Bayou City Chic: Progressive Streams of Modern Art in Houston, 1950-1980
John Guerin Columns
Dorothy Hood Primal
Charles Schorre Reflected Sunset Sounds
Bill Condon Houston Montage
Jack Boynton Untitled 3
F e b r ua ry 14 - M a r c h 8, 2014 • W i l l i a m R e av e s F i n e A r t
Bayou City Chic: P r o g r e s s i v e S t r e a m s of Modern Art in Houston, 1950-1980 on view February 14 - March 8, 2014
Lamar Briggs Ibiza-Windsong, XXXI
Special Events: February 14-15, 10am-5pm: Collector Preview Weekend February 15, 5-8pm: Opening Reception A full exhibition catalogue is available at reavesart.com. The gallery is open Tuesday through Saturday, 10am-5pm, and by appointment, please call (713) 521-7500.
Bayou City Chic: Progressive Streams of Modern Art in Houston, 1950-1980 From 1950 to 1980, during three momentous decades, Houston became the titular capital of “modern art” in Texas, attracting a loose-knit colony of important painters nurtured in a burgeoning community of avantgarde galleries, collectors, museums and university art departments. Looking back, it is evident now that this thirty-year span represented one of the most vital and productive periods of the city’s cultural evolution, a “coming of age” of the Houston art scene which paralleled the region’s dramatic rise in population, economic influence and social vitality. The current exhibition, Bayou City Chic, examines this watershed era, presenting an extraordinary survey of paintings by artists associated with the city’s remarkable mid-century journey, (as well as an interesting sampler of works by contemporaneous Texas modernists of the period whose output interfaced with that of the Houston scene). With substantive works by many of Houston’s most esteemed modernists, Bayou City Chic captures the energy and innovation of an important period. It warrants attention as 2014’s first “destination exhibition” for local collectors and aficionados of Texas modernism, offering what is certain to be one of the most informative and inspiring art shows of the current year. As was explored in the Ideson Library’s recent exhibition on Emma Richardson Cherry and her protégé’s, much of city’s mid-century art vitality can be traced to the efforts of an enlightened “older guard” of artists and arts leaders who set the stage for growth and innovation in the decades before. Led by progressive artists such as Cherry, O’NeilDavidson and others, and bolstered by the newly-formed Museum of Fine Arts and its venerable director, James Chillman, Houston forged a small, yet active arts community in the first-half of the twentieth century. Despite the intervening challenges of two world wars and a great depression, the fledgling arts scene took root within the city, flowered in the decades of the 20s and 30s, and prospered steadily thereafter, pausing only for a brief respite during the “war-years”. Thereafter, with the Great War behind and the depression abated, Houston sat poised to renew its advance on the world of art. And advance it did, pitched forward in the ensuing quarter-century through a “perfect storm” of
new artists, collectors, galleries and art institutions. While the post-war economic boom and accompanying social transitions gave renewed energy to the city’s art fortunes in these years, it was the quality of Houston’s artists and the significance of their output which gave the substance and definition to it all! Over the thirty years considered here, the Bayou City became home to a growing, loosely-connected “colony” of artists (perhaps more aptly described as a “collection” of artists) - a diverse blend of home-grown talent and accomplished émigrés. While collegial and socially active with one another, for the most part, Houston’s mid-century artists still worked with an independent and individualistic orientation. As demonstrated by the MFAH’s Fresh Paint exposé in 1986, Houston artists of the time proved to be less a definable “school” of painters, with works bound by common aesthetic attributes, and more a “confederation” of artists pursuing their own creative visions. Relying on the virtues of their personal visions and artistic prowess, however, the best of these Houston-based artists persevered to build significant paths through the regional art world of the 50s, 60s and beyond, their works commanding sound reviews and attention, and their collective successes helping the city to eventually achieve a state of “critical mass” within the art world. It is fair to say now that Houston artists of the period provided the collective strength and synergy to push the Bayou City beyond mere provincial art interests and into the realm of national and even international acclaim. Indeed, over the thirty years addressed in this exhibition, Houston rode the creative coat-tails of its many noteworthy resident artists to become America’s “third coast”, a major arts destination on the national front. Given the penchant of these local painters for experimentation with new media and the divergent styles (see the range of Dick Wray examples), the particular forms of modern art which blossomed in the Bayou City during these years were never static. Pushed somewhat in cadence with the general artistic advancements of the larger American scene, Houston’s art of this thirty-year period morphed through a series of stylistic progressions. The hallmarks of Houston painting came to be
its strength and diversity, with viewers encountering works as bold and varied as the artists producing them. It bestowed a rich and interesting mix of modernist materials in the hearts and minds of the Bayou City. The city garnered initial notoriety as a regional center for the avantgarde based upon the success of its first wave of “modernists” in the late 40s and early 50s. Led by the likes David Adickes, Lowell Collins, Bill Condon, Frank Freed, Henri Gadbois, Herb Mears, Chester Snowden, Stella Sullivan and others, these artists brought Houstonians a brand of cubist-inspired abstraction, richly imbued with color and texture. Popular and cutting edge for its time, the work found favor with many post-war consumers. The late 50s ushered in expressionist modes, introduced to the town by artists such as Jack Boynton, Richard Stout, Dick Wray, as well as their female counter-parts, Dorothy Hood and Leila McConnell. Other notables, such as Earl Staley, Charles Schorre, Otis Huband followed suit in the later 60s. These artists moved Houston arts into the realm of complete abstraction, covering an expressionist gamut which ranged from highly-charged, landscape-inspired canvases, to more sensual renderings attentive to light and atmosphere, to frenetic figurativelyinspired expressions. Their success and creative efforts set the stage for subsequent waves of expressionist talent including artists such as Harvey Bott, Perry House and Ibsen Espada who continued this tradition of strong abstractions in the late 70s, often incorporating iconographic elements into their own expressionist modes. Likewise, in the 70s, artists such as Lucas Johnson, Robert Morris and Guy Johnson introduced a strain of surrealism into the Houston scene, their works integrating both abstract and representational elements to create intriguing, messianic narratives. Bayou City Chic is a celebration of these artists and their times. The exhibition is a tribute to local genius and sustained artistic accomplishment. It offers a visual treatise of the natural progressions of Houston art at a time which may now be heralded as the high-water point of a century past. At William Reaves Fine Art, we are pleased to
represent many of the legendary Houston painters of this period, but it is also our privilege to work with other individual artists such as Ibsen Espada and Earl Staley, as well as to collaborate with other important galleries in the city to bring outstanding works of their veteran Houston artists to the fore including Harvey Bott (courtesy of Anya Tish Gallery) and Perry House (courtesy of D.M. Allison Art). Together, it reminds us of the wealth of truly chic artists who have prospered in our midst, and reinforces our feelings of good fortune to be a part of today’s thriving Bayou City arts scene. It all adds up to an engaging “must see” exhibition. We invite patrons to join us for Bayou City Chic and encourage serious collectors to consider these distinguished Houston artists as valued additions to important assemblages of regional and American modernism. Enjoy! Bill Reaves President, William Reaves Fine Art
Bayou City Chic: Progressive Streams of Modern Art in Houston, 1950-1980 Februar y 14 - March 8, 2014
No. Artist
Title of Work
Date
Medium
Dimensions (in.)
1
David Adickes
Still Life with Yellow Bird
1958
oil on board
16 x 9
2
David Adickes
Still Life for Ann Holmes
1957
pen, ink and oil on canvas
24 x 16
3
David Adickes
Untitled (Portrait)
c.1965
oil on board
31½ x 19
4
David Adickes
Untitled (Tall Men in Striped Tunics)
no date
oil on board
28½ x 15½
5
Gertrude Barnstone
Untitled nude 1
c.1960
ink on paper
23 x 29
6
Gertrude Barnstone
Untitled nude 2
c.1960
ink on paper
36 x 24
7
John Biggers
The Sleepers (Three Figures)
1951
pen and ink
20 x 30
8
HJ Bott
"Net" Ball Flak, from the Gridlock Series
1984-85
mixed media on canvas
63 x 49
9
Jack Boynton
Untitled (3)
1955
gouache on board
22 x 14
10
Lamar Briggs
Ibiza/Windsong XXXI
1981
acrylic on canvas
60 x 84
11
David Brownlow
White Mission
1957
oil on board
24 x 40
12
Lowell Collins
Figure
1958
encaustic on board
48 x 6
13
Bill Condon
Houston Montage
1969
oil on canvas
19½ x 15¾
14
Ben Culwell
Untitled (Adrenaline Hour Series)
c.1942
mixed media
9 x 12
15
Don Edelman
Still Life
1953
oil on board
19¾ x 25¾
16
Ibsen Espada
Marioneta
1987
mixed media on canvas
60½ x 33½
17
Ibsen Espada
Modern Quilt III
2000
tempera, ink, and oil on canvas
60 x 48
18
Ibsen Espada
Untitled
2010
oil crayon and ink on rice paper
26½ x 38½
19
Ibsen Espada
La Torcha Rota, AP
1992
multi-plate color etching
20 x 24
20
Seymour Fogel
Buzzards
1953
oil on masonite
20 x 24
21
Seymour Fogel
Untitled (Angel verso)
1954
mixed media on masonite
22 x 43
22
Michael Frary
Tiger's Eye
c.1966
acrylic, mixed media on board
50 x 48
23
Frank Freed
Picasso
1957
oil on canvas board
10 x 8
24
Frank Freed
Untitled (Building with Three Archways)
n.d.
oil on canvas
18 x 14
25
Henri Gadbois
Fire
1958
oil on canvas
39 x 52
26
John Guerin
Columns
1955
oil on canvas
36 x 30
Bayou City Chic: Progressive Streams of Modern Art in Houston, 1950-1980 Februar y 14 - March 8, 2014
27
Dorothy Hood
Orb’s Flora VI
c.1972
oil on canvas
60 x 70
28
Dorothy Hood
Primeval
1988
oil on canvas
91 x 70½
29
Perry House
No Title
1983
acrylic on canvas
60 x 48
30
Perry House
Untitled 1
1983
gouache on paper
12 x 16
31
Perry House
Untitled 2
1983
gouache on paper
12 x 16
32
Perry House
Untitled 3
1983
acrylic, gouache on paper
12 x 16
33
Perry House
Untitled 4
1983
gouache on paper
15 x 20
34
Perry House
Untitled 5
1984
tempera on paper
15 x 20
35
Perry House
Unititled 6
1983
gouache on paper
15 x 20
36
Otis Huband
Five Large Considerations No. 4
1990
oil on canvas
68 x 44
37
Lucas Johnson
Untitled
1970-80
oil on canvas
92 x 47
38
Robert Ivan Lockard
Untitled (Cubist Trees)
1939
watercolor
15¼ x 11¼
39
Robert Ivan Lockard
Untitled (Landscape Variation 1)
1939
watercolor
11¼ x 15½
40
Ken Luce
Construction (Homage to Juan Torres Garcia)
1987
assembled wood, acrylic on base
41 x 12½ x 8
41
Ken Luce
The Game
1989
assembled found wood, plastic, steel 30½ x 22 x 4
42
Paul Maxwell
Still Life in Black on Orange Background
1966
acrylic on canvas
24 x 24
43
Paul Maxwell
Untitled (Blue Bottles)
1966
oil on canvas
25 x 30
44
Leila McConnell
Eclipse in Blue
1968
oil on canvas
24 x 24
45
Leila McConnell
The Next Step
1988
oil on canvas
48 x 36
46
Herb Mears
Mexican Cathedral
n.d.
oil on board
23 x 36
47
Robert Morris
Fly Over I (House with Jet)
1973
acrylic on canvas
6x8
48
Robert Morris
Hangers On III (Jet Plane with Helicopter)
1974
acrylic on board
12 x 9
49
Robert Morris
Hangers On IV (Upside Down People)
1974
acrylic on board
7½ x 10
50
Robert Morris
Fly Over II (Ostrich)
c.1970
acrylic on canvas
5x7
51
Margaret Putnam
Untitled
c.1955
oil on canvas
24½ x 17¾
52
Bill Reily
Counterpoint
n.d.
casein on canvas
22 x 29
53
Robert Rogan
Garden
n.d.
duco on board
30 x 48
Bayou City Chic: Progressive Streams of Modern Art in Houston, 1950-1980 Februar y 14 - March 8, 2014
54
Robert Rogan
Panhandle Fields
n.d.
oil on canvas
30 x 36
55
Charles Schorre
Reflected Sunset Sounds
1981
acrylic on canvas
60 x 60
56
Charles Schorre
Dove
n.d.
watercolor
17¾ x 23½
57
Charles Schorre
Untitled
1973
mixed media collage
30 x 30
58
Chester Snowden
Untitled (Orchestra Scene)
c.1960
oil on canvas
23½ x 29½
59
Chester Snowden
Untitled (Red Factory with Trees)
n.d.
oil on board
18 x 24
60
Earl Staley
Reconstruction Series: The Sign
1975-2001
mixed media on canvas
49 x 43
61
Richard Stout
Bolivar Roads
1985
acrylic on canvas
50 x 72
62
Richard Stout
Discipline in Faith: Okada
1985
acrylic on canvas
24 x 20
63
Richard Stout
Fourth Day
1963
oil on canvas
33½ x 48
64
Richard Stout
Green Dome
1962
oil on canvas
20 x 28
65
Stella Sullivan
Bottles
1953
oil on canvas
28 x 20
66
McKie Trotter
Earthscape #14
c.1959
oil on canvas
38 x 30
67
McKie Trotter
Nocturnal
c.1959
casein on masonite
48 x 21
68
Arthur Turner
Chimayo Imp. #20
1975
prisma color pencil
16 x 16
69
Arthur Turner
Prism Drawing #8
n.d.
prisma color pencil on paper
24 x 17
70
Dick Wray
No Good Black Magic
1962
mixed media
16¼ x 20¼
71
Dick Wray
Untitled (1267)
2004
watercolor
12 x 16
72
Dick Wray
Untitled (1277), ed. 10/20
1995
etching and watercolor on paper
10 x 12
73
Dick Wray
Untitled (1001)
1997
watercolor
8 x 15
74
Dick Wray
Untitled (1284)
1994
watercolor, gouache, xerox paper
18 x 24
75
Dick Wray
Untitled (1227), 6-6
1987
monoprint
44 x 30
76
Dick Wray
Untitled (1265)
2004
watercolor
12 x 16
77
Dick Wray
Untitled
1984
mixed media on handmade paper
39½ x 30
78
Dick Wray
Untitled (abstract with figures)
1987
mixed media on tissue paper
17 x 14
79
Dick Wray
Untitled (Houston)
1991
watercolor on tissue paper
17 x 13¾
80
Dick Wray
Untitled
1995
mixed media on paper
15 x 20
Bayou City Chic: Progressive Streams of Modern Art in Houston, 1950-1980 Februar y 14 - March 8, 2014
81
Dick Wray
Untitled (Mr. Crow above car)
1993
woodblock print
13 x 16
82
Dick Wray
Untitled (Mr. Crow exploding with car, cathedral)
1985
woodblock print
13 x 14½
83
Dick Wray
Untitled (Geisha with Mr. Crow)
1985
woodblock print
13 x 14½
84
Dick Wray
Untitled (Mr. Crow on car with airplane)
1993
woodblock print
13 x 16
85
Dick Wray
Untitled (scene with hand)
c.1969
etching on handmade paper
19½ x 23
86
Dick Wray
Untitled (portrait)
c.1990
bubblejet print
5¼ x 8
87
Dick Wray
Untitled (portrait)
c.1990
bubblejet print
4½ x 7
88
Dick Wray
Untitled (portrait)
c.1990
bubblejet print
5½ x 8
89
Dick Wray
Untitled (1224)
1984
monoprint, oil on paper
42 x 30
1. David Adickes, Still Life with Yellow Bird, 1958, oil on board, 16 x 9 inches.
2. David Adickes, Still Life for Ann Holmes, 1957, pen, ink, oil on canvas, 24 x 16 inches.
3. David Adickes, Untitled (Tall Men in Striped Tunics), n.d., oil on board, 28 1/2 x 15 1/2 inches.
4. David Adickes, Untitled (Portrait), c.1965, oil on board, 31 1/2 x 19 inches.
5. Gertrude Barnstone, Untitled nude 1, c.1960, ink on paper, 23 x 29 inches.
6. Gertrude Barnstone, Untitled nude 2, c.1960, ink on paper, 36 x 24 inches.
7. John BIggers, The Sleepers (Three Figures), 1951, pen and ink, 20 x 30 inches.
9. Jack Boynton, Untitled (3), gouache on board, 22 x 14 inches. 8. HJ Bott, “Net” Ball Flak, from the Gridlock Series, 1984-85, mixed media on canvas, 63 x 49 inches.
10. Lamar Briggs, Ibiza/Windsong XXXI, 1981, acrylic on canvas, 60 x 84 inches.
11. David Brownlow, White Mission, 1957, oil on board, 24 x 40 inches.
12. Lowell Collins, Figure, 1958, encaustic on board, 48 x 6 inches.
13. Bill Condon, Houston Montage, 1969, oil on canvas, 19 1/2 x 15 3/4 inches.
14. Ben Culwell, Untitled (Adrenaline Hour Series), c.1942, mixed media on paper, 9 x 12 inches.
15. Don Edelman, Still Life, 1953, oil on board, 19 3/4 x 25 3/4 inches.
16. Ibsen Espada, Marioneta, 1987, mixed media on canvas, 60 1/2 x 33 1/2 inches.
17. Ibsen Espada, Modern Quilt II, 2000, tempera, ink, oil on canvas, 60 x 48 inches.
18. Ibsen Espada, Untitled, 2010, oil crayon and ink on rice paper, 26 1/2 x 38 1/2 inches.
19. Ibsen Espada, La Torcha Rota, artist proof, 1992, multi-plate color etching, 20 x 24 inches.
20. Seymour Fogel, Buzzards, 1953, oil on masonite, 20 x 24 inches.
21. Seymour Fogel, Untitled (Angel verso), 1954, mixed media on masonite, 22 x 43 inches.
reverse side of Untitled (Angel verso)
22. Michael Frary, Tiger’s Eye, c.1966, acrylic, mixed media on board, 50 x 48 inches.
23. Frank Freed, Picasso, 1957, oil on canvas board, 10 x 8 inches.
24. Frank Freed, Untitled (Building with Three Archways), n.d., oil on canvas, 18 x 14 inches.
25. Henri Gadbois, Fire, 1958, oil on canvas, 39 x 52 inches.
26. John Guerin, Columns, 1955, oil on canvas, 36 x 30 inches.
27. Dorothy Hood, Orb’s Flora VI, c.1972, oil on canvas, 60 x 70 inches.
28. Dorothy Hood, Primal, 1988, oil on canvas, 91 x 70 1/2 inches.
30. Perry House, Untitled 1, 1983, gouache on paper, 12 x 16 inches.
29. Perry House, No Title, 1983, acrylic on canvas, 60 x 48 inches.
top left 31. Perry House, Untitled 2, 1983, gouache on paper, 12 x 16 inches. top right 32. Perry House, Untitled 3, 1983, acrylic and gouache on paper, 12 x 16 inches. right 33. Perry House, Untitled 4, 1983, gouache on paper, 15 x 20 inches.
34. Perry House, Untitled 5, 1984, tempera on paper, 15 x 20 inches.
35. Perry House, Untitled 6, 1983, gouache on paper, 15 x 20 inches.
36. Otis Huband, Five Large Considerations No. 4, 1990, mixed media and oil on canvas, 68 x 44 inches. 37. Lucas Johnson, Untitled, 1970-80, oil on canvas, 92 x 47 inches.
38. Robert Ivan Lockard, Untitled (Cubist Trees), 1939, watercolor on paper, 15 1/4 x 11 1/4 inches.
39. Robert Ivan Lockard, Untitled (Landscape Variation 1), 1939, watercolor on paper, 11 1/4 x 15 1/2 inches.
40. Ken Luce, Construction, Homage to Juan Torres Garcia, 1987, assembled wood, acrylic on base, 41 x 12 1/2 x 8 inches.
41. Ken Luce, The Game, 1989, assembled found wood, plastic, steel, 30 1/2 x 22 x 4 inches.
42. Paul Maxwell, Still Life in Black on Orange Background, 1966, acrylic on canvas, 24 x 24 inches.
43. Paul Maxwell, Untitled (Blue Bottles), 1966, oil on canvas, 25 x 30 inches.
44. Leila McConnell, Eclipse in Blue, 1968, oil on canvas, 24 x 24 inches. 45. Leila McConnell, The Next Step, 1988, oil on canvas, 48 x 36 inches.
46. Herb Mears, Mexican Cathedral, n.d., oil on board, 23 x 36 inches.
47. Robert Morris, Flyover I (House with Jet), 1973, acrylic on canvas, 6 x 8 inches.
48. Robert Morris, Hangers On III (Jet Plane with Helicopter), 1974, acrylic on board, 12 x 9 inches.
49. Robert Morris, Hangers On IV (Upside Down People), 1974, acrylic on board, 7 1/2 x 10 inches.
50. Robert Morris, Fly Over II (Ostrich), c.1970, acrylic on canvas, 5 x 7 inches.
52. Bill Reily, Counterpoint, n.d., casein on canvas, 22 x 29 inches. 51. Margaret Putnam, Untitled, c.1955, oil on canvas, 24 1/2 x 17 3/4 inches.
53. Robert Rogan, Garden, n.d., duco on board, 30 x 48 inches.
54. Robert Rogan, Panhandle Fields, n.d., oil on canvas, 30 x 36 inches.
56. Charles Schorre, Dove, n.d., watercolor, 17 3/4 x 23 1/2 inches.
55. Charles Schorre, Reflected Summer Sounds, 1981, acrylic on canvas, 60 x 60 1/2 inches.
57. Charles Schorre, Untitled, 1973, collage on canvas, 30 x 30 inches.
58. Chester Snowden, Untitled (Orchestra Scene), c.1960, oil on canvas, 23 1/2 x 29 1/2 inches.
59. Chester Snowden, Untitled (Red Factory with Trees), n.d., oil on board, 18 x 24 inches.
60. Earl Staley, Reconstruction Series: The Sign, 1975-2001, mixed media on canvas, 49 x 43 inches.
62. Richard Stout, Discipline in Faith: Okada, 1985, acrylic on canvas, 24 x 20 inches. 61. Richard Stout, Bolivar Roads, 1985, acrylic on canvas, 50 x 72 inches.
63. Richard Stout, Fourth Day, 1963, oil on canvas, 33 1/2 x 48 inches.
64. Richard Stout, Green Dome, 1962, oil on canvas, 20 x 28 inches.
65. Stella Sullivan, Bottles, 1953, oil on canvas, 28 x 20 inches.
66. McKie Trotter, Earthscape #14, c. 1959, oil on canvas, 38 x 30 inches.
68. Arthur Turner, Chimayo Imp. #20, 1975, prisma color on paper, 16 x 16 inches.
69. Arthur Turner, Prism Drawing #8, n.d., prisma color on paper, 24 x 17 inches.
67. McKie Trotter, Nocturnal, c.1959, casein on masonite, 48 x 21 inches.
70. Dick Wray, No Good Black Magic, 1962, mixed media on canvas, 16 1/4 x 20 1/4 inches.
Dick Wray : A Survey of the Artist’s Works on Paper
71. Dick Wray, Untitled (1267), 2004, watercolor on paper, 12 x 16 inches.
72. Dick Wray, Untitled (1277), ed. 10/20, 1995, etching and watercolor, 10 x 12 inches.
73. Dick Wray, Untitled (1001), 1997, watercolor on paper, 8 x 15 inches.
74. Dick Wray, Untitled (1284), 1994, watercolor, gouache on xerox paper, 18 x 24 inches.
76. Dick Wray, Untitled (1265), 2004, watercolor on paper, 12 x 16 inches.
75. Dick Wray, Untitled (1227), 6-6, 1987, monoprint, 44 x 30 inches.
77. Dick Wray, Untitled, 1984, mixed media on artist’s handmade paper, 39 1/2 x 30 inches.
78. Dick Wray, Untitled (abstract with figures), 1987, mixed media on tissue paper, 17 x 14 inches.
79. Dick Wray, Untitled (Houston), 1991, watercolor on tissue paper, 17 x 13 3/4 inches.
80. Dick Wray, Untitled, 1995, mixed media on paper, 15 x 20 inches.
81. Dick Wray, Untitled (Mr. Crow above car), 1993, woodblock print, 13 x 16 inches.
82. Dick Wray, Untitled (Mr. Crow exploding with car, cathedral), 1985, woodblock print, 13 x 14 1/2 inches.
83. Dick Wray, Untitled (Geisha with Mr. Crow), 1985, woodblock print, 13 x 14 1/2 inches.
84. Dick Wray, Untitled (Mr. Crow on car with airplane), 1993, woodblock print, 13 x 16 inches.
85. Dick Wray, Untitled (scene with hand), c.1969, etching on handmade paper, 19 1/2 x 23 inches.
86. Dick Wray, Untitled (portrait), c.1990, bubblejet print, 5 1/4 x 8 inches.
87. Dick Wray, Untitled (portrait), c.1990, bubblejet print, 4 1/2 x 7 inches.
88. Dick Wray, Untitled (portrait), c.1990, bubblejet print, 5 1/2 x 8 inches.
89. Dick Wray, Untitled (1224), 1984, monoprint, oil on paper, 42 x 30 inches.
Texas Art E a r ly Modern Contemporary W illiam R ea v es F ine A rt 2313 B r u n S treet • H o u ston , T e x as • 77019 T el : 713.521.7500 • E mail : I N F O @ rea v esart.com www. rea v esart.com