1996
Texas Art
Dallas, Texas ★ October 15, 2022
DAVID In Since
DIKE FINE ART TEXAS ART AUCTION A Tradition
Live On-Line Bidding via LiveAuctioneers.com Phone and Absentee Bidding
GALLERIA ALPHA PLAZA
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AUCTIONEER: LOUIS MURAD OF MURAD
DAVID DIKE FINE ART TEXAS ART AUCTION
Hours: Monday – Friday 10:00 AM – 5:00 PM • Saturday by appointment
A Tradition In Texas Art Since 1996
4887 Alpha Rd., Suite 210 • Farmers Branch, Texas 75244 • Phone: 214-720-4044 • Email: info@daviddike.com • Website: www.daviddike.com
Saturday, October 15, 2022 at 10:30 AM CST
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Doors open at 9:30am; Bidding starts promptly at 10:30am, CST
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For an absentee/phone bid form or for online internet bidding access, please visit www.daviddike.com
AUCTIONEERS • LOUIS MURAD TXS 13362
ALPHA RD
David Dike Fine Art
4887 Alpha Road, Suite 210 Farmers Branch, TX 75244 near Alpha Road and Inwood Road
Auction Location
Auction Date
Saturday, October 15, 2022
M-F, September 26 – October 14, 2022 10am-5pm
4887 Alpha Road, Suite 210, Alpha Plaza Farmers Branch, TX 75244
David Dike Fine Art Hosts the 26th Annual Texas Art Auction at our NEW Location in Alpha Plaza
4887 Alpha Road, Suite 210, Farmers Branch, Texas 75244
David Dike Fine Art
Live In-Person Bidding
LBJINWOODFREEWAY/635TOLLWAYRD
2. OTIS DOZIER (Am. 1904-1987)
5. REVEAU BASSETT (Am. 1897-1981)
Label attached to verso: Joseph Sartor Galleries, Dallas, TX
8. REVEAU BASSETT (Am. 1897-1981)
DAVID DIKE FINE ART TEXAS ART AUCTION2
Nude conté on paper 17 x 9 1/2 signed lower le : Olin Travis $300 - $500
Watercolors of the Rio Grande by Michael Frary; Carl Rice Embrey by William J. Chiego and Jerry Bywaters: A Life in Art by Francine Carraro $100 - $200
Otis Dozier: A Portfolio of Six Paintings (prints), Bla er Series of Southwestern Art II, University of Texas Press, Austin, 1959 portfolio of prints 21 3/4 x 17 7/8 $400 - $800
1. GROUP OF TEXAS ART BOOKS
set of three works:
8(a) Mallard Duck Studies pencil on paper 13 1/2 x 5 1/2
8(b) Mallard Duck Studies ink on paper 8 x 11 1/2 signed lower right: Reveau Bassett
7A. CHARLES T. BOWLING (Am. 1891-1985)
8(c) Pintail Duck etching 2 3/8 x 3 1/8 $400 - $800
Texas Landscape pastel on paper 8 x 10 signed lower le : Reveau Bassett $1,000 - $2,000
4. OLIN HERMAN TRAVIS (Am. 1888-1975)
Morning, ed. 21, 1942 lithograph 6 x 8 1/8 signed across bottom: Morning, Ed. 21, Chas T. Bowling ‘42 $500 - $1,000
Abstract Cathedral watercolor & mixed media on paper 17 x 10 1/2 signed lower right: David Brownlow $400 - $800
9. REVEAU BASSETT (Am. 1897-1981)
7. REVEAU BASSETT (Am. 1897-1981)
6. REVEAU BASSETT (Am. 1897-1981)
Ducks In Flight lithograph 11 7/8 x 13 7/8 signed across bottom: To my friend David Grayson, Reveau Bassett $600 - $1,200
Deer & Buck lithograph 9 1/2 x 12 1/2 signed across bottom: To my friend David Grayson; as a slight token of appreciation, Reveau Bassett $300 - $600
Bookends ceramic, each: 5 3/4 x 6 1/4 x 4 1/2 signed on base: Reveau Bassett $600 - $800
3. DAVID BROWNLOW (Am. 1915-2008)
EXHIBITED: Texas Centennial Exhibition of Paintings, Sculpture, and Graphic Arts, Dallas Fair Park, 1936;
19. ELIZABETH WALMSLEY (Am. 1900-1993)
Changing Neighborhood lithograph 14 x 11 signed across bottom: Changing Neighborhood, Elizabeth Walmsley $600 - $1,200
18. HORACE OAKLEY ROBERTSON (Am. 1886-1970)
Dickers Riverside Hotel – Shawnee town, ed. 35, 1942 lithograph 9 1/4 x 11 5/8 signed across bottom: Dickers Riverside Hotel-Shawneetown –42, H.O. Robertson, 35 prints $600 - $1,200
16. EDWARD G. EISENLOHR (Am. 1872-1961)
Fording the Stream, 1936 wood engraving 6 x 8 3/8 signed in the plate: Latham 1936 $150 - $300
17. HORACE OAKLEY ROBERTSON (Am. 1886-1970)
NOTE: Joseph Sartor Galleries label attached to verso.
NOTE: Published by the American Artists Group in New York, NY.
NOTE: Lots 12 and 13 are one-of-a-kind color trial proofs, designed, etched, and printed by the artist. Lot 12 is 1/2 trial proof prints and Lot 13 is 1/4 trial proof prints. Neither edition has been printed.
Liberty Church, ed. 27, 1940 lithograph 9 x 11 3/4 signed across bottom: Liberty Church, 27, H.O. Robertson 1940 $600 - $1,200
11. SCOTT GENTLING (Am. 1942-2011)
Moseley’s Rain, ed. 24/25, 1964 etching 5 1/4 x 5 3/4 signed across bottom: Moseley’s Rain, 24/25, Scott Gentling 1964 $300 - $600
10. SCOTT AND STUART GENTLING (Am. 20th/21st Cent.)
14. BARBARA LATHAM (Am. 1896-1989)
13. DENNIS BALTUSKONIS (Am. 20th/21st Cent.)
Of Birds and Texas, 51/500 limited edition copies
3ORIGINAL PRINTS, DRAWINGS, BOOKS & FOLIOS
e River at Santa Fe, ed. 19/50 lithograph 9 x 10 1/2 signed across bottom: e River at Santa Fe, 19/50, Edward G. Eisenlohr $600 - $1,200
15. BERTHA LANDERS (Am. 1907-1996)
12. DENNIS BALTUSKONIS (Am. 20th/21st Cent.)
Dagger Blossoms - Big Bend, TX, Artist Proof, 1986 aquatint 35 x 23 1/2 signed across bottom: A/P “Dagger Blossoms – Big Bend $400 - $800
Dagger Flats, Big Bend, TX, Color Trial Proof, 1985 aquatint 24 x 17 3/4 signed across bottom: Color Trial Proof, Dagger Flats, Big Bend, TX, D. Baltuskonis ‘85 $300 - $600
elephant folio 29 1/4 x 23 1/8 x 2 7/8 signed on sheet preceding the title sheet by: Scott Gentling, John Graves, and Stuart Gentling $2,500 - $5,000
FOLIO: Edition of 51/500, 1986. Fort Worth, TX natives and twin brother duo of painters created this folio in 1986 depicting landscapes and birds of Texas. e folio contains 137 sheets, 50 of which are images of the birds and landscapes. Commentary by the twins precedes each of the plates.
Mountain Trees, 1936 etching 7 3/4 x 7 3/8 signed across bottom: Mountain Trees, Bertha Landers $300 - $500
21. ANCEL E. NUNN (Am. 1928-1999)
Ante Over etching 5 3/4 x 7 signed across bottom: Ante Over, Blanche McVeigh $500 - $1,000
31. ED BEARDEN (Am. 1919-1980)
DAVID DIKE FINE ART TEXAS ART AUCTION4
27. BLANCHE McVEIGH (Am. 1895-1970)
30. BLANCHE McVEIGH (Am. 1895-1970)
22. BLANCHE McVEIGH (Am. 1895-1970)
EXHIBITED: Fourth Southwestern Exposition of Prints and Drawings, DMFA, 1951; Brooklyn Museum National Print Annual, 1951.
20. GEORGE CHACON (Am. 1954-2017)
Pigtails, ed. 50 aquatint 8 1/2 x 6 1/2 signed across bottom: Pigtails, 50 prints, Blanche McVeigh $400 - $800
Noonday print 16 x 25 signed lower right: Ancel E Nunn $500 - $800
25. BLANCHE McVEIGH (Am. 1895-1970)
New Mexico Rainstorm, 1949 lithograph 10 x 13 1/2 signed across bottom: “New Mexico Rainstorm,” Ed Bearden, 1949 $400 - $800
Los Pereginos, State II, ed. 8, 1996
24. BLANCHE McVEIGH (Am. 1895-1970)
A Baby aquatint 2 1/8 x 1 3/8 signed across bottom: A Baby, Blanche McVeigh $200 - $400
Tri in aquatint 9 x 6 3/4 signed across bottom: Tri in, Blanche McVeigh $600 - $900
23. BLANCHE McVEIGH (Am. 1895-1970)
Party Gal, ed. 50 aquatint 8 3/4 x 7 signed across bottom: Party Gal, 50 prints, Blanche McVeigh $600 - $900
Room Within a Room, ed. 50, 1950 etching and aquatint 13 3/4 x 10 3/4 signed across base: Room Within a Room, 50 prints, Blanche McVeigh 1950 $600 - $1,200
28. BLANCHE McVEIGH (Am. 1895-1970) Without a Song etching 7 3/4 x 7 5/8 estate stamped lower le : Estate of Blanche McVeigh $600 - $900
26. BLANCHE McVEIGH (Am. 1895-1970)
aquatint 12 x 8 3/4 signed across bottom: 5/8, “Los Peregrinos” State II, George Chacon ‘96 $200 - $400
Green Mountain, ed. 50 hand-colored aquatint 11 x 15 signed across bottom: Green Mountain, 50 prints, Blanche McVeigh $600 - $1,200
29. BLANCHE McVEIGH (Am. 1895-1970)
Waiting, ed. 50 aquatint 9 x 7 1/8 signed across bottom: Waiting, 50 prints, Blanche McVeigh $600 - $900
Water Tank and Windmill lithograph 8 1/2 x 10 signed in plate: Peter Hurd $800 - $1,200
Mexican Village watercolor on paper 21 x 15 signed lower le : Aubrey Keating $500 - $1,000
5ORIGINAL PRINTS, DRAWINGS, BOOKS & FOLIOS
45. MARY AUBREY KEATING (Am. 1894-1953)
33. PETER HURD (Am. 1904-1984)
Pond in Snow watercolor on paper 14 1/2 x 22 signed lower le : Artine $500 - $700
Piney Wood Vagabond watercolor on paper 3 3/4 x 5 3/4 signed lower right: W Cude $500 - $1,000
Landscape Sketch, 1899 graphite on paper 4 1/2 x 8 signed lower right: Sketch - Julian Onderdonk ‘99 $1,500 - $3,000
38. PAUL MAXWELL (Am. 1925-2015)
Mountains in the Morning, 1941 lithograph 11 1/2 x 15 3/4 signed across bottom: Mountains in the Morning, Delmar Pachl, 1941 $300 - $500
Water Tower, Chama watercolor on paper 14 1/4 x 21 1/2 signed lower right: Martin © $200 - $400
43. XAVIER GONZALEZ (Am. 1898-1993)
40. WALT CUDE (Am. 20th Cent.)
37. ROBERT QUILL JOHNSON (Am. 1927-1980)
e Cross, 1956 ink and mixed media on paper 23 3/4 x 14 signed lower right: P. Maxwell 56 $2,000 - $3,000
Rain Showers, ed. 260 lithograph 15 x 26 signed across bottom: 77/260, Peter Hurd $600 - $1,200
35. HARRY ANTHONY DEYOUNG (Am. 1893-1956)
Coastal Landscape, 1948 watercolor and gouache on paper 22 x 28 3/4 signed lower right: Xavier Gonzalez ‘48 $600 - $1,200
NOTE on reverse: Early Sketch by Julian Onderdonk authenticated by Eleanor Onderdonk.
41. WALT CUDE (Am. 20th Cent.)
Log Cabin charcoal on paper 9 1/4 x 13 signed lower right: Treuter $200 - $400
42. JEAN MARTIN (Am. 1924-2011)
NOTE: Water tower on the Cumbres and Toltec railway line.
32. PETER HURD (Am. 1904-1984)
Pioneer Cemetery watercolor on paper 21 1/2 x 16 signed lower right: Robert Quill Johnson $1,000 - $2,000
Pachl was a native of Spring eld, Missouri. During the Depression he worked for the Civilian Con servation Corps. In 1936 he was awarded a working scholarship at the Kansas City Art Institute. Pachl was an assistant to omas Hart Benton for mural projects in Je erson City, Missouri. In 1939, Pachl was hired to teach at North Texas Junior Agricultural College in Arlington. Pachl joined the U.S. Army in 1942. He drew car toons for Yank magazine and the 96th Division newspaper. He was killed in action on Leyte Island, Philippines in October, 1944. In 1949, Arlington State College (now UTA) named a dormitory Pachl Hall in honor of his service to his Sources:country.Roper;Falk; Mallett; Powers.
36. JULIAN ONDERDONK (Am. 1882-1922)
39. LIRL TREUTER (Am. 1922-2001)
EXHIBITED: Museum of Fine Arts Houston, TX (label attached to verso).
e Old Home Place watercolor on paper 4 3/4 x 6 3/4 signed lower middle: W Cude $500 - $1,000
44. ROBIN ARTINE SMITH (Am. 1903-1991)
Untitled - Stone Archway pencil on paper 10 x 8 signed across bottom: To e Bynums, Harry Anthony Deyoung, 1934 $300 - $600
34. DELMAR MAX PACHL (Am. 1912-1944)
color aquatint 17 1/2 x 13 1/2 signed across bottom: Artist Proof, Tomikamak, Dickson Reeder by Flora Blanc Reeder, 1960 $600 - $900
DAVID DIKE FINE ART TEXAS ART AUCTION6
49. MARJORIE JOHNSON LEE (Am. 1911-1997)
50A. EDWARD CARPENTER BEARDEN (Am. 1919-1980)
50. GEORGE GRAMMER (Am. 1928-2019)
e Flapper, 1945 watercolor on paper 14 x 10 signed lower right: Ed Bearden 1945 $1,000 - $2,000
52. DICKSON REEDER Am. 1912-1970)
53. CYNTHIA BRANTS (Am. 1924-2006)
Where Are We Now?, 1952-53 charcoal on paper 19 x 24 signed on reverse: “Where Are We Now?” 1952-53, Marjorie Johnson Lee $500 - $1,000
47. BLANCHE McVEIGH (Am. 1895-1970)
It’s in the Mail, c. 1990 collage, watercolor, & ink on paper 23 1/2 x 18 1/4 signed lower right: M. Lee $800 - $1,200
55. BILL KOMODORE (Am. 1932-2012)
Chrysalis House, ed. 25 linocut 9 1/2 x 12 7/8 signed across bottom: Chrysalis House, 12/25, C Brants $600 - $1,200
Tomikamak, 1960
River Boat, ed. 50, 1972 (printed 1990) etching 3 x 4 signed across bottom: 9/50, River Boat, Komodore $100 - $200
48. MARJORIE JOHNSON LEE (Am. 1911-1997)
51. BARBARA LUCILE MAPLES (Am. 1912-1999) Carousel, ed. 20 linocut 9 x 12 signed across bottom: Carousel, Ed 20, Barbara Maples $800 - $1,200
EXHIBITED: Beyond Regionalism: e Fort Worth School (1945-1955), e Old Jail Art Center.
Seated Girl in Red pastel on paper 18 x 14 $1,000 - $2,000
46. JIM JONES (Am. 20th Cent.)
Dandelion, 1953 gouache on board 30 1/4 x 5 1/4 signed lower right: Grammer 53 $2,000 - $3,000
e Distant Drums Sound Louder ink on paper 11 x 8 signed across bottom: e Distant Drums Sound Louder, Carl Benton Compton $400 - $800
54. CARL BENTON COMPTON (Am. 1905-1981)
Horse and Rider in the Barnyard watercolor on paper 14 x 20 3/4 signed lower right: Jim Jones $500 - $800
63. CLYDE CLIFTON CLACK (Am. 1896-1955)
59. JANET TURNER (Am. 1914-1988)
Underwater Ocean View water paint on paper 15 1/4 x 21 1/2 $600 - $1,200
67. CLYDE CLIFTON CLACK (Am. 1896-1955)
Quail Amid Wild Grapes, ed.150 serigraph 15 x 35 signed across bottom: 135/150, Quail Amid Wild Grapes, Janet Turner, Imp $1,000 - $2,000
Floral Landscape water paint on paper 15 1/4 x 21 1/2 $600 - $1,200
Note on reverse: Clyde C. Clack, 40-44, Dallas, TX, Southern States Art League, Museum of Fine ArtsDallas, Texas.
An Oklahoma Highway, 1945 watercolor on paper 13 3/4 x 18 1/2 signed lower right: Clyde C. Clack, 1945 $1,000 - $2,000
e Curiosity, ed. 100 10 color serigraph 9 x 12 signed across bottom: e Curiosity, ed. 100, 10 color, Janet Turner $500 - $1,000
Clyde C. Clack was a painter, watercolorist, illustrator, printmaker, nger painter, and graphic artist. He attended the University of Oklahoma, graduating in 1919 and moved to Dallas in 1925 where he later taught and served as the director of the Dallas Art Institute. He exhibited work in Clyde C. Clack: One-Man Show at Dallas Museum of Fine Arts, 1945; Dallas Allied Arts Exhibition 1927 and other years; Southern States Art League, 1944; Texas General Exhibition, 1941, 1942 as well as others.
Tidal Rock, ed. 35 serigraph 12 x 17 3/4 signed across bottom: Tidal Rock, 31/35, Janet Turner $800 - $1,200
58. JENNIE HADDAD (Am. 1906-1996)
61. JANET TURNER (Am. 1914-1988)
65. CLYDE CLIFTON CLACK (Am. 1896-1955)
Tubular Drawing, c.1938-40
56. ROBERT PREUSSER (Am. 1919-1992)
7ORIGINAL PRINTS, DRAWINGS, BOOKS & FOLIOS
Organic Shapes & Straight Lines, c.1938-40
Beginning of Flight, ed. 80, 1982 serigraph 18 x 12 signed across bottom: Beginning of Flight, 76/80, Janet Turner, A.N.A., 1982 $800 - $1,200
62. JANET TURNER (Am. 1914-1988)
Note on reverse: Clyde C. Clack, 40-44, Dallas, TX, Southern States Art League, Museum of Fine Arts - Dallas, Texas.
66. CLYDE CLIFTON CLACK (Am. 1896-1955)
e Harvester, ed. 40, 1941 lithograph 14 x 11 signed across bottom: e HarvesterEdition 40, Clyde C. Clack, 1941 $800 - $1,200
64. CLYDE CLIFTON CLACK (Am. 1896-1955)
Abstract watercolor on paper 11 x 14 1/2 signed lower right: Jennie Haddad $600 - $1,200
57. ROBERT PREUSSER (Am. 1919-1992)
West Texas Landscape watercolor on paper 13 1/2 x 17 $1,000 - $2,000
60. JANET TURNER (Am. 1914-1988)
ink on paper 11 x 8 1/2 signed lower right: Preusser $600 - $800
ink on paper 11 x 8 1/2 signed lower right: Preusser $600 - $800
75. OTIS DOZIER (Am. 1904-1987)
70. OTIS DOZIER (Am. 1904-1987)
73. OTIS DOZIER (Am. 1904-1987)
Landscape with Mailbox & House pastel on paper 10 x 13 signed on verso: Velma, VDW-0069 $600 - $1,200
DAVID DIKE FINE ART TEXAS ART AUCTION8
76. VELMA DAVIS DOZIER (Am. 1901-1988)
77. OLIN HERMAN TRAVIS (Am. 1888-1975)
Jackrabbit, 1985 pencil and xerographic reproduction on paper 7 1/2 x 10 signed lower le : Dozier ‘85 $300 - $600
Rio Grande
69. OTIS DOZIER (Am. 1904-1987)
68. OTIS DOZIER (Am. 1904-1987)
74. OTIS DOZIER (Am. 1904-1987)
72. OTIS DOZIER (Am. 1904-1987)
Hillside Cabin, 1944 watercolor and ink on paper 12 x 16 signed lower le : Otis Dozier ‘44 $1,500 - $3,000
Pelican, 1950 ink on paper 5 x 7 1/2 signed lower le : Dozier ‘50 $300 - $600
Rooster and Watermelon pencil on paper 5 x 6 1/2 estate stamped: Estate of Otis Dozier on verso: DW-0120 $300 - $600
Jackrabbit woodblock print 3 3/4 x 3 1/2 $800 - $1,200
Grasshopper ink and colored pencil on paper 4 3/4 x 7 signed3/4 lower right: Dozier $600 - $900
71. OTIS DOZIER (Am. 1904-1987)
crayon and watercolor on paper 10 x 16 estate stamped: Estate of Otis Dozier $1,000 - $2,000
Caddo - 1934 pencil on paper 11 x 8 1/2 estate stamped: Estate of Otis Dozier note on verso: Caddo - 1934 $300 - $600
Four Pelicans charcoal on paper 7 x 10 1/2 $150 - $300
McFarlin Library – University of Tulsa, 1954 lithograph 11 1/2 x 15 1/2 signed across bottom: McFarlin Library-University of Tulsa, Alexandre Hogue -1954 Imp $300 -
79. FLORENCE McCLUNG (Am. 1894-1992)
Two Deer, ed. 30, 1941 lithograph 14 x 10 1/4 signed across bottom: Two Deer, 30 prints, George & Velma, Otis Dozier ‘41 $600 - $1,200
9ORIGINAL PRINTS, DRAWINGS, BOOKS & FOLIOS
EXHIBITED: Cleveland Print Club, 1935; 17th Annual Printmakers International Exhibition, Los Angeles County Museum, 1936.
Square Dance lithograph 13 x 17 signed across bottom: Square Dance, Florence McClung $500 - $1,000
84. ALEXANDRE HOGUE (Am. 1898-1994)
Mining Town – Colorado, 1942 lithograph 16 x 9 signed across bottom: Mineing TownColorado, Dozier ‘42 $400 - $800
On the Back Stretch, ed. 150, 1935 serigraph 9 1/2 x 18 signed across bottom: On the Back Stretch, 100/150, Alexandre Hogue, 1935 $800 - $1,200
83. ALEXANDRE HOGUE (Am. 1898-1994)
$60086.
FRED DARGE (Am. 1900-1978)
85. ALEXANDRE HOGUE (Am. 1898-1994)
Cowboy and Burro watercolor on paper 9 1/2 x 7 1/2 signed lower right: F. Darge $400 - $800
82. OTIS DOZIER (Am. 1904-1987)
80. FLORENCE McCLUNG (Am. 1894-1992)
Practicing, ed. 10, 1944 lithograph 12 3/4 x 16 1/2 signed across bottom: Practicing, 3/10, ‘44 Florence McClung $400 - $800
78. MERRITT MAUZEY (Am. 1897-1973)
Primordial, ed. 20, 1964 lithograph 17 1/2 x 22 1/2 signed across bottom: Primordial, 18/20, Alexandre Hogue - Imp-1964 $500 - $1,000
Burning Stalks, ed. 12 lithograph 10 1/8 x 16 signed across bottom: “Burning Stalks” Ed. 12, Merritt Mauzey $600 - $1,200
81. OTIS DOZIER (Am. 1904-1987)
lithograph 20 x 14 signed across bottom: Texas Courthouse, Edition 50, Jerry Bywaters $2,500 - $5,000
DAVID DIKE FINE ART TEXAS ART AUCTION10
87. ALEXANDRE HOGUE (Am. 1898-1994)
Moonlight lithograph 11 x 13 $1,000 - $2,000
Liberators, 1943
lithograph 11 1/2 x 15 1/4
Texas Courthouse, ed. 50
Flower Lover lithograph 14 x 15 $2,000 - $4,000
90. JERRY BYWATERS (Am. 1906-1989)
89. ALEXANDRE HOGUE (Am. 1898-1994)
88. ALEXANDRE HOGUE (Am. 1898-1994)
signed across bottom: Liberators, Alexandre Hogue-1943 $1,000 - $2,000
Owl, Artist Proof, 1987 lithograph 14 x 10 signed across bottom: Artist Proof, Owl, Otis Dozier ‘87 $800 - $1,200
93. OTIS DOZIER (Am. 1904-1987)
Crows and Watermelon, Color Test Proof, 1987 lithograph in color 21 x 28 signed across bottom: C/T/P Crows, Otis Dozier ‘87 $2,000 - $4,000
92. OTIS DOZIER (Am. 1904-1987)
11ORIGINAL PRINTS, DRAWINGS, BOOKS & FOLIOS
Jack Rabbit, ed. 30, 1987 lithograph 18 x 24 signed across bottom: 1/30, Jack Rabbit, Otis Dozier ‘87 $1,000- $2,000
91. OTIS DOZIER (Am. 1904-1987)
94. OTIS DOZIER (Am. 1904-1987)
Wild Turkey, Artist Proof, 1987 lithograph in colors 29 x 21 1/2 signed across bottom: A/P, Wild Turkey, Otis Dozier ‘87 $1,000 - $2,000
Printed across bottom: Drawn from Nature by J.J. Audubon. FRS.FLS., Canis Lupus, Linn, Var Rufus. Red Texan Wolf. Male., Lith & Printed & Col. By J.T. Bowen, Philad. 1845 $6,000 - $8,000
Landscape, 1970
96. ALEXANDRE HOGUE (Am. 1898-1994)
95. JOHN JAMES AUDUBON (Am. 1785-1851)
Red Texan Wolf. Male., Canis Lupus, Linn, Var Rufus, No. 17., Plate LXXXIL, 1845 hand-colored lithograph 21 x 26 3/4
DAVID DIKE FINE ART TEXAS ART AUCTION12
charcoal and white chalk on paper 15 x 18 1/2 signed lower right: Alexandre Hogue 1970 $3,000 - $6,000
97. EVERETT SPRUCE (Am. 1908-2002)
Pedernales Cypress, c. late 1950s oil crayon and marker on paper 16 x 13 signed lower right: SPRUCE $1,000 - $2,000
99. PETER HURD (Am. 1904-1984)
101. COREEN SPELLMAN (Am. 1905-1978)
William Warder was born in the mountains of New Mexico, and earned a Bachelor’s degree in Fine Arts from the University of New Mexico and a Graduate degree from UCLA. Warder’s abstraction of the Aspen mountains, in Aspen, Colorado, and expressive brushwork emulates the works of John Marin, who was known to have also been captivated by the New Mexico landscape. Warder’s works have been exhibited at the American Watercolor Society, Museum of New Mexico, and New York World’s Fair.
13ORIGINAL PRINTS, DRAWINGS, BOOKS & FOLIOS
Aspen, 1973
watercolor on paper 18 x 23 signed lower le : Warder 7-26-73, Aspen $3,000 - $6,000
Two Houses, c. 1940 watercolor on paper 13 1/2 x 19 1/2 signed lower right: Edith M. Brisac $2,000 - $3,000
EXHIBITED: Awarded ird Prize at the West Texas Annual in 1940.
is watercolor is documented in James Baker’s book on the C.M. Spellman estate and is included in his estate inventory he did for Mick Spellman, Coreen’s brother.
100. EDITH MAE BRISAC (Am. 1894-1974)
Landscape Study, Quarry, July 7, 1933 watercolor on paper 19 1/2 x 24 3/8 noted lower right: (2) - July 7, ‘33 estate stamped on reverse $800 - $1,200
98. WILLIAM WARDER (Am. 1920-1999)
underhead watercolor on paper 5 1/4 x 8 1/2 signed lower le : Peter Hurd $1,500 - $2,500
River Scene oil on board 8 x 9 7/8 signed lower le : Olin Herman Travis $1,000 - $2,000
DAVID DIKE FINE ART TEXAS ART AUCTION14
102
LOTS: 102-110
Yellow Bloom, © 2016 oil on canvasboard 10 x 8 signed lower right: N. Perez $1,000 - $2,000
103. NOE PEREZ (Am. Bn. 1958-)
CASETA— The Center for the Advancement and Study of Early Texas Art is a statewide 501(c)(3) nonprofit organization formed in 2003 to promote the preservation, study, and appreciation of Texas visual art and its history. CASETA focuses on art produced by artists who were born in and/or lived and worked in Texas through 40 years prior to the present date. roughout the year, CASETA presents public programs to advance interest, learning, and enjoyment of Early Texas Art, including an annual Symposium hosted each year in a di erent city around the State. In conjunction with the Symposium, the Texas Art Fair hosts premier art dealers from around the State.
visit www.caseta.org to learn more about caseta, become a member or make a contribution.
CASETA is supported through annual memberships, contributions, and special initiatives. Members generously donated the following nine works of art to CASETA for inclusion in this auction with the net proceeds to bene t CASETA.
CASETA
102. OLIN HERMAN TRAVIS (Am. 1888-1975)
103
15IN SUPPORT OF CASETA
110. ALAN COBB (Am. 20th Cent.)
EXHIBITED: West Texas Art Show, Fort Worth, TX, 1948; Awarded: First Place, Graphic Arts Division.
108. FRANK CALDER (Am. 1890-1968)
Cli Swallow, Plate: XLIV o set lithograph 19 x 25 1/2 $1,000 - $2,000
104 105 107 109 106
Old House watercolor on paper 10 1/2 x 13 1/2 signed lower right: Frank Calder $250 - $500
110
Fall Evening –Ben Ficklin, 1947 oil on canvas 9 x 12 signed lower le : Dwight C. Holmes $400 - $800
105. SCOTT & STUART GENTLING (Am. 20th Cent.)
104. McKIE TROTTER (Am. 1918-1999)
Rarin’ to Go, ed. 75, 1935 lithograph 11 x 15 signed across bottom: “Rarin’ to Go”, 55/75, Alexandre Hogue 1935 $800 - $1,200
109. BESS HUBBARD (Am. 1896-1977)
Juan of Taos, ed. 30, c. 1947 lithograph 16 x 12 signed across bottom: Juan of Taos, Ed. 30, To Evelyn from Bess Hubbard $200 - $400
Blue Norther #2, 1963-64 mixed media on canvas 18 x 22 signed lower le : Trotter titled & dated on verso $2,000 - $3,000
106. ALEXANDRE HOGUE (Am. 1898-1994)
Medina River, 2004 aquatint 17 1/4 x 23 1/2 signed across bottom: Medina River, A. Cobb 12/2004, Sue Cobb 4/2020 $400 - $800 108
107. DWIGHT C. HOLMES (Am. 1900-1986)
e Red Sun, 1961
White House oil on masonite 20 x 16 signed lower right: Frary $1,500 - $2,500
114. McKIE TROTTER (Am. 1918-1999)
oil on masonite 7 1/2 x 9 1/2 signed lower le : McKie Trotter ‘53 $1,500 - $3,000
oil on masonite 48 x 24 signed lower right: Frary signed on verso: e Red Sun, 1961, Frary $2,000 - $3,000
NOTE on reverse: Earthscape #5, 1957, Lubbock Exhibition.
111 113 112 114
Building with Red Ladders, 1953
113. McKIE TROTTER (Am. 1918-1999)
Earthscape #5, 1957 oil on masonite 24 x 18 signed lower right: McKie Trotter $4,000 - $8,000
DAVID DIKE FINE ART TEXAS ART
AUCTION16
112. MICHAEL FRARY (Am. 1918-2005)
111. MICHAEL FRARY (Am. 1918-2005)
Desert Landscape, c. 1965 oil on board 24 x 36 $6,000 - $8,000
Subway Station oil on canvas 20 x 16 signed lower right: Schow $4,000 - $6,000
Deep Woods, 1954 oil on masonite 38 x 31 signed lower right: Victor Valdez ‘54 $4,000 - $6,000
River and Rocks, c. 1965 oil on canvas 16 x 18 signed lower le : MK Sloan $4,000 - $6,000
115. MARY K. SLOAN (Am. 1924-2014)
118
17FINE PAINTINGS AND SCULPTURE
117. MAY SCHOW (Am. 1895-1976)
EXHIBITION label on verso: Exhibit of Texas Art, 1957, Fort Worth, TX.
116115117
Sloan’s works can be found in the following collections: Witte Museum, TX; Beaumont Museum, TX; Grum bacher Collection, NY; and Je erson Museum, TX as well as others. Solo exhibitions include: Olla Podria, Dallas, TX; Men of Art Guild, San Antonio, TX; Texas Artist Association, Wichita Falls, TX.
EXHIBITED: First Light: Local Art and the Fort Worth Public Library 1901-1961 / A Centennial Exhibit, October 1, 2001November 10, 2001, Fort Worth Public Library.
116. MARY K. SLOAN (Am. 1924-2014)
Mary Sloan’s vibrant and expressive style can be seen throughout a variety of mediums including but not limited to oil, mosaic, and watercolor. Having lived in both San Miguel de Allende, Mexico and Santa Fe, New Mexico before moving back to Texas, she was inspired and deeply in uenced by nature. In both Desert Landscape and River Rocks Sloan’s desire to nd balance between the beauty and brutality of nature is a profound in uence in her work. As she stated, “there is much of nature’s constant struggle or combat yet beyond, behind, or near a struggle there is usually a stabilizing thing of beauty of strange conformity” (Sloan, Discovery).
118. VICTOR VALDEZ (Am. 20th Cent.)
122. MARJORIE JOHNSON LEE (Am. 1911-1997)
Cellos
119. FLORA BLANC REEDER (Am. 1916-1995)
120
oil on canvasboard 19 1/2 x 15 1/2 signed lower right: Flora Blanc signed on verso: untitled portrait of Mother and Child $4,000 - $6,000
120. BROR UTTER (Am. 1913-1993)
EXHIBITED: e Robert Brousseau Collection show in 1998 at the Longview Museum of Fine Arts; and e Texas Artists show in 2000-2001 at the Michelson Museum of Art.
e ree Graces gouache on paper 12 1/2 x 10 signed lower right: Bror Utter $2,000 - $4,000
DAVID DIKE FINE ART TEXAS ART AUCTION18 121122 119
121. BROR UTTER (Am. 1913-1993)
Two Women, March 1956 ink and watercolor on paper 10 x signed14lower right: Bror Utter 3/56 $400 - $800
Winter Mountains, 1958 oil on canvas 16 x 20 signed lower right: Marjorie Lee $1,500 - $3,000
oil on canvas 30 x 38 signed lower right: Bror Utter $8,000 - $12,000
Yellows Associated ru Blue with Side Notes #1 oil on canvasboard 14 3/4 x 30 signed lower le : BB $4,000 - $8,000
19FINE PAINTINGS AND SCULPTURE
125. BROR UTTER (Am. 1913-1993)
123. BILL BOMAR (Am. 1919-1990)
124. BILL BOMAR (Am. 1919-1990)
126. GEORGE GRAMMER (Am. 1928-2019)
123125124
Vessels
Crane At Night oil on canvas 40 x 24 signed on stretcher bar: G. Grammer $8,000 - $12,000
Silver Discs Secrets, c. 1965 oil and silver metallic paint on canvas 18 x 22 signed lower right: BB $6,000 - $8,000
126
Portrait of Two Women, Proof Print serigraph 12 x 16 1/3 signed across bottom: Proof Print, Edmund Kinzinger 1942 $800 - $1,200
129
Label attached to verso: EDK, Fishermen’s Return, France, 1932.
127. EDMUND DANIEL KINZINGER (Am. 1888-1963)
Women, 1932 oil on board 21 1/2 x 17 signed lower le : E.D.K. 32 $6,000 - $8,000
Portrait of a Woman oil on canvas 20 x 16 signed on verso: EDK $5,000 - $8,000
Woman with a Basket of Fruit, 1936 pencil on paper 11 x 8 1/2 signed upper le : EDK 36 - MAY $400 - $800
DAVID DIKE FINE ART TEXAS ART AUCTION20 128130131127
131. EDMUND DANIEL KINZINGER (Am. 1888-1963)
Fishermen’s Return, France, 1932 oil on board 18 x 14 1/2 signed lower right: EDK 32 $3,000 - $6,000
130. EDMUND DANIEL KINZINGER (Am. 1888-1963)
128. EDMUND DANIEL KINZINGER (Am. 1888-1963)
129. EDMUND DANIEL KINZINGER (Am. 1888-1963)
Mother & Child
134. CHARLES UMLAUF (Am. 1911-1994)
Nude bronze 20 x 10 1/2 x 10 1/4 signed on base: C. Umlauf $10,000 - $15,000
21FINE PAINTINGS AND SCULPTURE
Fish Form Abstraction, 1984 red Kumeta marble 15 1/2 x 25 x 9 signed on base: C. Umlauf $8,000 - $12,000
132. CHARLES UMLAUF (Am. 1911-1994)
133. CHARLES UMLAUF (Am. 1911-1994)
terra-cotta 21 1/2 x 26 x 8 signed on base: Umlauf $15,000 - $25,000
134133132
EXHIBITED: Valley House Gallery & Sculpture Garden, Dallas, TX, 1959.
AUCTION22
DAVID DIKE FINE ART TEXAS ART
e Red Tree, 1932 oil on canvas 18 x 24 signed lower le : Lloyd L. Sargent $800 - $1,200
138
oil on masonite 18 x 20 signed on reverse: “Clowns,” Jessie Davis $2,500 - $5,000
Betty oil on artist board 9 3/4 x 7 3/4 signed lower right: M Bewley $2,000 - $4,000
135. JESSIE DAVIS (Am. 1887-1969)
EXHIBITED: Dallas Allied Arts Exhibition, 1932.
Clowns
137. BOYER GONZALES, JR. (Am. 1909-1987)
139. JOSEPHINE MAHAFFEY (Am. 1903-1982)
137 136 135
PROVENANCE: Family of Josephine Maha ey; Andrew Church acquired from above in the mid-1990s; Current: Private Collection, Dallas acquired from above.
EXHIBITED: umb-Box Exhibition at the Salmagundi Club, New York, NY.
139
Landscape with Telephone Poles oil on canvasboard 12 x 16 signed lower le : Boyer Gonzales, Jr. $1,500 - $3,000
138. LLOYD L. SARGENT (Am. 1881-1934)
136. MURRAY BEWLEY (Am. 1884-1964)
Saw Mill oil on masonite 23 3/4 x 36 signed lower le : JM $2,500 - $5,000
141. MARIE HAINES BURT
140141
e Davis Wild ower Competition provided an unprecedented artistic and nancial opportunity for artists to paint the natural beauty of Texas. By the time the second annual Competitive Exhibi tion of Art was scheduled for 1928, the large cash prizes awarded by Edgar B. Davis and the San Antonio Art League were not only an incentive for Texas artists, but also for prominent artists throughout the country. Joseph Birren, having recently relocated to Santa Fe, New Mexico, trav eled to Palo Duro Canyon to paint a Texas scene for the contest.
Birren, a landscape painter, illustrator and graphic artist, was known for a style he called Tactilism, meaning he used an individual style of patterned paint application in a way that gave the illusion of three-dimensional work. Born in Chicago in 1864, he attended the Art Institute of Chicago where he was a student of John Vanderpoel from 1883 to 1900. He also studied in Philadelphia, New York at the Art Students League, Munich, and Paris at the Julian Academy (1889). In the 1920s and 1930s, he maintained studios in both Chicago and Laguna Beach, California, and in 1927 had moved to Santa Fe where he had a posi tive reception to his impressionist landscapes.
For his entry, which he titled Floral Glory of the Palo Duro Canyon for the competition, he chose to paint the Prairie Dog Town Fork of the Red River as it meanders through the canyon. He notes on the back of the artist’s board the Indian Blanket wild owers he highlights along the banks of the river. More than 600 paintings were entered for the contest and out of those, 100 were chosen for the exhibition. Birren was awarded an Honorable Mention prize for this entry. A er the competition, the painting spent the next several months touring cities in Texas as part of a traveling exhibition of prizewinning paintings from the contest.
Wild Flowers of Palo Duro Canyon, 1927 oil on board 28 x 24 signed lower right: Joseph Birren signed and titled on verso: Joseph Birren, “Wild Flowers of Palo Duro Canyon” 1927, (Galardi or Indian Blanket Featured)
$6,000 - $12,000
(Am. 1884-1979) Still Life oil on canvasboard 20 x 24 signed lower right: Marie Haines $1,500 - $3,000
23FINE PAINTINGS AND SCULPTURE
140. JOSEPH BIRREN (Am. 1864-1933)
143. MARY NELL (NICHOLS) BROOKS (Am. 1912-1975)
Portrait of Helen, c. 1936 oil on board 16 x 11 1/2 signed upper le : Mary Nell Brooks $4,000 - $8,000
DAVID DIKE FINE ART TEXAS ART AUCTION24
Untitled (Portrait of a Young Man), Little Mexico, 1934 oil on canvasboard 16 x 12 signed lower right: JG ‘34 $500 - $1,000
A er some time roaming in the country working odd jobs, including working on farms, punching cattle, working in a circus, washing dishes and working as a movie stunt man, James B. Gantt enrolled in the Dallas Art Institute in 1933, which was then located at Maple and Alice Street on the edge of Little Mexico. He was awarded a scholarship to study under the painter and director of the Institute, Olin Travis and was taught by Jerry Bywaters as well. In 1935, Travis helped Gantt apply for and receive a scholarship at the Kansas City Art Institute in Kansas City, Missouri where he went on to study with omas Hart
Sources:Benton.AskART
142. JAMES BRITTON GANTT (Am. 1911-1984)
142143
EXHIBITED: e Dallas Museum of Fine Arts, Texas Centennial Exposition – 1936, Dallas, TX (label attached to verso).
25FINE PAINTINGS AND SCULPTURE 144
Untitled Triptych - In the Shade of a Tree oil on MDF board each panel: 65 1/2 x 17 1/4 signed middle right: Marie Haines $20,000 - $30,000
Painter and muralist Marie Bruner Haines (Mrs. Frederick A. Burt) was born in Cincinnati, Ohio. Early in her training she studied at the Cincinnati Art Academy of Cincinnati (1900-1901) and the Pennsylvania School of Industrial Arts, Philadelphia (1904-1905) and later continued her studies at prestigious art schools such as the Art Institute of Chicago and the National Academy of Design, NY. From 1908-1922 she lived in Atlanta, GA and moved to San Augustine, FL in 1923. Later that year, a er her mother passed away, she moved to College Station to live with her sister. She became known for her murals and lunettes or half-moon shaped lacquered and painted panel works. She remained in College Station until 1950, when she married and moved to Bennington, VT.
Haines’ work can be found in the following collections: Museum of New Mexico, Santa Fe; Bennington County Courthouse, Vermont; Texas A&M University, College Station; Iowa State University, Ames; and Cincinnati Art Museum to name a few.
In the early 1940s, Haines was commissioned to create this sensitively rendered triptych that celebrated the career of Mr. Joseph Sayers “Cotton Joe” Mogford (1893-1989), a renowned cotton geneticist and professor of agronomy at Texas A&M University. Mogford originated the Cotton Pageant, an annual beauty pageant as part of the Maid of Cotton promotion of the National Cotton Council held from the late 1930s to the early 1970s. e funds raised by Mogford through the pageants were used to take Aggie students abroad to observe and study cotton agriculture in countries such as Uzbekistan and Peru. e scene depicted in this remarkable and historic piece is reminiscent of cotton farming as it was before harvest mechaniza tion in the Brazos River valley of central Texas where Mogford spent his career. Works by Haines and biographical information about Mogford are held in the archives of Cushing Library of Texas A&M University.
Source: Texas Artists and Artisans by Vic Roper © 2017
144. MARIE HAINES BURT (Am. 1884-1979)
Landscape oil on board 16 x 20 signed lower right: H. Carnohan $2,000 - $4,000
147 146 145
Arroyo, Taos, Aug 1935 oil on canvas 20 x 23 3/4 signed lower le : F McClung signed on verso: ArroyaPainted in Taos, 1935, Florence McClung $8,000 - $12,000
147. HARRY CARNOHAN (Am. 1904-1969)
DAVID DIKE FINE ART TEXAS ART AUCTION26
On the Porch oil on canvasboard 15 1/2 x 19 1/2 signed lower le : F. McClung $10,000 - $20,000
145. FLORENCE McCLUNG (Am. 1894-1992)
146. FLORENCE McCLUNG (Am. 1894-1992)
Landscape, 1923 oil on board 9 1/2 x 13 1/2 signed lower le : Reveau Bassett - 23 $800 - $1,200
Morning on the Marsh oil on canvas 25 x 30 signed lower le : Reveau Bassett $25,000 - $35,000
150. REVEAU BASSETT (Am. 1897-1981)
147A. REVEAU BASSETT (Am. 1897-1981)
Texas Landscape oil on canvasboard 16 x 20 signed lower le : Reveau Bassett $1,500 - $3,000
147A
27FINE PAINTINGS AND SCULPTURE
148
148. REVEAU BASSETT (Am. 1897-1981)
Ducks in Flight – Little Sandy oil on canvas 24 x 30 signed lower right: Reveau Bassett $15,000 - $25,000
149. REVEAU BASSETT (Am. 1897-1981)
150149
153. FRED DARGE (Am. 1900-1978)
155. FRED DARGE (Am. 1900-1978)
Herefords and Windmill oil on board 4 1/2 x 5 1/2 signed lower right: F Darge $600 - $800
Texas Longhorn oil on canvasboard 9 x 12 signed lower right: F. Darge $1,000 - $2,000
151. FRED DARGE (Am. 1900-1978)
Houses In Taos oil on canvasboard 9 x 12 signed lower right: F. Darge titled on verso: “Houses in Taos” (Taos, New Mexico) $1,000 - $2,000
DAVID DIKE FINE ART TEXAS ART AUCTION28 155153151 156154152
Back Home – Dawson Ranch, Presidio County, Texas oil on canvasboard 9 x 12 signed lower right: Fred Darge $2,000 - $4,000
Morning Ride oil on canvasboard 8 x 10 signed lower right: F. Darge $1,500 - $2,500
152. FRED DARGE (Am. 1900-1978)
154. FRED DARGE (Am. 1900-1978)
Herefords Grazing oil on canvasboard 9 x 12 signed lower right: F Darge $800 - $1,200
156. FRED DARGE (Am. 1900-1978)
Pre-Columbian Bull Pottery Figure oil on canvas 24 x 18 signed lower right: Everett Gee Jackson $2,500 - $5,000
e Blue Sari, 1938 oil on canvasboard 16 1/2 x 12 1/4 signed lower le : Leon Gaspard, 1938 $20,000 - $30,000
158
157. ROBERT VONNOH (Am. 1858-1933)
159
Study – Moonrise No. 5 oil on canvas 20 x 36 signed lower le : Vonnoh $12,000 - $18,000
29FINE PAINTINGS AND SCULPTURE 157
158. LEON GASPARD (Am. 1882-1964)
159. EVERETT GEE JACKSON (Am. 1900-1995)
is rare painting captures a landscape and way of life for the people of San Antonio that would soon change as its population grew.
Renowned San Antonio born artist Julian Onderdonk, moved to New York in 1901 where he studied with William Merritt Chase, the Art Students League of New York, Robert Henri, and other in uential artists. During his early days in New York he struggled, entering a business relationship with a ruthless art dealer that sold his works but kept most of the pro t. For a few years, he divided his time between Texas and New York, sometimes working under various pseudonyms, but in 1909 he moved back to San Antonio for good. It was there in the Hill Country of Texas that his genius ourished.
LITERATURE: Illustrated as Catalogue No. 581 on page 178: Noon on the Blanco Road, South West Texas, 1911 in Julian Onderdonk A Catalogue Raisonné, by: Harry Hal © 2016 by the Museum of Fine Arts, Houston.
As Onderdonk continued to paint in Texas, his sweeping landscapes became the prominent focus of his work. Compositions depicting the human form became rare, but this important painting was an exception. In Noon on the Blanco Road – Southwest, Texas Onderdonk depicts a couple with their covered wagon pulled to the side of the road and a re to prepare a meal. eir horses rest in the shade of a majestic live oak tree. e man wears a sombrero and the woman a red shawl. e noonday sun is shining brightly on the caliche road as it winds through the composition. Prickly pear cacti emerge from the stone outcropping as the clear blue sky with clouds fades into a gentle haze.
DAVID DIKE FINE ART TEXAS ART AUCTION30 160
160. JULIAN ONDERDONK (Am. 1882-1922)
Noon on the Blanco Road –Southwest, Texas, 1911 oil on canvas 25 x 30 signed lower le : Julian Onderdonk, 1911 signed on reverse: Noon on the Blanco Road – Southwest, Texas. Julian Onderdonk, 1911 $350,000 - $450,000
A Pool on Bandera Creek, Bandera Texas, c. 1914-15 oil on canvas 18 x 24 signed lower right: Julian Onderdonk $80,000 - $100,000
161. JULIAN ONDERDONK (Am. 1882-1922)
Sources: Texas Artists and Artisans by Vic Roper; Julian Onderdonk A Catalogue Raisonné, by: Harry Hal © 2016 by the Museum of Fine Arts, Houston
161
Onderdonk’s works can be found in the following collections: El Paso Museum of Art, TX; Dallas Museum of Art, TX; Witte Memorial Museum, San Antonio, TX; Stark Museum of Art, TX; San Antonio Museum of Art, TX; Ogden Museum of Southern Art, LA; Amon Carter Museum of Art, TX; and the Museum of Fine Arts, Houston, TX to name a few.
LITERATURE: Illustrated as Catalogue No. 762 on page 210: A Pool on Bandera Creek, Bandera Texas, c. 1914-15 in Julian Onderdonk A Catalogue Raisonné, by: Harry Hal © 2016 by the Museum of Fine Arts, Houston.
31FINE PAINTINGS AND SCULPTURE
PROVENANCE: John James son; Private Collection Dallas, TX purchased from above.
Bandera Creek is located in Bandera County, TX. It rises in Bandera Pass and runs south thirteen miles until it ows into the clear spring fed waters of the Medina River. is painting presents a unique composition and sub ject matter for Onderdonk. In this work he captured the clear jewel-toned water re ections of a pool beneath a green leafy canopy. is work is quieter and more re ective than some of his large open landscapes and gives a more intimate view of the terrain.
163
Untitled Blue Sky pastel on paper 3.5 x 7 signed lower right: F. Reaugh $6,000 - $8,000
164. FRANK REAUGH (Am. 1860-1945)
163. THEODORE GENTILZ (Am. 1819-1906)
Autumn Sunset oil on academy board 9 x 12 signed lower right: Julian Onderdonk signed on reverse: Autumn Sunset, Julian Onderdonk $15,000 - $25,000
DAVID DIKE FINE ART TEXAS ART AUCTION32
Mission San José, San Antonio, TX watercolor on paper 9 1/4 x 8 $2,000 - $4,000
162
162. JULIAN ONDERDONK (Am. 1882-1922)
Untitled Blue Sky is accompanied by a letter of Authenticity from James P. Cornette, President of the Panhandle Plains Historical Society, 1963-1965.
PROVENANCE: Likely purchased by Dr. Willis Lee Selman from Gentilz’ nephew, when Dr. Selman was living in San Antonio, TX; Passed down to his daughter, Martellia Ann Selman, San Antonio, TX; Current: Private Collection, Dallas, TX.
164
33FINE PAINTINGS AND SCULPTURE 165. DAWSON DAWSON-WATSON (Am. 1864-1939) Tea In e Grass, 1915 oil on canvas 40 x 50 signed lower right: Dawson-Watson 1915 $40,000 - $60,000 165
EXHIBITED: Olin Travis: Texas Master, Panhandle-Plains Historical Museum, Canyon, TX.
166. OLIN HERMAN TRAVIS (Am. 1888-1975)
String Quartet, c.1940
In 1933, Olin Travis met Josephine Oliver while on a sketching trip with Frank Reaugh. Oliver was a gi ed artist and violinist who had studied with Frank Reaugh since the age of 12 and had become Reaugh’s protégé. A romance soon developed between Travis and Oliver and they were married in 1935. Oliver became a concert violinist and played for the San Antonio and Dallas Symphony Orchestras for many years. She didn’t retire until the late 1970s. Her musical talent was admired by Travis and deeply connected him to the eld of music. is in uence can be seen in his masterful painting String Quartet
166
Dallas born artist Olin Travis began painting at an early age, studying under Frank Reaugh and Vivian Aunspaugh. In 1909, he le Dallas to study at the Art Institute of Chicago and later became an associate instructor. He also became an instructor and the director of the Chicago Commercial Art School and worked as a commercial artist before returning to Dallas with his wife, Kathryne Hail Travis, in 1923. Together, he and Kathryne founded the Dallas Art Institute in 1926 and taught through the Ozark Summer School which they established in Cass, Arkansas. Later in 1934, they were divorced.
Sources: Texas Artists and Artisans by Vic Roper © 2017; Earth & Sky, e Pastels of Josephine Oliver Travis (19081991), 2007 Exhibition at the Tyler Museum of Art.
oil on canvas mounted on masonite 25 x 43 3/4 signed lower le : Olin Travis $35,000 - $45,000
In this work, Travis created a visual crescendo of multi-layered iconography. Neath the light of a full moon, a string quartet plays together on a lake covered in thin ice. Violinist I plays at a near frenetic pace and glides seamlessly across the ice. Unable to keep pace, violinist II has fallen head rst into the ice. Perched in the bow of a gnarled tree, the violist creates moody and melodic notes. A turkey vulture roosts near him visually echoing his form. At the base of the tree, the cellist is seated and has lost himself in the music. is rare painting exhibits Travis’s stylized gures and links this oeuvre of his work to American and Texas Regionalism movements.
An important artist and teacher Travis’s in uence was signi cant in the Dallas Nine group of artists and beyond. During his lifetime, Travis’s paintings were featured in numerous shows throughout Texas, New York, and Colorado and 20+ solo exhibitions were mounted. Today, his work can be found in the following collections: Panhandle-Plains Historical Museum, Canyon, TX; Dallas Museum of Art, TX; Elisabet Ney Museum and Texas Fine Arts Association, Austin, TX; Art Museum of South Texas, Corpus Christi, TX; and Marion Koogler McNay Art Museum, San Antonio, TX to name a few.
DAVID DIKE FINE ART TEXAS ART AUCTION34
167168
Waterfall in the Ozarks, 1950 oil on masonite 36 x 24 signed lower right: Olin Travis $14,000 - $18,000
35FINE PAINTINGS AND SCULPTURE
In the Ozarks oil on canvas 29 1/2 x 29 1/2 signed lower right: Olin Herman Travis $8,000 - $12,000
168. OLIN HERMAN TRAVIS (Am. 1888-1975)
169. OLIN HERMAN TRAVIS (Am. 1888-1975)
167. OLIN HERMAN TRAVIS (Am. 1888-1975)
169
Orquestra Sinfonica de Dallas at the Festival Musical de Medellin, September 1972 oil on artist board 27 1/2 x 21 1/2 signed lower right: Olin Travis $6,000 - $10,000
EXHIBITED: Olin Herman Travis: Landscape Paintings, April 12 - May 3, 1975, Waco Creative Art Center, Waco, TX.
e Girl in the Woods oil on artist board 15 3/4 x 12 signed lower right: Olin Travis titled on verso: e Girl in the Woods
171. OLIN HERMAN TRAVIS (Am. 1888-1975)
From Lovel Pass, Colorado oil on board 16 x 20 signed lower right: Olin Travis $3,000 - $5,000
Into the Unknown oil on artist board 18 x 24 signed lower le : Olin Travis signed on verso: #16 Into the Unknown by Olin Travis $4,000 - $6,000
173. OLIN HERMAN TRAVIS (Am. 1888-1975)
172. OLIN HERMAN TRAVIS (Am. 1888-1975)
170. OLIN HERMAN TRAVIS (Am. 1888-1975)
$2,000 - $3,000
$1,500 - $2,500
174. OLIN HERMAN TRAVIS (Am. 1888-1975)
DAVID DIKE FINE ART TEXAS ART AUCTION36
e Flowing Concho, May 31, 1924 oil on artist board 11 7/8 x 16 signed lower le : Olin Travis titled on verso: e Flowing Concho, May 31, 1924 $1,500 - $2,500
173 172171 170 174
Old Cotton Wood, Kessler Park, Dallas oil on canvas 16 x 20 signed lower le : Olin Travis signed on verso: Old Cotton Wood by Olin Travis, Kessler Park, Dallas
PUBLISHED: H.O. Kelly Retrospective, Exhibition Catalog, Dallas Museum of Fine Arts, Dallas, TX, 1960.
175
175. HAROLD OSMAN KELLY (Am. 1884-1955)
37FINE PAINTINGS AND SCULPTURE
Valley Mill oil on canvasboard 14 x 20 signed lower right: Kelly $30,000 - $50,000
PROVENANCE: Dr. M. O. Rouse, Dallas, TX; Passed down to his granddaughter, Marianne Stambaugh; Private Collection, Dallas, TX acquired from EXHIBITED:above.
H.O. Kelly: Paintings, Dallas Museum of Fine Arts, Jan 15-Feb 12, 1950; and H.O. Kelly Retrospective at the Dallas Museum of Fine Arts, Oct 8-Nov 13, 1960.
Many times Darge knew his subjects personally and brought attention to, with forceful authenticity and detail, the daily life of the ranchman and herdsman of the West.
German-born artist Friedrich Ernst “Fred” Darge arrived in Port Arthur, Texas in 1923. He soon moved to Chicago where he attended the Art Institute of Chicago, got married and worked for the Public Works of Art Project (PWAP). By 1933, he was separated from his wife and family and started to travel, working his way through California, Arizona, New Mexico, arriving nally in San Antonio. During this time, he worked as a cowhand and experienced rsthand the daily life of sheep and goat herders on the ranches of Texas. His eyes were opened to the beauty of the Big Bend country, and he found his lifelong passion: to chronicle in paint the life of the ranchman before the end of that era. Late in 1935 Darge moved to Dallas, where he would winter, but during the summers he went on painting trips out West, to the Big Bend and Taos where his love for painting cowboys grew.
176. FRED DARGE (Am. 1900-1978)
176
DAVID DIKE FINE ART TEXAS ART AUCTION38
Self-Portrait oil on canvas 36 x 30 signed lower right: F Darge $30,000 - $50,000
ere are very few paintings Darge executed of this size and scope that ever come up for auction. In this rare and unique Self-Portrait, Darge portrays himself stoically, in full cowhand gear, and gazes directly at the viewer with his piercing blue eyes.
Sources: Fred Darge Paints the Big Bend and Beyond by Robert E. McKee III and Bonnie M. McKee; Texas Artists and Artisans 1718-1959 by Vic Roper
178. FRED DARGE (Am. 1900-1978)
Darge’s work is represented in the following collections: Dallas Museum of Art, TX; Panhandle-Plains Historical Museum, TX; Alamo Museum, San Antonio, TX; Southern Methodist University, TX; West Texas Museum at Texas Tech University, TX as well as others.
Earlier this year, an important exhibition of Darge’s work was mounted by the Museum of the Big Bend: Fred Darge Paints the Big Bend and Beyond, April 22-June 4, 2022. Robert E. McKee III of Saint Jo, TX curated the show and brought together over forty paintings from private and museum collections.
Approaching Storm, 1940 oil on canvasboard 16 x 20 signed lower right: F. Darge $10,000 - $15,000
179 178177
e Homestead oil on canvas 20 x 40 signed lower right: F. Darge $18,000 - $25,000
179. FRED DARGE (Am. 1900-1978)
177. FRED DARGE (Am. 1900-1978)
Evening Shadows – Big Bend National Park, TX oil on canvas 16 x 20 signed lower right: F. Darge titled on verso: “Evening Shadows” (Big Bend National Park, Texas) $8,000 - $12,000
39FINE PAINTINGS AND SCULPTURE
In the Shade – Ranch Near Santa Fe, New Mexico oil on canvasboard 20 x 24 signed lower right: F. Darge titled on verso: “In the Shade” (Ranch Near Santa Fe, New Mexico) $6,000 - $8,000
A Friendly Encounter – Taos County, New Mexico oil on canvasboard 12 x 16 signed lower right: F. Darge $2,500 - $5,000
183182 181 180
Los Alamos Mountains oil on canvasboard 12 x 16 signed lower right: F. Darge $3,000 - $6,000
DAVID DIKE FINE ART TEXAS ART
AUCTION40
181. FRED DARGE (Am. 1900-1978)
Big Bend Country, Big Bend oil on canvasboard 12 x 16 signed lower right: F. Darge $2,000 - $4,000
182. FRED DARGE (Am. 1900-1978)
180. FRED DARGE (Am. 1900-1978)
183. FRED DARGE (Am. 1900-1978)
In the Canyon oil on masonite 10 1/2 x 14 1/2 signed lower right: Anna E Keener $1,500 - $3,000
187. ODON HULLENKREMER (Am. 1888-1978)
oil on canvasboard 9 3/4 x 7 5/8 signed upper le : Odon Hullenkremer $600 - $1,200
188. ODON HULLENKREMER (Am. 1888-1978)
184. AUDLEY DEAN NICOLS (Am. 1875-1941)
Portrait of a Young Woman, 1945 oil on canvasboard 9 3/4 x 7 5/8 signed lower right: OH 45 $600 - $1,200
Adobes in New Mexico oil on canvas 16 x 20 signed lower le : Carl Redin $2,500 - $5,000
Arizona Landscape, 1917 oil on canvas 10 x 14 signed lower le : Audley Dean Nicols, Ariz, 1917 $8,000 - $12,000
186. ANNA (WILTON)ELIZABETHKEENER (Am. 1895-1982)
185. CARL REDIN (Am. 1892-1944)
188187 186185 184
Portrait of a Young Woman with Braids
41FINE PAINTINGS AND SCULPTURE
Boss’s work can be found in the following collections: Chazen Museum of Art, Madison, WI; Georgia Museum of Art, Athens, GA; Heard Museum, Phoenix, AZ; Milwaukee Art Museum, WI; and National Gallery of Art, Washing ton, D.C. to name a few.
In 1925, Boss’s art practice started to shi as he began regularly traveling to New Mexico. e commanding beauty of the landscape and desert formations captured his imagination. His color palette dramatically expanded as he painted the nuances of the landscape and the people he found there.
Landscape with House (or Artist’s House, Santa Fe, NM) 1935
oil on canvas 26 x 32 signed lower right: Homer Boss $15,000 - $25,000
1933 was another year of change for the artist, Boss permanently moved to his ranch in Santa Cruz, New Mexico. is important composition of the artist’s house is imbued with the light and colors of the desert. e work displays a certain stylization of forms which identi es the work as belonging to the American Scene painting movement in New Mexico, and painted at a similar time as the Dallas Nine (e.g., Bywaters, Lester, etc).
DAVID DIKE FINE ART TEXAS ART AUCTION42
189. HOMER BOSS (Am. 1882-1956)
189
Homer Boss became a well known New Mexico artist who early on studied with William Merritt Chase (1902) and Robert Henri (1909) at the New York (Chase) School of Art. In his early work, Boss was known for commanding full-length portraits set against dark backgrounds. Eventually, he became known as one of “ e Fi een”, a group of Henri’s students which included George Bellows and Edward Hopper who rebelled against the structure of the National Academy. A er a disagreement with Henri, Boss took over the school and later renamed it the Independent School, becoming an in uential teacher.
EXHIBITED: under the title, Landscape with House 1935 in the 1956 retrospective Homer Boss 1882-1956 at the New Mexico Museum of Art, Santa Fe, NM.
Sources: Catalog of the 1956 retrospective Homer Boss 1882-1956 at the New Mexico Museum of Art, Santa Fe, NM; and catalog Homer Boss: e Figure and the Land
Morning Sea oil on canvas 57 1/2 x 57 1/2 signed upper right: D. Hood signed on verso: D. Hood, Morning Sea $15,000 - $25,000
43FINE PAINTINGS AND SCULPTURE 190
190. DOROTHY HOOD (Am. 1918-2000)
DAVID DIKE FINE ART TEXAS ART AUCTION44 191
Greening of a Moment, 1956-58 oil, lacquer, and glass on masonite 48 x 24 signed lower right: BLC signed and titled on reverse: Greening of a Moment, Ben L. Culwell, 1956-1958, Hang any side up $25,000 - $35,000
Ben Culwell was a signi cant Abstract Expressionist whose artwork was created in Texas, and who rst achieved fame through an exhibition at the Museum of Modern Art, New York. In 1946, Culwell was chosen to exhibit 19 paintings, in a seminal exhibi tion, Fourteen Americans at the Museum of Modern Art, with artists of the rst generation of Abstract Expressionists. is exhibit was one of the rst exhibitions to present Abstract Expressionism to the public. Due to Culwell’s link to New York art museums, he was one of the primary Texas artists who played an instrumental role in the birth of Abstract Expressionism in Texas.
For many of the Texas abstractionists, art sales were slim and Culwell as well was forced to work another job to nancially support himself. It was not until the late 1950s and early 1960s when renewed appre ciation for his artwork brought art sales.
Culwell began his early art training at the Dallas Art Institute in 1934, moved to New York in 1936, studied at Columbia Univer sity, and lived in New York until 1937. From 1941 to 1944, Cullwell experimented with artist materials and techniques during the war. In 1944 while on leave, Culwell showed the work to Jerry Bywaters who decided the work worthy of a one-man exhibition at the Dallas Museum of Fine Arts. In 1945, Curator, Dorothy Miller came to Dallas from New York, admired Culwell’s work and included 19 works in the Fourteen Americans exhibition.
Greening of a Moment is an iconic work, dated 1956-1958, and a unique opportunity, to acquire a work by artist who in the opin ion of many art historians is still under recognized, and ripe for further art historical recognition. Greening of a Moment has been on continuous loan to a museum since 2014 until placed at auction.
191. BEN L. CULWELL (Am. 1918-1992)
Everyday, No. 55-4, 1955-63 oil, lacquer, and glass on masonite 28 3/4 x 45 signed on all four corners: BLC signed and titled on reverse: No. 55-4, “Everyday” 1955-63, Ben L. Culwell $25,000 - $35,000
192. BEN L. CULWELL (Am. 1918-1992)
45FINE PAINTINGS AND SCULPTURE 192
In 1977 the McNay Art Museum held a major retrospective on the artist, and in 1987 was featured in a solo exhibition at the Menil Art Museum. Culwell’s paintings are in the permanent collection of many art museums, including the Museum of Modern Art, NY; Dallas Museum of Art, McNay Art Museum; Fine Arts Museum, Houston, and e Menil Museum, among others
Everyday is a second opportunity to acquire a highly important artwork by the artist, and exempli es Culwell’s more lyrical abstract oeuvre. e surface of the painting has been built up with layers of lacquer and thick paint application, and buried in the paint layers are pieces of glass. Culwell creativly experiments and plays with texture, found objects, glass, and other materials, both traditional and non traditional. Everyday has been on continous loan to a museum since 2014 until placed at this auction.
Sources: Texas Artists and Artisans by Vic Roper © 2017; Texas Modern: e Rediscovery of Early Texas Abstraction (1935-1965), Martin Museum of Art, Baylor University; First Ed. 2007; and e Art of Texas 250 Years edited by Ron Tyler, TCU Press © 2019 by the Center for Texas Studies.
193. EVERETT SPRUCE (Am. 1908-2002)
193
DAVID DIKE FINE ART TEXAS ART AUCTION46
Man with Small Net oil on masonite 24 x 16 signed lower right: E Spruce $25,000 - $40,000
47FINE PAINTINGS AND SCULPTURE 194
Hidden Trees oil on masonite 16 x 20 signed lower le : Spruce $4,000 - $8,000
195
Man with a Net, c.1943-47 acrylic on board 24 x 20 signed lower le : Spruce signed on verso: Everett Spruce, Man with a Net, acrylic $15,000 - $25,000
PROVENANCE: Bill Hoey Estate; William Reaves Fine Art, Houston, TX; Private Collection Dallas, TX purchased from above.
194. EVERETT SPRUCE (Am. 1908-2002)
PROVENANCE: Everett Spruce; Georgia Spruce, daughter of Everett Spruce, gi ed to Judy Meriwether Eastburn and John Eastburn, Fairview, TX.
195. EVERETT SPRUCE (Am. 1908-2002)
Circle #6, 1968
acrylic on canvas 40 x 40 signed lower right: DeForrest Judd ‘68 $3,000 - $6,000
EXHIBITED: DeForrest Judd Retrospective at the MAC, Dallas, TX.
196. DeFORREST JUDD (Am. 1916-1993)
197. WILLIAM LESTER (Am. 1910-1991)
Light on the River watercolor on paper 18 x 28 signed on reverse: WM Lester (S.L.) $5,000 - $7,000
oil on canvas 23 3/4 x 29 1/2 signed lower right: CPL DeForrest Judd $3,000 - $6,000
e Fence Maker, 1941 watercolor on paper 20 x 28 $8,000 - $12,000
DAVID DIKE FINE ART TEXAS ART AUCTION48 198 196 197 195A
198. WILLIAM LESTER (Am. 1910-1991)
195A. DeFORREST JUDD (Am. 1916-1993)
Iceland, c. 1945
EXHIBITED: Survey of Texas Artists at the Longview Museum and Arts Center, Longview, TX, September 7November 9, 1991.
201. WILLIAM LESTER (Am. 1910-1991)
Playing Cards, c. 1960s oil on masonite 18 x 24 signed on verso: William Lester (S.L.) $3,000 - $6,000
White Rock Forms, 1945 oil on canvas laid down on masonite 28 x 24 signed on reverse: White Rock Forms, WM Lester $3,000 - $6,000
202. WILLIAM LESTER (Am. 1910-1991)
Geometric Form, c. 1970s oil on masonite 20 x 24 signed on verso: William Lester (S.L.) $2,000 - $4,000
199. WILLIAM LESTER (Am. 1910-1991)
198A. WILLIAM LESTER (Am. 1910-1991)
202 200198A199
Strata, c. 1980s acrylic on paper 15 3/8 x 22 1/2 $2,000 - $4,000
200. WILLIAM LESTER (Am. 1910-1991)
49FINE PAINTINGS AND SCULPTURE
201
Untitled–West Texas, 1967-68 acrylic on canvas 48 x 62 $5,000 - $10,000
205. CECIL CASEBIER (Am. 1922-1996)
DAVID DIKE ART TEXAS ART
FINE
203. CECIL CASEBIER (Am. 1922-1996)
Patterns – Old House, 1957 oil on masonite 30 x 48 signed lower right: CL Casebier ‘57 $2,000 - $4,000
204. CECIL CASEBIER (Am. 1922-1996)
Oz White Shooting Pool at Cecil Casebier’s House oil on canvas 30 x 60 signed: Cecil Casebier $1,000- $2,000
Note on reverse: Painting of Oz White shooting pool at Cecil Casebier’s House, authentic Cecil Casebier painting. - Cecil Casebier, Jr.
205 204 203
e Flooding Guadalupe, 1985 oil on canvas 30 x 46 signed lower right: CL Casebier ‘85 $2,000 - $4,000
AUCTION50
206. OTIS DOZIER (Am. 1904-1987)
Alert Goats, 1963 oil on masonite 24 x 36 signed lower right: Otis Dozier ‘63 $14,000 - $18,000
208
206
207
Hills of Chimayo, 1952 oil on board 24 x 36 signed lower right: Otis Dozier ‘52 $8,000 - $12,000
Energetic Bull, 1963 oil on canvas 30 x 36 signed lower right: Otis Dozier $15,000 - $20,000
207. OTIS DOZIER (Am. 1904-1987)
51FINE PAINTINGS AND SCULPTURE
208. OTIS DOZIER (Am. 1904-1987)
South and East, 1983 oil on canvas 30 x 48 signed lower right: Otis Dozier ‘83 $10,000 - $15,000
209. OTIS DOZIER (Am. 1904-1987)
52
DAVID DIKE FINE ART TEXAS ART AUCTION
211. OTIS DOZIER (Am. 1904-1987)
210. OTIS DOZIER (Am. 1904-1987)
Grasshopper, 1975 oil on canvas 30 x 40 signed lower right: Otis Dozier $6,000 - $10,000
Big Bend, 1950 oil on masonite 20 1/8 x 15 $800 - $1,200
211 210 209
212. SEYMOUR FOGEL (Am. 1911-1984)
On the cover of Art Digest, October 1, 1946.
War, 1943 oil on canvas 30 x 70 signed lower right: Seymour Fogel ‘43 $25,000 - $35,000
AWARDED: Pepsi-Cola Award, PUBLISHED:1946.
PUBLISHED: e Art of Seymour Fogel: An Atavistic Vision by Charles C. McCracken, Ed.D., Faith M. McCracken, Jared A. Fogel, page 48.
213. XAVIER GONZALEZ (Am. 1898-1993)
53FINE PAINTINGS AND SCULPTURE 213212
Source of Sorrow, 1946 oil on canvas 36 x 56 signed lower right: Xavier Gonzalez, 1946 $35,000 - $45,000
Cello Player, c. 1950 oil on canvas 36 x 24 signed lower le : Xavier Gonzalez $8,000 - $12,000
DAVID DIKE ART TEXAS
ART AUCTION54
Song of the Fishes, Jan 8, 1953 oil, casein & wax on masonite 16 x signed20lower le : HB Schleeter 53 $6,000 - $8,000
215. XAVIER GONZALEZ (Am. 1898-1993)
FINE
War News, 1942 oil on board 17 1/2 x 21 1/2 signed lower le : Kelly Fearing 1942 $5,000 - $7,000
214. KELLY FEARING (Am. 1918-2011)
216. HOWARD B. SCHLEETER (Am. 1903-1976)
Note on reverse: “Song of the Fishes” by Howard B. Schleeter. Albuquerque, New Mexico. January 8, 1953, (Tri-Tec: oil, casein, wax).
216 215 214
EXHIBITED: Tom Lea – Master Dra sman, Feb 17-May 13, 1994, Adair Margo Gallery, El Paso, TX.
oughts for an Arizona Mural, Camelback Inn, Scottsdale, AZ, 1937
pen & india ink on paper 3 1/2 x 14 5/8 signed lower right: oughts for an Arizona mural, Tom Lea 1937 $12,000 - $18,000
219. TOM LEA (Am. 1907-2001)
Title Page Ornament, 1958 india ink 11 3/4 x 10 1/2 signed lower le : Title page ornament, Tom Lea 1958 $4,000 - $8,000
PUBLISHED: Tom Lea – Master Dra sman exhibition catalog, plate #11.
217. TOM LEA (Am. 1907-2001)
218. TOM LEA (Am. 1907-2001)
55FINE PAINTINGS AND SCULPTURE 217 219
218
Cowboy Singing, 1934 dry brush and india ink on paper 19 x signed25lower right: Tom Lea 1934 $15,000 - $25,000
222. VALTON TYLER (Am. 1944-2017)
222221 220
e Front Elevation of a Morning Glory Temple, 1995 Prismacolor on board 29 1/2 x 39 1/2 signed across bottom: Valton 1995, “ e Front Elevation of a Morning Glory Temple” $3,000 - $5,000
e Right Elbow, 1995 oil on canvas 30 x 50 signed lower right: Valton 1995 $2,000 - $4,000
220. VALTON TYLER (Am. 1944-2017)
Arti cial Nude, 1989 oil on canvas 40 x 36 signed lower right: Valton $6,000 - $8,000
DAVID DIKE FINE ART TEXAS ART AUCTION56
221. VALTON TYLER (Am. 1944-2017)
57FINE PAINTINGS AND SCULPTURE 223
Frank X. Tolbert 2 is a Houston based artist raised in Dallas, Texas. A er getting his degree at Texas Tech University in Lubbock, TX, Tolbert studied with Otis Dozier. Tolbert’s early work was in uenced by the Dallas Nine and Texas mod ernist painters. Recent solo exhibitions include Texas Birds: Works by Frank X Tolbert 2, Tyler Museum of Art, May 5 – Aug 4, 2019; Texas Bird Project, William Campbell Contemporary Art, Fort Worth, TX, 2017; Horizontal, Zoya Tommy Contemporary, Houston, TX, 2013; and Frank X. Tolbert, Kirk Hopper Fine Art, Dallas, TX, 2011. His work is found in permanent collections at Dallas Museum of Art, Modern Art Museum of Fort Worth and e Museum of Fine Arts Houston.
223. FRANK X. TOLBERT 2 (Am. b.1945) Circus Scene, 1981 oil on canvas 87 x 70 signed lower right: Xavier, Jan 1981 30th $10,000 - $15,000
226. BOB NUNN (Am. 20th/21st Cent.)
White Heart (8), 1966 acylic on canvas 36 x 36 signed lower right: Harris ‘66 signed on verso: Paul Rogers Harris,“White Heart” New York, 1966 $1,500 - $3,000
224. DAVID McMANAWAY (Am. 1927-2010)
A Selection of Artwork om the Paul Harris Collection
e Fat Lady oil on canvas 87 1/2 x 65 1/2 signed on verso: McManaway, “ e Fat Lady” $2,500 - $5,000
224A224
226225
LOTS: 224-232
225. PAUL ROGERS HARRIS (Am. 1933-2019)
DAVID DIKE FINE ART TEXAS ART AUCTION58
Above It All, 2008 oil on canvas 12 x 12 signed on verso: Bob Nunn, 2008, Above it All $400 - $800
224A. DAVID McMANAWAY (Am. 1927-2010)
FOR DECADES, PAUL ROGERS HARRIS was influential in the Dallas art scene as a curator, educator, and artist. Having gradu ated from the University of North Texas with a major in art and a minor in education, Harris was a strong advocate for art education, starting his career as a teacher in Fort Worth, Texas before moving to Dallas where he continued teaching and also became the art director of the Dallas Independent School District’s television program KERA-TV.
Additionally, he established the Children’s House at the Dallas Museum of Contemporary Arts before moving to New York, NY, both enrolling at New York University and working at The Museum of Modern Art until 1970 when he moved back to Dallas, becoming head of the Department of Art Education at Southern Methodist University. After four years at the university, Harris was director of the Art Center in Waco, TX before becoming an independent curator, establishing Paul Rogers Harris Exhibitions in 1988. Harris oversaw exhibitions in the Dallas area for decades, bringing attention to many artists and their works.
Untitled or Down the Rabbit Hole, 1963 & 1965 oil on canvas 47 1/2 x 47 1/2 signed lower right: McManaway - ‘63 $4,000 - $8,000
EXHIBITED: Paul Rogers Harris Exhibitions, Paul Rogers Harris: 50 Years in Art at the Art Hall Gallery, Mountain View Gallery, Jan 16-Feb 2, 2001.
Indian Summer, ed. 15 drypoint color etching on paper 9 x 12 signed across bottom: Ed 15Indian Summer, K Bradford $400 - $800
screen print 29 7/8 x 22 signed/inscribed lower right: To Paul Rogers Harris,Welcome to Paris, Einbeck, 54/100 $800 - $1,200
232 231 230 229 228227 is concludes the selection of Artworks om the Paul Harris Collection
228. BARBARA LUCILE MAPLES (Am. 1912-1999)
EXHIBITED: Paul Rogers Harris Exhibitions, Paul Rogers Harris: 50 Years in Art at the Art Hall Gallery, Mountain View Gallery, Jan 16-Feb 2, NOTE:2001. Taken at La Guardia Airport, New York, May 10, 1983.
David Hockney, 1983 C-print 9 x 7 1/2 $500 - $1,000
Untitled (Welcome to Paris), ed. 100, c.1984
Four Textures, ed. 10, 1963
EXHIBITED: Paul Rogers Harris Exhibitions, A Curator’s Collection, Brazos Gallery, Richland College, Feb 17-March 12, 1997.
Café Scene oil on canvasboard 22 x 28 $1,000 - $2,000
227. PAUL ROGERS HARRIS (Am. 1933-2019)
231. ROBERT EINBECK (Am. b.1944)
230. PAUL ROGERS HARRIS (Am. 1933-2019)
232. UNKNOWN ARTIST (Am. 20th Cent.)
block print on paper 19 1/2 x 10 signed across bottom: Four Textures, Ed 10, Barbara Maples $600 - $1,200
229. KATHERINE H. BRADFORD (Am. 20th Cent.)
59FINE PAINTINGS AND SCULPTURE
Section page: Denton Record Chronicle, 1959 o set print 16 x 14 $400 - $800
EXHIBITED: Paul Rogers Harris Exhibitions, Paul Rogers Harris: 50 Years in Art at the Art Hall Gallery, Mountain View Gallery, Jan 16-Feb 2, 2001.
233. DAVID McMANAWAY (Am. 1927-2010)
PROVENANCE: Steve Pryor purchased in 1961 from Robert McManaway (cousin or uncle of David McManaway) 1961-2021; Private Collector purchased in 2021 via David Dike Fine Art, Dallas, TX.
Untitled Abstract, 1939 encaustic on paper 10 3/4 x 14 signed lower le : Bisttram 39 $2,000 - $3,000
DAVID DIKE FINE ART TEXAS ART AUCTION60 236235 234233 237 238
Abstract, 1957 oil on canvas 28 x 38 signed lower right: D. McManaway ‘57 $2,000 - $4,000
Untitled Abstract, 1937 encaustic on paper 14 x 10 7/8 signed lower right: Bisttram 37 $2,000 - $3,000
237. HARDING BLACK (Am. 1912 - 2004)
Oxblood Vase, 1961 ceramic with glaze 12 x 7 1/2 x 7 1/2 signed on base: Harding Black 1961 $1,000 - $2,000
Abstract Landscape, 1969 oil on canvas 40 x 32 signed lower le : Pmaxwell-69 $1,500 - $3,000
234. PAUL MAXWELL (Am. 1925-2015)
238. JAMES WATRAL (Am. 1942-2014)
236. EMIL BISTTRAM (Am. 1895-1976)
Time & Space, 1993 glazed ceramic 6 x 18 x 18 signed on base: Watral, Time + Space, 2.10.93 $300 - $600
235. EMIL BISTTRAM (Am. 1895-1976)
241. HAROLD RONEY (Am. 1899-1986)
Untitled Landscape oil on canvas 25 x 30 signed lower right: Harold A Roney $5,000 - $10,000
239. A. D. GREER (Am. 1904-1998)
240. PORFIRIO SALINAS (Am. 1910-1973)
Texas Snow Scene oil on canvas 12 x 16 signed lower le : Por rio Salinas $6,000 - $8,000
242. JERRY RUTHVEN (Am. b.1947)
61FINE PAINTINGS AND SCULPTURE
River Scene Near Granite Shoals, 1991 oil on canvas 20 x 24 signed lower right: © A. D. Greer - 91 $4,000 - $8,000
Startling Moment oil on canvas 30 x 24 signed lower right: Ruthven $3,000 - $4,000
242A. PETER HOHNSTEDT (Am. 1871-1957)
Archway and Green Gate oil on artist board 17 x 14 signed lower right: Peter Hohnstedt $800 - $1,200
242 241 240239 242A
244
Watching the Herd, 1965 oil on canvas 24 x 36 signed lower le : Por rio Salinas 1965 $20,000 - $30,000
245. GERALD HARVEY (Am. 1933-2017)
DAVID DIKE FINE ART TEXAS ART
245
243. PORFIRIO SALINAS (Am. 1910-1973)
AUCTION62
243
244. PORFIRIO SALINAS (Am. 1910-1973)
Boerne Hills oil on canvas 25 x 30 signed lower le : Por rio Salinas $15,000 - $18,000
Chow Time, 1972 oil on canvas 16 x 30 signed lower le : G Harvey 1972 $25,000 - $35,000
246. DAVID SANDERS (Am. 1936-2013)
247. JOHN COWAN (Am. 1920-2008)
Herding the Cattle towards the Corral, 1970 oil on canvas 24 x 36 signed lower right: David Sanders, 1970 $3,000 - $6,000
e Scout, 1923 oil on canvas 18 x 36 signed lower right: EF WARD 23 $8,000 - $12,000
248. JOHN COWAN (Am. 1920-2008)
Label on verso: Meredith Long & Company, Houston, TX.
63FINE PAINTINGS AND SCULPTURE 249 246 247248245A
Goose Hunt watercolor on paper 18 x 24 signed lower le : Cowan $10,000 - $15,000
245A. EDMUND FRANKLIN WARD (Am. 1892-1991)
Spalding Bight Bayou watercolor on paper 22 x 30 signed lower le : Cowan $12,000 - $18,000
249. JAMES BOREN (Am. 1921-1990)
Label on verso: Meredith Long & Company, Houston, TX.
Where Life is Simple, © 1975 watercolor on paper 24 x 38 signed lower le : James Boren © 1975 CA $2,500 - $5,000
Central Texas, 1968 oil on masonite 24 x 35 3/4 signed lower le : Dill $2,000 - $4,000
252. WILLIAM F. ROSE (Am. 1909-1972)
Down e Gorge –e Pioneers oil on masonite 28 x 34 signed lower le : Paul Salisbury $4,000 - $6,000
Old Farm House and Barn oil on canvas 18 x 24 signed lower right: elma Park $500 - $1,000
253. THELMA PARK (Am. 1901-1997)
251
DAVID DIKE ART TEXAS
254
250. ROBERT WESLEY AMICK (Am. 1879-1969)
ART AUCTION64 253
252 250
251. PAUL SALISBURY (Am. 1903-1973)
Wagon Train, 1966 oil on canvas 25 x 49 1/2 signed lower right: WF Rose 1966 $3,000 - $6,000
254. FRANK DILL (Am. 1910-2000)
FINE
Wagon Train with 14 Horses oil on canvas 28 x 42 signed lower le : Robert Wesley Amick $6,000 - $12,000
NOTE: Presented to Dr. omas Jackson Simmons by Dr. Carlton Palmer.
e Cook at e Chuck Wagon oil on masonite 30 x 44 signed lower right: Pepper B $3,000 - $6,000
256. ROLLA SIMS TAYLOR (Am. 1872-1970)
Cowboys at the Corral, 1956 oil on canvas 35 x 50 signed upper right: P. Brown ‘56 $3,000 - $6,000
257. CAL (CALVIN) DIEHL (Am. 20th Cent.)
65FINE PAINTINGS AND SCULPTURE
257 256255260
Set of 3 Drawings pen & ink on paper, each: 11 1/4 x 27 each signed lower le : Mead $3,000 - $6,000
Label attached to verso: Collins Art Shop & Sanders Gallery, San Antonio, Tex.
258259
258. PEPPER BROWN (Am. 1926-1999)
Cowboy Sitting by a Wagon oil on canvas 23 1/2 x 35 $2,000 - $4,000
Landscape oil on canvas 7 x 11 signed lower le : Rolla Taylor $1,500 - $3,000
259. PEPPER BROWN (Am. 1926-1999)
All three drawings were used as illustrations in the book Green Russell and Gold by Elma Dill Russell Spencer, originally printed in 1966. A copy of the book is included in this lot.
260. BEN CARLTON MEAD (Am. 1902-1986)
255. ROLLA SIMS TAYLOR (Am. 1872-1970) West Texas Rainstorm oil on canvas 24 x 30 signed lower le : Rolla Taylor $6,000 - $8,000
A Little Crowded oil on board 18 x 24 signed lower le : Loren G. Fry ‘78 $1,500 - $2,500
261 264 263262
Trout in Stream, 1980 watercolor on paper 20 x 28 signed lower le : Eldridge Hardie $4,000 - $6,000
DAVID DIKE FINE ART TEXAS ART AUCTION66 265
265. LOREN FRY (Am. b.1924)
Mallards Preparing to Land, 1970 oil on canvas 24 x 30 signed lower right: J.W. rasher ‘70 $2,000 - $3,000
264. ELDRIDGE HARDIE (Am. 1940-2021)
261. JERRY W. THRASHER (Am. b.1940)
262. JERRY W. THRASHER (Am. b.1940)
263. JERRY W. THRASHER (Am. b.1940)
Mallards Taking Flight oil on canvas 24 x 36 signed lower right: J.W. rasher $2,000 - $4,000
Mallards in Flight oil on canvas 20 x 24 signed lower right: J.W. rasher $1,500 - $2,500
266. WILLIAM SLAUGHTER (Am. 1923-2003)
267. WILLIAM SLAUGHTER (Am. 1923-2003)
Autumn Texas Landscape oil on canvas 12 x 16 signed lower right: W.A. Slaughter $2,000 - $4,000
Source: Kendrick, Mastering Color eory, 2012, p. 12
67FINE PAINTINGS AND SCULPTURE
Lady Bird’s Bluebonnets, 2018 oil on canvas 18 x 24 signed lower right: D Kendrick ‘18 $1,500 - $3,000
269. MELVIN C. WARREN (Am. 1920-1995)
Autumn in Texas oil on canvas 24 x 36 signed lower right: Melvin C. Warren $3,000 - $6,000
268. WILLIAM SLAUGHTER (Am. 1923-2003)
Texas Bluebonnet Landscape oil on canvas 24 x 30 signed lower le : W.A. Slaughter $8,000 - $12,000
270. DANIEL KENDRICK (Am. b.1948)
Palo Duro Half Light, 2021 oil on masonite 20 x 36 signed lower right: Daniel Kendrick ‘21 $2,500 - $5,000
Daniel Kendrick is a proli c artist with strong ties to the mystique of Texas. Being a devout patriot, Kendrick’s love and vast knowledge of the Texas landscape, including Palo Duro Canyon State Park, can be felt through his paintings as well as his continuous devotion to the Texas Bluebonnet. His landscapes are detailed as “every brushstroke and color scheme are deliberately applied in such a way to achieve an e ect” highlighted in the expertly precise foliage and striking Texas horizon.
271. DANIEL KENDRICK (Am. b.1948)
271270 269 268 267 266
Homestead in Fall Landscape oil on canvas 24 x 36 signed lower le : W.A. Slaughter $6,000 - $8,000
277. WALTON LEADER (Am. 1877-1966)
DAVID
277
275 274273272
A Cabin on Lake Travis oil on canvas 18 x 24 signed lower right: Walton Leader $1,500 - $3,000
On Cibola Creek, 1939 oil on canvasboard 16 x 20 signed lower le : Lewis Teel $2,000 - $4,000
274. PETER HOHNSTEDT (Am. 1871-1957)
Big Bend Country oil on canvas 12 x 16 signed lower right: F Gervasi $800 - $1,500
272. FRANK GERVASI (Am. 1895-1986)
Texas Landscape oil on canvas 12 x 16 signed lower right: PL Hohnstedt $600 - $1,200
273. FRANK GERVASI (Am. 1895-1986)
DIKE FINE ART TEXAS ART AUCTION68
275. LEWIS TEEL (Am. 1883-1960)
276. WALTON LEADER (Am. 1877-1966)
Pedernales Road, 1938 oil on canvas 18 x 24 1/4 signed lower le : M. Walton Leader $1,500 - $3,000 276
Davis Mountains oil on canvasboard 19 3/4 x 23 1/2 signed on verso: “Davis Mountains” Je Davis County, Texas by Frank Gervasi, N.A. $1,200 - $1,800
Bluebonnet Field, c. 1930 oil on canvas 18 x 22 signed lower right: F Strahalm $3,000 - $6,000
Bluebonnet Landscape oil on canvas 12 x 16 signed lower right: N Huddle $3,000 - $6,000
283 282281280 279278
283. EMILY GUTHRIE SMITH (Am. 1909-1986)
282. CORA MILLER WILLIAMS (Am. 20th Cent.)
69FINE PAINTINGS AND SCULPTURE
278. FRANZ STRAHALM (Am. 1879-1935)
Texas Bluebonnets oil on canvasboard 20 x 24 signed lower right: D Rasberry $2,000 - $4,000
281. JESSE DON RASBERRY (Am. b.1940)
Village Scene Among Bluebonnets, 1928 oil on masonite 22 x 36 signed lower le : Cora Miller Williams, 1928 $1,500 - $3,000
e Pond oil on canvas 21 x 31 signed lower right: Emily Guthrie Smith $6,000 - $10,000
280. ELLA MARIE KOEPKE MEWHINNEY (Am. 1891-1975)
Redbud Trees oil on canvas 13 1/4 x 17 signed lower le : Ella K. Mewhinney $4,000 - $8,000
279. NANNIE HUDDLE (Am. 1860-1951)
Autumn - Hill Country of Texas, 1982
285. ED BEARDEN (Am. 1919-1980)
284. EMILY GUTHRIE SMITH (Am. 1909-1986)
287. DWIGHT C. HOLMES (Am. 1900-1986)
289. DWIGHT C. HOLMES (Am. 1900-1986)
Aspens - Ruidoso, NM, 1966 oil on canvas 25 x 30 signed lower le : Dwight C. Holmes ‘66 $1,500 - $3,000
289 288 287
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Evening Breeze, 1964 oil on canvas 30 x 40 signed lower right: Emily Guthrie Smith $3,000 - $5,000
DAVID DIKE FINE ART TEXAS ART AUCTION70
Casa Grande - Big Bend Nat. Park, Texas, 1941 oil on masonite 24 x 30 signed lower right: Dwight C. Holmes, 1941 $2,500 - $5,000
288. DWIGHT C. HOLMES (Am. 1900-1986)
286. A. D. GREER (Am. 1904-1998)
Note on verso: “Aspens” Ruidosa, NM by Dwight C. Holmes, Up in the Mescalero Indian Reservation. 286
oil on canvasboard 24 x 36 signed lower le : Dwight C. Holmes ‘82 $2,500 - $5,000
View in Washington Gulch, 1962 oil on panel 20 x 30 signed lower right: Ed Bearden ‘62 $4,000 - $6,000
Sunset Landscape © oil on canvas 14 x 11 signed lower right: © A. D. Greer $2,500 - $5,000
oil on canvasboard 8 x 10 signed lower right: MT Mauzey $500 - $1,000
293. LOUISE GOLDSTEINMARKS
oil on paper 14 x 18 signed lower right: Lloyd Lozes Go $2,000 - $4,000
(Am. 1899-1990)
Bayou Landscape oil on masonite 15 1/2 x 20 signed lower le : McNeil Davidson $1,500 - $3,000
291. LLOYD LOZES GOFF (Am. 1908-1982)
Landscape
oil on canvas 16 1/4 x 24 signed lower right: Tex Moore $500 - $800
292. MERRITT MAUZEY (Am. 1897-1973)
291 294293 292 290
Colorado Landscape oil on canvas 25 x 30 signed lower right: LM Goldstein $500 - $1,000
294. JOHN “TEX” MOORE (Am. 1865-1948)
290. OLA McNEIL DAVIDSON (Am. 1884-1976)
Cacti
71FINE PAINTINGS AND SCULPTURE
Mt. San CaliforniaJacinto,Desert
298. ARTHUR THOMPSON (Am. 20th Cent.)
DAVID DIKE FINE ART TEXAS ART AUCTION72 300299 298 297295296
296. MARY F. (SCHULTZ)COLLIER (Am. 1906-1985)
299. JESSIE DAVIS (Am. 1887-1969)
297. JESSIE DAVIS (Am. 1887-1969)
Still Life with Pomegranates oil on masonite 24 1/2 x 20 signed lower le : Jessie Davis $1,500 - $2,500
Magnolia in a Blue Vase, c. 1930 oil on masonite 24 x 30 signed lower le : Mary Collier $500 - $1,000
295. ADELLE BRUNET (Am. 1897-1986)
A Bridge in Winter oil on canvas 12 7/8 x 11 3/4 $800 - $1,200
Still Life with Charger oil on canvas 28 x 36 signed lower right: A Brunet $4,000 - $8,000
Prickly Pear Cactus oil on canvasboard 16 x 12 signed lower le : Arthur ompson $500 - $800
A Grove of Trees oil on canvas 8 3/4 x 10 1/4 $800 - $1,200
300. JESSIE DAVIS (Am. 1887-1969)
302301
Abandoned Cotton Gin, Bu alo Gap, 2009 oil on canvas 23 3/4 x 30 signed lower le : Jon Flaming $4,000 - $8,000
Drum Tank
301. CARL RICE EMBREY (Am. b.1938)
304. JON FLAMING (Am. b.1962)
305. BOB STUTH-WADE (Am. b.1953)
73FINE PAINTINGS AND SCULPTURE 305 304 303
Goodwill Baptist Church (Turkey Buzzard’s View), Birdston Valley, 2012 oil on canvas 24 x 20 signed lower right: Jon Flaming $2,000 - $4,000
NOTE from the artist: Every time I visited Birdston Valley, I saw turkey vultures ying overhead or perched in the nearby treetops. I discovered that the church attic is where these birds lay their large blue eggs. Interesting that even now this abandoned church still serves as a place of refuge and new beginnings.
Night Work oil on artist board 5 x 7 signed upper right: Bob Stuth Wade $1,000 - $2,000
West From Hamilton acrylic on board 36 x 29 3/4 signed lower le : C Embrey $3,000 - $6,000
acrylic on board 36 x 48 signed lower right: C Embrey $4,000 - $8,000
302. CARL RICE EMBREY (Am. b.1938)
303. JON FLAMING (Am. b.1962)
307. TALLIE MOORE (Am. b.1933)
Figures in a Surreal Landscape oil on canvas 53 1/2 x 60 $800 - $1,200
Untitled colored pencil on paper 16 1/2 x 16 1/2 signed lower right: Oliver $1,500 - $3,000
308. MARK SPENCER (Am. b.1949)
308A
308
DAVID DIKE FINE ART TEXAS ART AUCTION74 306
Magnolia in the Southern Sun, 2021
306. MAGGIE WALKER NELSON (Am. 20th/21st Cent.)
oil on canvas 48 x 36 signed lower right: M Walker Nelson $3,000 - $6,000
Hawk Hunting at Dawn oil on canvas 64 5/8 x 76 1/2 signed lower right: Tallie $1,000 - $2,000
308A. KERMIT OLIVER (Am. b.1943)
As a young adult, M. Walker Nelson yearned to be a scienti c illustrator with a focus on botanicals. Inspired by classic novels from Hemingway and Conan Doyle, Walker Nelson began hiking and collecting leaves to identify. When she got her rst job working for a collegiate geology professor - illustrating bone fragments for a scienti c journal - she quickly realized she was in the wrong business. She was not the one in the eld exploring, but in a tiny room with uorescent lighting - a human copy machine. “I was not out in nature and I was not allowed to take creative liberties” she remembers. “Although I transitioned to a ne artist, I have kept a love for nature.” is painting was inspired by a 2021 trip along I-10 from Texas to Tallahassee Florida. e mag nolia trees are a gem of the forest. eir deep green glossy leaves with lime edging hides a brilliant velvet gold on the underside. She has intentionally le the quick construction lines to show the breeze gently moving in the branches as its likeness was captured.
307
Sonia King’s pegasus “Flying Colors,” sponsored by Harris F. Underwood III, Inc., showcases her use of mosaics, believing that “while a piece may work in color and shape, it must also correctly handle light, create contrast in texture, [and] move the eye in a certain way.” King’s pegasus uses 19,300 mosaic beads and mirrors to create a gradient e ect across the varying colors, which with its size of nearly 6 feet and weighing over 100 pounds is truly a statement. King has been featured in numerous exhibitions and was commissioned in 2015 for a mosaic installation for HALL Arts in the Dallas Arts district.
75FINE PAINTINGS AND SCULPTURE
309. SONIA KING (Am. b.1953)
309
Flying Colors mosaic sculpture 78 x 68 x 30 $15,000 - $25,000
“Flying Colors” is one of a little over one hundred pegasuses that were installed in Dallas as part of the public art exhibition Dallas Soars! to promote tourism as well as link the business and art communities of the city together. e symbol of the pegasus was chosen as they have a unique history with the city since 1934 when the neon lit pegasus was placed on top of the Magnolia Oil Co. building. e pegasuses were displayed across Dallas in the summer of 2001 and a few can still be found in the city today.
bronze 18 x 21 x 11 1/2 signed on base: © Bob Scriver 1979 $1,000 - $2,000
Bust of Col. Goodnight, ed. 3/15, © 1927
312. ROBERT F. (BOB) COFFEE (Am. 1933-2021)
e Winchester Rider, ed. 143/250, © 1979
310. BOB SCRIVER (Am. 1914-1999)
Distant Cousins, © 2011 bronze 8 3/4 x 14 x 7 1/2 signed on base: Bob Co ee, “Distant Cousins” © ‘11 $1,500 - $3,000
314. HAROLD BUGBEE (Am. 1900-1963)
Bu alo At Ease, ed. 2/25, © 1971
313. HAROLD BUGBEE (Am. 1900-1963)
311. RICK JACKSON (Am. b.1940)
bronze 4 1/4 x 5 1/2 x 3 signed on base: HD Bugbee, 2/25, © Bugbee ‘71, Fenn Bronze $800 - $1,500
bronze 12 3/4 x 11 1/2 x 9 signed on base: Rick Jackson, 7/15 ©, 1993 $500 - $1,000
Good for Nuthin’ Sorta Day, ed. 7/15 © 1993
Bob Co ee was a native of Texas, graduating from the University of Texas at Austin with a Bachelor’s degree in Architecture in 1961. His attention to detail and desire for historical accuracy as an architect translated into his sculptures as well as his personal life as a rancher, where he raised longhorns along with other livestock. His public works include statues in Georgetown, Austin, Dallas, Big Bend National Park, and the Kabul Zoo in Afghanistan.
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DAVID DIKE FINE ART TEXAS ART AUCTION76
bronze 8 1/8 x 3 x 3 3/4 signed on base: Col Goodnight, 1927, 3/15 © Bugbee ‘71, Fenn Bronze $1,000 - $2,000
77FINE PAINTINGS AND SCULPTURE
Ex-Rider © 1975 bronze 11 1/2 x 16 x 13 signed/inscribed on base: R E Carothers ©, Dedicated to the memory of all the riders who have lost their lives in any and all ways. 1975 $800 - $1,200
319. CURTIS ZABEL (Am. b.1935)
Big Daddy © ed. 4/25, 1984 bronze 9 x 13 x 10 1/2 signed on base: “Big Daddy” © 1984, 4-25, Curtis Zabel $400 - $800
318. J. B. PARSONS (Am. 20th Cent.)
315. MICHAEL GARMAN (Am. b.1938)
316. R. E. CAROTHERS (Am. 20th Cent.)
317. MEHL LAWSON (Am. b.1942)
Cowboy and Saddle Bookends, ed. 33/50 bronze each: 8 7/8 x 6 3/8 x 4 signed on base: Mehl Lawson CA, 33/50 $600 - $1,200
Cowboy Roping a Steer, ed. 6/12, 1979 bronze 9 1/4 x 17 x 13 signed on base: J.B. Parsons © 79, 6/12 $800 - $1,200
316 319 318 317 315
e Saddle Time © 1968 bronze 22 x 10 x 11 1/2 signed on base: Michael Garman © 1968, © 1972, 4th $800 - $1,200
324323
321
324. CURTIS ZABEL (Am. b.1935)
320. GEORGE NORTHUP (Am. b.1940)
September Challenge ed. 19/21, © 1983
bronze and glass 23 3/4 x 25 x 18 signed on base: 86 Northup 13/28 $1,000 - $2,000
Trout Bookends, 1985 bronze each: 11 1/4 x 8 x 9 signed on base: © L. Turner 85 $500 - $1,000
321. L. TURNER (Am. 20th Cent.)
DAVID DIKE FINE ART TEXAS ART AUCTION78
322. GEORGIA GERBER (Am. b.1955)
Beaver, ed. 9/15, © 1988
Showing O , ed. 12/25, 1986 bronze 13 1/2 x 11 x 8 1/2 signed on base: “Showing O ” Curtis Zabel, 12-25, 1986 $300 - $600
e Hatch, ed. 13/28, 1986
bronze 22 x 10 x 11 1/2 signed on base: September Challenge, Curtis Zabel © 19-21, 1983 $400 - $800
323. CURTIS ZABEL (Am. b.1935)
bronze 11 x 26 x 7 1/2 signed on base: Gerber © 1988, 9/15 $1,500 - $3,000
322 320
Alligator Head oil on carved wood 14 3/4 x 30 1/2 x 17 1/2 signed on base: W.T.K. $4,000 - $8,000
326A. ROBERT (DADDY-O)SCHROPEWADE (Am. 1943-2020)
Wooly Boy, 1989 print on paper 35 x 23 printed across bottom: © Bob Wade, 1989 PPL Projects Inc. $500 - $800
A photograph of the lithograph in the exhibition is included on the website of the Dallas Museum of Art.
326. WILLARD (THE TEXAS KID) WATSON (Am. 1921-1995)
326 325
Staring Now! Orenthal & Nicole, ed. 14/20, 1996 hand colored lithograph 29 x 41 signed across bottom: 14/20 © Luis Jimenez ‘96 $4,000 - $8,000
From the Estate of Sam and Helga Feldman sold to bene t the Feldman Foundation, supporting various important PROVENANCE:charities.
Sam and Helga Feldman acquired directly from the artist in 1990.
325. LUIS JIMENEZ (Am. 1940-2006)
327. ISAAC SMITH (Am. 1944-2016)
is dynamic lithograph was included in the 1997 solo exhibition Luis Jimenez: Working Class Heroes, Images from the Popular Culture at the Dallas Museum of Art, May 18 – August 2, 1997. Once the exhibition was open, this work was removed from the show as it was decided it was too soon since the murders of Nicole Brown Simpson and Ron Goldman, and the O. J. Simpson Trial (1995). is work was then purchased from the artist by a private collector in Dallas and has remained in his collection since that time.
326A
328. ISAAC SMITH (Am. 1944-2016)
79FINE PAINTINGS AND SCULPTURE 328 327
Untitled (Pond, bird’s eye view), 1994 acrylic on paper 28 1/4 x 22 1/4 signed lower right: Isaac Smith $300 - $500
Untitled (Wetlands), 1994 acrylic on paper 29 x 22 signed lower right: Isaac Smith $300 - $500
From the Estate of Sam and Helga Feldman sold to bene t the Feldman Foundation, supporting various important PROVENANCE:charities. Sam and Helga Feldman acquired directly from the artist in 1990.
Jimenez died while completing his gigantic masterpiece sculpture Blue Mustang, which welcomes visitors at the entrance of the Denver International Airport, Denver, CO. Major works also include: Cleveland Fallen Fire ghters Memorial, Cleveland, OH, 2006; Los Lagartos, Downtown, El Paso, TX, 1993; Man on Fire, Smithsonian American Art Museum, Washington DC, 1969. His works are in over thirty public collections around the world as well as hundreds of private collections.
332 329331 330
DAVID DIKE FINE ART TEXAS ART AUCTION80
332. MILDRED COMPTONNORRIS (Am. 1912-1976)
Studio Corner egg tempera on board 30 x 19 1/4 signed on reverse: Willard Cooper $2,000 - $4,000
Willard Cooper, born in Dennison, TX in 1921, was a student of omas Stell and Don Brown. Cooper was Don Brown’s protégé at Centenary College in Shreveport, LA. He explored and sketched throughout the Red River area, and in the Mississippi and Louisiana bayous in the stern of Don Brown’s river paddleboat. Cooper was the chairman of Columbia College in South Carolina art depart ment from 1949 to 1958, later returning to Cente nary College in 1958. He remained chairman until 1989 when he retired. He died in 2007.
San Miguel, 1943 watercolor and gouache on paper 15 3/4 x 19 3/4 signed lower le : Carl Benton Compton, San Miguel, 1943 $1,000 - $2,000
330. CARL BENTON COMPTON (Am. 1905-1981)
329. WILLARD COOPER (Am. 1921-2007)
331. MILDRED COMPTONNORRIS
(Am. 1912-1976)
Snow Scene oil on canvasboard 16 x 20 signed lower right: Mildred Compton $1,000 - $1,600
Street Scene watercolor on paper 12 1/2 x 15 3/4 signed lower right: Mildred Norris Compton $400 - $800
333. JUDITH SEAY (Am. 20th/21st Cent.)
81FINE PAINTINGS AND SCULPTURE
LABEL ON VERSO: Dallas Museum of Fine Arts - 1956 Art Rental Collection.
Pieces of Dreams, 2022 oil and metal leaf on wood panel 36 x 48 signed lower right: Judith Seay $5,000 - $8,000
Window with a View, 1998 oil on masonite 51 x 33 1/2 signed lower le : Peter Vatsures 1998 $3,000 - $5,000
334. JUDITH SEAY (Am. 20th/21st Cent.)
336A. DAN WINGREN (Am. 1923-1998)
Chairscape, c. 1956 gouache on board 10 1/2 x 14 3/4 signed lower right: Peter Vatsures $1,500 - $3,000
Over e Edge, 2022 oil and metal leaf on wood panel 40 x 29 3/4 signed lower right: Judith Seay $3,000 - $6,000
335
335. PETER VATSURES (Am. 1930-2019)
336. PETER VATSURES (Am. 1930-2019)
PROVENANCE: John Roseneld Estate; Current: Private Collection, Dallas, TX.
336
336A
334
333
Abstract, c. 1972 tempera on masonite 11 1/3 x 16 3/4 signed on verso: Wingren $1,000 - $2,000
341
Wall ower I, 2021 oil on canvas 29 3/4 x 24 signed upper middle: Duke Horn, 2021 $1,500 - $2,500
339. AVERY KELLY (Am. 20th/21st Cent.)
337. DUKE HORN (Am. 20th/21st Cent.)
341. DENNIS BALTUSKONIS (Am. 20th/21st Cent.)
On the Road Again, 2019 oil on canvas 24 x 36 signed lower right: Avery Kelly $600 - $1,200
DAVID DIKE FINE ART TEXAS ART AUCTION82 338
340 339
337
338. DUKE HORN (Am. 20th/21st Cent.)
King Leo, 1981 oil on canvas 12 x 19 signed lower right: DABaltuskonis $400 - $800
Push & Pull, 2019 mixed media and collage on canvas 29 1/2 x 39 1/2 signed lower right: Stallings 2019 $2,500 - $3,500
340. JASON STALLINGS (Am. 20/21st Cent.)
Surfs Up!, 2020 oil on canvas 16 x 20 signed lower right: D. Horn 2020 $800 - $1,200
Texas Coast, c. 1918 oil on canvasboard 8 1/4 x 15 1/4 signed lower right: Portia Ragland $300 - $500
345. WILLIAM C. ELLIOTT (Am. 1909-2001)
Winds on the Lake, Lake Michigan, 1935
344. ETHEL SPEARS (Am. 1903-1974)
oil on canvas 24 x 30 signed lower le : Miles Je erson Early $2,000 - $4,000
Boats watercolor on paper 22 x 29 signed lower le : William Elliott $800 - $1,200
346 345 344 342 343
Portia Ragland was raised in Dallas where she attended Dallas High School and then the University of Texas, which she graduated from in 1914. She studied under Vivian Aunsbaugh and was a member of the Aunsbaugh Art Club. She frequently exhibited and won prizes in the Dallas Woman’s Forum throughout the 1910s and 1920s as well as early Dallas Allied Arts Exhibitions.
342. FRANZ STRAHALM (Am. 1879-1935)
e Singing Sailor oil on canvas 28 x 36 signed lower right: Franz Strahalm $2,000 - $4,000
83FINE PAINTINGS AND SCULPTURE
343. MILES JEFFERSON EARLY (Am. 1886-1957)
At the Beach watercolor on paper 22 x 29 1/2 signed lower right: Ethel Spears $2,000 - $4,000
346. PORTIA RAGLAND McIVER (Am. 1892-1980)
oil on masonite 17 7/8 x 21 signed lower le : Don Edelman 1955 $1,500 - $3,000
347. ETHEL SPEARS (Am. 1903-1974)
348. ETHEL SPEARS (Am. 1903-1974)
DAVID DIKE FINE ART TEXAS ART AUCTION84 352 351 350 347 348 349
Clock #2, c. 1950 tempera on matboard 6 3/4 x 9 3/4 estate numbered: ES 683C $2,000 - $3,000
350. DON EDELMAN (Am. 1925-2011)
Cathedral, 1959 oil on masonite 72 x 17 5/8 signed lower le : David Brownlow ‘59 $5,000 - $8,000
Cathedral oil on cardboard 12 x 6 signed lower le : David Brownlow $600 - $1,200
349. ETHEL SPEARS (Am. 1903-1974)
352. DAVID BROWNLOW (Am. 1915-2008)
Clock #3, c. 1950 tempera on matboard 9 3/4 x 5 3/4 estate numbered: ES 683B $2,000 - $3,000
Big Ben tempera on matboard 9 1/2 x 6 5/8 estate stamped on verso: Ethel Spears $2,000 - $3,000
Roo ops in Houston, TX, 1955
351. DAVID BROWNLOW (Am. 1915-2008)
356 355 354353
355. DICK WRAY (Am. 1933-2011)
To Earl, 2004 oil and collage on canvas 18 x signed24on reverse: Dick Wray, 2004 $1,000 - $2,000
354. DICK WRAY (Am. 1933-2011)
356. DICK WRAY (Am. 1933-2011)
Abstract, 2004 oil on canvas 18 x 24 signed on reverse: Dick Wray, 2004 $1,000 - $2,000
Happy Birthday Earl, 1995 mixed media and collage on canvas 42 x 30 signed on reverse: Dick Wray, 1995 $2,000 - $4,000
Puerto De Luna II, 1985 acrylic on canvas 30 x 24 signed lower right: Loving $1,500 - $3,000
85FINE PAINTINGS AND SCULPTURE
353. REG LOVING (Am. 20th/21st Cent.)
357. BETTY WINN (Am. 1916-2000)
Flowers, 1962 oil on masonite 11 1/4 x 27 1/2 signed lower right: M. Cran ll Curtis ‘62 $800 - $1,200
Black and White Abstraction acrylic on board 20 x 30 signed lower right: T. MacSparran $500 - $800
360 359 357358
Abstraction
acrylic on paper 22 3/4 x 29 signed lower right: T. MacSparran $500 - $800
DAVID DIKE FINE ART TEXAS ART AUCTION86
358. MARY CRANFILL CURTIS (Am. b.1925)
360. TERRY MacSPARRAN (Am. 1897-1973)
359. TERRY MacSPARRAN (Am. 1897-1973)
Still Life by Moonlight, 1956 oil on masonite 28 x 36 signed lower right: B Winn ‘56 $600 - $1,200
Private Property acrylic on board 40 x 30 signed lower right: DM Wellborn $1,000 - $2,000
Country Store Rockett, 1973 oil on canvasboard 12 x 16 signed lower le : J. B. Erwin $600 - $1,200
watercolor on paper 29 x 41 1/4 signed in margin across top: Chapman Kelley, Wild ower World, Floating Flowers VI, 1979 $1,000 - $2,000
361. CHAPMAN KELLEY (Am. 1932-2020)
87FINE PAINTINGS AND SCULPTURE
362. KATHRYNE HAIL TRAVIS (Am. 1894-1972)
365. ALBERT L. LAKE (Am. 1903-1990)
Alpine, Texas, 1965 oil on canvasboard 18 x 24 signed lower right: Lake $600 - $1,200
Wild ower World, Floating Flowers VI, 1979
PROVENANCE: Albert Lake Estate, Dallas, TX; David Dempsey purchased from above in Dec 1997.
365 364 362363361
Floral Still Life oil on canvasboard 24 x 20 signed lower right: Kathryne Hail Travis $1,500 - $3,000
363. DARLEEN M. WELLBORN (Am. 20th/21st Cent.)
364. JACK B. ERWIN (Am. 1920-2009)
Cowgirl and Her Dogs, 1991 mixed media on paper 40 x 60 signed lower right: Donna Howell-Sickles © 91 $4,000 - $6,000
Note: Ben Brooks was a neighbor and art student of Barney Delabano.
Girl in Red Hat, 1981 oil on board 12 x 14 1/2 signed lower le : Tinkle 1981 $400 - $800
DAVID DIKE FINE ART TEXAS ART AUCTION88
Woman with Flowers oil on canvas 40 x 46 signed lower right: D Vogel $4,000 - $6,000
369A. EMIL HERMANN (Am. 1871-1966)
368. DONNAHOWELL-SICKLES (Am. b.1949)
369A
October, 1929 oil on canvas 25 x 30 signed lower right: Emil Hermann, 1929 $1,000 - $2,000
366 367
Ben Brooks, 1965 oil on canvas 22 x 30 signed lower right: Delabano ‘65 $2,000 - $3,000
369. JACK C. TINKLE (Am. 1919-2004)
366. DONALD STANLEY VOGEL (Am. 1917-2004)
368
369
367. BARNEY DELABANO (Am. 1926-1997)
370. JOSEPHINE MAHAFFEY (Am. 1903-1982)
Two Elephants watercolor on paper 21 1/2 x 29 1/2 signed lower right: JM $1,000 - $2,000
Still Life with Basket of Fruit oil on board 30 x 24 signed lower right: JM $500 - $1,000
Fish on Shelves watercolor on paper 29 1/2 x 21 signed lower right: Josephine Maha ey $1,000 - $2,000
371. JOSEPHINE MAHAFFEY (Am. 1903-1982)
89FINE PAINTINGS AND SCULPTURE
Rooster and Little Girl, 1920 watercolor on paper 5 1/4 x 7 1/4 signed lower le : Josephine Maha ey, 1920 $500 - $1,000
373. JOSEPHINE MAHAFFEY (Am. 1903-1982)
373372
371370
372. JOSEPHINE MAHAFFEY (Am. 1903-1982)
Downtown Dallas watercolor on paper 17 1/2 x 23 signed lower le : J. Kirkpatrick $1,000 - $2,000
377. RAMON FROMAN (Am. 1908-1980)
Factory in Pittsburg, Texas watercolor on paper 13 1/2 x 19 1/2 signed lower le : J. Kirkpatrick $800 - $1,200
374. JULYA KIRKPATRICK (Am. 1917-2012)
Monument Hill watercolor on paper 12 1/2 x 18 1/2 signed lower right: J. Kirkpatrick, SWS $800 - $1,200
DAVID DIKE FINE ART TEXAS ART AUCTION90
376. JULYA KIRKPATRICK (Am. 1917-2012)
Downtown watercolor on paper 15 x 21 1/2 signed lower le : Ramon Froman $200 - $400
377 376 375 374
375. JULYA KIRKPATRICK (Am. 1917-2012)
Sunset Over A Lake, 1933 oil on canvas 24 x 30 signed lower right: AB Je reys 1933 $1,000 - $2,000
Sunlit Field on the Plains oil on linen canvas 8 x 10 signed lower le : AI $250 - $500
Still Life with Eggplant, 1938 oil on canvas 20 x 24 signed lower right: C. Neuheisel - ‘38 $1,500 - $2,500
(Am. 1915-2013)
(Am. 1892-1970)
Commissioned by Betty Bell’s mother in Stamford, TX. is painting was inspired by the photograph titled, “Proud Mother” by J. H. McGibbeny. McGibbeny’s photograph was published in Arizona Highways, August, 1946 edition.
381. ARTHUR JEFFREYSBISHOP
382. AMY CARTER ISHMAEL (Am. 20th/21st Cent.)
Woman in Black, c. 1940 oil on canvasboard 18 1/4 x 16 3/4 signed on reverse: Lucille Je ries $600 - $800
91FINE PAINTINGS AND SCULPTURE
380. CECILIA STEINFELDTNEUHEISEL
378. SARAH INGLISH McDONALD (Am. 20th Cent.)
379. LUCILLE JEFFRIES (Am. 1903-1950)
Painting A er “Proud Mother” oil on canvasboard 21 x 16 signed lower right: Sarah Inglish McDonald $2,000 - $3,000
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Football Player
Abstract acrylic on paper 14 x 11 $800 - $1,200
DAVID DIKE FINE ART TEXAS ART AUCTION92
collage, woodblock, and craypas on masonite 17 1/2 x 14 1/2 signed upper right: C Brants $400 - $800
383. GLENDA BRACKEN (Am. 20th/21st Cent.)
385. CYNTHIA BRANTS (Am. 1924-2006)
386. DONALD S. VOGEL (Am. 1917-2004)
White Rock Lake watercolor on paper 29 x 21 signed lower right: Donald S. Vogel $1,000 - $2,000
386 385384 383
384. GLENDA BRACKEN (Am. 20th/21st Cent.)
acrylic on canvas 18 x 24 $2,000 - $4,000
Abstract #1
Cenotaph, 1951 oil on canvas 20 x 16 signed lower right: M Owen $600 - $1,200
390. MARY LIGHTFOOT (Am. 1889-1970)
Taos, New Mexico gouache & mixed media on paper 8 1/2 x 11 3/4 signed lower right: M Lightfoot $1,000 - $2,000
389. ER. MAYBURY (Am. 20th Cent.)
391
387. MAX W. BUTLER (Am. 1920-2004)
Figure on Kazak Eagle, 1979-’80 pastel on paper 37 1/2 x 26 signed lower right: Butler $500 - $1,000
93FINE PAINTINGS AND SCULPTURE
Ducks In Flight oil on canvas 24 x 30 signed lower right: Er. Maybury $1,000 - $2,000
391. POLLY COX (Am. 1921-2005)
Fishing Palace oil on board 11 1/2 x 15 3/4 signed lower right: Polly Cox $800 - $1,200
389390 388387
388. MARGARET OWEN MELLOTT (Am. 1923-2018)
395. EFFIE SLATTONJOHNWRIGHT
393. GEORGIA CARR (Am. 1903-1999)
396. BERLA EMEREE (Am. 1899-1948
lot includes two works: 396(a). Agave 396(b). Barrel Cacti oil on board each: 4 1/2 x 6 1/2 each signed lower le : Berla Emeree $300 - $600
oil on board 10 x 13 3/4 $500 - $1,000
oil on canvasboard 19 1/2 x 16 signed lower right: Georgia Carr $600 - $1,200
394. JOHN GUERIN (Am. 1920-2006)
392. RONALD CHRISTENSEN (Am. 1923-1999)
Still Life
DAVID DIKE FINE ART TEXAS ART AUCTION94 396 395 394 393392
Floral Still Life, 1966 oil on masonite 28 x 18 signed lower right: Ronald Julius Christensen ‘66 $600 - $1,200
(Am. 20th Cent.)
Slatton House at Bu alo Gap, TX, 1917
Taxco Landscape, 1965 acrylic on canvas 6 1/4 x 8 3/4 signed lower right: Guerin $500 - $1,000
THE PURCHASER EXPRESSLY ACKNOWLEDGES AND AGREES THAT IN NO EVENT SHALL WE BE LIABLE FOR ANY DAMAGES INCLUDING, WITHOUT LIMITATION, ANY COMPENSATORY, INCIDENTAL OR CONSEQUENTIAL DAMAGES.
TERMS AND CONDITIONS OF AUCTION
13. As a convenience to our clients, we furnish pre-sale estimates for all lots included in the catalogue. These are intended as an approximate guide to current market value, and should not be interpreted as a price or as an appraisal. The final bid may well be less or more than any estimate printed.
10. These Conditions of Sale and the purchaser’s and our respective rights and obligations hereunder are governed by Texas law. By bidding at an auction, whether in person or by agent, telephone or other means, the purchaser or bidder agrees to be bound by these Conditions of Sale and to consent to the exclusive jurisdiction of the state courts of, and the federal courts sit ting in, the State of Texas. All of our obligations under these Conditions of Sale and the obligations of purchaser to pay, are performable in Dallas, Dallas County, Texas.
2. On the fall of the auctioneer’s hammer, the highest bidder shall be deemed to have purchased the offered lot, and title to the lot shall pass to the purchaser, in accordance with all of the conditions set forth herein and thereupon the purchaser (a) assumes full risk and re sponsibility therefore (b) if requested will sign a con firmation of purchase, and (c) will pay the purchase price in full in cash for all lots purchased. To prevent misdelivery and inconvenience in settlement of a purchase, no lot may be transferred. All property shall be removed from our premises at the purchaser’s expense immediately follow ing the sale. If not so removed we may, as an accommo dation to the purchaser, transfer the property to a public warehouse or other premises under our control or the control of DDFAA at the purchaser’s sole risk and expense. Each sale made pursuant to these Conditions of Sale will be deemed to constitute a grant of security interest by the purchaser to us in, and we may retain as col lateral security for the purchaser’s obligations to us or our assignee, any of the purchaser’s property in our possession, and we may apply against such obligations all monies held or received by us for the account of, or owing to, the pur chaser. Each purchaser consents to the filing of public no tices or our lien. Whenever the purchaser pays only a part of the total purchase price for one or more lots purchased, we may apply such payments, in our sole discretion, to the lot or lots we choose. Payment will not be deemed made in full until we have collected all amounts due in cash or good funds represented by cleared checks or cashier checks. If the foregoing conditions or any other applicable condi tions herein are not complied with, in addition to other remedies available to us and the consignor by law, includ ing but without limitation, the right to hold the purchaser liable for the purchase price, we at our option may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser or b) resell the property with a three day notice to the original defaulting purchaser, and in such event the purchaser shall be liable for the payment of any deficiency plus all costs and expenses of both sales, our commission at our standard rates, all other charges due hereunder, attorney’s fees and incidental damages; or (c) take any measures it deems necessary. If Murad Auctions must resell the property, the original defaulting purchaser will be held responsible for any deficiencies in the purchase price, including any and all associated expenses including reasonable attorney’s fees, warehous ing, commissions or any other costs associated with the default. No actions by us or any third party before or after the auction shall be deemed a waiver of any of the foregoing.
14. EXCEPT AS EXPRESSLY PROVIDED ABOVE, ALL PROPERTY IS SOLD “AS-IS” AND NEITHER MURAD AUCTIONS, THE AUCTIONEER, DAVID DIKE, THE DAVID DIKE FINE ART AUCTION, DAVID DIKE FINE ART, L.L.C. OR DIKE MAN AGEMENT LLC, NOR THE CONSIGNOR NOR THE AGENT OF ANY OF THEM MAKES ANY REPRESENTATION OR WARRANTY, EXPRESS OR IMPLIES, AS TO THE TITLE, MERCHANT ABILITY, FITNESS OR CONDITION OF THE PROPERTY OR AS TO THE CORRECTNESS OF DESCRIPTION, GENUINENESS, ATTRIBUTION, PROVENANCE OR PERIOD OF THE PROPERTY OR AS TO WHETHER THE PURCHASER ACQUIRES ANY COPYRIGHTS OR OTHER INTELLECTUAL PROPERTY RIGHTS IN LOTS SOLD OR AS TO WHETHER A WORK OF ART IS SUBJECT TO THE ARTIST’S MORAL RIGHTS OR OTHER RESIDUAL RIGHTS OF THE ARTIST.
7. ALL STATEMENTS CONTAINED OR IN ANY BILL OF SALE, INVOICE OR ELSEWHERE, OR MADE BY THE AUCTIONEER, AS TO AUTHOR SHIP, PERIOD, CULTURE, SOURCE, ORIGIN, MEASUREMENT, QUALITY, RARITY, PROV ENANCE, IMPORTANCE, EXHIBITION AND LIT ERATURE OF HISTORICAL RELEVANCE OR PHYSICAL CONDITION ARE QUALIFIED STATEMENTS OR OPINION AND NOT REPRE SENTATIONS OR WARRANTIES. WE AND CONSIGNORS MAKE NO REPRESENTATION AND WARRANTIES AS TO WHETHER THE PUR CHASER ACQUIRES ANY COPYRIGHTS, IN CLUDING BUT NOT LIMITED TO, ANY REPRODUCTION RIGHTS IN THE PROPERTY. No employee or other agent of Murad Auctions, the auctioneer, David Dike Fine Art, L.L.C., Dike Manage ment, LLC, David Dike Fine Art Auction, David Dike Fine Art or of David Dike (collectively “DDFAA”) is authorized to make on behalf or that of the consignor any representation or warranty, oral or written, with respect to any property. Prospective bidders should inspect the property before bidding to determine its condition, size and whether or not it has been repaired or restored.
9. Unless prior arrangements have been made with Murad Auctions, there may be a seven day waiting period if purchasing artwork with a personal or company check. To avoid delay of this sort, bidders are encouraged to prearrange check approval or establish a line of credit
1. As used herein the term “bid price” means the price at which a lot is sold to the purchaser and the term “purchase price” means e aggregate of (a) the bid price, (b) A PREMIUM PAYABLE BY THE PURCHASER OF 22% of the hammer price (or 27% if bidding via LiveAuctioneers.com online) and (c) unless the purchaser is exempt by law from the payment thereof, any Texas or local sales tax (or compensating use tax of another state) and applicable taxes. Murad Auctions has been authorized by the consignor to retain, as part of our re muneration, the premium payable by the purchaser.
4. The auction will be conducted by Louis Murad TXS 13362. We reserve the right to reject any bid
The following, as amended by any posted notices, specific bills of sale or similar instruments relating to a transaction or oral announcements during the sale, constitutes the entire terms and conditions on which property listed in the catalogue shall be o ered for sale or sold by Murad Auctions, the auctioneer conducting the sale on behalf of any consignor for whom we act as agent. DDFAA (as subsequently defined) is not an auctioneer and is not conducting the auction or arranging any resulting transaction. In these Conditions of Sale, “We” and “Our” refer to Murad Auctions.
3. We reserve the right to withdraw any property at any time before the actual sale. Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the catalogue and no lot shall be divided for sale.
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IN NO EVENT WILL OUR LIABILITY OR THE LIABILITY OF DDFAA TO A PURCHASER EXCEED THE PURCHASE PRICE ACTUALLY PAID.
from any bidder. The highest bidder acknowledged by the auctioneer shall be the purchaser. In the event of any dispute between bidders, or in the event the auctioneer doubts the validity of any bid, the auctioneer shall have sole and final discretion either to determine the successful bidder or to re-offer and resell the article in dispute. If any dispute arises after the sale, our sales records shall be conclusive in all respects.
with Murad Auctions by calling (214) 720-4044 no later than 5pm on Friday, October 14, 2022. There will be no exceptions. Bank card purchases will be honored at our option.
15. All rights to this catalogue are reserved. Some of the images may be the subject of copyright or other rights of the artist or owner. No part of this catalogue may be repro duced without permission.
8. All deliveries will be shipped COD unless otherwise agreed to by purchaser and Murad Auctions. If packing and handling of purchased lots is done by us, it is done at the entire risk of the purchaser. We are not liable for any acts or omissions of carriers or packers, including those we may recommend. Such carriers or packers may carry their own insurance and any claim for loss or damage should be addressed directly to them. No items will be shipped unless we specifically agree to do so.
6. Some lots are offered subject to a “reserve,” which is an undisclosed minimum price below which the lot will not be sold. If a lot is offered subject to a reserve, the auctioneer may implement such reserve by bidding on behalf of the consignor, whether by opening bidding or continuing bidding in response to other bidders until reaching the reserve.
11. These Conditions of Sale shall bind the successors and assigns of all bidders and purchasers and inure to the ben efit of our successors and assigns. No waiver, amendment or modification of the terms hereof (other than posted no tices or oral announcements during the sale) shall bind us unless specifically stated in writing by us. If any part of these Conditions of Sale is for any reason invalid or unenforce able, the rest shall remain valid and enforceable.
12. As a service to those wishing to place bids, we may at our discretion accept bids without charge in advance of sale by telephone, or in writing on bidding forms available from us. “Buy” bids will not be acceptable; all bids must state the highest bid price the bidder is will ing to pay. As noted above, a premium payable by the purchaser will be added to the bid price. In the event identical bids are submitted, the earliest will take prece dence. Absentee bids shall be executed in competition with other absentee bids, any applicable reserve and bids from the audience. Successful absentee bids may not be acknowledged, but sale results and selling prices for any lot may be obtained by telephoning us during normal business hours. We assume no responsibility for failure to execute these bids for any reason whatsoever.
5. If we are prevented by fire, theft or any reason whatso ever from delivering any property to the purchaser, our liability shall be limited to the sum actually paid therefore by the purchaser and shall in no event include any incidental or consequential damages.
96 INDEX
FRONTCOVER , DETAIL : PAGE 30 , LOT 160 – JULIANONDERDONK • INSIDEFRONTCOVER , DETAIL : PAGE 26 , LOT 145 – FLORENCEM c CLUNG INSIDEBACKCOVER , DETAIL : PAGE 39 , LOT 177 – FREDDARGE • BACKCOVER : PAGE 46 , LOT 193 – EVERETTSPRUCE GALLERYDIRECTOR : TIARAJENKINS • CATALOGUEDESIGN : WINSHIPPHILLIPS • PHOTOGRAPHY : PHILBAILIFF SPECIALTHANKSTOSERENASHANNONFORADDITIONALCATALOGUEASSISTANCE
4887 Alpha Rd., Suite 210 • Farmers Branch, TX 75244 • Phone: 214-720-4044 info@daviddike.com • www.daviddike.com
