VICTORIA SHINGLETON SPRING 2016 SELECTED WORKS
01 STEEL CLOUD CONTACT
PROJECT DATA
vshingleton@g.ucla.edu
Course: ARCH&UD 415 Comprehensive Design Studio Term: Winter 2016 Critic: Neil Denari
SITE 203 N. Chautauqua Blvd, Pacific Palisades (site of Eames Case Study House No. 8 OBJECTIVE 3,000 GSF single-family home for art enthusiast couple - master bedroom (max. 20% gross area) - powder room (max 1.5% gross area) - kitchen and pantry (min 5% gross area) - defined outdoor space (min. 10% gross area) - 2 car garage (max. 16% gross area) - in home gallery/exhibition area Site Plan, 203 N. Chautauqua Blvd.
Steel Cloud challenges the conventional shape of a house while taking advantage of steel as a material to achieve long spanning cantilevers. The plan is composed of six circles which are symmetrical on two axis. One enters through the garage into a central gallery of Robert Irwin columns. Each circle contains program - kitchen, office, patio, bedroom, living, and garage. All exterior walls are transparent, and the most private spaces are contained in floating solid cells with transparent glass ceilings. In section, the house is symmetrical on one axis, and its butterfly profile creates an extreme cantilever on the site. The building is supported by a large truss, while the roof is supported by an umbrella structure of six branching columns. The columns extend from the truss which gives them fixity. They are cut and welded to a 1� steel plate to allow for the perpendicular cantilevering beams to intersect the truss. There are different levels of transparency in exposing the steel structure. While the truss is disguised by perforated metal panels, the columns and roof grid are completely exposed on the exterior. One standing inside may wonder how they are being supported, but have a complete understanding of how the roof is supported overhead.
Exterior Render - Steel Cloud
Interior Render - Robert Irwin Column Gallery
Interior Render - Kitchen
Section A
A
B
Plan
01 STEEL CLOUD | WINTER 2016 | NEIL DENARI
South Elevation
Section B
West Elevation
VICTORIA SHINGLETON
1
1
1
1
12
13
12
11
14 15 16 17 18 19 20 1 21
2
Detail: Aluminum Cladding and Glazing Connection
21 3 20 19 22 4 5 6
14
7 23 8
9 10 8 3
24
25 25
Detail: Column Truss Connection
01 STEEL CLOUD | WINTER 2016 | NEIL DENARI
Detail: Perforated Screen and Glazing Connection
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25
W 10x45 Welded Steel Branch 1’ Steel Column W 18x46 Truss Member 1” Welded Steel Plate 1” Steel Bolt 3/8” Steel Angle W 18x46 Steel Angle L 6x6x1/2 Diagonal Cross-Bracing W 10x43 Diagonal Truss Member 3/8” Steel Angle Steel Sheet Vapor Barrier 3” Batt Insulation 1/8” Steel Angle Aluminum Cladding 1/8” Air Gap 2” Steel Frame MC 13 Channel 3/8” Steel Angle Aluminum Glass Fastener Double Glazing Travertine Floor MC 18 Steel Channel 3” Steel Frame 3/16” Perforated Steel
Roof Frame
Umbrella Columns
Welded Steel Plate
Floor Truss
Concrete Foundation
Exploded Structural Isometric
VICTORIA SHINGLETON
02 GAUNT ELASTICITY CONTACT
PROJECT DATA
vshingleton@g.ucla.edu
Course: ARCH&UD 401 Technology Core Term: Spring 2015 Critic: Mohamed Sharif Teammates: Felipe Hernandez and Dokyung Kim
PRECEDENT Krefeld Villas, Mies van der Rohe, 1930 OBJECTIVE Tectonics (particularly building envelopes) and Performance (includes not only technical, but technological and cultural dimensions) Primary mode of design and representation is the architectural model. Haus Lange, Krefeld, Germany
The Krefeld Villas, Haus Lange and Haus Esters, are often considered Mies’s most compromised works. Appearing as solid walls with punched openings, the two residences are a form of “skin and bones” architecture in which one cannot see the structure that exists behind the facade. This project sets window, wall, and concealed frame in a tectonic tension evocative of an emaciated, anorexic body whose thin skin is stretched over its carcass to signal the presence of a frame within. Seeking to expose the steel structure, the instinct to “suck in” the brick veneer allows the facade to be considered as a literal fabric. The veneer remains taut with the window frame, and the frame becomes the component which facilitates the literal gauntness of the facade. In transition from fabric back to brick, the English bond pattern gradually morphs as the facade curves. To allow for smooth curvature as the rectangular bricks turn corners, the depth of the brick gradually decreases to wrap tightly around the steel columns. By concavely stretching the brick veneer from a modular thickness to the thinness of tile, the window is simultaneously released as an object that teeters between interior and exterior while registering the presence of the steel frame behind it.
Gaunt Surface Model, constructed at 3” = 1’ (MDF, Plywood)
Gaunt Surface Study 1 (3D Print, Museum Board)
Gaunt Surface Study 2 (3D Print)
Krefeld Villa Wall Section Model (Museum Board, Acrylic)
Krefeld Villa Wall Section Model (Museum Board, Acrylic)
Gaunt Surface Study 1 (3D Print, Museum Board)
Gaunt Surface Study 1 (3D Print, Museum Board)
02 GAUNT ELASTICITY | SPRING 2015 | MOHAMED SHARIF
Window and Wall
Window and Window
Wall and Wall
Krefeld Villa Wall Sections
Window and Wall
Window and Window
Wall and Wall
Gaunt Surface Wall Sections
FELIPE HERNANDEZ, DOKYUNG KIM, VICTORIA SHINGLETON
Analysis of Forces Stretching Surface
Kinetic Surface Elasticity Model - Front (Lycra, Basswood)
Kinetic Surface Elasticity Model - Back (Lycra, Basswood)
02 GAUNT ELASTICITY | SPRING 2015 | MOHAMED SHARIF
Gaunt Surface Study 2 (3D Print)
Brick Veneer Panel System
FELIPE HERNANDEZ, DOKYUNG KIM, VICTORIA SHINGLETON
03 weCYCLE CONTACT
PROJECT DATA
vshingleton@g.ucla.edu
Course: ARCH&UD 291 Program in Theory Term: Winter 2016 Critic: Dana Cuff Teammate: Aaron Gutierrez
SITE USC/Downtown Cluster Los Angeles bid for 2024 Summer Olympic Games OBJECTIVE Global attention to the games along with priority on national teams reduces the host city and its citizens to mere backdrops. We propose the 2024 Olympic Games could be a model for Olympic events that produce local benefits. Create a programming and conceptual design proposal that shows how the 2024 Olympics could serve everyday citizens of Los Angeles. USC/Downtown Cluster
The Los Angeles Metro rail currently serves 350,000 riders per weekday. To cater to the influx of people for the 2024 Olympics, Los Angeles is investing $88.2 billion resident tax dollars in lengthening the Metro system by 50%. By expanding 4 rail lines and adding 27 new stations, the Metro system will cover 120 miles, servicing the LA urban area. Los Angeles is home to the nation’s largest clean air bus fleet and is committed to reducing greenhouse gas and making strides in the “greening” of the transportation system through investment in electric and biomethane fuel sources. LA’s latest green implementation in public transportation is bike share. Breeze Bike Share began in Santa Monica in November 2015, and Metro plans to kick off a bike share in Downtown LA in summer 2016. Bike share is an eco-friendly compliment to the public transportation system and could be utilized to fit the mobility needs of the 2024 Olympics. Encouraging Olympic spectators to bike to events will reduce greenhouse gas emissions while minimizing vehicular traffic. We propose to make bike commuting more comfortable and convenient. weCycle LA uses mobile technology to integrate bike share with washrooms and bike repair facilities. weCycle stations will act as beacons, bringing together bike commuters during the Olympics, and will continue to serve the cycling community after the games.
weCycle Station
Metro Rail and Stop Map (2024 Projection)
Character Creation, Addressing the Tourist and the Angeleno
LA’s Air Quality 10.0
Too High!
L.A. is ranked 3rd in U.S. cities with the worst air quality in 2015, according to the American Lung Association, behind Bakersfield
6.0
6.5
5.7
6.7
5.9
and Visalia, CA.
describes a mixture of emissions from
NYC
industry pollutants, cars and vehicles, and
“smog”
LA
San Francisco
open burning under specific climate
Compared to other US cities, LA has one of the lowest per-capita
conditions. It is hazardous because it
electricity consumption rates (5.9 megawatts per hour). However, due to
contains
ozone , a pollutant that
the use of cars and trucks, LA’s greenhouse gas emissions are 30% higher
can harm our health.
than those of San Francisco and New York City.
Transportation emissions from vehicles generate over one-third of all greenhouse gas emissions. irritates the respiratory system reduces lung function aggrevates asthma damages the lining of the lung Stationary Sources
Los Angeles
19.7%
Greenhouse Gas Emissions
The Environmental Protection Agency (EPA)
Building Energy
39.2%
has set an ozone standard of 72 parts per billion. In 2014, LA exceeded the EPA
Oh, my car is causing all of this smog?
standard, resulting in
94
bad air days
On-Road Transportation
33.5%
Gold, Mark, Stephanie Pincetl, and Felicia Federico, eds. 2015 Environmental Report Card for Los Angeles. Los Angeles: UCLA Institute of the Environment and Sustainability, April 2015. Smog - Who Does It Hurt? What You Need to Know About Ozone and Your Health. Washington, DC: United States Environmental Protection Agency, July 1999.
weCycle LA
Aaron Gutierrez + Victoria Shingleton
Reducing CO2 Emissions L.A. is expecting approximately 150,000 daily spectators over the
Transportation is a source of substantial and rapidly increasing greenhouse gas
16-day Olympics.
emissions. When evaluating different modes of transportation, it is the bicycle which allows for important greenhouse gas savings. The bicycle is not a carbon
To calculate the amount of CO2 that would be emitted by the estimated 150,000 Olympics
free mode of transportation, as the production, maintenance, and fuel (food
spectators, we assumed four people (one driver, three passengers) per car, verses one cyclist per
consumed by the cyclist) needed to power the bicycle emit CO2. However, the
bicycle. This amount of CO2 is that in addition to the average 91,031,000 kg released by on-road
bicycle’s greenhouse gas emissions are still over ten times lower than those from
transportation in LA daily.
a car and five times lower than those from a bus.
CO2 emissions
+
=
74,763,750 g CO2 per day
+
=
3,150,000 g CO2 per day
21 g
(grams/passenger/kilometer)
101 g
The amount of CO2 emitted by a bicyclist is 86% less than the amount of CO2 emitted by a car
271 g
carrying four people. If Olympics spectators choose to travel to events via bicycle, rather than rely on vehicular transportation, we can greatly reduce the amount of CO2 released, working towards a healthier, smog-free Los Angeles.
I can help the environment and get exercise by cycling!
if...
100% 75% 50%
weCycle LA
Aaron Gutierrez + Victoria Shingleton
03 weCYCLE | WINTER 2016 | DANA CUFF
of Olympics spectators bicycle, we would reduce CO2 emissions in LA by
86% 68% 53%
Liban, Cris, Madonna Marcelo, Lauren Ledbetter, and Jennifer Klausner, comps. Bicycle-Rail Trip Analysis and Greenhouse Gas Emissions Reduction Focused Study. Los Angeles: LA County Metropolitan Transportation Authority, June 2011.
10’
13’
40’
weCycle Station Plan and Section
weCycle Station Locations along Olympic Way
weCycle Interactive Screen and Mobile Interface
AARON GUTIERREZ, VICTORIA SHINGLETON
04 UNITIZED ABSTRACTIONS CONTACT
PROJECT DATA
vshingleton@g.ucla.edu
Course: ARCH&UD 411 Introductory Design Studio Term: Fall 2014 Critic: Andrew Kovacs
PRECEDENT Santa Maria de Santes Cruz (1174-1314) OBJECTIVE Formal Analysis - Spatial organization - Analyze different principles of order - Transform or develop new order - Produce measured drawings and physical models
Santa Maria de Santes Cruz
In analysis of Santa Maria de Santes Creus, a grid is imposed over the entire church which it adheres to on all axis. The individual vault is divided into 36 individual units, 20 containing parts. Because the vault is symmetrical on two axis, the units are reduced to 6 different types which are rotated and repeated. Unitized abstractions create a vault “composition� through a collaboration of objectivity and subjectivity. The fundamental form of the vault is then recombined within the 20-space grid of the original quadripartite vault so that edges of each unit must connect. [ (Number of Unit Sides) * (Number of Unit Orientations) ] ^ (Number of Possible Spaces) Since each unit has up to 24 possible orientations and 20 possible spaces, there were originally over one trillion possible outcomes. To narrow down, rules of robust value judgments are imposed to create vault rearrangements in which more massive units are supported by less massive units, and the curvature continues when connecting units. When the 20 rules limiting connection are applied, the number of possible outcomes is reduced to eight. The vault composition of parts is unrelated to its original tectonic, and in place of structural rationality, the success of the resulting composition is determined by its likeness of vault characteristics.
Vault Compositions - 8 Rearrangements
Rearrangement 02 Plan
Rearrangement 05 Plan
Vault Separation
Rearrangement 01
Rearrangement 02
Rearrangement 03
04 UNITIZED ABSTRACTIONS | FALL 2014 | ANDREW KOVACS
Rearrangement 04
Unit A
Unit B
Unit C
24 Possible Orientations 4 Connecting Sides
24 Possible Orientations 4 Connecting Sides
24 Possible Orientations 5 Connecting Sides
4 Total
4 Total
4 Total
Unit D
Unit E
Unit F
24 Possible Orientations 4 Connecting Sides
24 Possible Orientations 4 Connecting Sides
24 Possible Orientations 5 Connecting Sides
4 Total
2 Total
2 Total
Unit Type
Rearrangement 05
Rearrangement 06
Rearrangement 07
Rearrangement 08
VICTORIA SHINGLETON
05 DISNEY SPECtacular CONTACT
PROJECT DATA
vshingleton@g.ucla.edu
Competition Entry: Disney Imaginations Date: October 2015 Critic: Ron Frankel Teammates: Aaron Gutierrez, Devin Koba, Ben Kolder
SITE Traveling to Small American Towns Visualizations set in Marceline, Missouri OBJECTIVE Design a traveling experience that could tour small towns across the United States for families who do not have the opportunity to travel to a Disney park. This temporary venue would operate in each community for two to three days, should take no more than a day to set up and break down, and embodies the kind of family entertainment that Walt Disney envisioned when he first built Disneyland. Walt Disney at Disneyland
Disney SPECtacular brings the magical world that Walt had envisioned since the inception of Disneyland right to the heart of towns across the United States. Families and friends will rediscover their hometowns anew using “Magic Specs” to reveal the magic of Disney permeating through the existing. Disneyland is re-imagined uniquely in each small town. Building facades function as canvases for projections of Adventureland, Frontierland, Fantasyland, and Tomorrowland, which are visible through Magic Specs, magical oculus devices. Guests put on their Magic Specs to reveal the fantastical world of Disney SPECtacular. Entering through Yesterland, the world appears in black and white, and guests can learn about the history of their town through interactive projections. Beyond the holographic castle exist Disneyland’s four distinct lands - Adventureland, Frontierland, Fantasyland, and Tomorrowland. Virtual reality, visible through Magic Specs, is an opportunity to add sensory layers to the environment - from dreamy pink skies in Fantasyland to X-wings flying over Tomorrowland. Guests can experience classic Disney attractions in an immersive, four-dimensional environment through the implementation of Magic Portals. Favorite attractions like Dumbo the Flying Elephant and Jungle Cruise are reinterpreted in a 360-degree simulation experience. Each evening ends with Walt’s signature “kiss goodnight” - a fireworks and projection SPECtacular!
0:46/1:20
0:53/1:20
05 DISNEY SPECtacular | OCTOBER 2015 | DISNEY IMAGINATIONS COMPETITION
Carrier
8:08 AM
50%
tickets
magic map attractions wait times show schedule special event alerts party member locations customizable content Magic SPECs control center Disney SPECtacular tour tracker
Disney
spec
AARON GUTIERREZ, DEVIN KOBA, BEN KOLDER, VICTORIA SHINGLETON
06 THE WALL CONTACT
PROJECT DATA
vshingleton@g.ucla.edu
Course: ARCH&UD 413 Building Design with Landscape Term: Fall 2015 Critic: Andy Lantz
PRECEDENT Jardin District, Sao Paulo OBJECTIVE Design public housing on a previously industrial site along the L.A. River. The development objective of the Community Development Project is to establish an effective and sustainable instrument to improve the living conditions and the economic status of disadvantaged communities.
Jardin District, Sao Paulo
Property and ownership is conventionally apparent through the boundary of walls. Challenging the introversion of the typical house, this project disassociates the unit from the wall. Scattering program through a series of walls and allowing only exterior circulation within homes works to promote interaction. Triangular modules contain program within walls but cannot function individually as a unit. Three module types are arranged throughout the site, each containing three specific programs – a combination of kitchen/living, bedroom/bathroom, patio, parking, and offices – within this live-work community. The housing corridor is now exterior, so residents must cross the confines of their walls regularly which works to create a sense of publicness. The boundary between ownership is distinct but minimal. Houses are defined by louver orientation and louver density denotes different programs. Buildings containing office space in the live-work community are canted in the opposite direction and stand tall in this otherwise low-rise environment, providing the most visibility and becoming navigational beacons. The wall is redefined as a surface with translucent qualities. Rather than a barrier which cultivates seclusiveness, varying levels of visibility promote connectivity between walls. The wall becomes not a boundary to keep people out, but is translucent with varying levels of visibility.
Elevation Oblique
Bed Bath
A
A
A
A
B
Parking
A
B A
C
A
C
C
Bed Bath Patio
A
Bed Bath
Kitchen Living
A
Bed Bath
A
A
Patio
Unrolled House
Unrolled Unit Section
06 THE WALL | FALL 2015 | ANDY LANTZ
Bed Bath
Bed Bath
Patio
Kitchen Living Kitchen Living
Kitchen Living
Bed Bath
Office
Bed Bath Patio
Bed Patio Bath
Bed Bath Bed Patio Bath Bed Bath
Patio
Kitchen Living
Bed Bed Bath Bath
Office
Bed Bath
Office
Office
Office
Distribution of Program
Unrolled House Section at 1/8” = 1’
Kitchen Living
Office
Kitchen Living
Unrolled House Plan at 1/8” = 1’
Office
Patio Bed Bath
Bed Bath
Module Type Arrangement
Kitchen Living
Bed Bath
Kitchen Living
Bed Bath
Office
Parking
B
Office
Patio
Parking
C
Bed Bath
Office
B C
Patio
Bed Bath
Kitchen Living
Office
Parking
Bed Bath
Patio
Parking
Kitchen Living
Bed Bath
Patio
Bed Bath
Bed Bath
Patio
Office Parking Bed Bath Patio
Bed Bath
Bed Bath
Kitchen Living
Office
Parking
Kitchen Living Bed Bath
Bed Bath
Patio Office
Parking
Parking
Bed Bath
Kitchen Living
Patio
Bed Bath Patio
Bed Bath
A
Bed Patio Bath
Patio Bed Bath
Office C
A
B
B
A
C
A
C
C A A
Bed Bath Patio
Bed Bath
Bed Bath
A
A
Patio
Kitchen Living
B
Office
Patio Office
Parking
Module Type Arrangement
Office
Patio
Kitchen Living
Patio
Kitchen Bed Living Kitchen Bath Patio Living Bed
Office
Bed Bath
Patio
Bed Bath
Bed
Parking
Kitchen Living
Patio
Kitchen Living
Office
Parking
Kitchen Living
Patio
Office
Parking
Bed Bath
Bed Bath
Office
Kitchen Living Kitchen Living
Office Bed Bath
Kitchen Living
Patio
Kitchen Living
Bed Bath Bed Bath
Bath
Patio Office Kitchen Living
Bed Bath
Patio
Kitchen Living
Patio
Bed Bath
Bed Bath
Bath
Patio
Kitchen Living
Parking
Kitchen Living
OfficeBed
Parking
Bed Bath
Bath
Patio
Bed Bath
Patio
Kitchen Living
Office
Parking
Patio
Combination of Program to Create House
Office
Kitchen Living
Office Kitchen Living
Patio Bed Bath
Bed Bath
Bed Bath
Patio Office
Parking
Office
Office
Office
Kitchen Living
Bed Bath
Bed Bath Bed Patio Bath Bed Bath
Office Kitchen Living Kitchen Living
Parking
Bed Bath
Kitchen Living
Bed Bath
Patio
Bed Bed Bath Bath
Office
Bed Bath Bed Patio Bath
Office Bed Bath Bed Patio Bath
Bed Patio BedBath Bed
Bed Bath
Office
Kitchen Living
Patio
Office
Office
Bed Bath
Kitchen Living
Bed Bath
Bed Bed Bath Bath Parking
Kitchen Living Bed Bed Bath Bath
Bed Bath Bed Patio Bath
Patio
Kitchen Living
Parking
Office
Office
Kitchen Living
Bed Bath
Office
Bed Bath
Patio Bed Bath
Definition of Ownership
Distribution of Program
Kitchen Living
Bed
Bath Bath Kitchen Bed Bath Patio Living
Parking Bed Bath Bed Patio Bath
Bed Bath
Office Bed Bath Patio
Office Office
Parking
Parking
Bed Bed Bath Bath
Office
Kitchen Living
Bed Bath Bed Patio Bath Bed Bath
Office Kitchen Living Kitchen Living
Office
Office
Kitchen Living
Bed Bath
Bed Bath
Office
Bath
Kitchen Living Bed Bath
Bed Bath
Kitchen Living
Bed Bath
Office
Office
Patio Bed Bath
Bed Bath
Combination of Program to Compose House
Kitchen Living
Office
Patio Bed Bath
Office
Bed Bath
Kitchen Living
Bed Bath
Patio
Parking
C
Bed Bath
Office Parking
Parking
Patio
Bed Bath
Kitchen Living
Bed Bath
Kitchen Living
Bed Bath
Patio
Parking
A
Kitchen Living A
Patio
Office
Bed Bath
Bed Bath
Kitchen Living
Bed Bath
B
Bed Bath
Unit Aggregation in Site Context
Parking
Bed Bed A Bath Bath
Office
Office
Kitchen Living
Bed Bath Bed Patio Bath
Patio
Kitchen Living
Office
Office
Bed Bath
Office Kitchen Living Kitchen Living
Office
Kitchen Living
Bed Bath
Bed Bath
Office
Office
Patio Bed Bath
Patio
Bed Bath
Bed Bath
Kitchen Living
Bed Bath
Patio
Kitchen Living
Bed Bath
Patio
Kitchen Living
Parking
Kitchen Living
Bed Bath
Patio
Bed Bed Bath Bath
Office
Office
Kitchen Living
Bed Bath Bed Bath
Bed Bath Bed Patio Bath
Kitchen Living
Office
Parking
Patio
Definition of Ownership
Unit Aggregation Plan at 1/8� = 1’
Unit Cluster Plan
VICTORIA SHINGLETON
07 DECKED OUT CONTACT
PROJECT DATA
vshingleton@g.ucla.edu
Course: MOS Workshop Term: April 12 - 15, 2016 Critic: Michael Meredith Teammate: Jeisler Salunga
OBJECTIVE No. 1 The project is to design an “architectural” aboveground swimming pool for a small community to use seasonally. No. 2 The aboveground pool’s site is indeterminate. No. 3 The aboveground pool is temporary and economical. No. 4 The aboveground pool is an object to be repeated. No. 5 The aboveground pool is for a diverse group to enjoy. No. 6 The aboveground pool should engage in “aesthetics of indifference.” Aboveground Pool
Traditionally, the aboveground pool is considered a temporary addition. This project understands the aboveground pool as the focal point, and the house which surrounds it as the temporary “add-on”. Decks composed of primitive shapes are broken into quadrants, and each is assigned a definite program - bedroom, kitchen, living, and hallway. Decks are then populated with generic, fixed furniture which corresponds to the assigned program. Decks can then be added to the aboveground pool to fit the needs of the consumer. The pool deck could be composed of all hallway decks or two bedroom decks, a kitchen deck and a hallway deck - there are 256 deck arrangement possibilities. While four decks combined around the pool complete the circle, the addition of staircases and outhouses provide possibility for disruption, causing places of separation and overlap.
DECKED OUT Aboveground Pool Physical Model at 1/2” = 1’
Kitchen Deck
Kitchen Deck
Living Deck
Bed Deck
SÄNG COLLECTION 13'-6"
sleep like a baby. 3'-0"
10'-6"
R10'-6"
01
1'-8"
10'-6"
6'-0"
Decks for the Above Ground Pool
02
6'-3"
5'-1"
4'-6"
03
2'-0"
7"
SÄNG DÄCK
1'-6"
15'-
$259199 01 BYRÅ dresser 02 DROTTNING bed 03 DUKSBORD nightstand
2016 CATALOG
Catalog Cover
Catalog Spread
0:02/0:14
0:05/0:14
0:07/0:14
0:13/0:14
Deck Variation Timelapse Stills
07 DECKED OUT | APRIL 2015 | MOS WORKSHOP
16'-6"
3'-0" 11
0"
2'-
27'-0"
6"
1'-6"
1'-
LIVING
2" 31'-
2'-0"
09
R8" 09 10
0"
10'-6"
1'R10'-6"
0" 5'-
12
13'-6" 10'-6"
3'-0"
1'-6"
13'-6"
11
1'-6"
08
4'-7"
2'-9"
07
2'-0"
3'-0"
2'-6"
08
07
1'-6"
KITCHEN
07
2'-0"
2'-6"
10'-6"
1'-6"
R10'-6"
07 05
04
13'-6"
06
3'-0"
06 09
R10'-6"
HALLWAY
13'-6"
10'-6"
10
3'-0"
09
04 10'-6"
5'-1"
6'-0"
4'-6"
2'-0"
12
1'-6"
1'-8"
3'-0"
6'-3"
13'-6"
BEDROOM
7"
05
15'-
10'-6"
R10'-6"
01
02
03
Deck Plans: 1/4” = 1’-0”
Number
Furniture
Name
Price
01 02 03
Dresser Bed Nightstand
BYRA DROTTING DUKSBORD
$180 $800 $40
04 05 06 07 08
Sink Stove Refrigerator Chair Set Table
SJUNKA SPIS KYLSKAP STOLAR ATA
$30 $100 $200 $60 $60
09 10 11 12
Chair Set Side Table Television Bookshelf
TRON CIRKEL OVERVAKA BOKHYLLA
$600 $20 $500 $180
13
Toilet
BAJS
$700
14
Stair
TRAPPSTEG
$150
01 02 03
Dresser Bed Nightstand
BYRA DROTTING DUKSBORD
$180 $800 $40
04 05 06 07 08
Sink Stove Refrigerator Chair Set Table
SJUNKA SPIS KYLSKAP STOLAR ATA
$30 $100 $200 $60 $60
09 10 11 12
Chair Set Side Table Television Bookshelf
TRON CIRKEL OVERVAKA BOKHYLLA
$600 $20 $500 $180
13
Toilet
BAJS
$700
14
Stair
TRAPPSTEG
$150
Furniture Schedule (x2)
01
02
03
Decks for the Above Ground Pool
2016 CATALOG
Plan Figure Variations: 1/16” = 1’-0”
Catalog
JEISLER SALUNGA, VICTORIA SHINGLETON