Winston Wächter Fine Art Seattle: Amanda Manitach DIRTY

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Amanda Manitach

Winston Wächter Fine Art Seattle


Winston Wächter Fine Art Seattle is proud to announce an exhibition of new drawings by Amanda Manitach, Dirty. Please join us for our opening reception on Wednesday, November 15, 6-8PM . The artist will be in attendance. Amanda Manitach’s latest body of work, Dirty, continues to document her intimate thoughts visually and physically. Her works are drawn and rubbed into elegant contrasts of delicate pattern and block print honesty. In turn these drawings stain her hands and arms, creating a temporary record of each expression. The physicality of the process becomes a type of therapeutic diary. These thoughts expose her humor, strength, vulnerably and twisted optimism. “I see my work as a task of both consciously and subliminally sorting out the experience of a female trying to make expressive marks—a task that has found uncanny resonance for me with the history of female hysteria. I am fascinated by history, art, the politics surrounding the female body, and by art that borders on obsessive, meditative devotion.” Manitach's work has been exhibited at the Frye Art Museum, Bellevue Arts Museum and Tacoma Art Museum. From 2012-2015 she served as curator of Hedreen Gallery at Seattle University. She co-founded and co-directed multiple mixed-use arts spaces in Seattle's Capitol Hill neighborhood, including TMRW Party and The Factory.

206.652.5855

jessica@winstonwachter.com

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Amanda Manitach, She Was Never Playing She Was All In, 2017, Graphite on paper, 46 x 51.5 inches, Frame Size: 49 x 55 x 1.5 inches


Amanda Manitach, Was It Always This Dirty, 2017, Colored pencil on paper, 26 x 40 inches, Frame Size: 29.5 x 43.75 x 1.5 inches


Either Way It’s Coming Up Roses For You 2017 Colored pencil on paper 25 x 40 inches


Artist: Amanda Manitach Title: Everything Is Fine Year: 2017 Medium: Colored pencil on paper Size: 60.75 x 51.5 inches Frame Size: 64.25 x 55 x 1.5 inches Price: $7,000


Psycho But Cute, 2017, Colored pencil on paper, 25 x 40 inches



Amanda Manitach, I Am My Own Fucking Soulmate, 2017, Colored pencil on paper, 26 x 40 inches, Frame Size: 29.5 x 43.75 1.5 inches


Like A Strong Character That Drives The Plot Maybe Her Demise Was Inevitable 2017 Colored pecil on paper 36 x 22 inches


Slut Peach Cunt Diva Darling Doll 2017 Colored pencil on paper 36 x 22 inches



Amanda Manitach, Save Your Fucks For Magical Shit, 2017, Colored pencil on paper, 37.5 x 51.5 inches, Frame Size: 40.5 x 55 x 1.5 inches



Holy Shit I Love You, 2017, Graphite on paper, 25 x 40 inches


Amanda Manitach

Born 1979

Quinter, Kansas

Education 2001

Oral Roberts University, B.A. Literature

Select Solo Exhibitions 2017 2016 2015 2014

Dirty, Winston Wächter Fine Art, Seattle, WA Nothing Left To Say, Roq La Rue Gallery, Seattle, WA Whiskey Helps, Roq La Rue Gallery, Seattle, WA T-Shirt Girls, Joe Bar, Seattle, WA Amanda Manitach: New Works, Bryan Ohno Gallery, Seattle, WA

2013 2012

Philosophy in the Bedroom, Vignettes, Seattle, WA Celery and Incense: A Theater of Hysteria, Jacob Lawrence Gallery at the University of Washington, Seattle WA Nights of Serious Drinking, Vermillion, Seattle, WA The Transvestism of Objects, Violet Strays Fold, Vermillion, Seattle, WA

2011

Trotter, NEPO House, Seattle, WA Select Group Exhibitions 2017 Say A Little Prayer for U.S, Planthouse Gallery, New York, NY 2016 2015

2014 2013

Northwest Art Now, Tacoma Art Museum (curated by Rock Hushka and Juan Roselione-Valadez), Tacoma, WA Lush Life 5: Reverie, Roq La Rue Gallery, Seattle, WA Out of Sight Expo, Seattle, WA Plus One, Roq La Rue Gallery, Seattle, WA Art Show Today, Planthouse Gallery (curated by Brad Ewing), New York, NY Get Naked, Bryan Ohno Gallery, Seattle, WA Connected, Cuchifritos, New Yorks, NY The Trees The Trees, Vignettes (curated by Sierra Stinson), Seattle, WA Chamber Music, Frye Art Museum (curated by Scott Lawrimore), Seattle, WA


2012

Elles: SAM, Seattle Art Museum Gallery (curated by Barbara Shaiman), Seattle, WA Each moment we live our lives shine, Cullom Gallery, Seattle, WA BAM Biennial 2012: High Fiber Diet, Bellevue Arts Museum, Bellevue, WA MegaBodega, Family Business Gallery, New York, NY Can’t Get There From Here, Lawrimore Project, Seattle, WA New Members Show, SOIL Gallery, Seattle, WA Seeing is Believing: A Study of Dreams, Ghost Gallery, Seattle, WA Death and the Maiden, Roq La Rue Gallery, Seattle, WA TEXT EDITOR, SOIL Gallery, Seattle, WA Strange Coupling, University of Washington, Seattle, WA

2011

Red Current, Roq La Rue Gallery, Seattle, WA Brick and Mortar, Gage Academy of Art, Seattle, WA ONN/OF “a light festival”, The Sweater Factory, Seattle, WA Visual Artist Happy Hour, Gage Academy of Art, Seattle, WA 11 Most Dangerous Toys of 2011, SOIL Gallery, Seattle, WA Love & Anguish: collected acts of transgression, City Arts Festival, Seattle, WA Must Show Here, ‘How Hou’ formerly Howard House, Seattle, WA Over and Over: A Small Survey of Obsessive Drawing, Vermillion, Seattle, WA NEPO 5K, NEPO House, Seattle, WA Show and Tell, pop-up gallery, New York, NY Mad Home Away From Home, Jacob Lawrence Gallery at the University of Washington, Seattle, WA Action 2, Ghost Gallery, Seattle WA Mad Homes, Mad Art, Site-specific installation curated by Bryan Ohno, Seattle, WA Defornament, SOIL Gallery, Seattle, WA A Good Line: Artists on Poems, Hugo House, Seattle, WA

2010

Bloom & Collapse, SOIL Gallery, Seattle, WA Air, Water, Fire (We Will Leave the Earth Behind), NEPO, Seattle, WA Xanadu, SOIL Gallery, Seattle, WA Action, Ghost Gallery, Seattle, WA


www.winstonwachter.com

gallery@winstonwachter.com


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