M arch 4 - a pril 29, 2023
“It’s sort of like being on a road and you don’t know where you’re going, but you keep going. I call it the time between - there’s a long, long wait, and you know something is coming, but you don’t know what it is.”
-Leila McConnell
T
Foltz Fine Art is pleased to present Somewhere Beyond featuring Houston founding artist, Leila McConnell (b. 1927). Somewhere Beyond features approximately 30 works, including works on canvas and collages created by McConnell throughout her life, primarily from the 1960s through 2010s. Across all media, McConnell’s work reflects an ability to transport viewers to a place that extends beyond what is immediately visible or familiar. Similarly, her works maintain a certain affective quality as they often evoke feelings of belonging, curiosity, peace, and even despair among viewers. Somewhere Beyond invites viewers to examine McConnell’s body of work, to question what is seen, and consequently, to think deeply about what transpires within themselves.
McConnell moved to Houston with her family in 1933 and enrolled at Rice Institute (now Rice University) after graduating from high school. While at Rice, McConnell studied architecture with Professor James Chillman, who later became the Founding Director at the Museum of Fine Arts, Houston. McConnell credits Chillman with an influence on her design and the ability to proportion certain elements of her work. Upon completing her undergraduate degree, McConnell furthered her formal artistic training at the Museum School, which is now the Glassell School, at the Museum of Fine Arts, Houston.
McConnell’s presence and participation in the Houston arts scene is noted as early as the mid-twentieth century. Although she primarily focused on still-life works and portraiture at the beginning of her career, McConnell’s approach became more abstract following the summer of 1949 when she attended the San Francisco School of Fine Arts. McConnell continued to develop her own painting methods, such as her blending techniques, after a trip to Italy in 1960. While in Italy, McConnell was struck by the blending and texturing of paint specifically found in frescos. To achieve a comparable effect with oil and canvas, McConnell under-painted her canvases and relied on her fingers rather than paint brushes to blend different oil pigments. The stucco buildings populated throughout Italy also inspired the misty quality in a majority of McConnell’s canvases.
In 1976, McConnell began creating paper collages, some of which served as studies for larger works on canvas while others were complete works in their own right. While McConnell no longer works with oil on canvas, her earlier paintings reflect the visual and physical qualities of collage through strong delineated edges and symmetrical composition.
Somewhere Beyond is on view at Foltz Fine Art from March 4th - April 29th, 2023.
Rachel Mauney Assistant Gallery Director Foltz
Fine Art, Houston, Texas
L ei L a M c c onne LL
S elected a rtwork , 1960 S - 2010 S
T he L i TTL e s T ar , 1968
o il on c anva S
30 x 24 in
D rab s ky , 1966
o il on c anva S
24 x 30 in
T he g o LD en s L ing s ho T , 1972
o il on c anva S
26 x 19 in
g reen r ainbo W , 1966
o il on c anva S
14 x 11 in
e ar L y in T he M orning , 1974
o il on c anva S
9.25 x 11 in
U n T i TL e D , 1967
o il on c anva S
30.25 x 36.25 in
o range s U n an D g reen L an D , 1972-75
o il on c anva S
48 x 36 in
T he r e D b ox is e MPT y , 1974-75
o il on c anva S
24 x 18 in
U n T i TL e D , 1974
o il on c anva S
20 x 16 in
T he M irror , 1975
o il on c anva S
17 x 17 in
T he y e LL o W c U rve , 1974-75
o il on c anva S
36 x 24 in
T he b L ack b an D , 1975
o il on c anva S
50 x 40 in
a s T range P L ace , 1976
o il on c anva S 40 x 40 in
T he b eginning of T he e n D , 1976
o il on c anva S 48 x 36 in
U n T i TL e D , 1977
o il on c anva S l aid on B oard
10.5 x 7.5 in
P yra M i D , c . 1975
o il on c anva S
8 x 8 in
T he y e LL o W P L ace , 1977
o il on c anva S
12 x 12 in
U n T i TL e D , 1982
o i L on c anva S
48 x 36 in
U n T i TL e D (P U rb L e b ri D ge ), 1978
o i L on c anva S
20 x 16 in
a D e L ica T e D ay , c . 1980
o i L on c anva S
48 x 36 in
U n T i TL e D , 1978
o il on c anva S
20 x 16 in
U n T i TL e D , 1983
o il on c anva S 15.25 x 10.25 in
y e LL o W L igh T , c . 1980
o il on c anva S
30 x 24 in
U n T i TL e D , 1986
o il on c anva S 50.5 x 40 in
r e D f or M a T ions , 1988
o il on c anva S
50 x 50 in
f irs T c o LL age for P ain T ing , 1988
8 x 8 in
r o LL ing h i LL s , 1988
o il on c anva S 24 x 36 in
c o LL age for P ain T ing , 1988
5 x 7.5 in
a Q U ie T g reen P L ace , 1988
o il on c anva S
20 x 18 in
J e W e L in a g reen L an D sca P e , 1988
o il on c anva S
48 x 26 in
b LU e M oon f ace , 2014
o il on c anva S
18 x 15 in
s erio U s M oon W i T h g reen b ar , 2004
o il on c anva S
10 x 8 in
T he W hi T e T U r TL e r ising , 2013
o il on c anva S
48 x 36 in
n e W g ro WT h , 2012
o il on c anva S
20 x 16 in
s U n in a P a L e s ky , 2015
a crylic on c anva S
48 x 36 in
Leila McConnell (b. 1927)
Leila McConnell was born in Los Angeles, California. Her family moved to Houston when she was six and, after graduating from high school, she enrolled at Rice Institute (now Rice University). At the time, Rice had no department of architecture, but McConnell sought inspiration from iconic professor, James Chillman. According to McConnell, Chillman had the greatest influence on her sense of design, proportion, and the ability to see her art. Studying freehand drawing, design, watercolor, art, and architectural history under Chillman, McConnell excelled. After earning her Bachelor of Arts degree from Rice, she continued her art studies at the Museum School (now Glassell School) at the Museum of Fine Arts, Houston.
McConnell had impeccable academic training and her early paintings, both oil and pastel, were very realistic. The majority of her subject matter was either still life, figure studies, or portraits. In the summer of 1949, she attended the San Francisco School of Fine Arts and was fortunate to study under Mark Rothko. His vision and innovative instruction marked McConnell’s shift away from the realism that had previously dominated her works. After her classes with Rothko, she began to paint more abstract pieces, creating an imaginary girl in watercolor.
From 1950 until 1968, she held an instructional position at the MFAH’s Museum School. In the early 1950s, McConnell was involved and curated exhibitions for the Contemporary
Art Association (now the Contemporary Art Museum, Houston). From the late 1950s through the late 1980s, McConnell showed with Houston galleries -- Polly Marsters and Houston Artists’ Gallery on Main Street; Cushman Gallery; followed by Dubose Gallery in 1966; then with Leslie Muth.
Realizing that she had a vivid imagination, McConnell embarked on a trip to Europe in 1960. The stucco buildings of Italy greatly impacted her vision and caused a change in her paintings. Her colors became soft and blended, often misty and portraying a sun or moon, causing the artist to deem many of her works “sky paintings.” In her continued exploration of these types of scapes, McConnell simplifies, balances, and deconstructs to create often ethereal, imagined spaces which remain as compelling today as they did half a century ago
In 1976, McConnell began creating paper collages, a diversion from her painted works. Though small, her collages impacted the way
McConnell created her paintings—her edges became harder, mixed with the mistiness of her skies and her compositions became more symmetrical. McConnell continues to paint in her unique style and develop her oeuvre of “sky”pieces
Considered to be two of Houston’s Founding Artists, McConnell was married to fellow Houston artist Henri Gadbois for over 60 years, starting in 1956 until Gadbois passing in 2018. They have two children and three grandchildren, one of which seems to be continuing the family’s artistic.
McConnell’s work has been exhibited in galleriesandmuseumsnationally,includingthe Museum of Fine Art, Houston; the Dallas Museum of Art; the Witte Museum, San Antonio; Art Museum of South East Texas, Beaumont; Art Museum of South Texas, Corpus Christi; Fred Jones Jr. Museum of Art, University of Oklahoma, Norman, OK; among others. McConnell’s work has been covered in prominent publications such as Art in America, Houston Chronicle and Houston Press and is featured in several recent books on Texas
Modern Art, mid-century Houston art scene andAbstractExpressionismintheSouthwest.
HerworkisincollectionsofCivicArtProgram, City of Houston; the Menil Collection, Houston; the Modern Art Museum of Fort Worth;theOldJailArtCenter,Albany;Public Art, University of Houston Systems, Victoria; and Texas A&M University Museum, College Station;TheJohnNauCollectionofTexasArt, Houston; as well as numerous other public andprivatecollections.
Leila McConnell (b. 1927)
1927 B orn in Los Angeles, California Currently resides in Houston, Texas
1948 BA, Rice University, Houston, TX
1949 BS, Architecture, Rice University, Houston, TX
1949 San Francisco School of Fine Arts, San Francisco, CA
SELECTED EXHIBITIONS
1949 24th Annual Exhibition of Work by Houston Artists, Museum of Fine Arts, Houston, TX
1950 25th Annual Exhibition of Work by Houston Artists, Museum of Fine Arts, Houston, TX
1951 26th Annual Exhibition of Work by Houston Artists, Museum of Fine Arts, Houston, TX
1951 13th Annual Exhibition of Texas Painting and Sculpture 1951–1952, circulated: Museum of Fine Arts, Houston; Dallas Museum of Art, Dallas; Witte Museum, San Antonio, TX
1952 27th Annual Exhibition of Works by Houston Artists, Museum of Fine Arts, Houston, TX
1953 28th Annual Exhibition of Works by Houston Artists, Museum of Fine Arts, Houston, TX
1953 Houston Art League, Houston, TX
1954 29th Annual Exhibition of Works by Houston Artists, Museum of Fine Arts, Houston, TX (Awarded James Bute Co. Prize)
1954 Contemporary Art Association Rental Collection 1955, Contemporary Art Museum, Houston, TX
1955 30th Annual Exhibition of Works by Houston Artists, Museum of Fine Arts, Houston, TX
1955 Texas Fine Arts Exhibit of Paintings & Watercolors, Midwestern Museum, Wichita Falls,TX
1955 31st Annual Exhibition of Houston Artists, Museum of Fine Arts, Houston, TX
1956 Shadow and Substance: The Shadow Theater of Montmartre and Modern Art, Contemporary Art Museum, Houston, TX
1956 Art Rental Service – 1957 Collection,
Contemporary Art Museum, Houston, TX
1957 32nd Annual Houston Artists Exhibition, Museum of Fine Arts, Houston, TX
1958 Texas Oil ’58, A Salute to the Oil Industry of the State by Texas Painters, Museum of Fine Arts, Houston, TX, traveled to: Bank of the Southwest, Houston; Dallas Public Library, Dallas; Republic National Bank of Dallas, TX (catalogue)
1958 33rd Annual Houston Artists Exhibition, Museum of Fine Arts, Houston, TX
1958 D. D. Feldman Competitive Award Exhibit: The Contemporary Work of 88 Texas Artists, traveled; 1958 Jul–Aug at McNay Museum, San Antonio, TX; DuBose Gallery, Houston, TX; Leslie Muth Gallery, Houston, TX
1959 34th Annual Houston Artists Exhibition, Museum of Fine Arts, Houston, TX
1959 Museum School Faculty Print Exhibition, Museum of Fine Arts, Houston, TX
1959 21st Annual Texas Painting and Sculpture Exhibition 1959–1960, circulated: Dallas Museum of Art, Dallas; Witte Museum, San Antonio; Beaumont Art Museum, Beaumont; Museum, Texas Tech, Lubbock; Museum of Fine Arts, Houston, TX
1960 35th Annual Houston Artists Exhibition, Museum of Fine Arts, Houston, TX
1961 Longview Invitational, Longview Museum of Fine Arts, Longview, TX
1961 23rd Annual Texas Painting and Sculpture Exhibition 1961–1962, circulated: Dallas Museum of Art, Dallas; Witte Museum, San Antonio; Beaumont Art Museum, Beaumont; Museum, Texas Tech, Lubbock, TX
1962 Longview Invitational, Longview Museum of Fine Arts, Longview, TX
1962 Museum School Faculty Exhibition, Museum of Fine Arts, Houston, TX
1964 26th Annual Texas Painting and Sculpture Exhibition 1964–1965, circulated: Dallas Museum of Art, Dallas; Beaumont Art Museum, Beaumont; Witte Museum, San Antonio; Texas Western College, El Paso; University of Texas at Austin, TX
1967 The Swanson Collection of Contemporary Texas Artists, Fort Worth Art Center, Fort Worth, TX
1968 Social Commentary Art Exhibition, Jewish Community Center, Bellaire, TX
1971 Art Sales and Rental Galleries Exhibition, Laguna Gloria Art Museum, Austin, TX
1986 Solo, Leila McConnell: Collage to Canvas— New Works of Paper & Paintings, Plain Folk Gallery, Houston, TX
2004 A Selection of Art Made in Houston 19501965, Brazos Projects, Brazos Bookstore, Houston, TX
2004–05 Rice Institute and the Visual Arts in Houston: 1900–1960, Fondren Library, Rice University, Houston, TX
2006 Houston Art in Houston Collections: Works from 1900 to 1965, Heritage Society Museum, Houston, TX
2006–07 Of This Vast State: Women Artists of Texas, 1900–1960, Women’s Museum, Dallas, TX
2007 Timeless: A Retrospective of Selected Women Artists of Texas, 1940 to Present, David Dike Fine Art, Dallas; William Reaves Fine Art, Houston; Wichita Falls Museum of Art at Midwestern State University, Wichita Falls, TX
2007–08 Urban Texas: Changing Images of an Evolving State, Panhandle-Plains Historical Museum, Canyon, TX
2008 Founders of Houston Art: Thirty Artists Who Led the Way, William Reaves Fine Art, Houston, TX
2009 Back to the Future: Elements of “Modern” in Mid-Century Texas Art, William Reaves Fine Art, Houston, TX
2009 Leila McConnell and Henri Gadbois: Side by Side, O’Kane Gallery, University of Houston— Downtown, Houston, TX
2009 Lone Star Still Lifes, Panhandle-Plains Historical Museum, Canyon, TX
2010 Third Anniversary Show: A Tribute to Houston Artists, William Reaves Fine Art, Houston, TX
2010 Pioneering Women: Three Modernists in Houston—Dorothy Hood, Leila McConnell, Stella Sullivan, William Reaves Fine Art, Houston, TX
2010 The Presence of Light: Sky and Light in
the Texas Landscape, William Reaves Fine Art, Houston, TX
2010 Texas Collages: A Tribute to Kurt Schwitters, William Reaves Fine Art, Houston, TX
2011 Southeast Texas Art: Cross-Currents and Influences, 1925–1965, Art Museum of Southeast Texas, Beaumont, TX
2011 Lone Star Modernism: A Celebration of Mid-Century Texas Art, William Reaves Fine Art, Houston, TX
2011 Portrait of Houston: 1900–2011, Alliance Gallery, Houston Arts Alliance, Houston, TX (catalogue)
2011 Breakthrough: Sixty Years of Texas Abstraction, William Reaves Fine Art, Houston, TX
2012 A Survey of Texas Modernists, William Reaves Fine Art, Houston, TX
2013 A Tribute to Texas Rivers, William Reaves Fine Art, Houston, TX
2013 Rhythms of Modernism, William Reaves Fine Art, Houston, TX
2013 Summer Encore Exhibition, William Reaves Fine Art, Houston, TX
2014 Macrocosm/Microcosm: Abstract Expressionism in the American Southwest, Fred Jones Jr. Museum of Art, University of Oklahoma, Norman, OK
2014 Houston Founders at City Hall Art Exhibition, City Hall, Houston, TX
2014 A New Visual Vocabulary: Developments in Texas Modernism 1935-1965, One Allen Center, Lobby Gallery, Houston, TX
2015 Bayou City Chic: Progressive Streams of Modern Art in Houston, Art Museum of South Texas, Corpus Christi, TX (catalogue)
2015 Midcentury Montage: Works by Three Houston Modernists, William Reaves Fine Art, Houston, TX
2016 Texas Originals: Six Bayou City Expressionists, William Reaves | Sarah Foltz Fine Art, Houston, TX
2016 This WAS Contemporary Art: Fine and Decorative Arts in Houston 1945-1965, Heritage Society Museum, Houston, TX (catalogue)
2016 Celebrating Houston’s Founding Modernists: David Adickes, Leila McConnell & Henri Gadbois, William Reaves | Sarah Foltz Fine Art, Houston, TX
2017 The Art of Found Objects-redux!, Williams Tower Gallery, Houston, TX
2017 Houston’s Expressionist Legacy: Richard Stout & Friends, Reaves Foltz, Houston TX
2018 South and North of the Border: Houston Paints Houston / Houston Paints Mexico, The Heritage Society Museum Gallery, Houston, TX
2018 South and North of the Border: Houston Paints Mexico, Houston Public Library, Julia Ideson Building, Houston, TX (catalogue)
2018 Midcentury Mod in Motion, William Reaves | Sarah Foltz Fine Art, Houston, TX
2019 Up Close and Personal: Portraits from the Reaves Collection of Texas Art, The Grace Museum, Abilene, TX
2019 Texas in the Abstract: Selections from the Texas A&M University Permanent Collection and the Linda and William Reaves Collection of Texas Art, Start Galleries, Texas A&M University, College Station, TX (catalogue)
2020 Summer Salon, Foltz Fine Art, Houston,TX
2020 Another World: Recent Collages by Leila McConnell, Foltz Fine Art, Houston, TX
2021 Ron Hartgrove & Leila McConnell, The Jung Center, Houston, TX
2021 Evocative Objects: Still Life Painting in Texas, J. Wayne Stark Galleries, Texas A&M University, College Station, TX
2021 Summer Salon: Houston Founders & Texas Modernism, Foltz Fine Art, Houston, TX
2022 Houston Midcentury Mélange, Foltz Fine Art, Houston, TX
2022 Texas Artists: Women of Abstraction, Art Museum of South Texas, Corpus Christi, TX
2022 Contemporary Texas Women Artists: Abstraction Here & Now, Art Museum of Southeast Texas, Beaumont, TX
2023 Solo, Leila McConnell: Somewhere Beyond, Foltz Fine Art, Houston, TX
Civic Art Program, City of Houston, Texas
Houston Industries Incorporated, Houston, TX
Menil Collection, Houston, TX
Modern Art Museum of Fort Worth, TX
Nicholson Memorial Library, Longview, TX
Old Jail Art Center, Albany, TX
Public Art, University of Houston - Victoria, TX
Texas A&M University Museum, College Station, TX
The John Nau Collection of Texas Art, Houston, TX
Robert Craig Bunch, The Art of Found Objects: Interviews with Texas Artists, Texas A&M University Press, 2016.
Katie Robinson Edwards, Midcentury Modern Art in Texas, University of Texas Press, 2014.
Bayou City Chic: Progressive Streams of Modern Art in Houston, Art Museum of South Texas, Corpus Christi, Texas (catalogue), 2015.
This WAS Contemporary Art: Fine and Decorative Arts in Houston 1945-1965, Heritage Society Museum, Houston, Texas, 2016.
