Virtue and Enkrateia-Issue XII

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VOX - The Student Journal of Politics, Economics and Philosophy

VIRTUE AND ENKRATEIA By James Hodgson

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HAT IS THE PLACE OF SELF-CONTROL IN ARIISTOTLE’S ETHICAL

system? It is tempting to assume that all theories of morality must award their highest honours to the showing of self-restraint – especially those theories of the ancient world, where the character traits of self-control and toleration were rarely displayed. As we shall see however, the highest form of moral character in Aristotle’s virtue ethics is that which no longer has any need of self-control. Aristotle divides the virtues into those relating to the part of the soul which reasons (intellectual virtue) and those relating to the part which is guided by reason (moral virtue). Our discussion is confined to moral virtue. Aristotle defines moral virtue as neither a pathos (passion or emotion) nor a faculty (the capacity to feel emotions), but rather a hexis (state or disposition). The genus of moral virtue, then, is a state of character – that is, a disposition to experience emotion in a certain way. Aristotle explicates this in the differentia of moral virtue: it is a state of character in which emotions are experienced according to an intermediate or mean. That is, a mean which rests between an excess and a deficiency. We stand well with reference to our 24

emotions, he claims, if we feel them moderately (p.35) . Likewise, we stand badly if we feel them “violently or too weakly” (p.35). Aristotle is not, however, saying that we should experience our emotions to an intermediate degree in all situations, but to a degree which is appropriate given the particular circumstances. For example, it is inappropriate to experience the same amount of anger towards a trivial slight and an act of murder. Rather, the mean amount of emotion is that which it is appropriate for the agent to feel in the particular situation – neither always becoming enraged, for instance, nor always being a placid and indifferent observer. Moral virtue is not only concerned with how an agent feels emotions however, but also with which actions he performs, and how he performs them. As with virtuously felt emotions, virtuous acts


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