Lone Star Art Auction

Page 1

Dallas, Texas, October 29, 2022

COVER

25 BILL OWEN (1942-2013)

And All a Good Night 1994

oil on linen, 24 x 18 inches

$12,000 - $18,000

126 BOB KUHN (1920-2007)

North Country 1991

acrylic on board, 21.5 x 24 inches

$100,000-$150,000

CONTENTS 3 Schedule of Events / Contact Information 5 Reservations / Bidding Information 6 Lot 1 – Lot 226 123 Index 125 Sale Terms and Conditions
64 ED MELL (B. 1942) Thunderheads 2021 oil on linen board, 12 x 16 inches $10,000 - $15,000

SCHEDULE OF EVENTS

All Lone Star Art Auction events will be held at the Renaissance Dallas, a Marriott Bonvoy Hotel, located at 2222 N. Stemmons Freeway in Dallas, Texas on Friday, October 28–Sunday, October 30, 2022.

FRIDAY, OCTOBER 28, 2022

10:00am-5:30pm, Auction Art Preview, Grand Ballroom

5:30-7:00pm, Cocktail Reception, Grand Ballroom

7:00-9:00pm, Dinner and Special Texas Entertainment, Grand Ballroom

SATURDAY, OCTOBER 29, 2022

9:00am-12:00pm, Auction Art Preview, Grand Ballroom

9:00-11:00am Breakfast and Texas Bloody Mary Bar, Grand Foyer

12:00-5:00pm, Live Auction, Grand Ballroom

12:00-7:00pm, Auction Check-Out, Stemmons Ballroom

SUNDAY, OCTOBER 30, 2022

9:00-11:00 am, Auction Check-Out, Stemmons Ballroom

CONTACT

Phone: 469.608.7600

Douglas Center Tower, 8333 Douglas Ave., Suite 360 Dallas, Texas 75225

Website: lsartauction.com

Presented by Great American West and Phil Berkebile, Jr. • Email: info@lsartauction.com

109 KYLE POLZIN (B. 1974) The Chase 2021 oil on canvas, 17.5 x 22.5 inches $70,000-$90,000

RESERVATIONs

Renaissance Dallas Hotel

2222 North Stemmons Freeway

Dallas, Texas 75207

For hotel room reservations, go to 2022 AUCTION/HOTEL RESERVATIONS at lsartauction.com, or call 214.631.2222. Special auction room rates will be available through October 6, 2022 and are subject to availability.

BIDDING

Lone Star Art Auction o ers multiple ways for patrons to bid including attendee, telephone, absentee and online bidding. Registration is available at lsartuaction.com.

Telephone and Absentee registration must be submitted by 5:00pm CT on October 28.

Online Bidding options: lsartauction.com

bidsquare.com

liveauctioneers.com

Auction results available November 1 at lsartauction.com

auctioneer: Jason Brooks, TXS 16216

watercolor

15.5 x 11.5 inches

signed lower right:

PROVENANCE

Private Collection, Westlake, Texas

$1,500-$2,500

Tradition

oil on board 14 x 18 inches

signed lower left: Cyrus Afsary

PROVENANCE

Private Collection, Westlake, Texas

$4,000-$6,000

Medicine Horse, 1986

marble 15.25 x 16 x 5.25 inches

inscribed on base: OC Joe CA 86

PROVENANCE

Private Collection, Peoria, Arizona

$1,500-$2,500

-6 -
1
CYRUS AFSARY (B. 1940) 2 JOE BEELER (1931 - 2006) Wild Cow Hunter on paper Joe Beeler
3
ORLAND JOE, SR. (B. 1958)

PROVENANCE

PROVENANCE

PROVENANCE

-74
GENE SPECK (B. 1937) Evening Colors, 2014 oil on board 11 x 14 inches signed lower left: Gene Speck 14 Private Collection, Westlake, Texas $1,000-$2,000 5 C. MICHAEL DUDASH (B. 1952) Peace Be Still, 2012 oil on linen panel 36 x 24 inches signed lower left: C. M. Dudash 2012
6
Private Collection, Westlake, Texas $8,000-$12,000 DAVID HALBACH (B. 1931) e Forewarning, 2003 watercolor on paper 20 x 29 inches signed lower right: David Halbach CA ‘03 Private Collection, Dallas, Texas $3,000-$5,000

8

BRUCE CHEEVER (B. 1958)

Great Plains Warrior

oil on board

60 x 30 inches

signed lower left: Bruce Cheever

PROVENANCE

Private Collection, Westlake, Texas

$10,000-$20,000

BRUCE CHEEVER (B. 1958)

Undaunted oil on board 18 x 14.5 inches

signed lower right: Bruce Cheever

PROVENANCE

Private Collection, Westlake, Texas

$2,000-$4,000

-8 -
7

G. HARVEY (1933 - 2017)

Encroachment (Near Georgetown Texas)

oil on canvas 24 x 36 inches

signed lower right: G. Harvey

PROVENANCE

Private Collection, Goldthwaite, Texas

$15,000-$25,000

10

G. HARVEY (1933 - 2017)

Autumn Along the Creek, 1969

oil on canvas 24 x 30 inches

signed lower right: G. Harvey, 1969

PROVENANCE

Private Collection, Goldthwaite, Texas

$10,000-$15,000

-9 -
9

11

GEORGE PHIPPEN (1915 - 1966)

In from the Range oil on canvas 30 x 40 inches signed lower left: Geo Phippen

PROVENANCE Private Collection, Houston, Texas $4,000-$6,000

12

GEORGE PHIPPEN (1915 - 1966)

Arizona Rockhopper bronze 18 x 27.5 x 10 inches inscribed on base: Arizona Rockhopper Geo. Phippen CA 1915 - 1966 .001

PROVENANCE Private Collection, Peoria, Arizona $7,000-$10,000

-10 -

13

MARTIN GRELLE (B. 1954)

Bosque County Chill, 1988

oil on canvas

24 x 36 inches

signed lower left: Martin Grelle, 1988

PROVENANCE

Private Collection, Bedford, Texas

$20,000-$30,000

14

MARTIN GRELLE (B. 1954)

Autumn Getaway, 1996

oil on linen

9 x 12 inches

signed lower right: Martin Grelle CA *96

PROVENANCE

Private Collection, Houston, Texas

$10,000-$15,000

-11 -

A Special Tribute

to Cowboy Artists of America Member and Friend, Bill Owen (1942 – 2013)

THE LONE STAR ART AUCTION

is proud to pay tribute to one of the nest Western artists of the last 75 years by o ering for sale several of his bronzes, drawings, and paintings coming from four private collections.

From Bill Owen: “It has been said that the most important thing in painting is the composition. I feel that there is no one most important component, that all of them are important. Accuracy is an equally signi cant part of any painting I do; authenticity matters as much to me as light, color, and composition. I feel that I have an obligation to portray the life of the working cowboy in the most truthful way possible; as a result, I continually research my subjects to ensure that accuracy. No painting is complete, as far as I’m concerned, without a solid grounding in reality. I nd it very gratifying that my work seems to please my working cowboy friends. I value their approval—it convinces me that my work is truly worth the e ort.”

“Bill was a friend, and I was proud to have represented him for the last years of his life at the Great American West Gallery” says gallery and Lone Star Art Auction owner Phil Berkebile, Jr. “Bill had not been represented by a gallery for over 15 years when he approached me in 2010 with the idea of representation. He was a living legend and a true cowboy artist in every sense, and I couldn’t have been more humbled.”

-12 -

15

PROVENANCE

Private

$5,000-$7,000

17

16

PROVENANCE

Private

$3,000-$5,000

PROVENANCE

Private

$1,500-$2,500

- 13 -
BILL OWEN (1942 - 2013) Sackin’ Out a Bronc bronze, 29/45 32.5 x 23 x 14 inches inscribed on base: Bill Owen CA 29/45 Collection, Peoria, Arizona BILL OWEN (1942 - 2013) Starving Cowboy, 1986 bronze, 22/25 22.5 x 12.25 x 11 inches inscribed on base: Bill Owen CA 1986 22/25 Collection, Peoria, Arizona BILL OWEN (1942 - 2013) Ranch Mare, 2004 watercolor on paper 10 x 13.5 inches signed lower right: Bill Owen CA 2004 Collection, Peoria, Arizona

18

BILL OWEN (1942 - 2013)

At Sunset, 2012

oil on canvas on panel 12 x 9 inches

signed lower left: Bill Owen CA 2012

PROVENANCE

Private Collection, Peoria, Arizona

$3,000-$5,000

19

BILL OWEN (1942 - 2013)

Takin’ the Jerk, 1976

bronze, 19/25 20 x 16 x 22 inches

inscribed on base: Bill Owen CA 1976 19/25

PROVENANCE

Private Collection, Peoria, Arizona

$3,000-$5,000

-14 -

20

BILL OWEN (1942 - 2013)

e Last One, 1995

oil on linen

18 x 24 inches

signed lower right: Bill Owen CA 1995

PROVENANCE

Private Collection, Nashville, Tennessee

$12,000-$18,000

21

BILL OWEN (1942 - 2013)

Tatanka, 2006

bronze, 21/45

17 x 12 x 15.5 inches

inscribed on right: Bill Owen CA 2006 21/45

PROVENANCE

Private Collection, Peoria, Arizona

$6,000-$9,000

-15 -

23

BILL OWEN (1942 - 2013)

CO Bar Ranch Bulls, 1982

charcoal on paper

17 x 21 inches

signed lower right: Bill Owen CA 1982

PROVENANCE

Private Collection, Pilot Point, Texas

$3,000-$5,000

22

BILL OWEN (1942 - 2013)

A CO Bar Bull and Book, 1982

bronze, J/100

5 x 12.25 x 7 inches

inscribed on base: Bill Owen CA 1982

J/100 C0 - (brand)

PROVENANCE

Private Collection, Peoria, Arizona

$1,000-$1,500

24

BILL OWEN (1942 - 2013)

Horse Head Study, 2010

oil on canvas

7 x 5 inches

signed lower right: Bill Owen CA 2010

PROVENANCE

Private Collection, Peoria, Arizona

$1,000-$2,000

-16 -

And All a Good Night, 1994

oil on linen

24 x 18 inches

signed lower right: Bill Owen CA 1994

PROVENANCE

Private Collection, Nashville, Tennessee

$12,000-$18,000

26

e Cutting Horse, 1979 bronze, 24/25 19 x 26.5 x 16 inches

inscribed on base: Bill Owen CA 1979 24/25

PROVENANCE

Private Collection, Peoria, Arizona

$4,000-$6,000 27

Doe, Ray and Me, 2008

oil on canvas 11 x 16 inches

signed lower right: Bill Owen CA 2008

PROVENANCE

Private Collection, Peoria, Arizona

$4,000-$6,000

-17 -
25
BILL OWEN (1942 - 2013) BILL OWEN (1942 - 2013) BILL OWEN (1942 - 2013)

28

BILL OWEN (1942 - 2013)

Harvey Tank, 1976 oil on canvas 18 x 24 inches signed lower right: Bill Owen CA 76

PROVENANCE Private Collection, Norman, Oklahoma

$8,000-$12,000

29

BILL

Ride for the Brand, 1992 charcoal on paper 12.5 x 20 inches

signed lower right: Bill Owen CA 1992 NAWA

PROVENANCE Private Collection, Peoria, Arizona

$4,000-$6,000 30

bronze, 10/30

14 5 x 19.5 x 11 inches

inscribed on base:

CA 1980 10/30

PROVENANCE

Private Collection, Peoria, Arizona

$2,000-$3,000

-18 -
OWEN (1942 - 2013) BILL OWEN (1942 - 2013) A Little Cowboy’s Delight, 1980 Bill Owen

BILL OWEN (1942 - 2013)

Bill Owen’s Custom Saddle by John Herron (with accessories)

leather, rawhide, wood, brass, wool 44 x 28 x 20 inches

inscribed on saddle back and seat: John Herron Saddle Maker Chino Valley AZ (Owen Cattle Brand on Seat)

Bill custom ordered this saddle in 2012 and it is the one he used on his nal Cowboy Artists of America trail ride held in 2013 on the famous 6666’s ranch in Guthrie, Texas. Bill passed just three weeks later, after he and the other CAA members broke camp at the historic Texas ranch.

PROVENANCE

Private Collection, Peoria, Arizona

$5,000-$10,000

32

BILL OWEN (1942 - 2013)

Bill Owen’s Custom Bit and Spurs by Steve Schmitt

nickel silver, steel, leather, rawhide

inscribed on spurs: Steve Schmitt with Bill Owen initials and brand;

inscribed on bit: Steve Schmitt with Bill Owen brand

PROVENANCE Private Collection, Peoria, Arizona

$1,000-$2,000

-19 -
31

Blue, 2006

watercolor on paper

13.5 x 10 inches

signed lower right: Bill Owen CA 2006 NAWA

PROVENANCE

Private Collection, Peoria, Arizona

$1,500-$2,500

A Cowboy’s Potlicker, 2004

bronze, AP 1/40 6 x 13 x 13 inches

inscribed on base: Bill Owen CA 2004 AP1/40

PROVENANCE

Private Collection, Peoria, Arizona

$1,000-$2,000

Cow Head, 2005

watercolor on paper

9.5 x 7.75 inches

signed lower right: Bill Owen CA 2005

PROVENANCE

Private Collection, Peoria, Arizona

$1,000-$1,500

-20 -
34 BILL OWEN (1942 - 2013) 33 BILL OWEN (1942 - 2013) 35 BILL OWEN (1942 - 2013)

$250,000-$300,000

“Robert Lindenaux was another artist painting at the same time as Charlie Russell. He was also a photographer and captured scenes of the West on old glass plates. I came upon one of his photographs at an estate sale of a rodeo in Cody, Wyoming, taken between the late 1800s- early 1900s. I was so taken by the photograph that I purchased it with the intention of turning it into a painting. But when I began painting the photograph, I improvised. And instead of painting the cowboy on the horse as in the photo, I painted an Indian brave on the horse instead. I did this because I believe the best cowboys were the Indians. e painting is a play on ‘cowboys and Indians,’ depicting a role reversal of the “cowboys” rodeo ground with the cowboy being an ‘Indian.’ I came up with the title after thinking how humorous it would be to hear a fast-talking auctioneer say it out loud, but of course also because the horse is bucking.” —

-2136
R. TOM GILLEON (B. 1942) Another Bucker, 2022 oil on canvas 60 x 60 inches signed lower right: R. Tom Gilleon PROVENANCE e Artist

PROVENANCE e Artist

$175,000-$225,000

-22 -
37
R. TOM GILLEON (B. 1942) Yellowstone Re ections, 2022 oil on canvas 50 x 40 inches signed lower right: R. Tom Gilleon

R. TOM GILLEON (B. 1942)

Wolfe Butte Camp, 2022

oil on canvas

10 x 12 inches

signed lower right: R. Tom Gilleon

PROVENANCE e Artist

$18,500-$22,500

39

JOHN COLEMAN (B. 1949)

e New Comers 1804, 2012

bronze, 13/20

37 x 24 x 15 inches

inscribed on base: 1804 e New Comers

John Coleman CA 13/20 2012

PROVENANCE

Private Collection, Dallas, Texas

$20,000-$30,000

40

BRENT COTTON (B. 1972)

e Setting Sun, 2010

oil on canvas 24 x 20 inches

signed lower right: Cotton

PROVENANCE

Private Collection, Westlake, Texas

$5,000-$7,000

-23 -
38

41

BILL SCHENCK (B. 1947) e Crossing, 2021 oil on canvas 36 x 36 inches signed lower right: Schenck 21

PROVENANCE Private Collection, Westlake, Texas

$10,000-$15,000

42

BILL SCHENCK (B. 1947)

Sunset on the Sand Hills, 2021 oil on canvas 36 x 36 inches signed lower right: Schenck 21

PROVENANCE Private Collection, Westlake, Texas

$10,000-$15,000

-24 -

PROVENANCE

-25 -
43 WILLIAM ACHEFF (B. 1947) Color in the Forest, 2004 oil on canvas 40 x 30 inches signed lower right: Wm Ache 2004 Private Collection, Indio, California $50,000-$70,000

45

CONRAD

e Conference Tree

oil on board

16 x 20 inches

signed lower right: Schwiering

PROVENANCE

Private Collection, Pilot Point, Texas

$3,000-$5,000

44

San Juan Pueblo Pots and Moccasins, 1998

oil on canvas

20 x 30 inches

signed lower right: W. M. Ache 1998

PROVENANCE

Private Collection, Dallas, Texas

$15,000-$25,000

46

CONRAD SCHWIERING (1916 - 1986)

Range Land Babysitter

oil on board

16 x 20 inches

signed lower right: Schwiering

PROVENANCE

Private Collection, Pilot Point, Texas

$3,000-$5,000

-26 -
WILLIAM ACHEFF (B. 1947) SCHWIERING (1916 - 1986)

47

BURT PROCTOR (1901 - 1980)

Noon oil on canvas 20 x 24 inches

signed lower left: Burt Proctor

PROVENANCE Private Collection, Fredericksburg, Texas

$6,000-$8,000

48

MICHAEL GODFREY (B. 1958)

A Window in the Aspens oil on canvas 48 x 36 inches

signed lower right: Michael Godfrey

PROVENANCE Private Collection, Westlake, Texas

$7,000-$10,000

49

MICHAEL GODFREY (B. 1958)

Snow Scene oil on canvas 30 x 30 inches

signed lower left: Michael Godfrey

PROVENANCE Private Collection, Westlake, Texas

$4,000-$6,000

-27 -

50

CHARLES PARTRIDGE ADAMS (1858 - 1942)

Evening in the Chicago Basin… Silverton, Colorado

oil on canvas 14 x 18 inches signed lower left: Charles Partridge Adams

PROVENANCE Private Collection, Plano, Texas

$8,000-$12,000

51

CHARLES PARTRIDGE ADAMS (1858 - 1942)

Edge of the Aspen Grove

oil on canvas 18 x 24 inches signed lower left: Charles Partridge Adams

PROVENANCE Private Collection, Plano, Texas

$8,000-$12,000

-28 -

E. MARTIN HENNINGS (1886 - 1956)

e Wagon Road, circa 1940’s

oil on canvas

25 x 30 inches

signed lower left: E. Martin Hennings

PROVENANCE

Private Collection, Pilot Point, Texas

$150,000-$250,000

-2952

53

E. MARTIN HENNINGS (1886 - 1956)

Spanish Town – Cercidilla

oil on canvas on panel 14 x 14 inches

signed lower left: E. M. Hennings

PROVENANCE

Private Collection, Dallas, Texas

$35,000-$55,000

54

E. MARTIN HENNINGS (1886 - 1956)

Mother and Child

oil on canvas on panel 14 x 14 inches

signed lower left: E. M. Hennings

PROVENANCE

Private Collection, Fredericksburg, Texas

$25,000-$35,000

-30 -

PROVENANCE

$15,000-$25,000

-31 -
55
JOSEPH HENRY SHARP (1859 - 1953) Dolly, Taos oil on cedar cigar box lid 8 x 5.75 inches signed lower left: J. H. Sharp Private Collection, Pilot Point, Texas

56

ERIC BOWMAN

ough Storms Encompass Me, 2022

oil on canvas 30 x 30 inches signed upper left: Bowman

PROVENANCE Private Collection, Logan, Utah

$20,000-$30,000

57

ERIC BOWMAN

I Turned to Listen, 2022

oil on linen 16 x 20 inches signed lower left: Bowman

PROVENANCE Private Collection, Dallas, Texas

$8,000-$12,000

-32 -
(B. 1960) (B. 1960)

PROVENANCE

Private Collection, Dallas, Texas

$30,000-$40,000

-3358
GLENN DEAN (B. 1976) e End of a Good Day, 2022 oil on canvas 32 x 40 inches signed lower left: G. Dean

59

GLENN DEAN (B. 1976)

Finding a Place in the Sun, 2020 oil on board 16 x 20 inches

signed lower right: G. Dean

PROVENANCE Private Collection, Houston, Texas

$10,000-$15,000

60

ALLAN HOUSER (1914 - 1994)

e Night Song, 1985 bronze, 8/20 10.75 x 7.75 x 5.5 inches inscribed on back: Allan Houser 8/20 85

PROVENANCE Private Collection, Newton, Pennsylvania

$5,000-$7,000

-34 -

LOGAN MAXWELL HAGEGE (B. 1980)

Weather Beyond the Mesa, 2022 oil on linen 25 x 32 inches

signed lower right: LMH

PROVENANCE Private Collection, Dallas, Texas

$50,000-$70,000

-3561

signed lower right: Ed Mell

PROVENANCE

Private Collection, Dallas, Texas

$40,000-$50,000

signed lower right: Ed Mell

PROVENANCE

Private Collection, Dallas, Texas

$25,000-$35,000

-36 -
62 ED MELL (B. 1942) Mesa Sunset oil on linen 24.25 x 64 inches 63 ED MELL (B. 1942) Nocturne Glow, 2015 oil on linen 20 x 30 inches

64

ED MELL (B. 1942)

underheads, 2021

oil on linen board

12 x 16 inches

signed lower left: Ed Mell

PROVENANCE

Private Collection, Dallas, Texas

$10,000-$15,000

65

ED MELL (B. 1942)

Dancing Bloom, 2021

oil on linen board

15.25 x 13.875 inches

signed lower right: Ed Mell

PROVENANCE

Private Collection, Dallas, Texas

$10,000-$15,000

-37 -

ANDY WARHOL (1928 - 1987)

War Bonnet Indian

screenprint on Lenox Museum Board, TP 6/36

36 x 36 inches

signed lower left: Andy Warhol TP 6/36

PROVENANCE

Private Collection, Paradise Valley, Arizona

$150,000-$200,000

War Bonnet Indian was one of fourteen screenprints in the portfolio titled Cowboys and Indians produced by the artist in 1986. Trial Proof Edition Prints are unique works that were pulled during the proo ng process of an edition, and each re ects unique color and/or composition changes. is example signed TP 6/36, is a true one-of-one, piece unique, making it very rare and highly collectible.

-3866

OSCAR BERNINGHAUS (1874 - 1953)

Pueblo Canyon Forest

mixed media on paper 12 x 17 inches

signed lower left. O. E. Berninghaus Taos

PROVENANCE

Private Collection, Dallas, Texas

$20,000-$30,000

-3967

GERALD CURTIS DELANO (1890 - 1972)

Cattle Country

oil on board 20 x 24 inches signed lower right: Delano

PROVENANCE Private Collection, Dallas, Texas $15,000-$25,000

GERALD CURTIS

DELANO (1890 - 1972)

e Lookout

watercolor on paper 8 x 15 inches signed lower right: Delano (Cypher Only)

PROVENANCE Private Collection, Dallas, Texas $10,000-$15,000

-4068
69

bronze 16 x 20 x 10 inches

inscribed on base: W. R. Leigh/ Ethel Traphagen Leigh 1956

PROVENANCE

Private Collection, Dallas, Texas

$15,000-$25,000 71

PROVENANCE

Private Collection, Dallas, Texas

$30,000-$40,000

-41 -
70
WILLIAM R. LEIGH (1866 - 1955) Bu alo, 1956 WILLIAM R. LEIGH (1866 - 1955) Hopi Pottery Painter oil on panel 8 x 10 inches signed lower left: W. R. Leigh

72

FREDERIC SACKRIDER REMINGTON (1861 - 1909)

e Sergeant, 1904

bronze, Lifetime Casting No. 8 10.5 inches high inscribed: Frederc [sic] Remington/Copyrighted 1904 Roman Bronze Works N.Y. 8 (inside base)

is casting of e Sergeant, completed in 1904, was a departure from Remington’s action bronzes of the period. Copyrighted by the artist as “Bust of Rough Rider Sargeant (sic),” it depicts the portrait of a seasoned soldier. e present cast is number 8 out of an edition of approximately 150 total produced and only 20 lifetime casts—making it very rare.

PROVENANCE

Private Collection, Dallas, Texas

$70,000-$100,000

73

FREDERIC SACKRIDER

REMINGTON (1861 - 1909)

In the Desert

gouache and ink wash on paper 10 x 13 inches signed lower left: Remington

PROVENANCE

Private Collection, Dallas, Texas

$60,000-$90,000

-42 -

FREDERIC SACKRIDER REMINGTON (1861 - 1909)

e Rattlesnake, 1918

bronze, No. 65

23.875 x 17.5 x 11 inches

inscribed: Copyright by Frederic Remington

ROMAN BRONZE WORKS N.Y. N-65 (under base)

e Rattlesnake depicts a rearing bronc and rider, posed masterfully in a spiraling sweep of motion and it became one of Remington’s most popular works. A Collier’s Magazine review called it “the work of a master’s hand.” Approximately one hundred castings were produced before the artist ordered destruction of the models. e present casting from Roman Bronze Works in New York is number 65 completed on May 31, 1918.

PROVENANCE

Private Collection, Dallas, Texas

$150,000-$250,000

-4374

75

EANGER IRVING COUSE (1866 - 1936)

e Speaker

oil on panel 10.5 x 16.25 inches

signed lower right: E. I. Couse N.A.

PROVENANCE

Private Collection, Dallas, Texas

$70,000-$90,000

-44 -

76

EANGER IRVING COUSE (1866 - 1936)

e Pottery Painter oil on canvas

12 x 16 inches

signed lower right: E. I. Couse

PROVENANCE

Private Collection, Plano, Texas

$30,000-$50,000

77

EANGER IRVING COUSE (1866 - 1936)

Watching the Fish oil on panel

8 x 10 inches

signed lower right: E. I. Couse N.A.

PROVENANCE

Private Collection, Dallas, Texas

$20,000-$30,000

-45 -

78

HOWARD TERPNING (B. 1927)

Cold Montana Morning, 1984

mixed media on board

8.5 x 11.5 inches

signed lower left: Terpning CA 1984

PROVENANCE

Private Collection, Dallas, Texas

$40,000-$60,000

79

HOWARD TERPNING (B. 1927)

Northern Plains Brave, 2007

charcoal on paper

8 x 8 inches

signed lower right: Terpning CA 2007

PROVENANCE

Private Collection, Dallas, Texas

$7,000-$9,000

-46 -

PROVENANCE

Private

$25,000-$35,000

PROVENANCE

Private

$70,000-$90,000

-4780
JOHN COLEMAN (B. 1949) Honeymoon at Crow Fair, 2012 bronze, 19/20 25.5 x 17 x 8 inches inscribed on base: John Coleman CA 2012 19/20 Collection, Dallas, Texas
81
Z. S. LIANG (B. 1953) Overlooking the Two Medicine River, 1806 oil on canvas 38 x 58 inches signed lower right: Z. S. Liang Collection, Plano, Texas
-48 -
82
JIM NORTON (B. 1953) Land of Good Beaver, 2004 oil on canvas 30 x 46 inches signed lower left: Jim C. Norton CA PROVENANCE Private Collection, Dallas, Texas $25,000-$45,000

BEV DOOLITTLE (B. 1947)

PROVENANCE Private Collection, Westlake, Texas

$30,000-$50,000

-4983
Wolves of the Crow watercolor on paper 18.375 x 47.5 inches signed lower left: Bev Doolittle

CHARLES MARION RUSSELL (1864 - 1926)

Indian Women Moving Camp, 1894

watercolor on paper

22.25 x 33.5 inches

signed lower left: CMRussell with Bu alo Cipher ‘94

Ginger Renner wrote of this and a second work, “A short vacation trip to London resulted in the acquisition of these companion watercolors. Quite likely they were purchased from the artist by one of the many Englishmen who came into Southern Alberta and Northern Montana toward the end of the 19th century, lured by the prospect of ranching investments. e watercolors had been in England eighty years when found, rather by accident, in Sotheby’s auction house in Belgravia. ese two watercolors are among the largest ever painted by Russell.”

PROVENANCE

Private Collection, Dallas, Texas

$225,000-$275,000

-5084

Indian Portrait, 1901

watercolor on paper 12 x 10 inches

signed lower left: CMR with Bu alo Cipher 1901

PROVENANCE

Private Collection, Dallas, Texas

$70,000-$100,000

-5185
CHARLES MARION RUSSELL (1864 - 1926)

86

CHARLES MARION RUSSELL (1864 - 1926)

Indian on Horseback

pen, ink and gouache on paper

10.5 x 7.5 inches

signed lower left: CMR with Bu alo Cipher

PROVENANCE

Private Collection, Dallas, Texas

$40,000-$60,000

87

KENNETH PAULING RILEY (1919 - 2015)

Out of the Sun

oil on canvas

26 x 19 inches

signed lower right: Kenneth Riley

PROVENANCE

Private Collection, Dallas, Texas

$25,000-$35,000

-52 -

PROVENANCE

$45,000-$65,000

89

PROVENANCE

Private

$20,000-$30,000

-53 -
88
JOHN COLEMAN (B. 1949) Oracle of the Bu alo Nation, 2021 oil on canvas 30 x 20 inches signed lower right: John Coleman CA Private Collection, Dallas, Texas JOHN COLEMAN (B. 1949) Crazy Horse 1876, 2020 bronze, 2/20 27 x 18 x 13 inches inscribed: Crazy Horse 1876 John Coleman CA 2020 2/20 Collection, Dallas, Texas

90

KENNETH PAULING RILEY (1919 - 2015)

Blood Brother

oil on canvas

40 x 44 inches

signed lower right: Kenneth Riley CA

PROVENANCE

Private Collection, Dallas, Texas

$50,000-$80,000

91

JOHN COLEMAN (B. 1949)

Mato-Tope 1833, 2021

bronze, 13/20

31 x 14 x 11 inches

inscribed: John Coleman CA 2021 13/20

PROVENANCE

Private Collection, Dallas, Texas

$20,000-$30,000

-54 -

92

TOM LOVELL (1909 - 1997)

White Man’s Corn Tipis, 1993

oil on gesso panel

14 x 12 inches

signed lower right: Tom Lovell ‘93

PROVENANCE

Private Collection, Dallas, Texas

$30,000-$40,000

93

TOM LOVELL (1909 - 1997)

White Man’s Corn Tipis, 1992

charcoal on paper

28.5 x 24 inches

signed lower right: Tom Lovell 1992

PROVENANCE

Private Collection, Dallas, Texas

$5,000-$7,000

-55 -

94

CLARK HULINGS (1922 - 2011)

Man From Belmonte (Spain), 1967

oil on canvas

22 x 33 inches

signed lower right: Hulings 1967

PROVENANCE

Private Collection, Dallas, Texas

$30,000-$50,000

95

ARTHUR FITZWILLIAM TAIT (1819 - 1905)

Baby Chicks, 1864

oil on board

10 x 12 inches

signed lower right: A. F. Tait 1864

PROVENANCE

Private Collection, Dallas, Texas

$6,000-$8,000

96

TUCKER SMITH (B. 1940)

Goats of Norway, 2004

oil on canvas

20 x 24 inches

signed lower right: Tucker Smith 04

PROVENANCE

Private Collection, Dallas, Texas

$7,000-$10,000

-56 -

PROVENANCE

Private Collection, Dallas, Texas

$30,000-$50,000

-57 -
97 JIM NORTON (B. 1953) Where Eagles Fly, 1995 oil on canvas 36 x 48 inches signed lower left: Jim C. Norton CA

98

JIM NORTON

rough the Bog oil on board 12 x 16 inches signed lower left: Jim C. Norton NWR

PROVENANCE Private Collection, Houston, Texas

$4,000-$6,000

99

Easy Crossing oil on board 12 x 10 inches

signed lower right: Tom Browning CA

PROVENANCE Private Collection, Westlake, Texas

$3,000-$5,000

100

When the Hills are Kissed by the Sun oil on board 12 x 24 inches

signed lower right: Tom Browning CA

PROVENANCE Private Collection, Westlake, Texas

$5,000-$8,000

-58 -
(B. 1953) TOM BROWNING (B. 1949) TOM BROWNING (B. 1949)

PROVENANCE e Artist

$35,000-$55,000

-59 -
101 GEORGE HALLMARK (B. 1949) e Heart of Texas (Alamo, circa 1920), 2022 oil on linen 48 x 36 inches signed lower right: Hallmark

PROVENANCE

Private Collection, Needham, Massachusetts

$6,000-$8,000 104

PROVENANCE Private Collection, Needham, Massachusetts

$2,000-$3,000

PROVENANCE

Private Collection, Needham, Massachusetts

$2,000-$3,000

-60 -
103 JIM CARSON (B. 1942) Crockett’s Prayer, 2005 oil on canvas 15 x 12 inches signed lower right: Carson 2005 102 JIM CARSON (B. 1942) De ant Rebels, 2005 oil on canvas 20 x 30 inches signed lower right: Carson 2005 BRUCE R. GREENE (B. 1953) Crockett’s Prayer bronze, 1/12 15 x 20 x 20 inches inscribed on base: Bruce R. Greene 1/12

106

PROVENANCE

Private

$15,000-$25,000

105

PROVENANCE

Private Collection, Needham, Massachusetts

$2,000-$3,000

-61 -
JIM CARSON (B. 1942) Crockett, 2004 oil on canvas 15 x 12 inches signed lower right: Carson 2004 JIM CARSON (B. 1942) e Army of Santa Anna oil on canvas 34 x 54 inches unsigned Collection, Needham, Massachusetts

107

CARSON THOMAS

Visalia Stock Saddle, 2005

leather, rawhide, wood, nickel silver, wool

34.5 x 17 x 19.5 inches

inscribed on plate: Visalia Stock Saddle by Carson omas 1/1

PROVENANCE

Private Collection, Peoria, Arizona

$15,000-$25,000

Carson omas is a second-generation saddle maker who in the 1970’s also began making halfscale saddles to visually chronicle the Western saddle’s evolution. is model is based on a style that was popular west of the Rockies from the late 1880s to 1900. Visalia saddles are often fully carved or stamped. e in uence comes from the California vaqueros (Mexican cowboys) who elaborately decorated their saddles.

-62 -

HENRY MERWIN SHRADY (1871 - 1922)

Elk Bu alo

bronze

22.5 x 27 x 12 inches

inscribed on base: HM Shrady Copyright 1900 TB Starr

Elk Bu alo by Henry Merwin Shrady is perhaps the most remarkable sculpture to capture the Old West in terms of its naturalism and quality of casting. e bronze exempli es the artist’s command of animal anatomy, acquired in his biological studies at Columbia University and through his observations of animals at the Bronx Zoo. According to Roman Bronze Works, Inc. President and founder, Riccardo Bertelli, Elk Bu alo “is very rare as I think we only cast in bronze ve or six copies of it.” Artist Frederic Remington was so impressed by Shrady’s Elk Bu alo, that he purchased an example in 1908, calling it “bye (sic) and large the best bu alo I ever saw modeled and it has become one of the things that I had to own.”

PROVENANCE

Private Collection, Dallas, Texas

$200,000-$300,000

-63108

KYLE POLZIN (B. 1974)

e Chase, 2021

oil on canvas

17.5 x 22.5 inches

signed lower right: Polzin

PROVENANCE

Private Collection, Dallas, Texas

$70,000-$90,000

-64109

KYLE POLZIN (B. 1974)

Treasures of a Nation, 2021

oil on canvas

30 x 50 inches signed lower right: Polzin

PROVENANCE

Private Collection, Dallas, Texas

$90,000-$120,000

-65 -
110

111

G. HARVEY (1933 - 2017)

A Child’s Holiday, 2007

oil on canvas 24 x 20 inches

signed lower right: G. Harvey

PROVENANCE

Private Collection, Dallas, Texas

$55,000-$75,000

-66 -

PROVENANCE

-67 -
112 G. HARVEY (1933 - 2017) Baytown Rigs oil on canvas 24 x 36 inches signed lower left: G. Harvey PROVENANCE Private Collection, Houston, Texas $40,000-$50,000 113 G. HARVEY (1933 - 2017) Stampede, 2001 bronze, 4/45 14.5 x 27.5 x 12 inches inscribed on base: G. Harvey Stampede 2001 4/45 Private Collection, Dallas, Texas $20,000-$30,000

114

G. HARVEY (1933 - 2017)

People of Paris, 1978

oil on canvas

14 x 10 inches

signed lower left: G. Harvey 1978

PROVENANCE

Private Collection, Dallas, Texas

$8,000-$12,000

115

G. HARVEY (1933 - 2017)

Place De La Concorde, 1978

oil on canvas

14 x 10 inches

signed lower right: G. Harvey 1978

PROVENANCE

Private Collection, Dallas, Texas

$8,000-$12,000

116

GUY CARLETON WIGGINS (1883 - 1962)

Winter 5th Avenue at St. Patrick’s

oil on canvas board 12 x 9 inches

signed lower right: Guy Wiggins

PROVENANCE

Private Collection, Dallas, Texas

$10,000-$15,000

-68 -

Two Champs, 1978

bronze (patinated) 51 x 36 x 22 inches

inscribed: Harry Jackson 1978 TCF 5P

signed: Harry Jackson 1990

PROVENANCE

Private Collection, Houston, Texas

$40,000-$60,000

-69 -
117
HARRY ANDREW JACKSON (1924 - 2011)

119

e Marshall III, 1979

bronze (patinated) 12 x 12 x 3.5 inches

inscribed: Harry Jackson 79 MAIIIP 20P

PROVENANCE

Private Collection, Dallas, Texas

$3,000-$5,000

118

e Pony Express, 1967

bronze, 11 17.75 x 21.75 x 13.5 inches

inscribed on base: Harry Jackson 1967 11

PROVENANCE Private Collection, Dallas, Texas

$20,000-$30,000

-70 -
HARRY ANDREW JACKSON (1924 - 2011) HARRY ANDREW JACKSON (1924 - 2011)

120

signed

PROVENANCE Private Collection, Dallas, Texas

$15,000-$25,000

121

PROVENANCE Private Collection, Houston,

$6,000-$9,000

-71 -
ROBERT PUMMILL (B. 1936) Land of the Brush Poppers, 1980 oil on board 36 x 48 inches lower left: Pummill ‘80 BOB WYGANT (1927 - 2008) Overlooking the Rio Grande acrylic on board 18 x 24 inches signed lower right: Bob Wygant TA Texas

122

MELVIN CHARLES WARREN (1920-1995)

A Texas Ranch, 1966

oil on canvas

28 x 40 inches

signed lower right: Melvin C. Warren 1966

PROVENANCE

Private Collection, Houston, Texas

$25,000-$35,000

123

MELVIN CHARLES WARREN (1920-1995)

Little Joe, Don Eagle, 1987

oil on canvas

14 x 28 inches

signed lower right: Melvin C. Warren CA 1987

PROVENANCE

Private Collection, Houston, Texas

$15,000-$25,000

124

MELVIN CHARLES WARREN (1920-1995)

Texas Longhorn, 1974

bronze, 1/60

9.75 x 13.5 x 7 inches

inscribed on base: Texas Longhorn

Melvin C. Warren CA 1/60 1974 Amel

PROVENANCE

Private Collection, Dallas, Texas

$4,000-$6,000

-72 -

125

bronze,

PROVENANCE

Private Collection, Dallas, Texas

$15,000-$25,000

-73 -
JAMES EARLE FRASER (1876 - 1953) End of the Trail 24 34.25 x 30.5 x 10.5 inches inscribed on base: J. E. Fraser SU 24

126

BOB KUHN (1920 - 2007)

North Country, 1991

acrylic on board

21.5 x 24 inches

signed lower right: Kuhn

PROVENANCE

Private Collection, Dallas, Texas

$100,000-$150,000

-74 -

127

BOB KUHN (1920 - 2007)

On Desert Slopes

acrylic on board 14 x 18 inches signed lower left: Kuhn

PROVENANCE

Private Collection, Houston, Texas

$70,000-$90,000

128

BOB KUHN (1920 - 2007)

Watchful Eyes

acrylic on board 12.5 x 10 inches signed lower middle right: Kuhn

PROVENANCE

Private Collection, Houston, Texas

$25,000-$35,000

-75 -

131

TIM SHINABARGER (B. 1966)

Sik Sik Shell Game

bronze, 25/30 23 x 21 x 15 inches

inscribed: Sik Sik Shell Game, Shinabarger 25/30

PROVENANCE

Private Collection, Dallas, Texas

$15,000-$25,000

129

BOB KUHN (1920 - 2007)

Bighorns

conte crayon on paper 9.25 x 12.25 inches

signed lower right: Kuhn

PROVENANCE

Private Collection, Houston, Texas

$3,000-$5,000

130

BOB KUHN (1920 - 2007)

Cape Bu alo

conte crayon on paper 9 x 10.5 inches

signed lower right: Kuhn

PROVENANCE

Private Collection, Houston, Texas

$3,000-$5,000

-76 -

PROVENANCE

$50,000-$70,000

-77132
JOHN BANOVICH (B. 1964) Bu alo Run, 2014 oil on linen 48 x 60 inches signed lower right: Banovich 2014 Private Collection, Westlake, Texas

133

RICHARD DAVID SHEPHERD (1930 - 2017)

Elephant and Termite Mound, 1984

oil on canvas

23 x 44 inches

signed lower right: David Shepherd 84

PROVENANCE

Private Collection, Houston, Texas

$60,000-$80,000

134

KEN CARLSON (B. 1937)

Shade at Noon

oil on board

13 x 18 inches

signed lower right: Carlson

PROVENANCE

Private Collection, Houston, Texas

$8,000-$12,000

-78 -

Pheasants oil on canvas 24 x 18 inches signed lower right: Carlson

PROVENANCE

Bobwhites oil on canvas 12 x 9 inches signed lower right: Carlson

PROVENANCE Private Collection, Dallas, Texas

-79136
KEN CARLSON (B. 1937)
135
$4,000-$6,000 KEN CARLSON (B. 1937)
137
Private Collection, Dallas, Texas $6,000-$8,000 KEN CARLSON (B. 1937) Winner Take All oil on board 28 x 42 inches signed lower left: Carlson PROVENANCE Private Collection, Houston, Texas $40,000-$50,000

PROVENANCE Private Collection, Houston, Texas

$30,000-$40,000

Wrapped in Color oil on board 12 x 16 inches signed lower right: Carlson

PROVENANCE Private Collection, Houston, Texas

$12,000-$15,000

-80 -
138 KEN CARLSON (B. 1937) 139 JOHN COWAN (1920 - 2008) e Groins, Captiva watercolor on paper 22 x 30 inches signed lower left: Cowan

$40,000-$60,000

-81 -
140 LUKE FRAZIER (B. 1970) Boss of the Badlands, 2022 oil on canvas 46 x 46 inches signed upper right: L. Frazier PROVENANCE e Artist

143

bronze,

18 x 25 x 10 inches

inscribed on base: Doellinger 2017 5-30

PROVENANCE

Private Collection, Westlake, Texas

$3,000-$6,000

141

Sign of a Worthy Competitor, 2015

oil on linen 30 x 42 inches

signed lower left: Banovich 2015

PROVENANCE Private Collection, Westlake, Texas

$12,000-$18,000

oil on canvas 24 x 12 inches

signed lower right: B

PROVENANCE

Private Collection, Westlake, Texas

$4,000-$6,000

-82 -
JOHN BANOVICH (B. 1964) 142 MICK DOELLINGER (B. 1956) De ant, 2017 5/30 BONNIE MARRIS (B. 1951) Winter Bu alo Marris

144

LUKE FRAZIER (B. 1970)

Brittany & Quail oil on board

12 x 20 inches

signed lower right: L. Frazier

PROVENANCE Private Collection, Houston, Texas

$6,000-$9,000

145

WALTER MATIA (B. 1953)

Covey Rise, 2007

bronze, 36/48

18.75 x 30 x 10.5 inches inscribed on base: Matia 36/48 07

PROVENANCE Private Collection, Dallas, Texas

$6,000-$9,000

-83 -

146

JOHN DEARMAN

Covey Rise

watercolor on paper

14.5 x 22 inches

signed lower right: John Dearman

PROVENANCE

Private Collection, Houston, Texas

$4,000-$6,000

147

JOHN DEARMAN

Morning Bag, 1986

watercolor on paper

18 x 26.5 inches

signed lower right: John Dearman 1986

PROVENANCE

Private Collection, Houston, Texas

$3,000-$5,000

-84 -

148

REVEAU MOTT BASSETT (1897 - 1981)

Mallards

oil on canvas 24 x 30 inches

unsigned

PROVENANCE

Private Collection, Dallas, Texas

$15,000-$25,000

149

REVEAU MOTT BASSETT (1897 - 1981)

Ducks in Flight – Field Sketch

oil on board 12 x 16 inches

signed lower left: Reveau Bassett Field Sketch

PROVENANCE

Private Collection, Dallas, Texas

$5,000-$8,000

-85 -

150

JIM MORGAN (B. 1947)

Forever Mates

oil on board 24 x 36 inches

signed lower right: Jim Morgan

PROVENANCE

Private Collection, Houston, Texas

$9,000-$12,000

151

FRANK STICK (1884 - 1966)

Rabbit Hunters

oil on canvas 36 x 27.75 inches

signed lower left: Frank Stick

PROVENANCE

Private Collection, Dallas, Texas

$10,000-$20,000

-86 -

JOHN MIX STANLEY

(1814 - 1872)

Assiniboine Encampment oil on canvas 18 x 12 inches

signed lower right: J M Stanley

PROVENANCE

Private Collection, Dallas, Texas

$250,000-$350,000

An extensive traveler throughout the vast Western frontier in the rst half of the nineteenth century, John Mix Stanley ranks among the earliest and most celebrated chroniclers of the American West through his powerful images of Native American culture, and today, most of his paintings and drawings reside in institutional collections. In 1853, he made his last trip West as the o cial artist for the Stevens Paci c Railroad Survey, which traveled from Saint Paul to the Puget Sound. Upon his return, Stanley settled as a studio artist and attempted to establish an “Indian Gallery” of his art in the manner of George Catlin, receiving positive praise for his work by contemporary Seth Eastman. Unfortunately, the majority of the gallery was lost to a re at the Smithsonian Institute in 1865, making the present work a supremely rare surviving example of Stanley’s important oil paintings.

- 87152

153

ALBERT BIERSTADT (1830 - 1902)

Mountain Stream

oil on paper on canvas 13 x 19 inches signed lower left: ABierstadt

PROVENANCE

Private Collection, Dallas, Texas

$30,000-$50,000

154

SYDNEY MORTIMER LAURENCE (1865 - 1940)

Mt. McKinley

oil on board 10 x 8 inches

signed lower right: Sydney Laurence

PROVENANCE

Private Collection, Dallas, Texas

$15,000-$25,000

-88 -

155

HERMANN OTTOMAR HERZOG (1832 - 1932)

Moon Glow, Cascades, 1871

oil on canvas

24 x 19 inches

signed lower right. H. H. Herzog 1871

PROVENANCE

Private Collection, Dallas, Texas

$15,000-$25,000

156

ALBERT BIERSTADT (1830 - 1902)

Roaring River

oil on paper on panel

7 x 10.25 inches

signed lower left: ABierstadt

PROVENANCE

Private Collection, Dallas, Texas

$10,000-$15,000

-89 -

157

WOLF KAHN (1909 - 1997)

Pale Texas Landscape oil on canvas 20 x 25 inches

unsigned

PROVENANCE

Private Collection, Dallas, Texas

$15,000-$25,000

158

WOLF KAHN (1909 - 1997)

Leading to Balsam Firs, 2001 oil on canvas 19 x 13 inches

signed lower middle: W Kahn

PROVENANCE

Private Collection, Dallas, Texas

$8,000-$12,000

-90 -

159

oil on board 28 x 20 inches

signed lower right: Birger Sandzen

PROVENANCE

Private Collection, Dallas, Texas

$50,000-$70,000

oil on board 22 x 28 inches

signed lower right: Birger

PROVENANCE

Private Collection, Fredericksburg, Texas

$35,000-$55,000

-91 -
BIRGER SANDZEN (1871 - 1954) Poplars, Logan Utah, 1929 160 BIRGER SANDZEN (1871 - 1954) Prairie Pond, 1937 Sandzen

161

THEODORE WADDELL (B. 1941)

Stillwater Angus #4, 2020 oil and encaustic on canvas 30 x 40 inches

signed lower right: T Waddell

PROVENANCE

Private Collection, Dallas, Texas

$13,000-$16,000

162

CHARLES WARREN EATON (1857 - 1937)

Twilight oil on canvas 28 x 30 inches

signed lower left: Chas Warren Eaton

PROVENANCE

Private Collection, Houston, Texas

$9,000-$12,000

-92 -

163

oil on canvas 20 x 30 inches

signed lower left: Julian Onderdonk

PROVENANCE

Private Collection, Dallas, Texas

$150,000-$250,000

-93 -
JULIAN ONDERDONK (1882 - 1922) In the Boerne Hills – Southwest Texas

164

FRANK REAUGH (1860 - 1945)

Palo Duro Canyon Longhorns

pastel on paper

3 x 7 inches

unsigned

PROVENANCE

Private Collection, Dallas, Texas

$6,000-$8,000

165

FRANK REAUGH (1860 - 1945)

West Texas Landscape, 1887

pastel on paper

6 x 10.5 inches

unsigned

PROVENANCE

Private Collection, Dallas, Texas

$8,000-$10,000

166

JOSE ARPA (1858 - 1952)

Girl Portrait oil on canvas 17 x 13 inches

signed lower right: J. Arpa

PROVENANCE

Private Collection, Fredericksburg, Texas

$25,000-$35,000

-94 -

167

OTIS DOZIER (1904 - 1987)

Davis Mountains, 1970

oil on canvas

30 x 48 inches

signed lower right: Otis Dozier ‘70

PROVENANCE

Private Collection, Santa Fe, New Mexico

$15,000-$25,000

168

PORFIRIO SALINAS (1919 - 1973)

Hill Country Autumn

oil on canvas

24 x 36 inches

signed lower left: Por rio Salinas

PROVENANCE

Private Collection, Houston, Texas

$8,000-$12,000

-95 -

169

DOROTHY HOOD (1918 - 2000)

From My Garden oil on canvas

70 x 60 inches

signed upper right: D Hood

PROVENANCE

Private Collection, Houston, Texas

$15,000-$25,000

-96 -

170

ROBERT WILLIAM WOOD (1889 - 1979)

Bandera Bluebonnets oil on canvas 28 x 36 inches signed lower right: Robert Wood

PROVENANCE Private Collection, Houston, Texas

$35,000-$45,000

171

ROBERT WILLIAM WOOD (1889 - 1979)

After a Shower oil on canvas 25 x 30 inches signed lower left: Robert Wood

PROVENANCE Private Collection, McGregor, Texas $8,000-$12,000

-97 -

172

Bluebonnet Landscape

oil on canvas 24 x 30 inches

signed lower right: Robt. Wood

PROVENANCE

Private Collection, Westlake, Texas

$15,000-$25,000

173

Texas in Bloom, 1977

oil on canvas 18 x 24 inches

signed lower right:

PROVENANCE

Private Collection, Dallas, Texas

$5,000-$7,000

-98 -
ROBERT WILLIAM WOOD (1889 - 1979) WILLIAM SLAUGHTER (1923 - 2003) W. A. Slaughter ‘77

174

Trapper’s Goods No More, 2022

oil and acrylic on linen

32 x 32 inches

signed lower right: Martin Grelle CA 2022

PROVENANCE

Private Collection, Dallas, Texas

$100,000-$150,000

-99 -
MARTIN GRELLE (B. 1954)

175

MARTIN

Comanche, 2021

acrylic on linen 16 x 12 inches

signed lower right: Martin Grelle CA 2021

PROVENANCE

Private Collection, Walnut Springs, Texas

$20,000-$30,000

176

MARTIN

Seeking Safety, 2022

acrylic on linen 12 x 12 inches signed lower right: Martin Grelle CA 2022

PROVENANCE

Private Collection, Fredericksburg, Texas

$15,000-$25,000

O ering to the Sun, 2012

bronze, 2/15 12.5 x 42 x 14.5 inches inscribed: Moore CA ‘12 2/15

PROVENANCE

Private Collection, Dallas, Texas

$6,000-$9,000

-100 -
GRELLE (B. 1954) GRELLE (B. 1954) 177 PAUL MOORE (B. 1957)

178

BILL OWEN

(1942 - 2013)

Tailin’ Her Down, 2000

oil on linen

24 x 36 inches

signed lower right: Bill Owen CA 2000

PROVENANCE Private Collection, Nashville, Tennessee

$25,000-$35,000

179

BILL OWEN (1942 - 2013)

Spring Round Up, 1998

oil on linen

20 x 40 inches

signed lower right: Bill Owen CA 1998

PROVENANCE

Private Collection, Nashville, Tennessee

$25,000-$35,000

-101 -

180

JAMES ELWOOD REYNOLDS (1926 - 2010)

Watching the Herd oil on board 26 x 38 inches

signed lower left: James Reynolds

PROVENANCE

Private Collection, Dallas, Texas

$15,000-$25,000

181

JAMES ELWOOD REYNOLDS (1926 - 2010)

A Bad row, 1960

oil on board 25 x 30 inches

signed lower right: James Reynolds 1960

PROVENANCE

Private Collection, Dallas, Texas

$10,000-$15,000

-102 -

PROVENANCE Private

-103 -
182 JAMES ELWOOD REYNOLDS (1926 - 2010) e Colorado oil on canvas 40 x 60 inches signed lower right: James Reynolds CA Collection, Dallas, Texas $20,000-$30,000

183

e Spring aw

oil on board 30 x 40 inches

signed lower left: Bill Anton

PROVENANCE Private Collection, Fredericksburg, Texas

$15,000-$25,000

184

Experience Counts, Mike Gibson 6666s Ranch, 2022

oil on canvas 24 x 36 inches

signed lower left: Tom Ryan III 22

PROVENANCE e Artist

$6,000-$9,000

-104 -
BILL ANTON (B. 1957) TOM RYAN, III (B. 1977)

185

JASON RICH

On Beaver Creek oil on board 18 x 24 inches signed lower left: Jason Rich

PROVENANCE

Private Collection, Houston, Texas

$5,000-$8,000

186

FRANK C. MCCARTHY (1924 - 2002)

Crack in the Rock, 1992 oil on board 16 x 12 inches signed lower right: McCarthy CA 1992

PROVENANCE

Private Collection, Dallas, Texas

$7,000-$10,000

187

R. BROWNELL MCGREW (1916 - 1994)

On a Summer Morning oil on board 24 x 20 inches signed lower left: R Brownell McGrew

PROVENANCE

Private Collection, Dallas, Texas

$10,000-$20,000

-105 -

188

G. HARVEY (1933 - 2017)

oughts of Home, 2003

bronze, 13/100 9.5 x 10 x 3 inches

inscribed on base: G. Harvey, oughts of Home 2003 13/100

PROVENANCE Private Collection, Dallas, Texas

$3,000-$5,000

189

G. HARVEY (1933 - 2017)

Spittin’ Image, 2003

bronze, 14/100 10 x 6 x 3.5 inches

inscribed on base: G. Harvey Spittin’ Image 2003 14/100

PROVENANCE Private Collection, Dallas, Texas $3,000-$5,000

190

G. HARVEY (1933 - 2017)

Special Times, 1990

bronze, 147/250

11.5 x 14 x 4.5 inches

inscribed on base: G. Harvey Special Times 1990 147/250

PROVENANCE Private Collection, Dallas, Texas

$3,000-$5,000

191

G. HARVEY (1933 - 2017)

Longhorn, 1970

bronze, 6/30 7.25 x 12.5 x 5.5 inches

inscribed on base: G. Harvey 6-30 1970

PROVENANCE Private Collection, Dallas, Texas $2,000-$3,000

-106 -

PROVENANCE

Private Collection, Dallas, Texas

$60,000-$80,000

-107 -
192 KYLE POLZIN (B. 1974) e Maverick, 2022 oil on canvas 28 x 23 inches signed lower right: Polzin

PROVENANCE Private Collection, Dallas,

$80,000-$100,000

-108 -
193 KYLE POLZIN (B. 1974) Trailblazer oil on canvas 44 x 34.5 inches signed lower left: Polzin Texas

PROVENANCE Private Collection, Nashville,

$30,000-$40,000

-109 -
194 BILL OWEN (1942 - 2013) Team Roping, 2005 oil on linen 24 x 44 inches signed lower right: Bill Owen CA 2005 Tennessee

Western

bronze,

inscribed

Edition of 25

PROVENANCE Private Collection, Peoria, Arizona

$2,000-$3,000

195

A Cowboy’s

bronze, 33/100

4.75 x 12.5 x 7 inches

inscribed on back: Bill Owen CA 1983 33/100

PROVENANCE Private Collection, Peoria, Arizona

$1,000-$2,000

196

Bull Study, 1997 oil on board 5 x 7 inches

signed lower right: Bill Owen CA ‘97

PROVENANCE Private Collection, Peoria, Arizona

$1,000-$2,000

-110 -
BILL OWEN (1942 - 2013) 197 BILL OWEN (1942 - 2013) Heritage, 1983 AC 13 x 14 x 5.5 inches on base: Bill Owen CA AC (Artist’s Casting) BILL OWEN (1942 - 2013) Rig, 1983

Moonlighters,

oil on linen

30 x 24 inches

signed lower right: Bill

PROVENANCE Private Collection, Nashville, Tennessee

$20,000-$30,000

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198 BILL OWEN (1942 - 2013) 2001 Owen CA 2001

199

Clay Ashhurst, Horse Wrangler, 1996

oil on linen

20 x 40 inches

signed lower right: Bill Owen CA 1996

PROVENANCE

Private Collection, Nashville, Tennessee

$25,000-$35,000

-112 -
BILL OWEN (1942 - 2013)

PROVENANCE Private Collection, Westlake,

$6,000-$9,000

PROVENANCE Private Collection, Westlake,

$8,000-$12,000

-113 -
200 TOM BROWNING (B. 1949) Anticipation oil on canvas 14 x 24 inches signed lower left: Tom Browning CA Texas 201 TOM BROWNING (B. 1949) Cozyin’ Up oil on board 24 x 22 inches signed lower right: Tom Browning CA Texas

202

GEORGE KOVACH (B. 1942)

Bu alo Herd

oil on canvas

28 x 42 inches

signed lower right: G Kovach

PROVENANCE

Private Collection, Westlake, Texas

$4,000-$6,000

203

MELVIN CHARLES WARREN (1920-1995)

Round Up, 1965

oil on canvas

24 x 30 inches

signed lower left: Melvin C. Warren 1965

PROVENANCE

Private Collection, Dallas, Texas

$10,000-$15,000

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204

TONY EUBANKS (B. 1939)

Bovine Beauties

oil on canvas

21 x 34 inches

signed lower left: Eubanks

PROVENANCE

Private Collection, Westlake, Texas

$3,000-$5,000

206

JAMES BOREN (1921 - 1990)

Mexican Cowboy, 1976

watercolor on paper

8 x 10 inches

signed lower left: James Boren CA 1976

PROVENANCE

Private Collection, Norman, Oklahoma

$1,000-$1,500

205

DAN BODELSON (B. 1949)

Lakota Lands (Study) oil on board 18.25 x 11.75 inches signed lower left: Bodelson

PROVENANCE Private Collection, Dallas, Texas

$1,500-$2,000

207

JOE RADER ROBERTS (1925 - 1982)

Cold Jerky

oil on canvas

22 x 28 inches

signed lower right: Joe Rader Roberts

PROVENANCE

Private Collection, Norman, Oklahoma

$2,000-$3,000

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209 LOTINCLUDESTWOPAINTINGS

R. S. RIDDICK (B. 1952)

River Song, 2008

oil on belgian linen panel 10 x 12 inches

signed lower left: R. S. Riddick CA

PROVENANCE

Private Collection, Peoria, Arizona

$5,000-$8,000

208

R. S. RIDDICK (B. 1952)

Joyful Heart, 2006

oil on linen panel 20 x 16 inches

signed lower right: R. S. Riddick CA 2006

PROVENANCE Private Collection, Peoria, Arizona

$3,000-$5,000

R. S. RIDDICK (B. 1952)

San Juan Afternoon, 2008

oil on belgian linen panel 10 x 12 inches

signed lower left: R. S. Riddick CA

-116 -

Landscape oil on canvas 9 x 12 inches signed lower left: James Reynolds CA

PROVENANCE Private Collection, Peoria, Arizona

$2,000-$4,000

16 x 20 inches signed lower left:

PROVENANCE Private Collection,

$5,000-$7,000

Untitled (Indian Brave

ink on paper 7 x 10 inches signed lower right: John Clymer

PROVENANCE

Private Collection, Westlake, Texas

$2,000-$4,000

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210 JAMES ELWOOD REYNOLDS (1926 - 2010) 211 CHARLIE DYE (1906 - 1972) e Fence Rider, 1958 oil on board Charlie Dye Laguna Woods, California 212 JOHN FORD CLYMER (1907 - 1989) with Horse)

213

Viva Tequila

bronze, 1/100 16 x 12 x 6.5 inches

inscribed on base: Fellows CA 1/100

PROVENANCE

Private Collection, Peoria, Arizona

$2,000-$4,000

214

ROCK

Cheyenne Memories

acrylic on canvas 9 x 12 inches

signed lower left: Rock Newcomb

PROVENANCE

Private Collection, Westlake, Texas

$1,000-$2,000

215

MIAN

Market Day

oil on board 12 x 16 inches

signed lower right: Mian Situ

PROVENANCE

Private Collection, Fredericksburg, Texas

$3,000-$5,000

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FRED FELLOWS (B. 1938) NEWCOMB (B. 1945) SITU (B. 1953)

216

Molly, 1991

watercolor on paper

6.75 x 10.25 inches

signed lower middle right: Schmid

PROVENANCE

Private Collection, Dallas, Texas

$4,000-$6,000

217

New Friends

oil on board

11.5 x 15.5 inches

signed lower right: Sonya Terpening

PROVENANCE

Private Collection, Westlake, Texas

$1,500-$2,500

218

Pinto Mare and Foal

watercolor on paper

12.25 x 13.5 inches

signed lower left: Bev Doolittle

PROVENANCE

Private Collection, Westlake, Texas

$5,000-$7,000

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RICHARD SCHMID (1934 - 2021) SONYA TERPENING (B. 1953) BEV DOOLITTLE (B. 1947)

219

GARY KAPP (B. 1942)

Breaking Trail, 1977

oil on board 20 x 24 inches

signed lower left: Gary Kapp 77

PROVENANCE

Private Collection, Norman, Oklahoma

$1,500-$2,500

220

BOB MOLINE (B. 1938)

Summer Camp

acrylic on canvas 20 x 24 inches

signed lower left: Moline

PROVENANCE

Private Collection, Norman, Oklahoma

$2,000-$3,000

221 LOTINCLUDESFOURPAINTINGS

PHIL BECK (B. 1949)

Four Cow Portraits

oil on canvas 24 x 24 inches (each)

signed lower right: Phil Beck

PROVENANCE

Private Collection, Westlake, Texas

$2,000-$4,000

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222

LAJOS

Silver Dollar Bet oil on canvas 24 x 36 inches

signed lower right: L Markos

PROVENANCE

Private Collection, Norman, Oklahoma

$4,000-$6,000

223

LAJOS

e Scout

oil on board 16 x 20 inches

signed lower right: L Markos

PROVENANCE

Private Collection, Norman, Oklahoma

$1,500-$2,500

Whiskey Trader Joe oil on board 16 x 20 inches

signed lower right: L Markos

PROVENANCE

Private Collection, Norman, Oklahoma

$1,500-$2,500

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MARKOS (1917 - 1993) MARKOS (1917 - 1993) 224 LAJOS MARKOS (1917 - 1993)

225

A. D. GREER (1904 - 1998)

Blanco River, 1977

oil on canvas

24 x 36 inches

signed lower right: A. D. Greer 77

PROVENANCE

Private Collection, Westlake, Texas

$3,000-$5,000

226

KENT WALLIS (B. 1945)

Secluded Pond

oil on canvas 24 x 36 inches

signed lower left: Kent Wallis

PROVENANCE

Private Collection, Houston, Texas

$5,000-$8,000

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ACHEFF, WILLIAM

Color in the Forest 43

San Juan Pueblo Pots and Moccasins 44

ADAMS CHARLES PARTRIDGE

Edge of the Aspen Grove 51

Evening in the Chicago Basin… Silverton, Colorado 50

AFSARY, CYRUS

Tradition 1

ANTON BILL e Spring aw 183

ARPA, JOSE

Girl Portrait 166

BANOVICH, JOHN

Bu alo Run 132

Sign of a Worthy Competitor 141

BASSETT, REVEAU M.

Ducks in Flight – Field Sketch 149

Mallards 148

BECK, PHIL

Four Cow Portraits 221

BEELER JOE

Wild Cow Hunter 2

BERNINGHAUS OSCAR

Pueblo Canyon Forest 67

BIERSTADT, ALBERT

Mountain Stream 153

Roaring River 156

BODELSON, DAN

Lakota Lands (Study) 205

BOREN, JAMES

Mexican Cowboy 206

BOWMAN ERIC

I Turned to Listen 57

ough Storms Encompass Me 56

BROWNING TOM

Anticipation 200

Cozyin’ Up 201

Easy Crossing 99

When the Hills are Kissed by the Sun 100

CARLSON, KEN

Bobwhites 136

Pheasants 135

Shade at Noon 134

Winner Take All 137

Wrapped in Color 138

CARSON, JIM

e Army of Santa Anna 106

Crockett 105

Crockett’s Prayer 103

De ant Rebels 102

CHEEVER, BRUCE

Great Plains Warrior 7

Undaunted 8

CLYMER, JOHN F.

Untitled (Indian Brave with Horse) 212

COLEMAN, JOHN

Crazy Horse 1876 89

Honeymoon at Crow Fair 80

Mato-Tope 1833 91

e New Comers 1804 39

Oracle of the Bu alo Nation 88

COTTON, BRENT

e Setting Sun 40

COUSE, EANGER I. e Pottery Painter 76 e Speaker 75

Watching the Fish 77

COWAN, JOHN

e Groins, Captiva 139

DEAN, GLENN

e End of a Good Day 58

Finding a Place in the Sun 59

DEARMAN, JOHN

Covey Rise 146

Morning Bag 147

DELANO, GERALD C. Cattle Country 68 e Lookout 69

DOELLINGER, MICK De ant 142

DOOLITTLE, BEV

Pinto Mare and Foal 218

Wolves of the Crow 83

DOZIER, OTIS

Davis Mountains 167

DUDASH C. MICHAEL Peace Be Still 5

DYE CHARLIE e Fence Rider 211

EATON, CHARLES W. Twilight 162

EUBANKS TONY

Bovine Beauties 204

FELLOWS FRED

Viva Tequilla 213

FRASER, JAMES E.

End of the Trail 125

FRAZIER, LUKE

Boss of the Badlands 140

Brittany & Quail 144

GILLEON, R. TOM

Another Bucker 36

Wolfe Butte Camp 38

Yellowstone Re ections 37

GODFREY MICHAEL

Snow Scene 49

A Window in the Aspens 48

GREENE BRUCE R.

Crockett’s Prayer 104

GREER, A. D.

Blanco River 225

GRELLE, MARTIN

Autumn Getaway 14

Bosque County Chill 13

Comanche 175

Seeking Safety 176

Trapper’s Goods No More 174

HAGEGE, LOGAN M.

Weather Beyond the Mesa 61

HALBACH, DAVID

e Forewarning 6

HALLMARK GEORGE

e Heart of Texas (Alamo, ca 1920) 101

HARVEY G.

Autumn Along the Creek 10

Baytown Rigs 112

A Child’s Holiday 111

Encroachment (Near

Georgetown Texas) 9

Longhorn 191

People of Paris 114

Place De La Concorde 115

Special Times 190

Spittin’ Image 189

Stampede 113

oughts of Home 188

HENNINGS E. MARTIN

Mother and Child 54

Spanish Town – Cercidilla 53

e Wagon Road 52

HERZOG, HERMANN O.

Moon Glow, Cascades 155

HOOD DOROTHY

From My Garden 169

HOUSER, ALLAN

e Night Song 60

HULINGS, CLARK

Man From Belmonte (Spain) 94

JACKSON HARRY A.

e Marshall III 119

e Pony Express 118

Two Champs 117

JOE SR., ORLAND

Medicine Horse 3

KAHN, WOLF

Leading to Balsam Firs 158

Pale Texas Landscape 157

KAPP, GARY

Breaking Trail 219

KOVACH GEORGE

Bu alo Herd 202

KUHN, BOB

Bighorns 129

Cape Bu alo 130

North Country 126

On Desert Slopes 127

Watchful Eyes 128

LAURENCE SYDNEY M.

Mt. McKinley 154

-123 -
INDEX

LEIGH, WILLIAM R.

Bu alo 70

Hopi Pottery Painter 71

LIANG, Z. S.

Overlooking the Two Medicine River 81

LOVELL TOM

White Man’s Corn Tipis 92

White Man’s Corn Tipis 93

MARKOS, LAJOS

e Scout 223

Silver Dollar Bet 222

Whiskey Trader Joe 224

MARRIS, BONNIE

Winter Bu alo 143

MATIA, WALTER

Covey Rise 145

MCCARTHY FRANK C.

Crack in the Rock 186

MCGREW, R. BROWNELL

On a Summer Morning 187

MELL, ED

Dancing Bloom 65

Mesa Sunset 62

Nocturne Glow 63

underheads 64

MOLINE, BOB

Summer Camp 220

MOORE PAUL

O ering to the Sun 177

MORGAN, JIM

Forever Mates 150

NEWCOMB, ROCK

Cheyenne Memories 214

NORTON JIM

Land of Good Beaver 82

rough the Bog 98

Where Eagles Fly 97

ONDERDONK, JULIAN

In the Boerne Hills – Southwest Texas 163

OWEN, BILL

And All a Good Night 25

At Sunset 18

Bill Owen’s Custom Bit and Spurs by Steve Schmitt 32

Bill Owen’s Custom Saddle by John Herron (with accessories) 31

Blue 33

Bull Study 196

Clay Ashhurst, Horse Wrangler 199

A CO Bar Bull and Book 22

CO Bar Ranch Bulls 23

Cow Head 35

A Cowboy’s Potlicker 34

A Cowboy’s Rig 195

e Cutting Horse 26

Doe, Ray and Me 27

Harvey Tank 28

Horse Head Study 24

e Last One 20

A Little Cowboy’s Delight 30

Moonlighters 198

Ranch Mare 16

Ride for the Brand 29

Sackin’ Out a Bronc 15

Spring Round Up 179

Starving Cowboy 17

Tailin’ Her Down 178

Takin’ the Jerk 19

Tatanka 21

Team Roping 194

Western Heritage 197

PHIPPEN, GEORGE

Arizona Rockhopper 12

In from the Range 11

POLZIN, KYLE

e Chase 109

e Maverick 192

Trailblazer 193

Treasures of a Nation 110

PROCTOR BURT

Noon 47

PUMMILL ROBERT

Land of the Brush Poppers 120

REAUGH, FRANK

Palo Duro Canyon Longhorns 164

West Texas Landscape 165

REMINGTON, FREDERIC S.

In the Desert 73

e Rattlesnake 74

e Sergeant 72

REYNOLDS JAMES E.

A Bad row 181

e Colorado 182

Landscape 210

Watching the Herd 180

RICH JASON

On Beaver Creek 185

RIDDICK, R. S.

Joyful Heart 208

River Song 209

San Juan Afternoon 209

RILEY KENNETH P.

Blood Brother 90

Out of the Sun 87

ROBERTS JOE R.

Cold Jerky 207

RUSSELL CHARLES M.

Indian on Horseback 86

Indian Portrait 85

Indian Women Moving Camp 84

RYAN III, TOM

Experience Counts, Mike Gibson 6666s Ranch 184

SALINAS, PORFIRIO

Hill Country Autumn 168

SANDZEN BIRGER

Poplars, Logan Utah 159

Prarie Pond 160

SCHENCK, BILL

e Crossing 41

Sunset on the Sand Hills 42

SCHMID, RICHARD

Molly 216

SCHWIERING CONRAD

e Conference Tree 45

Range Land Babysitter 46

SHARP, JOSEPH H.

Dolly, Taos 55

SHEPHERD RICHARD D.

Elephant and Termite Mound 133

SHINABARGER, TIM Sik Sik Shell Game 131

SHRADY, HENRY M. Elk Bu alo 108

SITU MIAN

Market Day 215

SLAUGHTER, WILLIAM

Texas in Bloom 173

SMITH, TUCKER

Goats of Norway 96

SPECK GENE

Evening Colors 4

STANLEY JOHN M.

Assiniboine Encampment 152

STICK, FRANK

Rabbit Hunters 151

TAIT, ARTHUR FITZWILLIAM

Baby Chicks 95

TERPENING SONYA

New Friends 217

TERPNING, HOWARD

Cold Montana Morning 78

Northern Plains Brave 79

THOMAS, CARSON

Visalia Stock Saddle 107

WADDELL, THEODORE

Stillwater Angus #4 161

WALLIS KENT

Secluded Pond 226

WARHOL, ANDY

War Bonnet Indian 66

WARREN, MELVIN C.

Little Joe, Don Eagle 123

Round Up 203

Texas Longhorn 124

A Texas Ranch 122

WIGGINS, GUY C.

Winter 5th Avenue at St. Patrick’s 116

WOOD ROBERT W.

After a Shower 171

Bandera Bluebonnets 170

Bluebonnet Landscape 172

WYGANT, BOB

Overlooking the Rio Grande 121

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Auctioneer and Auction:

is Auction is presented by Lone Star Art Auction, a D.B.A. of Great American West, LLC (“Auctioneer”). e Auction is conducted under these Terms and Conditions and applicable state and local law.

Announcements and corrections from the podium and those made through the Terms and Conditions appearing on the Internet at www.lsartauction.com supersede those in the printed catalog.

Auctioneer Jason Brooks, State of Texas License Number 16216, will preside over the Auction.

Buyer’s Premium:

All bids are subject to a Buyer’s Premium which is in addition to the placed successful bid otherwise de ned as the Hammer Price. Following is the Buyer’s Premium Schedule for the Auction: 20% for Live In-Person Bidding, Telephone Bidding, and Absentee or Proxy Bidding. 20% for Online Bidding on the Auction website at www. lsartauction.com. 25% for Online Bidding on Bid Square and Live Auctioneers.

Bidders:

1. Any person participating or registering for the Auction agrees to be bound by and accepts these Terms and Conditions (“Bidder(s)”).

2. All Bidders must meet Auctioneer’s quali cations to bid. Any Bidder who is not a client in good standing of the Auctioneer may be disquali ed at Auctioneer’s sole option and will not be awarded lots. Such determination may be made by Auctioneer in its sole and unlimited discretion, at any time prior to, during, or even after the close of the Auction. Auctioneer reserves the right to exclude any person from the auction.

3. If an entity places a bid, then the person executing the bid on behalf of the entity agrees to personally guarantee payment for any successful bid.

Credit:

In order to place bids, Bidders who have not established credit with the Auctioneer must either furnish satisfactory credit information (including two collectibles-related business references) or supply valid credit card information along with a social security number, well in advance of the Auction. Bidders should preregister at least two business days before the start of the Auction (exclusive of holidays or weekends) to allow adequate time to contact references. Credit will be granted at the discretion of Auctioneer. Additionally Bidders who have not previously established credit or who wish to bid in excess of their established credit history may be required to provide their social security number or the last four digits thereof so a credit check may be performed prior to Auctioneer’s acceptance of a bid. Check writing privileges and immediate delivery of merchandise may also be determined by pre-approval of credit based on a combination of criteria: Auctioneer history, related industry references, bank veri cation, a credit bureau report and/ or a personal guarantee for a corporate or partnership entity in advance of the auction venue.

Bidding Options:

1. Presentment of Bids. Non-Internet bids (including but not limited to podium, phone, and mail bids) are treated similar to oor bids in that they must be on-increment or at a half increment (called a cut bid). Any podium, phone, or mail bids that do not conform to a full or half increment will be rounded up to the nearest full or half increment and this revised amount will be considered your high bid.

2. Auctioneer’s Execution of Certain Bids. Auctioneer cannot be responsible for your errors in bidding, so carefully check that every bid is entered correctly. When identical mail bids are submitted, preference is given to the rst received. To ensure

the greatest accuracy, your written bids should be entered on the standard printed bid sheet and be received at Auctioneer’s place of business at least two business days before the Auction start. Auctioneer is not responsible for executing mail bids received on or after the day the rst lot is sold, nor Internet bids submitted after the published closing time; nor is Auctioneer responsible for proper execution of bids submitted by telephone, mail, e-mail, Internet, or in person once the Auction begins. Bids placed electronically via the Internet may not be withdrawn until your written request is received and acknowledged by Auctioneer. Such requests must state the reason, and may constitute grounds for withdrawal of bidding privileges. Lots won by mail Bidders will not be delivered at the Auction unless prearranged.

3. Caveat as to Bid Increments. Bid increments (over the current bid level) determine the lowest amount you may bid on a particular lot. Bids greater than one increment over the current bid can be any whole dollar amount. It is possible under several circumstances for winning bids to be between increments, sometimes only $1 above the previous increment. Bids will be accepted in whole dollar amounts only. No “buy” or “unlimited” bids will be accepted.

e following chart governs current bidding increments.

Current Bid Increment:

Under $2,000$100

$2,000 – $5,000$250

$5,000 – $10,000$500

$10,000 – $20,000$1,000

$20,000 – $50,000$2,500

$50,000 – $100,000$5,000

Over $100,000$10,000

4. If Auctioneer calls for a full increment, a bidder may request Auctioneer to accept a bid at half of the increment (“Cut Bid”) only once per lot. After o ering a Cut Bid, bidders may continue to participate only at full increments. If the Auctioneer solicits bids other than the expected increment, these bids will not be considered Cut Bids.

Conducting the Auction:

1. e highest quali ed Bidder recognized by the Auctioneer shall be the Buyer. In the event of a tie bid, the earliest bid received or recognized wins. In the event of any dispute between any Bidders at an Auction, Auctioneer may at his sole discretion reo er the lot. Auctioneer’s decision and declaration of the winning Bidder shall be nal and binding upon all Bidders. Bids properly o ered, whether by oor Bidder or other means of bidding, may on occasion be missed or go unrecognized; in such cases, the Auctioneer may declare the recognized bid accepted as the winning bid, regardless of whether a competing bid may have been higher. Auctioneer reserves the right after the hammer falls to accept bids and reopen bidding for bids placed through the Internet or otherwise.

2. Auctioneer reserves the right to refuse to honor any bid or to limit the amount of any bid, in its sole discretion. A bid is considered not made in “Good Faith” when made by an insolvent or irresponsible person, a person under the age of eighteen, or is not supported by satisfactory credit, collectibles references, or otherwise. Regardless of the disclosure of his identity, any bid by a consignor or his agent on a lot consigned by him is deemed to be made in “Good Faith.” Any person apparently appearing on the OFAC list is not eligible to bid.

3. Nominal Bids. e Auctioneer in its sole discretion may reject nominal bids, small opening bids, or very nominal advances. If a lot bearing estimates fails to open for 40–60% of the low estimate, the Auctioneer may pass the item or may place a protective bid on behalf of the consignor.

-125 -
SALE TERMS AND CONDITIONS

4. Lots bearing bidding estimates shall open at Auctioneer’s discretion (approximately 50%-60% of the low estimate). In the event that no bid meets or exceeds that opening amount, the lot shall pass as unsold.

5. All items are to be purchased per lot as numerically indicated and no lots will be broken. Auctioneer reserves the right to withdraw, prior to the close, any lots from the Auction.

6. Auctioneer reserves the right to rescind the sale in the event of nonpayment, breach of a warranty, disputed ownership, auctioneer’s clerical error or omission in exercising bids and reserves, or for any other reason and in Auctioneer’s sole discretion. In cases of nonpayment, Auctioneer’s election to void a sale does not relieve the Bidder from their obligation to pay Auctioneer its fees (seller’s and buyer’s premiums) and any other damages or expenses pertaining to the lot.

7. Auctioneer occasionally experiences Internet and/or Server service outages, and Auctioneer periodically schedules system downtime for maintenance and other purposes, during which Bidders cannot participate or place bids. If such outages occur, we may at our discretion extend bidding for the Auction. Bidders unable to place their Bids through the Internet are directed to contact the Auctioneer at (214) 730-0939.

8. e Auctioneer, its a liates, or their employees consign items to be sold in the Auction, and may bid on those lots or any other lots. Auctioneer or a liates expressly reserve the right to modify any such bids at any time prior to the hammer based upon data made known to the Auctioneer or its a liates. e Auctioneer may extend advances, guarantees, or loans to certain consignors.

9. e Auctioneer has the right to sell certain unsold items after the close of the Auction. Such lots shall be considered sold during the Auction and all these Terms and Conditions shall apply to such sales including but not limited to the Buyer’s Premium, return rights, and disclaimers.

Payment:

1. All sales are strictly in United States dollars and accepted methods of payment include personal checks, commercial checks, cashier checks, and bank wire, and are subject to all reporting requirements. Authorized MasterCard, Visa and Discover credit card payments are accepted but are limited to a maximum total of $10,000.00 U.S. dollars for the auction. ese credit cards are also accepted with the convenience fee charge of 3.0% added to the total purchase amount (hammer price plus Buyer’s premium). All deliveries are subject to good funds; funds being received in Auctioneer’s account before delivery of the Purchases; and all payments are subject to a clearing period. Auctioneer reserves the right to determine if a check constitutes “good funds”: checks drawn on a U.S. bank are subject to a ten business day hold, and thirty days when drawn on an international bank. Clients with prearranged credit status may receive immediate credit for payments via e-Check, personal, or corporate checks. All others will be subject to a hold of ve (5) days, or more, for the funds to clear prior to releasing merchandise.

2. Payment is due upon closing of the Auction session, or upon presentment of an invoice. Auctioneer reserves the right to void an invoice if payment in full is not received within seven (7) days after the close of the Auction. In cases of nonpayment, Auctioneer’s election to void a sale does not relieve the Bidder from their obligation to pay Auctioneer its fees (seller’s and buyer’s premiums) on the lot and any other damages pertaining to the lot or Auctioneer, at its option, may charge a twenty (20%) restock fee on the amount of the purchase and o set the restock fee against any monies paid to the Auctioneer or against any of the purchaser’s properties held by the Auctioneer.

3. Lots delivered to you, or your representative, are subject to all applicable state and local taxes, unless appropriate permits are

on le with Auctioneer. Bidder agrees to pay Auctioneer the actual amount of tax due in the event that sales tax is not properly collected due to: 1) an expired, inaccurate, or inappropriate tax certi cate or declaration, 2) an incorrect interpretation of the applicable statute, 3) or any other reason. e appropriate form or certi cate must be on le at and veri ed by Auctioneer ve (5) days prior to Auction, or tax must be paid; only if such form or certi cate is received by Auctioneer within four (4) days after the Auction can a refund of tax paid be made.

4. In the event that a Bidder’s payment is dishonored upon presentment(s), Bidder shall pay the maximum statutory processing fee set by applicable state law. If you attempt to pay via e-Check and your nancial institution denies this transfer from your bank account, or the payment cannot be completed using the selected funding source, you agree to complete payment using another acceptable form of payment.

5. If any Auction invoice submitted by Auctioneer is not paid in full when due, the unpaid balance will bear interest at the highest rate permitted by law from the date of invoice until paid. Any invoice not paid when due will bear a three percent (3%) late fee on the invoice amount. If the Auctioneer refers any invoice to an attorney for collection, the buyer agrees to pay attorney’s fees, court costs, and other collection costs incurred by Auctioneer.

6. In the event a successful Bidder fails to pay any amounts due, Auctioneer reserves the right to sell the lot(s) securing the invoice to any under-bidders in the Auction that the lot(s) appeared, or at subsequent private or public sale, or relist the lot(s) in a future auction conducted by Auctioneer. A defaulting Bidder agrees to pay for the reasonable costs of resale (including a 20% seller’s commission, if consigned to an auction conducted by Auctioneer). e defaulting Bidder is liable to pay any di erence between his total original invoice for the lot(s), plus any applicable interest, and the net proceeds for the lot(s) if sold at private sale or the subsequent hammer price of the lot(s) less the 20% seller’s commission, if sold at an Auctioneer’s auction.

7. Auctioneer reserves the right to require payment in full in good funds before delivery of the merchandise.

8. Auctioneer shall have a lien against the merchandise purchased by the buyer to secure payment of the Auction invoice. Auctioneer is further granted a lien and the right to retain possession of any other property of the buyer then held by the Auctioneer or its a liates to secure payment of any Auction invoice or any other amounts due the Auctioneer or a liates from the buyer. With respect to these lien rights, Auctioneer shall have all the rights of a secured creditor under Article 9 of the Texas Uniform Commercial Code, including but not limited to the right of sale (including a 20% seller’s commission, if consigned to an auction conducted by Auctioneer). In addition, with respect to payment of the Auction invoice(s), the buyer waives any and all rights of o set he might otherwise have against the Auctioneer and the consignor of the merchandise included on the invoice. If a Bidder owes Auctioneer or its a liates on any account, Auctioneer and its a liates shall have the right to o set such unpaid account by any credit balance due Bidder, and it may secure by possessory lien any unpaid amount by any of the Bidder’s property in their possession.

9. Title shall not pass to the successful Bidder until all invoices are paid in full. It is the responsibility of the buyer to provide adequate insurance coverage for the items once they have been delivered to a common carrier or third-party shipper.

Delivery, Shipping and Handling Charges:

1. Buyer is liable for shipping, handling, registration, and renewal fees, if any. Lots won will be shipped in a commercially reasonable time after payment in good funds for the merchan-

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dise and the shipping fees are received or credit extended, except when third-party shipment occurs. Buyer agrees that Service and Handling charges related to shipping items which are not pre-paid, may be charged to the credit card on le with Auctioneer.

2. Successful international Bidders shall provide written shipping instructions, including speci ed customs declarations, to the Auctioneer for any lots to be delivered outside of the United States. NOTE: Declaration value shall be the item’(s) hammer price together with its buyer’s premium and Auctioneer shall use the correct harmonized code for the lot. Domestic Buyers on lots designated for third-party shipment must designate the common carrier, accept risk of loss, and prepay shipping costs.

3. All shipping charges will be borne by the successful Bidder. On all domestic shipments, any risk of loss during shipment will be borne by the Auctioneer until the shipping carrier’s con rmation of delivery to the address of record in Auctioneer’s le (carrier’s con rmation is conclusive to prove delivery to Bidder; if the client has a Signature release on le with the carrier, the package is considered delivered without Signature) or delivery by the Auctioneer to Bidder’s selected third-party shipper. On all foreign shipments, any risk of loss during shipment will be borne by the Bidder following Auctioneer’s delivery to the Bidder’s designated common carrier or third-party shipper.

4. Due to the nature of some items sold, it shall be the responsibility for the successful Bidder to arrange pick-up and shipping through third-parties; as to such items Auctioneer shall have no liability. Failure to pick-up or arrange shipping in a timely fashion (within ten days) shall subject Lots to storage and moving charges, including a $100 administration fee plus $10 daily storage for larger items and $5.00 daily for smaller items (storage fee per item) after 35 days. In the event the Lot is not removed within ninety days, the Lot may be o ered for sale to recover any past due storage or moving fees, including a 20% Seller’s Commission.

5. Auctioneer shall not be liable for any loss caused by or resulting from: a. Seizure or destruction under quarantine or Customs regulation, or con scation by order of any Government or public authority, or risks of contraband or illegal transportation of trade, or b. Breakage of statuary, marble and similar fragile articles.

6. Any request for shipping veri cation for undelivered packages must be made within 30 days of shipment by Auctioneer.

Cataloging, Warranties and Disclaimers:

1. NO WARRANTY, WHETHER EXPRESSED OR IMPLIED, IS MADE WITH RESPECT TO ANY DESCRIPTION CONTAINED IN THIS AUCTION OR ANY SECOND OPINE. Any description of the items or second opine contained in this Auction is for the sole purpose of identifying the items for those Bidders who do not have the opportunity to view the lots prior to bidding, and no description of items has been made part of the basis of the bargain or has created any express warranty that the goods would conform to any description made by Auctioneer. Color variations can be expected in any electronic or printed imaging, and are not grounds for the return of any lot. NOTE: Auctioneer may have express written warranties and you are referred to those speci c terms and conditions.

2. Auctioneer is selling only such right or title to the items being sold as Auctioneer may have by virtue of consignment agreements on the date of auction and disclaims any warranty of title to the Property. Auctioneer disclaims any warranty of merchantability or tness for any particular purposes. All images, descriptions, sales data, and archival records are the exclusive property of Auctioneer, and may be used by Auctioneer for advertising, promotion, archival records, and any other uses deemed appropriate.

3. Auctioneer disclaims all liability for damages, consequential or otherwise, arising out of or in connection with the sale of any Property by Auctioneer to Bidder. No third party may rely on any bene t of these Terms and Conditions and any rights, if any, established hereunder are personal to the Bidder and may not be assigned. Any statement made by the Auctioneer is an opinion and does not constitute a warranty or representation. No employee of Auctioneer may alter these Terms and Conditions, and, unless signed by a principal of Auctioneer, any such alteration is null and void.

4. Auctioneer shall not be liable for breakage of glass or damage to frames (patent or latent); such defects, in any event, shall not be a basis for any claim for return or reduction in purchase price.

Release:

In consideration of participation in the Auction and the placing of a bid, Bidder expressly releases Auctioneer, its o cers, directors and employees, its a liates, and its outside experts that provide second opines, from any and all claims, cause of action, chose of action, whether at law or equity or any arbitration or mediation rights existing under the rules of any professional society or a liation based upon the assigned description, or a derivative theory, breach of warranty express or implied, representation or other matter set forth within these Terms and Conditions or otherwise. In the event of a claim, Bidder agrees that such rights and privileges conferred therein are strictly construed as speci cally declared herein; e.g., authenticity, typographical error, etc. and are the exclusive remedy. Bidder, by non-compliance to these express terms of a granted remedy, shall waive any claim against Auctioneer.

Dispute Resolution and Arbitration Provision:

1. By placing a bid or otherwise participating in the auction, Bidder accepts these Terms and Conditions, and speci cally agrees to the dispute resolution provided herein. Consumer disputes shall be resolved through court litigation which has an exclusive Dallas, Texas venue clause and jury waiver. Non-consumer dispute shall be determined in binding arbitration which arbitration replaces the right to go to court, including the right to a jury trial.

2. Auctioneer in no event shall be responsible for consequential damages, incidental damages, compensatory damages, or any other damages arising or claimed to be arising from the auction of any lot. In the event that Auctioneer cannot deliver the lot or subsequently it is established that the lot lacks title, or other transfer or condition issue is claimed, in such cases the sole remedy shall be limited to rescission of sale and refund of the amount paid by Bidder; in no case shall Auctioneer’s maximum liability exceed the high bid on that lot, which bid shall be deemed for all purposes the value of the lot. After one year has elapsed, Auctioneer’s maximum liability shall be limited to any commissions and fees Auctioneer earned on that lot.

3. In the event of an attribution error, Auctioneer may at its sole discretion, correct the error on the Internet, or, if discovered at a later date, to refund the buyer’s purchase price without further obligation.

4. Exclusive Dispute Resolution Process: All claims, disputes, or controversies in connection with, relating to and /or arising out of your Participation in the Auction or purchase of any lot, any interpretation of the Terms and Conditions or any amendments thereto, any description of any lot or condition report, any damage to any lot, any alleged verbal modi cation of any term of sale or condition report or description and/or any purported settlement whether asserted in contract, tort, under Federal or State statute or regulation or any claim made by you of a lot or your Participation in the auction involving the auction or a speci c lot involving a warranty or representation of a consignor or other person or entity including Auctioneer {which claim you consent to be made a party} (collectively, “Claim”) shall be

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exclusively heard by, and the claimant (or respondent as the case may be) and Auctioneer each consent to the Claim being presented in a con dential binding arbitration before a single arbitrator administrated by and conducted under the rules of, the American Arbitration Association. e locale for all such arbitrations shall be Dallas, Texas. e arbitrator’s award may be enforced in any court of competent jurisdiction. If a Claim involves a consumer, exclusive subject matter jurisdiction for the Claim is in the State District Courts of Dallas County, Texas and the consumer consents to subject matter and in personam jurisdiction; further CONSUMER EXPRESSLY WAIVES ANY RIGHT TO TRIAL BY JURY. A consumer may elect arbitration as speci ed above. Any claim involving the purchase or sale of numismatic or related items may be submitted through binding PNG arbitration. Any Claim must be brought within two (2) years of the alleged breach, default or misrepresentation or the Claim is waived. Exemplary or punitive damages are not permitted and are waived. A Claim is not subject to class certi cation. Nothing herein shall be construed to extend the time of return or conditions and restrictions for return. is Agreement and any Claim shall be determined and construed under Texas law. e prevailing party (a party that is awarded substantial and material relief on its damage claim based on damages sought vs. awarded or the successful defense of a Claim based on damages sought vs. awarded) may be awarded its reasonable attorneys’ fees and costs.

5. No claims of any kind can be considered after the settlements have been made with the consignors. Any dispute after the settlement date is strictly between the Bidder and consignor without involvement or responsibility of the Auctioneer.

6. In consideration of their participation in or application for the Auction, a person or entity (whether the successful Bidder, a Bidder, a purchaser and/or other Auction participant or registrant) agrees that all disputes in any way relating to, arising under, connected with, or incidental to these Terms and Conditions and purchases, or default in payment thereof, shall be arbitrated pursuant to the arbitration provision. In the event that any matter including actions to compel arbitration, construe the agreement, actions in aid or arbitration or otherwise needs to be litigated, such litigation shall be exclusively in the Courts of the State of Texas, in Dallas County, Texas, and if necessary the corresponding appellate courts. For such actions, the successful Bidder, purchaser, or Auction participant also expressly submits himself to the personal jurisdiction of the State of Texas.

7. ese Terms and Conditions provide speci c remedies for occurrences in the auction and delivery process. Where such remedies are a orded, they shall be interpreted strictly. Bidder agrees that any claim shall utilize such remedies; Bidder making a claim in excess of those remedies provided in these Terms and Conditions agrees that in no case whatsoever shall Auctioneer’s maximum liability exceed the high bid on that lot, which bid shall be deemed for all purposes the value of the lot.

Miscellaneous:

1. Agreements between Bidders and consignors to e ectuate a non-sale of an item at Auction, inhibit bidding on a consigned item to enter into a private sale agreement for said item, or to utilize the Auctioneer’s Auction to obtain sales for non-selling consigned items subsequent to the Auction, are strictly prohibited. If a subsequent sale of a previously consigned item occurs in violation of this provision, Auctioneer reserves the right to charge Bidder the applicable Buyer’s Premium and consignor a Seller’s Commission as determined for each auction venue and by the terms of the seller’s agreement.

2. Acceptance of these Terms and Conditions quali es Bidder as a client who has consented to be contacted by Auctioneer in the future. In conformity with “do-not-call” regulations promulgated by the Federal or State regulatory agencies, participation by the Bidder is a rmative consent to being contacted at the phone number shown in his application and this consent shall remain in e ect until it is revoked in writing. Auctioneer may from time to time contact Bidder concerning sale, purchase, and auction opportunities available through Auctioneer and its a liates and subsidiaries.

3. Rules of Construction: Auctioneer presents properties in a number of collectible elds, and as such, speci c venues have promulgated supplemental Terms and Conditions.

4. Nothing herein shall be construed to waive the general Terms and Conditions by these additional rules and shall be construed to give force and e ect to the rules in their entirety.

Store Notice: Notice as to an Auction in Texas. In compliance with TDLR rule 67.100(c)(1), notice is hereby provided that this auction is covered by a Recovery Fund administered by the Texas Department of Licensing and Regulation, P.O. Box 12157, Austin, Texas 78711 (512) 463-6599. Any complaints may be directed to the same address.

Auction Coordinator & Registrar: Lindsey Lutz

Catalogue Design: WinshipPhillips

Photography: Roy Richardson

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72 FREDERIC SACKRIDER REMINGTON (1861 - 1909)

e Sergeant, 1904

bronze, Lifetime Casting No. 8, 10.5 inches high

$70,000-$100,000

BACK COVER

163 JULIAN ONDERDONK (1882 - 1922)

In the Boerne Hills – Southwest Texas oil on canvas, 20 x 30 inches

$150,000-$250,000

Douglas Center Tower, 8333 Douglas Ave., Suite 360, Dallas, Texas 75225 Phone: 469.608.7600 | Website: Lsartauction.com Presented by Great American West and Phil Berkebile, Jr. Email: info@lsartauction.com © 2022 LONE STAR ART AUCTION, ALL RIGHTS RESERVED.

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