment one needs to excel. Traditional schooling provides a structured and learning-focused environment, particularly for pupils from disadvantaged households. However, in their homes, there is often less space, and noise can cause many disruptions. Children of higher economic standings, however, most likely have their own bedrooms where

DISCLAIMER

online learning can be relatively easy. As said by the VC, this new venture is aimed at bridging the gap between secondary and tertiary education, and in that aspect, the views of the Vice-chancellor are fair. However, whilst we need to focus on our youth’s education, there are still countless people who have left high school having the grades, but not the means to pay for a seat at one of the most prestigious universities on the continent. Perhaps we should focus on issues already present within UCT rather than trying to further privatise it. I don’t really have a problem with the idea of bridging the gap between secondary and tertiary education, making it easier for students to eventually excel in a higher institution. The

online format of the school allows students to pace themselves and thus opens up opportunities for slower learners to understand and go through the content. It is also clear that personalized teaching schedules and one-on-one chats will give students the care and guidance they need to progress. However, the idea that a university is going to be the one to fix a problem which, in my opinion, is spurred on by our country as a whole is ludicrous. We must first learn to fix the fundamental problems within our educational system before branching out into little side projects, which in essence may take away funding from the already underfunded traditional school system.

Opinions

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The Ronaldo wrangle: Where do your loyalties lie? Amidst the celebration of CR7 “coming home” as many Manchester United fans have cried, there has been a resurfacing of reminders that the star has a standing sexual assault allegation against him.

By Ilham Choonara

Source: SkySports

t is my opinion that the extent to which we celebrate this man needs to be reduced. He is undoubtedly a cultural phenomenon and an inspiration to many. Recognizing and acting in response to the allegations is not pessimism, or focusing on the worst of what many idolize as a great man. Rather, it is realism. The glory image is tainted, and we cannot look past it. It is alleged that in 2009, Christiano Ronaldo raped a former school teacher and model, Kathryn Mayorga. The alleged assault took place in a bedroom in Ronaldo’s penthouse during an afterparty in Las Vegas. Ronaldo had just met Mayorga that night, and she and a friend were invited to his private party. A month later, Ronaldo paid Mayorga $375 000 and she signed a non-disclosure agreement (NDA), preventing her from testifying in

court or from publicly speaking about the alleged incident. Ronaldo denied the allegations. However, a 27-page document was later leaked which details Ronaldo answering questions about that night. In it, he is quoted saying, “She said that she didn’t want to, but she made herself available” and “She didn’t want to give it to me, instead she ‘jerked me off’” as well as, “She said ‘no’ and ‘stop’ several times”.

“When allegations of sexual violence are ignored, a very loud message is sent to those around you.” Although Mayorga had signed the NDA, she spoke up again several years later. It is very possible that the NDA was signed in a state of trauma and fear of going up against a powerful and admired sportsman who is worth millions, as well as his fans and law-

yers. My opinion is that if he is alleged, he is alleged. I will not presently call him a rapist. But we should be very, very wary of celebrating his life and turning a blind eye towards the allegations.

“In the case of Ronaldo, he has a multitude of structures in place that protect him.” When allegations of sexual violence are ignored, a very loud message is sent to those around you. It perpetuates fear and uncertainty for those who are in fact victims. With the argument that sexual assault is difficult to prove, unfortunately, too many people turn to defend the alleged rapist. In the case of Ronaldo, he has a multitude of structures in place that protect him. The NDA was one of those said protections - it keeps Mayorga quiet and Ronaldo wins

DISCLAIMER

by default. He also sued magazines at the time that had covered this story. The money Mayorga received was nothing compared to Ronaldo’s salary. The picture this paints is that if you are rich enough and influential enough, you can get away with anything.

“Ignoring that the allegations exist, pumps power into the structures that afford impunity to rapists.” Ignoring that the allegations exist, pumps power into the structures that afford impunity to rapists. If allegations are the lower tier, and they are dismissed, what becomes of proven incidences of assault? When the odds in justice systems are significantly against victims, and rape culture further drives these injustices, doesn’t our opinion on an alleged rapist – albeit ‘superstar’ – seem to

weigh much more? Ronaldo’s life or career won’t be affected by your opinion. Neither will Mayorga’s. But your social circles learn the message from you, about what is more valuable. Whether this alleged incident happened 10 years ago, whether Mayorga just wanted the money, or whether Ronaldo has changed as a man since then; once you are aware of the allegation, your reaction has ramifications. Society learns from the energy we put into recognizing or ignoring. The least we can do is draw some attention to the fact that celebrating Ronaldo’s return without recognizing the allegation, is a continuation of rape culture. He may still not be a rapist. But he also may be one. It’s not about CR7. It’s not about you. It’s about the world we are creating for victims of assault.