Canal House Gardens of Amsterdam by WBOOKS

In only two weekends a year one has the opportunity to get acquainted with this world of green: the Amsterdam Tulip Days in April and the Open Garden Days in June. A number of gardens is open to the public year round. After reading this book your only wish will be to discover whether this luscious greenery is indeed as delightful as expected.

Museum Van Loon

T h e H i dde n G r e e n o f th e Ci t y

From the rich Golden Age with its merchants, tulip frenzy and collectors of exotic plants and novelties unto the present day: four centuries of garden history are described in a nutshell within this book. Splendid photography of the canal gardens in all seasons illustrate the various topics.

Ca na l House Ga rde n s o f Ams te r da m

What lies hidden behind the age-old houses along the Amsterdam canals?

Canal house gardens of Amsterdam

The Hid d e n Gre e n of the city

Ca n a l house g a rd ens of A m s terd a m

T h e H i d d e n G re e n o f th e c ity S as ki a Alb re ch t To n ko Gre ve r

P r e fa c e

In 2013, Amsterdam celebrated the 400th anniversary of its canal beltway. Countless books have been published, dealing either with the origin of the canals or the illustrious residents of the canal houses. It is gladdening that finally a book covering four centuries of canal-house garden history sees the light. For all these centuries, the city of Amsterdam has been renowned internationally for its tolerant and hospitable character—a hospitality that is applied to widely divergent domains, and granted to all. As such, it befits the city’s history to open our most hidden and exclusive gardens to you, the visitor. The Amsterdam Tulip Days in April, and the Open Garden Days in June each offer a unique opportunity for you to become acquainted with this verdant world. A number of these gardens are accessible to the public all year round. For me, the importance of these events is not just to open these spaces to garden lovers but to invite every visitor walking through the gardens to bear in mind the open and hospitable history of this city. The garden of the mayor’s residence, located on the Herengracht since 1927, is also opened each year. With the many mayors and their families that have preceded me, innumerable national and international guests, officials, politicians and Amsterdam residents have all walked through this garden, during gatherings at cheerful or sorrowful moments in the history of this city. Despite this continuity, the function of the mayor’s garden changes as with the seasons, something that also applies to my family and myself. In the weeks following the Open Garden Days, this space transforms from ornamental garden into a playground with features and corners to delight any child; a place where childhood memories are built and kept. Finally, to all the inhabitants that unselfishly open up their gardens, which they preserve and maintain with such dedication, our heartfelt thanks. Long may it be so. Mr. E.E. van der Laan Mayor of Amsterdam

The Hidde n G re e n of the City

Tab le o f c o n t e n t s

Pr efa ce by Mayor Mr. Eb e rh ard van der Laan . . . . . . . . . . . . . . . . . 5 The Ca l l of the Hidde n Gre en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 Early Days . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 Geometric Patterns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 Imitation and Folly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 Tulipomania . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 Symmetry . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 In the Shade of Trees . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

The Ca nal Hous e Garde n Is a Product of History . . . . . 31 New Ways . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32 A Mirroring Plane . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33 Exotic Plants . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38 Decoration and Ornaments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 Sundials . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 Topiary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

M u seu m Garde ns on the Can als of Amsterdam . . . . . . . . . . . . 49 Museum Van Loon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50 Biblical Museum . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52 Huis Marseille Photography Foundation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54 FOAM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58 Museum Willet-Holthuysen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60 The Museum of the Amsterdam Canals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62 Museum Geelvinck Hinlopen Huis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64 Museum of Bags and Purses . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68 Hermitage Amsterdam . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69

Co l o p h on

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The Hidde n G re e n of the City

Canal Hous e G ard e ns of Am ste rd a m

The C a ll of the H i dden G r een

Anyone that ever read F.H. Burnetts novel ‘The Secret Garden’ might recognise the appeal that a blank wall can exert, and the irresistible desire to see what lies behind. The cheerful events going along with it will be ever familiar. Few things indeed are such an invitation to reckless behaviour as a high wall with luscious green springing over it. Whoever is caught dangling from such a wall, or with cheeks pressed between the boards of a wooden fence, will at best raise the impression of being an eccentric searching for a lost paradise. Still, it will be hard to resist next time, and the discovery of a green oasis at the other side of the wall is a peaceable conquest that will remain in the mind for years. Incidentally, the word paradise is derived from the Old Persian pairadaeza, meaning fence, or walled garden. Hence desires and meanings coincide wonderfully. On Amsterdam’s splendid canals the curious stroller guesses at an intriguing world of green peace behind the stern façades, but perching on walls or fences is surely out of the question: the city blocks are sealed off on all sides, leaving the canal-house residents the only ones to enjoy this hidden greenery. At least, that’s how it had been for centuries. For many years now, the canal-house gardens have been open to limited access by the public. This initiative, began by a couple of intrepid ladies, has now grown into a prominent event. Each year in the third weekend of June, the the garden lovers can rejoice, when around thirty ‘secret’ gardens are opened, giving an insight into four centuries of history. Among them are formal historical gardens with parterres de broderie, romantic private gardens with voluptuous plantings, and architect-designed ornamental office gardens. Yet, all gardens share a common historical past, which in many cases is a definitive, and sometimes a restrictive, characteristic.

The Call of the Hid de n G re e n

co lo p h o n

Publishing: WBOOKS, Zwolle / Museum Van Loon, Amsterdam info@wbooks.com / info@museumvanloon.nl Text: Saskia Albrecht and Tonko Grever Graphic design: Maarten Evenhuis Completely revised edition 2014 First edition 2005 Photo credits: Cris Toalo Olivares: cover, 6, 16-17, 24-25, 26, 34-35, 36-37, 39, 40, 43, 45, 53, 56-57, 59, 65, 66-67, 70-71 Tom Elst: 4, 19, 21, 23, 29, 44, 46-47, 60 Peter Kooijman: 8, 30 John Marshall: 12-13 Bas Brummans: 48 Lonneke Stulen: 63 Rijksmuseum: 10, 22 Museum Van Loon: 27

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ÂŠ 2014 WBOOKS, Zwolle / Museum Van Loon, Amsterdam ISBN 978946258028 2 NUR 425, 693

Museum Van Loon Keizersgracht 672 1017 ET Amsterdam tel +31(0)20.6245255 www.museumvanloon.nl