NEWS LOOSE LIPS
Jerk of Art Darrow Montgomery/File
D.C. Council Chairman Phil Mendelson refused to hold a hearing for two arts commissioners he deems antagonistic. Then he took an embarrassing loss.
D.C. Council Chairman Phil Mendelson By Mitch Ryals @MitchRyals Nata lie Hopk inson a ppa r ently wasn’t acting right, so she was almost kicked off the D.C. Commission on the Arts and Humanities. The Howard University professor and co-founder of the #DontMuteDC movement has been waiting since May for a hearing on her renomination to the commission, which manages a nearly $40 million budget. D.C. Council Chairman Phil Mendelson has the exclusive authority to schedule such a hearing. And he’s refused to do so. In the six months that Hopkinson has been waiting, she hasn’t been shy about calling bullshit. She and Mendelson have traded blows in government documents, news articles and Medium posts. Mendelson has referred to a “mess” within the commission, and though he hasn’t called her out by name, he has noted that the problems he sees seemed to show up right around the time she joined. “The problem is more likely about personalities than
substantive issues,” Mendelson declared in a June report on the confirmation of CAH Chair Reggie Van Lee. The “mess” was obvious to Hopkinson as well. But the problem, as she saw it, was inequitable arts funding. She was particularly concerned about the formula Mendelson wrote into law that set aside 28 percent of the commission’s grant budget for a cohort of mostly White-led arts organizations with budgets of more than $1 million. Those organizations in the National Capital Arts Cohort each received hundreds of thousands of grant dollars without applying through the competitive process that every other organization must go through. Hopkinson and Cora Masters Barry have been among the most vocal critics of the commission’s historic inequities and of this specific carve-out, and helped to eliminate it this summer. Mayor Muriel Bowser renominated Hopkinson and Barry to the commission, along with two other Black women: Gretchen Wharton and Kymber Lovett-Menkiti. But Mendelson has only introduced a vote
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for Wharton and Lovett-Menkiti. Without Council action, Hopkinson and Barry’s nominations would have expired Nov. 3. After Colby King raised the issue in his Oct. 31 Washington Post column, Mendelson released a public statement accusing Barry and Hopkinson of having “antagonized and alienated their colleagues, and not in a good way.” He quoted unnamed commission members who complained to him about both women using descriptions such as “bomb thrower,” “mean spirited,” and “bully.” Commissioners told the chairman that one of the two women “cares not a whit about building a coalition.” “F*** White women” is another anonymous quote attached to one or both of the Black women. Mendelson’s statement isn’t clear about who the specific criticisms apply to. Mendelson also accused Barry, the widow of Mayor-for-Life Marion Barry, of violating ethics and conflict of interest laws by voting on an arts commission grant for her nonprofit organization, Recreation Wish List
Committee. A list of fiscal year 2021 grantees shows that Barry’s nonprofit received a $60,000 grant from the arts commission, and meeting minutes from Aug. 2020 show the grant awards passed unanimously. Barry, who is the only paid employee of the nonprofit according to tax forms, did not respond to Loose Lips’ email seeking comment, but her spokesperson, Raymone Bain, forwarded an email from Van Lee that was sent to Mendelson Sunday evening. In it, Van Lee explains arts commissioners’ votes are “completely blind,” meaning commissioners can’t see names of grant applicants when they vote. “To my knowledge, there has been no inappropriate involvement of any commissioner in voting on grant awards,” Van Lee wrote in the email. Current and former commissioners tell LL that it has not been uncommon for arts commissioners to vote in favor of grants for organizations in which they’re involved. During a press conference Monday morning, Mendelson declined to identify the anonymous commissioners he quoted or explain the context of their criticisms. Asked whether those criticisms could be appropriately aired out during a public hearing, the chairman said “I’d rather put this all behind us … than drag it out and amplify that controversy.” The quotes don’t surprise arts commissioner Quanice Floyd considering the discourse on the commission. “I know who would describe them as that. It’s because they’re unsettled,” she says of the entrenched commissioners who were resistant to change. Floyd, who is Black, acknowledges that discussions about race and equity that Barry and Hopkinson force among commissioners can get tense. But passion is often mistaken for anger, she says, noting that other commissioners have been just as nasty. “And nasty with no agenda,” she adds. “That’s the worst part about it.” Hopkinson prefers not to engage in anonymous attacks. “I would love to have a hearing, and if people have concerns about why I’ve advocated for equity, to have that all in the open,” she says. “To use his public office as a platform for slurs and insults against two professional women is unacceptable.” For Benjamen Douglas, a former arts commission staffer, the quotes mirror the hostility he saw directed at Hopkinson and Barry. He recalls former commission chair Kay Kendall and current deputy director David Markey questioning why grant funding should go toward supporting go-go music.
