2014 Portfolio

Page 1

PORTFOLIO。 Willow Yiliu Hong



CONTENT: Story 1_Urban Stitching [Project 1] Binghamton food museum ··················································· 02 - 03

[Project 2] Boston Fenway complex ······················································ 04 - 06 [Project 3] Rome Trastevere cultural center ··········································· 07 - 09

Story 2_Slope Condition

[Project 1] Laxe coastal resort & lighthouse ·········································· 11 - 14 [Project 2] Library for geologist ····························································· 15 - 16 [Project 3] Eco-museum ········································································· 17 - 18

Willow Yiliu Hong is raised in China and in the USA. She is currently a candidate of Bachelor of Architecture in Cornell University. Her focus of study also includes business and drawing. Tel: (607)-280-7381 Email: yh439@cornell.edu

Experience

Story 3_Mini Scale

· WSP Architectural Design Consulting Co. Ltd, Beijing, China Intern, Summer 2012

· China Architecture Design and Research Group, Beijing, China Intern, Summer 2013

[Project 1] NYC delicatessen ········································································· 20 [Project 2] A study ························································································· 21 [Project 3] Bibracte excavation site cover structure model ···················· 22 - 23

Story 4_Others

Internship works ····························································································· 25 Artworks ········································································································· 26 Photography ··································································································· 27

· Ivy League Leadership Conference, Beijing, China Program Mentor, Summer 2012

Skills · Bilingual Native Proficiency in English & Chinese · Design Programs Adobe Creative Suite, SketchUp, Rhinoceros, V-Ray, Auto-CAD · Modeling Laser cutting, CNC milling, 3D printing, Machine operation



1

{Story 1}

URBAN STITCHING


[PROJECT 1] Binghamton Food Museum Long Section

Short Section

Problem & Concept

ARCH 2101 2012 FALL FINAL REVIEW Urban Stitching + Spatial Directionality As seen in many other Rust Belt cities, Binghamton calls for a new path to revive itsNY stagnant urban condition. Binghamton Food FOOD MUSEUM (Willow) Hong Museum utilizes food culture to link surrounding context, aiming to create a social hub that activates the now-abandoned Yiliu city center. Museum's circulation and form emphasize spatial directionality to create relations with the greater circuit in the urban fabric and, at the same time, bring Diagrams Site Plan three openings into one unity.

Program

FUNCTIONAL

Circulation

I. Study: spork design Inspired from Japanese Origami art, the spork design presents a series of spatial distortions created from folding planes. The geometric components and their relationships are controlled by consistent algorithm, which produces a sense of directionality to the overall form and its defined space.

Courtyards

EDUCATIONAL

(service access)

(museum entrance)

Enclosure

Structure

Light

Design sketch

CULTURAL

View

(food street)

Design strategy

3D print model

Model detail

II. Massing Proposals Continue with the study of spatial directionality, four massing schemes are proposed, aiming Diagrams

2 Site condition

Process

to design interlacing fluid space to bridge the museum with neighboring physical and cultural context.

Site plan

Outcome

I. Analytical Diagrams

Program

Proposal 1

Circulation

Courtyards

Enclosure

Structure

Program III. Architectural Details: view and Circulation light

Proposal 3

Proposal 4

Courtyards

The folded roof and interior courtyards serve to direct certain views as well as bring sufficient daylight into the space.

II. Sections

Longitudinal section

Proposal 2

Cross section

Enclosure

View condition

Structure

Light

Light condition


Outcome III. Plans

Level 0

Level 1

Level 2

Level 3

IV. Model

3 Courtyards

V. Visualization

Museum interior rendering

Museum interior diagram

Museum entrance

Food street

Service access

Roof


[PROJECT 2] Boston Fenway Complex

Problem & Concept

Urban Stitching + Spatial Continuity Boston Fenway Complex aims to turn the existing chaotic site into a pedestrian-friendly urban community— a type of space that is rarely found in Boston. The shifting grid system brings diverse programs from four sides into one network, and the layered plaza system creates continous open space to facilitate pedestrian movement.

Existing Condition Many axes cutting through site Unclear circulation connecting surroundings

Modified Condition Deriving two grids from site

Organizing space using the shifting grids Creating plazas and the cube

Re-organizing circulation Pinwheel configuration linking site context

FUNCTIONAL

(train station entrance)

RECREATIONAL (near stadium)

RESIDENTIAL (near housing)

FUNCTIONAL (service access)

4

Existing Condition

Modified Condition

Existing Condition

Modified Condition

Discontinous program space Parcelized open space

Continous program space Contiguous open space

Lack of pedestrian-friendly space Isolated public space

Maximized pedestrian-friendly space Communicative public space

Conceptual collage

Site plan

Process I. Site Analysis Problem of lacking pedestrian-oriented public space is found through urban typology and fabric research.

II. Massing Proposals Forms vary from cylinder courtyard space to a combination of multi-geometric volumes.

III. Program Strategy ——————————— Level 2 "+" programs + residential bar Viewing the site

Proposal 1

——————————— Level 1 Proposal 2

Residential space typology Neighborhood typology

Landscape

Traffics

Proposal 3

Landscaping + commercial space Circulating between upper/lower plaza levels

Shifting grids

——————— Level 0 Raising plane to maximaze parking space Main circulation path

Open space typology

Existing urban fabrics

Proposal 4

Proposal 5


Outcome I. Plan

III. Model

5

Level 1

II. Sections

Longitudinal section

Contextual cross section


IV. Visualization

6

Train station entrance

Residential side entrance

Stadium side entrance


[PROJECT 3] Rome Trastevere Cultural Center

Problem & Concept Urban Stitching + Courtyard Typology Despite Rome's abundance of great public piazza space, the quality of city's courtyard space is unsatisfactory. Rome Trastevere cultural center aims to create an ideal courtyard that maximize the interaction between private and public programs. The design also views Rome as a body, aiming to establish capillary effect that links the arteries on two sides of the site. City's stratified spatial characterastics are also incorporated into the design.

City as body

eve

ast

City as planes

di

7

(Vi

ale

MO

Tr

DE

RN

re)

AR

TE

RY

City as open space

City as history

RY

E RT

A NTnse) E I ue

C rt ANVia Po (

Site condition

Site plan

City as layers

Process I. Site Analysis

The importance of ATAC Tecnobus station and the historical Janiculum wall are considered in the design in order to create seamless transition between the site and its surrounding context.

Fabric orientation

Building scale metrics

Circulation scale metrics


Process

II. Conceptual Strategy: Capillary effect

IV. Architectural Strategy: Layering courtyard

8

Outcome I. Overview

III. Site Strategy: Branching system


Outcome

II. Section Perspective Rendering

III. Analytical Diagrams

IV. Axonometric Diagram

9 ——————————————— Enclosure Minimizing enclosure appearance to emphasize architectural horizontality

—————— Vertical Circulation & Structure Geometry

Structure

Circulation

Element

Program

Enclosure

9 x 9 grid organizing structure/circulation Free plan allowing infinite program configurations

—————————— Office & Roof Terrace

V. Plans

———————— Exhibition & Fablab/Atelier Vertical capillary effect allowing social interactions between different levels

Level 0 —————————————— Commercial Massing corresponding to surrounding context Seamless connection with site & different passage types

Level 2

Level 4


10

{Story 2}

SLOPE CONDITION


[PROJECT 1] Laxe Coastal Resort & Lighthouse

Concept

Process

I. Site Analysis A cove is found on the north tip of the peninsula, which perfectly conveys the unique geographic

Bridging Above, Below and Within This is a device that bridges land, sea and sky; an equator that defines the above, the below, and the within; an infrastructure that traps the warmth of the glorious sunlight, the fregrance of the wild flowers and the everchanging water reflections sparkling in the darkness. The architecture provides private and public space that would allow visitors to stay and relax, to discover the uniqueness of the surronding environment, and to interact with the local culture of Laxe.

quailities of Laxe: rock-based groud surfaces, coastal erosion influences, gently sloped periphery, well-sheltered from the Atlantic wind, etc. Three types of spatial conditions are discovered and incorporated into the design.

Site condition Site location

11

Concepual diagrams

Site plan

II. Massing Proposals

Spatial condition

II. Architectural Strategy Three “bridges” are created: an entry bridge that emerges from the hillside path and leads to the roof top; an L-shaped long bar that contains all the programs and actively communicate with the surroundings; a tower that serves as a fire escape, a viewing platform and a lighthouse. The main bar is divided into two layers: the upper residential zone and the lower cultural zone, which is essentially a dock that functions as a fishing market, allowing visitors to interact with local fishermen and gain an insight of Laxe’s fishing culture.

Proposal 1

Proposal 2

Proposal 3

Study models


Outcome I. Plan

Level 1

12

Level 0

II. Longitudinal Section

III. Overview


13


Outcome

IV. Cross Section & Detail

V. Structure Diagram

VI. Visualization

Above: roof top

14

Within: gathering space

1. Flashing 2. Roof Tile 3. Dock Type Wooden Plank 4. W6x20 steel Beam 5. Galvanized Steel Railing 6. Single Glazing Window 7. Double Glazing Window 8. Steel Box Tube 9. Cantilever Bracing System 10. Galvanized Steel Sheet Finish 11. Waterproof Membrane 12. Perforated Steel Sheet 13. Steel Supporting Structure 14. Concrete Slab On Metal Deck 15. Plywood floor 16. Steel Angle 17. T-Beam 18. Mineral Wool Insulation 19. Suspended Ceiling 20. Footer Rebar

Below: fish market


[PROJECT 2] Library For Geologist

Concept

II. Concept

I. Study: recombinant architecture

Stratification The design proposal combines site physical properties as well as client's professional identity, locates the main architectural body below the slope, and stratifies the space using Villa in Bodeaux/Douglas House architectural ideologies. The program sequence (bottom to top, left to right) is as follows: private residential space, library/geological collection space, semi-private residential space, social gathering space and top viewing platform. The main circulation spine is hidden below the platform armature, connecting individual levels and two openings from top and bottom of the slope (ruin & port) respectively. The space transits from solid to void and from private to public, in both transverse and vertical axes.

Exploring the architectural ideologies of Villa in Bordeaux and Douglas House via drafting, collaging and modeling, and combining new operational elements to devise renewed structural organizations.

Void Solid

Void Solid

Villa in Bordeaux recombinant model

Villa in Bordeaux + Douglas House recombinant model

Conceptual Diagrams

Villa in Bordeaux + Douglas House recombinant collage drawing

Villa in Bordeaux analytical diagrams

Site condition

15


Process

Outcome

I. Strategy Collage

I. Overview

II. Model

Level 2 private space

Level 1 gathering space

16

II. Underground Library Conceptual Rendering

II. Plans & Sections Level 1 gathering space looking down

Level 0 underground circulation space Level 0

Level 1

Level 2

Longitudinal section

Cross section

Contextual plan & section

Level 0 entrance (ruin) from port


[PROJECT 2] Eco-Museum

Concept

I. Study: De[monster]ative lobster

II. Concept

Through disassembling and studying the movement of lobster, such as molting, crawling and dodging, shell sliding and muscle stretching patterns are discovered and transformed into mechanical operations.

Flexible Shading System Based on the result of lobster movement study, the Eco-museum is constructed by large-scale sunshade boards that are capable of creating a variety of spatial light conditions through sliding movement and angle adjustment, in order to meet the needs of different showrooms.

Tail movement analytical diagram

Site condition

Leg movement analytical diagram

Organic operation

Mechanical operation

Movement conceptual drawing

Sunshade system

17


Process

Outcome

Study models

I. Drawing

Model 1

18

Model 2

Model 3

II. Visualization


19

{Story 3}

MINI-SCALE


[PROJECT 1] NYC Delicatessen Concept & Process

II. Sections & Elevation

Diagonal Grid System The NYC delicatessen design proposal impliments the diagonal grid system to plan interior space and initiate spatial fluidity, which allows the space to seamlessly connect with the fast-paced city. The central diamond-shaped skylight not only enhances the spatial directionality effect, but also provides ample natural light to the existing three-walled dim condition.

Owner Residency

Cross section

III. Visualization Delicatessen

+

20

=

→

→ Kitchen|Storage

Application of diagonal grid system

Circulation

Ceiling design

Outcome I. Plans

Level 0

Level 1

Level 2

Delicatessen entrance

Longitudinal section

Front elevation


Concept & Process

Outcome

[PROJECT 2] A Study

Levitating & Wrapping Operation The site for this study place is situated between the amplified structures and circulation which both derived from previous study of Villa in Bordeaux. The design concept aims to experience spatial and mental levitation from the mundane world, as well as the flow of mind via body movement within the wrapped space.

21 Axonometric diagram

Conceptual drawing: levitating/wrapping operation

Visualization

Plan

Sections


[PROJECT 3] Bibracte Excavation Site Cover Structure Model Process

1. Making structural components. Materials: polycarbonate sheets, plexi-glass sheets, brass pipes, brass rods, fabrics, string

22

Outcome I. Overview

2. Assemplying cast pieces into modules. Module: the nexorade system

3. Combining modeules into one body. Techniques: water-jetting, laser-cutting, soldering, welding, sewing

4. Constructing the base. Materials: plywood, metal screws, aluminum channels

5. Combining the cover structure body with the base.


Outcome II. Details

Joint between the structure body and the base

Connective joint of the nexorade system

The nexor

The nexorade

23

The ballast system at two ends of the structure

The cable system

Structure perspective


24

{Story 4}

Others


Internship Works

Longfusi Cultural & Commercial Complex Re-development Project Through analysis of the historical context of Longfusi area, the design starts with zoning and massing proposals based on the concept of three-dimensional Hutong, with emphasis on spatial interaction and axial direction. The scheme divides the complex into six zones, with the main zone dissecting into the upper open space and the lower small-scale space in order to meet the needs of diverse commercial and cultural experiences.

Plan

Axonometric diagram

Site analysis

25

Interior view

Street facade day view

Street facade night view


Art works

26

Above Dimension: 9'' x 6'' Medium: white pencil Location: Beijing, China Date: 01/2009 Below Dimension: 8'' x 10'' Medium: acrylic Location: Lijiang, Yunnan, China Date: 08/2009

Dimension: 14'' x 22'' Medium: color pencil Location: Brookfield, WI, USA Date: 05/2010

Dimension: 23'' x 32'' Medium: charcoal Location: Rome, Italy Date: 05/2014

Dimension: 23'' x 32'' Medium: charcoal Location: Rome, Italy Date: 04/2014


Photography

27

Camera: Olympus E-P3 FNumber: f/3.5 Exposure Time: 1/400s Location: San Francisco, CA, USA Date: 05/2013

Camera: Olympus E-P3 FNumber: f/1.7 Exposure Time: 1/60s Location: Florence, Italy Date: 01/2014

Camera: Olympus E-P3 FNumber: f/1.8 Exposure Time: 1/200s Location: Venice, Italy Date: 02/2014



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