Architecture Portfolio 2021 Weitzman School of Design - MArch

Architecture Portfolio

Veronica Rosado 2018-2020 Stuart Weitzman School of Design University of Pennsylvania

VerĂłnica Rosado Education PennDesign - University of Pennsylvania, Philadelphia Master of Architecture I and Master of City Planning (Smart Cities) candidate for 2022 University of Puerto Rico, RĂ­o Piedras BA - Environmental Design - Magna Cum Laude (2012-2017) Minor - Audiovisual Communications (2015-2017)

https://vrosado.myportfolio.com/work

3828 Spring Garden Street, Philadelphia, PA 19104 787-506-5690 vrosado@design.upenn.edu vcrosadoperez@gmail.com + English + Spanish

Experience Summer 2020

Penn Praxis Summer Research Program Design Fellow for Prof. Joshua Mosley, Fine Arts

- Data driven animation research

January 2020

FX Collaborative | New York Architecture Internship

- Barnard College Master Plan book

January - May 2017

March - Oct 2016

August - Dec 2016

- Grasshopper and Python documentation

- Covenant House construction documentation

Muuaaa Design Studio | Puerto Rico Architectural Designer

- interior design for retail and small business

- design research and development - small construction projects supervising and management - brandscaping, graphics for interior spaces

- logo design, content design, digital marketing campaigns - web design (front end), WebApp design wireframes

Trueface.Ai | Puerto Rico Graphic designer

- videography, photography

Rossi Lugo Architects | Puerto Rico Architecture Internship

- Project documentation of Residential Building

- Mobiliary and Vegetation Research for a Public Park - Schematic Design for Residential Renovation

Academic Work Fall 2020

Teaching Assistant to Ben Krone 2nd Year Housing Design Studio, Weitzman School of Design

Fall 2019

Teaching Assistant to Prof. Lindsay Falck Case Studies Technology Course, Weitzman School of Design

Fall 2019

Member of Speculections Design collaborative for speculative work in design discourse

Fall 2019 - Spring 2020

Laser Cutter Operator Fabrication Lab, Weitzmann School of Design

Fall 2018

Weitzman School of Design Office Assistant Architecture Dept. Work Study: Events, Exhibits and Open Houses

Proficiencies + Rhinoceros + VRay + Keyshot + Grasshopper + AutoCAD + Revit (basic level) + Adobe CC Suite Photoshop Illustrator InDesign

Premiere Pro

After Effects + Python (basic level) + Arduino C++ + R Studio (basic level) + ArcGIS + Laser Cutting + 3D Printing

Fall 2016

Habitat for Humanity, Puerto Rico (fall 2016) Community Service as part of the AXP Internship Program from the School of Architecture, University of Puerto Rico

2015 - 2016

TEDxUPR Design Committee (Graphic Design, stage design and presentation coordination with speakers)

Fall 2017

Hurricane Maria Relief Community Brigades Temporary rehabilitation of an old school in Río Piedras into a disaster relief center for the affected citizens

Study Abroad / Workshops May - June 2019

Apomechanes 2019: Greece Study Abroad Summer Program Art & Multimedia Installation Workshop

June 2015

Summer Abroad: London, Amsterdam, Paris, Belgium, Berlin Documenting architectural languages through hand drawing

May 2015

UPR-Cornell Collaborative Studio : San Juan - New York Adaptive Reuse - Vieques Case Study

July 2014

Architectural Association Visiting School San Juan - Play with your food - Food Design Workshop

Awards / Publications Spring 2020

Recipient of the Walter R. Leach II Fellowship Weitzman Design Awards- Academic Merit

Spring 2020

Recipient of the The Atkin Fellowship Weitzman Design Awards - Awarded to students who their work support of the idea of “place” in architecture

Spring 2019

Convert the Silo into Unique Art Studios and Residence in New York TransAxis Architecture - Digital Article

Spring 2019

Will Morris Mehlhorn Prize Weitzman School of Design Awards - Outstanding work in the History and Theory Sequence

Spring 2019

Pressing Matters 2018 Nomination (Published) 502 Design Studio Project - Manayunk’s Spatial Decentralizagtion Market

Fall 2018

Sequential Chambers Pavillion Exhibition at the Penn Museum (Published) 1 of 6 Selected Pavillions for the Penn Museum Chamber Exhibition

Fall 2018

Second Finalist Penn Museum Archives Design Project Exhibition Nomination of Design Project by Gisela Baurman

Fall 2018

Dean’s Diversity Scholarship at Weitzman School of Design Scholarship Award for outstanding application credentials into the Master of Architecture Program

References Miguel Miranda | miguel@muuaaa.com Eduardo Rega | erega@design.upenn.edu Ben Krone | ben@gradientarch.com

The following is a series of architectural ideas and narratives on resilience, ecology, humans and design.

If we have made the world that we experience, then we should not be asking ourselves how to find our proper place within it.

We should be asking whether we have structured it well. [...] from The Path, Micheal Puett & Christine Gross Loh (2016)

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Content

AA Core 1: Ecology | Reuse | Urban Natures 01 - Urban Canyon 02 - Biotics of an Efflorescene 03 - Breathing Heights, Friendly Grounds BB Core 2: Resilience | Decentralization | Cooperativism 01 - In Residence [with Water]: Adaptive Reuse at the Gowanus Bay Terminal 02 - Manayunk’s Socio Spatial Decentralization CC Core 3: Digitalism | Computation | Cultural Embodiment 01 - Heritage Harmonies 02 - Automated Museum DD Core 4: Diary of Visual Exercises Collection of architectural images and analytical drawings

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A

Core 1: Ecology | Re

A

euse | Urban Natures

Collage uses excerpts from Greg Dunn’s Self-Reflected project. http://www.gregadunn.com/ No copyright intended

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Urban Canyon Biomes | Artificial Natures | Fluid Institutions Location: New York City, NY Spring 2020 Partner: Maria J. Fuentes

Paola Antonelli’s Broken Nature exhibition influenced the project’s ethos which stresses the positive outcome of museums being curated through a fluid institutional approach; encompassing the natural and the synthetic to accumulate an applicable data set to continue conversations surrounding the Anthropocene.

Generative Collage

Our project proposes to re-create and infiltrate traditional gallery spaces with environmental biomes and art residencies to create a new hybrid typology for the 21st century museum. With this project we first looked at nature as a combination of human and non-human elements that cross pollinate at multiple scales in a grey threshold between the visual and the non-visual. This allowed us to think of a museum institution more fluidly; as a series of biomes that allow for different natural moments to exist in muddled binaries with the artificial. We defined biomes as place-making rooms of environmental

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change which oscillate between the natural and the artificial. This is seen through the lens of nonanthropocentric agencies. These biomes could be virtual biomes, plant incubators, or homes to synthetic art.

The building is one that hopes to set a new precedent for what sort of natures, stories, and ideas deem a space. The urban canyon sets out to carve out a public space for the pedestrian, as well as informing inhabitants of what could be artificial, what is nature, and how we find ourselves in the mix as humans.

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Biomes | Artificial Natures | Fluid Institutions

Site Isometric Render: Building in context 7

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Urban Canyon

Front Facade

The facade becomes an extension of the urban scape by creating micro-moves such as stretching the window frames and using the original brownstone’s ornamentation.

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Biomes | Artificial Natures | Fluid Institutions

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Side Facade

Following the dyptich logics, sheared axonometric views allow for dynamic street views and a second pedestrian entrance that connects the building to its context from within.

The Urban Canyon is born.

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01

Urban Canyon

Relief Model

We experimented primarily on creating our dyptich as an inverted Breuer throughout the proximate brownstones ...opening up space from the ground to the roof into a crevice that unfolds fluid, more dynamic spaces.

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Biomes | Artificial Natures | Fluid Institutions

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2.5D Studies on Material : Facade : Composition

The relief models were a testing ground for the soft and the hard materials coexistence in the physical world, representative of our definition of nature vs. the synthetic.

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01

Urban Canyon

B

Section AA

SIXTH FLO

FIF

FOUR

TH

SECO

STR

B

BASEM

0’

5’

10’

20’

50’

The longitudinal section shows how the spaces in the new building integrate with the existing museum. The crevice (urban canyon) opens up towards the basement’s outdoor space at the The Met Breuer, enlarging that public area for social activity and interactions.

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Biomes | Artificial Natures | Fluid Institutions

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Section BB

A SIXTH FLOOR/ROOF + 109’ - 9”

LOOR/ROOF + 100’ -8”

FIFTH FLOOR + 89’ - 3”

FTH FLOOR + 78’ -10”

RTH FLOOR + 60’ -11”

FOURTH FLOOR + 70’ -4”

HIRD FLOOR + 40’ -4”

THIRD FLOOR + 51’ - 11”

OND FLOOR + 22’ -0”

SECOND FLOOR + 32’ - 4”

REET LEVEL 0’ -0”

STREET LEVEL 0’ - 0”

MENT LEVEL - 12’ -0”

BASEMENT LEVEL - 10’ - 10”

A 0’

5’

10’

20’

50’

The second section then ...capitalizes on the opposite effect, a crevice that lands open from the top to the ground and allows for that urban flux space to exist within the building.

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01

Urban Canyon

Second Level Floorplan

The second floor is where we see our first biomes in plan; these areas show a range of natural and abnatural species: paleolithic rocks, extinct recreations of plants or artificial natures.

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Biomes | Artificial Natures | Fluid Institutions

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Street level floorplan showing integration to urban fabric

B

University of Pennsylvania | Stuart Weitzman School of Design | Arch 602 | Spring 2020 | Miroslava Brooks

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B

Veronica Rosado and Maria Fuentes

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STREET LEVEL FLOOR PLAN 0’

5’

10’

20’

50’

Roof Floorplan showing exterior terrace and biomes

The brownstones facade stretches around the roof, wrapping its structure and creating a gap in between, allowing for plants to grow. The roof houses biome collections and opens up to the outdoor garden.

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Urban Canyon

Render of Facade in Diptych-like format

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The biome facades have their singularity as a gesture that shows the building’s porosity growing from the exterior to the interior crevice.

Biomes | Artificial Natures | Fluid Institutions

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Axonometric Chunk Model

The chunk shows the materialization of the building and how the canyon facade relates and grows from the stretched brownstone techniques all the way to the cylindrical circulation core.

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Biotics of an Efflorescene Landscape Ecologies | Synthetic Natures | Post Remediation Design Location: Owens Lake, California (East of Sierra Nevada) Fall 2020 Partner: Hayden Wu

This proposal explores the potential behind efflorescence, catalogued as a secondary effect of Owens Lake’s dust mitigation project by LADWP*, as a primary resource that instead divulges the lake’s aesthetic and ecological vitality.

Horizon view of gravel distribution structures

Situated at polygon T1A-3 (see next page), the project seeks to explore how the post remediation phase of gravel’s apparent inertness can translate into active elements of mineral flows and ecological revival. Introducing brine as the secondary best available control measure (BACM), the site starts to build off of the underlying effects of efflorescence. This natural effect operationally infiltrates the site at all scales.

The flowing brine pools that run through the site serve as vital sources for halobacterium and algae cultivation, which then attracts other organisms like migratory birds to forage and nest in the nearby gravel lands. Dividing the site into smaller polygons

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is an imposing design disposition that turns the polygon into a post remediation microcosm for research on what engineers and scientists could potentially externalize at Owens Lake at large. Three main programs are allocated in this microcosm: gravel distribution infrastructure, brine research facility and snowy plover preservation center.

Starting from the north side polygons, the unstable nature of the surroundings prompt a rather stable program for gravel infrastructure. Moving down to the south east polygons, the increasing engagement with the east channel areas becomes an ideal location for brine bacterium and efflorescence control exploration.

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Landscape Architecture | Synthetic Natures | Post Remediation Ecologies

Render: Drone View of gravel fields and brine streams and pools

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Biotics of An Efflorescene

Overall Site Map: Minard Drawing showing ecological fields and early spatial dispositions

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Landscape Architecture | Synthetic Natures | Post Remediation Ecologies

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Overall Satellite Image of Polygon T1A-3 with gravel and brine B.A.C.M’s

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02

Biotics of An Efflorescene

Drone View of Brine and Efflorescence Research Facility

Moving down to the south east polygons, the increasing engagement with the east channel areas becomes an ideal location for brine bacterium and efflorescence control exploration.

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Landscape Architecture | Synthetic Natures | Post Remediation Ecologies

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Brine and Efflorescence Reasearch Facility Isometric Model

The building shell allocates channels and trays for brine micro testing and distribution from building to fields. Architecture blends with the landscape in a functional and experimental way.

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02

Biotics of An Efflorescene

Drone close up view of the gravel and brine ground ecologies

The active engagement of the brine and gravel lands builds up the final ecological rejuvenation: the preservation of the native bird species of the snowy plovers.

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Landscape Architecture | Synthetic Natures | Post Remediation Ecologies

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Bird Observation Center Isometric Building Model

The building in this area blends into the site through habitable gravel roof for distant bird observation. Subterranean corridors work as a buffer zone for researchers to circulate without disturbing the species’ nest fields.

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02

Biotics of An Efflorescene

Horizon View of the Brine and Efflorescence Research Facility

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Landscape Architecture | Synthetic Natures | Post Remediation Ecologies

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Horizon View of Gravel Distribution Structures

Horizon View of Snowy Plover’s Bird and Ecological Research Facility

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03

Breathing Heights Friendly Grounds HOK Design Futures Competition Location: Philadelphia Spring 2020

When architecture grows vertically, questions of social structures, well being, efficiency and power arise. In such fragile conditions is up to us as architects to think through the scenarios that humans can better coexist.

Market street has a strong commercial character that invites for mindless consumerism with little recreation and outdoor space activity at the urban to human scale. This project aims to attend the lack of street level life through activating the ground with plazas, small scale stores and temporary vendor spaces that hold a

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high residential and workspace tower.

The intention was to turn the ground of the tower into a public space with green walls that democratizes this area of Market Street.

With green walls growing higher to bring the entire building into a more human scale.

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Highrise Buildings| Mix use Towers | Green Infrastructures

Building Section 29

BB

Core 2: Resilience | Decent

BB

tralization | Cooperativism

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In Residency [with Water] Adaptive Reuse at the Gowanus Bay Terminal (GBX) Location: Red Hook, New York City Fall 2019

Water, science and art come together to enact ecology oriented domesticities and mixed residency spaces akin to Red Hooks’ roots.

Perspective from the ground’s public plaza (Northwest facade)

This adaptive reuse and housing project, located at the Gowanus Bay Terminal Building (GBX) in Red Hook, comes as an extension of the work of Dustin Yellin’s non profit Pioneer Works and their Ecologies of Transition Roundtable Series, advocating for the intersection of design, science and ecology. These three things become assets meant to strengthen the housing and the residency program of the building. In order to achieve this, I dealt with a continuous element (the ribbon) that moves throughout and in-between the silos organizing the space based on openness and enclosure, public

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and private, shared and intimate environments. The openings throughout the building create a visually shared space that promotes an ambiguous condition between the housing and the workshops, the interior and the exterior; meant to allow for the intersection of different social groups that already coexist in Red Hook: artists, designers, activists, young entrepreneurs, nuclear families. The architectural moves and the conceptual statement then provide flexible spaces for making and exhibiting projects related to water resilience and its relevancy when living on the waterfront.

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Form | Ecology | Reuse

Isometric Drawing/Model: looking at interior spaces and water monument throughout 33

01

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In Residency [With Water]

A night view at domesticity and re

esidency spaces (Southeast Facade)

Form | Ecology | Reuse

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[...] The goal was to intersect the housing program with the work of organizations like Marisa Prefer’s Invisible Labor and Resilient Red Hook, turning the Ecologies of Transition Roundtable Series in physical outcomes that thrive the adoption of policies in favor of long-term urban ecological thinking and conservancy of the Gowanus Canal. Red Hook and its residents have strong ties to water and resilience since they experienced the harsh floods from hurricane Sandy in 2012, so it seems extremely relevant to consider that for a housing and residency project at the GBX.

The combination of several open voids became balconies and outdoor workspaces for the residency program, while the spaces and openings happening outside those conglomerated voids became the more intimate balconies and windows for the housing units.

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01

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In Residency [With Water]

Elevation R

Rendering

Form | Ecology | Reuse

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01

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In Residency [With Water]

Long Hybrid Section: A look into interio

or activities and architectural complexity

Form | Ecology | Reuse

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01

In Residency [With Water]

Hybrid Plan

The “ribbon� defines the ambiguity or determinacy of the spaces as it also makes a monument for water once it reaches the roof and the ground of the building. reflect on architectural moves at a bigger scale.

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Form | Ecology | Reuse

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The Ribbon

part-to-whole relationship

formal translation of analog systems to silo

The plan is a hybrid of the ground level, the workshop levels and the residential levels. It shows the continuity of the spaces in relation to the ribbon.

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01

In Residency [With Water]

Residency and Workshop Spaces

Housing units and art walls

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Form | Ecology | Reuse

01

Looking up from the atrium at the communal level

Residency/Artists typical studio space

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Manayunk’s Socio Spatial Decentralization Expos | Self Sustainability| Island-voids Location: Manayunk, PA Spring 2018

Human and urban health are at the expense of aggressive capital development models that play against the realities and needs of cities and their people.

View from the platforms to the urban farming grounds and playgrounds

As cities become densely populated, mass production, and global economic and sociopolitical tensions become a threat to human health. Like Herbert Marcuse points out, people are constantly living in an “artificial state of nature” were social, natural and playful interactions are replaced by virtual and artificial interactions.

This market proposal, conceived as an “ágora”, is an attempt to deal with this urban and social issue. In this context, health is not only referring to physical treatment of the human body, but to health at the social level, at the urban level,

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at the mental level. The project is meant to remind people about the importance of health in front of an aggressive capitalist system.

The project integrates an educational agenda on the long term, showing and inciting people to get involve in sustainable and local models of living the city. With the support of three main Cooperatives: a Food Coop, an Arts and Humanities Coop and an Energy Coop, a set of inclusive micro systems of living, moving, working, reusing, consuming and disposing will be deployed

throughout the timeline.

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Resilience | Decentralization | Cooperativism

Isometric View: System of Roofs, Platforms, and Grounds

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02

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Manayunk’s Socio Spatial Decentralization

Oblique Site Plan of Overall Scheme : Self-sustainable P

Resilience | Decentralization | Cooperativism

Protocols of Integration [energy, food, and water hubs]

02

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02

Manayunk’s Socio Spatial Decentralization

Game tactics as Site Analysis Manayunkspoly: Politics of Cooperativism for Manayunk (based on the original game Commonspoly)

Precedent Studies & Mapping of Spatial Tactics

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Resilience | Decentralization | Cooperativism

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The Groundroots of the program Actor Network Diagram

Understanding Networks & Intangible Relationships within Architecture 49

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Manayunk’s Socio Spatial Decentralization

Rendering: The Platforms during Fall

Manayunk’s site is occupied with an integrated scheme.

The spatial conditions in this campus-like facility allow for social activations of different levels and for ad-hoc models of energy, water and food consumption.

Arts and Humanities are addressed as an educational and cultural component. A visiting housing program brings interdisciplinary people to the campus to impact locals through outreach activities. The visiting people are channeled through the universities, the cooperatives, and the grassroots organizations researched on the studio. Energy is integrated as a collaboration between the Energy Coop and the Food Coop. It works as an overall infrastructural implementation that feeds the campus throughout.

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Resilience | Decentralization | Cooperativism

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Platforms Typologies

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02

Catalog of Platform Typologies 01 temporary residencies 02 misfit markets 03 classrooms

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CC

Core 3: Digitalism | Computa

CC

ation | Cultural Embodiment

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Heritage Harmonies Pavillion | Vessels | Penn Museum Installation Fall 2018

An “artifact” is generally defined as a man-made object with embedded cultural significance. It is a combination of the word ARTE, meaning “by skill” and FACTUM meaning “to make”.

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Ancient vessels collect memory, embedded messages that could be unveiled through geometrical analysis or through anthropological and historical associations. They are seen as puzzles of human history, fragments of narratives of our existence. Following the geometrical “radiology” throughout padding and nesting systems of enclosure this is a chamber that resonates inter-connectivity; allowing these artifacs to hold/depend on each other. The

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chambers along with a stitch-like frame intend to expose the collective value of the artifacts in a holistic context rather than an individual one.

A networked collectivity between the artifacts to consequently open dialogues of cutural overlappings and apparent similarities.

01 Yoruba vessel 02 knitting techniques 03 diagram of knitting overall scheme mesh

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Cultural Embodiment | Nested Sequences

Final Pavillion 1 : 3 scale

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01

Heritage Harmonies

Post Construction Documentation

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Through the art of craft done by hands there is embodied energy, thus being conscious of that power can help transcend architectural ideas beyond computational capacity.

Cultural Embodiment | Nested Sequences

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Fabrication

Having the space to build this with our hands allowed for certain spontaneity and irregularity to guide the construction process, giving the pavillion special aesthetic qualities and beauty.

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02

Automated Museum Museum Archives | Art | Penn Museum Location: Penn Museum, Philadelphia PA Fall 2018

Any decision made in regards of the storage space must always aim to reduce risk of the collection; minimum deterioration, damage, or loss.

Elevation Render

As we benefit from computational means to generate form and space, how can archive spaces conceptually benefit from computational technologies and within this integration improve storage management in relation to museum spatial performance? Setting a scenario in the near future, this project explores the life and development of museum archives speculating on how automated infrastructures may improve their maintenance and integration with other spatial typologies such as educational and exhibition spaces. Museum collection storage is a delicate but complex space.

It is designed to meet standards of preservation,

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protection and accessibility; containing, organizing and caring for the collections while they’re in storage. Obviating the idea that technology allows us to collect cultures and histories through virtual realms, I would rather use technology here as an mechanism/medium for physical museum collection storage space. Architecture here is used as an attempt to reconfigure the levels of protection of a typical museum archive, turning them into layers of exposition where there is an “automated scale” and a “human scale” cohabitating, rigorously intersecting or disconnecting each other upon protection needs.

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Digitalism | Computation

Choisy Drawing

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02

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Automated Museum

Long Section: looking at o

overall scheme in context.

Digitalism | Computation

02

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Automated Museum

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Generative Design Diagrams

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02

01 Boolean Combination for 1 spatial definition in section 02 Boolean Combination 2 for spatial definition in section 03 Tracings of a tectonic element from the museum and a selected vessel from the museum collection 04 Tracing Iterations 05 Hybridization catalogs between the tectonic element and the museum vessel 06 Tridimensional models generated from hybridizations 07 Boolean models generated from hybridizations

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03

04

05

06

Iterative processes have the ability to broaden formal outcomes, the possibilities seem endless but the optimization can be very precise, rigorous and intentional.

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Digitalism | Computation

02

Generative Section Diagram

Booleaning, overlapping and intersecting were the main iterative techniques to develop this project.

Looking at form in section immediately gave it multiple scale values and spatial connotation.

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02

Automated Museum

Upper Level Floorplan

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The plan drawing delineates the archival spaces in relation to the gallery and educational space surrounding it.

Digitalism | Computation

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Transversal Sections

The sectional drawings allow us to visualize the verticality of the archival storage space and the circulation of the building.

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DD

Core 4: Diary of

DD

Visual Exercises

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DD

Diary of Visual Exercises Hybrid Drawings | A plan and sectional intervention to Tadao Ando’s Koshino House

A

A

Through guided intuitions, geometrical analysis can lead to overcome the apparent constraints of our physical and digital worlds. The following is a series that speculates on the static qualities of architecture throughout time and

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beyond the conventions of drawing, representing and associating elements.

DD

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Diary of Visual Exercises Hybrid Drawings | Extractions from Ricardo Bofill’s Les Espaces and Bramante’s Santa Maria Novella

Architecture manifests itself in physical space but it also exists through images and digital interfaces. Space and time are embedded in this media altogether becoming tools for enhancing, perpetuating or grounding architectural narratives.

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02

DD

Diary of Visual Exercises Extractions from Piranesi’s Campo Marzio Descriptive Geometry Drawings and Geometrical Assemblages

Assemblage I

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DD

02

Diary of Visual Exercises Extractions from Piranesi’s Campo Marzio Descriptive Geometry Drawings and Geometrical Assemblages

Assemblage II

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03

DD

Diary of Visual Exercises Perspectival Render of a Market Proposal for Manayunk

Day 10

Rendering and image manipulation are such powerful tools. They can express how architecture ages, destroys, reconstructs or impacts a community, a place, and

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individuals.

DD

03

Diary of Visual Exercises Perspectival Render of a Market Proposal for Manayunk

Day 3650

Projecting your architectural ideas 10 years after they are built makes you think about their purpose even more. You start considering factors that otherwise would seem given or common knowledge like weather, water, nature, mold, programming, etc.

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04

DD

Diary of Visual Exercises Urban Morphology Studies of Philadelphia’s Water, Slope and Greenery maps

Topographical Projections & Cubic Assemblages

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DD

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Diary of Visual Exercises Hybridization of the topographical projections

Final Aggregation

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