REINVIGORATING THE VERNACULAR

REINVIGORATING THE VERNACULAR Annual NASA design competition -2019 Sanghasani, Jodhpur, Rajasthan

POT

Community Materials used-Mitt Sojit village),bur ribs an

WEAVING Community-Meghwal Bambi Material used-Frame loom,tapestry needle,warp yarn,shed stick,weaving comb,scissors,weaving yarns,dowel.

Practiced by four families presently.

Urge to revive the process.

Village is known Practice Pots supplied to other p

UNLO

TURNING MATERIAL INTO YARN

STORA

FLORA FAUNA PROTECTION

protection of flora,fauna and reserve parks community based on 29 rules, now depleted FLORA-khejri,rohira,khora jaal,neem,kair,babul FAUNA-neel cow,deer,black buck, house sparrow,peacock,goat,cattle,tiger,wild wolf,donkey

WASHING

SC

DRYING PROCESS

SHAD

DYING PROCESS

SUN

Those gleaming eyes explained it all. Shabby filthy clothes and barefooted, she was gallivanting in the sandy streets.

The stunning scenic landscape with glimpses of golden sand fields and mirages formed on the highway took us to the village Sangasani.

FAUNA PROTECTION

HAND TUFTED CARPET

B

FLORA PROTECTION

TRIMMING AND FINISHING

KILN

BISHNOI COMMUNITY

WASHING CARPETS

FINA

Fascinated by lifestyle outside that village, she was looking for that captivating source of entertainment which is termed as "modernism".

29 TENETS

FINAL TOUCHES

STORA

SANGASANI 28 KM

JODHPUR

REINTERPR

TTERY

y-Muslim Kumhar ti(from nearby Balotra and rada,bajri,kiln,pin tools, nd scrappers.

DEFINNING SOCIAL PRODUCTION PROCESSES

MONTHLY ANALYSIS OF OCCUPATION

n as the "Potter's village" ed since 1950's Rajasthan,Gujarat and parts of India.

DECEMBER

JANUARY

NOVEMBER

AGRICULTURE

Social production process is a process or product arising from the experience of people in a community collectively determining their conditions of their own habitat.

Community-Bishnoi,Meghwal Bambi,Muslim Kumhar Crops-Jawar,bajra,moong,jeera(chana and rai were grown earlier) FEBRUARY Fields are majorly owned by the Bishnois in which the Meghvaal Bambi and Muslim Kumhar work as labourers.

Here there could be two very clear ways of operating.

-Either we continue to the old traditions and social production processes as it is.

-Or else we understand the demand, blend and modify the older processes and recreate them so that they get a new identity to survive.

MARCH

OCTOBER

3

2

1

OADING CLAY

AGE OF CLAY

CULPTING

DE DRYING

SEPTEMBER

APRIL

AUGUST

MAY

JULY

CROP SELECTION

MEENAKARI

JUNE

MAJOR

1. AGRICULTURE

MINOR

2. POTTERY

LESS

3. LABOUR WORK

LAND PREPARATION

KHEJARLI FAIR Community-Bishnoi Location-7.2 kms away from Sanghasani at Khejarli chowk.

365 people sacrificed their lives in 1730AD to protect Khejri trees Presently celebrated as fair and a golden opportunity for villagers to showcase their work

Community-Meghwal Bambi Stone construction material which comes from Balotra village.

Presently practiced by 5 families.

Urge to revive the process.

SEED SOWING

DRAFTING IRRIGATION

N DRYING

MEASURING

BURNING OF KHEJRI TREE

CROP GROWTH

BEATING

N BAKING

CARVING

PROTECTED BY VILLAGERS

HARVESTING

365 PEOPLE KILLED

REFINING WHOLESALE

AL TOUCHES

AGE OF POTS

PAINTING CELEBRATED AS FAIR NOW IN THE MEMORY OF 365 PEOPLE

RETATING THE TRADITION

RETAIL

1

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Locality Name : Sangasani Tehsil Name : Luni

DEMOGRAPHICS

District : Jodhpur State : Rajasthan

MUSLIM 50% POPULATION

Language : Hindi and Rajasthan Total Population

1238 7.2%MAIN WORKER

Total No of Houses

209

Total Literacy rate % 46.7 % ( 578) Working Population %

4.1% MARGINAL WORKER

48.1 %

CLIMATE STUDY

17.6% NON WORKERS

MEGHWAL BAMBI 27%POPULATION

7.1%MAIN WORKERS

3.1% MARGINAL WORKERS 

8%NON WORKERS

BISHNOI 21%POPULATION

12.1% MAIN WORKERS



11.1%MARGINAL WORKERS

17.3% NON WORKERS

RAJPUT 

2%POPULATION

0% MAIN WORKERS

6.5% MARGINAL WORKERS



5.9% NON WORKERS

WIND ROSE DIAGRAM NNW

2 1.6

NW

1.2

1

1

WNW

ENE

0.8

WNW

WSW

ESE

SW

SE

SSW

SSE S

JAN FEB MARCH

W

1.2 1 WNW

0.8 0.6

0.4

0.4

0.2

0.2

E

0

1.4

0.6

0.4

0.2

E

0

WSW

ESE

SW

SE

SSW

SSE S

APRIL MAY JUNE

W

2 1.8 1.6

NW

ENE

0.8

0.6

0.4

NNW NE

1.4

1.2

ENE

NNE

1.6

NW

NE

1.4

2 1.8

1 0.6



NNW

NNE

1.2 0.8

W

2 1.8 1.6

NW

NE

1.4

WNW

NNW

NNE

1.8

N

N

N



0.2 E

0

WSW

ESE

SW

SE

SSW

SSE

W

0

WSW

SW

SSW

S

JULY AUG SEPT

OCT NO

EXPLAININ

CONCEPT VERNACULAR CHARACTER RETENTION

ECOLOGICAL RESTORATION OF SITE

REJUVANANTING LOCAL FAUNA

DESIGNING WITH SUN AND CLIMATE RESPONSIVE FACTORS OF SITE

HABITAT BEARABLE

COST EFFECTIVE AND REDEVELOPMEMENT OF PLANS

EQUITABLE

COMMUNITY-CENTERIC DESIGN

To EMBARK an enduring solution with Right Time, Right Attitude and Right Outlook.

Embarking a paradigm shift which brings knowledge and new experiences.

When we look back, we realize that all good things are the results of changes that happened with right conditions.

To bring about a PARADIGM SHIFT , a significant change is required.

Paradigm shift serves an essential role in bringing a major change in a certain thought pattern— a radical change in personal beliefs, complex systems or organizations, replacing the former way of thinking or organizing with a radically different way of thinking or organizing.

SUSTANAINBILTY

ECONOMY

HUMAN

VIABLE

INTRODUCING VENTURES FOR BOTH TOURIST AND LOCALS

INTRODUCTION OF CIVIC AMENITIES IN CLOSE VICINITY

EFFICIENTLY REUSING THE PRODUCT

ACTIVE LOCAL PATICIPATION IN THE PROJECT

POND INTERVENTION Aligned centrally, nadi talaab(pond) intricately binds the three major communities at our site. If we trace out a historical background of the pond, it used to be the only source of water for the users of our site. Gradually due to the climatic change as well as human influence, a considerable amount of degradation has been experienced by nadi talaab. With the advent of new resources i.e. taps. The nadi talaab has lost its vitality, charm and character.

SCHOOL

Change requires a certain time so that it can be effective and gets embedded in the people’s everyday lives.

Certain areas which were based on the concepts of older times have not changed according to the required demand.

Hence the CHARACTER of the certain SPACE will be Retained

In certain years the clay workers near the urban areas have shifted their products from pots to gamla’s.

Thus, a small example of how important it is to understand the demand in order to sustain.

A cohesive society is one where people are protected against life risks, trust their neighbours and the institutions of the state and can work towards a better future for themselves and their families.

Fostering social cohesion is about striving for greater inclusiveness, more civic participation and creating opportunities for upward mobility.

It is the glue that holds society together.

Traditional architecture is a result of man’s elemental needs and his intricate relationships with the society and the environment he lives in.

Every culture cannot sustain and absorb the shock of modernity.

There is a paradox: how to became modern and to return to the sources.

Agriculture being a major social and economic process on our site, this underused pond, once rehabilitated could be a viable alternative or resource. These ponds are not just essential for the humans but are also a primary source of drinking water for the fauna. They enhance the ecosystem as well as create a better and cooler living conditions and atmosphere in the surroundings.

The major design intervention thus includes the area around the pond.

MASJID Streets can also be recognized as the veins of any village which connects to our neighborhood as well as all the basic ammonites present on the site. A village street, as compared to the one in a city, can be explained to be more happening and lively. The selected section of our site includes a street that plays a major role in the society. On this street lies a masjid, madrasa, mandir and a school.

STREET

We included the street to be a part of our design process because it plates a platform for interaction for the users of our site. This street in already inculcated in the daily routine of the users as they sit and interact here throughout the day.

Unemployed streets we would call them. Designing here would never go unnoticed.

The concept was to reach the maximum amount of people, so that our design gets more effective.

MADRASA N

N NNW

NNE

NNE

4

NW

NE

5 4.5

NE

3.5 3 2.5

ENE

WNW

ENE

2 1.5 1 0.5

E

ESE

SE

SSE S

OV DEC

W

E

0

WSW

ESE

SW

SE

SSW

SSE S

The positive aspects of our traditional values will have to be recognized and supported before they can be adopted , transform and integrated into our fast evolving value system.

ANNUAL

NG THE HABITAT ANDC 2019

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N

11.

TREATMENT ROOM

TOILETS

EXAMINATION ROOM

INJECTION ROOM

DOCTOR’S ROOM

DELIVERY ROOM

KHEJARLI MEMORIA

1. HEALTH CARE CENTRE AND AANGANWADI

ADMIN A

WIND TOWER

3. PROTOTYPE FOR SHOP IN BAZAAR

2.

8.

HEAD’S OFFICE COMMON HALL

9.

4. FLOOR PLAN OF PANCHAYAT OFFICE

WAITING AND RECE STAFF ROOM

4.

4.

1.

CASH AND DEPOSI

7.

3.

S SPACE FOR STALL BAZAAR+ OPEN

6.

4.

3.

10.

TOWER

SITE PLAN OF VILLAGE SECTION 7.CHAUPAL 8.ANIMAL CARE CENTRE 9.PARKING 10.AMPHITHEATRE 11.PUBLIC PARK

POTTERY SKILL CENTRE WEAVING SKILL CENTRE SLAB WITH EARTHEN POTS

6. FLOOR PLAN OF SKILL DEV

REALISATION OF N

COURTYARD

1 FOUNDATION

AL

DETAILS CLASSROOMS

AREA

TOILETS

2. FLOOR PLAN OF SCHOOL

2 ROOFING DETAILS

1 2

First layer - Gypsum cement Second layer - Cement + sand (earth cement) in 1:3 proportion Third layer - Final coat cement plaster

MANAGER’S ROOM

EPTION

WIND TOWER STRONG ROOM

IT COUNTERS

TOILETS

5. FLOOR PLAN OF BANK

3 VAULTED ROOF DETAILS Domes are supported on the semi circular walls at the ends of barrel vaults. Features support arches, fills spaces build up rings, can also be used with a cupola and window.

4 STONE WALL

DETAILS

Split stones incoroprated as lintels, shells, window grills and child proof furniture. Short broken posts usually available at low price

MEENAKARI SKILL CENTRE

5 WIND

EXHIBITION SPACE

VELOPMENT CENTRE

NEW PARADIGMS

CATCHERS & TOWERS

Wind is captured whichever direction it is coming from by opening some windows .Breeze is directed through the house while protecting from dust.

ANDC 2019

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DISCOVERING & SYNCHRONIZING NODES The design proposed is not just restricted to the selected site, as these unemployed gatherings/nodes can be easily seen in all the villages of India. It is an embarking solution or a prototype that can be modulised readily.

One of the major factors of development is understanding the demand and evolving accordingly which in our case these pot makers were not able to achieve.

Example- in certain years clay workers near the urban areas have shifted their products from pots to gamlas, ceramics etc.

Thus a small example of how important it is to understand the demand in order to sustain.

EM

We p woul by th reas lack there artis platf have

The design interventions are in the form of platforms and are made out of a combination of new building methods and vernacular materials.

The solution introduces the users to the urban reality about the new and better materials as well as advanced methods and techniques. It shall also help them learn marketing so that they could learn how to get the maximum amount from their product.

This process will not only educate them but will eliminate the role of middle men so that they could directly sell their work at the best price possible. The users of our site are fascinated by latest technology and are also found wasting their time using mobile phones etc.

“ IN ORDER TO GET ON THE ROAD TOWARDS MODERNISA IT IS A FACT : EVERY CULTURE CANNOT SUST THERE HOW TO BECOME MODERN

REINVIGORA

MBARKING THE BRIDGE

plan to design small technically enabled sections. These ld attract the users where they could be fully benefitted he latest technological advancements. One of the major sons for the degrading social production processes is of knowledge and awareness. We understand that e is a crucial need to develop a bridge between these sts and various other art forms so that they get a form to explore different types of clay work etc. that they e been practicing in a very narrow mind set.

ATION IT IS NECESSARY TO JETTISON THE OLD CULTURAL PAST. TAIN AND ABSORB THE SHOCK OF MODERN CIVILISATION. IS A PARADOX : AND RETURN TO THEIR SOURCES. ”

ATING THE VERNACULAR ANDC 2019

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