Program for WCT and the KSO's co-presentation of 2 PIANOS 4 HANDS by Western Canada Theatre

PRESENT A MARQUIS ENTERTAINMENT PRODUCTION

Created by Ted Dykstra & Richard Greenblatt Starring Tom Frey & Richard Carsey • Directed by Richard Greenblatt

February 19 to 28, 2015 SAGEBRUSH THEATRE

PRESENT a Marquis Entertainment production

By Ted dyksTra & richard GreenblaTT Directed by richard GreenblaTT Featuring Tom Frey & richard carsey

aRTiSTic/PRoDucTioN PERSoNNEL STEvE LucaS JaSoN GoLiNSky aNDREa SchuRMaN chRiSTiNE LERoux coLiN RivERS BRENDaN GiLhuLy MaTT aRNoTT

Production Designer associate Production Designer Stage Manager apprentice Stage Manager Producer Production Manager Piano Technician

Run time is approximately two hours ten minutes with a 15-minute intermission.

2 PiaNoS 4 haNDS was originally produced in april 1996, by the Tarragon Theatre, Toronto, in association with Talking Fingers inc. and produced across North america and in London, uk by Mirvish Productions (off-Broadway and u.S. tour co-producers with Ben Sprecher and William P. Miller).

Gold Show SponSorS opErATInG GrAnTS

MuSic FEaTuRED iN 2 PiaNoS 4 haNDS ACT I Concerto in D minor, BWV 1052, 1st Movement (J. S. Bach) Heart and Soul (Hoagy Carmichael) The Birch Canoe (Leila Fletcher) By the Stream (Richard Greenblatt) Our Band Goes to Town (arranged by J. B. Duvernoy) Sonatina No. 6 in F major (L. van Beethoven) Sonata No. 16 in C major, “Facile,” 1st Movement (W. A. Mozart) Sonata for One Piano, Four Hands in D major, 1st Movement (W. A. Mozart) In Der Halle des Bergkönigs, “In the Hall of the Mountain King”, Peer Gynt Suite No. 1 (Edvard Grieg) Concerto in D minor, 1st Movement (J. S. Bach) ACT II Prelude No. 15 in D flat major, “Raindrop” (Frédéric Chopin) Asturias, “Leyenda” (Isaac Albéniz) Rondo for Two Pianos, Four Hands in C major (Frédéric Chopin) Fantasiestücke No. 2 (Robert Schumann) Sonata No. 8 in C minor, “Pathétique,” 1st and 2nd Movements (L. van Beethoven) Ballade No. 2 in F major (Frédéric Chopin) Mephisto Waltz No. 1 (Franz Liszt) A Medley of Pop Tunes Impromptu in A flat (Franz Schubert) My Funny Valentine (Richard Rodgers / Lorenz Hart) Piano Man (Billy Joel) Concerto in D minor, BWV 1052, 1st Movement (J. S. Bach)

GENERaL NoTES Electronic Devices: Out of respect for our performers and other audience members, we request that all cellular phones and watch alarms be turned off prior to the show. Late Seating Policy: In consideration of our audience, patrons who arrive after a performance has begun will not be seated until an appropriate interval in the program. Scents: Also in consideration of fellow audience members, we ask that the use of perfumes and aftershaves be limited. Recording Policy: The videotaping or other video or audio recording of this performance by any means is strictly prohibited. Children: For those patrons with infants, we request that you indentify yourself to Kamloops Live! Box Office staff at the time of ticket purchase, and they will seat you accordingly. Services for Patrons with Disabilities: Sagebrush Theatre is wheelchair accessible and equipped with wheelchair seating locations; please see the House Manager for details. Program Producer: Western Canada Theatre wctlive.ca / 250-372-3216 Box Office: Kamloops Live! Box Office kamloopslive.ca / 250-374-5483

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WcT’S aRTiSTic DiREcToR’S MESSaGE 2 Pianos 4 Hands is one of the most successful Canadian shows ever created. It has toured around the world and recently celebrated its 20-year anniversary. It is a success because of its great piano playing, its great script, and its incredibly talented performers, but mainly it is a success because we can all relate to these guys. We have all had a dream, whether it’s to be a concert pianist or an NHL star. And we’ve all had to deal with practicing when we didn’t want to, going to lesson after lesson and dealing with teachers and coaches that inspired or intimidated us. It is so easy to see ourselves (or our children!) in these incredible characters that Richard and Ted have created. Here are some amazing facts about the show… Since its humble Toronto premiere, 2 Pianos 4 Hands has had nearly 4,000 performances at 175 different theatres throughout North America, Europe, Asia, Australia/New Zealand and South Africa playing to approximately 2 million people. The production has played Off-Broadway and in London’s West End. To date, 2 Pianos 4 Hands has been translated into four languages — French, Japanese, German and Finnish. Every playwright, director and performer that creates a new theatre production hopes that it will have a long, fruitful life and be seen by audiences everywhere. 2 Pianos 4 Hands is one of those rare shows that actually accomplished that. It’s a true Canadian theatre success story. And tonight you’ll get a chance to experience the virtuosic piano playing, humour and heartfelt storytelling of this incredible production right here on our Sagebrush stage. It is a great pleasure to welcome my friend Richard Greenblatt here to WCT to direct this production and to welcome Tom Frey, Richard Carsey and the whole 2 Pianos 4 Hands team to our stage. Many thanks to Colin at Marquis Entertainment for moving mountains (or at least, moving grand pianos over mountains) to make this production possible. We’re so proud to partner with the Kamloops Symphony to bring this incredible Canadian theatrical sensation to you. Enjoy the show!

Daryl Cloran Artistic Director PS - I hope you’ll join us for the rest of our amazing season. Next up is The 39 Steps, a zany combination of Hitchcock thriller and hilarious comedy! It’s a ton of fun!

kSo’S MuSic DiREcToR’S MESSaGE Recently I attended the Western Canada Theatre production of Liberation Days on a Thursday and on Saturday, the Mayor’s Gala for the Arts. Both were wonderful events! Liberation Days was exquisitely cast, designed and performed. The Kamloops Symphony presents equally exciting and moving performances. The two organizations have evolved and matured together and create an artistic environment that the City of Kamloops and the region enjoy and value. When Daryl and Lori asked if the Kamloops Symphony would like to be co-presenters of 2 Pianos 4 Hands, it took very little thought to agree. The presentation is theatrical, but the concept and subject matter is musical, so it is a logical collaboration. 2 Pianos 4 Hands has been performed around the world and is one of the most successful Canadian plays ever created. The story of two young pianists following a dream is a common tale in the musical arts, and the final humbling realization that greatness may be out of reach is also not unknown. What creates the interest is the growth of the dream, the growth of the artists and the need to deal with life as the growth takes place. The performers and the story are brilliant. Bruce Dunn Music Director Kamloops Symphony Orchestra

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PLayWRiGhTS’ BioGRaPhiES

or Canadian works.

Richard Greenblatt Playwright / Director Richard was born in Montréal and received his acting training at the Royal Academy of Dramatic Art in London, England. He has performed in theatres across Canada and abroad, as well as in feature films, television and radio. He has directed well over 100 productions for theatres across the country; the vast majority being original and/

As a writer, he wrote or co-wrote: 2 Pianos 4 Hands, Sibs (also made into a TV movie for the CBC), The Theory of Relatives, i.d., Letters from Lehrer, Care and Soft Pedaling. 2 Pianos 4 Hands has played on five continents and in over 150 cities since it opened in 1996. Greenblatt himself has performed the play over 900 times across Canada, and in New York City, Washington D.C., London and Tokyo. He has taught acting, directing and play creation at most of the theatre training institutions in Canada. He has also directed the premieres of many groundbreaking and award-winning plays for young audiences. Recently, he directed Waiting Room at the Tarragon Theatre, and R-E-B-E-C-C-A at Theatre Passe Muraille. Upcoming, he will direct a devised work at Humber College and act in Oregano at the Storefront in Toronto. He has received numerous nominations for his work, and has won seven Dora Awards and two Chalmers Awards. He lives in Toronto with partner Tanya Greve and their daughter, Amelia, and is the proud father of Natasha, Will and the dearly missed Luke Greenblatt. Ted Dykstra Playwright Ted has played leading roles on every major stage in Canada, and has directed dozens of award winning productions as well. Look for his new musical, the smash hit Evangeline, to be done again in Charlottetown PEI as well the Citadel Theatre in 2015/16. He is a founding member of Soulpepper Theatre in Toronto, has received five Dora Awards, as well as Gemini, Merritt, Sterling and Chalmers Awards, and has oodles of award nominations for acting, directing, composing, writing and producing. Currently, he is the voice of Dad Tiger on Daniel Tiger’s Neighbourhood (PBS) and this fall he will be the voice of The Great White Butt on series The Day My Butt Went Psycho! (Teletoon). He loves tennis, the Oilers (unfortunately) and being a dad to Rosie and Theo. Playwrights’ Acknowledgments Beatrice Campbell, Celia Chassels, Jean & Chalmers Doane, Melanie Doane, Theo & Rosie Dykstra, Theo & Truus Dykstra, Mallory Gilbert, Luke, Natasha, William & Amelia Greenblatt, Tanya Greve, Fiona Jones, Steve Lucas, Kate Lushington, Gloria Muzio, Robin McKim, Ontario Arts Council, the Tarragon Staff and all the people who attended and gave feedback on the first workshop of 2P4H. A special thank you to Urjo Kareda for his dramaturgical input and support of the original production. The playwrights would especially like to acknowledge Andy McKim’s role as the Consulting Director of the original production. His input was, and is still, greatly appreciated.

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BioGRaPhiES Tom Frey Ted At WCT: Debut. Elsewhere: Tom began his association with 2 Pianos 4 Hands over 15 years ago, subsequently performing it over 700 times (first as Richard, then as Ted) throughout the US and Canada at such regional theatres as the Actor’s Theatre of Louisville, Hartford Stage (winner of Connecticut Critics Circle Award for Outstanding Touring Production), Laguna Playhouse, Dallas Theatre Center, Merrimack Repertory, Maltz Jupiter Theatre, Portland Stage, GeVa Theatre, the Ordway Theatre in Minneapolis, the Globe Theatre and the Belfry Theatre among others. Tom now directs the show throughout the US, and recently celebrated the debut of entirely new teams of Teds and Richards at Pittsburgh City Theatre and TheatreWorks, Palo Alto. Other credits include Daniel Beaty’s Breath and Imagination at Hartford Stage, Pittsburgh City Theatre, and Cleveland Playhouse; Wilson Mizner in the American Regional Theatre Premier of Sondheim’s Road Show at Stages Repertory Theatre, Houston; Dirty Blonde at the Cleveland Playhouse and Pittsburgh Public Theatre; Arms and the Man, The Admirable Crichton, and The 39 Steps at Peterborough Players, Souvenir at 7 Angels Theatre; Woman In Black and Free Man Of Color at the Penguin Repertory; Evelyn Oakleigh in Anything Goes; and Billy Bishop in Billy Bishop Goes To War. Richard Carsey Richard At WCT: Debut. Elsewhere: Richard Carsey is a conductor, pianist and actor. Currently he is Music Director of the national tour of The Phantom of the Opera. Other tours: La Cage Aux Folles; Little House on the Prairie. Broadway: Music Supervisor of The House of Blue Leaves; A Minister’s Wife at Lincoln Center Theater. For 8 years he was Artistic Director/Conductor for Skylight Opera Theatre (Milwaukee, WI). Highlights include the world premiere and television broadcast of Richard Wargo’s opera Ballymore; the world premiere of the opera The Rivals by Kirke Mechem; Floyd Collins, Marriage of Figaro, The Music Man, Porgy and Bess. As actor: 2P4H at regional theaters including Actor’s Theater of Louisville, Hartford Stage (Connecticut Critic’s Circle Award), Laguna Beach Playhouse, The Globe (Saskatchewan), Dallas Theater Center and Merrimack Rep. Also The Boys in the Band (Harold); Twelfth Night (Malvolio); Souvenir (Cosme). Piano study with Lee Luvisi—University of Louisville; Gyorgy Sebok—Indiana University.

“Piano four hands” is a term used to describe a piano duet for a single piano with two players. Two players with separate pianos is a “piano duo”.

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BioGRaPhiES Steve Lucas Production Designer At WCT: Debut. Elsewhere: For the last three decades Steve has designed award winning sets and lighting for more than 300 productions of theatre, dance and performance art. His work has toured extensively and has been seen all across Canada, the United States, the UK, Europe, Scandinavia, Russia, Australia, and Asia. Steve’s work in theatre has mainly been focused on new and original plays; he has designed the world premieres of hundreds of shows, many of which have gone on to further acclaim. These include: 2 Pianos 4 Hands, Never Swim Alone, Time After Time: The Chet Baker Project, The Real McCoy, Revolutions in Therapy, 7 Important Things, and The Drawer Boy. Steve has received several awards including four Dora Mavor Awards for his set and lighting designs. He has also been nominated for several of Canada’s most prestigious awards including the Simonvitch Prize in Theatre, and twenty nine Dora Mavor Moore Award nominations. Andrea Schurman Stage Manager At WCT: Debut. Elsewhere: Most recently, she stage managed NSFW (Studio 180), The Mountaintop (Obsidian), A Closer Walk with Patsy Cline (Globe/ Persephone), 2P4H (Marquis @ Centaur & Globe) Other Desert Cities (Grand Theatre), God of Carnage (Studio 180/Mirvish), Venus in Fur (Canadian Stage) and Blue Planet (YPT). She’s worked on more than 90 productions from coast to coast with many wonderful companies, including Theatre Passe Muraille, Soulpepper, Citadel Theatre, Vancouver Playhouse, Opera Lyra Ottawa, Nightwood, Tarragon, Factory, Stratford Festival, TNB, Tapestry New Opera, Opera Ontario, ShakespeareWorks, Resurgence, Toronto Operetta Theatre, Frank Collymore Hall (Barbados). Andrea heads directly to the Shaw Festival to work on The Lady from the Sea and The Divine. Christine Leroux Apprentice Stage Manager At WCT: Liberation Days, Peter and the Starcatcher, Driving Miss Daisy, Closer Than Ever, Les Misérables, and High- Wire Festival Elsewhere: Christine, a recent graduate from Thompson Rivers University, is very excited to be joining WCT as their apprentice for the season! Past productions include: Assistant Stage Manager for Alice in Wonderland and The Last of the Dragons (Project X Theatre); Stage Manager for The total string tension Catch, Curse of the Starving Class and Gossip (TRU Actors in a concert grand is Workshop Theatre). Christine is very grateful for all of close to Thirty Tons! the support that she has received and would like to thank everyone who helped make this year possible! 15

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BioGRaPhiES Jason Golinsky Associate Production Designer for 2P4H At WCT: Debut. Elsewhere: War Horse (Associate Lighting Designer at Mirvish Productions); Rock of Ages, The Sound of Music, Dirty Dancing, We Will Rock You, (Assistant Lighting Designer at Mirvish Productions); Ariadne Auf Naxos, Orgeo Ed Euridice, La Cenerentola, Iphigenie In Taurus, Rigoletto (Assistant Lighting Designer at the Canadian Opera Company); The Galileo Project (Lighting Director at Tafelmusik); Stars on Ice (Lighting Director); Romeo and Juliet, Coppelieus, The Nutcracker, Cinderella, The Emperors New Clothes, The Velveteen Rabbit (Lighting Director at Ballet Jorgen Canada). Brendan Gilhuly Tour TD for 2P4H At WCT: Debut. Elsewhere: Brendan is excited to join the 2 Piano 4 Hands team here at WCT. He is based in Toronto, where he spends the winters freelancing for various theatres. Recent highlights include stints at the Young People’s Theatre, and Tarragon. In the summer months he is the TD of the historic Blyth Summer Festival in Huron County, ON. Colin Rivers Producer At WCT: Debut. Elsewhere: Theatrical Producing and General Management Credits include the World Premiere of Arrabal (Panasonic Theatre – Mirvish Productions 2013-14 Season); the North American Premiere The Railway Children at Toronto’s Roundhouse Park (Mirvish, 2011 Dora Audience Choice Award); 2P4H in Toronto (Mirvish), Tokyo (Shochiku), Hong Kong, Australia, and for more than 25 regional theatres throughout Canada and the US; Shakespeare’s Will (The Stratford Festival and on tour in the US to Merrimak Rep and other venues), The Rat Pack: Live at Las Vegas (Mirvish); and Mom’s the Word (Grand Theatre, PTE). Through Marquis Entertainment, Proud Sponsors ofColin also represents a number of Canada’s top playwrights including Michele Riml, Jordan Tannahill, Michael Melski and Aaron The Kamloops Bushkowsky. For more information please visit www.marquisent.ca.

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The modern piano bears the imprint of Beethoven’s demand for a more resonant and flexible instrument: More sound! More durability! More high notes! 17

Italians like Mozart are also perennially popular. But what of instrumental music? Every string player has, during their developing years, come across Corelli (1653-1713), every brass player has played Gabrieli (1554-1612), and every woodwind player has played some Vivaldi (16781741). Choirs sing Montiverdi (1567-1643), Palestrina (1525-1594) and Gesualdo (1566-1613) and pianists play Scarlatti (1660-1725). There is also the fact that the finest stringed instruments ever made were created in Italy. Guarneri del Gesu

independence and importance of secular interests were shown in the continued growth of vernacular literature: Dante’s Divine Comedy (1307), Boccaccio’s Decameron (1353) and Chaucer’s Canterbury Tales (1386) were some of the great literary landmarks of the fourteenth century. These publications heralded the arrival of Ars Nova, a treatise written by the French composer and poet, Philippe de Vitry. The term was so apt that it has come to be used to denote the musical style which prevailed in France through the first half of the fourteenth century. Italian con’t on page 21

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kSo & WcT PRoFiLE:

LoRRaiNE aND WiLF FRoESE Kamloops Symphony and WCT share some of the same incredible donors and subscribers, such as Lorraine and Wilf Froese, whose years of support have enriched both our companies and community. Your family is very involved in the arts. Why was it important to raise your children to have an appreciation for the arts? Arts is important for a full-rounded person. To be able to express yourself is cool. We made music with our kids, and that had a big impact. Music and theatre with them, they got into them. Our older son was in Oliver and Anne of Green Gables. When you participate in the arts, you have that special connection. You have a deeper experience when you go to see a play or music, whether you continue on in the arts or not. What are some of your favourite memories of theatre and concerts? We really enjoyed the Beethoven Festival [that KSO presented last season]. To focus on a specific composer, to delve a little deeper, that was neat. Jeans ‘n Classics was great, too, because people who do not normally come to the symphony were there. We also really enjoyed the WCT musicals where the community auditioned, such as the open call for Oliver and Anne of Green Gables. Les Misérables was great too. We just love the variety and types of plays WCT chooses, and the sets are amazing. What are the benefits of donating to, subscribing with or sponsoring WCT and KSO? You’re helping to create a vibrant community. As a sponsor you are able to know that there is something for everybody in our town. Anything else? We’re looking forward to the new venue that everyone has been talking about for years and years—a new performing arts centre, that will specifically be a centre for music and theatre.

Mozart composed his first piano solo at age five, and could actually write music before he could write words. 19

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2 Pianos 4 Hands

aND iTS MuSicaLLy coMEDic/ DRaMaTic STyLE Ted Dykstra and Richard Greenblatt’s 2 Pianos 4Hands, which has been performed nearly 4,000 times in 175 countries since it premiered in 1996 at Toronto’s Tarragon Theatre, has become a classic of Canadian theatre. This seems an appropriate time to explore the characteristics of Canadian musical theatre. The Kamloops Symphony—Western Canada Theatre co-presentation of 2 Pianos 4 Hands is in tune with WCT’s focus this season on the integration of music into theatre; the 2014-15 season began with Closer Than Ever and will end with another Canadian blend of music and theatre, Are We Cool Now? I confess to having previously made steps toward defining Canadian musical theatre on these pages, although not since 2006, with Paul Ledoux and John Roby’s Hot Flashes. Let’s call that consistency and continuity, shall we? Although some of the play’s content reflects its Canadian origins, 2 Pianos 4 Hands does not tempt one to analyze it in terms of the Canadian identity, psyche, or zeitgeist. However, it is in the style of Dykstra and Greenblatt’s work that we see commonalities with other Canadian works. First, its small cast lends to intimacy and immediacy. Like Hot Flashes in 2006 and John Gray’s Billy Bishop Goes to War, which WCT produced in 2011, the play is driven more by plot than by spectacle. While budgetary as well as artistic considerations may play a role in such decisions, a “less is more” approach focuses the audience on the performers rather than the decoration. As well, both 2 Pianos 4Hands and Billy Bishop Goes to War make deft use of the intensity that results when two fine actors take on several roles. The effect can be mesmerizing. What John Gray told me in interview about his approach to music applies to most of the Canadian musical theatre works that have graced WCT’s stages. “The songs,” he said, “are a natural extension of the storytelling, as opposed to a number set up by a scene.” For musical plays that go back to the 1980s, such as Paul Ledoux and David Young’s Fire and Love is Strange and the other above-mentioned WCT productions, this is true. In 2 Pianos 4 Hands, the music, which runs the gamut from classical to pop, is supremely winning. It is also integral to the story of the progression of the friendship of two young boys into adulthood centered around their relationship with the piano, enhancing the combined pathos and hilarity that have made the play stand the test of time. What Paul Ledoux told me in interview about Canadian music in theatre also applies to 2 Pianos 4 Hands: “The Canadian documentary tradition has had an impact on the kind of stories we tell and how we tell them.” That Dykstra and Greenblatt based this play on their own experiences as pianists not only places it in the Canadian musical theatre tradition, but it also gives it that “ring of truth” that adds to the power of its intimate setting, stimulating music, and hilarious, gripping plot with which it is hard not to identify. Ginny Ratsoy Associate Professor of English, Provost’s Fellow, Teaching & Learning Support Thompson Rivers University

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PRoDucTioN hiSToRy In 1994 Ted and Richard formed Talking Fingers to write and workshop their new script 2 Pianos 4 Hands. The play was subsequently programmed as part of Tarragon Theatre’s 1995-96 season in Toronto, and premiered in April 1996 to rave reviews and sold-out houses. Talking Fingers and Tarragon Theatre shared the 1996 Dora Mavor Moore Award for Outstanding Production, and Ted and Richard received the prestigious Chalmers Award–Canada’s National Playwriting Award–that same year. Immediately following the close of the premiere run in Toronto, Ted and Richard embarked on a national tour. They travelled from coast to coast with the show, stopping back at the Tarragon for a second run in the fall of 1996, and concluding in Vancouver in September of 1997 at the Vancouver Playhouse. In October of 1997, backed by a team of producers including David and Ed Mirvish, 2 Pianos 4 Hands opened Off Broadway at The Promenade Theatre. The production was widely acclaimed, and ran for six months before transferring to the Kennedy Centre in Washington in the spring of 1998. Ted and Richard returned to Toronto later that summer and again played to sold-out houses, this time at the historic Royal Alexandra Theatre, with Mirvish Productions. The show had its European premiere at the Birmingham Rep in the spring of 1999, a production that transferred later that fall to the Comedy Theatre in the West End of London.

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Since then, Ted and Richard have twice reunited to perform in Toronto with Marquis Entertainment / Talking Fingers / Mirvish Productions, twice toured to Japan (presented by Shochiku), where they have performed in Tokyo and on tour throughout the country, and in 2011/12/13 embarked on a Farewell Tour that included visits to Toronto, Ottawa, Vancouver and Edmonton. There have been many other productions with other actors, both male and female, in Canada and across the globe. Since its premiere, 2 Pianos 4 Hands has had 4,000 performances at 200 different theatres throughout Canada, the US, the UK, Japan, Australia, Hong Kong, South Africa, Austria, Finland and beyond. Nearly 2 million people have seen the play on five continents worldwide making it one of the most successful Canadian plays ever. For more information about 2 Pianos 4 Hands please visit the official show website: www.2pianos4hands.com and www.marquisent.ca Special Thanks from Marquis Entertainment Graham Blank, Ron Koyanagi, Amy Lee, Aida Liang and the team at Tom Lee Music in Vancouver. Darcy K. Eidt, Jim Welter and Aya Sato and the team at Yamaha Canada. Marquis Entertainment engages, under the terms of the Independent Theatre Agreement, professional artists who are members of the Canadian Actorsâ&#x20AC;&#x2122; Equity Association.

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kaMLooPS SyMPhoNy’ S SPoNSoRS

Piano keys were originally made from ivory, thus the term “tickle the ivories” means to play the piano. 27

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kSo’ S DoNaTioNS The Kamloops Symphony Society gratefully acknowledges the support of the following businesses, organizations and individuals. Conductor’s Circle $1500 and above Anonymous (2) Drs. Glen & Margaret Carlson Robert L. Conconi Foundation Kamloops Symphony Foundation John & Mary Watson President’s Club $750 and above Tom & Paulette Eccleston Radcliffe Properties Ltd. Maureen Stewart Scott & Kathy Tuppe Ovation $500 and above Anonymous Ben & Lorene Anders Dr. Robert Walter & Dr. Jill Calder Jessie & James Fedorak Roy & Helen Haugen Rick & Carol Howie Ray LePage Doug Neigel/RBC Rae Nixon Delia Parker Encore $250 and above Carl & Karen Abbott Debra & Peter Allik-Petersenn Kelvin & Roberta Barlow H. & F. Barnett Claire Ann & Bob Brodie Jennifer Burton & John McLay Larry & Holly Campbell John Corbishley Lois J. Cutler Denise & Dan Douglas Tony & Lynn Eberts Nancy Flood & Tom Dickinson Murray P.A. Foubister Joyce Henderson Henry Hubert Bob & Jo-Mary Hunter Margaret Johnston Louise McLean June McClure Bruce & Helen Newmarch Geraldine Nicholson Colene Palmer Arne Raven Grant & Joan Robertson Ron & June Routledge Terry Simpson

Dr. M. Colleen Stainton Ross Styles Jolana Tamajka/Telus Employee Charitable Giving Program Marg & Don Waldon Ray & Deidre Zacharias Bravo $100 and above Anonymous (2) Daryl & Sandy Abraham Ray & Kaycee Allegretto Mavis Anderson Hisako Arai Matt Arnott Barbara Ballé Nora Berkhout Jack & Pauline Braaksma Brenda & Ken Christian Shirley Clayton Sharon Cotter Sandi Dalgleish Roxanne Dauncey Tom & Pat Decker Ruth & Michael Fane Ben & Clara Fouillard Louise & Jim Gifford Bob & Helen Gilbert Shirley Gray Susan Hammond John & Joyce Hendersen Lise Heroux Ronald Heslip Dr. Stephen & Mrs. Michelle Hiscock Hotel 540 Jamieson Creek Holdings Ltd. Lois Hollstedt Cora Jones Fred & Pat Kaatz Kamloops Art Gallery Elizabeth King Roberta Klapstock Florence Kowalchuk Ernie & Sherrill Kurtz Gwyneth Lamperson Fred & Nancy Leake Pat & Ross Leonard Nancy Levesque Barry Lipsett Doris & Dennis Littleton Audrey & Ian MacKenzie Ruth Majak Sandy & Ellen McCurrach Kirsten McDougall David & Allison McKinnon

Bonnie Michel Roderick Michell Rosalie Middlemass Vic & Sally Mowbray Jean Nelson Eleanor M. Nicoll Marian Owens Louise & Ron Oyler William G. Pearce Sheila Pierson Carl Pentilchuk Joan M. Phillips Reg & Tracey Pointer Dr. Russell & Jane Reid Amy Regen Pat Richardson Peter & Shirley Schwirtz Ken & Almina Self Carman & Barb Smith Bill Spragge M. Colleen Stainton Dr. Lawrence & Patricia Takeuchi Lynne Totten J. Treherne Ruth & Dennis Tupman Kathleen Turner Nels Vollo Eric & Mary Wiebe Judy Wiebe Applause up to $99 Anonymous (3) Luisa Ahlstrom Anna Barton Claire Bell Beta Sigma Phi Barry & Judith Brown Margaret E. Brown Jo Butland Wendy Charlebois Joseph & Pauline Cooper Sharon Cotter Paula & Lloyd Darwent Joan Davis Ben & Donna DeMarni Anne Denbigh Gillian Gaiser Judy Gibson Marie & Ray Gouthro Judy & Peter Gray Cathy Hall-Patch Elaine Harlow Jenny John In memory of Ruth Kaatz (2) Gabrielle Klein

kSoâ&#x20AC;&#x2122; S DoNaTioNS E.G. & C.E. MacDonald Norm & Bev Martin Louise Mattiazzi Gudrun Meissner Norma Millward

coNTiNuED

Joan Moffat Ralph & Sheila Nelson G.L. Radley Joy Robinson Chris & Gine Rose

Peter & Mary-Lou Routley Nancy & Dave Street Dawne Taylor Jean Tobey Fern R. Wende

kaMLooPS SyMPhoNy SociETy Board of Directors President Doug Neigel Vice-President Michelle Chitsaz Treasurer Scott Tupper Secretary Carol Howie

Directors Larry Brinkworth Claire Ann Brodie Candace Cates Ray Chatelin Tom Dickinson Helen Newmarch Administration General Manager Kathy Humphreys

Administration & Events Coordinator Kaitlin Methot Marketing & Community Engagement Coordinator Krystal Kehoe Accountant Judy Wiebe Stage Manager Joel Eccleston Librarian Margaret James

Honorary Life Members James Dewar, Bonnie Jesten, Art Hooper

Proud Member of Orchestras Canada, the national association for Canadian orchestras

Office: 6 - 510 Lorne Street Mailing Address: Box 57, Kamloops, BC V2C 5K3 Phone: 250-372-5000 Email: info@kamloopssymphony. com Web: www.kamloopssymphony.com 31

WcT’S SEaSoN SPoNSoRS & FouNDaTioNS

WcT STaFF Daryl Cloran, Artistic Director Lori Marchand, General Manager

Darren John, Sound Operator Kianna Skelly, Technician

ADMINISTRATION Ron Thompson, Financial Manager Marilyn Zuke, Associate Financial Manager Catrina Crowe, Marketing & Comm. Director Coby Fulton, Development Director Bryce Herman, Fund Development Consultant Alexis Tuyttens, Special Events & Fund Development Coordinator Terri Runnalls, Education Coordinator Sylvia Gropp, Administrative & Special Events Assistant Cathy Liu, Marketing & Research Assistant

FRONT OF HOUSE Heather Regan, Client & Audience Services Manager Jean Choi, Volunteer Coordinator Guest Services Staff: Allison Clow, Phyllis Mader, Carling Ryan, Melissa Thomas

PRODUCTION Ross Nichol, Production Manager Heather Cant, Associate Artistic Director Gal Minnes, Production Technical Director Brian St-Amand, Sagebrush Technical Director Cindy Wiebe, Head of Wardrobe Andrew Wallace, Head of Carpentry Jungyeon Ji, Head of Properties Sondra Haglund, Scenic Painter Jared Raschke, Production Intern Roya Mole, Lighting Operator

KAMLOOPS LIVE! BOX OFFICE Jan Riggs, Box Office Manager Geraldine Penny, Box Office Staff Judy Day, Box Office Staff

WcT BoaRD David Ross † Tom Kerr ‡ Judge T.W. Shupe § D. Michael Dobbin * Peggy Gilmour * Mike Latta * Anne Manson * Maureen Marshall * Lanni Shupe *

Tim Rodgers - President Jane Reid - Vice President Grant Chu - Past President Francis Barnett * Mathew Dundas Wesley Eccleston Gordon Miller Sandra Mori Sarah Ross † ‡

Honorary Life Artistic Producer Founding Artistic Director

Honorary Life Chairman * Honorary Life Member

Western Canada Theatre is a professional non-profit company. It is an active member of the Professional Association of Canadian Theatres (PACT) and engages, under the terms of the Canadian Theatre Agreement, professional artists who are members of Canadian Actors’ Equity Association.

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“Let The Show Begin”

WcTâ&#x20AC;&#x2122; S BRavo Western Canada Theatre gratefully acknowledges the financial support of our many generous government, corporate and private donors. We are very thankful to everyone who plays a part in helping us to bring the highest quality of work to the broadest possible audience. (Listings based on annual contributions, Swptember 2013 to December 2014)

Operating Grants

The City of Kamloops Canada Council for the Arts Government of Canada The Province of British Columbia British Columbia Arts Council

Diamond Companions ($10,000 & above)

Anonymous At Your Service Catering Michael E. Black & Denise Fortier CFJC TV Domtar Foundation Home Hardware Kelson Group, Ron and Rae Fawcett Terry Lowe & Volkswagen Kamloops Noran Printers Royal Bank Charitable Foundation/ Public Affairs, BC Telus Foundation Vancouver Foundation

Platinum Companions ($5,000-$9,999)

Anonymous Dr. Laura (Lolly) & Mike de Jonge Gillespie, Renkema, Barnett, Broadway NewGold The Plaza Hotel The Pulse Group

Gold Patrons ($3,500-4,999) British Columbia Lottery Corporation ideaLEVER Kamloops Airport The Riverland Inn & Suites

Silver Patrons ($2,000-3,499) Anonymous 98.3 CIFM B-100 Flavours of India The Hamber Foundation KGHM International New Wave Advertising Group Overland Press The Ramada Inn Russ & Jane Reid Simply Computing TNRD Watson Engineering Ltd.

Bronze Patrons ($750-1,999)

Doug Andrews Francis & Helen Barnett BC Living Arts Canadian Tire CFBX 92.5FM Cooperâ&#x20AC;&#x2122;s Foods The Echo Edward Jones - Brant Hasanen Kamloops Insurance Services, Inc. KPMG Jeffery and Shelley Parr Russ & Jane Reid Underwriters Insurance Agencies Dr. Robert Walter & Dr. Jill Calder The Best Western The Yoga Loft

Patrons ($500-$749)

Anonymous Ben & Lorene Anders Lois Crown Tom & Paulette Eccleston Hugh & Marilyn Fallis Jessie & James Fedorak Peggy Gilmour Jaylene Hanna Kamloops Indian Band Michael & Debbie Kowbel Len & Laurie Marchand MJB Law Thomas & Sharon Moore Roland & Anne Neave Lloyd & Rae Nixon Murphy & Katharine Shewchuk Bud & Daphne Smith James & Barb Wentworth

Investors ($200-$499)

Carl and Karen Abbott Anonymous Carl and Karen Abbott Peter & Debra Allik-Petersenn Dianne Almond Anise Barton R.C. Bidnell Christine Bilbey Richard & Fearon Blair Jean Burris Grant & Nancy Chu John Corbishley Joan Cummings Dan & Denise Douglas Allen and Sharon Frissell

Alison Fulton Cora Jones Margaret Kalyk & Vincent Kong Janet Kusler Gwyneth Lamperson Alfred & Nancy Leake Ray LePage Dennis & Doris Littleton Len & Donna Marchand June McClure Judy Moser Bruce & Helen Newmarch Richard Olthuis Mary Orr Colene Palmer Gur & Manju Singh Nancy Stewart Marijke Stott Shirley Sze and Peter Schwirtz Eric & Wendy Thomas Carol & Murray Todd Ed & Clarice Ungrin Marg Waldon Sally Wilcox Anita Wittenberg Tow

Benefactors ($100-$199) Ray & Kacee Allegretto Barbara Balle Marg & Terry Bangen Jack & Pauline Braaksma Patti Bruzzese Alan & Sherry Burris Mavis Chalmers Kathy Chan Ken & Brenda Christian Bill & Evey Chursky Michael Clare Sheila Collier Eija Cryderman Roxanne Dauncey Dave & Linnea Davies Angela De Haan Pat Decker Rhonda Diaper Ross & Judy Dickson Larry & Edie Dixon Ridley Dodds Anne Dunn Vivian Edwards Vic & Diana Endean Shirlee Ezowski Reno & Marie Fabbro Ronald Fairhurst

WcT’ S BRavo Ruth & Michael Fane Glen & Sara Farrow Annette Glover Jim & Joan Gordon Rosemary Hibbard Shirley & Richard Holmes Jo-Mary & Robert Hunter Michael & Margaret James Jamieson Creek Holdings Ltd. Rob & Lila Jennejohn Darrell Jones M M H Jones* Linda Jontz Marvin & Carolyn Kempston Sharon Kika Bob & Pat King Maryann Kowalsky Paul Lewis Gary & Kathy Lustig Sandy & Ellen McCurrach Kirsten McDougall Helen McLean Dick & Gwen McMaster Bruce Maricle & Jean Tobey Nathan & Marie Matthew Tanya Mihura Vic & Sally Mowbray Dennis & Maxine Mucha Jim & Beverley Mundle Jean Nelson John & Iris Nelson Wendy Nielsen Jeannine Nishiguchi Ron & Louise Oyler Maria Paccagnella Guy Parker Carl Pentilchuk Sheila Pierson Dean & Lauryn Purych Debbie Rainer Ginny Ratsoy & Alan Penfold* Sulwen (Cookie) Reimer T Rogers Consulting Ltd. Lynn Rutherford Ray & Susan Sewell Sharlene Sharpe John & Karen Siggers Don & Sandy Staff Peggy Swanson Lynne Totten Lorraine Toews John & Louise Wiens Shirley Wiklund Brian & Sue Wilmot *In Memory of David Ross

coNTiNuED

Benefactors ($1-$99)

Anonymous* Lynn Albertson Karen Albiston Denise Anderson Hedy Bepple Gordon & Joan Britton Barry & Judy Brown Margaret Brown Patrick Callahan Kathleen Collier Joseph & Pauline Cooper Lorne & Pauline Dagert Donna Demarni John Dittrich & Sharon Carrell Elizabeth Dye Sandra Eastwood Shirley Evans Geraldine Fike Blake & Linda Fox Walter & Gillian Gaiser Louell Garner Yanni Giftakis Peter & Judy Gray Shirley Gray Cathy Hall-Patch Susan Hammond Harold’s Restaurant Bruce & Tracy Hendry Lois Hollstedt Ken & Marylyne House Bill & Sally Jennejohn Maria Juhasz Dave & Betty Kozoris Diane Kuchma Geraldine McDonald Bob & Robbie McLaren Robert McLean Beverley Martin Catherine Anne Masters Horst & Gudrun Meissner Paul & Donna Monford Sheila Nelson Louise Oakes Wilma Pagan Jay Rilkoff Chris & Gine Rose Rosemary Saint-Michaels Dawne Taylor Nicole Tougas Catherine Waddell Lois & David Williams *In Memory of Lloyd H. Nixon

In Memoriam of Peggy Gilmour, WCT Board Member, 1982-2014 Francis and Helen Barnett Anise Barton Ann-Charlotte Berglund William & Catherine Bowen Glen & Dr. Margaret Carlson Harriett & Jacques Chave J. Stuart & Margaret Clyne John & Jean Crowe Brian & Sheila Ewart Trudy Goold & Eric Bjorkland Kate Greenaway & Don Croft Elizabeth Hicks Lois Hollstedt Ken & Marylyne House Nancy Inglis Fred & Pat Kaatz Gwyneth Lamperson Elizabeth Lane Willa Lane Anne Manson Kirsten McDougall Vic & Sally Mowbray Sheila M. Nelson Russ & Jane Reid Murphy & Katharine Shewchuk Nancy Van Wagoner Pat Wallace Lindsay Ward Ronald & Elspeth Webster The Wilson Family - Kate, Doug, Bruce and David Stuart Clyne Anita Wittenberg Tow Marilyn Zuke

Henry Vandenberghe Fund

Ridley Dodds, Jody Lowcay, Attendees of Stage One Theatre School Shows

Creating Tomorrow Fund

Helen W. & Francis S.M. Barnett, Marguerite Beesley, Kathleen Bennett, Dale Brandt, Margaret E. Brown, Harriett & Jacques Chave, Shirley Clayton, John Corbishley, Joan Davies, D. Anne Denbigh, Janet M. Doubt, James & Evelyn Hoffman, Dennis & Doris Littleton, Len & Donna Marchand, Kirsten J. McDougall, Sinclair & Helen McLean, Sheila Nelson, Richard Olthuis, Carol & Wally Sinnemann, South Kamloops Secondary School, Diane Webb, Attendees of the Caravan Farm Theatre Trip

WcT’ S SPEciaL ThaNkS We warmly thank those whose generosity and talent help make our quality productions possible. GK Sound Thompson Rivers University, Actors Workshop Theatre All our fabulous volunteers

MuSic cREDiTS “HEART AND SOuL” Music by HOAGY CARMICHAEL and Lyrics by FRANK LOESSER SONY/ATV MUSIC PUBLISHING CANADA INC. © 1938 BY FAMOuS MuSIC CORP. Copyright Renewed 1965 by FAMOUS MUSIC CORP. (ASCAP). “THE BIRCH CANOE” Music by LEILA FLETCHER MAYFAIR MONTGOMERY PUBLISHING All Rights Reserved. Used by Permission. “BENNIE AND THE JETS” Words and Music by ELTON JOHN & BERNIE TAUPIN All rights owned and administered by UNIVERSAL/DICK JAMES MUSIC LIMITED, ADMINISTERED BY UNIVERSAL-SONGS OF POLYGRAM INTERNATIONAL, INC./BMI “IMAGINE” Written by JOHN LENNON Courtesy of LENNON MUSIC, SONY/ ATV MUSIC PUBLISHING, L.I.C. All Rights Reserved. Used by Permission.

“LINuS AND LuCY” Written by VINCE GURALDI Courtesy of LEE MENDELSON FILM PRODUCTIONS, INC. All Rights Reserved. Used by Permission. “MR. DRESS uP THEME” Music by DONALD HIMES All Rights Reserved. Used by Permission. “THE ENTERTAINER” Written by SCOTT JOPLIN Public Domain “NADIA’S THEME” Written by BARRY DEVORZON & PERRY BOTKIN, JR. Courtesy of SCREEN GEMS EMI MUSIC, INC. All Rights Reserved. Used by Permission. “CHARIOTS OF FIRE” Written by VANGELIS Courtesy EMI ENTERTAINMENT WORLD, INC. All Rights Reserved. Used by Permission.

“GREAT BALLS OF FIRE” Words and Music by OTIS BLACKWELL & JACK HAMMER © 1957 (Renewed ©1975) UNICHAPPELL MUSIC INC. (BMI), MIJAC MUSIC (BMI), CHAPPELL & CO. (ASCAP) & MYSTICAL LIGHT MUSIC (ASCAP). UNICHAPPELL MUSIC INC. (BMI) administers all Rights on behalf of itself and MIJAC MUSIC (BMI). CHAPPELL & CO. (ASCAP) administers all Rights on behalf of itself and MYSTICAL LIGHT MUSIC (ASCAP). All Rights Reserved. Used by Permission. “MY FuNNY VALENTINE” Music by RICHARD ROGERS and Lyrics by LORENZ HART © 1937 Chappell & Co. (ASCAP) & Williamson Music, Inc. (ASCAP) All rights owned and administered by WARNER/CHAPPELL MUSIC, INC. (ASCAP) All Rights Reserved. Used by Permission. “PIANO MAN” Written by BILLY JOEL © 1973 JOELSONGS All Rights Reserved. Used by Permission.

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