FRESH SEAFOOD, S I M PLY PR E PA R E D Located high on the headland overlooking a stunning stretch of coastline, Rick Stein at Bannisters offers a relaxed and unforgettable dining experience in Mollymook. Enjoy the finest locally sourced seafood from ocean to plate every day, crafted with the passion and excitement that defines Rick Stein’s cooking style. Open for dinner 7 nights a week, and open for lunch on Saturday and Sunday.
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EDITORS Terri Quinn Virginia Connor CREATIVE DIRECTOR Bridie Quinn
Credit: CloudFace Image Solutions
OUR CONTRIBUTORS Brett Burcher Jem Quinn Paul Buckingham Patrick Faulconer Treading Lightly Inc COVER AND FEATURE PHOTOGRAPHY Dean Dampney www.cloudface.com.au
Welcome To Our Winter Issue! June / July / August 2021
We acknowledge the Traditional Owners and Custodians of the Land we work on as the first people of this country.
LET'S CONNECT whitewashmagazine.com.au
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elcome to Issue #21. We are so excited to have the inspirational Holly Rankin, aka Jack River, as our cover story. As a singer, songwriter, producer and promoter of equality, we’re blown away by all that she has achieved. We spent a rainy afternoon catching up with Holly at her home in Mollymook, where she generously shared her story. It was difficult to tell who was starring at the photoshoot at Collers Beach the next day—Holly or her adorable dog Blue. He certainly charmed us all! As artists, teachers and gallerists, Beulah Van Rensburg and Andrew Antoniou have a special relationship. When we spoke, Andrew was celebrating 50 years of professional practice with an exhibition at Australian Galleries in Paddington, and Beulah was in France as part of the artist-inresidence program at Chateau Orquevaux. This dynamic duo is our Two Way Street. We have long been intrigued by the rock sculptures of Local Talent John Clatworthy. We initially discovered him on Instagram and have seen his work on the beaches south of Ulladulla. John is intrigued by the ephemeral nature of Earth Art and shares his very personal journey with us.
@whitewashmag
It’s only a few weeks now till StoryFest, and what a fantastic lineup of guests and presenters are heading our way! We look forward to welcoming many visitors to Milton-Ulladulla to celebrate the art of storytelling. If you haven’t already, make sure you grab your tickets! The March release of the documentary film Girls Can't Surf sparked much discussion in the media. Brett Burcher talks to three female surfers who offer unique and diverse perspectives of their experiences in the female surfing space. Our music columnist, Jem Quinn, chats to South Coast singer-songwriter Tyne-James Organ about the release of his heartfelt debut album Necessary Evil. Congratulations to Laura Wallace, who was featured in our story on the Mollymook Ocean Swimmers in the last issue. Laura successfully completed the Palm Beach to Shelly Beach Ultra Marathon on April 17, coming in 4th and raising valuable funds for Motor Neurone Disease. Curl up under a blanket, grab a warm beverage and take your time while savouring the winter issue. We hope you enjoy it!
@whitewashmagazine #whitewashmagazine
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COPYRIGHT WHITE WASH MAGAZINE 2021 All material appearing in this magazine is subject to copyright. Reproduction in whole or part is not permitted without permission from the publishers. While every effort has been made to ensure that information in this magazine is accurate, no responsibility is accepted for material supplied by an individual, company or organisation. The opinions expressed in this publication do not necessarily reflect the view of the publisher.
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MODERN FASHION & ACCESSORIES 0415 046 715 Shop 2/91 Princes Hwy, Milton jipsicartel@gmail.com www.jipsicartel.com
Two Way Street ANDREW ANTONIOU & BEULAH VAN RENSBURG
Words by Terri Quinn
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Andrew Antoniou was a lecturer in drawing and printmaking at Western Sydney University in the early ’90s, when art student Beulah Van Rensburg enrolled in his class. Thirty years later, the pair unexpectedly reconnected in Milton, where Andrew works from his home studio, and Beulah has recently opened the Van Rensburg Gallery. Born in London, Andrew’s high school art teacher encouraged his talent for drawing, taking him on visits to the Tate Gallery and planting the seeds for a lifelong love affair with art. Andrew later studied at the Winchester School of Art and completed a Master of Art at the Central School of Art in London. On his first visit to Australia in 1985, Andrew attended Biennale in Sydney, where he made connections that led to a teaching position at Western Sydney University. So began a 30-year teaching career that has seen him share his expertise at most universities and art schools across NSW. In 1991, a bubbly young art student appeared in his class and made an instant impression. “Beulah found everything I said funny,” laughs Andrew. “She had a verve about her—a real energy and enthusiasm. I liked her. She wasn’t afraid to experiment; she didn’t fear disapproval.” Beulah was born in Wollongong and grew up in Peakhurst in Sydney. Like Andrew, she had an influential mentor at school. Her third-grade teacher, having observed her constantly drawing, pulled her aside one day and told her that she could become an artist. “I didn’t know anyone who was an artist,” says Beulah. “But from then on, I never thought about doing anything else.” After school, Beulah attended Sydney College of the Arts before commencing her studies at Western Sydney, where she met Andrew.
It’s a great relationship. He’s very supportive and I really trust his opinion.”
“Andrew is one of the most inspiring lecturers I’ve ever met,” says Beulah. “He made learning fun, and he gave me so much knowledge!” That knowledge still holds true for both Andrew and Beulah, who agree that drawing is at the core of every artist’s practice—a way to keep ideas flowing and the most direct relationship between an artist and their medium. “From the beginning of time, people have picked up a stick and made a mark,” says Beulah. “It’s innate in all of us to make our mark on something.” When Beulah finished college, she worked as an assistant to wellknown Australian painter Charlie Sheard. He taught her the Old Masters technique—a traditional way of applying paint from the 14th century that brings a unique depth of colour—and Beulah still works that way today. “Certain people in your life make you fall in love with art,” says Beulah. “Charlie and Andrew are two of those people.” Andrew’s artistic style was shaped by a particularly memorable visit to the theatre at 14. “When the curtain opened, it was an intense experience,” says Andrew. “That moment was imprinted in my mind, and theatre would become the prime theme of my work.” In 1994, Andrew moved to the South Coast. Two years later, he opened Milton’s first art gallery, showing contemporary works that pushed the boundaries. The gallery ran for 10 years until Andrew’s increasing teaching commitments, and his signing by Australian Galleries, saw him close the doors. Beulah left Australia in 2001 and spent three years in the Netherlands teaching. She then landed in Hong Kong, setting up
an art school and immersing herself in the vibrant art scene. In 2012, she asked friends to join her in showing their work, and the Van Rensburg Galleries were born. “I started doing international art fairs and things really took off,” says Beulah. “We became part of the gallery circuit and people started taking us seriously.” After 16 years in Hong Kong, Beulah and her family had to leave suddenly as political unrest took hold. It was a dramatic exit from the city she loved, racing to the airport with fire and bricks being hurtled in the street. It was traumatic to leave behind the successful business she’d spent years building. Still, she felt fortunate she was able to escape. Beulah decided to settle in Milton, where her parents now lived. She had holidayed in Ulladulla from the age of two and wanted her kids to experience life in a small rural town by the sea. She also saw the opportunities that regional galleries can provide and was delighted to secure the beautiful, light-filled space on Milton’s main street. Soon after arriving, she spotted Andrew at Cupitt’s Estate. “I hadn’t seen him since I’d left Australia. I almost fell down the hill, yelling out to him. There were hugs all around!” Having resealed their friendship, Beulah welcomed Andrew’s involvement in the gallery. He often speaks at exhibition openings, introducing the artist and providing context for their work. “Beulah thinks I love the sound of my own voice,” he laughs. “But it’s important to take time to honour the artist and help guide the audience to a starting point.” “It’s a great relationship,” Beulah adds. “If I have an issue, I’ll ask for his advice. He’s very supportive and I really trust his opinion.” When Andrew closed his gallery in 2006, he missed the interaction with the public and artists. Now all these years later, he is thrilled to see Beulah’s prestigious gallery here in Milton. “It’s a real asset for the area,” says Andrew. “I’m heartened to have that local representation again, to have someone like Beulah who is really driven. She paints, runs a gallery, and has two kids—that’s impressive!” This year Andrew celebrates 50 years of professional practice. The multi-award-winning artist and seven-time finalist in the Dobell Drawing Prize still teaches etching in the home studio he set up in 2005. And with special permission from Australian Galleries, Beulah exhibited his work in Milton last year. “Andrew is such a big deal in the art world. For him to be shown here is huge for me. I love him, and I love his work.” As artists, teachers and gallerists, Andrew and Beulah are powerhouses in the art community. From their initial relationship as student and teacher, a deep, mutual admiration for one another’s practice and passion has flourished. They’re motivated to see people react to art and maybe, just maybe, fall in love with it, as they did. whitewashmagazine.com.au
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WINTER PRODUCTS
Shop local this winter! CLAY KITS
Free D.I.Y Clay Kit when you redeem your Service NSW Creative kids voucher at www.ashceramics.com.au Direct purchase also available on the website.
WALNUT MELBOURNE SNEAKERS $59.95. Available at Sarah Gabrielle. 61 Princes Hwy, Milton. P. 02 4454 5700
MAISON BALZAC ROSE CANDLE - MINI $29. Available at Comunete. E. info@comunetestore.com P. 0401 346 428
NAJO MIRAGE MALACHITE EARRINGS SILVERY-CHEEKED HORNBILL
By Tanya Stollznow. $175 unframed or $250 framed. Available at tanyastollznow.com
PLANTOPEDIA
$59.99. Available at Harbour Bookshop. Shop 5, Rowens Arcade, 93 Princes Hwy, Ulladulla. P. 02 4454 4044
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Winter Issue #21
CLOUDY CIDER
4-Pack $20. Available at Cupitt's Estate or cupittsestate.com.au 58 Washburton Road, Ulladulla. P. 02 4455 7888
LIRA BEAUTY OIL
$129. Available at VP Makeup. 51 Donlan Road, Mollymook. P. 0405 981 540
$199. Available at Jay Rash & Co Jewellers. Shop 1/11 Boree Street, Ulladulla. www.jayrashjewellers.com
PATAGONIA WOMEN'S RETRO JACKET
$269.95. Available at AKWA Surf. Shop 1, Mellick's Cnr, Princes Hwy, Milton. P. 02 4454 5222
WINTER PRODUCTS
We have some great ideas for you. SZADE SUNNIES
$79. Available at AKWA Surf. Shop 1, Mellick's Cnr, Princes Hwy, Milton. P. 02 4454 5222
$76. Available at Slow Ulladulla or www.theveranda.com.au
RED-TAILED BLACK COCKATOO
LIRA BIO LIFT CREME
By Tanya Stollznow. $175 unframed. Available at tanyastollznow.com
$149. Available at VP Makeup. 51 Donlan Road, Mollymook. P. 0405 981 540
MAISON BALZAC LOULOU VASE IN BLUET
TREEHOUSE SPRINKLE MIX
$129. Available at Comunete. E. info@comunetestore.com P. 0401 346 428
ROSE GOLD & DIAMOND DRESS RING
HANDWOVEN AFRICAN BASKETS
$5. Available at The Treehouse Cafe. 4 Boree Street, Ulladulla. W. thetreehousecafe.com.au
DLUX MERINO WOOL SCARF $89.95. Available at Sarah Gabrielle. 61 Princes Hwy, Milton. P. 02 4454 5700
$2,580. Available at Jay Rash & Co Jewellers. Shop 1/11 Boree Street, Ulladulla. www.jayrashjewellers.com
VIOLET AND LION HANDMADE JEWELLERY
Made locally in Ulladulla by Katie McCarthy using recycled silver. For custom designs visit violetandlion.bigcartel.com E. violetandlion@outlook.com @violetandlion
MILTON
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FEATURE
JACK RIVER WORDS BY VIRGINIA CONNOR PHOTOS BY DEAN DAMPNEY
olly Rankin is Jack River—singer, songwriter, producer, promoter of equality and environmental activist. The name Jack River came after Holly and her then-teenage friends gave themselves fun aliases to use when out on the town. As a group of “girl pirates” growing up in the north coast town of Forster, Holly and her friends loved music and dancing and talked about making changes in what they saw as their largely conservative community. When Holly moved to Sydney to focus on her music career, she reclaimed Jack River as her professional persona. “It gives me a bit of separation from the performer, and I liked that it’s a bit confusing, ambiguous. The music industry is predominantly male—I was 19 and didn’t want to be judged as a woman,” she says. Holly’s musical talent was formed from a young age. She took up the violin when she was four but switched to piano at six, along with her siblings. Supportive of their children’s artistic endeavours, Holly’s mum was a portrait artist and her dad, a real estate agent, with an unwavering devotion to Bruce Springsteen. “It’s all dad ever played when we were growing up,” laughs Holly. The tragic death of her younger sister Shannon, when Holly was 14, had a devastating impact on the family. At an age when teenage emotions are running high under even the most
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conventional circumstances, Holly’s grief over her sister’s passing and the subsequent turmoil for her family significantly amplified the experience. “I was like a teenager on emotional steroids—it was pretty intense,” says Holly, who started writing a diary when she was six or seven years old, and says it helped her manage the tremendous grief and anger she felt in relation to her sister’s death. Her diaries, now over 200 in total, undoubtedly provided the seedbed for her songwriting skills. “Writing is my main love,” she admits shyly. Listening to Joan Baez, Bob Dylan and Neil Young as a 16-year-old self-described “’60s wannabe”, Holly was impressed with the music’s ability to communicate feelings and promote change. “I’ve always had respect for those musicians with a stake in social change. I love the grit and guitar sound woven into Neil Young’s quiet, relevant lyrics of protest.” Holly’s upbringing also inspired a love of nature and fostered her interest in environmental issues. She enrolled in environmental science at university after completing high school, but music was tugging at her. “I needed to break out of my grief. I wanted to do something wild and big and I knew uni wasn’t going to be enough. I was aiming high,” she says. “I’ve always had plans and goals. I make lists all the time. It’s motivating and it helps me feel organised.”
FEATURE
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FEATURE
Make your own memories at
Book your stay at one of Mollymook’s iconic original beach shacks P. 0421 491 738 • E. themookmollymook@gmail.com •
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Winter Issue #21
@themook_mollymook
FEATURE
Jack River launched her first eight-track EP in 2013. And in 2016, Holly moved to Sydney, hired a venue in Surry Hills and contacted over 50 managers, publicists, agents, and promoters in the industry, inviting them to attend her performance. She was offered a contract with I Oh You (part of the late, great Michael Gudinski’s Mushroom group). Fool’s Gold was released in 2017, a song she wrote while in New York at a time when things weren’t working out the way she’d planned. “I needed to write it,” she says. “It was really genuine. I realised I was chasing things that were not as valuable as I thought they were. It’s a very human condition and when you find a new emotion, it’s exciting.” The song led to the release of her first album, Sugar Mountain (referencing Neil Young’s song of the same name) in 2018. The album peaked at number 11 on the ARIA Albums Chart and award nominations followed. Jack River was ticking off some of those goals. Musical success did not detract Holly’s energy from her other passions. “Music is a great way of getting words across and it’s a cool way to bring about social change,” she says. Holly organised and booked the line-up for the inaugural Grow Your Own festival in her hometown of Forster, showcasing local talent and culture and bringing in performers that many local youth didn’t have the opportunity to see perform. “There wasn’t much for young people to do in Forster. Big acts didn’t come to the area as there were no suitable venues,” says Holly. “It’s a huge risk setting up a festival, but my parents were an amazing help, and the community was very supportive.” Grow Your Own continues, and in 2018 Holly partnered with events agency Secret Sounds, the team responsible for iconic festivals such as Splendour in the Grass and Falls Festival. After attending the 2017 International Women’s March, Holly wondered what she could do within her industry to address the gender gap. She co-founded the Electric Lady concerts featuring all-female line-ups. “It’s an opportunity for women to celebrate their achievements together,” says Holly. “Women in the music industry are not promoted to the same extent as male acts. It will take time, but being purposeful, seeking out female talent, booking and promoting them, will increase the profile of women in music and almost every other aspect of our society.”
“It was really genuine. I realised I was chasing things that were not as valuable as I thought they were.
MEXICAN INSPIRED MENU. DELICIOUS COCKTAILS. DINE-IN, TAKEAWAY & SPECIAL EVENTS.
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FEATURE
It’s clear this talented musician is focused on being the change she wants to see in the world. She is providing platforms and opportunity for discussion, and her concerns for environmental issues are heightened by the growing global sense of urgency. “It’s up to this generation to determine how life will be in the future. There is a lack of leadership and government inaction. It’s up to us,” says Holly, who performed at the School Strike 4 Climate. “These are really complex issues that most of us do not understand, or are overwhelmed by, and are therefore immobilised.” Passionate about getting information to young people in a way that attracts their interest and engages them, Holly hosted Climate Hour in 2019 in conjunction with her Sugar Mountain tour. The panel included Professor Lesley Hughes (The Climate Council), Tim Silverwood (Take 3 for the Sea) and triple j’s science guru, Dr Karl Kruszelnicki. In November last year, she curated the New Energy discussions at the Seymour Centre, bringing together business and climate experts, politicians, including NSW Minister for Energy and Environment, Matt Kean, and cultural influencers to talk about renewables and explain what ‘net-zero by 2050’ really means. Holly also took advantage of the devastating impact of last year’s COVID restrictions on the arts to commence studying law. “It all ties in with my interest in social change and environmental issues. It helps to understand the background to our legislation and the history of our system. I’m also very humbled to be studying the history of our First Nations people. We should all know this history. It’s a privilege to take the time to learn this aspect of our past.” Having recently spent time with local Elder Noel Butler and his wife Trish, Holly is inspired by the relevance of First Nations knowledge and experience and the importance of maintaining a connection with the natural environment in order to appreciate its value. “Music bookings are still 80 per cent down on pre-COVID, but I am grateful to be able to do great stuff with my time,” she says. Meeting Holly at her home with her adorable dog, Blue, providing an enthusiastic welcome, there is an overwhelming impression of domestic stability. This, despite the fact that Holly had just returned
Smiling on the Inside
from a recording session in Byron Bay and was to leave early the next day to attend the state memorial for Michael Gudinski in Melbourne. Holly moved to Mollymook two years ago to live with her fiancé, local surfer, writer and schoolteacher, Brett Burcher. Having grown up in Forster, the beach scene is second nature to Holly. She appreciates the natural beauty of the local area and takes advantage of being able to access secluded beaches and the hinterland where she recharges and finds inspiration. Balancing her career with home time, three hours from Sydney, requires effort but Holly is adamant the increased travel is worth it. She says: “I value space, nature, and having a relationship with the community. Last year made us all appreciate where we live more. I love living here.” With the Sydney-based youth culture publisher, Happy, naming her ‘one of the 15 Australian female artists changing the game right now’, and The Australian Women’s Weekly recognising her as a finalist in the Women of the Future awards in 2019, Holly is being noticed for all the right reasons. In April this year, Jack River performed to a capacity crowd at the Sydney Opera House. She hosted Visions of Us—a concert featuring live music performances and spoken word segments from guests including Australian of the Year, Grace Tame, TV journalist Brooke Boney, and author Kirli Saunders. Performing in front of a live audience again, with fellow musicians and personalities, was a thrill for Holly. Despite having performed for ten years, Holly says it’s only been for the past three that she has felt her musical career to be financially sustainable. Getting this far is testimony to her determination, commitment, hard work and talent. Of course, Holly has plans and lists and is checking them off. She is focused on completing her law studies, engaging young people in the political process in response to climate change, and working on a second album. “Music will always be my go-to. The next album will probably be a bit more protest, a different kind of pop. But I also have some ideas on more creative ways we can engage politicians. Maybe a leaders’ debate … watch this space,” she laughs.
A TRULY ORGANIC SALON EXPERIENCE THAT WILL HAVE YOU SMILING FROM THE INSIDE OUT
Shop 7, 107 Princes Hwy Milton, NSW. P. 0476 503 887 www.smilingontheinside.net.au 12
Winter Issue #21
FEATURE FEATURE
“It’s up to this generation to determine how life will be in the future. There is a lack of leadership and government inaction. It’s up to us,”
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BODY ALIGN PHYSIO
YOUR WELLBEING
Credit: CloudFace Image Solutions
Words by Matt Matson
Share And Enjoy A Men’s Health Physio is a qualified physiotherapist with additional training in the area of the male pelvic floor. Put most simply, that involves your bowels, your erections and your waterworks. Common areas of concern include: pelvic floor training pre and post-prostate surgery; incontinence; erectile dysfunction; exercise advice for men on active surveillance for prostate cancer; pelvic pain and pudendal nerve pain. We work in conjunction with urologists, exercise physiologists, sexual health physicians and psychologists with the goal of restoring men’s health. Firstly, we discuss a thorough history. Then we find out what your goals are, so we can work towards some targets. We do an objective assessment of your movements and often perform an ultrasound of your pelvic floor muscles to assess their function and strength. From this information we formulate a treatment plan, which may include various strategies to manage and support some of these specific conditions— contracting/relaxing the pelvic floor, increasing general exercise tolerance, or some self-release work. We understand that these are very sensitive topics and we treat every case with the utmost privacy and respect.
SMALL TOWN PROVISIONS
Well-known Milton bistro, Small Town Food + Wine, has opened a new retail space next door. Small Town Provisions is a humble little shop and wine bar stocked full of delicious goodies to share and enjoy. The friendly face in the shop belongs to Liz Dalton. She and her partner Sean McCarthy moved from Sydney when Sean took up a position as head chef with Alex and Jo Delly at Small Town. One Sunday afternoon, the two couples were enjoying a few wines when the conversation turned to the empty space next door to the restaurant. “We saw an opportunity to share our favourite wines, ingredients, meals and memories from down the road and around the globe,” says Liz. You’ll see Liz in the shop pouring wine, making small plates and charming customers. “It’s a great place to catch up with a friend or loved one, to share a glass of wine, and enjoy bar snacks.” Dine-in offerings showcase a spectrum of interesting wines available by the glass. As well, small Mediterranean-inspired plates are designed by Alex and Sean and intended to be shared. “Our small batch wines are carefully selected from boutique Australian and international
winemakers who emphasise biodynamic farming practices, hand-harvesting and no chemicals,” explains Liz. Small Town Provisions stocks premier Spanish anchovies, Italian sardines, and a range of yummy gourmet accompaniments. There are high-quality charcuteries from LP’s Quality Meats and fresh bread and pastries from Three Mills Bakery. Local oysters from Signature Oysters in Batemans Bay are a delight, and a fine selection of French, European and Australian cheeses add to the mouth-watering list of delicacies. The Small Town team constantly adds delicious morsels to the retail cabinet. Marinated octopus ready for the BBQ, dry-aged T-bone steaks and ocean trout are on regular rotation. “Consider engaging Small Town for your next event,” says Liz. “We deliver decadent grazing tables paired with our exclusive wines, and we also work with accommodation providers to deliver food and wine packages to their guests.” Visit the online shop to pre-order hampers, picnic supplies and beverages or call in and say hi to Liz. A. 1/49 Wason St, Milton | W. smalltownprovisions.com.au @smalltownprovisions
Casual • Resort • Evening Shop 2 The Gatehouse Cnr Myrtle St & 61 Princes Hwy, Milton P. 02 4454 5700. Open 7 days. @sarahgabriellemilton sarahgabrielle.com.au
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Reflectioons
of Milton
Milton’s newest luxury tiny home escape exclusively for couples with stunning farmland and escarpment views.
P. 0439 241 700 � W. TinyRentals.com.au �
@reflections_of_milton
Dwell 35° 35° South is now open in Milton, offering unique furniture, lifestyle and homewares.
• Custom made and locally sourced pieces. • Sought after and exclusive ranges such as Hale Mercantile Co., Hunter Candles, Paper Mills Lighting, Bisque, HK Living, Robert Gordon and many more. • Dried flower bar and range of Moroccan cactus silk soft furnishings.
Shop 2, 43 Wason St, Milton • W. dwell.store • Open 10-4 pm, 7 days • E. dwell35south@ dwell35south@gmail.com • P. 0407 587 119
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THE OLD CHURCH AT MILTON
JUST MARRIED
Let's Get Social THE SOCIAL
Ebony and Kim were the first wedding at the venue after such a long break, and it was certainly worth the wait!
It was a beautiful summer’s day, the sun was shining and the lush, verdant gardens looked amazing.
Ebony and Kim’s celebration was magical, and family and friends felt truly honoured to be a part of it.
Coyote Boutique is your one stop shop for modern on trend ladies fashion. Store open 7 days and online. The Old Church at Milton is the perfect venue for your dream wedding. Get in touch today! Credit: Alex Hitchins Photography
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Assembly Label • Nude Lucy • Staple The Label • Wish Mink Pink • Charlie Holiday + much more! P. 02 4455 7899 • 1/28 Princes Hwy, Ulladulla coyoteboutique.com.au
Credit: CloudFace Image Solutions
After a tough 12 months, the team at the Old Church is finally back doing what they do best. Weddings!
CUPITT'S ESTATE
A LA CARTE IS BACK
Interwoven
THE VERANDA
The gift of an African basket many years ago inspired Gail Wild to source the environmentally friendly vessels to sell locally. Her interest turned into a career that provides self-employment and works well with her young family. Initially, Gail sold baskets at the markets, but interest grew and her label, The Veranda, now boasts the most extensive range on the South Coast. The primary selection of baskets is handcrafted in Northern Ghana and rural Kenya, with weavers receiving payment directly for their works. “The baskets are uniquely individual, and I like to think about the hands that created each one,” says Gail. “By having this trade, women can subsidise their families’ incomes which I am proud to be able to support.” Gail is also co-founder of Slow, a gallery-style handmade collective overlooking the harbour in Ulladulla. Located in the vibrant restaurant strip on Wason St, Slow is neighbours with The Social. “Slow is a bright, friendly space filled with great energies that has been well-received by locals and holidaymakers as a place of uniqueness,” says Gail.
“We have become known for our slow values with an emphasis on producing sustainable home decor and fashion made to last.” The designated basket showroom is a complete textural and visual sensation. It sits perfectly alongside other gorgeous handmade products that are local, natural and ethical. An African Basket is an investment that can last a lifetime. By purchasing one, you make a difference to the weavers’ life and Mother Earth by choosing sustainable and natural fibres. The baskets can be used for home decor, crafts, beach outings and days out shopping. They also make a beautiful eco-gift that keeps on giving. “Everyone should have a basket in their stash, but who can stop at just one?” laughs Gail. “They are such a wonderful accessory and they unite people around the world. I love seeing the baskets out in the community. It makes me smile.” Pop into Slow and let Gail help you pick your favourite basket. She personally blesses each one with love and gratitude while shaping it for its new owner. Or order online for postage Australia-wide. A. Slow 4/22-23 Wason St Ulladulla | W. theveranda.com.au P. 0416 982 155 | @theveranda.shop
Choosing where to go for a memorable lunch has never been so easy. Now operating with a brand new menu, Cupitt’s Estate restaurant is the all-occasion destination for those seeking an authentic country-coastal dining experience. The menu has been creatively crafted using produce from their on-site organic kitchen garden and cheesemaking facility. They also use the best local or sustainably sourced ingredients. The result is a unique offering of fresh, flavourful dishes that pair perfectly with each other, the stunning surroundings and of course, the Cupitt’s Estate range of boutique wine and beer. Come together with loved ones and curate your own magnificent feast with a range of superbly refined yet simple dishes. Options include: baked Cupitt’s Veuve (a soft, French-style cheese) drizzled in honey and almonds; confit duck with roasted fig dressing; Hiramasa kingfish with butternut pumpkin and miso; eggplant ‘parmigiana’ or chargrilled wagyu rump with garden herbs chimichurri. Discover how outstanding quality and authentic, relaxed service collide to create a cherished and memorable dining experience right here in Milton-Ulladulla. Book your table now to explore and experience this exciting new menu at Cupitt’s Estate.
Cupitt’s Estate 58 Washburton Road, Ulladulla NSW 2539 @cupitt P. 02 4455 7888 W. www.cupittsestate.com.au whitewashmagazine.com.au
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IN THE BOOKSHOP
THE DRESSMAKERS OF YARRANDARRAH PRISON
By Meredith Jaffé A heart-warming, funny and moving novel about finding friendship and redemption in unexpected places.
THE DICTIONARY OF LOST WORDS
By Pip Williams Esme spends her childhood in the ‘Scriptorium’ where her father is collecting words for the first Oxford English Dictionary. Book of the Year, 2021 Indie Book Awards.
Credit: @house_ of_ harken
HARBOUR BOOKSHOP
Best Of Both Worlds TAWILLAH MILTON LUXURY RETREAT
As you drive down a classic Milton laneway, surrounded by rolling green hills and grazing sheep and cattle, you turn into the entrance of Tawillah Milton Luxury Retreat, and immediately feel relaxed. Nestled on a tranquil 25 acres of rural farmland, just a few minutes from the quaint township of Milton, Tawillah boasts commanding views of the local countryside and beyond to the majestic Budawang Ranges. When owners, Tim and Amy Wood, moved from Grenfell to Milton, they wanted to share their slice of paradise with others. So they renovated the old dairy on their property into stylish accommodation for couples and opened their doors on January 8th this year. The name Tawillah has special meaning for the couple who amalgamated the initials of their family members’ names with that of their former property. Tawillah Milton Luxury Retreat epitomises the best of both worlds—country and coast. Easy access to Milton provides an abundance of restaurants, cafes, boutiques and homewares stores. Less than ten minutes away, the unparalleled beauty of Mollymook and Narrawallee beaches
await. Dip in the ocean or stroll along the shore before returning to the seclusion and comfort of your exclusive accommodation. The stunning, spacious studio features highquality finishes throughout. The airy interior boasts neutral tones and natural textures. Relax in a king-size bed with luxurious linen and gaze out the sliding glass doors to the Milton valley. The adjacent generous-sized bathroom has a deep, standalone stone bath, separate double shower and underfloor heating. There is also a fully equipped kitchenette to prepare light meals. Tim and Amy have created a peaceful sanctuary where couples can rediscover and reconnect with each other. The deck and sunken seated area with firepit is the perfect spot to watch the sunset while enjoying a glass of wine. Thoughtfully designed and built with the discerning guest in mind—Tawillah Milton Luxury Retreat provides an entirely unique experience. “We aspire to deliver a peaceful ambience and service that is warm, welcoming, professional and passionate,” says Amy. “The truth is, once you are here, you’ll never want to leave.” W. www.tawillah.com.au | E. tawillah@icloud.com P. 0428 433 226 | @tawillah_miltonluxuryretreat
THE GRANDEST BOOKSHOP IN THE WORLD
By Amelia Mellor The Cole kids live in the grandest bookshop in the world, with every curiosity imaginable. Children’s 2021 Indie Book Award winner.
Harbour Bookshop Ulladulla Shop 5, Rowens Arcade, 93 Princes Hwy, Ulladulla P. 02 4454 4044 E. ordershbu@gmail.com W. harbourbookshop.com.au @harbourbookshopulladulla 18
Winter Issue #21
SHOP • DESIGN • CREATE • RESTORE
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YOUR LOCAL ART GALLERY, CONNECTING ARTISTS, COLLECTORS, ART & FRIENDS IN AN AUTHENTIC WAY. WE BELIEVE ART FEEDS THE SOUL, WE ALL NEED MORE OF THAT IN OUR LIFE. ART HELPS YOU CONNECT WITH OTHERS. IT CAN MAKE YOU FALL IN LOVE, IT MAKES YOU FEEL GOOD, IT MAKES YOU HAPPY.
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Treading Lightly Inc. is a grassroots environmental organisation that brings people together to build resilient communities and make positive, long-lasting change towards a sustainable future.
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Winter Issue #21
The Treading Lightly Inc Community Hub is having its grand opening on 12th June with activities and workshops for all! For details visit www.TLInc.org.au
Local Talent JOHN CLATWORTHY
John Clatworthy began making rock sculptures while grieving the sudden loss of a close mate. He finds solace in the physical act of searching for, stacking and balancing rocks. John also builds humpies from driftwood on the beach. He spoke to White Wash about his earth art at Wairo Beach, not far from his home: TELL US ABOUT YOUR BACKGROUND. I was born in Victoria. We lived in Malvern, a suburb of Melbourne. When I was about six, we moved to Port Leo on the Mornington Peninsula. My folks bought the general store there. Later on, my partner Cal and I moved up north and lived on a property off-grid west of Yamba. We used solar energy and grew herbs and vegies to live off. We moved here because there are more opportunities for our kids, and Cal had family here. We have two boys, 19 and 24. We feel super lucky to have landed here. Thereʼs great surf and itʼs an amazing place! We bought our house about 20 years ago and Iʼm so glad that we did. I’m a qualified greenkeeper by trade and I now run a small gardening business. HAVE YOU ALWAYS HAD A CONNECTION TO THE BEACH? Ever since I was a baby, I’ve been in the water. When we lived in Malvern, Mum and Dad would pack the six of us kids into the car and head to the beach. I started surfing at five or six, and Iʼve surfed competitively since I was nine. Dad ran the Point Leo 1200, which was the first professional surfing comp on Victoriaʼs east coast. The other one at the time was at Bell’s Beach. That was my first contest. I went in the novice section at nine. The waves were huge and I came last, but I got the hook. I surfed competitively from then—state titles, Aussie titles and a couple of pro contests over the years.
WHEN AND WHY DID YOU START ROCK BALANCING? It started when my friend Mark Galton was killed in a work accident about seven years ago. I made a rock wall as a memorial and tribute to him. The wall went for about 20-30 metres around the beach at Dolphin Point, where we used to surf together. It kept getting knocked over. Iʼd go and fix it up, and it would get knocked over again. So I just started building little towers that were easier to manage. Then I found the world of rock balancing through the internet, and it evolved from there. But it was initially Mark that inspired me. I had lost a good friend and I wanted to mark his space. A lot of people around town knew him as ʻMmAaark!ʼ WHAT SKILLS DO YOU NEED? The greatest skill is the ability to let go. To know when and how to let go of whatever it is you’re holding onto. There are guys out there who are much better than me. I’ve just got my own little style shtick. HOW LONG DO YOUR ROCK STRUCTURES TAKE TO BUILD? While I’m balancing, there is no real linear time, rather a moment that I get lost in. It can last for minutes, hours or sometimes days. I just enjoy those moments of clarity while I’m in them. ROCK ART HAS SPIRITUAL MEANING IN SOME CULTURES. The Aztecs used rock markings. Some cairns are memorials or grave markers. Theyʼre also used as trail markers in places like Oregon. Itʼs hard to say if itʼs spiritual or not, but it takes you away from wherever you are. If Iʼve had a rough day, I get down to the beach and start hunting for rocks. Every bit of concentration I have is focused on those rocks. I guess that’s meditation. You have to be in the zone. If you lose concentration it will fall over! I have a big interest in earth art and ephemeral art … nothing lasts.
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Left: John with his dog Bones. Below: Rock Tree made from driftwood and stones. Top Right: Colored Stone Stack and Arch. Arch. Below Right: Tree Arch. A moving living medium.
SO HOW LONG DOES A STRUCTURE LAST? My balance work doesn’t last more than a day. Sometimes I finish it, take a photo, and it falls over. Arch structures generally last longer. A few were there for seven months until someone pushed them over. I don’t understand why people do it, but I know that they’re not going to last. The humpies have been here for quite a while. I’m really pleased that people have largely respected the space and left them. WHY DID YOU CONSTRUCT THE HUMPIES? From the time we moved here, weʼd bring the kids down bodysurfing and swimming. It’s a hot beach, so basically I built them as shade for the dogs. The humpies are functional art because you can use them. Sometimes the family would camp in them. I’m really protective of them. If one gets changed, I’ll fix it back to the way it was. You might call it an obsession! Theyʼre an amazing landmark on the beach. Kids come down for playgroup, and people come to meditate. WHAT'S YOUR MOTIVATION FOR SHARING ON INSTAGRAM? I’m a bit of an insular person, not very social. I donʼt like crowds. Instagram is a safe way of connecting and a nice way to get my message across. Some posts went viral and lots of people started following me. Iʼm happy to answer comments. I like that interaction. Itʼs a way of not losing touch with the world. It can be a strange place!
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Winter Issue #21
The greatest skill is the ability to let go. To know when and how to let go of whatever it is you're holding onto.”
HOW DOES ART SUPPORT YOUR EMOTIONAL WELLBEING? I’ve suffered from anxiety and depression over the years. It’s something to do that keeps me busy and I don’t have time to think. It’s a great escape from the world. I’ve always worked with rocks— landscaping and building my house. I have an affinity, a connection with rocks. I love the shape, the feel, the weight, the colours, and texture, everything about them. You wonder about how they were formed, the mystery of them. I suppose that’s spiritual. I can spend all day out there just looking at them, being in the space; it’s beautiful! WHAT'S SPECIAL ABOUT THIS PLACE? I like the idea of someone finding my structures and wondering, who did that? It’s nice to walk on the beach with no other footsteps, and the dogs can run free. I patrol a 2km stretch and pick up any rubbish. It’s absolutely pristine. We’re so lucky! I swim every day. I have to be in the water. There’s something about the ocean—the bubbles and the salt. It’s invigorating and rejuvenating at the same time. You’re in the water and you’re stoked out. Nothing else matters. WHAT’S UP NEXT? I’m going for a swim! See more of Johnʼs Earth Art on Instagram
@johnnysrocks
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THE NATIONAL PARKS ASSOCIATION
LET'S WALK
Credit: Paul Buckingham
Words by Paul Buckingham
The Walk: Florence Head Lookout Stand. Traditional Country of the Yuin People.
Parting Ways
DDCS LAWYERS
Distance: 2km return. Grade: Easy incline and flat. Getting There: Take Porters Creek Dam Road, just north of Milton. 12km dirt and gravel. OK for 2WD but not after rain. The Experience: This adventure is more drive than walk. The Florence Head lookout stand is less than 1km from the current parking area with uninterrupted, magnificent views of Didthul (Pigeon House Mountain). It also features a geological information board which is great for kids and adults. You can also continue the walk on the mostly flat service road to Florence Head. Return 8km. Perhaps drive to Porters Creek Dam on the way home.
Separating couples sometimes elect to finalise their financial affairs without lawyers. Usually, this is motivated by an understandable desire to avoid litigation and legal costs. In some cases, it is because the couple has reached an agreement about dividing their assets themselves. It is not unusual for these informal agreements to come unstuck either because one party reneges after realising it is less than their ‘entitlement’, or one party runs out of money. In other cases, it became apparent that their agreement is unworkable. For example, an agreement to keep the family home in ‘joint names’ usually means that individuals are restricted in their ability to borrow money in their own right. It is important to realise that a division of the family assets can involve several legal considerations, including stamp duty and other tax consequences, conveyancing, and rules around superannuation. It is wise to obtain legal advice about the in-principle agreement before taking major steps to implement it, including selling or transferring the marital home.
Specialist family lawyers can provide valuable assistance by structuring agreements and reality testing the couple’s informal arrangement. An ‘informal’ agreement is not binding. A formalised financial agreement is either entering into Consent Orders to be filed with the court or a Binding Financial Agreement. When a separating couple haven’t formalised their settlement, there is always the risk of one person later arguing that the previous agreement was unfair, or their circumstances have changed. It is not uncommon to see people who have been separated for many years but are not divorced. If this is the case, either party may bring an Application to the Court to contest the original informal settlement. Accordingly, it is crucial for any agreement to be formalised, rather than assuming that the agreement will resolve the financial relationship. There are also benefits in terms of the stamp duty exemptions and other rollover relief if assets are transferred between the parties pursuant to Consent Orders or a Binding Financial Agreement. For further information please contact DDCS Specialist Family Law Advisors. E. jd@ddcslawyers.com.au, W. ddcslawyers.com.au
Your Life, Your Lawyers Family law and estate planning for every life stage. Serving Canberra and the South Coast.
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Winter Issue #21
P. 02 6212 7600 E. mail@ddcslawyers.com.au W. ddcslawyers.com.au
With a passion for rare and unique plants and extensive horticultural knowledge, Walled Gardens specialises in creating beautiful, bespoke gardens and outdoor living spaces. Walled Gardens provides complete landscape design, installation and maintenance services. We strive to align our gardens with your property and lifestyle, ensuring you achieve the outdoor space you’ve been envisioning.
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Tyne-James Organ Words by Jem Quinn
After an extended stint in Melbourne, singer-songwriter Tyne-James Organ has returned to his old stomping ground on the South Coast to unveil his hotly anticipated debut album Necessary Evil. The album is a treasure trove of gems and everything you could hope for from an artist on the come up. His undeniably authentic songwriting is once again on full display and is perfectly accompanied by his supreme vocal capacity. The album follows 2019 EP Persevere, which was an early exhibition of Tyne’s unique ability to convey colossal amounts of emotion through song. The most striking illustration of this was the heartwrenching ballad to his late father Watch You Go. The song was not only personally cathartic but proved to be a huge success and garnered him a fanbase that reached far beyond the local scene. When asked about his genuine songwriting, Tyne explained,
“I want the listener to take my music and lyrics, and I want them to feel something.” Following in the footsteps of his late father, Tyne was always a natural-born performer. “Dad was a muso, and he would always bring me on stage when I was young. There are videos of me performing as early as the age of two.” After some serious injuries playing football and surfing, Tyne focused even more of his energy on music in his late teens, cutting his teeth in the Gong. “I’ve played everywhere you can imagine in Wollongong, every pub, bar and café. They were some of the best days of music for me. I’d play at places like the North Gong Hotel and get abused for three hours by people who didn’t give a shit about me. It can be hard, but it made me a more headstrong musician and now when people actually come to see me play, it makes me appreciate it all so much more.” After a hiatus from performing, Tyne relishes the opportunity to play live again. “Growing up, Elvis and Michael Jackson were both huge influences for me, not just for their singing, but
We’re excited to be back hosting new COVID safe shows! Please keep an eye on our website and facebook for upcoming performances.
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Winter Issue #21
MUSIC
WINTER ALBUMS
I want the listener to take my music and lyrics, and I want them to feel something.”
for their dancing as well. Some people like playing with a guitar because it gives them something to do. But for me it sometimes makes me feel a little restricted. When I can move and be free on stage, that’s what I love. That’s my heroin.” Discussing the genesis of the album, Tyne noted that most of the songs were written over the last two years in Melbourne. “I write in chapters, and this album was definitely the Melbourne chapter of my life all fleshed out. It was a really special time; I was able to work with a lot of producers and writers that I really look up to.” When it came to recording, “We glued it all together with Chris Collins, who’s a producer and long-term collaborator of mine. He and I get along like a house on fire. When we first met, we had
an instant connection; everything you hear in my songs is a product of Chris and me. He was the bread and butter of the record.” In stark contrast to the old studio in industrialised Alexandria, Tyne and Chris took to the rolling green hills of Stokers Siding for the album recording. “It’s such a magical spot. I’m an emotional person, and my surroundings really influence me when I’m writing and creating. The air feels different up there, it had the perfect energy and that was vital for the record.” Tyne recently purchased a van, and with plans for a complete fit-out, he is looking to realise the Australian dream with 6 to 12 months on the road, traipsing up and down the coast. His travels will encompass a national tour through June and July. “I’ve got a few things planned for this tour, a new band and a few new stage ideas that I’m keen to try out. I’m so excited to be dancing and engaging with the crowds again.” Jumping on board to support throughout the tour will be Perth indie quartet, Dulcie. Hayley Mary, the solo venture for the Jezabels singer, will be on board for the Brisbane show, and indie pop sensation Carla Wehbe will be on hand for the Byron Bay and Gold Coast slots. Catch Tyne-James Organ touring through June and July, and make sure you get around Necessary Evil, which dropped on May 21.
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WINE KNOT TOURS
KEEPING IT LOCAL
Wine Knot Tours are proud to host you at some unique venues based out of Milton-Ulladulla. We love all our partnered venues and we are happy for you to put together a bespoke offering for your group! You are definitely spoilt for choice. Some options are: The Altar Bar—Sit back and relax in the magnificent, whimsical gardens whilst enjoying a glass of wine of your choice accompanied by a cheese and produce platter. Harvest Bar—Delight in this spectacular new venue. Partake in a gorgeous lunch paired with a complimentary cocktail. Stone Cottage Vineyard—Experience a personalised wine tasting at this quaint, family-owned boutique vineyard. Milk Haus—Enjoy a gorgeous ‘produce to plate’ lunch outside in the enchanting courtyard or inside by the fireplace. The Ruse—Take in the sweeping views of Ulladulla Harbour while savouring Central American flavours, primarily Mexican. Your group will be treated to Mexican dips, tacos and a complimentary, delicious cocktail. Cupitt’s Estate—Relish a self-guided wine or beer tasting flight of five samples. Get your friends together and design your own itinerary, or let us organise it for you. We love keeping it local. Wine KNOT!!
For more information please contact us at E. contact@wineknottours.com W. www.wineknottours.com.au @wineknottours 28
Winter Issue #21
SALTWOOD CAFE AND LIFESTYLE
a retail store for the home, woman & child located in the milton bakery building. addition studios ~ ayu ~ baina ~ cisco & the sun ~ maison balzac ~ sans ceuticals ~ will & bear
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Changing Tides
Credit: Peter Balmer - South Of The Bridge
Words by Brett Burcher
It’s a token remark, but the current space of women’s surfing is chartering new and highly anticipated territory. With bar-raising performances, big wave events, cinematic projects and participation skyrocketing, it’s an exciting time to be a female surfer. These unbounded ideals are in stark contrast to the happenings exposed within Girls Can’t Surf, a revealing new documentary focusing on an elite band of professional women surfers who were underpaid, marginalised, and largely ignored by media and the surfing industry for decades. For female surfers on the world tour in the ‘80s and ‘90s, sexism, unequal pay and discrimination were rife. Sponsorship opportunities were limited, and regardless of your status within the sport, scraping the barrel was the daily norm. 1993 World Champion Pauline Menczer would sleep at contest sites and bankroll her way around the world by selling excess pairs of Levi’s jeans for a healthy profit. Meanwhile the male surfers on tour were earning top dollar through sponsorship endorsements and prize pools alike.
Girls Can’t Surf highlights how instrumental surfers like Pauline, Pam Burridge, Jodie Cooper, Wendy Botha, Frieda Zamba and Layne Beachley were in closing the gap with their male counterparts and having their performances noticed on tour. The film charts the unwavering passion and struggles the women endured on the path to equality in competitive surfing. Their efforts led to breakthroughs in the mid- ‘90s with the rapid uptake of women’s surfing apparel (thanks to the female surfers inspiring women to get into the water). And finally in 2018, the announcement that the World Surf League would award equal event prize money to all athletes for every WSL-sanctioned event. The film’s confronting and candid approach will likely make most men uncomfortable. My default reaction was to desperately hope that things have changed. Coming from the fortunate position of being a male surfer, and never being exposed to the questionable behaviours seeded within the sport, I invited Mel Staunton, Rieke Mergel and Laura Enever to share their lived experiences. While uniquely diverse in age, ability, and background, these three women share the same distinct love for surfing and its deeper meaning.
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Winter Issue #21
@jonnycitrus
Growing up on the South Coast, I’ve met both younger and older people who have encouraged me every step of the way.”
MEL STAUNTON Mel Staunton, 16, recently took out first place in the Under 18 NSW State Longboard Titles. Refreshingly bold, Mel has surfed since the age of five and is an immediate reflection of her environment and her generation. She competes on a national level while also completing High School and roaming free as teenagers do.
Respect in the water: Growing up on the South Coast, I’ve met both younger and older people who have encouraged me every step of the way. The love and support that I have received from most people has got me to where I am today. I know many young female surfers who aren’t respected and welcomed in the water. It drives me to be thankful every day for who I have around me. Future wave: Women’s surfing is blowing up, and it’s amazing to watch. To have roles models like Steph Gilmore and Tyler Wright competing at such a high level inspires so many young surfers across the world. These women are paving the way for myself and many others, which excites me for the future of women surfing. Surfing has changed so much over the years—from females being rejected at surf breaks and bullied in and out of the water, to a movement of women worldwide proving that surfing is a sport for everyone.
Credit: Peter Balmer - South Of The Bridge
Surfing locally: Surfing has given me a home. It drives my passion and love for the ocean. I remember paddling out at certain spots for the first time and feeling like I was way out of my depth because I was the only girl. But the change in mindset due to the strengthening bond of women’s surfing has empowered me to surf with no hesitation.
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More and more women are excelling in bigger waves and waves of consequence.
Credit: Matt Dunbar
LAURA ENEVER Professional surfer Laura Enever, 26, was born and raised on Sydney’s Northern Beaches. A two-time World Junior Champion, Australian Champion and Pro Junior Champion, Laura went on to compete on the WSL Women’s World Tour for seven years, consistently finishing in the Top 10. Laura has also made a name for herself with a fearless approach in big waves, making her one of the most exciting and influential female surfers of this time. Laura now competes on the Women’s Big Wave World Tour. She has just wrapped up touring premieres of her film Undone, which follows her journey into the daring world of big wave surfing. Transitioning to big waves: It’s been really positive! When I first made the transition from competitive to big wave surfing, I was pretty insecure turning up at most new waves on my own. But so many of the local crew have been welcoming and supportive and provided me with the confidence to give big wave surfing a crack. I kept showing up at waves and would sit and watch for hours before giving them a go. I actually drew all my confidence from watching the boys in the lineup charging before going for a wave myself. I loved analysing what lines they would take and try to visualise it over and over.
The now: Even in the last few years, more and more women are excelling in bigger waves and waves of consequence. The next generation of women coming through is giving bigger waves a go at a younger age and getting really confident, really quickly! Already this year, I have seen epic footage of young girls charging Pipe, Tahiti and Indo, as well as big wave slabs around the world. The shift: I have noticed a massive shift in the last few years. Suddenly, it’s not unusual to see a young girl or woman standing tall in a heavy barrel. There have always been women who have charged and done airs, but not in the numbers we are seeing now, and especially not at such a young age and with such confidence. I feel like even five years ago, there was still a gap between what waves of consequence could be surfed confidently by a female. Personally, growing up, not seeing women surf heavy waves made me feel like certain waves were out of reach for me. Now, the barriers have been well and truly broken down, and it’s normal to see women charging. The next generation of women’s surfing is going to be wild to watch!
Located in the lush green grounds of The Old Church at Milton. The Altar Bar offers a selection of international and Australian wine, small bites to enjoy and live music. Open Friday 2-6pm, Sat and Sun from 12pm-7pm
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@altarwinebarmilton 71 Croobyar Rd, Milton
RIEKE MERGEL Born in Germany, Rieke Mergel arrived on the South Coast with partner Marc in 2007. Mother of two and a special education teacher at Ulladulla High School, Rieke has been a prominent identity in the water since her arrival. She has watched the tides positively change towards a more inclusive, universal and surf stoked community. Why surfing? Growing up in landlocked Germany, I didn’t discover surfing until my early twenties as a uni student. We would scratch together our last dollars, cramp in an old VW, and drive over 1,000 km to get to the French Atlantic coast. I would often be the only girl amongst the group, get chucked the crappiest shortboard, and be left behind while the others paddled out. I’d spend most of my time in the shore break trying to figure out what this supposedly fun sport was all about, but eventually I got hooked. Community integration: Marc and I arrived in Ulladulla in our early thirties, starting from complete scratch with no social network whatsoever. For the first few months, the locals wondered when these two German backpackers would move on, until finally they realised we were here to stay. For a beachfront community, there was no better place to meet people than in the lineup. I soon discovered that anyone I’d be having future encounters with was out there: from the local plumber to the trusted chemist, to the shapers and schoolteachers. Some of these early connections have evolved into beautiful friendships over the years and have taken me on some great adventures. Changing tides: We see a lot more females out there these days, which is just the best thing ever: it makes for good vibes, a feeling of shared joy and an all-round communal froth. If you hit the hotspots on a firing day, though, you will still be able to inhale a big breath of alpha male bravado. But you will also, most certainly, see some fierce ladies out there taking it on. With heightened awareness and respect from those who share the lineups worldwide, surfing in the not-so-distant future can hopefully arrive at a place where ultimately, it should always have been. Congratulations to everyone involved in Girls Can’t Surf for bringing these courageous women’s stories alive. The film has created an educative and informative platform that can hopefully transform how we all think and behave, both in and out of water.
Jansen Design Commercial & Residential Architecture www.jansendesign.com.au Emile Jansen (NSW reg architect 3109)
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'MOURNING COUNTRY'
Credit: Andrew Kaineder
Treading Lightly Inc
The team at Treading Lightly Inc is proud to have collaborated with filmmaker, Andrew Kaineder, on his latest production, ‘Mourning Country’. The short film offers an intimate portrait of local Elder, Noel Butler, reflecting on the impact of losing his home and cultural centre in Australia’s deadliest bushfire season. We would encourage you to take the time to watch the film and plant it into your consciousness. The important messages it shares will help us all move forward in the recovery process.
“I think we’ve learnt a lot from this experience, as bad as it was,” says Uncle Noel. “We need to try and help Mother Earth heal and use that as a lesson for us to heal ourselves. We must all work together to repair what has been done, as Australians, for all of Australia and the rest of the world.” Set at least one intention for ways in which you can heal Mother Earth. How can you be part of this movement of hope and positive action towards change? How can you be part of post-traumatic growth and raise the vibration for the planet? Consider getting involved by becoming a member of Treading Lightly Inc. Our contact details are below. ‘Mourning Country’ is screening exclusively on NOWNESS. A. 3/61 Princes Hwy, Milton W. www.TLInc.org.au @treading_lightly_inc 34
Winter Issue #21
Father Of The Forest Words by Patrick Faulconer Illustration by Kyla Stone
What is T ‘n’ T? No, it’s not that stuff that Willie Coyote uses to try and blow up the Road Runner! T ‘n’ T in my lingo means Trees and Tranquility. A botanical twist on R ‘n’ R if you like. My hope is that these ‘tree-gionally’ based articles are tempting locals and visitors to admire the magnificent edifices of nature that they would have otherwise taken for granted or not known were there. To visit, stand back, and suck in the arboreal vapours. To realise that tree planters of the past toiled not just for themselves but for generations to follow; and that sometimes the old saying 'less is more' holds true.
One great landscape tree can often say so much more than vast swathes of carbon-absorbing forest. Especially when combined with a little serenity and tucked away in a location that you didn’t know existed. As a travelling tradesperson, I am very fortunate to be able to hunt out a refuge for smoko. High on my list, if I’m in that hood, is the boat ramp at the end of Kendall Crescent, North Burrill Lake. Before visiting, make sure to arm yourself with appropriate refreshments to enjoy at the water’s edge while looking east, west, and south at familiar vistas from a new perspective. You may also see black swans and be lucky enough to observe their flashes of white wingtip as they reveal their airborne livery while landing or taking off.
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SOCIAL
COVER CHAT
One great landscape tree can often say so much more than vast swathes of carbon-absorbing forest.”
A few yards up from the boat ramp, you would have passed a tree trunk of Whippomorphian (thanks Wiki!) proportions. Gently amble back to one of the few Queensland Kauri (Agathis robusta) trees in our region. This one is a native of Australia, but Kauri also exists in New Zealand (Agathis australis) and is the Maori word for this member of the Araucaria family. In Maori culture, Kauris are treated as the fathers of the forest and are individually named. They’re also closely associated with Southern Right Whales and viewed as having their heads (or roots) in the earth and their tails in the air like a whale diving. This is the moment to sit down and try to imagine this landlocked cetacean feeding in the soil. This is the T ‘n’ T moment, which is probably what Willie Coyote could have done a bit more of!
Agathis is Greek for a ball of thread, due to the appearance of the female cones. You may be fortunate enough to find some scattered on the ground. They have probably been unceremoniously ripped out by that foe of trees … parrots. Like some of the other trees we have visited in these articles, the bark is tactile and shedding and well worth getting up close and personal too. As it appears to be on the nature strip and in the hands of our local tree custodians, the Shoalhaven City Council, you shouldn’t be charged with trespassing even if you are a coyote in a hurry! Robusta obviously means to withstand, as is evident with the Kiwi Kauris, some of which are known to be over 2000 years old. Up north in Oz, they can be up to 50m tall though probably not as old. They are certainly constructed for longevity. It is surprising we have as many left as we do, because their timber was highly sought after for ship’s masts and other construction purposes. They are now protected. While a Kauri might not slide into your average Backyard Blitz drop-down list of suitable tree species, it could definitely find a place as a centrepiece on a frost-free, five-acre block. Your great-greatgrandchildren might thank you … and any passing coyotes. Note: Last quarter’s article featured Milton’s Chinese Elm, which I have measured as Australia’s largest of that species. Confirmation from the appropriate bodies awaits.
Brilliant White Wash. Dean’s pic is top of the tree! Great article. OMG where do we stop? Tim Mooney Love this pic. Look at the joy. @oceanechoesurfbeach Looks fantastic! Well done on another wonderful read. @bodyalignphysio_ mollymook Wow, what a lovely shot. Happy 5th birthday, its been an honour to join you on this beautiful journey. @kyla_stone A wonderful article on the swimmers and excellent photography.
@mollymookbeachwaterfront
Can’t wait to have a read! Epic cover shot Dean Dampney. @luceypasswell I really look forward to reading the magazine each quarter! Thank you for your hard work and commitment to the community. @thisisoursouthcoast_NSW
Time for a revamp?
Congratulations and best wishes from your reader in Finland. @harkonleena
Goodbye old & boring. Hello fresh & new. Let Vibe create a space that will stand out from the rest. We source furniture and accessories to suit your budget.
Congratulations on five years! Awesome cover. @danisherring
P. 0412 153 033 E. kim@vibepropertystyling.com.au W. www.vibepropertystyling.com.au
Gosh that time has flown and how much you have grown! Congratulations on achieving this milestone and may there be many more. I look forward to every issue! @jul052 Tag us at #whitewashmagazine whitewashmagazine.com.au
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HAPPY SNAPS
THANKS FOR SHARING
Renee Tait and Jessica Katsoulis enjoyed the International Women’s Day Lunch at Cupitt’s Estate.
StoryFest Words by Meredith Jaffe
Tickets to StoryFest 2021 are now on sale. Held the weekend of 18 to 20 June, the festival is a popular drawcard to the Milton-Mollymook-Ulladulla region.
After a few postponements, Jade and Michael Laws finally tied the knot at The Woods Farm. What an amazing day!
Elliot Marshall and Jamie Morgan rocking some ‘70s style at Elliot’s 30th birthday bash at Bawley Bush Retreat.
“The program aims to have something for everyone,” says Festival Director, Meredith Jaffé. “Locals and visitors can choose between 23 events and four workshops featuring over 40 artists celebrating the art of storytelling.” The opening night features StoryFest patron and international bestselling author, Markus Zusak, who will deliver the inaugural Garry Evans Memorial Address, The Books That Change Us. Highlights from Saturday include Patricia Ellis talking about her life work The Dhurga Dictionary and Learner’s Grammar. ABC breakfast radio host, Wendy Harmer, will wrangle journalists Malcolm Knox and Nikki Gemmell and historian David Hunt in what promises to be a hilarious session about freedom of speech, Truth is Trouble. StoryFest is thrilled to welcome international bestselling author Craig Silvey to talk about his latest award-winning novel, Honeybee. For those who love any excuse to frock up, there is a film
night showcasing The Dressmaker followed by a conversation with the author of the book, Rosalie Ham, and the film’s producer, Sue Maslin. Sunday kicks off with breakfast at Mollymook Surf Lifesaving Club as surf tragic Malcolm Knox and editor of the Great Ocean Quarterly, Jock Serong, chat about surfing and writing. The Honourable Tanya Plibersek MP will be in conversation with journalist Jane Caro about life after COVID and finding a better normal. Many will remember seeing farmer Charles Massy on Australian Story in 2020 talking about his life’s work, Call of the Reed Warbler. He joins us to talk about regenerative agriculture and changing Australian farming practices. The festival features a special screening of Brazen Hussies, a documentary about the bold women who reignited Australian Feminism, followed by a conversation between the film’s producer, Sue Maslin and the author of Accidental Feminist, Jane Caro. StoryFest closes with a long table lunch at the Old Church in Milton featuring that master of conversations and author of The Golden Maze, Richard Fidler. Program details and ticket bookings at www.storyfest.org.au
arbor medic • Aesthetic pruning of trees to AS4347 • Delicate shrub care • Any hedge trimmed or rejuvenated • All tree removals • Stump grinding • Mulching • Tree planting • Arborist reports Harriet and Polly Connor enjoying some autumn sunshine at the beautiful Bogey Hole with Nonny.
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Winter Issue #21
T: Patrick Faulconer 4455 6956 E: arbmed@internode.on.net International Society of Arboriculture Certified Arborist No. UK/I 111.
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WINTER EVENTS - CHECK OUT WHAT'S ON!
Jun
ORRCA CENSUS DAY Where: Ulladulla Lighthouse When: Sunday 27 June Contact: tlinc.org.au for further details
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11 TIM FREEDMAN Where: Milton Theatre When: 11 and 13 June Contact: miltontheatre.com.au
'GLIMMER' Where: Van Rensburg Gallery When: Till 10 June Contact: Shop 2/74 Princes Hwy, Milton
STORYFEST Where: Milton, Ulladulla, Mollymook When: 18-20 June Contact: storyfest.org.au
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CUPITT'S LIVE MUSIC Where: Cupitt's Estate When: Sunday 11 July and every other following Sunday Contact: cupitt.com.au
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THE WEDDING TRAIL View some of the most stunning wedding venues on the South Coast. Where: Venues between Kiama and Ulladulla When: Sat 31 July and Sun 1 August Contact: southcoastweddingfair.com
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MILTON VILLAGE SHOWGROUND MARKETS Where: Milton Showground When: 7 August (and first Saturday of every month and on long weekends) Contact: miltonvillagemarkets@gmail.com
LIOR Where: Milton Theatre When: 22 August Contact: miltontheatre.com.au
CHEESE & WINE EXPERIENCE Where: Cupitt's Estate When: 1 July (various other dates available) Contact: cupitt.com.au
SUNDAY SESSIONS Live music at The Rooftop East. Where: Bannisters Pavilion When: Every Sunday from 5-8pm. No bookings necessary and no cover charge Contact: bannisters.com.au
Aug FAB FARMERS MARKETS Where: Burrill Lake When: Fridays (fortnightly) Contact: farmersatburrill.org.au
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SCULPTURE FOR CLYDE An annual sculpture event. Where: Batemans Bay, Mollymook and Willinga Park, Bawley Point. When: 20-29 August Contact: sculptureforclyde.com.au
Your local property specialists. Mollymook/Milton 4455 3800 rh.com.au/Ulladulla
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Winter Issue #21
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Craig Cooper - Award-Winning Agent
Craig Cooper 0434 311 113 craig@coopercoastalproperties.com.au • www.coopercoastalproperties.com.au