portfolio
শুভম িমদ্য়া SUBHAM MIDYA SEMESTER 9, CCA (CHD.)
ACADEMICS | COMPETITION | FREELANCE
SELECTED WORKS 2017-2021
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Curriculum Vitae Subham Midya, sem-9, CCA
Reinvigorating the vernacular Vernacular// ANDC_National top 20
Cultural Centre, SAS Nagar Academic - solo // Semester - 7
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53, Golden Palms, Zirakpur, (PB.)
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Miscellaneous
Internship JUL2021// Exubia Studio
workshops, art commisions, freelance, Chandigarh lalit kala akademi
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cv
professional work 53, Golden Palms, Zirakpur (PB) :
July 2021 // internship Low Cost Residence for artist (Technical Drawings, Facade Design, 3d visualisation, Site Visits, Client meetings) Exubia Studio©
Studio Foxfilmers, Amritsar (PB) :
August 2021 // internship Interior Design Of a Photo Studio (Documentation, 2d Drawings, 3d Visualisation, Site visits, Client meetings) Exubia Studio©
SUBHAM MIDYA শুভম িমদ্য়া
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+91-8195096235 midyasubham.cca@gmail.com F7, Corbu House, PEC Campus, Sector-12, Chandigarh(UT), India
believe that architecture can shape the way our society grows, that is what I always intend to accomplish through my projects. Throughout my years of studies & work I have acquired a comprehensive set of skills, both technical & artistic, which, further helped me gain understanding of the architectural profession. I have been undertaking freelance work as well as worked at offices in and around the city of Chandigarh. I also have previously hold posts in my college representing national and city organizations and working with them. It would a be great oppurtunity for me to render my services for your firm!
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Connect midyasubham.cca@gmail.com
Album Exhibition Pavillion, New Delhi :
August 2021// internship Design of Album Display & Layout for Exhibition Pavillion (2d drawings, 3d visulisation) Exubia Studio©
Residence at Katra, Bareilly (UP) : March 2021// internship Interiors for 3 storey residence (electrical Drawings, 3d visulisation) Studio DEN©
Art Installation @ Govt. Art gallery & museum, Sec-10, CHD : March 2021 & Sep 2021 (design, execution & installation of contemporary art installation) Chandigarh Lalit Kala Akademi
Achievements
Bachelor of Architecture :
Annual Nasa Design Competition 2019:
instagram.com/work_one.midya linkedin.com/in/work1midya
Bachelor of Building Sciences :
behance.net/subhammidya
Chandigarh College of Architecture, CHD. (UT) 2017 - 2020
subham_midya.penccil.com
Higher Secondary (XIIth), CBSE :
English, Hindi, Bengali, Punjabi
September 2021// internship 1500 seater auditorium interior (material & lighting research, 3d visualisation & presentation) Exubia Studio©
Education Chandigarh College of Architecture, CHD. (UT) 2017 - present
Languages spoken:
Auditorium, Panjab University (CHD) :
Army School, Jabalpur (M.P.) PCM + C.S.
High School (Xth), CBSE :
Army School, Jabalpur (M.P.)
Team Leader, Reinvigorating the Vernacular All India Top 20
G.Sen 2019:
Team member, Hyper-resilient cities All India Top 10
Punjab Art Initiative 2019:
Tri-City Artist Selected Art Installations for exhibition Chandigarh Urban Fest 2019: Selected Stage Design entry
Rose Festival 2021: Selected Art Installations for Workshop & exhibito
on
freelance work
workshops/seminars
competitions
Art Installation, Tagore Theatre (CHD) :
Brick masonary workshop :
Rose Festival Art installation:
Interior of Basement Office, Mohali (PB) :
Pierre Jeanneret Symposium :
TATA notions of India:
September 2021 // duo Design & Hands-on Construction of Art installation for city Auditorium.
July 2021 // duo Design, material and thematic curation for interior space of an IT office.
Documentating Hari Palace, Ambala :
December 2019 // group of 5 documented and prepared drawings of an old cinema hall building.
Art installation for PAI :
April 2019 // solo Design & construction of art installation for Punjab Art initiative exhibition.
Stage design & art installation for CUF :
March 2019 // trio Design & construction of temporary stage & art installations for Chandigarh Urban Fest.
Restropub at Jalandhar (PB.) :
September 2018 // group of 4 designed and painted wall murals
Cafe at Baltana, Zirakpur (PB) : September 2017 // duo designed and painted wall murals
September 2017 // CCA Hands-on Construction of brick jaalis and breezeblocks
October 2017 // CCA Foot Architect of Chandigarh
Graphic Design Workshop :
February 2018 // Mathilda Della Torre Chandigarh Lalit Kala Akademi Graphic Design for NGO programme
March 2021 // individual Chandigarh seen & unseen Selected entry & executed
July 2021 // individual Designed art installation from steel
Street for People :
January 2021 // group of 5 Designed pedestrian oriented streets
BAHAUS (CCA) :
August 2019 // duo Designed Furniture for design Studio
Weekly Organic market :
April 2018 // Ar. Siddharth Wig Designed & constructied modular display units for local organic Market
Industrial design (NASA) :
Annual NASA Convention 2019 :
ANDC (NASA) :
February 2019 // NASA Competition exhibition, Key Note Speaker - Ar. Daniel Garofalo Lecture by Ar. Alok Shetty
Sep 2019 // group of 5 Furniture Design for a hostel room July 2019// group Leader Reinvigorating the Vernacular All India Top 20
G.Sen trophy (NASA) : Tensile Structure Workshop :
February 2021 // RAW Design Studio Hands on Construction of tensile structure post small scale prototyping and stress analysis.
RIBA President’s medal Exhibition : September 2019 // CCA Key Note Speaker- David Gloster
Rohtak Shallow Domes :
April 2021 // CCA Theoritical study and hands-on construction of shallow domes using brick mortar.
January 2019 // group member Hyper-resilient cities All India Top 10
Destech Challenge (NASA) :
October 2018 // trio digital solution for urban pedestrian.
ANDC 2018 (NASA) :
July 2018 // team member elementary - liminal spaces All India Top 50
Experience
Software Aptitude
Tri-city Artist ( aug 2018 - present )
Proficient :
Chandigarh Lalit Kala Akademi, Sector-7, Chandigarh (U.T.) ( Art Exhibitions, Art Installations, Workshops )
Architectural Intern ( apr 2021 - sep 2021 )
Studio Exubia, Sector-7, Chandigarh (U.T.) ( Design, CAD Drawings, 3D visualisation, Site Inspection, Client Meetings )
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Autocad, Sketchup, Rhinoceros 3d, Revit, V-ray, lumion, Adobe suite - Photoshop, Illustrator, premiere pro Microsoft Office.
Intermediate :
Archicad, Twinmotion, 3ds max.Adobe - After effects, Lightroom,
Architectural Intern ( feb 2021 - mar 2021 ) Studio Den, Sector-44, Chandigarh (U.T.) ( CAD Drawings, 3D visualisation )
Unit Secretary for CCA at National Association of Students of Architecture ( apr 2018 - feb 2020)
( managing NASA Accounts, led a team of 67 students for Annual Nasa Convention 2020, Banglore )
Relevant skills 3d modelling (digital & hand), laser cutting, sketching, photography, cinematography, digital art, 3d visualisation, documenation, mural art, carpentary, welding.
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SUBHAM MIDYA ARCHITECTURE PORTFOLIO - 2021
SUBHAM MIDYA ARCHITECTURE PORTFOLIO - 2021
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Reinvigorating the vernacular Vernacular// ANDC_National top 20
s
anghasani is a village in Jodhpur district of rajasthan, rich in varied cultural practices. One of the major being worship & preservation of native trees of the region (khejarli, peepal, etc.). The village also has numerous people indulged in various crafts like pottery and Meenakari. The earlier structures in the area were made out of regional materials like local quarried stones, mud, adobe and thatch, but with the advent of modern materials like cement concrete and burnt bricks the cultural habitat is compromised and the nature is degraded. The brief was to revitalize the vernacular techniques as well as the social production processes of the region through apt design and programme proposals.
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social production processes Social production processes is a product or a set of process arising from the experience of people in a community, collectively determining the conditions of their own habitat. Here there could be two very clear ways of operating. -Either we continue to the old traditions and social production processes as they’ve been. -Or else we understand the demand, blend and modify the old processes and recreate them so that they get a new identity to survive.
WEA
CommunityMaterial used-Frame l yarn,shed stick,weavin yarn Practiced by fou Urge to rev
TURNING MAT
FLORA FAUNA PROTECTION
Fig. 1.1 - The spinal street of the village connecting the entrance & the pond
protection of flora,fauna and reserve parks community based on 29 rules, now depleted FLORA-khejri,rohira,khora jaal,neem,kair,babul FAUNA-neel cow,deer,black buck, house sparrow,peacock,goat,cattle,tiger,wild wolf,donkey
WA
DRYING
DYING
Those gleaming eyes explained it all. Shabby filthy clothes and barefooted, she was gallivanting in the sandy streets. The stunning scenic landscape with glimpsesaof golden sand fields andfor different Fig. 1.2 - The central street area becomes common meeting place mirages formed on the highway age groups, informal & temporary structures like sitting area in front of shops, to the village Sangasani. sitting beneath tree shade etc. grewtook overustime. by as lifestyle outside that practice Both, the regional techniques ofFascinated construction well as the cultural village, she was looking for that were diminishing in the region with the advent of modernisation. With proper source entertainment interventions at the right place captivating and right time the of change can be steered to which is termed as "modernism". a fair direction.
FAUNA PROTECTION
FLORA PROTECTION
BISHNOI COMMUNITY
29 TENETS
HAND TUF
TRIMMING A
WASHING
FINAL T
Change requires a certain time so that it can be effective and gets embedded in people’s everyday lives. Certain areas which were based on the concepts of older times have not changed according to the required demand. Hence the CHARACTER of the certain SPACE will be retained.
SANGASANI
28 KM
JODHPUR
Heritage loosing in the hand of new generations over time
R
AVING
-Meghwal Bambi loom,tapestry needle,warp ng comb,scissors,weaving ns,dowel. ur families presently. vive the process.
SUBHAM MIDYA ARCHITECTURE PORTFOLIO - 2021
POTTERY Community-Muslim Kumhar Materials used-Mitti(from nearby Balotra and Sojit village),burada,bajri,kiln,pin tools, ribs and scrappers.
DEF S PRO PR
MONTHLY ANALYSIS OF OCCUPATION
Village is known as the "Potter's village" Practiced since 1950's Pots supplied to Rajasthan,Gujarat and other parts of India.
DECEMBER
JANUARY
NOVEMBER
AGRICULTURE
Social pro process or experience collectively conditions
Community-Bishnoi,Meghwal Bambi,Muslim Kumhar Crops-Jawar,bajra,moong,jeera(chana and rai were grown earlier) FEBRUARY Fields are majorly owned by the Bishnois in which the Meghvaal Bambi and Muslim Kumhar work as labourers.
Here there ways of op -Either we traditions processes -Or else we blend an processes they get a n
MARCH
OCTOBER
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UNLOADING CLAY SEPTEMBER
APRIL
TERIAL INTO YARN STORAGE OF CLAY
AUGUST
MAY
JULY
ASHING SCULPTING
G PROCESS SHADE DRYING
CROP SELECTION
MEENAKARI
JUNE
MAJOR
1. AGRICULTURE
MINOR
2. POTTERY
LESS
3. LABOUR WORK
LAND PREPARATION
KHEJARLI FAIR Community-Bishnoi Location-7.2 kms away from Sanghasani at Khejarli chowk. 365 people sacrificed their lives in 1730AD to protect Khejri trees Presently celebrated as fair and a golden opportunity for villagers to showcase their work
Community-Meghwal Bambi Stone construction material which comes from Balotra village. Presently practiced by 5 families. Urge to revive the process.
SEED SOWING
DRAFTING
G PROCESS
IRRIGATION SUN DRYING
MEASURING
FTED CARPET
BURNING OF KHEJRI TREE
CROP GROWTH
BEATING
CARVING
AND FINISHING KILN BAKING
PROTECTED BY VILLAGERS
HARVESTING
365
G CARPETS
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REFINING
PEOPLE KILLED
WHOLESALE
CELEBRATED AS FAIR NOW IN THE MEMORY OF 365 PEOPLE
RETAIL
FINAL TOUCHES
PAINTING
TOUCHES STORAGE OF POTS
REINTERPRETATING THE TRADITION
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habitat analysis & documentation
The nadi talaab (pond) has lost its vitality, charm and character. Agriculture is a major social and economic process on our site, this underused pond, once rehabilitated could be a viable alternative or resource. These ponds are not just essential for the humans but are also a primary source of drinking water for the fauna. Streets can also be recognized as the veins of any village which connects to our neighborhood as well as all the basic ammonites present on the site. On this street lies a masjid, madrasa, mandir and a school. We included the street to be a part of the design process because it plates a platform for interaction for the users of our site. This street is already inculcated in the daily routine of the users as they sit and interact here throughout the day. The concept was to reach the maximum amount of people, so that the design gets more effective! Further an overall layout study of the area was done to come up with the justified location for our intervention.
landuse
religious public residential commercial agricultural street
vegetation
vegetation
figure ground map
built-up open land
street pattern
major street minor street
SUBHAM MIDYA ARCHITECTURE PORTFOLIO - 2021
documented structure
0.3 mtr adobe parapet
sandsoil insulation
0.2 mtr hard mud layer
Wooden twig filling ~0.2 mtr th.
Thatch roof ~0.2 mtr th.
saal wood purlins
monolith stone column 0.45 x 0.15
mud and cow dunk flooring
18” Th. Adobe wall reinforced with wood
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habitat rejuvenation
site
Aligned centrally, nadi talaab(pond) intricately binds the three major communities at our site. If we trace out a historical background of the pond, it used to be the only source of water for the users of our site. A rural development centre is proposed adjoing the pond thus helping rejuvenate the community character of the area. Also since this programme provides support to the basic social production processes of the village, it will recieve ample footfall. The intent is to use the existing vernacular techniques in a modern way thus being an examplary model for the villagers to apply to their personal habitats i.e their homes and streets.
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Fig. 1.3 - conceptualisation of various elements of the complex. Elements like brick vaults, wind towers, circular planning of the workshop block
1. Skill Centre. 2. Panchayat Office 3. Healthcare centre
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11 key design elements 2. 1.
Video documentation of the village habitat was done besides interviewing the local residents and craftsmen. The discussion revealed the sources of the materials used to construct their traditional mud houses and also the reasons for them to shift to brick & RCC construction. They also mentioned the benefits of the ealier houses and how these were more connected. We also got insight to the nature. (click on the thumbnail above to explore more)
1. Rejuvenation of the pond : Placing the pu plex beside the pond brings the activities a and improves its scope of maintainence.
2. Shops & exhibition spaces : dedicated str for potters to sell & exhibit their work.
SUBHAM MIDYA ARCHITECTURE PORTFOLIO - 2021
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4. Anganwadi 5. Farmers’ Co-op Bank 6. Exhibition Space
7. Shops 8. Existing school 9. Amphitheatre
10. Village Pond 11. Towards highway 12. Towards Masjid
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ublic comaround it
3. Skill centre: For the youth to learn and appreciate the native crafts of the village.
ructures
4. Windtowers : Keeping in view the harsh climate of the area, windtowers were added as a new element to facilitate easy ventilation in the structures.
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5. Brick vaults: The RCC & thatch roofing are displaced by the brick vaulted roof, which decreases use of steel & also utilises locally available adobe brick. 6. Stone slab roofs: Another typology used, utilising the locally available stones.
SUBHAM MIDYA ARCHITECTURE PORTFOLIO - 2021
contemporary culture! The prototype architecture of dancing in the kitchen
the centre used extensively by dancing in the kitchen the village population willl set an dancing kitchen of example for in thethe modernisation dancing in the kitchen the existing culture.
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In ord susta
SUBHAM MIDYA ARCHITECTURE PORTFOLIO - 2021
der to get on the road towards modernisation it is necessary to jettison the old cultural past. It is a fact: every culture cannot ain and absorb the shock of modern civilisation. `There is a paradox, how to become modernyet return to our sources.
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Cultural Centre, SAS Nagar Academic - solo // Semester - 7
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ulture is often confused with our practices of past. It rather refers to current, shared themes, beliefs and values of the society. It includes present practices, trends, as well as political and social beliefs. I experimented with the concept of “denial & reward” in this project to enrich passage of user through the built environment. Various levels have been incorporated in design and connected through various paths of travel. These varied spaces serve as multiple exxhibitions spaces. The design language has been kept modern keeping in mind the image of the “present”.
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conceptualisation CONFLUENCE OF THE BASIC SHAPES the different strucutres of the cultural complex were derived from different basic shapes to createe contrast in the quality of volume created by each ( multipurpose halls from cubes and cuboids, the library & cafteria from a cylinder to ultimately form a tower like stucture etc.). Each of these elements were further implied at a micro level in each of these building in the form of fenestrations or facade details.
LEVELS & VISTAS Different parts of the programme are strategically placed at varied levels thus creating barrier where required as well as creating hierarchy of diferent spaces. Being a public place connectivity was a major challege in these multi-level spaces therefore ramps are extensively used in the design. The wave like forms and paths created by multiple ramps connecting to different spaces at different levels create multiple Vvisual vistas thus adding dynamism to experience at varied areas.
Fig. 2.1 - Fibonacci facade of the tower, leve 3D derivation of the herringbone pattern fo
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MULTI-FACETED EXHIBITION SPACES The different exhibition spaces in the complex have strategically been given contrasting characteristics, so as to host variety of functions within the same complex. Other than the general multipurpose exhibition halls, an open exhibition space with curved walls, a tunneled exhibition space, and vertica exhibition space along the rampways of the tower have been designed.
3D HERRINGBONE TESSELATION ROOFS The roof form of the multipurpose hall have a parametric design. The tesselation roof is madeup of composite tiles as well as glass and the form of the units further help in ventilation as well as illumination of the interior spaces in different months of the year and at different times of the day. This also forms different patterns of the sunlight at the floor in different times of the day.
THE FIBONACCI FACADE The curved wall around the tower is in a fibbonacci pattern. whilst the user moves through the circular ramp, he is able to view thesurroundings in breaks. The vertical breaks also let in light in an interesting pattern.
Fig. 2.2 - Ideation of the spaces inside the m off different spaces and the form derivation
els of the tower surrounding the view & the or the roof
multipurpose halls with ramps, conncetivity n & relation of OAT with the halls.
SUBHAM MIDYA ARCHITECTURE PORTFOLIO - 2021
roof shadow analysis MAY-JUN-JUL 9AM - 11 AM 50% shaded - 50% lit longer shadow length little diffused light on floor since ray coming from opposite side of the transparent side. NOV-DEC-JAN 9AM - 11 AM 60% shaded - 40% lit longer shadow length little diffused light on floor since ray coming from sideways to the transparent glass face. APR-MAY-JUN 12 NOON 30% shaded - 70 % lit with short shadow length diffused light on floor since rays falling perpendicularly on the roof
APR-MAY-JUN 9AM - 11 AM ROTATION - 180º TO SW 30% shaded - 70 % lit with short shadow length. direct light on the floor since rays at lowest angles facing the transparent side. NOV-DEC-JAN 12 NOON 30% shaded - 70 % lit with medium shadow length. direct light on the floor since rays at the optimum angles facing the transparent side transversly. APR-MAY-JUN 2PM - 4PM ROTATION - 45º TO WEST 70% shaded - 30 % lit with long shadow length. diffused to no light on the floor since rays falling from sideways.
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SUBHAM MIDYA ARCHITECTURE PORTFOLIO - 2021
site & zoning
EXHIBITION T
The two main nodal points of the complex are the central seating and the mini OAT. All other functions and waythrough are planned surrounding these two spaces. Also these two spaces abutt the two entries to the complex, one to the general viitors entry one to the service and vip entry. Connecting these two spaces and the elements in between are the ramps at various levels. the tower has been placed at the south western edge to face the paddy fields. Both the exhibition halls face each other with the tunnel sliding in between beneath the ramp. Both of these are also connected by a ramp. The admin and the worshops are sepereated from the central public space to cut the noise.
EXHIBITION HALL 2
REAR LAWN
CENTR
19 WORKSHOPS
SUBHAM MIDYA ARCHITECTURE PORTFOLIO - 2021
TUNNEL
COURT ENTRY
CENTRAL SEATING ADMIN
LIBRARY CAFETERIA
OPEN EXHIBITION
RAL RAMP
MINI OAT
EXHIBITION HALL 1
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site plan S KH ARD TOW
MIXED USE AREA
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ARD TOW AN NDR S LA
AGRICULTURAL LAND
AGRICULTURAL LAND
A. Visitors Main entry. B. VIP & Admin entry C. Service & Workshop entry 1. Visitors parking
2. VIP & admin parking 3. Complex Entry 4. Admin. Dept. 5. Central court
6. Open Exhibition Area 7. Central seating 8. Exhibition hall Stairway 9. Ramped tower
10. Exhibition hall 1 11. Exhibition hall 2 12. Tunnel Exhibition Space 13. Workshop & Classrooms
SUBHAM MIDYA ARCHITECTURE PORTFOLIO - 2021
C D
ROA
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MIXED USE AREA
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14. Mini OAT 15. Front & rear Lawns 16. Service parking Rampways
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50mtrs
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Floor plans
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PLAN @ LEVEL + 00.00 MTRS 0
1. Visitors parking 2. main entry 3. ticket counter 4. general office 5. accts. section 6. server room 7. manager’s office 8. store 9. janitor 10. staff toilets 11. public toilets 12. central court 13. open exhibition space
14. sunken seating 15. ramped tower 16. tunneled exhibition space 17. ramp down to OAT 18. ramp up to halls 19. exhibition hall 1 20. ramp up to mezanine 21. mini OAT 22. classrooms 23. drinking water point 24. ramp down to OAT & tunnel
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SUBHAM MIDYA ARCHITECTURE PORTFOLIO - 2021
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24 PLAN @ LEVEL + 00.00 MTRS 0
1. Elevated walkway 2. ramp down to court 3. ramp down to exhibition space 4. mezanine level 5. exhibition hall 2 6. ramp up to mezanine 7. upper mezanine level 8. workshop 9. audio visual room 10. stairs down to court 11. stairs down to OAT 12. walway connecting to tower
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50mtrs
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levels and vistas
Sections
The adjacent sections illustrate how the different functions placed at varied levels look towards each other and the central spaces. These multi-level connectiion helped achieve different views which will further diversify the overall experience of the complex. The tower placed at the south-west side of the site enjoys the views of the agricultural fields from a height. The interiors of the multipurpose exhibition halls also have levels to accomodate different spaces. The informal areas like the green sitting space and the mini OAT are sunken so as to facilitate shading from the surrounding structures as well give an enclosed feeling
SECTION A-A’
25 SECTION B-B’
SECTION C-C’
SUBHAM MIDYA ARCHITECTURE PORTFOLIO - 2021
+ 16.00 mtrs + 13.00 mtrs + 10.00 mtrs + 6.20 mtrs + 1.00 mtrs + 0.00 mtrs
+ 13.00 mtrs + 10.30 mtrs + 7.20 mtrs + 2.64 mtrs + 0.00 mtrs - 3.40 mtrs
+ 16.00 mtrs + 13.00 mtrs + 10.00 mtrs + 6.20 mtrs + 1.00 mtrs + 0.00 mtrs
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SUBHAM MIDYA ARCHITECTURE PORTFOLIO - 2021
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Fig. 2.3 - The mini OAT, sunken in between the Exhibition halls & the workshop becomes an outdoor gathering area as well as an informal breakout space. Also connecteedd from this place is the tunneled exhibition area with glass brick skylights on the cieling.
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SUBHAM MIDYA ARCHITECTURE PORTFOLIO - 2021
Fig. 2.4 - Varied levels connected by rampways. Notice the difference between the typology of exhibition spaces like the tunneled space and the large exhibition hall in the background. Also, the vistas created by the different levels create an interest to the visitors mind.
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Fig. 2.5 - The ramped tower structure with library, cafeteria, exhibition spaces and a vantage point for enjoying views. The tower also overlooks the sunken courtyard on one side and connects to the exhibition halls on the other side via elevated walkway.
SUBHAM MIDYA ARCHITECTURE PORTFOLIO - 2021
Denial & Reward
The prototype architecture of the centDiverting users onto an unexpected path to create additional intrigue ( or even momentary lostness ); then reward them other interesting experience or views of their target.
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As on the b
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ne moves through the different spaces in the complex, the visitor would be able to mentally connect visual cues from built environment. The connections of different spaces are such that it results in the richness of the user experience.
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53, Golden Palms, Zirakpur, (PB.) Internship JUL2021// Exubia Studio
I
was involved in this project as a trainee in Exubia Studio. The pandemic and the oline classes permitted me some time to add more productivity to my daily schedule, like working in an architectural office. The client of the project is a metal sculpture artict from Punjab, who worked in Chandigarh. He firmly wanted the facade to accentuate the Chandigarh minimalist design language. Also to personalise elements in metal were added to the facade. I worked upon facade conceptualisation & visualisation, working drawings, details and also was involved in client meetings & other interactions. Reference: Ar. Rachit Malhotra exubiastudio@gmail.com
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floor layouts
TERRACE BELOW
PW ROOM 5’-6”x5’-7 1/2”
TOILET 10’-3x4’-6”
LOUNGE 10’-3”x14’-5 1/2” DINING 7’-1 1/2”x 16’-9 1/2”
STUDIO 10’-3”x27’-0”
SKYLIGHT ABOVE
33 LIVING ROOM 10’-3”x13’-1”
KITCHEN 10’-3”x9’-4”
DRIVE WAY 10’-3”x14’-0”
FRONT LAWN 10’-4 1/2”x6’-0”
GROUND FLOOR
TERRACE 11’-3”x2’-7 1/2” + 10’-4 1/2”x6’-0”
FIRST FLOOR PLAN
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UTILITY AREA 10’-3”x4’-6”
PW ROOM 4’-7 1/2”x4’-6”
STORE 10’-3”x8’-7 1/2”
BEDROOM 10’-3”x11’-10 1/2”
SKYLIGHT ABOVE BATH 4’-1 1/2”x5’-3”
TOILET/DRESS 6’-6 1/2”x9’-8”
SKYLIGHT BELOW 1’-10 1/2”x8’-0”
34 TERRACE BEDROOM 10’-3”x12’-8 1/2”
SECOND FLOOR PLAN 0 1
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SUBHAM MIDYA ARCHITECTURE PORTFOLIO - 2021
section & details LVL +34-0” LVL +33-0” TOS LVL +32’-0” BOS
LVL +34-0” LVL +33-0” TOS LVL +32’-0” BOS
v
LVL +30’-0” LINTEL
DETAIL -4 (SKYLIGHT)
LVL +26’-6”
LVL +26’-6” TERRACE
LVL +24’-7 1/2 “ PARAPET
LVL +24’- 9” PARAPET
LVL +22’-0” TOS LVL +21’-0” BOS
LVL +22’-0” TOS LVL +21’-0” BOS
LVL +19’-0” LINTEL
LVL +19’-0” LINTEL
DETAIL -2 (SKYLIGHT)
DINING AREA
LVL +15’-6”
TOILET
LVL +13’- 9” PARAPET LVL +11’-0” TOS LVL +10’-0” BOS LVL +9’-0” LVL +8’-0” LINTEL LVL +6’-0”
LVL +11’-0” TOS LVL +10’-0” BOS LVL +8’-0” LINTEL
LOUNGE
STUDIO
LVL ±0’-0” FFL
LVL ±0’-0” FFL
SECTION A-A’
SECTION B-B’
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RCC PLANTER OUTSIDE
STAIRWELL TERRACE
CLEAR FIBERGLASS SHEET
INSIDE
GUTTER
FALSE CIELING
INSIDE GLAZING
ANGLE TO SUPPORT BRICKWORK
STAIRS DOWN
OUTSIDE
DETAIL - 1
DETAIL - 2
SUBHAM MIDYA ARCHITECTURE PORTFOLIO - 2021
DETAIL -1 (RCC PLANTER PARAPET)
TERRACE
LOBBY
UTILITY
SKYLIGHT
TERRACE
KITCHEN
DINING AREA
TOILET
DETAIL -3 (FACADE BRICKWORK)
FRONT LAWN
FORMAL LIVING
TOILET
LOUNGE
0 1
3
6
OUTSIDE PARAPET
GLAZING
ANGLE TO SUPPORT BRICKWORK
CLEAR FIBERGLASS SHEET
INSIDE PARAPET 1FT. HIGH
FALSE CIELING OUTSIDE INSIDE
OUTSIDE
GLAZING ANGLE TO SUPPORT BRICKWORK
DETAIL - 3
INSIDE
STAIRWELL
DETAIL - 4
TERRACE
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SUBHAM MIDYA ARCHITECTURE PORTFOLIO - 2021
electrical layout
PW ROOM 5’-6”x5’-7 1/2 “
TOILET 10’-3” X4’-6”
DINING 7’-1 1/2 “ X 16’-9 1/2 “ STUDIO 10’-3”X 27’-0”
LOUNGE 10’-3”x14’-5 1/2 “
37 KITCHEN 10’-3” X9’-4”
LIVING ROOM 10’-3”X13’-1” DRIVE WAY 10’-3” X 14’-0”
FRONT LAWN 10’-4 1/2” X 6’-0”
GROUND FLOOR vv
FIRST FLOOR PLAN
SUBHAM MIDYA ARCHITECTURE PORTFOLIO - 2021
BEDROOM 10’-3” X 11’-10 1/2 “
UTILITY AREA 10’-3” X4’-6”
POWDER ROOM 4’-7 1/2”X4’-6”
STORE 10’-3” X8’-7 1/2 “
TOILET/DRESS 6’-6 1/2 “ X 9’-8”
38 TOILET/DRESS 6’-6 1/2 “ X 9’-8”
BEDROOM 10’-3”X12’-8 1/2 “
SECOND FLOOR PLAN 0 1
3
6
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SUBHAM MIDYA ARCHITECTURE PORTFOLIO - 2021
joinery details GROUND FLOOR
LVL +8’-00” LVL +8’-00”
LVL +8’-00” LVL +8’-00”
FIXED GLASS FIXED GLASS
FIXED GLASS FIXED GLASS
SLIDING SHUTTER SLIDING WITH JALI SHUTTER WITH JALI
G.F LVL ±0’-0” G.F LVL ±0’-0”
LVL +8’-00” LVL +8’-00”
G.F LVL ±0’-0” G.F LVL ±0’-0”
G.F LVL ±0’-0” G.F LVL ±0’-0”
INSIDE INSIDE
INSIDE INSIDE
JAALI SHUTTER JAALI SHUTTER
GLASS SHUTTER GLASS SHUTTER
FIXED GLASS FIXED GLASS
G S G S
SLIDING SHUTTER SLIDING WITH JALI SHUTTER WITH JALI
FIXED GLASS FIXED GLASS
GLASS SHUTTER GLASS SHUTTER
OUTSIDE OUTSIDE
GLASS SHUTTER GLASS SHUTTER
JAALI SHUTTER JAALI SHUTTER
OUTSIDE OUTSIDE
QUANTITY :1 SILL = 0’-0” :1 QUANTITY LINTEL = 8’-0” SILL = 0’-0” LINTEL = 8’-0”
QUANTITY :2 SILL = 2’-9” :2 QUANTITY LINTEL = 8’-0” SILL = 2’-9” LINTEL = 8’-0”
QUA SILL QUA LINT SILL LINT
FIRST
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LVL +8’-00” LVL +8’-00”
LVL +8’-00” LVL +8’-00”
GLASS SHUTTER GLASS SHUTTER
LVL +5’-9” LVL +5’-9”
LVL +8’-00” LVL +8’-00” SLIDING SHUTTER SLIDING WITH JALI SHUTTER WITH JALI
FIXED GLASS FIXED GLASS
G.F LVL ±0’-0” G.F LVL ±0’-0”
G.F LVL ±0’-0” G.F LVL ±0’-0”
G.F LVL ±0’-0” G.F LVL ±0’-0”
OUTSIDE OUTSIDE GLASS SHUTTER GLASS SHUTTER
FIXED GLASS FIXED GLASS
INSIDE INSIDE
QUANTITY :2 SILL = 6’-0” :2 QUANTITY LINTEL = 8’-0” SILL = 6’-0” LINTEL = 8’-0”
INSIDE INSIDE JAALI SHUTTER JAALI SHUTTER
GLASS SHUTTER GLASS SHUTTER
OUTSIDE OUTSIDE
QUANTITY :1 SILL = 2’-9” :1 QUANTITY LINTEL = 8’-0” SILL = 2’-9” LINTEL = 8’-0”
FIXED GLASS FIXED GLASS
SUBHAM MIDYA ARCHITECTURE PORTFOLIO - 2021
SECOND FLOOR
LVL +8’-00” LVL +8’-00”
LVL +8’-00” LVL +8’-00”
GLASS SHUTTER GLASS SHUTTER
LVL +5’-9” LVL +5’-9”
FIXED GLASS FIXED GLASS
GLASS SHUTTER GLASS SHUTTER
G.F LVL ±0’-0” G.F LVL ±0’-0”
SLIDING SHUTTER SLIDING WITH JALI SHUTTER WITH JALI
G.F LVL ±0’-0” G.F LVL ±0’-0”
OUTSIDE OUTSIDE
OUTSIDE OUTSIDE
INSIDE INSIDE
GLASS SHUTTER GLASS SHUTTER
INSIDE INSIDE
OUTSIDE OUTSIDE
INSIDE INSIDE
ANTITY :1 = 0’-0” :1 ANTITY TEL = 8’-0” = 0’-0” TEL = 8’-0”
JAALI SHUTTER JAALI SHUTTER
GLASS SHUTTER GLASS SHUTTER
FIXED GLASS FIXED GLASS
QUANTITY :2 SILL = 6’-0” :2 QUANTITY LINTEL = 8’-0” SILL = 6’-0” LINTEL = 8’-0”
QUANTITY :1 SILL = 4’-6” :1 QUANTITY LINTEL = 8’-0” SILL = 4’-6” LINTEL = 8’-0”
FLOOR
LVL +8’-00” LVL +8’-00”
SLIDING SHUTTER SLIDING WITH JALI SHUTTER WITH JALI
FIXED GLASS FIXED GLASS
D DS S
LVL +8’-00” LVL +8’-00”
FIXED GLASS FIXED GLASS
G.F LVL ±0’-0” G.F LVL ±0’-0”
INSIDE INSIDE GLASS SHUTTER GLASS SHUTTER
JAALI SHUTTER JAALI SHUTTER
OUTSIDE OUTSIDE QUANTITY :1 SILL = 0’-0” :1 QUANTITY LINTEL = 8’-0” SILL = 0’-0” LINTEL = 8’-0”
40 SLIDING SHUTTER SLIDING WITH JALI SHUTTER WITH JALI
FIXED GLASS FIXED GLASS
G.F LVL ±0’-0” G.F LVL ±0’-0”
INSIDE INSIDE FIXED GLASS FIXED GLASS
INSIDE INSIDE
JAALI SHUTTER JAALI SHUTTER
GLASS SHUTTER GLASS SHUTTER
FIXED GLASS FIXED GLASS
OUTSIDE OUTSIDE
OUTSIDE OUTSIDE
QUANTITY :1 SILL = 0’-0” :1 QUANTITY LINTEL = 8’-0” SILL = 0’-0” LINTEL = 8’-0”
QUANTITY :1 SILL = 0’-0” :1 QUANTITY LINTEL = 8’-0” SILL = 0’-0” LINTEL = 8’-0”
0
1
3
6
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SUBHAM MIDYA ARCHITECTURE PORTFOLIO - 2021
facade conceptualisation
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Fig. 2.1 - OPTION 1 - A brick jaali facade with a small opening from the kitchen balcony, Also the extruded blocks create different shadow patterns throughout the day. The small opening on one side brings assymetry to the composition.
Fig. 2.1 - OPTION 2 - Horizo elemets of this design, Also, t nanak shahi size bricks which m A brick jali forms a railing in thi
ontal bands are the prominent the bricks used were a1 grade made the pattern more intricate. is option.
SUBHAM MIDYA ARCHITECTURE PORTFOLIO - 2021
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Fig. 2.1 - OPTION 3 - A metal slidingfolding shutter is added to cover/open the balcony as and when required, The railing is a transparent glass and the solid facade is kept in plain plaster to contrast the vertical striped pattern of the shutter.
SUBHAM MIDYA ARCHITECTURE PORTFOLIO - 2021
learnings from the project This project was the first professional architectural venture I was involved in. While working in this project I was able to understand the importance of subtle details that I often used to ignore earlier in my projects from architecture college. Also, I came to know regarding the various byelaws of the city. Besides designing I was aslo involved in other aspects of this projects like client meetings, site inspections, and meetings with electricians, material vendors etc. wherein I interacted with different people involved in the project as well as observed the varied processes involved in the same, which emmensely helped me evolve my personality & practical knowledge as an Architect!
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SUBHAM MIDYA ARCHITECTURE PORTFOLIO - 2021
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SUBHAM SUBHAM MIDYA MIDYA ARCHITECTURE ARCHITECTURE PORTFOLIO PORTFOLIO -- 2021 2021
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SUBHAM MIDYA ARCHITECTURE PORTFOLIO - 2021
04
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Miscellaneous
workshops, art commisions, freelance, Chandigarh lalit kala akademi
D
uring the past 4 years in architecture college, I’ve been involved in various work in & around the city of Chandigarh. Taking up freelance gigs and other art commisions have helped me develop my architectural as welll as artistic skills which I was further able to utilize in my academics as well as professional projects. I also participated in various workshops which helped me gain practical knowledge regarding the industry standards, techniques and different construction materials. Also, practicing alongside college has made me learn critical time management skills and work ethic. The following pages showcase some of my similar ventures in recent years.
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SUBHAM MIDYA ARCHITECTURE PORTFOLIO - 2021
Prismatic India - Art Installation India being a country encompassing diverese cultures and colours in one is compared to a prism which constitutes all the entire spectrum within rays of white light. Art Installation was displayed at the tagore theatre sec-18 Chandigarh, as a part of the heritage of India art workshop.
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SUBHAM MIDYA ARCHITECTURE PORTFOLIO - 2021
Chandigarh seen/unseen Chandigarh is the first planned city of independent India, and its modern, brutalist aesthetics are a major characteristic. Within the grey concrete shades of the Chandigarh buildings what remains unseen is the diverse culture that the people bring with them to this city. The art installation depicts this thought with the help of little colourful elements “lego blocks”, which add colour to the grey column of the modernist city. The installation is displayed in the Govt. museum of Arts & Architecture, sector-10, Chandigarh.
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SUBHAM MIDYA ARCHITECTURE PORTFOLIO - 2021
tensile structure workshop Design methods, usage, details and construction process of modern day tensile structures was studied. After finalisation of design and analysing using small scale protoype models, final human scale structure was erected. The process involved bamboo carpentry, cutting and fixing of the polyester fabric to the stick structure and finally anchoring the stucture to the ground.
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SUBHAM MIDYA ARCHITECTURE PORTFOLIO - 2021
Rohtak shallow domes workshop Construction of shallow domes is a vernacular practice earlier prevalant in the region of Haryana and vicinity. Brick being cheaper than RCC, this method is quite economic and also has its own aesthetic charm. I learnt the process demostrated by the local artsians and hands-on construction of slabs/roofs in the form of shallow domes and vaults.
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SUBHAM MIDYA ARCHITECTURE PORTFOLIO - 2021
Chandigarh urban fest The Chandigarh admisitration hosts a fest annually to showcase art and varied activities in the city. Stage background was designed and installed along with an art installation being displayed at the tourist information centre, Capitol complex, Sec-1, Chandigarh. The art installation showcased the elements from the iconic buildings of chandigarh while the stage background was based on the open hand.
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SUBHAM MIDYA ARCHITECTURE PORTFOLIO - 2021
wall murals Freelance art commisions, interiors of cafes, restaurants, walls murals for college. more of my works - @work_one.midya
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am I in ?
references ASST. PROF, SUJAY SENGUPTA (Dean of Academics) Chandigarh College of Architecture sg.sujay@gmail.com
BHEEM MALHOTRA Chairman, Chandigarh Lalit Kala Akademi bheem06@gmail.com