architecturePortfolio by vikiSandor

VIKI SANDOR

porTFoLioarchitecture

VIKISANDOR

��: hungarian ��: +43 650 970 4291 ��: dgke90@ gmail.com

edUcATion UNIVERSITAT FÜR ANGEWANDTE KUNST, WIEN ARCH 3�8 SEM. sTudiO HAniRAsHid UNIVERSITAT FÜR ANGEWANDTE KUNST, WIEN ARCH 1�2 SEM. sTudiO wOLFpRiX

2011-

2010-2011

UNIVERSITY OF APPLIED ARTS, SOPRON BUDA�VÁRI DRAWING SCHOOL, BUDAPEST VÁROSMAJORI SECONDARY SCHOOL, BUDAPEST

2009-2010 2005-2009 2003-2009

WorK eXperience SAM �OTTREINSISCH ARCHITEKTEN FRANZ SAM ARCHITEKT IRENE OTT�REINISCH ARCHITEKT

GREGOR EICHINGER ARCHITEKT

2012 WINTER

2012 SUMMER 2013 AUTUMN 2013 SUMMER 2014 WINTER 2012 AUTUMN

soFTWAre proFiciencY RHINO 3D + V�RAY GRASSHOPPER: GALAPAGOS WAEVERBIRD KARAMBA KANGAROO ADOBE CREATIVE SUITE: PHOTOSHOP ILLUSTRATOR INDESIGn AUTODESK MAYA + V�RAY / MENTAL RAY PROCESSING, ECLIPSE

ModeLLing sKiLLs CNC LASERTROTEK VACUUM FORMING 3D PRINTING

eXHiBiTions ESSENCE 2011_MAK, WIEN ESSENCE 2012_KÜNSTLERHAUS, WIEN

pUBLicATions KISS ANNA DR. � Bűnbe esett irodalmi hősök _ ILLUSTRATION Prosecutor’a paper _ ILLUSTRATION

conTenT p5

BITCOIN HQ2014 SUMMER SEMESTER7. STUDIO_RASHID with E.LENART

p11

ÜBERPORT2013 WINTER SEMESTER 6. STUDIO_RASHID with L.DIETIKER

p23

GOBI TRADING POINT2013 SUMMER SEMESTER 5. STUDIO_RASHID with M. RIEDER, A. Ahantanakajorn

p31

MESO MASTER II.2011 WINTER SEMESTER 3. STUDIO_RASHID with D.PROST, A. HAID

p37

THE WALL2011 SUMMER SEMESTER 2. STUDIO_PRIX with S. PIHLAK, A. JARWING

p37

TOUCH THE GROUND SLIGHTLY2011 WINTER SEMESTER 3. BRIAN CODY, BERNHARD SOMMER with N. VARGA, CS. LÁNSZKI

TneTnoc R E T N I W 3102

TROPREBÜ

.6 R E T SE M E S D I H S A R_O I D U T S REKITEID.L htiw

R E M M U S 3102

TNIOP GNIDART IBOG

11p

.5 R E T SE M E S D I H S A R_O I D U T S nrojakanatnahA .A ,REDEIR .M htiw

R E T N I W 1102

.II RETSAM OSEM

91p

.3 R E T SE M E S D I H S A R_O I D U T S DIAH .A ,TSORP.D htiw

R E M M U S 1102

LLAW EHT .2 R E T SE M E S X I R P_O I D U T S

G N I WR AJ .A ,K A L H I P .S htiw

52p

PARK AVENUE, NYC

BiTcoinheadquarters 2014_summerSemester studio_Rashid

1.0 VirTUAL BLUr creating bitcoin avenue

The studio task was to design a new HQ for virtual companies which in our case BITCOIN was. Since BITCOIN is actually not a company but a virtual currency the idea of a usual HQ did not work. The inventor(s) is anonym. The system is open-source and also anonym. Bitcoin does not need space neither personal advertisement. The more users the system include the higher the bitcoin value becomes. That makes the only benefit.

Our idea was to create a new type of a â&#x20AC;&#x153;physicalâ&#x20AC;? market where while the legal currency is virtual(bitcoin), the products stay physical. On one hand with the design we tried to communicate with the UBS bank which was located on the site and on the other hand we also tried to express the idea of being open-source , accessible for everyone, which is one of the basic elements of the bitcoin system.

1.1 concepT diAgrAM obJect vs image

CONVERGING LENS TYPE1

CONVERGING LENS TYPE 2

O 2F

diGiTAL TRAnsLATiOn

= translation of the physical = mutation transformation change

LIGHTCONE

F6 F1

P.2 P.3P.4 P.5P. LENS TYPE 3

LENS TYPE 3

LENS TYPE 2

LENS TYPE 1

LENS TYPE 2

P.1

After the analyses of markets, shopping centers, shopping streets etc. with the focus on storefronts we had to come up with an idea which makes our vertical tower function as a market and express the difference between physical and digital reality. We used the storefront as an analog-medium which translates for the pedestrians the inner physical products into â&#x20AC;&#x153;digital imagesâ&#x20AC;?. The medium is a lens- an analog tool which digitalizing (transforming, translating, mutating) the physical. According to the lens type ( converging, diverging) ,the diopter and the distance, the image varies. While the pedestrians move along Park Avenue they experience different distortions from the product which are exhibited inside. DIVERGING LENS TYPE 1

CONVERGING LENS TYPE 3

LIGHTCONE

F7 F5

P.8 LENS TYPE 1

P.7 LENS TYPE 4

LENS TYPE 3

P.6

LENS TYPE 1 IMAGE: magnified inverted

LENS TYPE 2 IMAGE: magnified upright

LENS TYPE 3 IMAGE: demagnified upright

LENS TYPE 4 IMAGE: equal size inverted

(2F > P.1, P.8 > F

(P.2,P.3 < F)

(P.4,P.5,P.6 > 2F)

(P.7 = 2F)

1.2 design process coMponent definition

Lens desiGn

doUBle lens positioning

R1 - r1 > R2 - r2

dOuBLe-Lens COMpOnTenT

lens fUnctions

LiGHT - COne

CApTuRe ZOne

sTOReFROnT - COne

COMpOnenT COMBinATiOns

exposed

orientAtion, ArrAngeMent

semi-encolsed

semi-exposed

enclosed

sHOwROOM

section diAgrAM

sTRuCTuRAL COnCepT

_core reduction --- 50 % _moduls are attached to the core _cones trim the columns

pARK AVenue

49TH sTReeT

48TH sTReeT

pARK

AVen

pARK

eXisTinG sTRuCTuRe perspective

AVen

ue pROpOsAL plan

1.3 pLAns +15 M

+80 M

+160 M

12.5

1.4 seCTiOn A

A’

+160 M

+80 M

+15 M

PARK AVENUE

12.5

3D print - double-lens

3D print - lens and cone

Medium,

translation

physical

digital

3D print - structure

CYN ,EUNEVA KRAP

sretrauqdaeh

niocTiB

retsemeSremmus_4102 dihsaR_oiduts

SINGAPORE

Ă&#x153;BerporTdeepFutures 2013_winterSemester studio_Rashid

MALAYSIA

SINGAPORE

2.0 ÜBerporTSINGAPORE project descroption/site condition

We think that in the future keeping the balance between the different speed levels will become one of the main focus in architecure. While many developments support high speed movements we also have to take care of the opposit by creating space for “low-speed”. In this project we investigate the differences between fast and slow architecture. The designkeywords were DIRECTED, ENCLOSED-REOPENED and SEPERATED-RECONNECTED. On one hand with this project we propose a prototype for transporthubs in the future and on the other hand we also try to find solutions for existing problems of the city(land-shortage, water-shortage, conﬂict with neighbours etc.) in Singapore, where the site is located.

Singapore’s subway network 2009

Singapore’s subway network 2013

ore ap sia g Sin alay M

Joh

its

tra

S or

Site plan

Singapore’s subway network 2040

view from Johor Straight west side SINGAPOREAN TERRITORY

view from Johor straight east side SINGAPOREAN TERRITORY

2.1 ForMAL sTUdies

coMponent design BY Using predefined KeYWords: UndergroUnd-fUZZY

component evolution

step_1

step_2

step_3

step_4

step_5

intersection variations main terminal prototype view 1

prototype view 2

prototype view 3

p pa

r shi

aine cont

PLAN 0

MALAYSIA

50m

100m

parking zone

TERMINAL 1

A AYSI MAL ORE P A SING

ath rry p

TION Y STA R R E F

trait

rS Joho

TERMINAL 1

artificial pond system + fresh water storage desalination plant area

SINGAPORE

EROPAGNIS

serutuFpeed

TropreBĂ&#x153;

retsemeSretniw_3102 dihsaR_oiduts

FUTURE CITY EXPO II

goBi-TrAdingpoinT 2013_summerSemester studio_Rashid

3.0 goBi TrAding-poinT proJect description

The studio project was based on a series of formal studies. By developing geometrical components we had to find thr potencial in the objects to become part of a building structure. The program later got defined by the object. The site is located in the Gobi Desert on a 60 degrees slope. The project proposes a new trading point on the line of the old silk road, which deals with import, export and local production. The idea is strongly connected with the upcoming continental trading system which would connect China with Europe.

The building sinks into the mountain and creates a protected cave where the movement of the products (their inner transport system) defines the shape and the athmosphere of the interior. The energy concept allows natural ventillation through the space by creating pressure differences between inside and outside and then letting the heated up air ďŹ&#x201A;owing out (by convection) through the crack system. This strategy help to create independent climate conditions from the exterior environment.

Gobi desert, bird view 300 m

interior, Market hall

3.1 ForMAL sTUdies

geoMetricAl MAnipUlAtion of A trAncAted-octAcHedron

Definition of the mathematical rules and their application on the primitive. - By using the primitiveâ&#x20AC;&#x2122;s Hamilton loop we defined the order for the face rotation process. After the rotation the points of the face outlines generated the 3 dimensional grid inside the primitve. A A

pROTOTYpe

folding, Bending, intersecting

BRidGinG

FOLdinG

connectiVitY, ModUlAritY

3.2 design process tool finding

_ 2d-3d

The design process was based on the information interchange between 3 dimensional objects and their 2 dimensional images. By erasing the border lines of the objects we were able to create new connections between the components and also with the ground. Typology studies

Borderless Element 1

Borderless Element 2

Borderless Element 3

TOP VIEW 0

25m

50m

II OPXE YTIC ERUTUF

TniopgnidArT-iBog retsemeSremmus_3102 dihsaR_oiduts

URBAN DESIGN

Meso MAsTer ii. 2011_winterSemester studio_Rashid

4.0 Meso MAsTer ii. project description

The semester started with a research on future city visions from the past. We were focused on LeCorbusier_Chandigarh, Constant_new babylon and Kisho Kurokawa_Helix city topics. After finishing the individual research part we started to work together on a masterplan by using the knowledge of the previously studied cityplans. Meso_Master II. is located inbetween the Tigris and Euphrat rivers(old Mesopotamia). The idea is based on self-sustainability by using an overlaping layering system which would fullfill the needs of the city from several directions.

MASTERPLAN 0

5 km

10 km

4.1 coMponenT deFiniTion introdUction of tHe cell-sYsteM

The components are generated in order to project information onto their main axis. By changing the radius and the inclination of the surface the reďŹ&#x201A;ected points became aligned or more spread. Wind

Each modulâ&#x20AC;&#x2122;s orientation defined their use. The primary function always dealt with sustainability, either worked as sun-collecor or wind turbine, the object (mashine) was designed to play the main role of energy production in the life of the city. The program if the modules defined the size ratio between void and surface area. The components got populated in the city and manipulated according to the need of their location.

sUn

degree

sHAdoW

1.mass

distribution

2.infrastructure

0-15%

void

3.porosity,

15-50%

void

50-80%

void

program density

NGISED NABRU

.ii reTsAM oseM retsemeSretniw_1102 dihsaR_oiduts

CULTURAL CAMPUS - EGYPT

THE WALL 2011_sumerSemester studio_Prix

5.0 cce - the wall project description

We made clean line between two environments. From emptiness a primitive is born. It is a statement on the present. Everything but a strong image vanishes in the haze of digital diversity. Everything can be done, but the most banal thought is the only one that might catch the attention. The primitive lies in the desert. It is a new settlement in nothingness. Monumental and sole. The clean line stops the desert sprawl. The desert sprawl, the urban sprawl...

we are creating a border. Inside the linearity , there is a steep cityscape, contradicting the surrounding conditions with it. The primitive is dealing with extreme climate conditions and providing habitable space in the desert. The wall is all but a primitive thought when it has to work as a piece of architecture. The details are mutating, violent act is getting reactions. The cityscape is an escape and protection from the desert, the desert is an escape from the city.

It hosts multiple districts, to bring the differentiation throughout the building. Varying in terms of views, athmospheres, relation to the ground. Inverted living-public functions inside the buiilding, private facing the emptyness. Metropolitan ground activated the mass. Ramp circulation emphasizes the program , leading to crytallized points-the plazas. By creating alternative routs, avoids forced circulation. M-structure itself deals with 2 extremes, north winds and south sunexposure.

Simultaniously it divides itself light and heavy poles. The only interaction between them happens in the plazas.

5.1 concepT

deseRT

community

paradigms and their application in the design

1. the idea of a primitive, the clarity of the form to south S�� :T��

2. the Wall includes the roadway under the housing L� �� :Plan obus, Alger: Urbanisme,1930

3. decentralized rhizome-like labyrinthine of passages - the interior of the megastructure C�� :New Babylon 1959-1974

4. the southern part of the wall can be seen as the fold of northern landscape P�� C�� t :The oblique Function by Architecture Principe

5. folded circulation space runs through the building on ramps. It is using the urban scale to be seen as the continuous Metropolitan Ground. O��: Two Libraries on the Jussieu campus, 1992

GROwABiLiTY

wind-entrance area

wind-perf. art school

sun-perf. art school

wind speed 13 m/s VENTURI EFFECT airflow in void

6 m/s VENTILLATION MICROCLIMATE water cools down the air SHADING minimized sun exposure

south

bedrooms

/ living area

entrance area

bridge area

bedroom area

void

REMOVING POLLUTION airflow in infrastructural area 10 m/s

north

livingrooms

north

steel frame void

concrete mass

TRANSPARENT SKIN

north

south

communication space

circulation

south

NORTH-SIDE FRAME

CIRCULATION IN VOID

SOUTH MASS

SHADER

47.0

24.0

9.0

0.0 9.0 -6.2 -8.7

5.2

section

5.3

plan

zoom in

TPYGE - SUPMAC LARUTLUC

LLAW eHT retsemeSremus_1102 xirP_oiduts

ENERGY DESIGN

tOUCH THE GROUND LIGHTLY 2011_winterSemester Brian Cody Bernhard Sommer

6.1 oNION CONCEPT â&#x20AC;&#x153;lightly

touch the groundâ&#x20AC;?

This single family house project focused on its energy design concept which in our case was based on the system of the onion. The idea was to organise the program in different concentric layers which create the different temperature zones for the house. By applying moveable walls these zones become rearangable and controllable according to the season and the required temperature. The arrangement of the program is defined by the family house concept. We brought the more social programs into the middle where the comfort zone is the easiest to achieve and the more private zones we kept on the outer rings.

Exterior view 1

Exterior view 2

siTe pLAn

winTeR (째C)

winTeR

suMMeR (째C)

20 18 7

TeMpeRATuRe ZOnes

20 24 28

suMMeR living area

ARRAnGeMenT 1

living area

COLd wARM

bedroom area

ARRAnGeMenT 2

ARRAnGeMenT 3 living area 1

living area 2

bedroom area

180.00 180.00

440.00

Kitchen

470.00

741.50

440.00

440.00 440.00

WC Bedroom3

697.85

1500.00

1505.00

380.00

380.00 700.00

Bedroom2

livingroom

370.00

Bedroom1

Playingroom

Bathroom

535.00

20.00

741.00 1500.00

0.00

500.00

1000.0

1500.0

pLAn

+ 10.50 m

+ 7.50 m

+ 4.30 m

+2.20 m

+ 0.00 m

-3.00 m

seCTiOn