Fall '23 Issue #2 - W27 Newspaper by W27 Newspaper

01 - 04

05-06

07-09

10-11

Find FIT-related news, events, and more right here.

Our students give insight on the fashion and culture going on around our beloved NYC.

Take a break from the serious news coverage that W27 provides each month and indulge in some fun stories by our writers.

Sports? At a fashion school? Yep! We keep FIT informed on all things sports.

FIT

FASHION & CULTURE

FUN & OPINION!

SPORTS

ISSUE 2 FALL

N e w s pa p e r

The Voice of FIT.

The Fashion Institute’s Student-run Newspaper

By Grace O’Hanion (FBM ‘26) Photography by Adriana Bolanos (AMC ‘24) Graphic Design by Kaila Donohue (Graphic Design ‘25)

The Chalk Chalk Narrative Narrative Fashion Ave is a bustling, brutalist, fastpaced, sector in the heart of Manhattan. The concrete walls and industrial architecture tower over the masses as hoards of pedestrians crowd the streets. The Fashion Institute of Technology, despite being an epicenter of creativity, is undifferentiated to midtown in terms of architectural design aesthetic. That was until the FIT chalk mural created a noticeable distinction. How did this tradition come to be? Who is involved, and what does the chalk mural represent? Ten years ago Dan Shefleman, professor at FIT and Chair of Illustration, found himself bored whilst teaching an illustration course. He wanted to create a project that was exhilarating and new. Something that would create a difference and excite his students. His solution was to take his students outside and have them gather some chalk. As a group, the class then started sketching on the sidewalk.

FROM FIT TO ESPN

Soon enough, members of the community became onlookers and asked if they could contribute to the joint mural. It became a widespread, public art jamboree. When Dan left the site at around 9 p.m. and woke up the next morning, he discovered that the art had been power washed and decimated. The following day, Dan had a meeting with the dean at the time to discover what had happened. He was told that the public took the chalk experiment to an extreme: vandalizing the campus, and drawing inappropriate designs that were disturbing and offensive. The dean valued Dan’s creativity and his effort to think innovatively. In response, they chose to negotiate and establish what has since become the organized tradition known as the FIT chalk mural. In my conversation with Dan Shefleman, he described the chalk mural by stating “it turns the building inside out.” What he meant was that on the outside, the FIT campus is quite formidable with its concrete, monolithic

P03

Explore how FIT alumni Stephen A. Smith came to be the sports journalist he is today as we recount his achievements and hardships on the way to the top.

appearance. By adding life and color to the exterior of the campus, it breaks down the fortress and gives the public insight into what kind of students attend FIT. We as a community are unconventional, unafraid to challenge the norm, colorful, and vibrant, creatives anticipating our moment to be heard, and arguably passion itself. We are dreamers with opinions and voices that are loud. We want to be heard, we want our message to be shared. This was what Dan Shefleman wanted the mural to represent. Every October, senior illustration students, led by Dan Shefleman and the Illustration department, spend three days utilizing paints, dyes, reality animation, and pure talent in an effort to humanize the campus and leave an impact.

In October 2023, marking the 10-year anniversary of the chalk mural, the selected theme was “Celebration.” Students opted to commemorate their culture, identity, and passions. Senior Pearl Zhang (Illustration ‘24) celebrates her Chinese heritage through her illustrations of Chinese lanterns, while Alyssa (Illustration ‘24) honors femininity by depicting a girl sitting in her bed, surrounded by objects that embrace girlhood. The Chalk mural is an integral aspect of the FIT community. For illustration students, it helps them understand the power of what they do. The mural is our representation, our message for the world, and ultimately what we choose to celebrate as a community.

Residents of Chelsea, tourists leaving Penn Station, and New York locals, stop to turn their heads and observe as students sketch out and execute their creative visions.

INTERVIEW WITH ARMOR GIRL

P05

The mysterious girl with the wearable armour: who is she? The answer everyone at FIT has been asking since the start of the semester is right here, on P5!

FRESHMAN DORM LIFE

P07

This investigative piece delves into what it means to dorm at FIT’s freshman dorms. Explore Alumni, CoEd, and Nagler Halls and their different atmospheres!

W 2 7 N E W S PA P E R

ISSUE 2

FALL 2023

The People Behind This Incredible Issue. writers. grace ohanlon abigail koehnen adriana bolanos emma citro emerald rucks kinleigh alnutt madison dragotto maegan trusty chloe label christian m. centeno thalia merino madison barton alisha singh madison collins beatrice nicolini chiara porcelli

graphic designers. jessica ehrenfeld kaila donohue julia kobeszko thalia merino abigail zwirecki

photographers. adriana bolanos kinleigh alnutt

illustrators. bonnie wong jessica lyle amina sokolji norberto perez

Letter From the Editor. November has been absolutely crazy. From mass sink replacements in Kaufman Hall to a colossal schoolwide WiFi shutdown, FIT and its students have been through it this month. Midterms are over, but now it’s finals grind. Do we ever get a break? Thanksgiving break was like what, …. four days? Well, at least we can say we got free donuts from poking students trollying carts.

But sit back and relax for just a few minutes, and take a look at W27 Newspaper’s November Issue! Check out some stories and immerse yourself in studentmade art and photography. Grab a copy and a cup of coffee. I hope to see many seated with their legs crossed (preferably ankle-on-knee) enjoying the second fall issue of your student-run newspaper.

- Abigail Zwirecki, Editor-In-Chief

W 2 7 N E W S PA P E R

FALL 2023

ISSUE 2

FIT

Group shot of the Tigers Men’s Basketbll team in FIT’s 1987 Portfolio yearbook. Smith is seen kneeling in the front row second on the right.

STEPHEN A. SMITH WENT TO FIT? Stephen A. Smith, a renowned sports journalist, started his career at the Fashion Institute of Technology before moving to WinstonSalem State University. He developed communication skills and media understanding at WSSU, covering high school basketball for the Winston-Salem Journal. Smith joined ESPN’s “First Take” in 2003 and has written books on sports, culture, and society.

By Emma Citro (AMC ‘24) Graphic Design by Jess Ehrenfeld (Graphic Design ‘25)

Stephen A. Smith, a very recognizable figure in sports journalism, is known for his passionate debates and thoughtful insights on ESPN’s “First Take.” His journey to success has been nothing short of impressive, with his educational roots being in unsuspecting places. Long before he became a household name in the world of sports, Smith was an aspiring student at the Fashion Institute of Technology, where he laid the foundation for his career in his admiration for media and communication. Smith attended FIT in 1987 and studied advertising and communications. With his love for sports, Smith joined the FIT men’s basketball team. He is found in a team photo in the sports section of FIT’s 1987 Portfolio yearbook. After one year at FIT, Stephen A. Smith continued his education at Winston Salem State University, an HBCU that has helped produce influential figures in various fields. Smith also continued to pursue basketball while at WSSU. Smith’s time at Winston-Salem had an important role in shaping his career. This is where he sharpened his communication skills and developed a deeper understanding of the media landscape. In an interview with WSNC 90.5, Smith mentioned how Winston-Salem State University played a pivotal role in his journey. It was here that Smith began to grasp the art of storytelling and sports commentary.

including “Pardon the Interruption” and “Jim Rome is Burning.” Smith then transitioned from newspaper journalism to broadcast journalism in the early 2000s. “When you see leagues signing contracts for billions of dollars with networks, you know that TV is where it’s at,” Smith said in an interview with Hue Magazine. “I knew I wanted to matter more. The way to ensure that was to elevate myself in a different forum, which is where radio and TV came into play.” Smith’s worldwide recognition began after joining ESPN’s “First Take” alongside his co-host Skip Bayless. His energetic and charismatic style, passionate debates, and discussions about sports, politics, and culture, made him a household name and one of the most recognized sports commentators globally. Smith has also expanded in authorship, writing books on the intersection of sports, culture, and society, such as “The Stephen A. Smith: Talking America” and “Stephen A. Smith’s You Can’t Be Serious.”

From FIT to ESPN - A Journey of Passion and Recognition in Sports Journalism

In the early ‘90s, Smith began taking steps toward his career as a journalist, covering high school basketball for the Winston-Salem Journal. His reporting led to opportunities at larger publications such as The Philadelphia Inquirer and the New York Daily News. During Smith’s time at Winston-Salem State University, he contributed to the university’s radio station and local newspapers, and built a reputation as a knowledgeable and engaging sports commentator, leading him to bigger and better opportunities in the world of journalism.

It was at the Daily News that Smith’s gift for intelligent commentary truly shined. His sports columns became must-reads for fans and experts alike. In 2003, he joined ESPN as a regular commentator on the network’s various programs.

In a conversation with the New York Times, Smith reflected on this career thus far, saying he worked tirelessly to cover sports events, interview athletes, and share their insights, ensuring he proved himself every step of the way. Stephen A. Smith, a prominent FIT alumnus, has achieved worldwide recognition for his passion for communication and sports. Smith might have discovered his love for sports and communication at FIT. Today, FIT is renowned for its contributions to journalism, communication, and media.

Stephen A. Smith’s journey from FIT to sports journalism is an inspiring story of pursuing passions and turning them into successful careers even if that means carving a new path. His experiences at the Fashion Institute of Technology and Winston-Salem State University shaped him into an iconic public figure. His dynamic presence in sports journalism continues to inspire young journalists around the globe and serves as a reminder that success can emerge from unexpected beginnings.

W 2 7 N E W S PA P E R

ISSUE 2

FALL 2023

FIT

Bu il d i n g Co m m u n i t y t h r o u g h Film Scr ee n i n g s a t FI T Beyond Elvis, A Deeper Dive Into Priscilla BY ADRIANA BOLANOS (AMC ‘24) How does it feel to be a woman and not be recognized, left behind in the shadow of a rockstar?

By Abigail Koehnen (AMC ‘27) Illustration by Bonnie Wong (Illustration ‘24) Graphic Design by Jess Ehrenfeld (Graphic Design ‘25)

Film Club is a discussion-based group at the Fashion Institute of Technology that focuses on the appreciation and examination of films and other media. Their meetings, which take place on Thursdays, are a welcoming environment for movie watchers to discuss their thoughts on the club’s film of the week, look at examples of interesting media, and share what they’ve been watching recently.

p.m., attendees were met with snacks, pizza, and treats. After settling into a comfortable seat with a friend or mingling and making a new acquaintance, the lights dimmed and attendees fell quiet while “The Craft” began. Since many movies, such as “The Craft,” may contain sensitive topics, Film Club also makes an effort to provide warnings at screenings. At certain points during the night, the film was paused, and a preface was given to any upcoming potentially triggering moments, with viewers given the choice to skip over those scenes or the option to step out. At the end of the screening, some light discussion about the film took place, with promises to continue at the next meeting. This year’s Film Club president, Jackson Crea (AMC ‘24), loves it when the club gets to host these screenings. He especially looked forward to the screening of “The Craft’’ since his preferred screenings are those with a scary or Halloween theme. In past years, the screening that topped his list from the club was the comedyhorror showing of 2018’s “Sorry to Bother You”. Crea particularly enjoys Film Club because, “there’s a movie for everything.” This guiding idea is one of the reasons why Film Club opens its screenings to everyone. However, just as the screenings aren’t exclusive to members, they’re also not exclusively hosted by Film Club alone. A huge part of how Film Club connects with the FIT community is by making the screenings collaborative events with other clubs.

As a club dedicated to the love of film, they’ve found an accessible way to bring some of their favorite films to the FIT community.

However, Film Club does much more for its members than just their weekly meetings. As a club dedicated to the love of film, they’ve found an accessible way to bring some of their favorite films to the FIT community. If you’re looking for a fun and free way to watch great films and spend time with friends, look no further than Film Club’s regular film screenings! Usually held on campus in the evenings, these screenings are an easy way to relax, unwind, and watch a great movie without having to pay for an expensive movie ticket or make the trek to a theater. On October 25th, in the Dubinsky seventhfloor game room, Film Club hosted a Halloween screening of the witchy cult classic “The Craft.” Upon entering at 6:30

At the end of October, Film Club hosted two other movie screenings as a joint effort with other clubs at our school. In both events, they chose films that aligned with each club’s interests. Anime Club screened “Perfect Blue,” an animated 1997 mystery drama, with Film Club as a way to interest both clubs’ members. Later that week, Urban Studio followed suit, hosting a screening of “Paprika,” a 2006 sci-fi action film, in collaboration with Film Club. If your club is interested in collaborating with Film Club on a screening, reach out to them via their email, FIT_FILM_CLUB@fitnyc. edu, or on Instagram, @fitfilmclub. Film Club will be hosting many other film screenings, both collaborative and solo, so make sure to keep an eye out. One screening that the club eagerly anticipates is their November showing of the Studio Ghibli film “Howl’s Moving Castle” released in 2004. As the year nears its end, be on the lookout for Film Club’s upcoming screening of “Knives Out,” a 2019 whodunit thriller centered around the demise of an enigmatic writer, the ensuing family turmoil, and the role of his friend and caregiver, Marta. For those interested in attending Film Club’s meetings, join them in D207 in the Pomerantz Center every Thursday at 1:00 p.m., and keep an eye out on their Instagram for any upcoming film screening announcements!

In the 2022 film “Elvis,” directed by Baz Luhrmann, the story of Priscilla Presley, Elvis’s wife, was overlooked and her importance diminished. However, this year, a new version of the story will shed light on her reality. Directed by the one and only, Sofia Coppola, the movie “Priscilla,” set to release on November 3rd, draws inspiration from Priscilla Presley’s memoir “Elvis and Me.” Coppola’s vision for the film is to delve into the evolution of Priscilla as Elvis’s companion, exploring how her life was transformed by her romance with the rockstar. This movie will be a revealing account of Priscilla’s life with the King of Rock and Roll, shedding light on both the glamor and the struggles of their time together. It’s a portrayal of their relationship and will offer viewers a unique look behind the scenes of the Elvis Presley story through the eyes of the woman who shared his life.

W 2 7 N E W S PA P E R

FALL 2023

ISSUE 2

FASHION & CULTURE

Unpredictable Behavior By Madison Dragotto (Fashion Design ‘27)

I, Madison Dragotto, the owner and designer behind Unpredictable Behavior, created the brand over a year ago to express my love for fun, unique and one-of-a-kind clothes. True to the company’s name, Unpredictable Behavior creates collections that not only embody uniqueness and individuality, but also add a dash of eccentricity to your wardrobe, making every outfit stand out. Unpredictable Behavior has had five collections so far and has one Nicoletta Sperduto & Julia Baltes (Production Management ‘27) in progress at the moment. In addition to the collections, I also do custom orders which allows your imagination to be brought to life! Other than being sold online, Unpredictable Behavior is being sold in the Style Shop at FIT! My hard work ethic shines through when I design and create every piece; although I am only a freshman at FIT, I have an exceptional background in the fashion industry. I spent two years studying fashion design at BOCES Trade School, volunteered and attended more than six New York Fashion Week events and two New Valentina Foschi (FBM ‘27) York Bridal Fashion Week events, am a Nordstrom Ambassador, have held various design and retail jobs, participated in numerous internships, and more! I would love to pursue Unpredictable Behavior as my full time job! I cannot wait to see what the future holds for myself as well as Unpredictable Behavior!

Who is “Armor Girl”? By Emerald Rucks (AMC ‘27) Photography by Kinleigh Alnutt (AMC ‘27) Graphic Design by Kaila Donohue (Graphic Design ‘25)

On August 28th, the Fashion Institute of Technology’s campus welcomed back energetic students. Senior Saman Bakayoko dubbed the first week ‘FIT’s TikTok Super Bowl.’ Strutting down West 27th street, Bakayoko sported a head-to-toe armor suit, earning the moniker “Armor Girl”. Her eccentric medieval outfit captivated Manhattan, propelling her to social media fame. The campus was left intrigued. Who is “Armor Girl”? Prior to Bakayoko coming to FIT, she strutted the campus at Binghamton University. When she left Binghamton in 2019, her impeccable fashion sense was born. Saman started to dabble in a variety of denim and monochromatic wear and quickly began to receive positive attention from her community and on social media. Following Bakayokos appearance in her

armor suit, the subsequent attention she received was nothing unfamiliar; she had learned not to get swallowed up by overwhelming feeling of attention, due to the fact she has had this unique sense of style for some time. Where does “Armor Girl” find her fashion inspiration? Her creativity springs from sudden ideas. Bakayoko, while on the subway, can conceive outfit concepts that she meticulously describes in her phone’s notes—detailing colors, materials, and when or where she might wear them, be it in five days or five years. She claims a talent for predicting future fashion trends by planning outfits for years ahead. From New York City to California, Bakayoko ventures to make an appearance at Coachella each year. You can always anticipate Bakayoko to deliver first-rate looks at the festival where she has even been mistaken for the famous rapper and singer, Doja Cat, when she showed up dressed in a stuffed animal outfit. Not only was Bakayoko mistaken for Doja Cat, she was also photographed by Getty Images and included in Chris Klemens’ “Coachella 2023 Fashion Review.” These are monumental moments for her. Coachella was the birthplace of her famous armor wear as she portrayed a knight battling California’s scorching heat. In our interview, Bakayoko expresses how she feels very empowered when wearing the armor.

Saman also gave me the hot news about her Metropolitan Museum of Art photoshoot. The private shoot took place in both the “Arms and Armor” exhibit and the Medieval exhibit, to which she matched perfectly in her suit of armor. You might have seen the wild videos on social media of “Armor Girl” getting wheeled around in a wheelchair. Well, that happened during this photoshoot. Be on the lookout on Saman’s Instagram and magazines to see when the photos get released. I can promise you, you won’t want to miss it. Saman’s future focus includes her social media presences, the “Armor Girl” persona, creative direction, post-college plans, and an upcoming clothing line “YOKO”. Stay tuned for more by following “Armor Girl” on Instagram @Samandotcom.

New York Fashion Week is notorious for its ground-breaking moments.. For Helmut Lang, their show was their comeback to the industry. Peter Do, the creative director of Helmut Lang, is also an alumnus of the Fashion Institute of Technology. Bakayoko made an appearance at the Helmut Lang after-party and drew significant attention from paparazzi, who stopped her for nearly 30 minutes. This was a significant moment for Bakayoyo, as the paparazzi were eager to capture her presence at this prestigious event.

W 2 7 N E W S PA P E R

ISSUE 2

FALL 2023

FASHION & CULTURE

C LOTHIN G AN D CU ISINE ARE A

The Recipe for Success M AT C H M A D E I N H E AV E N

Normally, the idea of having a food stain on my shirt would be enough for me not to want to leave my room. Any person would feel the same level of annoyance coursing through their veins, but what if I told you that food-related prints have been the trend in the fashion world?

From Sept. 13 to Nov. 26, the Museum at FIT displayed the “Food & Fashion” exhibition, which included over 80 exceptional pieces and accessories. The museum gave us a delectable taste of world-renowned designs from Chanel to Moschino. It was a gorgeous portrayal of two of our most basic needs coming together as one: clothing and cuisine. Behind the collection are co-curators Melissa Marra-Alvarez and Elizabeth Way, who both expressed through the exhibition how these two seemingly opposites are more alike than we are led to believe. Upon entering the gallery, the first section showcased pieces that created a timeline from breakfast to dinner, with the title “A Day of Food as Fashion.” There were four subcategories within the first part that navigated different foods throughout our day, starting from the kitchen with aprons and homely clothing and ending with fine dining and elegant apparel. Making your way into the ever-glamorous main gallery, you would find yourself in the great “Food Hall,” which explored a variety of 10 different themes. One of the first themes was “Haute Cuisine,” which took us back nearly 400

“Since the nineteenth century, diet culture has been pushed by the fashion industry, and being skinny was the requirement for bodies.” years to France, where we started to see the incorporation of the love for food with luxurious clothing. King Louis XIV was notorious for his high-maintenance lifestyle, embodying haute cuisine and haute couture. His immense food palette, paired with the dressmakers of the time, launched France into an the aesthetic it is still known for today: coma-worthy food and worldwide fashion influence worldwide. The “Dressing to Dine” section reiterated how the upper-class would wear specific outfits for specific times of the day. During the 19th century, women specifically had their routine daily schedule marked by what they were wearing. For breakfast, a simple morning robe would suffice. For tea time and dinner, formal pieces would be expected. This type of etiquette has faded, but it has still left its mark since we dress for the occasion rather than changing attire throughout the day based on what meal it is. “Sugar, Spice, and Everything Nice?” compares the correlation between gender and food. Throughout history, femininity has been linked with dainty sweet treats. Specifically in the Victorian era, women were thought to always consume sweets, and their clothing would match the sweet aesthetic of what they ate. The theme that struck me the most was “Consuming Bodies,” which explores the fashion industry’s toxic relationship with food as it relates to the unrealistic, everchanging idea of “the perfect body.” Since the 19th century, diet culture has been pushed

by the fashion industry, and being skinny was the requirement for bodies. This idea is completely harmful to not only selfesteem but also mental and physical health, given the seemingly unrealistic beauty standards. Thankfully, now there is more inclusion in the industry and the idea that fashion is about the clothes, not the body. The exhibit itself was done beautifully. From the amount of detail in the texts to the organization of the clothing, the displays themselves complimented the mannequins and attire with the illumination. The one thing I love to see is the diversity of the mannequins, and seeing a variety of colors is a representation that others would overlook, but not the FIT museum. Along with the incredible exhibition in the museum, there was also a “Food and Fashion Symposium” that took place in the Katie Murphy Amphitheatre on Nov. 3. Scholars from both the cuisine and clothing industries discussed how both have had lasting impacts on each other over the last two centuries. We heard the co-curators, Melissa Marra-Alvarez and Elizabeth Way, express their passion for the exhibit, along with the opening remarks of the president of FIT, Dr. Joyce F. Brown. The “Food & Fashion” exhibition was nothing short of phenomenal. With clothing from all over the world, it was a must-see. With every exhibit, I become more aware of the rich history of fashion and just how deeply rooted it is in our daily lives. However, intertwining garments and food makes you realize that yes, separately they are both necessities, but together they become the duo that has shaped cultures and identities throughout history.

BSU’s Movement, Not a Moment Black in Fashion By Maegan Trusty (AMC ‘25)

FIT’s own Black Student Union (BSU) hosted “Black in Fashion?” which focuses “on the experiences of being Black in the fashion industry.” The premise of the discussion reassesses the role of Black creatives now and moving forward. The uprising of Black creatives in the fashion industry dates back to the late 1980s and early 1990s, and there has been favorable progress since then. But is the work by Black creatives still overlooked and invalidated? Politics in fashion plays an active role in perpetuating this, but it’s imperative that the necessary steps are taken for mitigation. Having the “guilt” or “uncomfortable” conversations is the first step to breaking down barriers and pulling the curtain back on where to go further. Who is on the executive boards? Who is making all of the decisions? Addressing these elements is crucial as a Black creative ensuring you aren’t merely used as an organization’s marketing ploy or to exploit your value for not much in return. When you’re the only Black creative in a room, being singled out is inevitable. If you’re too quiet, you’re not contributing. If you’re too outspoken, you’re stifled. Major opportunities you receive are from fellow Black creatives, but that’s not the case with larger companies. You may work for one, but seldom get the admiration you deserve. Offsetting that sense of elitism comes down to being your own advocate - not pigeonholed into one particular box. You’re more than just a stereotype of a Black creative. Recognition, respect, and acknowledgement for Black creatives must commence at the top and trickle down through the industry for them to have a seat at the table. The mainstream market today features notable diversity, but yet still seems to be a lack of variety, which can be attributed to the lack of awareness surrounding Black creatives in alternative markets. What’s next for us? Black creatives must be secure in themselves upon forging their own paths. You must have the courage of conviction in the industry, without shrinking yourself for someone else’s benefit. We’re not a

(From Left) Kira Cunningham, Nicole Benefield, Patrick Cupid, Abigail Tenewaa,

W 2 7 N E W S PA P E R

FALL 2023 FUN & OPINION

Why is Shein’s Influencer Trip Not Surprising at All By Beatrice Nicolini (AMC ‘25)

Brand trips aren’t new to the marketing fair, and neither is fast fashion. But what many found startling about influencers endorsing Shein’s operations in China, was their unethical and immoral stance for an outspoken unsustainable name. Was it really all unpredictable though? Absence of a universal code for conscious marketing Although plenty of policies have been implemented in favor of ethical measures in fashion, the industry has yet to write a ubiquitous rule book that sets a clear standard for both corporate and influencer marketing. As a result, the deficit between responsibilities widens, and no one can be held accountable. Influencers did not visit actual manufacturing facilities The brand trip took place at Shein’s supplier factory, innovation center and sorting warehouse, where the crew was guided through the different steps of the production chain. However, only brief peeks into the garment-making process were shown, and given the company’s size, it feels safe to assume that what has been taped was nothing more than the headquarters. Dani Carbonari and other influencers were “on-brand” The already existing alignment of influencers with fast fashion brands further stresses the trip’s congruity. Dani Carbonari has, indeed, a history of partnering with unethical fashion brands like Fashion Nova and Boohoo, and so did the other influencers on the trip. But if a shopping haul is forgiven by the Internet, why is a paid trip not? Perhaps, a getaway just seems like a better reward compared to a YouTube video. “Clear-up stunts” are strategic Ensuring that a company keeps its storytelling consistent is a key objective for any marketer. However, when the starting narrative is trembling, “spinning” strategies become a necessity.

ISSUE 2

R O M D By Madison Barton (AMC ‘27) Photography by Adriana Bolanos (AMC ‘24) Graphic Design by Julia Kobeszko (Packaging Design ‘25)

L IF E

ccording to Niche, a college ranking website, the Fashion Institute of Technology only gets a ‘C’ grade in dorms, and I wanted to find out why. While dorming plays a significant role in the college experience, only 25% of the student population at this school actually lives in dorms. Does that have to do with the sub-par conditions of the dorm? Niche describes the dorms as “expensive and outdated.” As a student living on campus, I disagree with this statement, because while living in dorms is expensive, I think it’s a very enjoyable experience. But do the students living on campus share the same opinion? I live in Nagler Hall which is a ten-story building with traditional style dormitories. We have a communal kitchen downstairs, and each floor has its own washer, dryer and fridge. I have loved my time living in the FIT dorms. It has helped me make friends and build a sense of community which as an international student was something I desperately needed. Nagler, constructed in 1962, stands as one of the older buildings on campus. This female-only residential building exudes a welcoming atmosphere. To gain further insights into the dorming experience, I conducted an interview with another resident in the same building. Natalie Tranova is an international student studying advertising, marketing and communications. She is a freshman who lives on the 6th floor in Nagler and has one roommate. Madison Barton: Are you enjoying your time living in Nagler? Natalie Tranova: The dorms were better than I expected. It helped build a sense of community, made it easier to make friends and as an international student this really helped me adjust.

By inviting influencers to report on the spot, Shein attempted to build a level of closeness that bridged into the customers’ experience.

Hannah Bautista (FBM ‘24) & friends.

MB: Did the Niche ratings affect your decision to dorm? NT: No, I didn’t really consider them. I knew I wanted to dorm for the first year so that’s what I did. MB: What do you think of the communal spaces? NT: Honestly, they are not the best. There have been issues with keeping the bathroom clean and sanitary, and the communal fridge is disgusting. Continuing down the street, we come to the next dorm, Alumni. Alumni is one of the more recent additions, constructed in 1974. It boasts an impressive eighteen-floor height and exclusively offers apartmentstyle dorms. It is also has gender inclusive housing. The Alumni building is modern and has a sophisticated atmosphere because of the independence that comes with being in an apartment. There’s a communal lounge on the first floor which is spacious and has three sewing machines. The hall has a sense of sophistication, prompting me to have a conversation with my friend who lives in Alumni to gather her perspective on living in another FIT dorm building. (Introduce friend name and major) Rachel Philip is a fashion design major who lives in an apartment style room in Alumni, she is a freshman who has four roommates including herself. Madison Barton: Do you enjoy living in Alumni? Rachel Philip: I do like living in the dorms so far. I know it doesn’t have everything I am used to having or that I would ideally want to have, but I also feel like living in a slightly dysfunctional dorm is part of the college experience.

“The only way they can succeed is by changing the way they do business, not PR,” says Professor and PR professional Emil Wilbekin. “But fashion is very late to the party of diversity, equity, and inclusion,” she says. Perhaps, Shein could use a suggestion of this kind. If the outcomes of the trip are in fact weighted the brand is, unsurprisingly, miles from nowhere.

Andrea Lambert (Fashion Design ‘27)

Heini Maenpaa is an advertising, marketing and communications major expecting to graduate in 2027. She lives in an apartmentstyle room in CoEd with one roommate.

At the end of the street, you’ll find CoEd Hall. It’s different from the others because it’s a mixed dorm, meaning both men and women live there. The hall has a range of dorms from apartments to traditional style rooms, along with a communal space in the basement as well as a laundry room. CoEd is one of the older buildings and, as such, it possesses its own unique features. It was constructed in the 1960s.

Zinia Lee (FBM ‘27)

Madison Barton: What is it like living in CoEd and do you like it? Heini Maenpaa: Living in CoEd has been fun thus far. I knew that living in a dorm would be a different experience, especially for an international student, who has never used a gas stove before. I am grateful for having an apartment-style dorm where I can have more space and privacy. And in my opinion, the best dorm I have seen so far. The various freshman dorms offer a distinct atmosphere, mirroring the differences in their rooms. Nonetheless, I believe that you tend to form a connection with the place you call home, which is why I personally prefer Nagler over any other residence hall, simply because it’s where I live. Overall, I would describe dorm life at FIT as enjoyable. While living in dorms is not without its flaws, and the lack of A/C in Nagler in 80-degree heat and communal bathrooms is nobody’s favorite thing, the Niche rating for FIT dorms is unfair and should at least be a B. Despite the dorms being expensive, they provide a sense of community in what can be a daunting city.

W 2 7 N E W S PA P E R

ISSUE 2

FALL 2023

FUN & OPINION

THRIFTED OR GATEKEPT: Who Buys Fast Fashion at Fashion School?

By Madison Collins (AMC ‘25) Illustration by Noberto Perez (Illustration ‘24) Graphic Design by Thalia Merino (Communication Design ‘24)

Don’t tell them where you actually got those clothes from — you’ll be a social pariah.

consciousness is preached far and wide, how do FIT students fall into buying into fast fashion?

At the Fashion Institute of Technology (FIT), where thrifted fashion reigns supreme, there seems to be an established, unspoken code of conduct: Thrift sustainably. Support local designers and small businesses. And above all else: Avoid fast fashion. When the dreaded day comes that someone asks you where you got that top from, are you going to say SHEIN?

“I know when I transferred here, I looked like a sore thumb, I didn’t dress the way everyone else dressed,” says Harry, who stopped buying fast fashion after transferring from Penn State to FIT. “First years — or anyone that is new to the school — they will expand their wardrobe at a rapid rate so they fit in.” But for many students, the reality is that fast fashion often seems like the only accessible choice, especially if they don’t have the means to support expanding their wardrobe. Although cheaper sustainable alternatives, such as clothing swaps, are a great way to avoid fast fashion on a budget, prevailing sustainable fashion caters primarily to standard sizes, leaving plus-size individuals grappling with a paradox.

First years — or anyone that is new to the school — they will expand their wardrobe at a rapid rate so they fit in.

“From working at H&M, I recognize some pieces. I’ll ask — and some people are honest — but others will say they don’t remember where they got it or that they thrifted it.” states Laila AbdulAziz (FBM, ‘24). “Even in [the bins in Kaufman Hall, where people can dump or exchange items], there were a lot of fast fashion tags.” Some students have tried to repent on the @FITConfessions Instagram account, a virtual confessional for FIT students, not affiliated with the school. “I know some people on [the @FITConfessions Instagram account] talked about wearing fast fashion and people in the comments ripped them apart,” describes Brooke Harry (CFM, ‘25). Thrift stores become your holy sanctuaries, and supporting small businesses turns into a religious duty. If the gospel of eco-

“People of my size don’t really have a choice to shop ethically,” states Vana Konstantinidis (FD, ‘25), a plus-size fashion and beauty influencer from Queens, who has over 50,000 followers. “When I go thrifting, it’s more like window shopping.” The racks in thrift stores, often dominated by smaller sizes, leaves little to choose from the already-picked-over items. The

absence of plus-size mannequins at FIT further constrains Konstantinidis’s ability to explore sustainable alternatives, leaving fast fashion as her primary choice. Isabella FitzSimmons (FBM, ‘26), the Secretary of the Sustainability Council, recommends avoiding fast fashion and extending the lifespan of clothing as long as possible — even if those clothes are fast fashion.

“I think it’s a matter of consumption; it’s about keeping your consumption down and extending the lifespan of your clothing,” says Abdul-Aziz. “If you hold on to [fast fashion clothing] for years, it’s not a perfect solution but it’s definitely better than throwing it out.”

This approach aligns with FIT’s various sustainability initiatives, including material swaps, the FIT Flea and the Fashion Design fabric recycling program, which are resources for those seeking to make more sustainable fashion choices within the FIT community. Illustration byAmina Sokolji (Illustration ‘25)

Illustration by Bonnie Wong (Illustration ‘24)

W 2 7 N E W S PA P E R

FALL 2023

ISSUE 2

FUN & OPINION

FASHION WEEK to

RACE WEEK Is our fight a gainst inequalities in fashion working? By Chiara Porcelli (AMC ‘25)

Our generation grew up with the best advantage ever: we can make our voice heard through social media and the internet. As soon as minorities explained their discomfort and pain, we all started trying to fight the inequalities that divided us - through TikToks, posts on X (formerly Twitter), or Instagram.

F1 Driver Statue Beside F1 Car, Photo by Maria Geller Graphic Design by Thalia Merino (Communication Design ‘25) & Jess Ehrenfeld (Graphic Design ‘25)

By Alisha Singh (TDM ‘25)

In the Spring of 2007, Dsquared2 embraced a car-centric theme. They presented a Formula One themed menswear event that featured the 2006 world championshipwinning Renault F1 cars positioned at the back of the runway. Model Andreea Staacu opened the show in a white halter jumpsuit adorned with F1 sponsor patches and chunky metal zippers. Following this, there was a parade of male models. They showcased denim and leather iterations of racing uniforms, satchels, and jeans adorned with patches, and there was no shortage of tiny swim trunks. On the more formal end were tailored blazers and trousers styled to be reminiscent of jet-setting team principals, drivers, and investors behind the scenes of every race weekend. Fifteen years on, Chanel’s Cruise 2023 show in Monaco also featured Formula One inspired jumpsuits, caps, helmets, and graphic tees. Motorsport has always been a source of inspiration for fashion. Its spectacle, design elements, and buckets of money manage to evoke an emotional response in motorsport fans that can also be seen in audiences at iconic fashion shows. Formula One, the pinnacle of motorsport, has shown no signs of slowing down. It nurtures a younger and more diverse fan base than ever before. Additionally, it has finally broken into the American market after several attempts beginning in the 1980s. Its relationship with fashion is stronger as well, both high and fast fashion are quick to jump onto the bandwagon. McLaren and Formula One have official licensed collections at Abercrombie and Pacsun respectively, and Hugo Boss has announced 2-time world champion Fernando Alonso as its ambassador.

Sometimes referred to as a traveling circus, Formula One races on weekends at historic tracks around the world in countries like Singapore, Hungary, England, and Italy with the most iconic Grand Prix taking place in Monaco. Multi-million dollar yachts and hordes of celebrities rain down on the small yet wealthy country for a weekend of debauchery, advertising, and racing. Historically, drivers have come from wealthy backgrounds or have needed the backing of millionaire sponsors to sustain their karting and early careers. Making it to F1 however, is the pinnacle with the best cars in the world and only 20

“Fashion brands and Formula One are just starting to tap into the lucrative relationship that could be built through dressing and sponsoring these global sports stars.” spots on the starting grid each year. For the people involved, there are millions of dollars, a jet-set lifestyle, and a sporting legacy at stake. Where there is money, fashion will surely follow. While previous icons of the sport like Schumacher, Hunt, and Senna were known for their sartorial choices, they’re style still stayed within the boundaries of accepted ideas of masculinity at the time. The one man that changed it all was Lewis Hamilton. The first Black driver to race in

F1, his success in the sport is unprecedented, not only has he matched Schumacher for seven world championships, but he has also set multiple records while being outspoken on causes such as BLM and DEI within motorsport. In addition to all this, he is an absolute fashion icon. He has collaborated with Tommy Hilfiger multiple times, bought a Met Gala table in 2021 to showcase young Black designers, and was recently inducted into the Business of Fashion 500, these are just a few of strides he’s made into the world of fashion. Hamilton’s signature looks are styled by Eric McNeal and can be seen splashed across social media and fashion publications each weekend. However, when he first started experimenting, he was heavily criticized by fans and figures within the industry. However, Hamilton has always stood for self-expression and understands the business opportunities to be had from the joining of F1 and fashion. In doing so, has joined a long list of sports stars such as David Beckham and Dennis Rodman who proved that they could be taken seriously in their respective sports while also exploring style and breaking gender norms. Now younger drivers like Zhou Guanyu and Pierre Gasly credit Hamilton with breaking barriers so that they could feel comfortable expressing themselves as well. With access to designer brands like Dior and Louis Vuitton, these sportsmen not only go to fashion week but bring back the styles with them to every race weekend. Fashion brands and Formula One are just starting to tap into the lucrative relationship that could be built through dressing and sponsoring these global sports stars and inspiring fans with deep pockets to step into the world of fashion.

But inequalities are too many and our war is more and more complicated to fight. In fact, when talking about inequalities, we are never talking about one inequality. Talking about women and men's inequalities, for example, women are the minority. But when talking about women, black and Asian women are ethnic minorities. Disabled women represent another minority. Our society is made up of minorities, but is fashion actually trying to fight them? Last year, Elisabetta Franchi said she’s only hiring women over 40 for her brand since “[being pregnant] it’s a duty we have in our DNA. Men don’t have to do it” and she can’t “afford to not see my employees for two years.” Moreover, fast fashion is expected to grow to $1.4 million dollars (4.4%) by 2027. This means more minority labor, rising racism, and a bigger gender gap. Our fight is also having great results; we can really change the world: nowadays, for the first time, the gender income difference in fashion is decreasing. At the same time, racial and disability inequalities are increasing. We need to continue fighting and do more and, as Naomi Campbell said: “the time has come to collectively call the fashion world to task regarding inequality.”

W 2 7 N E W S PA P E R

ISSUE 2

FALL 2023

SPORTS

Your Gym Guide: Let’s Get Physical By Thalia Merino (Communication Design ‘24)

How often have you wanted to go to the gym and failed to do so? Perhaps we feel intimidated by the thought of it alone. Feeling insecure or nervous to go? Fear not, it’s all about taking it one step at a time. Located in the sub-basement, FIT has an available Fitness Center in the A building (Dubinsky), open 7 days a week from 7:00 A.M. on weekdays and 11:00 A.M. on weekends.

Fitness Classes at FIT: What You Need to Know

ife as an FIT student can be demanding when juggling class schedules, internships, projects, and more. Amidst the hustle, taking time for self-care is essential. One way to achieve that balance is through exercise. FIT offers an array of free workout classes throughout the week, designed to provide students with easy access to stress relief and improved well-being. These classes are not only accessible but also flexible, making it convenient to prioritize exercise, even during busy weeks. FIT offers a diverse range of free workout classes that cater to various skill levels. Whether you’re a fitness enthusiast or just trying it out for the first time, these classes are designed to accommodate all. The instructors excel at breaking down exercises and ensuring everyone has a positive experience. In my personal experience, FIT’s fitness classes not only motivate you to push your limits but also create a fun, non-intimidating atmosphere, making it feel less like a workout and more like an enjoyable activity. In the following sections, we’ll explore the different types of classes FIT offers, their instructors, and how they cater to various fitness preferences. Whether you’re into meditation, Zumba, high-energy workouts, or a bit of everything, FIT has something for you. Class Variety FIT offers a wide range of classes, ensuring there’s something to suit every student’s fitness preferences. Whether you’re seeking a calming experience or an energetic workout, you’re sure to find a class that fits the bill. Restorative Yoga on Wednesday nights, for instance, is an excellent choice for those looking to unwind and release the tension that accumulates during the week. Instructor Hegulka Scheiman describes this class as “suitable for all levels”, making it an ideal way to destress and dedicate time to self-care. The class focuses on holding poses that help release tension in your

By Chloe LaBel (AMC ‘27) Illustrations by Jess Lyle (Illustration ‘25)

muscles. Personally, every time I attend this class, I notice a significant reduction in stress levels, and my back and shoulders feel less strained. I highly recommend this class to anyone who prefers a calm fitness environment, along with FIT’s meditation and yoga flow classes. For students who prefer a more high-energy experience, FIT offers classes like spin, Pilates, barre, and hardcore. These classes are perfect for those looking to break a sweat and challenge themselves physically. In addition, FIT offers Zumba and Latin Dance on Friday afternoons. Tina King’s “Rydin’ Dirty Spin” class on Wednesdays and Thursdays is an excellent way to have a great time while getting an effective workout. The instructor’s high energy and passion for her students is contagious, and motivates you to push your boundaries. With upbeat music playing, it feels more like dancing than a traditional workout. The energy in the class is remarkable, creating a positive, supportive atmosphere. Class Schedule FIT understands the busy lives of its students, and that’s why they offer fitness classes at various times throughout the week. This flexibility allows you to find a class that fits seamlessly into your schedule. The classes don’t require any prior registration; all you need is your student ID to sign in. Schedules are posted in the gym and on the FIT website, making it easy to plan your weekly fitness routine. Additionally, @fitathletics on Instagram is an excellent resource for staying updated

on the latest fitness class offerings and other athletic events. By taking advantage of FIT’s fitness classes, you can not only boost your physical health but also enjoy the mental benefits that exercise brings. It’s a fantastic way to destress and prioritize self-care in your busy student life. These classes have offered me a welcoming, low-pressure environment to get back into working out. They also provide an environment to meet likeminded individuals outside your academic circles. In my experience, all the classes I’ve attended have fostered a welcoming atmosphere that allows me to exert my full effort without the fear of judgment. FIT’s free fitness classes are a valuable resource for students seeking to balance their hectic schedules with self-care. With a wide variety of classes, passionate instructors, and flexible schedules, FIT makes it easy for students to prioritize their health and wellbeing. Don’t miss out on this opportunity to improve your physical and mental fitness while having a great time. Whether you’re a fitness novice or an experienced enthusiast, FIT has something for you.

Located on 31st Street, another Fitness Center is available in Kaufman but only open to FIT residents. They typically divide their hours into two sets: 7:00 A.M. - 12:00 P.M and 5:00 P.M - 10:00 P.M on weekdays, with the exception of Friday, which closes at 8:00 P.M, and 11:00 A.M - 7:00 P.M. on weekends. Upon entering the gym, you sign in at the front desk – presenting your school ID number. Keep in mind that bags and cans are not allowed. Please remember to use the locker room next to the gym to keep your personal belongings safe. “It’s a very friendly and nonjudgemental environment,” says Emma Rathburn (CMD, ‘24) who works at the gym, where she maintains the space and checks people in. She reassures that everyone is free to ask for help at the front desk. Rathburn walks us through all the machines available in the A building gym, consisting of general strength training machines, and cardio. You’ll always find what you’re looking for because they also include name labels. General Machines: Chest Press, Delt/ Pec fly, Bicep Curl, Abductor, Lat Pulldown, Leg Curl and Extension, Leg Press, Back Extension, Cable Smith Cardio Machines: Elliptical, Treadmill, Stationary Bike, Spin Bike There’s also a number of weights available: weights range from 3 to 110 pounds, with dumbbells coming in 3 to 55 pounds and weight machines that can be maxed out. A bit of everything is available at the gym for you to try out whether you’re a beginner or a pro. “Always stretch, there’s yoga mats available” says Rathburn, providing us with some advice to avoid injuries when using machines and weights. She reminds us to not hang clothes on the machines because they can get stuck, to not take off your shoes, and always feel free to ask for help if you’re unfamiliar with a machine. If still in doubt, always keep in mind that FIT offers various PE classes which can be viewed on their website and there’s also fitness activities available outside the building. Stay updated using the Corq app, which you can sign in for through MyFIT.

Graphic Design by Abigail Zwirecki (AMC ‘24) & Jess Ehrenfeld (Graphic Design ‘25)

W 2 7 N E W S PA P E R

FALL 2023

ISSUE 2

SPORTS

DI Soccer to Menswear A Closer Look at Niko Herrera

By Christian M. Centeno (AMC ‘27) Graphic Design by Abigail Zwirecki (AMC ‘24)

o attend the Fashion Institute of Technology for the profound Menswear major you may expect countless years of one’s life to be dedicated to nothing but designing and sewing. However, this is not the case for freshman Niko Herrera, a Chicago native who has taken a unique path to enroll at the Fashion Institute of Technology. Herrera committed years of his life to playing soccer before going to school in New York City. At the age of nine, he started his youth soccer career for a Chicagobased team R.B. United, where he played up until his senior year of high school. He spent seasons attending vigorous training sessions while traveling long distances across Illinois and the United States. Because he started his career at such a young age, he learned how to utilize his time effectively while juggling soccer and school.

discovered his play style. He specialized at dribbling in tight areas, creating chances for his teammates, and shooting from a distance. His dedication increased every year he played, along with his opportunities to play soccer at an elite level. Since freshman year of high school, Herrera started to understand how serious things could get when he played at college camps like Northwestern University. It was at this time that he was in contact with colleges. Herrera managed to up his game in his junior and senior year of high school where he became a prolific goal scorer and game changer. Herrera’s passion and talent was in full swing.

In the course of his senior year, Herrera explored his opportunities outside of soccer. He always knew how much he wanted to go all the way in soccer, but acknowledged that it was vital to explore other careers. Even though Herrera had his best Even though season to date scoring Herrera had his over forty goals, he was also considering NYC’s best season to Fashion Institute of date scoring Technology’s Menswear over forty goals, program or local colleges in the Chicago area. he was also

His time spent away from competitive play was also pivotal. He was able to embrace other aspects of life. His friends, family, and soccer heroes motivated him to devote a large portion of his life to the game whilst considering being a proactive student. During the off-season, he NYC’s Fashion continued to train hard by Institute of practicing at the local fields, Technology’s playing pick-up games, and signing up for indoor five-a- Menswear side matches. Although his program main passion was soccer, he had an underlying interest in fashion due to his creative freedom and positive feedback from peers. denied by FIT. When he was not on the field improving his skills, he spent his time studying ‘The Beautiful Game’ by watching his favorite team, Real Madrid, and his favorite player Cristiano Ronaldo. Like others across the world, Niko Herrera idolized Ronaldo’s unworldly abilities on the left wing and striker position. Parts of Ronaldo’s play translated into Herrera’s game including his skill, moves, and movement. Even Ronaldo’s appearance inspired Herrera. He would get similar haircuts, wear long sleeves during games, and CR7 branded cleats. In Herrera’s teen years, his game was developed further as he moved into the attacking midfield position. He found to be better suited in the center of the field and

By the middle of senior year, Herrera began working on his hefty FIT Menswear portfolio while also looking into all of his options for college soccer. Finally, towards the latter end of his senior year,, he had offers from two D1 colleges but was

Herrera’s designs on display.

Herrera carried on with his commitment to the Chicago Fire U19s awaiting a potential pro contract while spending more time than ever on his portfolio for his Menswear reapplication at FIT. He waited and reflected for six months until his letter from FIT came back. Herrera was accepted. Again, Herrera had a colossal decision to make. He could continue to pursue his dream of being a professional soccer player or start a new journey in the Big Apple. “I’m kinda sad without soccer,” Herrera said in our interview. He was now living a different life. He wasn’t used to this free time. “Maybe I’ll design for a soccer team one day,” he says with hope. Unlike most people, Niko Herrera knew exactly what he wanted to do. His hard work paid off, and his journey took him to commit to the FIT. He has applied the same passion, love, and desire to both soccer and menswear.

His desire to pursue soccer at the college level opened up, but it still did not meet all of his expectations. Herrera would have been satisfied playing soccer, but the academics offered were not in his interest. At the age of eighteen, young Herrera had a big decision to make. Herrera declined his offers and stayed in the Chicago area to reassess his options. He resumed his studies at a local community college, spent more time on his Menswear portfolio, and tried out for the Chicago Fire U19s. After only one month at the local college, he dropped out to solely play for the team.

Herrera in action. All photos provided by Niko Herrera

HANEEN EL M ES WA RI

f a r e eha AHMED

CREATIVE DESIGN DIRECTOR SECRETARY

JESS LYL

ADRIANA BOLANOS

J e ss d ehrenfel

CRE A DIR TIVE ECT OR

ART

AS SI ST AN T ED IT OR IN CH IE F

e tr

e su

UTE C S ’ OR LD

ED IT OR TE AM

ORFILLIA GOMEZ

SL ORLDS

editor in chief

IL ABIGA CKI E ZWIR AYES

IVE CREAT

Photographed by Adriana Bolanos (AMC ‘24) Assisted by Scarlett Mcquaide (TDM ‘27) Back cover designed by Jess Ehrenfeld (Graphic Design ‘25)

WWW.W27NEWSPAPERS.COM

TEAM