Bare.

Page 1

(bare) surprisingly sufficient. Selected works by Victoria Herrera




Š 2013 Victoria Herrera All rights reserved, No part of this publication may be reproduced or transmitted in any form or by any means, electronic and or mechanical without prior permission from Victoria Herrera. Written and produced by Victoria Herrera.

Contact Victoria Herrera victoriahdesign@gmail.com 208 869 8436 victoria-herrera.com



table of contents.



PORTFOLIO

Bare.

SELECT WORKS

Victoria Herrera


01

H&M 4–13

02

Fatted Calf 14–27

03

Printed Matter 28–39

04

Big Hook 40–47

05

Less is More 48–63

06

Balenciaga 64–71

07

AOTO 72–85

08

Meloza Tequila 86–97

09

Rick Owens 98–115

10

Good Store 118–157

TITLE

Table of Contents

00–00


PORTFOLIO

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Victoria Herrera


(bare) ridding the world of excess and clutter. that was the goal that I set out to achieve when I became a designer. finding the balance between being effortlessly bare, yet still intriguing. I believe in meaningful and minimal design, testing the truth to that which is surprisingly sufficient.

TITLE

Introduction

00–01


selected works.



(con–tem–po–rar–y) following modern ideas currently in the present, esp. in fashion or design.

PORTFOLIO

Bare.

SELECT WORKS

Victoria Herrera


H&M

01

04–05


(con–tem–po–rar–y) following modern ideas currently in the present, esp. in fashion or design.

CATEGORY

Identity INSTRUCTOR

Thomas McNulty CLASS

Identity 02 TIME SPAN

3 Weeks BARE PROCESS

See process on pages 04–07

PORTFOLIO

Bare.


BRIEF

_Take an existing company and redesign the brand identity.

H&M

01

CONCEPT

_Known as one of the largest international fast fashion retail companies, H&M was no longer fulfilling their brand’s vision through their current mark. The brand redesign aims to freshen up their look with a contemporary and fashion forward mark, keeping in mind their accessible price points by making it a friendly and versatile logo.

TITLE

H&M

04–05


PORTFOLIO

Bare.

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Victoria Herrera


TITLE

H&M

06–07


PORTFOLIO

Bare.

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Victoria Herrera


TITLE

H&M

08–09


PORTFOLIO

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Victoria Herrera


TITLE

H&M

10–11

+01 415 830 9256 CONTACT@H&M .COM WWW.H&M .COM

150 PO WELL S TREET SAN FRANCISC O, CA 9 4102

WINTER 2012


HERS

PORTFOLIO

Bare.

HIS

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Victoria Herrera


150 POWELL STREET SAN FRANCISCO, CA 94102 +01 415 830 9256 CONTACT@H&M.COM WWW.H&M.COM

JESSICA HERRERA MANAGER

150 POWELL STREET SAN FRANCISCO, CA 94102 +01 415 830 9256 CONTACT@H&M.COM WWW.H&M.COM

TITLE

H&M

12–13


(hand–craft–ed) made skillfully by hand, esp. by an expert of a particular field.

PORTFOLIO

Bare.

SELECT WORKS

Victoria Herrera


Fatted Calf

02

14–15


(hand–craft–ed) made skillfully by hand, esp. by an expert of a particular field.

CATEGORY

Packaging INSTRUCTOR

Phillip Ting CLASS

Packaging 02 TIME SPAN

6 Weeks BARE PROCESS

See process on pages 08–11

PORTFOLIO

Bare.


BRIEF

_Take an existing deli and redesign their identity and packaging system.

Fatted Calf

02

CONCEPT

_Fatted Calf is a local charcuterie in Hayes Valley, San Francisco that offers fresh and organic produce. A raw and personal approach was developed for the identity redesign. Pushing the personal aspect of their business by allowing the employees to participate in an active part of the packaging. The handwritten details encompass the trustworthiness they aim to achieve and exemplifies the handcrafted quality of this deli.

TITLE

Fatted Calf

14–15


PORTFOLIO

Bare.

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Victoria Herrera


TITLE

Fatted Calf

16-17


PORTFOLIO

Bare.

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Victoria Herrera


TITLE

Fatted Calf

18-19


PORTFOLIO

Bare.

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Victoria Herrera


TITLE

Fatted Calf

20-21




PORTFOLIO

Bare.

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Victoria Herrera


TITLE

Fatted Calf

24–25


PORTFOLIO

Bare.

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Victoria Herrera


TITLE

Fatted Calf

26–27


(col–lec–tive) belonging or relating to all members of a group of like minded individuals.

PORTFOLIO

Bare.

SELECT WORKS

Victoria Herrera


Printed Matter

03

28–29


(col–lec–tive) belonging or relating to all members of a group of like minded individuals.

CATEGORY

Identity & Web INSTRUCTOR

Bob Sloat CLASS

Graphic Design 03 TIME SPAN

4 Weeks

PORTFOLIO

Bare.


BRIEF

_Take an existing non profit organization and refresh their identity and website.

Printed Matter

03

CONCEPT

_Printed Matter is the world’s largest nonprofit organization dedicated to the promotion of publications made by artists. Their mission is to foster the appreciation, dissemination, & understanding of artists’ publications. This rebrand aims to put the artist at the forefront of the brand. Letting their independent art work become the voice and colors of the Printed Matter brand.

TITLE

Printed Matter

28–29


PORTFOLIO

Bare.

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Victoria Herrera


TITLE

Printed Matter

30–31


PORTFOLIO

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Victoria Herrera


printed matter

TITLE

Printed Matter

32–33


printed www.printedmatter.org

printed matter

about catalogue events donate contact

Š 2011 printed matter

PORTFOLIO

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Victoria Herrera

A Closer Look

London Protests

>

>

Stormy Night

God Talk

>

>

Pic Nic

Theatre E

>

>


d matter

Every Body

The Blame Game

>

>

Black Butterfly

Start

>

>

Mah Jongg

News Report

>

>

TITLE

Printed Matter

34–35


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5,$',$(6-#%#,$(7&&(8",%&2% +9(:*1#'(;"%#<

*+,-% .*%*/,0-& &1&$%2 ',$*%& .,$%*.%

6=&(>#"2%($&32!*!&"2(3&"&(!",'-.&'(-2#$0(,$/9(%&?%4(@%(2,)& !,#$%(#$(%=&(63&$%#&%=(.&$%-"9(%=&9(2%*"%&'(%,(*''(2,)&(!#.%-"&24( 6,'*9A(%=&(#)*0&2(*"&(%*B#$0(),"&(#)!,"%*$.&(#$($&32!*!&"2A( %=&(>*.%2(*"&($*""*%&'(+9(%=&(%&?%(*$'(#)*0&2(#//-2%"*%&(%=*%(>*.%2A( +-%(3&(.*$(2&&(*(./&*"(&1,/-%#,$(3=&"&(%=&(#)*0&2(*"&(0",3#$0( #$(%=&($&32!*!&"2(*0*#$2%(%=&(%&?%4(@$(#)*0&(.*$(+&(>*2%&"(%=*$( 3,"'2(*$'(#2(*/2,(),"&(&*2#/9('#0&2%&'4

© 2011 printed matter

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C*%&0,"9D(E&32!*!&" 8*0&2D(FG :#)&$2#,$2D(HI4J(?(K(#$ 8"#.&D(LHJ4KK @''(%,(.*"%


printed matter www.printedmatter.org

shopping cart

.*"%(MNO

about catalogue

London Tuition Fee Protest by David Ortiz

events

Remove

Quantity: 1 Edit

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Every Body Dance Now by Lane Murray Remove

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P

© 2011 printed matter

TITLE

Printed Matter

36–37


PORTFOLIO

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Victoria Herrera


TITLE

Printed Matter

38–39


(grunge) a style characterized by raucous and a particularly messy aesthetic.

PORTFOLIO

Bare.

SELECT WORKS

Victoria Herrera


Big Hook

04

40-41


(grunge) a style characterized by raucous and a particularly messy aesthetic.

CATEGORY

Packaging INSTRUCTOR

Thomas McNulty CLASS

Packaging 03 TIME SPAN

10 Weeks BARE PROCESS

See process on pages 12–15 ILLUSTRATOR

Sam Lee

PORTFOLIO

Bare.


BRIEF

_Trinchero Family Estates came to our class in search of a new wine label that appealed to the millennial age group. One pairing was to be selected for actual production.

Big Hook

04

CONCEPT

_The Big Hook wine drinker is your typical grungy hipster guy. He wears nothing but plaid button-ups and is covered in tattoos. In his spare time he enjoys going to underground art shows and listening to the Grateful Dead. His laissez faire personality makes this wine drinker appreciate a non-fussy approach to his wine. The guy is on a budget but always has enough to buy a bottle of wine or case of beer. When he bikes home to his messy apartment on the outskirts of town, he loves cuddling up with his fuzzy cat and playing guitar with his three musician roommates. OUTCOME

_Big Hook wines were the selected winning labels for this account. They will be out on shelves by the end of 2013.

TITLE

Big Hook

40-41


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Victoria Herrera


TITLE

Big Hook

42-43


PORTFOLIO

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Victoria Herrera


TITLE

Big Hook

44-45


PORTFOLIO

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Victoria Herrera


TITLE

Big Hook

46-47


(mod–er–a–tion) the avoidance of excess or extremes, esp. in one’s behavior and or political opinions.

PORTFOLIO

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Victoria Herrera


Less is More

05

48-49


(mod–er–a–tion) the avoidance of excess or extremes, esp. in one’s behavior and or political opinions.

CATEGORY

Print INSTRUCTOR

Megumi Kiyama CLASS

Print 02 TIME SPAN

8 Weeks BARE PROCESS

See process on pages 16–19

PORTFOLIO

Bare.


BRIEF

_Find a topic you are passionate about and create an educational campaign that informs people about it.

Less is More

05

CONCEPT

_The Less is More campaign challenges people to be aware of the consumer culture that we have become. The campaign aims to put a stop to overconsumption and promote the value of moderation by using a semi-propaganda style to display the facts. The design keeps a balance between being exceptionally minimal and educational, while still evoking a feeling of excess through the overlapping of elements.

TITLE

Less is More

48-49


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Victoria Herrera


TITLE

Less is More

50-51


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Victoria Herrera


TITLE

Less is More

52-53




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Victoria Herrera


TITLE

Less is More

56-57


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TITLE

Less is More

58-59


ENOUGH 2/3 IS ENOUGH

OF ALL STORAGE UNITS ARE USED TO STORE STUFF PEOPLE NO LONGER NEED AT HOME

THE BREAKDOWN NECESSARY STORAGE FACILITIES 15,180 out of 46,000

UNECESSARY STORAGE FACILITIES 30,820 out of 46,000

33% 67% > LESS >

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ENOUGH 40% IS ENOUGH OF AMERICANS SPEND MORE THAN THEY EARN

THE BREAKDOWN 18% MIDDLE CLASS HOMES

$50,000-200,000 income

72%

LOW INCOME HOMES $10,000-50,000 income

UPPER CLASS HOMES $200,000-$600,000 income

TITLE

Less is More

10%

LESS >>

60-61


ENOUGH LESS > IS ENOUGH WHO WE ARE

THE CONFERENCE

THE FACTS

TESTIMONIALS

SUBSCRIBE:

CONTACT US DID YOU KNOW?

40% OF AMERICANS SPEND MORE THAN THEY EARN

WERE COMING TO YOU!

4 HRS

MORE >

TIP OF THE DAY

LATEST POLL

TESTIMONIALS

Next time you go out shopping, think about your purchase twice. Do you really need what you are about to purchase? Will it really make you truly happy?

We like to have nice stuff, but as the saying goes, the best things in life aren't things. Would you agree? What's your pick for the best thing in life?

“To me, being a postconsumer means paying attention to the true needs and nature of humanity, including myself.”

MORE DAILY TIPS >

ANSWER HERE >

ADD YOUR STORY >

© 2011 LESS IS MORE

PORTFOLIO

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Victoria Herrera


TITLE

Less is More

62-63


(oc–ca–sion) a particular time or instance of an event, special in nature.

PORTFOLIO

Bare.

SELECT WORKS

Victoria Herrera


Balenciaga

06

64-65


(oc–ca–sion) a particular time or instance of an event, special in nature.

CATEGORY

Packaging INSTRUCTOR

Thomas McNulty CLASS

Packaging 03 TIME SPAN

4 Weeks BARE PROCESS

See process on pages 20–23 INDUSTRIAL DESIGN

Jessica Herrera

PORTFOLIO

Bare.


BRIEF

_Introduce a desk clock into an existing companies product line while keeping their brand attributes in mind.

Balenciaga

06

CONCEPT

_Founded by Cristobal Balenciaga this fashion house has been praised world wide for their uncompromising standards in couture fashion. His bubble skirts and odd feminine, yet ultra modern shapes, are trademarks of the brand. His Fall 2010 collection was no exception. This commemorative desk clock aims to celebrate the efforts of this beautiful collection, mixing and matching different materials, textures and colors, much like his line.

TITLE

Balenciaga

64-65


PORTFOLIO

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Victoria Herrera


TITLE

Balenciaga

66-67


PORTFOLIO

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Victoria Herrera


TITLE

Balenciaga

68-69


PORTFOLIO

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Victoria Herrera


TITLE

Balenciaga

70-71


(ex–cel–lence) the quality of being outstanding or extremely good at something.

PORTFOLIO

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Victoria Herrera


AOTO

07

72-73


(ex–cel–lence) the quality of being outstanding or extremely good at something.

CATEGORY

Identity INSTRUCTOR

Thomas McNulty CLASS

Identity 02 TIME SPAN

11 Weeks BARE PROCESS

See process on pages 24–27

PORTFOLIO

Bare.


BRIEF

_Art of the Olympians, an art gallery closely associated with the International Olympic Committee, came to our classroom in search of a brand redesign. One of the identities was to be selected and put to use just in time to show at the 2012 London Olympics.

AOTO

07

CONCEPT

_Much like Art of the Olympians, the concept behind this logo mark is based on the union of two seemingly separate things: Art and Sport. It’s AOTO’s mission to promote the coexistence of these two &celebrate their very similar paths that both take dedication, practice, and creativity. The new mark gives AOTO a fresh new look, with a more vibrant colour palette. Showcasing the art & sport aspects of it as equally important. The logo mark symbolizes an abstracted Olympic torch as well as the path of an Olympian artist. Rigorous and disciplined at the start & creatively free as they branch out towards the end. OUTCOME

_As the selected winner, I was flown out to AOTO’s headquarters in Florida to introduce the brand to their organization and help put the rebrand in motion.

TITLE

Art of the Olympians

72-73


PORTFOLIO

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Victoria Herrera


TITLE

Art of the Olympians

74-75


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Victoria Herrera


TITLE

Art of the Olympians

76-77


PHOTOGRAPHIC STYLE

5.1

ART OF THE OLYMPIANS

“HARD WORK AND INSPIRATION WILL ALWAYS BE THE FOUNDATION FOR SUCCESS.” -BOB BEAMON

PORTFOLIO

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Victoria Herrera


TITLE

Art of the Olympians

78-79


PORTFOLIO

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Victoria Herrera


TITLE

Art of the Olympians

80-81


PORTFOLIO

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Victoria Herrera


TITLE

Art of the Olympians

82-83


PORTFOLIO

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Victoria Herrera


TITLE

Art of the Olympians

84-85


(tra–di–tion) the transmission of customs or beliefs from one generation to another.

PORTFOLIO

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Victoria Herrera


Meloza Tequila

08

86-87


(tra–di–tion) the transmission of customs or beliefs from one generation to another.

CATEGORY

Packaging INSTRUCTOR

Thomas McNulty CLASS

Packaging 04 TIME SPAN

5 Weeks

PORTFOLIO

Bare.


BRIEF

_Take an existing liquor packaging, redesign their current brand and introduce a higher price point label to their spirit line.

Meloza Tequila

08

CONCEPT

_As a fairly new brand to the sipping tequila market in the U.S. Meloza Tequila was in need of a more recognizable label that showed off the traditional qualities of this rustic drink. Priced at $50 for their current line, including Reposado and Anejo, the brand aims to attract an older more sophisticated audience by introducing a higher end Extra Anejo label. The $200 price point called for a much more sophisticated design that exemplified the sipping quality of this nicely crafted traditional Mexican spirit.

TITLE

Meloza Tequila

86-87


PORTFOLIO

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Victoria Herrera


TITLE

Meloza Tequila

88-89


PORTFOLIO

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Victoria Herrera


TITLE

Meloza Tequila

90-91


PORTFOLIO

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Victoria Herrera


TITLE

Meloza Tequila

92-93


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Victoria Herrera


TITLE

Meloza Tequila

94-95


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Victoria Herrera


TITLE

Meloza Tequila

96-97


(cult) a relatively small group of people having religious beliefs or practices regarded by others as strange or sinister.

PORTFOLIO

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Victoria Herrera


Rick Owens

09

98-99


(cult) a relatively small group of people having religious beliefs or practices regarded by others as strange or sinister.

CATEGORY

Print INSTRUCTOR

Eszter Clark CLASS

Print 02 TIME SPAN

12 Weeks

PORTFOLIO

Bare.


BRIEF

_Create a promotional print piece for an existing brand.

Rick Owens

09

CONCEPT

_American Fashion designer Rick Owens’ look, has been described as glamour-meets-grunge. This was the basis of the design direction for this piece. Over the years he has gained a cult like following that appreciates his unorthodox vision of beauty. Some what cynical and dark but always impeccably executed. Welcome to the Cult of Beauty.

TITLE

Rick Owens

98-99


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Victoria Herrera


TITLE

Rick Owens

100-101


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Victoria Herrera


TITLE

Rick Owens

102-103


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//

TITLE

Rick Owens

104-105


//

BEAUTY CAN CONFUSE


//

Although there are some generally accepted standards of beauty, the concept its self has always been the subject of great debates and contradictions. The same definition for beauty has never been embraced by everyone, either because of cultural differences, or, even in the same culture, because of the different esthetic tastes that people have, and it is quite probable that this will never happen. It is therefore safe to say that it is a matter of personal preferences, and that beauty lies in the eye of the beholder. This is why fashion has such a broad range of styles. While trends play an important part of every season, designer’s tastes and philosphies can vary vastly. Some embracing the ideal form of beauty and others wanting nothing to do with the conventional values. The latter can be disturbing and considered distasteful to most, but for those who dare to break away from the norm and question these values along with the designer ‘s vision it can be a transformative process.

It can make us dance. Make us sad. Beauty can be magical. Beauty can transform us. It lets our soul sing, but it can have such depth that you don’t even notice it at first, or ever. Beauty can confuse.

_THE CULT OF BEAUTY

rick owens vision

P

15 >

14


a

b d

e

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TITLE

Rick Owens

108-109


Beaut the  eyes  beholder


ty is of the r

_THE CULT OF BEAUTY

-

What if the beholder was someone dark and unconventional? What if the beholder appreciated the true essence of beauty so much that he wanted to deconstruct every ounce of it? What if the beholder was none other than Rick Owens? ?

Welcome to a world of darkness, a world where ugly is beautiful, a world that seeks to empower through the unconventional use of fabrics, shapes and silhouettes. A vision that is not for all but a vision that pushes the limits of beauty and welcomes anyone who dares to join. Welcom to the cult of beauty.

//

rick owens vision

P

18

19 >


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rick owe vision TITLE

Rick Owens

112-113


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Victoria Herrera


TITLE

Rick Owens

114-115


team work.



(good) possessing or displaying moral virtue, having positive qualities.

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Good Store

10

118-119


(good) possessing or displaying moral virtue, having positive qualities.

CATEGORY

Packaging INSTRUCTOR

Thomas McNulty CLASS

Packaging 04 TIME SPAN

10 Weeks BARE PROCESS

See process on pages 28–31

PORTFOLIO

Bare.


BRIEF

_Create a large department store that does not currently exist, include several store brands and a select few private brands. Brand each of these departments and package them according to their unique selling points.

Good Store

10

CONCEPT

_In a world where things too often don’t work, Good seeks a path that does. Left, right. In, out. Greed, altruism. Us, them. These are the defaults and they are broken. We are the alternative model, the reasonable people who give a damn. No party lines. No borders. We care about what works, what is sustainable, prosperous, productive, creative, and just, for all of us and each of us. TEAM

_As the leader of my group I can honestly say we had the dream team: Lydia Muyadi, Jessica Giboin, Fred Carriedo, and Ihan Huang.

TITLE

Good Store

118-119


WORKING TOWARDS A SMARTER AND BETTER WORLD.

STORE BRANDS

PORTFOLIO

Bare.

DEPARTMENT Kitchen Ware

D E P A RTM E N T Cleaning Products

TARGET AUDIENCE 25-50 Families

TA RGE T A UD IE N C E 25-50 Families

KEY WORDS

K E Y W O RD S

MODERN QUALITY DURABLE

SUSTAINABLE FRESH ALL NATURAL

USP Premium kitchen ware focused on material sustainability & durability.

USP All natural cleaning products that work and are safe for everyone.

DEPARTMENT Pharmaceutical

D E P A RTM E N T Garden & Patio

TARGET AUDIENCE 25-35 Singles

TA RGE T A UD IE N C E 25-40 Singles

KEY WORDS

K E Y W O RD S

HOMEOPATHIC ALL NATURAL MEDICAL

HANDCRAFTED EARTHY SUSTAINABLE

USP A medical approach to homeopathic medicine because it works just as good as medicine!

USP All you need for your small garden and outdoor patio. Focused on specialty items and handcrafted quality.

SELECT WORKS

Victoria Herrera


PRIVATE BRANDS

RASCALS

NUMBERS

DEPARTMENT Baby Products

D E P A RTM E N T Pantry

TARGET AUDIENCE 0-7 Children

TA RGE T A UD IE N C E 25-40 Singles

KEY WORDS

K E Y W O RD S

Educational all natural FUN

Modern ORGANIZATIONAL ORGANIC

USP Products with child safety and educational development as our top priority makes these baby products a mom’s dream.

USP The number system helps organize your pantry and allows you to focus on the single most important thing, the ingredient.

INTIMATE DEPARTMENT Personal Care TARGET AUDIENCE 25-35 Couples KEY WORDS

confident sexy tasteful USP Premium personal care line with materials, design and pleasure at the core of our values.

TITLE

Good Store

120-121


FROM OUR GOOD STORE TO YOUR GOOD KITCHEN.

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TITLE

Good Store

122-123


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Victoria Herrera


TITLE

Good Store

124-125


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TITLE

Good Store

126-127


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TITLE

Good Store

128-129


CULTIVATED LIVING.

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TITLE

Good Store

130-131


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TITLE

Good Store

132-133


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TITLE

Good Store

134-135


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TITLE

Good Store

136-137


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TITLE

Good Store

138-139


SIMPLIFY YOUR PANTRY.

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Victoria Herrera


TITLE

Good Store

140-141


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Victoria Herrera


TITLE

Good Store

142-143


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Victoria Herrera


TITLE

Good Store

144-145


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TITLE

Good Store

146-147


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TITLE

Good Store

148-149


SEXY IS SMART.

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TITLE

Good Store

150-151


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TITLE

Good Store

152-153


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TITLE

Good Store

154-155


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TITLE

Good Store

156-157


many thanks.



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M om & D a d This is for you.

Hess Make me proud.

V ic tor Como mil chuchos.

J essu Who run the world? Peter Kanai Michele Collins Elena Miska Anton Schulz Oren Aks Vanessa Cornwall Jessica Monack Nadia Izazi Cassia The Theo Slavin Stjepan Ilich Tom McNulty Mary Scott Michael Osborne Megumi Kiyama Jeremy Stout Character Crew

For a ll of the love, sup p or t a nd guid a nc e I a m for ever tha nkful.

TITLE

Acknowledgements

160-161


credit notes.



Ph o t ogr ap h y Victoria Herrera Victor Prieto

C am e r a Canon T2i

Pr i n t er Giant Horse

Bi n der y The Key

Stock Finch Fine Paper 100lb text Canson Mi-Teintes

T ype f a c e s Din Light and Medium Courier New Regular

U n i v er si t y Academy of Art University 79 New Montgomery St. San Francisco, CA 94105

Depa r t m e n t C h a i r Mary Scott






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