A Special Tribute
to Cowboy Artists of America Member and Friend, Bill Owen (1942 – 2013)
THE LONE STAR ART AUCTION
is proud to pay tribute to one of the nest Western artists of the last 75 years by o ering for sale several of his bronzes, drawings, and paintings coming from four private collections.
From Bill Owen: “It has been said that the most important thing in painting is the composition. I feel that there is no one most important component, that all of them are important. Accuracy is an equally signi cant part of any painting I do; authenticity matters as much to me as light, color, and composition. I feel that I have an obligation to portray the life of the working cowboy in the most truthful way possible; as a result, I continually research my subjects to ensure that accuracy. No painting is complete, as far as I’m concerned, without a solid grounding in reality. I nd it very gratifying that my work seems to please my working cowboy friends. I value their approval—it convinces me that my work is truly worth the e ort.”
“Bill was a friend, and I was proud to have represented him for the last years of his life at the Great American West Gallery” says gallery and Lone Star Art Auction owner Phil Berkebile, Jr. “Bill had not been represented by a gallery for over 15 years when he approached me in 2010 with the idea of representation. He was a living legend and a true cowboy artist in every sense, and I couldn’t have been more humbled.”
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15
PROVENANCE
Private
$5,000-$7,000
17
16
PROVENANCE
Private
$3,000-$5,000
PROVENANCE
Private
$1,500-$2,500
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BILL OWEN (1942 - 2013)
Sackin’ Out a Bronc bronze, 29/45 32.5 x 23 x 14 inches inscribed on base: Bill Owen CA 29/45
Collection, Peoria, Arizona
BILL OWEN (1942 - 2013) Starving Cowboy, 1986 bronze, 22/25
22.5 x 12.25 x 11 inches inscribed on base: Bill Owen CA 1986 22/25
Collection, Peoria, Arizona
BILL OWEN (1942 - 2013) Ranch Mare, 2004 watercolor on paper 10 x 13.5 inches signed lower right: Bill Owen CA 2004
Collection, Peoria, Arizona
18
BILL OWEN (1942 - 2013)
At Sunset, 2012
oil on canvas on panel 12 x 9 inches
signed lower left: Bill Owen CA 2012
PROVENANCE
Private Collection, Peoria, Arizona
$3,000-$5,000
19
BILL OWEN (1942 - 2013)
Takin’ the Jerk, 1976
bronze, 19/25 20 x 16 x 22 inches
inscribed on base: Bill Owen CA 1976 19/25
PROVENANCE
Private Collection, Peoria, Arizona
$3,000-$5,000
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20
BILL OWEN (1942 - 2013)
e Last One, 1995
oil on linen
18 x 24 inches
signed lower right: Bill Owen CA 1995
PROVENANCE
Private Collection, Nashville, Tennessee
$12,000-$18,000
21
BILL OWEN (1942 - 2013)
Tatanka, 2006
bronze, 21/45
17 x 12 x 15.5 inches
inscribed on right: Bill Owen CA 2006 21/45
PROVENANCE
Private Collection, Peoria, Arizona
$6,000-$9,000
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23
BILL OWEN (1942 - 2013)
CO Bar Ranch Bulls, 1982
charcoal on paper
17 x 21 inches
signed lower right: Bill Owen CA 1982
PROVENANCE
Private Collection, Pilot Point, Texas
$3,000-$5,000
22
BILL OWEN (1942 - 2013)
A CO Bar Bull and Book, 1982
bronze, J/100
5 x 12.25 x 7 inches
inscribed on base: Bill Owen CA 1982
J/100 C0 - (brand)
PROVENANCE
Private Collection, Peoria, Arizona
$1,000-$1,500
24
BILL OWEN (1942 - 2013)
Horse Head Study, 2010
oil on canvas
7 x 5 inches
signed lower right: Bill Owen CA 2010
PROVENANCE
Private Collection, Peoria, Arizona
$1,000-$2,000
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And All a Good Night, 1994
oil on linen
24 x 18 inches
signed lower right: Bill Owen CA 1994
PROVENANCE
Private Collection, Nashville, Tennessee
$12,000-$18,000
26
e Cutting Horse, 1979 bronze, 24/25 19 x 26.5 x 16 inches
inscribed on base: Bill Owen CA 1979 24/25
PROVENANCE
Private Collection, Peoria, Arizona
$4,000-$6,000 27
Doe, Ray and Me, 2008
oil on canvas 11 x 16 inches
signed lower right: Bill Owen CA 2008
PROVENANCE
Private Collection, Peoria, Arizona
$4,000-$6,000
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25
BILL OWEN (1942 - 2013)
BILL OWEN (1942 - 2013)
BILL OWEN (1942 - 2013)
28
BILL OWEN (1942 - 2013)
Harvey Tank, 1976 oil on canvas 18 x 24 inches signed lower right: Bill Owen CA 76
PROVENANCE Private Collection, Norman, Oklahoma
$8,000-$12,000
29
BILL
Ride for the Brand, 1992 charcoal on paper 12.5 x 20 inches
signed lower right: Bill Owen CA 1992 NAWA
PROVENANCE Private Collection, Peoria, Arizona
$4,000-$6,000 30
bronze, 10/30
14 5 x 19.5 x 11 inches
inscribed on base:
CA 1980 10/30
PROVENANCE
Private Collection, Peoria, Arizona
$2,000-$3,000
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OWEN (1942 - 2013)
BILL OWEN (1942 - 2013)
A Little Cowboy’s Delight, 1980
Bill Owen
BILL OWEN (1942 - 2013)
Bill Owen’s Custom Saddle by John Herron (with accessories)
leather, rawhide, wood, brass, wool 44 x 28 x 20 inches
inscribed on saddle back and seat: John Herron Saddle Maker Chino Valley AZ (Owen Cattle Brand on Seat)
Bill custom ordered this saddle in 2012 and it is the one he used on his nal Cowboy Artists of America trail ride held in 2013 on the famous 6666’s ranch in Guthrie, Texas. Bill passed just three weeks later, after he and the other CAA members broke camp at the historic Texas ranch.
PROVENANCE
Private Collection, Peoria, Arizona
$5,000-$10,000
32
BILL OWEN (1942 - 2013)
Bill Owen’s Custom Bit and Spurs by Steve Schmitt
nickel silver, steel, leather, rawhide
inscribed on spurs: Steve Schmitt with Bill Owen initials and brand;
inscribed on bit: Steve Schmitt with Bill Owen brand
PROVENANCE Private Collection, Peoria, Arizona
$1,000-$2,000
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31
Blue, 2006
watercolor on paper
13.5 x 10 inches
signed lower right: Bill Owen CA 2006 NAWA
PROVENANCE
Private Collection, Peoria, Arizona
$1,500-$2,500
A Cowboy’s Potlicker, 2004
bronze, AP 1/40 6 x 13 x 13 inches
inscribed on base: Bill Owen CA 2004 AP1/40
PROVENANCE
Private Collection, Peoria, Arizona
$1,000-$2,000
Cow Head, 2005
watercolor on paper
9.5 x 7.75 inches
signed lower right: Bill Owen CA 2005
PROVENANCE
Private Collection, Peoria, Arizona
$1,000-$1,500
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34
BILL OWEN (1942 - 2013)
33 BILL OWEN (1942 - 2013)
35
BILL OWEN (1942 - 2013)
$250,000-$300,000
“Robert Lindenaux was another artist painting at the same time as Charlie Russell. He was also a photographer and captured scenes of the West on old glass plates. I came upon one of his photographs at an estate sale of a rodeo in Cody, Wyoming, taken between the late 1800s- early 1900s. I was so taken by the photograph that I purchased it with the intention of turning it into a painting. But when I began painting the photograph, I improvised. And instead of painting the cowboy on the horse as in the photo, I painted an Indian brave on the horse instead. I did this because I believe the best cowboys were the Indians. e painting is a play on ‘cowboys and Indians,’ depicting a role reversal of the “cowboys” rodeo ground with the cowboy being an ‘Indian.’ I came up with the title after thinking how humorous it would be to hear a fast-talking auctioneer say it out loud, but of course also because the horse is bucking.” —
Tom Gilleon, artist
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R. TOM GILLEON (B. 1942)
Another Bucker, 2022 oil on canvas 60 x 60 inches
signed lower right: R. Tom Gilleon
PROVENANCE e Artist
PROVENANCE e Artist
$175,000-$225,000
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37
R. TOM GILLEON (B. 1942)
Yellowstone Re ections, 2022 oil on canvas
50 x 40 inches
signed lower right: R. Tom Gilleon
R. TOM GILLEON (B. 1942)
Wolfe Butte Camp, 2022
oil on canvas
10 x 12 inches
signed lower right: R. Tom Gilleon
PROVENANCE e Artist
$18,500-$22,500
39
JOHN COLEMAN (B. 1949)
e New Comers 1804, 2012
bronze, 13/20
37 x 24 x 15 inches
inscribed on base: 1804 e New Comers
John Coleman CA 13/20 2012
PROVENANCE
Private Collection, Dallas, Texas
$20,000-$30,000
40
BRENT COTTON (B. 1972)
e Setting Sun, 2010
oil on canvas 24 x 20 inches
signed lower right: Cotton
PROVENANCE
Private Collection, Westlake, Texas
$5,000-$7,000
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38
41
BILL SCHENCK (B. 1947) e Crossing, 2021 oil on canvas 36 x 36 inches signed lower right: Schenck 21
PROVENANCE Private Collection, Westlake, Texas
$10,000-$15,000
42
BILL SCHENCK (B. 1947)
Sunset on the Sand Hills, 2021 oil on canvas 36 x 36 inches signed lower right: Schenck 21
PROVENANCE Private Collection, Westlake, Texas
$10,000-$15,000
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PROVENANCE
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43
WILLIAM ACHEFF (B. 1947)
Color in the Forest, 2004 oil on canvas 40 x 30 inches signed lower right: Wm Ache 2004
Private Collection, Indio, California
$50,000-$70,000
45
CONRAD
e Conference Tree
oil on board
16 x 20 inches
signed lower right: Schwiering
PROVENANCE
Private Collection, Pilot Point, Texas
$3,000-$5,000
44
San Juan Pueblo Pots and Moccasins, 1998
oil on canvas
20 x 30 inches
signed lower right: W. M. Ache 1998
PROVENANCE
Private Collection, Dallas, Texas
$15,000-$25,000
46
CONRAD SCHWIERING (1916 - 1986)
Range Land Babysitter
oil on board
16 x 20 inches
signed lower right: Schwiering
PROVENANCE
Private Collection, Pilot Point, Texas
$3,000-$5,000
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WILLIAM ACHEFF (B. 1947)
SCHWIERING (1916 - 1986)
47
BURT PROCTOR (1901 - 1980)
Noon oil on canvas 20 x 24 inches
signed lower left: Burt Proctor
PROVENANCE Private Collection, Fredericksburg, Texas
$6,000-$8,000
48
MICHAEL GODFREY (B. 1958)
A Window in the Aspens oil on canvas 48 x 36 inches
signed lower right: Michael Godfrey
PROVENANCE Private Collection, Westlake, Texas
$7,000-$10,000
49
MICHAEL GODFREY (B. 1958)
Snow Scene oil on canvas 30 x 30 inches
signed lower left: Michael Godfrey
PROVENANCE Private Collection, Westlake, Texas
$4,000-$6,000
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50
CHARLES PARTRIDGE ADAMS (1858 - 1942)
Evening in the Chicago Basin… Silverton, Colorado
oil on canvas 14 x 18 inches signed lower left: Charles Partridge Adams
PROVENANCE Private Collection, Plano, Texas
$8,000-$12,000
51
CHARLES PARTRIDGE ADAMS (1858 - 1942)
Edge of the Aspen Grove
oil on canvas 18 x 24 inches signed lower left: Charles Partridge Adams
PROVENANCE Private Collection, Plano, Texas
$8,000-$12,000
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E. MARTIN HENNINGS (1886 - 1956)
e Wagon Road, circa 1940’s
oil on canvas
25 x 30 inches
signed lower left: E. Martin Hennings
PROVENANCE
Private Collection, Pilot Point, Texas
$150,000-$250,000
-2952
53
E. MARTIN HENNINGS (1886 - 1956)
Spanish Town – Cercidilla
oil on canvas on panel 14 x 14 inches
signed lower left: E. M. Hennings
PROVENANCE
Private Collection, Dallas, Texas
$35,000-$55,000
54
E. MARTIN HENNINGS (1886 - 1956)
Mother and Child
oil on canvas on panel 14 x 14 inches
signed lower left: E. M. Hennings
PROVENANCE
Private Collection, Fredericksburg, Texas
$25,000-$35,000
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PROVENANCE
$15,000-$25,000
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55
JOSEPH HENRY SHARP (1859 - 1953)
Dolly, Taos
oil on cedar cigar box lid
8 x 5.75 inches
signed lower left: J. H. Sharp
Private Collection, Pilot Point, Texas
56
ERIC BOWMAN
ough Storms Encompass Me, 2022
oil on canvas 30 x 30 inches signed upper left: Bowman
PROVENANCE Private Collection, Logan, Utah
$20,000-$30,000
57
ERIC BOWMAN
I Turned to Listen, 2022
oil on linen 16 x 20 inches signed lower left: Bowman
PROVENANCE Private Collection, Dallas, Texas
$8,000-$12,000
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(B. 1960)
(B. 1960)
PROVENANCE
Private Collection, Dallas, Texas
$30,000-$40,000
-3358
GLENN DEAN (B. 1976)
e End of a Good Day, 2022
oil on canvas
32 x 40 inches signed lower left: G. Dean
59
GLENN DEAN (B. 1976)
Finding a Place in the Sun, 2020 oil on board 16 x 20 inches
signed lower right: G. Dean
PROVENANCE Private Collection, Houston, Texas
$10,000-$15,000
60
ALLAN HOUSER (1914 - 1994)
e Night Song, 1985 bronze, 8/20 10.75 x 7.75 x 5.5 inches inscribed on back: Allan Houser 8/20 85
PROVENANCE Private Collection, Newton, Pennsylvania
$5,000-$7,000
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LOGAN MAXWELL HAGEGE (B. 1980)
Weather Beyond the Mesa, 2022 oil on linen 25 x 32 inches
signed lower right: LMH
PROVENANCE Private Collection, Dallas, Texas
$50,000-$70,000
-3561
signed lower right: Ed Mell
PROVENANCE
Private Collection, Dallas, Texas
$40,000-$50,000
signed lower right: Ed Mell
PROVENANCE
Private Collection, Dallas, Texas
$25,000-$35,000
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62
ED MELL (B. 1942)
Mesa Sunset
oil on linen
24.25 x 64 inches
63
ED MELL (B. 1942)
Nocturne Glow, 2015
oil on linen
20 x 30 inches
64
ED MELL (B. 1942)
underheads, 2021
oil on linen board
12 x 16 inches
signed lower left: Ed Mell
PROVENANCE
Private Collection, Dallas, Texas
$10,000-$15,000
65
ED MELL (B. 1942)
Dancing Bloom, 2021
oil on linen board
15.25 x 13.875 inches
signed lower right: Ed Mell
PROVENANCE
Private Collection, Dallas, Texas
$10,000-$15,000
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ANDY WARHOL (1928 - 1987)
War Bonnet Indian
screenprint on Lenox Museum Board, TP 6/36
36 x 36 inches
signed lower left: Andy Warhol TP 6/36
PROVENANCE
Private Collection, Paradise Valley, Arizona
$150,000-$200,000
War Bonnet Indian was one of fourteen screenprints in the portfolio titled Cowboys and Indians produced by the artist in 1986. Trial Proof Edition Prints are unique works that were pulled during the proo ng process of an edition, and each re ects unique color and/or composition changes. is example signed TP 6/36, is a true one-of-one, piece unique, making it very rare and highly collectible.
-3866
OSCAR BERNINGHAUS (1874 - 1953)
Pueblo Canyon Forest
mixed media on paper 12 x 17 inches
signed lower left. O. E. Berninghaus Taos
PROVENANCE
Private Collection, Dallas, Texas
$20,000-$30,000
-3967
GERALD CURTIS DELANO (1890 - 1972)
Cattle Country
oil on board 20 x 24 inches signed lower right: Delano
PROVENANCE Private Collection, Dallas, Texas $15,000-$25,000
GERALD CURTIS
DELANO (1890 - 1972)
e Lookout
watercolor on paper 8 x 15 inches signed lower right: Delano (Cypher Only)
PROVENANCE Private Collection, Dallas, Texas $10,000-$15,000
-4068
69
bronze 16 x 20 x 10 inches
inscribed on base: W. R. Leigh/ Ethel Traphagen Leigh 1956
PROVENANCE
Private Collection, Dallas, Texas
$15,000-$25,000 71
PROVENANCE
Private Collection, Dallas, Texas
$30,000-$40,000
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70
WILLIAM R. LEIGH (1866 - 1955)
Bu alo, 1956
WILLIAM R. LEIGH (1866 - 1955) Hopi Pottery Painter
oil on panel 8 x 10 inches
signed lower left: W. R. Leigh
72
FREDERIC SACKRIDER REMINGTON (1861 - 1909)
e Sergeant, 1904
bronze, Lifetime Casting No. 8 10.5 inches high inscribed: Frederc [sic] Remington/Copyrighted 1904 Roman Bronze Works N.Y. 8 (inside base)
is casting of e Sergeant, completed in 1904, was a departure from Remington’s action bronzes of the period. Copyrighted by the artist as “Bust of Rough Rider Sargeant (sic),” it depicts the portrait of a seasoned soldier. e present cast is number 8 out of an edition of approximately 150 total produced and only 20 lifetime casts—making it very rare.
PROVENANCE
Private Collection, Dallas, Texas
$70,000-$100,000
73
FREDERIC SACKRIDER
REMINGTON (1861 - 1909)
In the Desert
gouache and ink wash on paper 10 x 13 inches signed lower left: Remington
PROVENANCE
Private Collection, Dallas, Texas
$60,000-$90,000
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FREDERIC SACKRIDER REMINGTON (1861 - 1909)
e Rattlesnake, 1918
bronze, No. 65
23.875 x 17.5 x 11 inches
inscribed: Copyright by Frederic Remington
ROMAN BRONZE WORKS N.Y. N-65 (under base)
e Rattlesnake depicts a rearing bronc and rider, posed masterfully in a spiraling sweep of motion and it became one of Remington’s most popular works. A Collier’s Magazine review called it “the work of a master’s hand.” Approximately one hundred castings were produced before the artist ordered destruction of the models. e present casting from Roman Bronze Works in New York is number 65 completed on May 31, 1918.
PROVENANCE
Private Collection, Dallas, Texas
$150,000-$250,000
-4374
75
EANGER IRVING COUSE (1866 - 1936)
e Speaker
oil on panel 10.5 x 16.25 inches
signed lower right: E. I. Couse N.A.
PROVENANCE
Private Collection, Dallas, Texas
$70,000-$90,000
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76
EANGER IRVING COUSE (1866 - 1936)
e Pottery Painter oil on canvas
12 x 16 inches
signed lower right: E. I. Couse
PROVENANCE
Private Collection, Plano, Texas
$30,000-$50,000
77
EANGER IRVING COUSE (1866 - 1936)
Watching the Fish oil on panel
8 x 10 inches
signed lower right: E. I. Couse N.A.
PROVENANCE
Private Collection, Dallas, Texas
$20,000-$30,000
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78
HOWARD TERPNING (B. 1927)
Cold Montana Morning, 1984
mixed media on board
8.5 x 11.5 inches
signed lower left: Terpning CA 1984
PROVENANCE
Private Collection, Dallas, Texas
$40,000-$60,000
79
HOWARD TERPNING (B. 1927)
Northern Plains Brave, 2007
charcoal on paper
8 x 8 inches
signed lower right: Terpning CA 2007
PROVENANCE
Private Collection, Dallas, Texas
$7,000-$9,000
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PROVENANCE
Private
$25,000-$35,000
PROVENANCE
Private
$70,000-$90,000
-4780
JOHN COLEMAN (B. 1949) Honeymoon at Crow Fair, 2012
bronze, 19/20
25.5 x 17 x 8 inches inscribed on base: John Coleman CA 2012 19/20
Collection, Dallas, Texas
81
Z. S. LIANG (B. 1953) Overlooking the Two Medicine River, 1806
oil on canvas 38 x 58 inches signed lower right: Z. S. Liang
Collection, Plano, Texas
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82
JIM NORTON (B. 1953)
Land of Good Beaver, 2004 oil on canvas 30 x 46 inches
signed lower left: Jim C. Norton CA
PROVENANCE Private Collection, Dallas, Texas
$25,000-$45,000
BEV DOOLITTLE (B. 1947)
PROVENANCE Private Collection, Westlake, Texas
$30,000-$50,000
-4983
Wolves of the Crow watercolor on paper
18.375 x 47.5 inches signed lower left: Bev Doolittle
CHARLES MARION RUSSELL (1864 - 1926)
Indian Women Moving Camp, 1894
watercolor on paper
22.25 x 33.5 inches
signed lower left: CMRussell with Bu alo Cipher ‘94
Ginger Renner wrote of this and a second work, “A short vacation trip to London resulted in the acquisition of these companion watercolors. Quite likely they were purchased from the artist by one of the many Englishmen who came into Southern Alberta and Northern Montana toward the end of the 19th century, lured by the prospect of ranching investments. e watercolors had been in England eighty years when found, rather by accident, in Sotheby’s auction house in Belgravia. ese two watercolors are among the largest ever painted by Russell.”
PROVENANCE
Private Collection, Dallas, Texas
$225,000-$275,000
-5084
Indian Portrait, 1901
watercolor on paper 12 x 10 inches
signed lower left: CMR with Bu alo Cipher 1901
PROVENANCE
Private Collection, Dallas, Texas
$70,000-$100,000
-5185
CHARLES MARION RUSSELL (1864 - 1926)
86
CHARLES MARION RUSSELL (1864 - 1926)
Indian on Horseback
pen, ink and gouache on paper
10.5 x 7.5 inches
signed lower left: CMR with Bu alo Cipher
PROVENANCE
Private Collection, Dallas, Texas
$40,000-$60,000
87
KENNETH PAULING RILEY (1919 - 2015)
Out of the Sun
oil on canvas
26 x 19 inches
signed lower right: Kenneth Riley
PROVENANCE
Private Collection, Dallas, Texas
$25,000-$35,000
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PROVENANCE
$45,000-$65,000
89
PROVENANCE
Private
$20,000-$30,000
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88
JOHN COLEMAN (B. 1949) Oracle of the Bu alo Nation, 2021 oil on canvas 30 x 20 inches signed lower right: John Coleman CA
Private Collection, Dallas, Texas
JOHN COLEMAN (B. 1949)
Crazy Horse 1876, 2020 bronze, 2/20 27 x 18 x 13 inches inscribed: Crazy Horse 1876 John Coleman CA 2020 2/20
Collection, Dallas, Texas
90
KENNETH PAULING RILEY (1919 - 2015)
Blood Brother
oil on canvas
40 x 44 inches
signed lower right: Kenneth Riley CA
PROVENANCE
Private Collection, Dallas, Texas
$50,000-$80,000
91
JOHN COLEMAN (B. 1949)
Mato-Tope 1833, 2021
bronze, 13/20
31 x 14 x 11 inches
inscribed: John Coleman CA 2021 13/20
PROVENANCE
Private Collection, Dallas, Texas
$20,000-$30,000
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92
TOM LOVELL (1909 - 1997)
White Man’s Corn Tipis, 1993
oil on gesso panel
14 x 12 inches
signed lower right: Tom Lovell ‘93
PROVENANCE
Private Collection, Dallas, Texas
$30,000-$40,000
93
TOM LOVELL (1909 - 1997)
White Man’s Corn Tipis, 1992
charcoal on paper
28.5 x 24 inches
signed lower right: Tom Lovell 1992
PROVENANCE
Private Collection, Dallas, Texas
$5,000-$7,000
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94
CLARK HULINGS (1922 - 2011)
Man From Belmonte (Spain), 1967
oil on canvas
22 x 33 inches
signed lower right: Hulings 1967
PROVENANCE
Private Collection, Dallas, Texas
$30,000-$50,000
95
ARTHUR FITZWILLIAM TAIT (1819 - 1905)
Baby Chicks, 1864
oil on board
10 x 12 inches
signed lower right: A. F. Tait 1864
PROVENANCE
Private Collection, Dallas, Texas
$6,000-$8,000
96
TUCKER SMITH (B. 1940)
Goats of Norway, 2004
oil on canvas
20 x 24 inches
signed lower right: Tucker Smith 04
PROVENANCE
Private Collection, Dallas, Texas
$7,000-$10,000
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PROVENANCE
Private Collection, Dallas, Texas
$30,000-$50,000
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97
JIM NORTON (B. 1953)
Where Eagles Fly, 1995
oil on canvas 36 x 48 inches signed lower left: Jim C. Norton CA
98
JIM NORTON
rough the Bog oil on board 12 x 16 inches signed lower left: Jim C. Norton NWR
PROVENANCE Private Collection, Houston, Texas
$4,000-$6,000
99
Easy Crossing oil on board 12 x 10 inches
signed lower right: Tom Browning CA
PROVENANCE Private Collection, Westlake, Texas
$3,000-$5,000
100
When the Hills are Kissed by the Sun oil on board 12 x 24 inches
signed lower right: Tom Browning CA
PROVENANCE Private Collection, Westlake, Texas
$5,000-$8,000
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(B. 1953)
TOM BROWNING (B. 1949)
TOM BROWNING (B. 1949)
PROVENANCE e Artist
$35,000-$55,000
-59 -
101
GEORGE HALLMARK (B. 1949)
e Heart of Texas (Alamo, circa 1920), 2022
oil on linen
48 x 36 inches
signed lower right: Hallmark
PROVENANCE
Private Collection, Needham, Massachusetts
$6,000-$8,000 104
PROVENANCE Private Collection, Needham, Massachusetts
$2,000-$3,000
PROVENANCE
Private Collection, Needham, Massachusetts
$2,000-$3,000
-60 -
103
JIM CARSON (B. 1942)
Crockett’s Prayer, 2005 oil on canvas 15 x 12 inches signed lower right: Carson 2005
102
JIM CARSON (B. 1942) De ant Rebels, 2005 oil on canvas 20 x 30 inches signed lower right: Carson 2005
BRUCE R. GREENE (B. 1953)
Crockett’s Prayer bronze, 1/12 15 x 20 x 20 inches inscribed on base: Bruce R. Greene 1/12
106
PROVENANCE
Private
$15,000-$25,000
105
PROVENANCE
Private Collection, Needham, Massachusetts
$2,000-$3,000
-61 -
JIM CARSON (B. 1942)
Crockett, 2004 oil on canvas 15 x 12 inches signed lower right: Carson 2004
JIM CARSON (B. 1942)
e Army of Santa Anna oil on canvas 34 x 54 inches unsigned
Collection, Needham, Massachusetts
107
CARSON THOMAS
Visalia Stock Saddle, 2005
leather, rawhide, wood, nickel silver, wool
34.5 x 17 x 19.5 inches
inscribed on plate: Visalia Stock Saddle by Carson omas 1/1
PROVENANCE
Private Collection, Peoria, Arizona
$15,000-$25,000
Carson omas is a second-generation saddle maker who in the 1970’s also began making halfscale saddles to visually chronicle the Western saddle’s evolution. is model is based on a style that was popular west of the Rockies from the late 1880s to 1900. Visalia saddles are often fully carved or stamped. e in uence comes from the California vaqueros (Mexican cowboys) who elaborately decorated their saddles.
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HENRY MERWIN SHRADY (1871 - 1922)
Elk Bu alo
bronze
22.5 x 27 x 12 inches
inscribed on base: HM Shrady Copyright 1900 TB Starr
Elk Bu alo by Henry Merwin Shrady is perhaps the most remarkable sculpture to capture the Old West in terms of its naturalism and quality of casting. e bronze exempli es the artist’s command of animal anatomy, acquired in his biological studies at Columbia University and through his observations of animals at the Bronx Zoo. According to Roman Bronze Works, Inc. President and founder, Riccardo Bertelli, Elk Bu alo “is very rare as I think we only cast in bronze ve or six copies of it.” Artist Frederic Remington was so impressed by Shrady’s Elk Bu alo, that he purchased an example in 1908, calling it “bye (sic) and large the best bu alo I ever saw modeled and it has become one of the things that I had to own.”
PROVENANCE
Private Collection, Dallas, Texas
$200,000-$300,000
-63108
KYLE POLZIN (B. 1974)
e Chase, 2021
oil on canvas
17.5 x 22.5 inches
signed lower right: Polzin
PROVENANCE
Private Collection, Dallas, Texas
$70,000-$90,000
-64109
KYLE POLZIN (B. 1974)
Treasures of a Nation, 2021
oil on canvas
30 x 50 inches signed lower right: Polzin
PROVENANCE
Private Collection, Dallas, Texas
$90,000-$120,000
-65 -
110
111
G. HARVEY (1933 - 2017)
A Child’s Holiday, 2007
oil on canvas 24 x 20 inches
signed lower right: G. Harvey
PROVENANCE
Private Collection, Dallas, Texas
$55,000-$75,000
-66 -
PROVENANCE
-67 -
112
G. HARVEY (1933 - 2017) Baytown Rigs oil on canvas 24 x 36 inches signed lower left: G. Harvey
PROVENANCE Private Collection, Houston, Texas $40,000-$50,000
113
G. HARVEY (1933 - 2017) Stampede, 2001 bronze, 4/45 14.5 x 27.5 x 12 inches inscribed on base: G. Harvey Stampede 2001 4/45
Private Collection, Dallas, Texas $20,000-$30,000
114
G. HARVEY (1933 - 2017)
People of Paris, 1978
oil on canvas
14 x 10 inches
signed lower left: G. Harvey 1978
PROVENANCE
Private Collection, Dallas, Texas
$8,000-$12,000
115
G. HARVEY (1933 - 2017)
Place De La Concorde, 1978
oil on canvas
14 x 10 inches
signed lower right: G. Harvey 1978
PROVENANCE
Private Collection, Dallas, Texas
$8,000-$12,000
116
GUY CARLETON WIGGINS (1883 - 1962)
Winter 5th Avenue at St. Patrick’s
oil on canvas board 12 x 9 inches
signed lower right: Guy Wiggins
PROVENANCE
Private Collection, Dallas, Texas
$10,000-$15,000
-68 -
Two Champs, 1978
bronze (patinated) 51 x 36 x 22 inches
inscribed: Harry Jackson 1978 TCF 5P
signed: Harry Jackson 1990
PROVENANCE
Private Collection, Houston, Texas
$40,000-$60,000
-69 -
117
HARRY ANDREW JACKSON (1924 - 2011)
119
e Marshall III, 1979
bronze (patinated) 12 x 12 x 3.5 inches
inscribed: Harry Jackson 79 MAIIIP 20P
PROVENANCE
Private Collection, Dallas, Texas
$3,000-$5,000
118
e Pony Express, 1967
bronze, 11 17.75 x 21.75 x 13.5 inches
inscribed on base: Harry Jackson 1967 11
PROVENANCE Private Collection, Dallas, Texas
$20,000-$30,000
-70 -
HARRY ANDREW JACKSON (1924 - 2011)
HARRY ANDREW JACKSON (1924 - 2011)
120
signed
PROVENANCE Private Collection, Dallas, Texas
$15,000-$25,000
121
PROVENANCE Private Collection, Houston,
$6,000-$9,000
-71 -
ROBERT PUMMILL (B. 1936)
Land of the Brush Poppers, 1980 oil on board 36 x 48 inches
lower left: Pummill ‘80
BOB WYGANT (1927 - 2008)
Overlooking the Rio Grande acrylic on board 18 x 24 inches signed lower right: Bob Wygant TA
Texas
122
MELVIN CHARLES WARREN (1920-1995)
A Texas Ranch, 1966
oil on canvas
28 x 40 inches
signed lower right: Melvin C. Warren 1966
PROVENANCE
Private Collection, Houston, Texas
$25,000-$35,000
123
MELVIN CHARLES WARREN (1920-1995)
Little Joe, Don Eagle, 1987
oil on canvas
14 x 28 inches
signed lower right: Melvin C. Warren CA 1987
PROVENANCE
Private Collection, Houston, Texas
$15,000-$25,000
124
MELVIN CHARLES WARREN (1920-1995)
Texas Longhorn, 1974
bronze, 1/60
9.75 x 13.5 x 7 inches
inscribed on base: Texas Longhorn
Melvin C. Warren CA 1/60 1974 Amel
PROVENANCE
Private Collection, Dallas, Texas
$4,000-$6,000
-72 -
125
bronze,
PROVENANCE
Private Collection, Dallas, Texas
$15,000-$25,000
-73 -
JAMES EARLE FRASER (1876 - 1953)
End of the Trail
24 34.25 x 30.5 x 10.5 inches inscribed on base: J. E. Fraser SU 24
126
BOB KUHN (1920 - 2007)
North Country, 1991
acrylic on board
21.5 x 24 inches
signed lower right: Kuhn
PROVENANCE
Private Collection, Dallas, Texas
$100,000-$150,000
-74 -
127
BOB KUHN (1920 - 2007)
On Desert Slopes
acrylic on board 14 x 18 inches signed lower left: Kuhn
PROVENANCE
Private Collection, Houston, Texas
$70,000-$90,000
128
BOB KUHN (1920 - 2007)
Watchful Eyes
acrylic on board 12.5 x 10 inches signed lower middle right: Kuhn
PROVENANCE
Private Collection, Houston, Texas
$25,000-$35,000
-75 -
131
TIM SHINABARGER (B. 1966)
Sik Sik Shell Game
bronze, 25/30 23 x 21 x 15 inches
inscribed: Sik Sik Shell Game, Shinabarger 25/30
PROVENANCE
Private Collection, Dallas, Texas
$15,000-$25,000
129
BOB KUHN (1920 - 2007)
Bighorns
conte crayon on paper 9.25 x 12.25 inches
signed lower right: Kuhn
PROVENANCE
Private Collection, Houston, Texas
$3,000-$5,000
130
BOB KUHN (1920 - 2007)
Cape Bu alo
conte crayon on paper 9 x 10.5 inches
signed lower right: Kuhn
PROVENANCE
Private Collection, Houston, Texas
$3,000-$5,000
-76 -
PROVENANCE
$50,000-$70,000
-77132
JOHN BANOVICH (B. 1964)
Bu alo Run, 2014
oil on linen
48 x 60 inches signed lower right: Banovich 2014
Private Collection, Westlake, Texas
133
RICHARD DAVID SHEPHERD (1930 - 2017)
Elephant and Termite Mound, 1984
oil on canvas
23 x 44 inches
signed lower right: David Shepherd 84
PROVENANCE
Private Collection, Houston, Texas
$60,000-$80,000
134
KEN CARLSON (B. 1937)
Shade at Noon
oil on board
13 x 18 inches
signed lower right: Carlson
PROVENANCE
Private Collection, Houston, Texas
$8,000-$12,000
-78 -
Pheasants oil on canvas 24 x 18 inches signed lower right: Carlson
PROVENANCE
Bobwhites oil on canvas 12 x 9 inches signed lower right: Carlson
PROVENANCE Private Collection, Dallas, Texas
-79136
KEN CARLSON (B. 1937)
135
$4,000-$6,000
KEN CARLSON (B. 1937)
137
Private Collection, Dallas, Texas $6,000-$8,000
KEN CARLSON (B. 1937) Winner Take All oil on board 28 x 42 inches signed lower left: Carlson
PROVENANCE Private Collection, Houston, Texas $40,000-$50,000
PROVENANCE Private Collection, Houston, Texas
$30,000-$40,000
Wrapped in Color oil on board 12 x 16 inches signed lower right: Carlson
PROVENANCE Private Collection, Houston, Texas
$12,000-$15,000
-80 -
138
KEN CARLSON (B. 1937)
139
JOHN COWAN (1920 - 2008) e Groins, Captiva
watercolor on paper 22 x 30 inches signed lower left: Cowan
$40,000-$60,000
-81 -
140
LUKE FRAZIER (B. 1970)
Boss of the Badlands, 2022 oil on canvas 46 x 46 inches
signed upper right: L. Frazier
PROVENANCE e Artist
143
bronze,
18 x 25 x 10 inches
inscribed on base: Doellinger 2017 5-30
PROVENANCE
Private Collection, Westlake, Texas
$3,000-$6,000
141
Sign of a Worthy Competitor, 2015
oil on linen 30 x 42 inches
signed lower left: Banovich 2015
PROVENANCE Private Collection, Westlake, Texas
$12,000-$18,000
oil on canvas 24 x 12 inches
signed lower right: B
PROVENANCE
Private Collection, Westlake, Texas
$4,000-$6,000
-82 -
JOHN BANOVICH (B. 1964)
142
MICK DOELLINGER (B. 1956)
De ant, 2017
5/30
BONNIE MARRIS (B. 1951)
Winter Bu alo
Marris
144
LUKE FRAZIER (B. 1970)
Brittany & Quail oil on board
12 x 20 inches
signed lower right: L. Frazier
PROVENANCE Private Collection, Houston, Texas
$6,000-$9,000
145
WALTER MATIA (B. 1953)
Covey Rise, 2007
bronze, 36/48
18.75 x 30 x 10.5 inches inscribed on base: Matia 36/48 07
PROVENANCE Private Collection, Dallas, Texas
$6,000-$9,000
-83 -
146
JOHN DEARMAN
Covey Rise
watercolor on paper
14.5 x 22 inches
signed lower right: John Dearman
PROVENANCE
Private Collection, Houston, Texas
$4,000-$6,000
147
JOHN DEARMAN
Morning Bag, 1986
watercolor on paper
18 x 26.5 inches
signed lower right: John Dearman 1986
PROVENANCE
Private Collection, Houston, Texas
$3,000-$5,000
-84 -
148
REVEAU MOTT BASSETT (1897 - 1981)
Mallards
oil on canvas 24 x 30 inches
unsigned
PROVENANCE
Private Collection, Dallas, Texas
$15,000-$25,000
149
REVEAU MOTT BASSETT (1897 - 1981)
Ducks in Flight – Field Sketch
oil on board 12 x 16 inches
signed lower left: Reveau Bassett Field Sketch
PROVENANCE
Private Collection, Dallas, Texas
$5,000-$8,000
-85 -
150
JIM MORGAN (B. 1947)
Forever Mates
oil on board 24 x 36 inches
signed lower right: Jim Morgan
PROVENANCE
Private Collection, Houston, Texas
$9,000-$12,000
151
FRANK STICK (1884 - 1966)
Rabbit Hunters
oil on canvas 36 x 27.75 inches
signed lower left: Frank Stick
PROVENANCE
Private Collection, Dallas, Texas
$10,000-$20,000
-86 -
JOHN MIX STANLEY
(1814 - 1872)
Assiniboine Encampment oil on canvas 18 x 12 inches
signed lower right: J M Stanley
PROVENANCE
Private Collection, Dallas, Texas
$250,000-$350,000
An extensive traveler throughout the vast Western frontier in the rst half of the nineteenth century, John Mix Stanley ranks among the earliest and most celebrated chroniclers of the American West through his powerful images of Native American culture, and today, most of his paintings and drawings reside in institutional collections. In 1853, he made his last trip West as the o cial artist for the Stevens Paci c Railroad Survey, which traveled from Saint Paul to the Puget Sound. Upon his return, Stanley settled as a studio artist and attempted to establish an “Indian Gallery” of his art in the manner of George Catlin, receiving positive praise for his work by contemporary Seth Eastman. Unfortunately, the majority of the gallery was lost to a re at the Smithsonian Institute in 1865, making the present work a supremely rare surviving example of Stanley’s important oil paintings.
- 87152
153
ALBERT BIERSTADT (1830 - 1902)
Mountain Stream
oil on paper on canvas 13 x 19 inches signed lower left: ABierstadt
PROVENANCE
Private Collection, Dallas, Texas
$30,000-$50,000
154
SYDNEY MORTIMER LAURENCE (1865 - 1940)
Mt. McKinley
oil on board 10 x 8 inches
signed lower right: Sydney Laurence
PROVENANCE
Private Collection, Dallas, Texas
$15,000-$25,000
-88 -
155
HERMANN OTTOMAR HERZOG (1832 - 1932)
Moon Glow, Cascades, 1871
oil on canvas
24 x 19 inches
signed lower right. H. H. Herzog 1871
PROVENANCE
Private Collection, Dallas, Texas
$15,000-$25,000
156
ALBERT BIERSTADT (1830 - 1902)
Roaring River
oil on paper on panel
7 x 10.25 inches
signed lower left: ABierstadt
PROVENANCE
Private Collection, Dallas, Texas
$10,000-$15,000
-89 -
157
WOLF KAHN (1909 - 1997)
Pale Texas Landscape oil on canvas 20 x 25 inches
unsigned
PROVENANCE
Private Collection, Dallas, Texas
$15,000-$25,000
158
WOLF KAHN (1909 - 1997)
Leading to Balsam Firs, 2001 oil on canvas 19 x 13 inches
signed lower middle: W Kahn
PROVENANCE
Private Collection, Dallas, Texas
$8,000-$12,000
-90 -
159
oil on board 28 x 20 inches
signed lower right: Birger Sandzen
PROVENANCE
Private Collection, Dallas, Texas
$50,000-$70,000
oil on board 22 x 28 inches
signed lower right: Birger
PROVENANCE
Private Collection, Fredericksburg, Texas
$35,000-$55,000
-91 -
BIRGER SANDZEN (1871 - 1954)
Poplars, Logan Utah, 1929
160
BIRGER SANDZEN (1871 - 1954) Prairie Pond, 1937
Sandzen
161
THEODORE WADDELL (B. 1941)
Stillwater Angus #4, 2020 oil and encaustic on canvas 30 x 40 inches
signed lower right: T Waddell
PROVENANCE
Private Collection, Dallas, Texas
$13,000-$16,000
162
CHARLES WARREN EATON (1857 - 1937)
Twilight oil on canvas 28 x 30 inches
signed lower left: Chas Warren Eaton
PROVENANCE
Private Collection, Houston, Texas
$9,000-$12,000
-92 -
163
oil on canvas 20 x 30 inches
signed lower left: Julian Onderdonk
PROVENANCE
Private Collection, Dallas, Texas
$150,000-$250,000
-93 -
JULIAN ONDERDONK (1882 - 1922)
In the Boerne Hills – Southwest Texas
164
FRANK REAUGH (1860 - 1945)
Palo Duro Canyon Longhorns
pastel on paper
3 x 7 inches
unsigned
PROVENANCE
Private Collection, Dallas, Texas
$6,000-$8,000
165
FRANK REAUGH (1860 - 1945)
West Texas Landscape, 1887
pastel on paper
6 x 10.5 inches
unsigned
PROVENANCE
Private Collection, Dallas, Texas
$8,000-$10,000
166
JOSE ARPA (1858 - 1952)
Girl Portrait oil on canvas 17 x 13 inches
signed lower right: J. Arpa
PROVENANCE
Private Collection, Fredericksburg, Texas
$25,000-$35,000
-94 -
167
OTIS DOZIER (1904 - 1987)
Davis Mountains, 1970
oil on canvas
30 x 48 inches
signed lower right: Otis Dozier ‘70
PROVENANCE
Private Collection, Santa Fe, New Mexico
$15,000-$25,000
168
PORFIRIO SALINAS (1919 - 1973)
Hill Country Autumn
oil on canvas
24 x 36 inches
signed lower left: Por rio Salinas
PROVENANCE
Private Collection, Houston, Texas
$8,000-$12,000
-95 -
169
DOROTHY HOOD (1918 - 2000)
From My Garden oil on canvas
70 x 60 inches
signed upper right: D Hood
PROVENANCE
Private Collection, Houston, Texas
$15,000-$25,000
-96 -
170
ROBERT WILLIAM WOOD (1889 - 1979)
Bandera Bluebonnets oil on canvas 28 x 36 inches signed lower right: Robert Wood
PROVENANCE Private Collection, Houston, Texas
$35,000-$45,000
171
ROBERT WILLIAM WOOD (1889 - 1979)
After a Shower oil on canvas 25 x 30 inches signed lower left: Robert Wood
PROVENANCE Private Collection, McGregor, Texas $8,000-$12,000
-97 -
172
Bluebonnet Landscape
oil on canvas 24 x 30 inches
signed lower right: Robt. Wood
PROVENANCE
Private Collection, Westlake, Texas
$15,000-$25,000
173
Texas in Bloom, 1977
oil on canvas 18 x 24 inches
signed lower right:
PROVENANCE
Private Collection, Dallas, Texas
$5,000-$7,000
-98 -
ROBERT WILLIAM WOOD (1889 - 1979)
WILLIAM SLAUGHTER (1923 - 2003)
W. A. Slaughter ‘77
174
Trapper’s Goods No More, 2022
oil and acrylic on linen
32 x 32 inches
signed lower right: Martin Grelle CA 2022
PROVENANCE
Private Collection, Dallas, Texas
$100,000-$150,000
-99 -
MARTIN GRELLE (B. 1954)
175
MARTIN
Comanche, 2021
acrylic on linen 16 x 12 inches
signed lower right: Martin Grelle CA 2021
PROVENANCE
Private Collection, Walnut Springs, Texas
$20,000-$30,000
176
MARTIN
Seeking Safety, 2022
acrylic on linen 12 x 12 inches signed lower right: Martin Grelle CA 2022
PROVENANCE
Private Collection, Fredericksburg, Texas
$15,000-$25,000
O ering to the Sun, 2012
bronze, 2/15 12.5 x 42 x 14.5 inches inscribed: Moore CA ‘12 2/15
PROVENANCE
Private Collection, Dallas, Texas
$6,000-$9,000
-100 -
GRELLE (B. 1954)
GRELLE (B. 1954)
177 PAUL MOORE (B. 1957)
178
BILL OWEN
(1942 - 2013)
Tailin’ Her Down, 2000
oil on linen
24 x 36 inches
signed lower right: Bill Owen CA 2000
PROVENANCE Private Collection, Nashville, Tennessee
$25,000-$35,000
179
BILL OWEN (1942 - 2013)
Spring Round Up, 1998
oil on linen
20 x 40 inches
signed lower right: Bill Owen CA 1998
PROVENANCE
Private Collection, Nashville, Tennessee
$25,000-$35,000
-101 -
180
JAMES ELWOOD REYNOLDS (1926 - 2010)
Watching the Herd oil on board 26 x 38 inches
signed lower left: James Reynolds
PROVENANCE
Private Collection, Dallas, Texas
$15,000-$25,000
181
JAMES ELWOOD REYNOLDS (1926 - 2010)
A Bad row, 1960
oil on board 25 x 30 inches
signed lower right: James Reynolds 1960
PROVENANCE
Private Collection, Dallas, Texas
$10,000-$15,000
-102 -
PROVENANCE Private
-103 -
182
JAMES ELWOOD REYNOLDS (1926 - 2010) e Colorado oil on canvas 40 x 60 inches signed lower right: James Reynolds CA
Collection, Dallas, Texas $20,000-$30,000
183
e Spring aw
oil on board 30 x 40 inches
signed lower left: Bill Anton
PROVENANCE Private Collection, Fredericksburg, Texas
$15,000-$25,000
184
Experience Counts, Mike Gibson 6666s Ranch, 2022
oil on canvas 24 x 36 inches
signed lower left: Tom Ryan III 22
PROVENANCE e Artist
$6,000-$9,000
-104 -
BILL ANTON (B. 1957)
TOM RYAN, III (B. 1977)
185
JASON RICH
On Beaver Creek oil on board 18 x 24 inches signed lower left: Jason Rich
PROVENANCE
Private Collection, Houston, Texas
$5,000-$8,000
186
FRANK C. MCCARTHY (1924 - 2002)
Crack in the Rock, 1992 oil on board 16 x 12 inches signed lower right: McCarthy CA 1992
PROVENANCE
Private Collection, Dallas, Texas
$7,000-$10,000
187
R. BROWNELL MCGREW (1916 - 1994)
On a Summer Morning oil on board 24 x 20 inches signed lower left: R Brownell McGrew
PROVENANCE
Private Collection, Dallas, Texas
$10,000-$20,000
-105 -
188
G. HARVEY (1933 - 2017)
oughts of Home, 2003
bronze, 13/100 9.5 x 10 x 3 inches
inscribed on base: G. Harvey, oughts of Home 2003 13/100
PROVENANCE Private Collection, Dallas, Texas
$3,000-$5,000
189
G. HARVEY (1933 - 2017)
Spittin’ Image, 2003
bronze, 14/100 10 x 6 x 3.5 inches
inscribed on base: G. Harvey Spittin’ Image 2003 14/100
PROVENANCE Private Collection, Dallas, Texas $3,000-$5,000
190
G. HARVEY (1933 - 2017)
Special Times, 1990
bronze, 147/250
11.5 x 14 x 4.5 inches
inscribed on base: G. Harvey Special Times 1990 147/250
PROVENANCE Private Collection, Dallas, Texas
$3,000-$5,000
191
G. HARVEY (1933 - 2017)
Longhorn, 1970
bronze, 6/30 7.25 x 12.5 x 5.5 inches
inscribed on base: G. Harvey 6-30 1970
PROVENANCE Private Collection, Dallas, Texas $2,000-$3,000
-106 -
PROVENANCE
Private Collection, Dallas, Texas
$60,000-$80,000
-107 -
192
KYLE POLZIN (B. 1974)
e Maverick, 2022
oil on canvas
28 x 23 inches
signed lower right: Polzin
PROVENANCE Private Collection, Dallas,
$80,000-$100,000
-108 -
193
KYLE POLZIN (B. 1974)
Trailblazer oil on canvas 44 x 34.5 inches signed lower left: Polzin
Texas
PROVENANCE Private Collection, Nashville,
$30,000-$40,000
-109 -
194 BILL OWEN (1942 - 2013) Team Roping, 2005 oil on linen 24 x 44 inches signed lower right: Bill Owen CA 2005
Tennessee
Western
bronze,
inscribed
Edition of 25
PROVENANCE Private Collection, Peoria, Arizona
$2,000-$3,000
195
A Cowboy’s
bronze, 33/100
4.75 x 12.5 x 7 inches
inscribed on back: Bill Owen CA 1983 33/100
PROVENANCE Private Collection, Peoria, Arizona
$1,000-$2,000
196
Bull Study, 1997 oil on board 5 x 7 inches
signed lower right: Bill Owen CA ‘97
PROVENANCE Private Collection, Peoria, Arizona
$1,000-$2,000
-110 -
BILL OWEN (1942 - 2013)
197
BILL OWEN (1942 - 2013)
Heritage, 1983
AC 13 x 14 x 5.5 inches
on base: Bill Owen CA AC (Artist’s Casting)
BILL OWEN (1942 - 2013)
Rig, 1983
Moonlighters,
oil on linen
30 x 24 inches
signed lower right: Bill
PROVENANCE Private Collection, Nashville, Tennessee
$20,000-$30,000
-111 -
198 BILL OWEN (1942 - 2013)
2001
Owen CA 2001
199
Clay Ashhurst, Horse Wrangler, 1996
oil on linen
20 x 40 inches
signed lower right: Bill Owen CA 1996
PROVENANCE
Private Collection, Nashville, Tennessee
$25,000-$35,000
-112 -
BILL OWEN (1942 - 2013)
PROVENANCE Private Collection, Westlake,
$6,000-$9,000
PROVENANCE Private Collection, Westlake,
$8,000-$12,000
-113 -
200
TOM BROWNING (B. 1949) Anticipation oil on canvas 14 x 24 inches signed lower left: Tom Browning CA
Texas
201
TOM BROWNING (B. 1949) Cozyin’ Up oil on board 24 x 22 inches signed lower right: Tom Browning CA
Texas
202
GEORGE KOVACH (B. 1942)
Bu alo Herd
oil on canvas
28 x 42 inches
signed lower right: G Kovach
PROVENANCE
Private Collection, Westlake, Texas
$4,000-$6,000
203
MELVIN CHARLES WARREN (1920-1995)
Round Up, 1965
oil on canvas
24 x 30 inches
signed lower left: Melvin C. Warren 1965
PROVENANCE
Private Collection, Dallas, Texas
$10,000-$15,000
-114 -
204
TONY EUBANKS (B. 1939)
Bovine Beauties
oil on canvas
21 x 34 inches
signed lower left: Eubanks
PROVENANCE
Private Collection, Westlake, Texas
$3,000-$5,000
206
JAMES BOREN (1921 - 1990)
Mexican Cowboy, 1976
watercolor on paper
8 x 10 inches
signed lower left: James Boren CA 1976
PROVENANCE
Private Collection, Norman, Oklahoma
$1,000-$1,500
205
DAN BODELSON (B. 1949)
Lakota Lands (Study) oil on board 18.25 x 11.75 inches signed lower left: Bodelson
PROVENANCE Private Collection, Dallas, Texas
$1,500-$2,000
207
JOE RADER ROBERTS (1925 - 1982)
Cold Jerky
oil on canvas
22 x 28 inches
signed lower right: Joe Rader Roberts
PROVENANCE
Private Collection, Norman, Oklahoma
$2,000-$3,000
-115 -
209 LOTINCLUDESTWOPAINTINGS
R. S. RIDDICK (B. 1952)
River Song, 2008
oil on belgian linen panel 10 x 12 inches
signed lower left: R. S. Riddick CA
PROVENANCE
Private Collection, Peoria, Arizona
$5,000-$8,000
208
R. S. RIDDICK (B. 1952)
Joyful Heart, 2006
oil on linen panel 20 x 16 inches
signed lower right: R. S. Riddick CA 2006
PROVENANCE Private Collection, Peoria, Arizona
$3,000-$5,000
R. S. RIDDICK (B. 1952)
San Juan Afternoon, 2008
oil on belgian linen panel 10 x 12 inches
signed lower left: R. S. Riddick CA
-116 -
Landscape oil on canvas 9 x 12 inches signed lower left: James Reynolds CA
PROVENANCE Private Collection, Peoria, Arizona
$2,000-$4,000
16 x 20 inches signed lower left:
PROVENANCE Private Collection,
$5,000-$7,000
Untitled (Indian Brave
ink on paper 7 x 10 inches signed lower right: John Clymer
PROVENANCE
Private Collection, Westlake, Texas
$2,000-$4,000
-117 -
210
JAMES ELWOOD REYNOLDS (1926 - 2010)
211
CHARLIE DYE (1906 - 1972) e Fence Rider, 1958 oil on board
Charlie Dye
Laguna Woods, California
212
JOHN FORD CLYMER (1907 - 1989)
with Horse)
213
Viva Tequila
bronze, 1/100 16 x 12 x 6.5 inches
inscribed on base: Fellows CA 1/100
PROVENANCE
Private Collection, Peoria, Arizona
$2,000-$4,000
214
ROCK
Cheyenne Memories
acrylic on canvas 9 x 12 inches
signed lower left: Rock Newcomb
PROVENANCE
Private Collection, Westlake, Texas
$1,000-$2,000
215
MIAN
Market Day
oil on board 12 x 16 inches
signed lower right: Mian Situ
PROVENANCE
Private Collection, Fredericksburg, Texas
$3,000-$5,000
-118 -
FRED FELLOWS (B. 1938)
NEWCOMB (B. 1945)
SITU (B. 1953)
216
Molly, 1991
watercolor on paper
6.75 x 10.25 inches
signed lower middle right: Schmid
PROVENANCE
Private Collection, Dallas, Texas
$4,000-$6,000
217
New Friends
oil on board
11.5 x 15.5 inches
signed lower right: Sonya Terpening
PROVENANCE
Private Collection, Westlake, Texas
$1,500-$2,500
218
Pinto Mare and Foal
watercolor on paper
12.25 x 13.5 inches
signed lower left: Bev Doolittle
PROVENANCE
Private Collection, Westlake, Texas
$5,000-$7,000
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RICHARD SCHMID (1934 - 2021)
SONYA TERPENING (B. 1953)
BEV DOOLITTLE (B. 1947)
219
GARY KAPP (B. 1942)
Breaking Trail, 1977
oil on board 20 x 24 inches
signed lower left: Gary Kapp 77
PROVENANCE
Private Collection, Norman, Oklahoma
$1,500-$2,500
220
BOB MOLINE (B. 1938)
Summer Camp
acrylic on canvas 20 x 24 inches
signed lower left: Moline
PROVENANCE
Private Collection, Norman, Oklahoma
$2,000-$3,000
221 LOTINCLUDESFOURPAINTINGS
PHIL BECK (B. 1949)
Four Cow Portraits
oil on canvas 24 x 24 inches (each)
signed lower right: Phil Beck
PROVENANCE
Private Collection, Westlake, Texas
$2,000-$4,000
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222
LAJOS
Silver Dollar Bet oil on canvas 24 x 36 inches
signed lower right: L Markos
PROVENANCE
Private Collection, Norman, Oklahoma
$4,000-$6,000
223
LAJOS
e Scout
oil on board 16 x 20 inches
signed lower right: L Markos
PROVENANCE
Private Collection, Norman, Oklahoma
$1,500-$2,500
Whiskey Trader Joe oil on board 16 x 20 inches
signed lower right: L Markos
PROVENANCE
Private Collection, Norman, Oklahoma
$1,500-$2,500
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MARKOS (1917 - 1993)
MARKOS (1917 - 1993)
224
LAJOS MARKOS (1917 - 1993)
225
A. D. GREER (1904 - 1998)
Blanco River, 1977
oil on canvas
24 x 36 inches
signed lower right: A. D. Greer 77
PROVENANCE
Private Collection, Westlake, Texas
$3,000-$5,000
226
KENT WALLIS (B. 1945)
Secluded Pond
oil on canvas 24 x 36 inches
signed lower left: Kent Wallis
PROVENANCE
Private Collection, Houston, Texas
$5,000-$8,000
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ACHEFF, WILLIAM
Color in the Forest 43
San Juan Pueblo Pots and Moccasins 44
ADAMS CHARLES PARTRIDGE
Edge of the Aspen Grove 51
Evening in the Chicago Basin… Silverton, Colorado 50
AFSARY, CYRUS
Tradition 1
ANTON BILL e Spring aw 183
ARPA, JOSE
Girl Portrait 166
BANOVICH, JOHN
Bu alo Run 132
Sign of a Worthy Competitor 141
BASSETT, REVEAU M.
Ducks in Flight – Field Sketch 149
Mallards 148
BECK, PHIL
Four Cow Portraits 221
BEELER JOE
Wild Cow Hunter 2
BERNINGHAUS OSCAR
Pueblo Canyon Forest 67
BIERSTADT, ALBERT
Mountain Stream 153
Roaring River 156
BODELSON, DAN
Lakota Lands (Study) 205
BOREN, JAMES
Mexican Cowboy 206
BOWMAN ERIC
I Turned to Listen 57
ough Storms Encompass Me 56
BROWNING TOM
Anticipation 200
Cozyin’ Up 201
Easy Crossing 99
When the Hills are Kissed by the Sun 100
CARLSON, KEN
Bobwhites 136
Pheasants 135
Shade at Noon 134
Winner Take All 137
Wrapped in Color 138
CARSON, JIM
e Army of Santa Anna 106
Crockett 105
Crockett’s Prayer 103
De ant Rebels 102
CHEEVER, BRUCE
Great Plains Warrior 7
Undaunted 8
CLYMER, JOHN F.
Untitled (Indian Brave with Horse) 212
COLEMAN, JOHN
Crazy Horse 1876 89
Honeymoon at Crow Fair 80
Mato-Tope 1833 91
e New Comers 1804 39
Oracle of the Bu alo Nation 88
COTTON, BRENT
e Setting Sun 40
COUSE, EANGER I. e Pottery Painter 76 e Speaker 75
Watching the Fish 77
COWAN, JOHN
e Groins, Captiva 139
DEAN, GLENN
e End of a Good Day 58
Finding a Place in the Sun 59
DEARMAN, JOHN
Covey Rise 146
Morning Bag 147
DELANO, GERALD C. Cattle Country 68 e Lookout 69
DOELLINGER, MICK De ant 142
DOOLITTLE, BEV
Pinto Mare and Foal 218
Wolves of the Crow 83
DOZIER, OTIS
Davis Mountains 167
DUDASH C. MICHAEL Peace Be Still 5
DYE CHARLIE e Fence Rider 211
EATON, CHARLES W. Twilight 162
EUBANKS TONY
Bovine Beauties 204
FELLOWS FRED
Viva Tequilla 213
FRASER, JAMES E.
End of the Trail 125
FRAZIER, LUKE
Boss of the Badlands 140
Brittany & Quail 144
GILLEON, R. TOM
Another Bucker 36
Wolfe Butte Camp 38
Yellowstone Re ections 37
GODFREY MICHAEL
Snow Scene 49
A Window in the Aspens 48
GREENE BRUCE R.
Crockett’s Prayer 104
GREER, A. D.
Blanco River 225
GRELLE, MARTIN
Autumn Getaway 14
Bosque County Chill 13
Comanche 175
Seeking Safety 176
Trapper’s Goods No More 174
HAGEGE, LOGAN M.
Weather Beyond the Mesa 61
HALBACH, DAVID
e Forewarning 6
HALLMARK GEORGE
e Heart of Texas (Alamo, ca 1920) 101
HARVEY G.
Autumn Along the Creek 10
Baytown Rigs 112
A Child’s Holiday 111
Encroachment (Near
Georgetown Texas) 9
Longhorn 191
People of Paris 114
Place De La Concorde 115
Special Times 190
Spittin’ Image 189
Stampede 113
oughts of Home 188
HENNINGS E. MARTIN
Mother and Child 54
Spanish Town – Cercidilla 53
e Wagon Road 52
HERZOG, HERMANN O.
Moon Glow, Cascades 155
HOOD DOROTHY
From My Garden 169
HOUSER, ALLAN
e Night Song 60
HULINGS, CLARK
Man From Belmonte (Spain) 94
JACKSON HARRY A.
e Marshall III 119
e Pony Express 118
Two Champs 117
JOE SR., ORLAND
Medicine Horse 3
KAHN, WOLF
Leading to Balsam Firs 158
Pale Texas Landscape 157
KAPP, GARY
Breaking Trail 219
KOVACH GEORGE
Bu alo Herd 202
KUHN, BOB
Bighorns 129
Cape Bu alo 130
North Country 126
On Desert Slopes 127
Watchful Eyes 128
LAURENCE SYDNEY M.
Mt. McKinley 154
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INDEX
LEIGH, WILLIAM R.
Bu alo 70
Hopi Pottery Painter 71
LIANG, Z. S.
Overlooking the Two Medicine River 81
LOVELL TOM
White Man’s Corn Tipis 92
White Man’s Corn Tipis 93
MARKOS, LAJOS
e Scout 223
Silver Dollar Bet 222
Whiskey Trader Joe 224
MARRIS, BONNIE
Winter Bu alo 143
MATIA, WALTER
Covey Rise 145
MCCARTHY FRANK C.
Crack in the Rock 186
MCGREW, R. BROWNELL
On a Summer Morning 187
MELL, ED
Dancing Bloom 65
Mesa Sunset 62
Nocturne Glow 63
underheads 64
MOLINE, BOB
Summer Camp 220
MOORE PAUL
O ering to the Sun 177
MORGAN, JIM
Forever Mates 150
NEWCOMB, ROCK
Cheyenne Memories 214
NORTON JIM
Land of Good Beaver 82
rough the Bog 98
Where Eagles Fly 97
ONDERDONK, JULIAN
In the Boerne Hills – Southwest Texas 163
OWEN, BILL
And All a Good Night 25
At Sunset 18
Bill Owen’s Custom Bit and Spurs by Steve Schmitt 32
Bill Owen’s Custom Saddle by John Herron (with accessories) 31
Blue 33
Bull Study 196
Clay Ashhurst, Horse Wrangler 199
A CO Bar Bull and Book 22
CO Bar Ranch Bulls 23
Cow Head 35
A Cowboy’s Potlicker 34
A Cowboy’s Rig 195
e Cutting Horse 26
Doe, Ray and Me 27
Harvey Tank 28
Horse Head Study 24
e Last One 20
A Little Cowboy’s Delight 30
Moonlighters 198
Ranch Mare 16
Ride for the Brand 29
Sackin’ Out a Bronc 15
Spring Round Up 179
Starving Cowboy 17
Tailin’ Her Down 178
Takin’ the Jerk 19
Tatanka 21
Team Roping 194
Western Heritage 197
PHIPPEN, GEORGE
Arizona Rockhopper 12
In from the Range 11
POLZIN, KYLE
e Chase 109
e Maverick 192
Trailblazer 193
Treasures of a Nation 110
PROCTOR BURT
Noon 47
PUMMILL ROBERT
Land of the Brush Poppers 120
REAUGH, FRANK
Palo Duro Canyon Longhorns 164
West Texas Landscape 165
REMINGTON, FREDERIC S.
In the Desert 73
e Rattlesnake 74
e Sergeant 72
REYNOLDS JAMES E.
A Bad row 181
e Colorado 182
Landscape 210
Watching the Herd 180
RICH JASON
On Beaver Creek 185
RIDDICK, R. S.
Joyful Heart 208
River Song 209
San Juan Afternoon 209
RILEY KENNETH P.
Blood Brother 90
Out of the Sun 87
ROBERTS JOE R.
Cold Jerky 207
RUSSELL CHARLES M.
Indian on Horseback 86
Indian Portrait 85
Indian Women Moving Camp 84
RYAN III, TOM
Experience Counts, Mike Gibson 6666s Ranch 184
SALINAS, PORFIRIO
Hill Country Autumn 168
SANDZEN BIRGER
Poplars, Logan Utah 159
Prarie Pond 160
SCHENCK, BILL
e Crossing 41
Sunset on the Sand Hills 42
SCHMID, RICHARD
Molly 216
SCHWIERING CONRAD
e Conference Tree 45
Range Land Babysitter 46
SHARP, JOSEPH H.
Dolly, Taos 55
SHEPHERD RICHARD D.
Elephant and Termite Mound 133
SHINABARGER, TIM Sik Sik Shell Game 131
SHRADY, HENRY M. Elk Bu alo 108
SITU MIAN
Market Day 215
SLAUGHTER, WILLIAM
Texas in Bloom 173
SMITH, TUCKER
Goats of Norway 96
SPECK GENE
Evening Colors 4
STANLEY JOHN M.
Assiniboine Encampment 152
STICK, FRANK
Rabbit Hunters 151
TAIT, ARTHUR FITZWILLIAM
Baby Chicks 95
TERPENING SONYA
New Friends 217
TERPNING, HOWARD
Cold Montana Morning 78
Northern Plains Brave 79
THOMAS, CARSON
Visalia Stock Saddle 107
WADDELL, THEODORE
Stillwater Angus #4 161
WALLIS KENT
Secluded Pond 226
WARHOL, ANDY
War Bonnet Indian 66
WARREN, MELVIN C.
Little Joe, Don Eagle 123
Round Up 203
Texas Longhorn 124
A Texas Ranch 122
WIGGINS, GUY C.
Winter 5th Avenue at St. Patrick’s 116
WOOD ROBERT W.
After a Shower 171
Bandera Bluebonnets 170
Bluebonnet Landscape 172
WYGANT, BOB
Overlooking the Rio Grande 121
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Auctioneer and Auction:
is Auction is presented by Lone Star Art Auction, a D.B.A. of Great American West, LLC (“Auctioneer”). e Auction is conducted under these Terms and Conditions and applicable state and local law.
Announcements and corrections from the podium and those made through the Terms and Conditions appearing on the Internet at www.lsartauction.com supersede those in the printed catalog.
Auctioneer Jason Brooks, State of Texas License Number 16216, will preside over the Auction.
Buyer’s Premium:
All bids are subject to a Buyer’s Premium which is in addition to the placed successful bid otherwise de ned as the Hammer Price. Following is the Buyer’s Premium Schedule for the Auction: 20% for Live In-Person Bidding, Telephone Bidding, and Absentee or Proxy Bidding. 20% for Online Bidding on the Auction website at www. lsartauction.com. 25% for Online Bidding on Bid Square and Live Auctioneers.
Bidders:
1. Any person participating or registering for the Auction agrees to be bound by and accepts these Terms and Conditions (“Bidder(s)”).
2. All Bidders must meet Auctioneer’s quali cations to bid. Any Bidder who is not a client in good standing of the Auctioneer may be disquali ed at Auctioneer’s sole option and will not be awarded lots. Such determination may be made by Auctioneer in its sole and unlimited discretion, at any time prior to, during, or even after the close of the Auction. Auctioneer reserves the right to exclude any person from the auction.
3. If an entity places a bid, then the person executing the bid on behalf of the entity agrees to personally guarantee payment for any successful bid.
Credit:
In order to place bids, Bidders who have not established credit with the Auctioneer must either furnish satisfactory credit information (including two collectibles-related business references) or supply valid credit card information along with a social security number, well in advance of the Auction. Bidders should preregister at least two business days before the start of the Auction (exclusive of holidays or weekends) to allow adequate time to contact references. Credit will be granted at the discretion of Auctioneer. Additionally Bidders who have not previously established credit or who wish to bid in excess of their established credit history may be required to provide their social security number or the last four digits thereof so a credit check may be performed prior to Auctioneer’s acceptance of a bid. Check writing privileges and immediate delivery of merchandise may also be determined by pre-approval of credit based on a combination of criteria: Auctioneer history, related industry references, bank veri cation, a credit bureau report and/ or a personal guarantee for a corporate or partnership entity in advance of the auction venue.
Bidding Options:
1. Presentment of Bids. Non-Internet bids (including but not limited to podium, phone, and mail bids) are treated similar to oor bids in that they must be on-increment or at a half increment (called a cut bid). Any podium, phone, or mail bids that do not conform to a full or half increment will be rounded up to the nearest full or half increment and this revised amount will be considered your high bid.
2. Auctioneer’s Execution of Certain Bids. Auctioneer cannot be responsible for your errors in bidding, so carefully check that every bid is entered correctly. When identical mail bids are submitted, preference is given to the rst received. To ensure
the greatest accuracy, your written bids should be entered on the standard printed bid sheet and be received at Auctioneer’s place of business at least two business days before the Auction start. Auctioneer is not responsible for executing mail bids received on or after the day the rst lot is sold, nor Internet bids submitted after the published closing time; nor is Auctioneer responsible for proper execution of bids submitted by telephone, mail, e-mail, Internet, or in person once the Auction begins. Bids placed electronically via the Internet may not be withdrawn until your written request is received and acknowledged by Auctioneer. Such requests must state the reason, and may constitute grounds for withdrawal of bidding privileges. Lots won by mail Bidders will not be delivered at the Auction unless prearranged.
3. Caveat as to Bid Increments. Bid increments (over the current bid level) determine the lowest amount you may bid on a particular lot. Bids greater than one increment over the current bid can be any whole dollar amount. It is possible under several circumstances for winning bids to be between increments, sometimes only $1 above the previous increment. Bids will be accepted in whole dollar amounts only. No “buy” or “unlimited” bids will be accepted.
e following chart governs current bidding increments.
Current Bid Increment:
Under $2,000$100
$2,000 – $5,000$250
$5,000 – $10,000$500
$10,000 – $20,000$1,000
$20,000 – $50,000$2,500
$50,000 – $100,000$5,000
Over $100,000$10,000
4. If Auctioneer calls for a full increment, a bidder may request Auctioneer to accept a bid at half of the increment (“Cut Bid”) only once per lot. After o ering a Cut Bid, bidders may continue to participate only at full increments. If the Auctioneer solicits bids other than the expected increment, these bids will not be considered Cut Bids.
Conducting the Auction:
1. e highest quali ed Bidder recognized by the Auctioneer shall be the Buyer. In the event of a tie bid, the earliest bid received or recognized wins. In the event of any dispute between any Bidders at an Auction, Auctioneer may at his sole discretion reo er the lot. Auctioneer’s decision and declaration of the winning Bidder shall be nal and binding upon all Bidders. Bids properly o ered, whether by oor Bidder or other means of bidding, may on occasion be missed or go unrecognized; in such cases, the Auctioneer may declare the recognized bid accepted as the winning bid, regardless of whether a competing bid may have been higher. Auctioneer reserves the right after the hammer falls to accept bids and reopen bidding for bids placed through the Internet or otherwise.
2. Auctioneer reserves the right to refuse to honor any bid or to limit the amount of any bid, in its sole discretion. A bid is considered not made in “Good Faith” when made by an insolvent or irresponsible person, a person under the age of eighteen, or is not supported by satisfactory credit, collectibles references, or otherwise. Regardless of the disclosure of his identity, any bid by a consignor or his agent on a lot consigned by him is deemed to be made in “Good Faith.” Any person apparently appearing on the OFAC list is not eligible to bid.
3. Nominal Bids. e Auctioneer in its sole discretion may reject nominal bids, small opening bids, or very nominal advances. If a lot bearing estimates fails to open for 40–60% of the low estimate, the Auctioneer may pass the item or may place a protective bid on behalf of the consignor.
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SALE TERMS AND CONDITIONS
4. Lots bearing bidding estimates shall open at Auctioneer’s discretion (approximately 50%-60% of the low estimate). In the event that no bid meets or exceeds that opening amount, the lot shall pass as unsold.
5. All items are to be purchased per lot as numerically indicated and no lots will be broken. Auctioneer reserves the right to withdraw, prior to the close, any lots from the Auction.
6. Auctioneer reserves the right to rescind the sale in the event of nonpayment, breach of a warranty, disputed ownership, auctioneer’s clerical error or omission in exercising bids and reserves, or for any other reason and in Auctioneer’s sole discretion. In cases of nonpayment, Auctioneer’s election to void a sale does not relieve the Bidder from their obligation to pay Auctioneer its fees (seller’s and buyer’s premiums) and any other damages or expenses pertaining to the lot.
7. Auctioneer occasionally experiences Internet and/or Server service outages, and Auctioneer periodically schedules system downtime for maintenance and other purposes, during which Bidders cannot participate or place bids. If such outages occur, we may at our discretion extend bidding for the Auction. Bidders unable to place their Bids through the Internet are directed to contact the Auctioneer at (214) 730-0939.
8. e Auctioneer, its a liates, or their employees consign items to be sold in the Auction, and may bid on those lots or any other lots. Auctioneer or a liates expressly reserve the right to modify any such bids at any time prior to the hammer based upon data made known to the Auctioneer or its a liates. e Auctioneer may extend advances, guarantees, or loans to certain consignors.
9. e Auctioneer has the right to sell certain unsold items after the close of the Auction. Such lots shall be considered sold during the Auction and all these Terms and Conditions shall apply to such sales including but not limited to the Buyer’s Premium, return rights, and disclaimers.
Payment:
1. All sales are strictly in United States dollars and accepted methods of payment include personal checks, commercial checks, cashier checks, and bank wire, and are subject to all reporting requirements. Authorized MasterCard, Visa and Discover credit card payments are accepted but are limited to a maximum total of $10,000.00 U.S. dollars for the auction. ese credit cards are also accepted with the convenience fee charge of 3.0% added to the total purchase amount (hammer price plus Buyer’s premium). All deliveries are subject to good funds; funds being received in Auctioneer’s account before delivery of the Purchases; and all payments are subject to a clearing period. Auctioneer reserves the right to determine if a check constitutes “good funds”: checks drawn on a U.S. bank are subject to a ten business day hold, and thirty days when drawn on an international bank. Clients with prearranged credit status may receive immediate credit for payments via e-Check, personal, or corporate checks. All others will be subject to a hold of ve (5) days, or more, for the funds to clear prior to releasing merchandise.
2. Payment is due upon closing of the Auction session, or upon presentment of an invoice. Auctioneer reserves the right to void an invoice if payment in full is not received within seven (7) days after the close of the Auction. In cases of nonpayment, Auctioneer’s election to void a sale does not relieve the Bidder from their obligation to pay Auctioneer its fees (seller’s and buyer’s premiums) on the lot and any other damages pertaining to the lot or Auctioneer, at its option, may charge a twenty (20%) restock fee on the amount of the purchase and o set the restock fee against any monies paid to the Auctioneer or against any of the purchaser’s properties held by the Auctioneer.
3. Lots delivered to you, or your representative, are subject to all applicable state and local taxes, unless appropriate permits are
on le with Auctioneer. Bidder agrees to pay Auctioneer the actual amount of tax due in the event that sales tax is not properly collected due to: 1) an expired, inaccurate, or inappropriate tax certi cate or declaration, 2) an incorrect interpretation of the applicable statute, 3) or any other reason. e appropriate form or certi cate must be on le at and veri ed by Auctioneer ve (5) days prior to Auction, or tax must be paid; only if such form or certi cate is received by Auctioneer within four (4) days after the Auction can a refund of tax paid be made.
4. In the event that a Bidder’s payment is dishonored upon presentment(s), Bidder shall pay the maximum statutory processing fee set by applicable state law. If you attempt to pay via e-Check and your nancial institution denies this transfer from your bank account, or the payment cannot be completed using the selected funding source, you agree to complete payment using another acceptable form of payment.
5. If any Auction invoice submitted by Auctioneer is not paid in full when due, the unpaid balance will bear interest at the highest rate permitted by law from the date of invoice until paid. Any invoice not paid when due will bear a three percent (3%) late fee on the invoice amount. If the Auctioneer refers any invoice to an attorney for collection, the buyer agrees to pay attorney’s fees, court costs, and other collection costs incurred by Auctioneer.
6. In the event a successful Bidder fails to pay any amounts due, Auctioneer reserves the right to sell the lot(s) securing the invoice to any under-bidders in the Auction that the lot(s) appeared, or at subsequent private or public sale, or relist the lot(s) in a future auction conducted by Auctioneer. A defaulting Bidder agrees to pay for the reasonable costs of resale (including a 20% seller’s commission, if consigned to an auction conducted by Auctioneer). e defaulting Bidder is liable to pay any di erence between his total original invoice for the lot(s), plus any applicable interest, and the net proceeds for the lot(s) if sold at private sale or the subsequent hammer price of the lot(s) less the 20% seller’s commission, if sold at an Auctioneer’s auction.
7. Auctioneer reserves the right to require payment in full in good funds before delivery of the merchandise.
8. Auctioneer shall have a lien against the merchandise purchased by the buyer to secure payment of the Auction invoice. Auctioneer is further granted a lien and the right to retain possession of any other property of the buyer then held by the Auctioneer or its a liates to secure payment of any Auction invoice or any other amounts due the Auctioneer or a liates from the buyer. With respect to these lien rights, Auctioneer shall have all the rights of a secured creditor under Article 9 of the Texas Uniform Commercial Code, including but not limited to the right of sale (including a 20% seller’s commission, if consigned to an auction conducted by Auctioneer). In addition, with respect to payment of the Auction invoice(s), the buyer waives any and all rights of o set he might otherwise have against the Auctioneer and the consignor of the merchandise included on the invoice. If a Bidder owes Auctioneer or its a liates on any account, Auctioneer and its a liates shall have the right to o set such unpaid account by any credit balance due Bidder, and it may secure by possessory lien any unpaid amount by any of the Bidder’s property in their possession.
9. Title shall not pass to the successful Bidder until all invoices are paid in full. It is the responsibility of the buyer to provide adequate insurance coverage for the items once they have been delivered to a common carrier or third-party shipper.
Delivery, Shipping and Handling Charges:
1. Buyer is liable for shipping, handling, registration, and renewal fees, if any. Lots won will be shipped in a commercially reasonable time after payment in good funds for the merchan-
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dise and the shipping fees are received or credit extended, except when third-party shipment occurs. Buyer agrees that Service and Handling charges related to shipping items which are not pre-paid, may be charged to the credit card on le with Auctioneer.
2. Successful international Bidders shall provide written shipping instructions, including speci ed customs declarations, to the Auctioneer for any lots to be delivered outside of the United States. NOTE: Declaration value shall be the item’(s) hammer price together with its buyer’s premium and Auctioneer shall use the correct harmonized code for the lot. Domestic Buyers on lots designated for third-party shipment must designate the common carrier, accept risk of loss, and prepay shipping costs.
3. All shipping charges will be borne by the successful Bidder. On all domestic shipments, any risk of loss during shipment will be borne by the Auctioneer until the shipping carrier’s con rmation of delivery to the address of record in Auctioneer’s le (carrier’s con rmation is conclusive to prove delivery to Bidder; if the client has a Signature release on le with the carrier, the package is considered delivered without Signature) or delivery by the Auctioneer to Bidder’s selected third-party shipper. On all foreign shipments, any risk of loss during shipment will be borne by the Bidder following Auctioneer’s delivery to the Bidder’s designated common carrier or third-party shipper.
4. Due to the nature of some items sold, it shall be the responsibility for the successful Bidder to arrange pick-up and shipping through third-parties; as to such items Auctioneer shall have no liability. Failure to pick-up or arrange shipping in a timely fashion (within ten days) shall subject Lots to storage and moving charges, including a $100 administration fee plus $10 daily storage for larger items and $5.00 daily for smaller items (storage fee per item) after 35 days. In the event the Lot is not removed within ninety days, the Lot may be o ered for sale to recover any past due storage or moving fees, including a 20% Seller’s Commission.
5. Auctioneer shall not be liable for any loss caused by or resulting from: a. Seizure or destruction under quarantine or Customs regulation, or con scation by order of any Government or public authority, or risks of contraband or illegal transportation of trade, or b. Breakage of statuary, marble and similar fragile articles.
6. Any request for shipping veri cation for undelivered packages must be made within 30 days of shipment by Auctioneer.
Cataloging, Warranties and Disclaimers:
1. NO WARRANTY, WHETHER EXPRESSED OR IMPLIED, IS MADE WITH RESPECT TO ANY DESCRIPTION CONTAINED IN THIS AUCTION OR ANY SECOND OPINE. Any description of the items or second opine contained in this Auction is for the sole purpose of identifying the items for those Bidders who do not have the opportunity to view the lots prior to bidding, and no description of items has been made part of the basis of the bargain or has created any express warranty that the goods would conform to any description made by Auctioneer. Color variations can be expected in any electronic or printed imaging, and are not grounds for the return of any lot. NOTE: Auctioneer may have express written warranties and you are referred to those speci c terms and conditions.
2. Auctioneer is selling only such right or title to the items being sold as Auctioneer may have by virtue of consignment agreements on the date of auction and disclaims any warranty of title to the Property. Auctioneer disclaims any warranty of merchantability or tness for any particular purposes. All images, descriptions, sales data, and archival records are the exclusive property of Auctioneer, and may be used by Auctioneer for advertising, promotion, archival records, and any other uses deemed appropriate.
3. Auctioneer disclaims all liability for damages, consequential or otherwise, arising out of or in connection with the sale of any Property by Auctioneer to Bidder. No third party may rely on any bene t of these Terms and Conditions and any rights, if any, established hereunder are personal to the Bidder and may not be assigned. Any statement made by the Auctioneer is an opinion and does not constitute a warranty or representation. No employee of Auctioneer may alter these Terms and Conditions, and, unless signed by a principal of Auctioneer, any such alteration is null and void.
4. Auctioneer shall not be liable for breakage of glass or damage to frames (patent or latent); such defects, in any event, shall not be a basis for any claim for return or reduction in purchase price.
Release:
In consideration of participation in the Auction and the placing of a bid, Bidder expressly releases Auctioneer, its o cers, directors and employees, its a liates, and its outside experts that provide second opines, from any and all claims, cause of action, chose of action, whether at law or equity or any arbitration or mediation rights existing under the rules of any professional society or a liation based upon the assigned description, or a derivative theory, breach of warranty express or implied, representation or other matter set forth within these Terms and Conditions or otherwise. In the event of a claim, Bidder agrees that such rights and privileges conferred therein are strictly construed as speci cally declared herein; e.g., authenticity, typographical error, etc. and are the exclusive remedy. Bidder, by non-compliance to these express terms of a granted remedy, shall waive any claim against Auctioneer.
Dispute Resolution and Arbitration Provision:
1. By placing a bid or otherwise participating in the auction, Bidder accepts these Terms and Conditions, and speci cally agrees to the dispute resolution provided herein. Consumer disputes shall be resolved through court litigation which has an exclusive Dallas, Texas venue clause and jury waiver. Non-consumer dispute shall be determined in binding arbitration which arbitration replaces the right to go to court, including the right to a jury trial.
2. Auctioneer in no event shall be responsible for consequential damages, incidental damages, compensatory damages, or any other damages arising or claimed to be arising from the auction of any lot. In the event that Auctioneer cannot deliver the lot or subsequently it is established that the lot lacks title, or other transfer or condition issue is claimed, in such cases the sole remedy shall be limited to rescission of sale and refund of the amount paid by Bidder; in no case shall Auctioneer’s maximum liability exceed the high bid on that lot, which bid shall be deemed for all purposes the value of the lot. After one year has elapsed, Auctioneer’s maximum liability shall be limited to any commissions and fees Auctioneer earned on that lot.
3. In the event of an attribution error, Auctioneer may at its sole discretion, correct the error on the Internet, or, if discovered at a later date, to refund the buyer’s purchase price without further obligation.
4. Exclusive Dispute Resolution Process: All claims, disputes, or controversies in connection with, relating to and /or arising out of your Participation in the Auction or purchase of any lot, any interpretation of the Terms and Conditions or any amendments thereto, any description of any lot or condition report, any damage to any lot, any alleged verbal modi cation of any term of sale or condition report or description and/or any purported settlement whether asserted in contract, tort, under Federal or State statute or regulation or any claim made by you of a lot or your Participation in the auction involving the auction or a speci c lot involving a warranty or representation of a consignor or other person or entity including Auctioneer {which claim you consent to be made a party} (collectively, “Claim”) shall be
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exclusively heard by, and the claimant (or respondent as the case may be) and Auctioneer each consent to the Claim being presented in a con dential binding arbitration before a single arbitrator administrated by and conducted under the rules of, the American Arbitration Association. e locale for all such arbitrations shall be Dallas, Texas. e arbitrator’s award may be enforced in any court of competent jurisdiction. If a Claim involves a consumer, exclusive subject matter jurisdiction for the Claim is in the State District Courts of Dallas County, Texas and the consumer consents to subject matter and in personam jurisdiction; further CONSUMER EXPRESSLY WAIVES ANY RIGHT TO TRIAL BY JURY. A consumer may elect arbitration as speci ed above. Any claim involving the purchase or sale of numismatic or related items may be submitted through binding PNG arbitration. Any Claim must be brought within two (2) years of the alleged breach, default or misrepresentation or the Claim is waived. Exemplary or punitive damages are not permitted and are waived. A Claim is not subject to class certi cation. Nothing herein shall be construed to extend the time of return or conditions and restrictions for return. is Agreement and any Claim shall be determined and construed under Texas law. e prevailing party (a party that is awarded substantial and material relief on its damage claim based on damages sought vs. awarded or the successful defense of a Claim based on damages sought vs. awarded) may be awarded its reasonable attorneys’ fees and costs.
5. No claims of any kind can be considered after the settlements have been made with the consignors. Any dispute after the settlement date is strictly between the Bidder and consignor without involvement or responsibility of the Auctioneer.
6. In consideration of their participation in or application for the Auction, a person or entity (whether the successful Bidder, a Bidder, a purchaser and/or other Auction participant or registrant) agrees that all disputes in any way relating to, arising under, connected with, or incidental to these Terms and Conditions and purchases, or default in payment thereof, shall be arbitrated pursuant to the arbitration provision. In the event that any matter including actions to compel arbitration, construe the agreement, actions in aid or arbitration or otherwise needs to be litigated, such litigation shall be exclusively in the Courts of the State of Texas, in Dallas County, Texas, and if necessary the corresponding appellate courts. For such actions, the successful Bidder, purchaser, or Auction participant also expressly submits himself to the personal jurisdiction of the State of Texas.
7. ese Terms and Conditions provide speci c remedies for occurrences in the auction and delivery process. Where such remedies are a orded, they shall be interpreted strictly. Bidder agrees that any claim shall utilize such remedies; Bidder making a claim in excess of those remedies provided in these Terms and Conditions agrees that in no case whatsoever shall Auctioneer’s maximum liability exceed the high bid on that lot, which bid shall be deemed for all purposes the value of the lot.
Miscellaneous:
1. Agreements between Bidders and consignors to e ectuate a non-sale of an item at Auction, inhibit bidding on a consigned item to enter into a private sale agreement for said item, or to utilize the Auctioneer’s Auction to obtain sales for non-selling consigned items subsequent to the Auction, are strictly prohibited. If a subsequent sale of a previously consigned item occurs in violation of this provision, Auctioneer reserves the right to charge Bidder the applicable Buyer’s Premium and consignor a Seller’s Commission as determined for each auction venue and by the terms of the seller’s agreement.
2. Acceptance of these Terms and Conditions quali es Bidder as a client who has consented to be contacted by Auctioneer in the future. In conformity with “do-not-call” regulations promulgated by the Federal or State regulatory agencies, participation by the Bidder is a rmative consent to being contacted at the phone number shown in his application and this consent shall remain in e ect until it is revoked in writing. Auctioneer may from time to time contact Bidder concerning sale, purchase, and auction opportunities available through Auctioneer and its a liates and subsidiaries.
3. Rules of Construction: Auctioneer presents properties in a number of collectible elds, and as such, speci c venues have promulgated supplemental Terms and Conditions.
4. Nothing herein shall be construed to waive the general Terms and Conditions by these additional rules and shall be construed to give force and e ect to the rules in their entirety.
Store Notice: Notice as to an Auction in Texas. In compliance with TDLR rule 67.100(c)(1), notice is hereby provided that this auction is covered by a Recovery Fund administered by the Texas Department of Licensing and Regulation, P.O. Box 12157, Austin, Texas 78711 (512) 463-6599. Any complaints may be directed to the same address.
Auction Coordinator & Registrar: Lindsey Lutz
Catalogue Design: WinshipPhillips
Photography: Roy Richardson
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72 FREDERIC SACKRIDER REMINGTON (1861 - 1909)
e Sergeant, 1904
bronze, Lifetime Casting No. 8, 10.5 inches high
$70,000-$100,000
BACK COVER
163 JULIAN ONDERDONK (1882 - 1922)
In the Boerne Hills – Southwest Texas oil on canvas, 20 x 30 inches
$150,000-$250,000
Douglas Center Tower, 8333 Douglas Ave., Suite 360, Dallas, Texas 75225 Phone: 469.608.7600 | Website: Lsartauction.com Presented by Great American West and Phil Berkebile, Jr. Email: info@lsartauction.com © 2022 LONE STAR ART AUCTION, ALL RIGHTS RESERVED.
64 ED MELL (B. 1942)
Thunderheads 2021 oil on linen board, 12 x 16 inches
$10,000 - $15,000
109 KYLE POLZIN (B. 1974)
The Chase 2021 oil on canvas, 17.5 x 22.5 inches
$70,000-$90,000
