January/February 2021

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EQ

P EO P L E | T R AV EL | D E S I G N | FA S HI O N | S T Y L E | DÉCOR

EQUESTRIAN LIVING

EQ U E S TR I A N LIV I N G

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EQLiving.com

JANUARY/FEBRUARY 2021

THE

DESIGN JANUARY/FEBRUARY 2021

ISSUE

HUGE VENUES | ELEGANT FARMS | A TINY BARN DISPLAY UNTIL MAR 10 2021



EQUESTRIAN LIVING TRAVEL

Ballynahinch Castle Hotel and Estate Connemara, Co. Galway, Ireland +353 (0)95 31006 www.ballynahinch-castle.com


EQ I N S I D E

FEATURES J A NUA RY | F E B RUA RY 2 0 2 1

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A GAME CHANGER

A GAME CHANGER

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The World Equestrian Center, nestled in the heart of Ocala, Florida, and the largest equestrian complex in the United States, is opening with a diverse lineup of competitions slated for 2021.

STARRING IN A SUPPORTING ROLE

MAVEN PHOTO AND FILM

36 Three young assistant trainers are forging their careers in the equestrian industry. Whether working in tandem with a team they’ve admired and worked with for years or joining someone new on their path to professional-level pursuits, they’ve determined learning from experts is paramount.

DESIGN

40 Find inspiration in this year’s portfolio of projects ranging from a small hunt box and a floating farmhouse to a dazzling array of equestrian centers and barns around the globe.

ANNABELLE GARRETT

66 An avid polo enthusiast, Annabelle Garrett also exhibits her passion for art and architecture in her dramatically designed Wellington, Florida, home. Bold, modern works by acclaimed artists hang in harmony alongside her stunning collection of armor.

ARTIST KATE BLACK EXPLORES THE TRADITIONS OF BRITISH FOLK ART

76 British artist Kate Black imaginatively depicts the past’s regional daily life through her unconventional use of humble materials. Horses, prominent in her Yorkshire community’s history, come to life in her spirited collages and tapestries.

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DESIGN 4 | EQU E S T R I A N L I V I NG | J AN UARY / FEB RUARY | 2021


WHAT SWITZERLAND DID FOR THE LUXURY WATCH,

B&D BUILDERS DOES FOR THE EQUESTRIAN FACILITY.

717.687.0292 | BandDBuilders.com


EQ I N S I D E

DEPARTMENTS J A NUA RY | F E B RUA RY 2 0 2 1

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FAVORITES

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Show jumper Lillie Keenan shares her favorites with EQ, from hotels and exercise regimens to the books she’s reading.

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Enjoy an excerpt from Horse Brain, Human Brain; the Neuroscience of Horsemanship by Janet L. Jones, Ph.D. DÉCOR

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Add an appealing nod to the equestrian lifestyle in your home with decorative vintage horse accents.

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SCIENCE

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Meet Kurt, the first clone of the endangered Przewalski’s horse.

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The Appaloosa, known for its beautiful physical attributes, is being recognized for its notable historical contributions. FOOD + DRINK

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The Breakers in Palm Beach, Florida, turns up the heat in HMF’s recipe for the Floozy, a spicy and delicious cocktail. DESIGN

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Warm up outdoor spaces for entertaining safely with cozy furnishings and cold-resistant accessories.

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The Pantone Institute takes an interesting diversion in 2021 and selects two colors of the year rather than one. PEOPLE

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Meet Matt Johnson, the riding realtor who aspires to inspire in Wellington, Florida.

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From Wall Street to Wellington, Neil Hirsch is the polo-loving developer behind Wellington, Florida’s, first luxury condominium.

ON THE COVER

IN EACH ISSUE Mallet Hill, Wellington, Florida. Designer: Annie Carruthers Architect, In-Site Design Group LLC Builder: Stock Custom Homes LLC Interior Designer: Marc-Michaels Interior Design Inc.

EDITOR’S NOTE 8 Welcome to Equestrian Living. RESOURCES

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Look for CONTACT INFO | PAGE 95 to find the products and services in this issue. BARN DOGS 98 CeCe Durante Bloum and Georgia Spogli, the founders of Thrive Animal Rescue in Southern California, have created a safe haven for newly rescued shelter dogs.

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Meet the two Jennifers, the dynamic public relations executives who founded Jump Media. FASHION

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Face the elements this winter in practical, cold-weather essentials. TRAVEL

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Taking flight in a private luxury jet to exotic locations may be just the ticket this winter.


introducing

speranza Inspired. Impeccable. Italian. This is the beautiful show collection you’ve been waiting for. ariat.com/speranza

©2021 Ariat® is a registered trademark of Ariat International, Inc. All rights reserved.

PROUD PARTNER OF THE UNITED STATES EQUESTRIAN FEDERATION


EQ F R O M T H E E D I T O R

PHOTO GEORGE KAMPER

WELCOME

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ot everyone shares my enthusiasm for snow. In fact, I feel relatively certain that many would find my exuberance annoying. Nevertheless, I delight at the first flakes of the season, which have already arrived. I like the quiet beauty and find the enveloping nature of it soothing. As stay-at-home guidelines for COVID-19 still prevail in many places, we continue to appreciate the benefits of creating home environments that produce a sense of calm and well-being. Understandably, an uptick in home-décor purchases eclipsed the more predictable sales of clothing and accessories during 2020, particularly during the holidays. Wrapping up in a lush cashmere throw while safely hunkering at home goes a long way to buoy one’s spirits. Foregoing the cashmere, it stands to reason that we would want to create equally appealing environments for our horses to promote contentment and comfort. The overriding objective in barn design is to create a safe and healthy

environment for the horses. In our annual Design feature, which encompasses a diverse range of projects, you’ll discover this can be accomplished in numerous, aesthetically pleasing ways. Thoughtful selection of health-enhancing flooring, lighting, ventilation, climate systems, and stall design all contributes to designing a healthy barn. Visual contrasts also play a significant role in our wide gamut of architectural projects. The featured architects and builders masterfully employ innovative ways of blending period-specific structures with modern accents, mixing polished and raw finishes, and harmoniously situating concrete structures within lush green landscapes. I happen to be fond of barn chandeliers—which appear to be having more than a moment. Although conventional wisdom around their practicality suggests otherwise, to see aisles and workspaces flooded with delightful, elegant light is to imagine stalls inhabited with happy horses and aisles abuzz with barn-life productivity. In a home-design endeavor, polo enthusiast and avid art collector Annabelle Garrett achieves significant visual impact through strong contrasts in her stunning Wellington, Florida, home. With wit and whimsy, she has added incredible personality to the modern structure with an art collection that melds 17th-century armor and family keepsakes with contemporary works by acclaimed artists. Continuing on a creative theme, we feature the imaginative folk art of British artist Kate Black. Horses, highly prominent in the history of Kate’s Yorkshire,

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U.K., community, come to life in her spirited collages and tapestries. For those not heading to warmer climates this winter, we’ve assembled ideas for staying warm while socializing outdoors and pulled together practical and snappy apparel to greet the season’s chilly temperatures. And if staying in place this winter is no longer tolerable for you, taking flight on a private jet, with an emphasis on luxury and safety, to exotic locations such as the Galapagos and Africa may be just the solution. As we bid farewell to the hardships and anxiety of 2020, we can greet 2021 with a soupçon of optimism. Equestrians are gearing up for a return of the winter circuit shows, horses have been shipped ahead to avoid the threat of snowy travel, and formerly shuttered resorts and restaurants have flung open their doors. In another hint of better things for 2021, the Pantone Color Institute has selected two colors of the year rather than the traditional one. Ultimate gray denotes a supportive and solid foundation, and its contrasting Illuminating yellow serves as strength and positivity. I think we are all ready for a dose of both. Stay safe and healthy.


EQ F A V O R I T E S

Another riding discipline you’d love to try: Dressage. I’ve had a lot of lessons to supplement my show jumping training, but I’d love to try it as a competitive pursuit!

Favorite scent: I love trying different scents, especially ones that change specifically to you when you wear them. Recently I tried Chanel Cristalle Eau Verte Eau de Toilette and loved it.

MY FAVORITES

Favorite App: Spotify. Favorite charity: ASPCA.

Favorite thing to whip up in the kitchen: My own creamy pasta recipe.

THIERRY BILLET / SPORTFOT

Favorite restaurants: Serafina in New York City, and in Europe, Les Eleveurs in Halle, Belgium (above).

Books on my bedside table: Speak by Laurie Halse Anderson. Odd Man Rush by Bill Keenan. Golfer’s Mind by Dr. Bob Rotella. Where the Crawdads Sing by Delia Owens. Lolita by Vladimir Nabokov. Favorite fiction book: Rules for Being a Girl by Candace Bushnell and Katie Cotugno. Favorite recently read nonfiction book: Discussion Materials by Bill Keenan.

Favorite show/venue: The arena I most look forward to competing in is Aachen.

LILLIE KEENAN

Favorite form of exercise to complement riding: Pilates. I have two of the absolute best teachers: Elissa Salzman at Pilates Rocks in Wellington, Fla., and Vandy Lipman at Equipoise Pilates in Somers, N.Y. Pilates changed not only my riding but also my life.

Top of my playlist: This changes a lot because I like different types of music but the first song on my playlist right now is 16 Shots by Stefflon Don.

Best way to relax: A hot bath. Favorite hotel: The South Lodge in the U.K.

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EQ J A N UA RY / F EB RUA RY 2021

EQ U E S TR I A N EQLiving.com

LIVING

®

VOLUME 10 NUMBER 1 EDITOR AND CREATIVE DIRECTOR Stephanie B. Peters SENIOR EDITOR Jill B. Novotny PHOTOGRAPHY DIRECTOR George Kamper EDITORS AT LARGE Rebecca Baldridge, Carol Cohen-Hodess, Judy Richter DESIGN MANAGER Mary A. Stroup SOCIAL MEDIA & WEB CONTENT Maggie Carty EDITORIAL MANAGER Theresa Cardamone EQ SPECIAL EVENTS Jennifer Pearman Lammer UK & LONDON EDITOR Bridget Arsenault CONTRIBUTING WRITERS Tory Bilas, CeCe Bloum, Emily Holowczak, Nancy Jaffer, Jessica Konopinski, Kara Pinato Scro, Nancy Easter White PUBLISHER C.W. Medinger PUBLISHING CONSULTANT George Fuller PRINT John Spittle PUBLIC RELATIONS Carrie Wirth, EQmedia.agency NEWSSTAND DISTRIBUTION Boyd Mulholland ADVERTISING SALES General: 929-262-0347, info@eqliving.com Joyce Jones, 954-796-1809, jones@eqliving.com Dick Holcomb, 770-331-7788, dickholc@bellsouth.net Blaire Baron, 215-439-8259, baron@eqliving.com Europe: Rosa Zampini, zampini@eqliving.com EQ LIVING ADVISORY BOARD Bob Cacchione, Connecticut Deborah Deutsch, Beverly Hills, Calif. Melissa Ganzi, Wellington, Fla. Carson Kressley, New York, N.Y. Peter Leone, Lionshare Farm, Bedford, N.Y. Colleen and Tim McQuay, Tioga, Texas Mindy Peters, Los Alamos, Calif. David Sloan, Millbrook, N.Y. Renee Spurge, LA Saddlery, Los Angeles, Calif. Chester Weber, Ocala, Fla. EQUESTRIAN QUARTERLY (EQ) became EQUESTRIAN LIVING magazine in 2016 and is published six times yearly. It is distributed at selected equestrian locations, newsstands, and is available for home delivery for $24.95 | Canada $39.95.

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EQ E S S E N T I A L S | D É C O R

EQUINE ACCENTS in tactile materials add an appealing nod to the equestrian lifestyle. VINTAGE HORSES

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1. The Standing Horse Figurine at Perigold is a museum reproduction wood carving with a worn silver finish. $155. 2. Perigold’s Wire Horse Sculpture is completely handcrafted and has the artist’s signature on every piece. All of the wood is reclaimed and the wire is recycled. $319. 3. The decorative Troxell Wooden Rocking Horse by August Grove at Wayfair is made of solid mango wood and a metal base. The barn wood finish gives it a feel of an old piece. $44.99. 4. With its graceful prancing gesture and weathered appearance, Pottery Barn’s Horse on Stand has the look of a vintage find. $149. 5. This regally posed Hand Carved Horse from Ballard Designs is hand carved from solid mango wood with a heavily distressed painted white finish. $112.20.

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6. The legendary Trojan Horse Sculpture by Design Toscano introduces the distinction of ancient history into a home or gallery. $35.95. 7. The Folk Art Wooden Horse at Perigold captures classic New England folk art and the appreciation for the horse. It is cut, shaped, and finished by hand. $312.50.

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CONTACT INFO | PAGE 95

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EQ S C I E N C E

ANIMAL RESTORATION Endangered animal restoration: KURT the cloned Przewalski’s horse. BY EMILY HOLOWCZAK

SCOTT STINE

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n the outside, little Kurt is like any other baby animal growing up at the San Diego Zoo. Fuzzy, frisky, and full of life, Kurt spends his days playing and learning by his mom’s side. While Kurt may not realize it; he is actually quite a unique horse and his birth was nothing short of groundbreaking; Kurt is the first-ever clone of the rare, endangered Przewalski’s horse. The San Diego Zoo is home to their renowned Frozen Zoo, where a menagerie of 10,000 cell lines from an estimated 1,100 species and subspecies have been studied since 1980. The Associated Press reports that Kurt was created from cells taken from a stallion’s skin 40 years before their fusion with an egg from a domestic horse. By removing the egg’s nucleus—and all of the DNA stored inside—the embryo became a clone of its father. The same method created Dolly the sheep, the first mammal ever cloned, in 1996. Kurt’s dad, a then-five-year-old stallion, died in 1998, but his legacy lives on through DNA provided to his son. With assistance from California conservation group Revive & Restore as well as Texas-based company ViaGen Equine, Kurt was born at a Texas veterinary facility in August 2020. The little horse was named after Dr. Kurt Benirschke, who originally established San Diego’s Frozen Zoo. Kurt will spend the greater part of his first year there until he is ready to move to the San Diego Zoo as a permanent fixture. The zoo has an established Przewalski’s horse population, where he

With luck, Przewalski’s horses may one day return to the wild.

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will be integrated into their herd of 14 other Przewalski’s horses. It is hoped that someday Kurt will be bred with current stock to continue restoration efforts. With luck, Przewalski’s horses may one day return to the wild after several generations. Przewalski’s horses are considered the last living and truly “wild” horses. Their name derives from Russian geographer and explorer Nikolai Przewalski, who found a skull and hide of one and shared it with a Russian museum in 1879. The Przewalski’s horses’ populations once stretched across Europe and Asia, and they were eventually pushed east towards the steppes of the Gobi Desert in China and Mongolia because of human development and changing climate. By the 1960s, these ancient horses essentially became extinct in the wild. Only about 2,000 remain in captivity today between zoos and reintroduction sites in Mongolia, China, and Kazakhstan. Their limited gene pool puts them at a reproductive disadvantage, but Kurt’s genetics are particularly remarkable because they provide a valuable infusion of genetic diversity. That’s why Kurt’s birth marks a major step forward in the restoration and survival of these scruffy, hearty little horses. “This colt is expected to be one of the most genetically important individuals of his species,” Bob Wiese, chief life sciences officer at San Diego Zoo Global, said in a statement. “We are hopeful that he will bring back genetic variation important for the future of the Przewalski’s horse population.”


SETTING THE STANDARD SINCE 1978 Complete design services and fine craftsmanship Custom barns, arenas, garages and living quarters

1-888-354-4740 | www.kingbarns.com


EQ E S S E N T I A L S | F O O D + D R I N K

LUXE LIBATIONS

F L AVO

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A favorite at HMF at THE BREAKERS, this Floozy sipping cocktail is spicy and delicious.

TR UN CO TES SE ORI R H O FAV

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THE FLOOZY COCKTAIL This cocktail features a little spice and is a great way to add some heat to your winter. INGREDIENTS 2 jalapeño slices 1 slice cucumber 1 ounce ginger syrup 1 ounce lime juice 1 ounce egg white 1½ ounce tequila PREPARATION Muddle one jalapeño slice, cucumber, and ginger syrup in a shaker. Add tequila, fresh lime juice, and egg white. Cover and shake vigorously for 10 seconds. Strain slowly in a coupe glass and garnish with remaining jalapeño. “Tequila continues to increase in popularity and we are seeing it used more in both classic and modern recipes,” said Rey Cabrera, assistant director of food and beverage at The Breakers. “The Floozy is one of HMF’s most requested cocktails; it is refreshing and clean with just the right balance of heat on the finish.”

Named after the founder of Palm Beach’s Breakers Hotel, Henry Morrison Flagler, HMF is steeped in the glamour of an earlier era, yet wholly current. This chic social club boasts an eclectic, globally influenced menu, an acclaimed wine list of more than 2,000 unique selections, and an array of bespoke cocktails.

CONTACT INFO | PAGE 95

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EQ E S S E N T I A L S | D E S I G N

WINTER COMFORTS 2

Warm up your OUTDOOR SPACES for safely distanced entertaining.

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Belgard provides the inspiration and materials to bring outdoor living to life. Shown in Maga-Lafitt pavers.

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1. Summer Classic’s Home indoor-outdoor Kilim Pillows in mist and cajun. $156. 2. Marlon Outdoor Chandelier with Sunbrella fabric by Summer Classics Home. $1,183. 3. Bon Chef’s seven-quart Soup Tureen with hinged cover. $196.49. 4. Williams Sonoma’s fast-melting Premium Cocoa. $15.95. 5. Double wall Insulated Latte Glasses by Zwilling J.A. Henkels at Sur La Table. Set of two: $42. 6. Carl Hansen & Son indoor-outdoor Teak Lounge Sofa Bench by Chaplins furniture. $1,677.75. 7. Wayfair’s four-piece Ankey Fireplace Set and Log Holder. $229.99. 8. Cashmere Chain Link Patterned Jacquard throw by Williams Sonoma. $299. 9. Italia Outdoor Bar Cart by Summer Classics Home in wrought aluminum and superstone surfaces. $1,631. 16 | EQ UE S T R I A N L I V IN G | J AN UARY / FEB RUARY | 2021

The Harrogate Steel wood burning fire pit by Wayfair. $799.99.

CONTACT INFO | PAGE 95



4343 130TH AVENUE SOUTH · $8,950,000

3490 GRAND PRIX FARMS DRIVE · $6,950,000

Private 10-Acre Farm · 15 Stalls · Grass Jumping Field · Large AllWeather Arena · Spacious Paddocks · 5 Bedrooms, 3 Bathrooms, 2 Half-Bathrooms · Lovely Renovations · Gas Range · Impact Glass

Lowest-Priced Farm in Grand Prix Village · Stunning 14-Stall Barn · All-Weather Ring · 6 Paddocks · Hack to PBIEC · Fabulous Owners’ Lounge · Staff Apartments & Lounges

14268 BELMONT TRACE · $5,495,000

2095 WINDSTOCK WAY · $3,295,000

Saddle Trail Estate · Hack to PBIEC · Grass Jump Field · 7-Stall Barn with Staff Quarters · Saltwater Pool & Tennis Court · 5-Bedroom Home & Luxury 1-Bedroom Apartment · Large Lot in Pristine Condition

Tuscan-Inspired Aero Club Home · 4 Bedrooms, 4 Bathrooms · Direct Runway Access & Private Hangar · Wine Cellar · Saltwater Pool & Jacuzzi · Billiard Room · Home Theatre · 3-Car Garage

MARTHA W. JOLICOEUR, PA BROKER ASSOCIATE 561 797 8040 www.marthasproperties.com


4163 125TH AVENUE SOUTH · $5,900,000

2617 APPALOOSA TRAIL · $5,500,000

Custom 14-Stall Barn · Lavish Owners’ Lounge · Staff Apartment · Meticulously Updated 4-Bedroom Pool Home · Lush Landscaping · Oversized All-Weather Ring · Spacious Paddocks · 5 Acres

A Great Find · 5-Minute Hack to PBIEC · Magnificent Landscaping · GGT All-Weather Arena · 14 Stalls Spanning 2 Barns · Gorgeous Tack Rooms · Staff Quarters · 2-Bedroom Owners’ Home

PALM BEACH POLO CLUB · $2,275,000

POLO WEST · $1,595,000

Chic 4-Bedroom Estate · Ready for Season · Chef’s Kitchen · Marble Pool Deck · Furnished & Decorated · Convenient to PBIEC in Prestigious Mizner Estates

Newly Renovated 3-Bedroom, 2.5-Bathroom Pool Home · Sunset & Lake Views · Impact Windows & French Doors · Chef’s Kitchen · Waterfall Island · New Pool Deck & Covered Patio

HOME IS WHERE YOUR HORSE IS

THE NEXT MOVE IS YOURS 1111 LINCOLN RD, PH-805, MIAMI BEACH, FL 33139. 305.695.6300 © 2021 DOUGLAS ELLIMAN REAL ESTATE. ALL MATERIAL PRESENTED HEREIN IS INTENDED FOR INFORMATION PURPOSES ONLY. WHILE, THIS INFORMATION IS BELIEVED TO BE CORRECT, IT IS REPRESENTED SUBJECT TO ERRORS, OMISSIONS, CHANGES OR WITHDRAWAL WITHOUT NOTICE. ALL PROPERTY INFORMATION, INCLUDING, BUT NOT LIMITED TO SQUARE FOOTAGE, ROOM COUNT, NUMBER OF BEDROOMS AND THE SCHOOL DISTRICT IN PROPERTY LISTINGS SHOULD BE VERIFIED BY YOUR OWN ATTORNEY, ARCHITECT OR ZONING EXPERT. IF YOUR PROPERTY IS CURRENTLY LISTED WITH ANOTHER REAL ESTATE BROKER, PLEASE DISREGARD THIS OFFER. IT IS NOT OUR INTENTION TO SOLICIT THE OFFERINGS OF OTHER REAL ESTATE BROKERS. WE COOPERATE WITH THEM FULLY. EQUAL HOUSING OPPORTUNITY. .


EQ P E O P L E

MEET THE EXPERT MATT JOHNSON,

the riding realtor, aspires to inspire in WELLINGTON, Florida.

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orn and reared in central Vermont, Matt started riding at the age of 10. In high school, he took lessons at a local riding school, where he had a well-rounded exposure to jumping, eventing, and dressage. It was while in college at the University of Vermont studying Animal Science and Small Business Management, that he decided to focus strictly on dressage. On spring break of his senior year, he visited Wellington, and his love affair with the village began. “It was then that I decided I had to come back with my horse for the next season,” he says. “From there, I found jobs riding and working for different trainers for the next five years, but eventually burnout set in. So I knew that, for me, I needed to forge a different path. This is when I had the idea to combine my love of Wellington and horses with my business savvy and people skills, and my venture into real estate was just a natural progression. For me, it is one of the best decisions I ever made for myself.” After 23 years of success in selling Wellington real estate and now as one of the area’s most seasoned top-producers, it may look from the outside like he has it easy; however, nothing could be further from the truth. Matt says, “Just as I worked for every riding lesson, every piece of tack, bale of hay, or any horse I’ve owned, the same holds true for every sale I made or listing obtained. To close over $60 million in sales in 2020—in the middle of a pandemic, no less—is something I could’ve never imagined when I invested my life savings of $1,800 to start my career. This

Top: Matt Johnson and Qasanova. Above: The Helgstrand Dressage facility.

isn’t to boast, but only to encourage other young people that their dreams are possible, and they will come true, if they don’t give up and stay true to themselves. As Jane Savioe, one of my early mentors, would always say, ‘If you can dream it, you can do it.’ This has always stayed with me, and I’m 100 percent convinced by the power of intention. It’s my hope that my story, in both business and riding, inspires others to aspire. The journey to my goals continues, and it may be taking longer than others, but it’s not about how quickly I achieve them, it’s that I do. Along the way I have discovered the

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timeline doesn’t make you more or less talented than another rider or business person, it just says your opportunities and your path were simply different. “Wellington is like no other place in the world,” Matt continues, “We offer the longest running show series, over 12 weeks, where top riders from around the world come to compete in jumping, dressage, and polo. Although Wellington is not an oceanfront town, we have real estate priced as if it was. In essence, the showgrounds are our ocean. “This year, I had the good fortune to broker the sale of the iconic Windsome Farm to Helgstrand Dressage of Denmark, which was purchased for over $17 million. I first met Andreas Helgstrand in Denmark seven years ago when I bought my stallion from him, and I told him he needed to be in Wellington too. A couple of years later, I was showing him farms around town. My customers appreciate that my riding brings them business.” When working with buyers, Matt’s aim is to make the process as painless and efficient as possible. “By listening closely to their criteria,” Matt says, “I’m able to eliminate properties immediately that won’t work. This reduces the stress and keeps things focused. From there, I believe the right property will sell itself; these are high-dollar transactions and educated buyers. Pressure doesn’t make the deal.” For sellers, Matt adds, “Getting the listing is the easy part; I feel the real skill is pricing it appropriately and educating the sellers. A successful agent also has the foresight to see potential pitfalls that may arise. These are just some of the skills I feel I bring to the table with my 23 years of CONTACT INFO | PAGE 95 experience.”


EQ E S S E N T I A L S | D E S I G N

THE COLORS OF 2O21 With the themes of optimism and dependability, Pantone announces TWO COLORS of the year for 2021. Mullan Lighting Cobal Cage Pendant Lamp

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Hokum RetroPeepers

ANTONE, the global color leader,

Gray TruGlow Slim Pillar Candles

Annabel James Echo Alarm Clock

releases trend reports each season and announces a color of the year. This year it chose two, a bright yellow called Illuminating (Pantone 13-0647), and a classic gray dubbed Ultimate Gray (Pantone 17-5104), as its 2021 Colors of the Year. Pantone says these two independent colors highlight how different elements come together to support one another and best express the mood of the time. Practical and rock-solid but at the same time warming and optimistic, the union of Ultimate Gray and Illuminating is one of strength and positivity. According to Fast Company, Pantone chose Illuminating as its 2021 Color of the Year first and only months later decided to add a second hue, with the intention of them being seen—and interpreted—as a pair. "[Illuminating] is definitely an aspirational color, no question," Leatrice Eiseman, executive director of the Pantone Color Institute, said. "But I think with the solidity of the gray when you juxtapose those colors against each other, the concept is clear." There are already examples of the colors on the spring 2021 runways. According to Fashionista, Illuminating yellow can be spotted across apparel and accessories from Jason Wu, Collina Strada, Miu Miu, MSGM, Thebe Magugu, and Versace, among others. Ultimate Gray, meanwhile, is seen at Brandon Maxwell, Balmain, Michael Kors, and Nina Ricci, to name a few.

Winter Wonder Cushion with Leather Piping

New Balance Jaden Smith

Welsh Otter Tapestry

Tom Tailor Pillow Boxspring CONTACT INFO | PAGE 95 JA NUA RY/FE B RUA RY | 20 2 1 | EQ L I V I NG .CO M | 2 1


EQ S C I E N C E

A SPOTTED SOLDIER The history behind the modern APPALOOSA. BY JESSICA KONOPINSKI

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ecognized for its breathtaking spotted coat, gleaming eyes, and uniquely striped hooves, the Appaloosa horse is known for much more than its beautiful presence. Named for the Palouse River country of its origin, the Appaloosa earned recognition as the state horse of Idaho both for its physical attributes and its place as a long-standing symbol of the Nez Perce tribe. The Nez Perce warriors were known for their superior horses, which they bred specifically for speed, endurance, and distinctive appearance. The Appaloosa horse originated from Spanish horses brought into Mexico during the mid-17th century, with some hereditary traits tracing back to Arabia. The Spaniards tried to keep the horses from the Native Americans, but as Spain lost control over Northern Mexico during the 1680 Pueblo Revolt, Native American slaves escaped with stolen horses. The Apache and Navajo took advantage of the opportunity and claimed the animals for their own. The Spanish stock was most suited for the harsh conditions of the western United States, giving them an advantage over the U.S. Cavalry’s mounts. Cavalry horses, often bred from racing stock, were used to sufficient supplies of water and grain.

In the hopes it would strip the Native Americans of their military advantage, the U.S. Army began slaughtering the horses or mixing draft horses into the herd.

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Nez Perce warrior on a horse. Background: Appaloosa.

Unsurprisingly, the native horses’ grass-fed diet and better conditioning gave them impressive endurance. The Nez Perce strategy of selective breeding also resulted in the benefits of a strong hunting advantage over the plains’ tribes, which was evident by 1730. Tribes such as the Crow and Blackfeet did not have access to horses until 1740. In the hopes it would strip the Native Americans of their military advantage, the U.S. Army began to use destructive strategies, including slaughtering the horses or mixing draft horses into the herd. They also trapped the indigenous populations in areas where they could not travel on horseback. Luckily, when the cavalry nearly forced the Nez Perce to surrender along the border, Chief White Bird escaped to Canada with the women, children, and spotted horses. Almost forgotten, a few hundred descendants of the horses were saved from extinction by Claude Thompson in 1938 to create the Appaloosa horse registry. Today, thanks to Chief White Bird’s efforts to keep the breed alive, the Appaloosa serves as a true symbol of the Nez Perce and an inspiration to many. Members of the tribe began a breeding program to reintroduce the Appaloosa’s heritage and culture. Through clubs, registries, programs, and museums dedicated to it, the Appaloosa horse will forever be recognized for its beauty and historical contribution.


Follow your dream, home.

82 Acres - Unparalleled opportunity to own the largest tract of land available for purchase in Wellington. This property is already zoned for 10 acre lots. Located just a short distance from the Palm Beach International Equestrian Center. Offered at $10,500,000

Saddle Trail - Superb equestrian property located within hacking distance to WEF. Situated on a double lot totaling 4 acres, it includes a 4 bedroom main house with pool, 2 barns with a total of 17 stalls and many equestrian amenities. Offered at $4,750,000

Palm Beach Polo • Kensington - Renovated Mediterranean estate situated on over half an acre. Includes 7,300 square feet of living space, 6 bedrooms, 7 full and 2 half bathrooms, a split 4-car garage, expansive screened loggia, large pool and waterfall-edge spa. Offered at $4,400,000

Palm Beach Polo • Cypress Island - This madenew 4 bedroom, 6.5 Bath, 3-car garage estate has been completely kitted out, fully furnished and supplied – now ready and available for immediate, turnkey occupancy! Offered at $5,999,000

Palm Beach Polo • Blue Cypress - Stunning new custom build, situated on a highly-sought after waterfront lot. One-of-a-kind modern design boasts over 7,400 square feet of living space with 6 bedrooms and 7 and a half bathrooms. Offered at $5,850,000

Palm Beach Polo • Meadowbrook - This well-appointed 2nd floor unit has just been fully renovated with sleek, modern finishes and is move-in ready! This unit offers 3 bedrooms, 3 bathrooms, and serene garden views from the fully screened and covered patio. Offered at $570,000

Palm Beach Polo • Blue Cypress - Top-notch new construction estate located in the Palm Beach Polo Golf and Country Club. This luxurious, designer home features 4 bedrooms, 4.5 bathrooms, 2-car garage, a stunning pool area and is offered fully furnished. Offered at $2,195,000

Palm Beach Polo • Maidstone - Boasting just under 6,400 square feet of living space with 5 bedrooms, 5 and a half bathrooms, private pool, and a car-lovers garage with a lift and parking for 5+ vehicles. Renovated from top to bottom. Offered at $3,900,000

Palm Beach Polo • Golf & Tennis Village - This 3 bedroom 3-and-a-half-bathroom home is perfect for entertaining and includes a spacious open kitchen with bar seating and dining area. The outdoor space boasts a large summer kitchen with dining area and pool. Offered at $899,000

Learn more at carolsollak.evrealestate.com Carol A. Sollak, P.A. . Engel & Völkers Wellington 10620 W. Forest Hill Blvd #40 . Wellington . Florida 33414 +1 561-818-9476 Carol.Sollak@evrealestate.com ©2021 Engel & Völkers. All rights reserved. Each brokerage independently owned and operated. Engel & Völkers and its independent License Partners are Equal Opportunity Employers and fully support the principles of the Fair Housing Act.


EQ E S S E N T I A L S | F A V O R I T E S

THE HARD-WIRED HORSE OK

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An excerpt from HORSE BRAIN, HUMAN BRAIN by Janet Jones, Ph.D.

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hen dangerous sensory signals were detected on the prairie, a horse couldn’t twiddle his hooves deciding what to do. He had to run first and be alive to ask questions later. To manage that requirement, the equine brain evolved to connect perception directly to action. A nerve signal comes from the eye to the visual processing area of the brain, for example, and the equine brain instantly sends that signal to the motor control area with the command to RUN. These processing areas are in the surface, or cortex, of the brain. It all happens unconsciously. The wiring between perception and action in the human brain is quite different. A nerve signal comes from our eyes to the visual cortex at the back of our brain, and is usually diverted to a slow path that meanders over to the prefrontal cortex just behind our forehead. There, an unconscious analysis is undertaken: “What have I seen? Have I seen that before? What does it mean? What should I do? Which option is best? Why? Did I have lunch yet? Oh…whoops, let’s pay attention… Hmm, option17c has worked in the past. Let’s try that one again.” Finally, action kicks in—long after a lion would have punctured an equine throat and gobbled half a leg. The process of natural selection over millions of years forms the hard wiring of a brain—its major pathways and structures. Evolution always lags behind the present day. So the human brain still functions 24 | EQ UE S T R I A N L I V IN G | J AN UARY / FEB RUARY | 2021

This excerpt from Horse Brain, Human Brain by Janet Jones, Ph.D, is reprinted with permission from Trafalgar Square Books

according to its ability to hunt meat and gather berries, keep its body warm and dry, find mates in the savannah, and try to prevent the children from being eaten by lions. It doesn’t matter that today we drive to the grocery store instead of spearing a wildebeest for dinner, meet potential mates online, and try to prevent the children from being shot in their schools. Some pathways make stops here and there along the route to their brain destinations—and often, these stops occur at places where the path ended a few million years ago. When scientists see an abandoned way station like that, we have evidence that the brain used to work differently than it does now. For instance, in 2018 researchers found links in the human brain between areas for navigation and smell. People no longer need to smell their way to water, but at one time that ability was so critical for survival that our brain structures changed physically to account for it. Most psychologists agree that the initial stages of romantic attraction are hard-wired. You don’t turn the process on, and you can’t just flip a switch to turn it off. The feelings are involuntary. But that doesn’t mean we have no recourse. We can work around attraction by learning to notice and identify it, pausing to think carefully about its implications, listening to Mr. or Ms. Perfect’s point of view, and removing ourselves from awkward situations. The feelings are still there, but we don’t have to act on them. Shying is a good example of hard-wired behavior in horses. Equine brains evolved to whirl and bolt when


EQ E S S E N T I A L S | F A V O R I T E S

shy just like car passengers slam their useless brake feet into the floorboards and gasp for air when expecting a crash. It’s the brain’s involuntary method of staying alive. SOCIAL DY NA MI C S

Because of their distant past, horses are strongly social animals with herd instincts. They respond to their buddies at all times. We humans fail to notice much of this subtle interaction, and it weakens when we are around. But left on their own, horses rely on group perception, learn by imitation, seek leadership from dominant guides, and soothe themselves through social contact. As the horse evolved to survive predators on open grasslands, his brain became more dependent on activity within the group. Imagine 10 horses grazing in a field that is familiar to them. By nature, they will adopt slightly different positions with their bodies aimed this way and that for greater surveillance. Although their heads are usually down, each horse pays attention to the others. If the most sensitive horse glances up to check a noise, the others cock an eye or ear toward him. If one horse startles, the group looks in that direction immediately. To stay safe, they need each other. When removed from the group, horses transfer their need for leadership from a dominant equine to a human. So, in the absence of a higher-ranking horse, your mount is going to look to you for help. He doesn’t need a friend or a follower—he needs you to be his leader. Social behavior among horses is partly learned but largely innate. Brain scientists in 2018 found that mammalian brains are hard wired to regulate the rank hierarchies, group status, social vocalization, and peer observation that horses use all the time. To THE UNTAMED IMAGE

potential danger occurs. Horses are captive to the naturally selected aspects of their brains, just as we are to ours. In addition, horses have far less ability to manage their hard-wired behavior than humans do. They’re super-smart but do not have the prefrontal cortex to control their instincts fully. We cannot expect a horse to smell a bear a few feet away and simply walk on. This, by the way, is not a hypothetical example. Aspen, a furry dun pony belonging to a friend, tended to shy out in the back forty. One area Dr. Janet Jones near a thicket of willows was especially difficult for her to negotiate. She was convinced of danger there, tightening her muscles, doing the quickstep as if on “Dancing with the Stars,” and opening her eyes wider every time she approached. In frustration, her owner hired a trainer to get Aspen past this foolishness. The trainer hopped on one fall day and rode Aspen to the thicket, where she pulled her usual shenanigans. He insisted she move closer to the bushes and, trembling, she eventually agreed. Just about then, a black bear bounded out of his cover, moving on all fours straight toward Aspen—who took off hell bent for election. Everyone learned some lessons: Sometimes it really is best to listen to the horse. And don’t poke the bear! So do we have to allow every horse to spin out from under us whenever a leaf wiggles? Of course not. We can teach the horse to get to know a frightening area over time, to shy with smaller movements, to slow down and investigate after shying, to trust our leadership. We can teach ourselves to distinguish between equine nerves and true fear. We can overcome our frustration— after all, the horse is behaving in a perfectly natural way. Horses

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EQ P E O P L E

MEET THE DEVELOPER: NEIL HIRSCH

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From Wall Street to Wellington, meet the polo-loving visionary behind the first LUXURY CONDOMINIUM in the equestrian capital of the world.

esidents of Wellington know Neil Hirsch as a businessman and philanthropist with a desire to make an impact on children’s charities. But he is also a visionary, teaming up with multiple partners to transform the former site of the Players Club in Wellington, Florida, into an iconic luxury condominium. It’s time to meet the man behind the exquisite Coach House Wellington residences as the boutique master-planned property is introduced to the world. While Coach House is Hirsch’s first residential development, his entrepreneurial spirit began in his early twenties when he founded Telerate, a technology company that provided securities prices for the international bond and currency markets. For more than 20 years, Hirsch grew the company to become one of the most powerful brands in the financial market, and eventually sold the company to Dow Jones. Hirsch is also the former chairman and CEO of Loanet, Inc., and served on the Dow Jones board of directors and management committee. But it was his love for the sport of polo that drew Hirsch from Wall Street to Wellington in 1995. That year, he started the BlackWatch Polo Team, a team he played with competitively until 2009. Now a full-time resident of Wellington, polo still plays an important part in Hirsch’s life, especially with kids. He is actively involved in the Boys and Girls Club (the branch in the village is named after him). “I saw how valuable the club was in engaging the children in the community and giving them a safe place to learn and play, and I wanted to

lend my support,” said Hirsch. “We hold yearly charity events consisting of polo, triathlons, and other events to help raise money for the club and the kids are highly involved with all of that.” So, what was the inspiration for the Coach House project? “There wasn’t a product like it,” said Hirsch. He saw a niche for luxurious, maintenance-free condominiums, and he knew it would attract high-profile polo players and equestrian-estate owners looking to downsize or have a second residence. Hirsch also predicted it would attract people with multiple homes looking for a carefree lifestyle without worrying about homeownership. Coach House recently launched preconstruction sales for the four-story, 34-unit building located at 3410 South

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Shore Boulevard, on the former site of the Player’s Club. And Hirsch’s predictions appear to be spot on. Coach House has already secured sales with Ralph Lauren model and top-ranked professional BlackWatch Team polo player, Ignacio “Nacho” Figueras, and his wife, designer Delfina Blaquier. Figueras said his interest in Coach House was spurred by the proximity to the equestrian grounds, as well as the maintenancefree amenities. Plus, he added, it’s a wonderful place to raise a family on the sprawling 5.5-acre property. Indeed, there is nothing like Coach House. Amenities will include a rooftop pool, fitness center and spa, library, boardroom, private dining room, catering kitchen, private climate-controlled garages, and private elevators for each unit. The development will also include private cabanas and guest suites. Coach House is a modern sanctuary infused with the richness and warmth of traditional design, accented with exquisite, contemporary amenities. Coach House residents can expect personalized service for a turn-key, worry-free lifestyle. With up-close convenience to world-class polo and show grounds in the equestrian capital of the world, as well as over 100 miles of groomed bridle trails, quality is a priority that goes beyond the physical property. Infusing care with every aspect of life at Coach House, residents will enjoy the dedicated service of a fully staffed property, from the reception team to the concierge. Coach House pricing starts from $2.5 million. CONTACT INFO | PAGE 95


EQ E S S E N T I A L S | F A S H I O N

FACE THE ELEMENTS

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Bundle up with style this season in functional WINTER WEATHER essentials. 1 4 2 11 6

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7 8 1. Fairfax & Favor Boudica boots. $329. 2. Tom Lane chunkie cashmere beanie hat. $92. 3. Edwards eyewear Bergamo mid havana. $334. 4. Tartan Blanket Company lambswool oversized scarf in Mackellar tartan. $60. 5. Everly ladies’ knit toque. $136. 6. Welligogs Louise khaki front dry wax coat. $329.

7. LL Bean women’s Bean Boots, sherpalined PrimaLoft. $169. 8. Nobis Maya ladies’ parka in red. $950. 9. Le Chameau women’s standard fit Jameson leather boots. $517. 10. Pendleton Donegal merino sweater in gold. $169. 11. Farlows Moss Stitch lambswool jumper. $200. CONTACT INFO | PAGE 95 JA NUA RY/FE B RUA RY | 20 2 1 | EQ L I V I NG .CO M | 2 9


EQUESTRIAN PAR ADISE

WELLINGTON, FLORIDA This beautiful brand new 5Br/6.5Bth modern-transitional home is a must-see with its open floor plan, custom mill-work, wood floors and two luxury master suites, all perfectly situated on 5 cleared acres with a center-isle stable. The home boasts an open floor plan with a stunning waterfall-edge center-island kitchen with quartz countertops, his & her offices and a master suite on the ground floor. The elevator or spiral-wood staircase will usher you to the second floor living space, a second master suite, 3 guest bedrooms and an additional laundry room. You’ll enjoy your time poolside with the covered lounging & entertaining areas, summer kitchen with dining space and full cabana bath and outdoor shower. For equestrians, the 3,000 sq. ft. stable allows for up to 10 stalls and is customizable with a $50,000 builder allowance or if you’re a car lover, build your dream showroom! Offered at $3,950,000 Matt Johnson Engel & Volkers Florida Selling Wellington & the Palm Beaches 561-313-4367 • MattSells.com ©2021 Engel & Völkers. All rights reserved. Each brokerage independently owned and operated. Engel & Völkers and its independent License Partners are Equal Opportunity Employers and fully support the principles of the Fair Housing Act.


2 ACRE ESTATE

WELLINGTON, FLORIDA Beautiful 4Br/4.5Bth equestrian property with 1Br/1Bth guest house & 5 stall center-aisle stable with direct bridle path access. The home boasts an open floor plan with impact windows & doors and gourmet kitchen with center-island & granite countertops. The spacious master-suite with fireplace overlooks a stunning pool & private backyard. The outdoor entertaining space offers a full summer kitchen, gas fireplace & elegantly designed heated pool & spa with marble pool decking. Guests will enjoy the 1Br detached cottage with full kitchen & living room. The 5 stall barn with wash stall has been freshly remodeled & offers a generous tack room & lounge with kitchenette, 1/2bath & laundry facilities. The new arena is 185’ x 80’ with all-weather footing & mirrored wall. There are 3 generous turnout paddocks for your horses. Offered at $3,149,000 Matt Johnson Engel & Volkers Florida Selling Wellington & the Palm Beaches 561-313-4367 • MattSells.com ©2021 Engel & Völkers. All rights reserved. Each brokerage independently owned and operated. Engel & Völkers and its independent License Partners are Equal Opportunity Employers and fully support the principles of the Fair Housing Act.


EQ E S S E N T I A L S | T R A V E L

POD-FRIENDLY TRAVEL Adventure across the globe safely with these PRIVATE JET itineraries.

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lthough hopes are high for a rapid decrease in COVID-19 spread as the year progresses, much of the world’s travel plans are still on hold. If quarantine fatigue has set in, a trip to consider is a private-jet journey offered by the conservation-led luxury-travel company andBeyond. Their two exclusive private-jet excursions depart from Florida and travel to the Galapagos and Africa, respectively. The two itineraries offer both luxury and safety, with only small groups of travelers per journey. All travelers are tested for COVID19 prior to departure, and they will enjoy private travel throughout, as well as VIP access to activities and accommodations. andBeyond itineraries are designed specifically for guests looking for

travel that makes a difference, including a contribution toward the communities, land, and wildlife of the places they visit. The trips are ideal for those wanting to travel in their pod of close friends and family and those looking to join a small group of like-minded travelers. The first trip, set to depart in February, will take travelers on a quintessential safari experience in two of South Africa’s Big Five game reserves. Air travel, provided in the Crystal Skye aircraft operated by Comlux Aruba NV, features fully reclining flatbed seats, a stand-up bar and lounge, a team of butlers, and an executive chef. Upon arrival, guests will be treated to safari excursions accompanied by skilled guides and wildlife, photography, and food and wine experts. The second journey, scheduled for March, will be the ultimate in private travel, a 10-day exclusive

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opportunity to explore the fauna and flora of the Galapagos, a UNESCO World Heritage Site, made famous by Charles Darwin. The trip caters to a maximum of only 12 guests, who will arrive from the U.S. into Guayaquil on Crystal Luxury Air, operated by Corporate Flight Management. The group will then move aboard the private Infinity Yacht, which features spacious cabins, each with its own balcony, and al fresco dining. Other opportunities for guests include a private lecture from a key expert at the Charles Darwin Research Center. Activities include kayaking, snorkeling, paddle boarding, and Ecuadorian cooking classes. In addition to the dates planned, guests can reserve private departures on alternative dates CONTACT INFO | PAGE 95 upon request.


EQ P E O P L E

JENNIFER x2 BY NANCY JAFFER

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Two public relations professionals join forces to create JUMP MEDIA

ELENA LUSENTI.

don’t we join together and start a company?’” ou could call it entrepreneurial karma when As Ward pointed out, because of the partners’ similar names, two equestrian public relations executives named “People often confused us. We were both working in the same Jennifer joined forces in a new company, but the industry doing the same thing; we would often receive emails move really was all about spotting an opportunity intended for ‘the other Jennifer.’ Half the people out there think and making the most of it. we’re the same person anyway, so we figured why not make it Consummate professionals Jennifer Wood, easy for them and work together?” she laughed. who started Florida-based Jennifer Wood Media, and Canadian Jennifer Ward, the founder of Starting Gate Communications, TWO JENNIFERS ARE BET TER TH A N ONE were friends working on parallel tracks. They had been pursuing virtually the same career path while doing everything from The partners, whose promotional skill sets complement each event promotion and running press rooms other, often brainstorm. “We look at at shows to dealing with athlete promowhat’s next and what we can do differently, tion, among the many other publicity whether it’s in the realm of social media, services related to horse sports. advertising, or breaking into new markets, Both had large rosters of clients and as well as looking outside the industry at were successful on their own before comhow other sports are doing things,” said ing to the realization that they could boost Wood, who holds a marketing degree from their reach even further by teaming up. the University of South Carolina where Ward, whose high-profile client roster she rode on the intercollegiate team before included Olympic show-jumping chamworking for such show-jumping luminaries pion Eric Lamaze, was in a situation where as Margie Engle and Anne Kursinski. the demand for PR services was exceeding Each has hands-on knowledge of horse her company’s manpower. Wood, whose sport, not to mention an impressive netcontracts included the prestigious Winter work within the industry, which serves Equestrian Festival in Wellington, Florida, them well in dealing with competitors, had the staff but not quite enough work to shows, and those offering equine-related keep everyone busy year-round. products and services. The timing was right to balance “When we formed Jump Media, there Jennifer Ward and Jennifer Wood each other’s needs and work together. In was a great demand for promotion within 2015, the pair launched Jump Media and quickly experienced the sport, and it continues to be a growing sector within the exponential growth, attracting an eclectic portfolio of clients industry,” said Ward, who holds a post-graduate degree in pubranging from the U.S. Equestrian Team Foundation and a horse lic relations. “We’re incredibly proud of what we have created at rescue to equine industry professionals including athletes, an Jump Media. Our clients renew with us year after year because attorney, an insurance brokerage, a realtor, and a veterinary they appreciate the value and positive impact of our services to clinic. Prioritizing quality over quantity, Jump Media also their businesses.” provides press services for some of North America’s most highWood agrees, “We have a great team, and our close-knit profile events, including the Capital Challenge, Washington environment allows us to stay in tune with our clients and on International, and Royal Agricultural Winter Fair horse shows. top of promotional opportunities. We’ve developed many close relationships throughout the industry over the years, particu“We always talked about how the industry was growing larly within the equine press. That pays off when we’re able to and how the need for our services kept increasing, but we leverage those connections on behalf of our clients.” both felt limited in what we could do by ourselves,” said Five years since its inception, Jump Media continues to raise Wood, noting that the pair had collaborated on some projthe bar in equestrian PR. ects prior to forming Jump Media. “Finally, Jenn said, ‘Why CONTACT INFO | PAGE 95 JA NUA RY/FE B RUA RY | 20 2 1 | EQ L I V I NG .CO M | 3 3


MAVEN PHOTO & FILM

A GAME CHANGER

MAVEN PHOTO & FILM

The largest equestrian complex in the United States, the WORLD EQUESTRIAN CENTER–OCALA, is opening this month.

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There are a variety of dining options. The Equestrian Hotel features upscale dining at Mary’s with a terrace view of the Grand Outdoor Arena, European-inspired pastries at Emma’s Patisserie, and traditional English pub fare at the Yellow Pony. Specialty restaurants and shops are spread across the grounds, including Viola & Dot’s Italian Kitchen & Pizzeria, The Paris Room, Miss Tilly’s Lollipops, Ralph’s Burger & Sandwich Shop, and Filo’s Mexican Cantina. Real estate opportunities include the Equestrian Estates properties adjacent to the show grounds. Available singly or combined, the 3-acre lots are flanked by riding trails that lead to competition arenas, and architectural styles pull from English and French country influences. With a myriad of competition slated for 2021, including hunterjumper shows, Quarter Horse shows, breed shows, driving, and dressage events, the World Equestrian Center–Ocala is destined to be the epicenter of equestrian sports in Ocala. Dedicated to offering great sport and fun in a family-friendly environment, the WEC promises exhibitors an experience built on three core values: quality, class, and distinction. CONTACT INFO | PAGE 95

MAVEN PHOTO & FILM

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estled in the heart of Ocala, Florida, what many call the Horse Capital of the World, the World Equestrian Center–Ocala (WEC) boasts 378 acres of pristine equestrian competition grounds with an additional 300 acres set aside for future development. The park-like setting features 22 expansive outdoor rings and four climate-controlled indoor arenas, with showcase-worthy polo fields and an exhilarating cross-county course in development. In addition, the innovative facility is amply equipped to host a multitude of sporting events, conventions, and trade shows with numerous sports fields and sizeable flex arenas. On-site housing can be found throughout the facility. The Equestrian Hotel is the centerpiece of the venue with 248 stylishly appointed rooms and suites, ample retail space, restaurants, and a day spa, all overlooking the impressive Grand Outdoor Arena. Charming two- to five-bedroom home-away-from-home units are available, bringing the comforts of home to the show grounds. Hundreds of RV hookups are also available for those who wish to bring their own accommodations to the facility.

JA NUA RY/FE B RUA RY | 20 2 1 | EQ L I V I NG .CO M | 3 5


STARRING IN A SUPPORTING ROLE How three ASSISTANT TRAINERS are building a foundation for their future.

BY TORI BILAS AND KARA PINATO SCRO FOR JUMP MEDIA

Young professionals TJ O’Mara, Cody Wooten, and Leigha Schrader have forged their own paths as assistant trainers, recognizing the opportunities presented and making the most of them in their own ways. Whether working with someone new or with a team they’ve known for a long time, each one of these young equestrians has found the role that’s right for them at this stage in their career. Now undertaking more responsibility and independence, O’Mara, Wooten, and Schrader are navigating their specialties within the business while still learning from the head trainers and experts working above them, proving there is always more to learn as professionals in this industry.

Echoing lessons learned TJ O’MARA is no stranger at Stonehenge Stables, based in Colts Neck, New Jersey. Although he started his current, full-time position in January of 2020, he began riding with head trainer Max Amaya at age 12, nearly 10 years ago. During his teen years, O’Mara admired successful riders like Brianne Goutal and Jessica Springsteen, who both came out of Amaya’s program. As he achieved his own accolades, including topping the 2016 Platinum Performance/USEF Show Jumping Talent Search Finals, the 2016 Pessoa/US Hunter Seat Medal Finals, and the 2016 Excellence in Equitation Championship, O’Mara began to envision his own bright future as a professional

member of the Stonehenge team. Stonehenge Stables is a true team effort where assistants don’t fit into specific roles, but instead they all pitch in to help manage and smoothly operate a stable of roughly 40 horses. O’Mara describes himself as a flat rider, a show rider, an assistant trainer, and an aide to the stable manager, with dreams of training and riding at the highest level of the sport. “Some say you have to pick one or the other once you get to the highest level of our sport, but my plan is to see where that path takes me,” O’Mara said. “Whether it be operating my own business, showing my own string of

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horses, or both, I’m eager to see what the future holds.” As he attempts to climb the ranks in show jumping, he realizes the experience he’s gaining is not only helpful for his own riding, but it aids him in training young riders as well. Still looking over his shoulder as he influences young riders is Amaya, who taught O’Mara all he knows about the sport. “The majority of what I teach I learned from Max, so the students I teach are getting lessons derived from Max, with my own experiences added in,” said O’Mara, now 22. “I’m hoping that they look up to me the same way I looked up to Max when I was their age.”


KIND MEDIA

Whether it be operating my own business, showing my own string of horses, or both, I’m eager to see what the future holds.

TJ O’Mara was a longtime student at Stonehenge Stables where he now works as assistant trainer.

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Cody Wooten holds a long-term vision for his role at True North Stables, and in the equestrian industry as a whole.

A newer partnership on the show circuit, CODY WOOTEN and Caitlyn Shiels are working together to grow True North Stables, based outside of Chicago in Antioch, Illinois. A combination of personal connections and word-of-mouth led Wooten to the role of assistant trainer at True North in 2019, where he has seamlessly become a crucial team member, helping to attract and train clients for the elite midwestern operation. Without any major junior championships to his name, aside from placing second at the USHJA Emerging Athletes National Training Session in 2013, Wooten has instead relied on his strong work ethic to reach this point in his career. As part of a small team at True North Stables, his role is critical and his skills are put to the test every day dealing with business management, client relationships, young horses, and other aspects of running a show stable that are not necessarily taught along the way. Wooten has always been a bigpicture thinker, and his mindset for his role at True North Stables is no different. “The equestrian world can get showy,” said Wooten, age 26, originally from Eldersburg, Maryland. “People sometimes choose a job that will make them look the best from the outside, rather than choosing a position that may have more long-term growth for them, simply because that growth takes too long.” The long-term vision is what Wooten holds most valuable as he navigates his place in the sport. Rather than focusing purely on showing and his riding career, Wooten has delved into the

People sometimes choose a job that will make them look the best from the outside, rather than choosing a position that may have more long-term growth.

investment side of the business, buying and selling horses both to earn money and elevate the caliber of horses coming out of True North Stables. “Working with sale horses allows me to integrate my personal goals with my

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current job,” Wooten said. “Producing top-quality young horses looks good for the business and allows me to invest for my own future, which is something I value in the long run.”

JUMP MEDIA

Investments for the future


My trainers have taught me to love the horse first. You will face challenges wherever you go, but if you direct your focus back on the horse, you will remember why you started.

LEIGHA SCHRADER

Leigha Schrader, pictured with Hadwin, is the assistant trainer at Days End Farm Horse Rescue where she trained Hadwin before adopting him as her own.

Love the horse first LEIGHA SCHRADER’S journey to professional horsewoman started when she began volunteering for Days End Farm Horse Rescue (DEFHR) in Woodbine, Maryland, at the age of 12. While this might have been a later start compared to many professionals born into the business, it didn’t stop her from turning her passion into a career. Schrader volunteered at DEFHR throughout her teenage years, logging more than 6,500 hours and earning numerous volunteer-related awards including a President’s Volunteer Service Award from President Barack Obama in 2015. During this time, she

also competed on eventing and hunter circuits and rode and worked alongside a number of trainers. All of these experiences influenced Schrader’s decision to pursue a career as a professional trainer. At the age of 19, she accepted a permanent position as assistant trainer at DEFHR, working under head trainer, Sara Strauss. “This position has allowed me to develop my skills while still having plenty of guidance,” said Schrader. “I love working under Sara. We are aligned in our goals and expectations, yet we excel in different areas, which gives great balance to our team and allows us to make

an impact on a variety of horses.” Schrader is responsible for training rehabilitated horses—including helping them regain muscling and learning to trust humans. A significant part of her role is dedicated to determining the type of work a horse wants to do and helping it excel in that job so it can find an appropriate adopter. “I love seeing my training horses begin to trust humans and light up in our sessions,” she said. “It’s the best part of my day.” While Schrader was putting in the elbow grease to go professional, she was also pursuing her undergraduate degree in business full time. Now, four years into her job, Schrader is working on her master’s degree in contemporary communications with an expected graduation of December 2020. While balancing school and a career as a horse professional can be an exhausting undertaking, Schrader says the horses make it all worth it. Despite the differing trajectories taken by each of these young professionals, it’s clear that a love for the horse, dedication, and hard work bring great learning and career opportunities. These three individuals have proven that paths don’t simply present themselves in this sport, and they have each paved their way to their own definition of success in a supporting role within a larger operation. Schrader summed it up nicely when she said, “This industry is hard. My trainers have taught me to love the horse first. You will face challenges wherever you go, but if you direct your focus back on the horse, you will remember why you started.” CONTACT INFO | PAGE 95 JA NUA RY/FE B RUA RY | 20 2 1 | EQ L I V I NG .CO M | 3 9


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DE S I G N From a small hunt box to a stunning farmhouse to an expansive venue, this portfolio of equestrian projects is sure to inspire your creativity.

Chandelier at TerraNova Equestrian Center Builders: B&D (Page 52) Architect: Annie Carruthers, In-Site Design Group (Page 56)

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FIGUERAS DESIGN GROUP

ARCHITECTURE IN HARMONY WITH NATURE Location: Argentina and Napa Valley, Calif. Architects: Figueras Design Group

BY REBECCA BALDRIDGE

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Clockwise from upper left: A spiral staircase is a striking focal point in the Figueras Polo Stable. Nacho Figueras and Nacho Ramos pose with a friend. The low-slung stable blends

seamlessly into the pampas backdrop. Horses and grooms alike enjoy the practical functionality of the stable.

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Watch a conversation with Nacho Figueras and Nacho Ramos here: eqliving.com/fdg

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SK ANYONE to name a famous polo player, and the most likely response will be Nacho Figueras. As the face of Ralph Lauren Polo for 20 years, Figueras has achieved a level of popular recognition that eludes many other stars worthy of the pitch. But Nacho is a man who defies expectations. He is, of course, a superb athlete and possessed of considerable personal charms, but there’s more to him than the obvious blessings that meet the eye. His interests and talents range far beyond polo, extending to business and, most importantly, architecture and design. This passion is reflected in the Figueras Design Group (FDG). The only thing better than one Nacho is two, and Figueras’ partner in FDG is his close friend and renowned architect, Nacho Ramos. Figueras and Ramos met more than 20 years ago, introduced by their mutual friend Mariano Aguerre, a former 10-goal player. Ramos was surprised by the 18-year-old’s deep interest in architecture and art. A few years later, Figueras was playing in Palm Beach, Florida, and Ramos lived nearby in Boca Raton, giving them ample time to bond over their shared passions. It wasn’t long before they had embarked on their first design project, the home where Nacho and his family still live today. With so many common interests, it was only natural that Figueras and Ramos began to talk about working together. Ramos, a horse lover and rider himself, had already built


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stables for a number of Argentina’s top polo players, including Adolfo Cambiaso. Together, Figueras and Ramos felt they could offer a unique partnership that would push the boundaries of design and architecture in equestrian living. Once they began to envision the course their partnership could take, they added yet another Nacho to the mix, Ramos’ son, Ignacio Ramos. The younger Ramos studied architecture in the U.S. and Europe and completed his graduate work at Columbia University in New York City. As a third partner in FDG, Ignacio shares his father’s unique creative vision. The project that ultimately launched FDG was Figueras’ breathtaking polo stable. You might recognize it from the cover of Architectural Digest. Figueras had two goals from the outset of the project: “I wanted the stable to be a museum for horses. I consider myself a collector. Some people collect cars; some people collect art. I collect horses. I bring together the best bloodlines for polo ponies from all over the world, and I wanted to create a museum to showcase what we have created over time. Secondly, I wanted to design a 35,000 square foot stable that would not be a great white whale against a green canvas of polo fields and the flat expanse of the Argentine pampas.” Figueras’ polo stable, completed in 2016, epitomizes the

Clockwise from upper left: California’s Napa Valley project. Water elements enhance the feeling of expansiveness and reflect the surrounding California landscape. The riding ring’s

design blocks outside distractions to artistic effect. The stable borders the polo field and offers spectators a comfortable spot for viewing the action.

Continued on page 90

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A STUDY IN CONTRASTS BRINGS THIS 1820 HOME TO LIFE

FLOATING FARMHOUSE Location: Eldred, New York Owner/Designer: Tom Givone

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ELF-TAUGHT ARCHITECT and designer Tom Givone began his foray into design with a series of personal DIY projects in a Victorianstyle row house in his native New York City. His innovative work has appeared in Dwell magazine and Architectural Digest and his studio specializes in the design and development of both city and country properties—marrying modern elements with period grandeur. One of his projects is this Floating Farmhouse. Sited at the edge of a pristine creek with a waterfall cascading over an ancient dam of hand-laid stone, Floating Farmhouse was a sinking ship when first discovered. After a design and renovation process spanning four years, the 1820 manor home is now a study in contrasts. It is restored to its period-authentic grandeur while featuring modernist elements, including a soaring curtain wall of skyscraper glass, polished concrete and steel finishes, minimalist interiors, and a cantilevered porch floating on the surface of the water. The design intent was to combine archaic and modern elements throughout the home in a way that enhances the innate beauty of each through contrasts and to create tension between polished and raw, primitive and industrial, and sophisticated and simple. The Floating Farmhouse is an experiment in how these opposites attract. An enormous kitchen features polished concrete floors, a wood-fired pizza oven, and a two-story wall of glass framing views of the brook, gazebo, apple trees, and barn. Three sets of French doors lead to an expansive covered porch that is suspended over the water’s edge. The waterfall’s cascading rhythms fill the great room and master suite. Just two hours from New York City, and available to rent with a two-night minimum, Floating Farmhouse’s stunning spaces and storybook setting make it a great Catskills escape. Family, friends, or coworkers will soon be rolling dough for the wood-fired pizza oven, plunging into the deep cool water from stepped boulders, or gathering for intimate parties in the light-dappled barn. Unique services like a personal chef, yoga/fitness instruction, and massage therapy can be arranged at Floating Farmhouse, and horseback riding, hiking, skiing, and world-class concerts are all nearby. Floating Farmhouse also operates as a premier film and photo shoot location, chosen by some of the world’s most inspired brands, including Kate Spade, Amazon, Bon Apetit, and Design Within Reach, for its celebrated architecture, light-filled spaces, and dramatic landscape.


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A FOCUS ON SAFETY, WELL-BEING, COMFORT, CONVENIENCE, AND EFFICIENCY

GREAT OAK FARM Location: Bedminster Township, N.J. Builder: King Construction Company Architect: Edward Sunderland

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IFE IS GOOD for the horses at Great Oak Farm, a recently completed stateof-the-art equestrian facility on 40 gently rolling acres in Bedminster Township, New Jersey. Horses’ safety and well-being as well as comfort, convenience, and efficiency for the owners and handlers received careful, focused attention throughout the design process. The 7300-square-foot timber-framed barn has beautiful aesthetics, from its wainscoted exterior with cedar clapboard siding, the cedar shake roofing with copper flashing and gutters, to its columned portico and porches with tumbled herringbone brick and cobblestone walkways. All exterior and interior doors are Spanish cedar, custom-made in King’s woodworking shop. But the barn’s most dramatic element is its high and open timber-framed interior, where natural light floods the space from the many large windows, the 12 roof dormers, and an 8-foot glass-sided cupola. The front and rear portico and porches

provide sheltered access and, for the horses, added protection from the elements. There are 10 spacious 14- by 14-foot King Eurostyle stalls with mahogany fronts, each with a stall mattress system, a stall fan, and a large-windowed Dutch door. Throughout the barn, meticulous attention is apparent in the interior finish detail; cedar and Douglas fir planking highlight the beautiful timber frame. The 14-foot-wide center aisle has rubber brick pavers for secure footing with tumbled gray brick aprons for added architectural detail. Since the barn has no loft, there are large hay storage and grain rooms; the grain room features King custom-made cabinetry and grain bins that wrap around the wall. In addition, there is a large storage room for blankets and equipment and a farrier stall, which opens onto a rear service area for direct access. The barn is attached to a spectacular 112- by 208-foot indoor arena, with glue-laminated trusses and a fully wood-lined interior. There are large operating windows around the entire perimeter and

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20 roof dormers for exceptional natural light and ventilation. Premium dust-free footing cushions the riding surface and, at the rear of the arena, there is a columned portico to match the barn’s front entry. Connecting the main barn to the arena is a fully climate-controlled 1260-square-foot barn containing a slate tile-lined wash stall and two grooming stalls, a laundry room, a spacious bathroom, and an office. Completing the space is a 14- by 26-foot combined tack room and lounge with King custombuilt cabinetry providing a kitchen, tack cleaning area, and a full wall of storage. In addition to the barn and arena complex, King also built a matching hay and shavings storage building and a 3-bay equipment garage with a climatecontrolled workshop. In all, Great Oak Farm is a well-planned and beautiful facility, built with quality materials and fine craftsmanship that will endure for generations.


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TERRANOVA EQUESTRIAN CENTER Location: Myakka City, Florida Builder: B&D Builders Architect: Annie Carruthers, In-Site Design Group

PHOTOGRAPHY: JANA BANNAN

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HERE’S A LITTLE BIT of heaven awaiting the horse aficionado in sunny Myakka City, Florida, near Sarasota. Springing from the sparkling Gulf Coast horse country is TerraNova Estates, a 1,200-acre luxury residential equestrian real estate community offering 182 unique properties on lots from five acres to multi-acre parcels, and boasting miles of green pastures and riding trails. B&D Builders recently completed the community’s equestrian facility—a barn and training arena. The barn has 24 over-sized, 12- by

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14-foot deluxe horse stalls with StableComfort floor mattresses, large fans, and ample air and sunlight, all wrapped in richly stained mahogany wood. Thick rubber dog-bone flooring lines the aisleways, and the owners installed a state-of-the-art Lutron system to control lighting and sound. The build also included a large tack-room with custom wood saddle racks and a custom tack cleaning chandelier. Annie Carruthers of In-Site Design Group architected this one-of-a-kind equestrian destination. (See page 56)


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Credits: Décor: Decorators Unlimited Timber Framing: Mid-Atlantic Timberframes Custom Stall Fabrication: Mid-Atlantic Steel Fabrication Doors, Windows, Shutters: Vintage Millwork & Restoration

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MEET THE ARCHITECT

ANNIE CARRUTHERS IN-SITE DESIGN GROUP

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OUTH FLORIDA ARCHITECT Annie Carruthers brings timeless elegance and sophisticated style to every one of her equestrian estates. With over 25 years of construction experience and a Bachelor of Architecture degree from the University of Miami, Carruthers is a master at her craft. A multitalented artist, she combines skills as a general contractor, interior designer, real estate broker, and licensed registered architect to create bespoke structures in New York, Florida, and North Carolina. She founded the In-Site Design Group two decades ago. Clockwise from upper left: TerraNova (See more photos on page 52), Annie Carruthers. TerraNova’s saddle room. BlackWatch polo. See other credits on page 59.

Most notably, Carruthers lends her diversified talents to the Wellington equestrian community. Fluency in Spanish, French, and Italian allows her to work with international clients, and she travels to Europe often to find inspiration. Her approach to design suggests a nod to traditional elements and responds to the tropical environment and a sense of luxury. Carruthers emphasizes elements of peace and provides spaces for reflection throughout her visionary work. “During my early childhood, I lived in the suburbs of Miami when the urban sprawl began,” Carruthers says. “Many of the farms were being subdivided and developed. I happened to live near a barn, and it was then that my passion for horses began. When I was in my teens, I used my first big paycheck to purchase a horse, and I began riding

and working with a trainer. A few years into my training, I suffered an accident, which coincided with my decision to begin architecture school. Now, I am fortunate to have opportunities that combine my love for horses and architecture that focus on horses’ care and well-being.” Explaining her introduction to the equestrian architecture field, Carruthers says, “Thirteen years ago, a friend of about 30 years purchased a lot in Wellington, Florida, and hired me to create a new barn and a house design. After the project was completed, we were approached by other clients, and our equestrian work grew. With each project, I focused on learning all I could about the care and requirements for each rider and client.” At TerraNova, Carruthers worked with B&D builders. (See page 52.) “It was a wonderful

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collaboration,” she says, “and much of the finishes and systems were meticulously hand-crafted by B&D. We were working with an amazing client who desired a barn that would expand into an equestrian center. The show grounds will be developed in phases and be part of a full-service equestrian community.” When asked about her inspirations in designing barns and stables, she replies, “My inspiration is developed by the client. I try not to begin a design with preconceived ideas. I try to listen to all their needs and the design goals in order to translate their dreams. There have been a few times that the client has given us complete design liberty. With BlackWatch Stables, for instance, the client required that the style of the barn complement the main residence, which is a distinguished example of Greek Revival Plantation style, and maintain its integrity. I focused on the land, which had existing 20-year-old banyan trees, and we developed the barn’s views to align between the canopies of the landscape. The internal finish details were a critical factor, as well. The antique chandeliers were the owner’s elegant finishing touch.” Carruthers believes climate plays a vital role in designing a healthy barn. Ventilation, sun exposure, and humidity are paramount with any design, but especially critical in Florida. More importantly, she says, “We must design for hurricanes as well. Stables must stay safe during hurricane season. As

a Florida architect, I have to work with hurricane codes daily. A few years ago, I designed a barn near Tryon, North Carolina. We hurricane-proofed the structure and not long after the completion, a hurricane struck North Carolina. “We work with various 3D software programs and are able to work remotely,” Carruthers adds. “My latest design for Studds Show Stables is a tropical/modern style that is utilitarian, defined only by horizontal planes and intersecting stone walls. With our technology, we were able to walk owners through the design in the early development phase. The contemporary style is clean and simple. The materials we are exploring are more raw and organic. We are utilizing metal and concrete as a finished material along with natural wood and stone. Although I like to create different styles with a strong architectural identity, the movement now is to go modern, open, and clean. Horse-healthy can and should be achieved with any style, and the trend should be towards reuse and selecting recycled materials wherever possible.” Annie Carruthers is extremely passionate about architecture and approaches her work with great enthusiasm. “My goal is to make my client’s farm their haven and enhance their lifestyle. I want to make their riding and living experience as worryfree and as visually beautiful as possible.”

Clockwise from upper left: Studds Show Stables. Mallet Hill. Round Hill Polo Development.

Credits: BlackWatch Farm Builder: Alonso and Associates Photographer: Ginger Photography Mallet Hill Builder: Stock Custom Homes, LLC Interior Designer: Marc-Michaels Interior Design Studds Show Stables Builder: W Development Group TerraNova Equestrian Center Builder: B & D Builders, LLC Photographer: Jana Bannan Photography Interior Designer: The Decorators Unlimited Roundhill Polo Development Builder: J5 Construction Interior Designer: Paula Bickford Photographer: Ginger Photography

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THIS COMPACT FOUR-STALL BARN INCLUDES A HOME ABOVE

VIRGINIA HUNT BOX Location: Washington, Virginia Architect: Blackburn Architects Builder: BOWA, Middleburg, Virginia

BY NANCY EASTER WHITE Photography: Anne Hubbard Hill Creative Direction: Nelina Loiselle

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HE PERFECT small horse property? To meet the needs of clients, Blackburn Architects designed this charming structure in Washington, Virginia, with four stalls below and a one-bedroom residence above. Blackburn frequently is asked about designing small barns with two to four stalls. The firm loves the creativity of these smaller-scale projects. For this client, an active event rider who had been boarding her horses and whose lifelong dream was to move them home, the architect modified a four-stall Greenbarn to include an 800-square foot apartment on the second level. It features built-in casework, a large kitchen and living area, and windows that frame views across the property. Dedicated equestrian spaces on the ground floor include the stalls, and a tack room finished with grey concrete tiles from California. Also included are a stacking washer/dryer, a full-size refrigerator, and an adorable powder room. A staircase from the tack room leads up into the apartment—perfect for night check. The space also has a feed room, storage area for tools, and a day’s worth of hay. The hilly property provided a unique challenge because the only flat building area was just large enough for the barn. A driveway needed to be included for vehicles to access the site. The solution? A wide deck provides a pass-through below for vehicles, and a large outdoor entertaining area for the owners. Inspiration for the design came from an existing hay barn that adds charm to the picturesque setting. The property is close to the historic town of Little Washington, Virginia, with incredible ride out and local fox hunting fixtures nearby. Future plans include finishing the tack room with a mini kitchen, fencing paddocks, and adding a ring in the upper meadow.

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THE INTEGRATION OF EQUESTRIAN AND GOLF

BALIOS EQUESTRIAN CLUB Location: Seoul, South Korea Architect: Tim Court, Australia

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ORLD-RENOWNED equestrian architect Timothy Court, responsible for both the Sydney 2000 and the Beijing 2008 Olympic Equestrian Centers (see Equestrian Living December 2019), has recently completed a new, upmarket equestrian club within a 28-hole private golf course in South Korea. Built as a value-adding service for Balios Golf Club members, the Balios Equestrian Club is a 1½-hour drive south of Seoul and provides boarding, training, and competition facilities to members who have mixed family interests in both golf and horses. The club is at the edge of the golf course, which allowed the development of a series of riding trails that skirt the perimeter of the lush, green fairways and tranquil lakes of this beautiful facility. “The design of the club uses elements of traditional Korean residential architecture with different


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textures and levels of local stone that combine with the deep eave shadows and flat-paneled roof to create a strongly earth-integrated building form with an intimate atmosphere,” said Court. “I am hoping the stonework ages and gathers moss, allowing the entire building to be absorbed into the landscape.” The clubhouse includes indoor and outdoor arenas for jumping and dressage with resident German instructors, air-conditioned stabling for 100 horses, a lavish restaurant and lounge bar, and, for private functions, private reception rooms overlooking the indoor arena. Client services include valet parking, an extensive tack shop stocked with top brands, boot cleaning service, gymnasium, lecture theatre, and lounge waiting room for students. “Because all riding in winter is done indoors, we designed the outdoor jumping arena so it could be flooded, and when frozen, used as a skating rink,” said Court. Horse facilities include wash and drying bays, a vacuum system in each stall, a walking machine, paddocks, and 24/7 on-site accommodation for grooms and instructors. “It was a wonderful project with a brilliant client in an amazing environmental setting, and hopefully, we have created something very special,” said Court. “We are always looking for clients globally that are willing to lift the bar on quality and safety for guests and the well-being of horses.”

Clockwise from above: 250- by 115foot indoor arena with seating and dining for 600 spectators. The stalls have individual vacuum systems. Riding trails around the property. The clubhouse entrance. 300- by 180-foot outdoor arena. There is also a 440by 220-foot jumping arena with seating for 300 spectators. Gym. Restaurant overlooking the main arena.

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Annabelle, her boyfriend Leighton Jordan, and Charlie, Annabelle’s schnauzer, have fun in front of the camera.


BY STEPHANIE PETERS PHOTOGRAPHY GEORGE KAMPER

A NNAB ELLE G ARRE T T The avid polo enthusiast takes a dramatic approach to merging ART AND ARCHITECTURE in her boldly designed Wellington, Florida, home.

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blueprint of a home while gazing at a scrubby, 10-acre parcel of land. Nor can many visualize melding bold, contemporary works of art alongside an eclectic comb collection from their grandmother. Annabelle Garrett proves to be unfettered by either undertaking. Her unique style is in plain view and emphasizes her sensibility about positioning furnishings and art within an architectural space to achieve maximum visual impact. Continued on page 70 JA NUA RY/FE B RUA RY | 20 2 1 | EQ L I V I NG .CO M | 6 7


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This spread clockwise: The lightflooded living room boasts floating metal balloons by Danish artist Jeppe Hein, the picture, Freedom, by Erik Parker, the Alien Blue Window light sculpture by Pamela Rozenkranz, a Bruno Romeda glass coffee table, and bold pieces by Damien Hirst and Paola Pivi. The dramatic entrance chandelier is by Marsia Holzer; a Julio le Parc is at the top of the stairs and an Avery Singer at the bottom. A 1500s military sword used for battle; Annabelle standing on the magnificent glass bridge, which connects two halves of the house. For full details, see page 95.


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he knew exactly what she wanted to achieve with the house design as she studied the topography back in 2013 when she bought the land. “I wanted something that represented me—basic on the outside—I’m a blue jeans girl at heart— but surprising on the inside,” Annabelle smiles. “So from the exterior, you have what essentially looks like a box, and something you would see in the south of France, where we spent our summers growing up, or in Tuscany. However, when you enter, the home is distinctly modern, with the glass bridge—the main feature of the house— really setting the initial tone of surprise.” To accomplish the desired interior tone of the house, she enlisted the expertise of interior designer Robert Giberson. “He was great and understood what I wanted to achieve,” Annabelle says. “It was a true labor of love.” The modern, airy aesthetic is created with a soothing palette and inviting furnishings clad in a mélange of fabrics strategically situated in open, light-flooded settings. Hints of Annabelle’s humor and whimsy are on display in some of her sculptural acquisitions. In the living room, floating metal balloons contrast with a feathered polar bear clinging to an adjacent wall. Recognizing how the property’s exterior design had to complement the home’s architecture, she turned to her friend Sophia Trapp, a talented landscape architect. “I knew right away she would make it distinctive,” admits Annabelle. “From an aerial view, you can see the hedge lining the front of the property is a wave, and the plants, trees, and shrubs are particularly unique.” Annabelle’s talents and achievements encompass an impressive breadth of endeavors and reach well beyond architecture and design. She is an accomplished show-jumping equestrian and

Above top: Annabelle’s powder room display of her grandmother’s comb collection. Middle: A miniature antique chest of drawers with miniature shoe and boot forms. Below: Two pieces from Annabelle’s armor collection; an Ottoman silver-gilt mounted saddle and a 17th-century shaffron. For full details, see page 95.

polo player, a mother of two daughters who are also up-and-coming equestrians, and a knowledgeable art collector. Equally impressive in the business sector, she was the founder of Pitario Capital Management, an asset management firm, a member of the original team at Axiom International Investors, and served as vice president at Salomon Smith Barney. She currently owns and competes on the Postage Stamp Farm polo team, which she founded in 2015. Philanthropically minded, Annabelle serves on various boards, including the Norton Museum of Art in West Palm Beach, Florida, the Mount Sinai Medical School education committee, and on the President’s Advisory Council on Internships at Brown University. Additionally, she holds an appointed seat on the Equestrian Preserve Committee in Wellington, Florida. Given her ingenuity, Annabelle has combined her myriad talents and parlayed them into satisfying outlets for her interests and passions. A fluke auction item led to her unexpected migration from show jumping to polo and her ultimate ownership of the polo team. “About six years ago, I won an auction item that I really didn’t want,” laughs Annabelle. “It was five days of polo lessons with three of the top U.S. polo players for three of my friends and myself. At the end of the five days, my friends were convinced that within three years, I would quit show jumping and take up polo.” The timing seemed right as Annabelle was having issues with her show-jumping trainer. She ended up taking more and more polo lessons, and, almost three years to the day, she quit show jumping and plays polo exclusively. It’s fortuitous that her boyfriend, Leighton Jordan, shares the same zeal for the sport. In college, he and three friends started the Skidmore polo team. Continued on page 74

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This page clockwise: Miniature antique chests line a second floor hall and set-off by a David Hockney iPad drawing. A display case houses Annabelle’s armor collection; the orange room for relaxing showcases a custom-designed carpet by Annabelle. For full details, see page 95.


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Opposite: Annabelle with daughter Stephanie, Leighton Jordan, and Charlie (missing from photo is Annabelle’s other daughter, Daphne, who was away at school). This page: Exterior photo of the house with the focal-point bridge in view. Wrought iron metalwork accents entrance doors and windows; an entrance gate designed by Marsia Holzer. For full details, see page 95. JA NUA RY/FE B RUA RY | 20 2 1 | EQ L I V I NG .CO M | 7 3


Continued from page 70

As a senior, he founded the Saratoga Polo Club with the funding of Peter Brant, the Chairman and CEO of White Birch Paper and an avid polo enthusiast. Leighton continues his polo involvement by helping develop Bridgehampton and Greenwich Polo Clubs, serving on the Polo Training Foundation board, and as the Northeastern Circuit Governor of the U.S. Polo Association.

A

nnabelle’s interest in equestrian sport started at a young age. Hoping to mimic her older brother’s interest in tennis, she set out to take lessons. “The instructor said that I was too small, and I was extremely upset,” admits Annabelle. “My mother asked what I wanted to do, and I said I wanted to take riding lessons. That was the beginning of the end.” Her daughters have followed suit, and each is engaged in equestrian activities. Her oldest, 16-year-old Daphne, rides and competes recreationally while attending boarding school in New Hampshire. “Her horse, George, however, is her best friend and her favorite to compete in the hunter derbies when she’s on break from school,” smiles Annabelle. Her youngest daughter, Stephanie, who is 14 years old, is extremely passionate about riding with aspirations of competing in the Olympics. “She currently competes in the medium, junior-jumper division, and never ceases to amaze me,” adds Annabelle. “They both dabble in polo for fun, and Stephanie can often be angling to steal my favorite pony, Picasa, also known as Miss Piggy, to stick and ball.” With the family’s proclivity for equestrian pursuits, it’s not that surprising that the barn was the first structure to be built on the property and served

This page above: The home’s pool offers a clear view to Annabelle’s 20-stall jumper barn; manicured rose gardens add interest to the landscape.

as Annabelle’s domicile while the house was under construction. Situated next to the home and in clear view from the home’s shimmering pool is the 20-stall barn, which is exclusively for jumpers. “I have five stalls for my daughter’s horses, and I rent out the other 15,” notes Annabelle. While horses and horse sport are a core element in the Garrett household, it is not a central theme expressed in the home’s

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décor and certainly not in Annabelle’s captivating collection of art. Her ability to mix impactful pieces by Damien Hirst with conceptual sculptures of Iván Navarro and 17th-century shaffrons in an open space is a feat worth noting. Not surprisingly, Annabelle had significant influences in her life that exposed her to the arts. “My grandmother, who was a central figure in my life, studied architecture and was an interior decorator,” she explains. “My mother also had gone to design school. I didn’t study design, but it was always around me, so I guess it rubbed off.” Her family has been art collectors for generations and also influenced her affinity for collecting art. “Growing up, I was fortunate to be surrounded by art, and often exposed to galleries and museums through my grandparents and my mother,” Annabelle muses. “I vividly remember the first time that an exhibition resonated with me. The National Gallery in Washington, D.C., had a Paul Gauguin exhibition, and my grandmother wanted me to accompany her there. The vibrancy of the colors was so moving, and I left with a desire to study art history. I ended up studying art history in Paris, and at Brown University, although I coupled it with a major in business as well.” Life appears to be in full swing for Annabelle, with a bevy of ideas churning to keep life interesting. “I’m about to launch a similar project that I did in Wellington for the polo ponies at the Port Mayaca Polo Club in Okeechobee, Florida, where I have a raw piece of land and am starting to design the barn,” Annabelle shares. With her track record of creating arresting properties, we can expect it to be a showstopper: blue jeans CONTACT INFO | PAGE 95 girl and all.


PHOTO BY ALEC PACHECO

PHOTO BY ESI PHOTOGRAPHY

PHOTO BY ALEC PACHECO

PHOTO BY THE BOOK LLC

Clockwise from upper left: Annabelle in action; daughter Daphne in fine hunter form; Annabelle competes aggressively for her Postage Stamp Farm team; daughter Stephanie competing in the junior-jumper division.

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ARTIST

KATE BLACK

EXPLORES THE TRADITIONS AND IDIOSYNCRASIES OF BRITISH FOLK ART

INTERVIEW BY STEPHANIE PETERS

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“Diverse ranges of influences play a part in my work, including British folk art, textiles, and children’s drawings.”

How would you define your style?

I am a collagist who creates imagery in response to objects and events. Social history, artifacts, and artworks in museum and gallery collections act as a catalyst for ideas. Diverse ranges of influences play a part in my work, including British folk art, textiles, and children’s drawings. Your pieces simultaneously have a folk art and contemporary feel. Is this an intended objective?

My method of making collages is driven by the use of found, humble materials, which has emerged via a synthesis of the non-verbal forms of communication rooted in the practices of drawing, collage, and British folk art. This investigation has created a visual dialogue between regional heritage, social class, rural landscape, and human and non-human relations that are at the forefront of the field of contemporary drawing. Does working in collage add to that mood? What are your preferred materials for your mixed media pieces?

Modest materials such as pencils, pencil crayons, and gouache are used in conjunction with found surfaces. The discoloration, stains, tears, and scale of used book jackets and jigsaw boxes set the parameters for each drawing, and each must respond through a dialogue of image, mark, and surface. This strategy borrows from folk art processes whose use of found materials, varying levels of technical skill, and “idiosyncratic construction” are instrumental to the genre’s “marginal status.” 78 | EQ UE S T R I A N L I V IN G | J AN UARY / FEB RUARY | 2021

Animals, particularly horses, are a reoccurring motif. What makes them such interesting subjects for you?

Here, in Yorkshire, we have a deep connection to horses. Malton (where I am based), located on the edge of the North Yorkshire Moors, is renowned for its importance in the breeding, training, and selling of horses; most famously for the Darley Arabian, a stallion imported from Syria in the 18th century and the most popular stud in England. He is one of three foundation sires to whom all modern Thoroughbreds can be traced. The horse racing community is a microcosm of class relations, from stable boys and girls, jockeys, trainers, owners, and punters, up through the aristocracy. Do any particular primitive or folk artists inspire you? What about historical periods?

Folk art has made the horse instrumental in the identity of Yorkshire’s Hambleton District through the monumental Kilburn White Horse, cut into the hillside in 1857 by schoolmaster Thomas Taylor and his pupils. In particular, the Horse Series takes inspiration from works such as George Smart’s Old Man with Donkey (1833), which depicts characters and habits of daily life through a collage of textiles taken from his trade as a tailor. I am interested in visually exploring the significance of a region’s past to enrich its cultural life in the present. continued on page 82


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“I’m currently researching and producing work about Shire horses and how they are becoming a rarity.”

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“The discoloration, stains, tears, and scale of used book jackets and jigsaw boxes set the parameters for each drawing,”

continued from page 78

Can you tell us about The Shop Floor Project and how you are collaborating? Do you enjoy seeing your work translated into pieces of home décor?

The Horse Series collages are available to purchase at The Shop Floor Project (TSFP). Exploring ideas around folk art and the home, I was commissioned to create designs featuring the horse to be made into luxury cushions. The Shop Floor Project specializes in working with artists who create objects to be enjoyed and passed down through generations in the family; this certainly appealed to me, given my interest in history and folk art. Has the collaboration contributed to your creation of textile works?

I’ve always had a textile strand to my work; I see it as a form of collaging and nearly always have a quilt or sewing project on the go. Keen to explore this further, TSFP commissioned me to do a series of works exploring the countryside, rural industries, and customs, which will be launching in the near future. Do you have any new artistic avenues you’d like to explore?

The Horse Series is ongoing. I’m currently researching and producing work about Shire horses and how they are becoming a rarity. I’m also making collages and models inspired by antique decoys of geese. CONTACT INFO | PAGE 95

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Artist bio Kate Black, born in 1981 in Walsall, U.K., earned a Bachelor of Fine Art at University of Wales, Cardiff (1999–2002) and a Master of Fine Art at University of Leeds (2009-2011). Selected group exhibitions include: Derwent Art Prize (2020); Derwent Art Prize (2018); Trinity Buoy Wharf Drawing Prize (2018); Jerwood Drawing Prize (2017). Recent awards include: Drawing Projects U.K., Wiltshire – Drawing Residency (2016).
 She lives and works in North Yorkshire.


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ocated in the exclusive Cypress Island subdivision of Palm Beach Polo rests this breathtaking British West Indies style estate home. Upon entering you will notice the quiet cul-de-sac street offering privacy as well as incredible views of the Palm Beach Polo’s Cypress Golf Course. The main residence boasts almost 10,000 square feet, 4 bedrooms, all with ensuite bathrooms, and ample living and entertaining space. The home offers elegant touches, distinct design, and attractive functionality, with both formal and casual living and dining spaces, a wine room—all off of the gourmet kitchen. Also, flowing off of the kitchen is the unparalleled, expansive outdoor space with a state-of-the-art outdoor kitchen and grille. Views of the courtyard and pool have been manicured with mature landscaping and artificial turf. Additional to the main home is the private guest house that offers its own entrance and a 2-car garage, 2 generous sized bedrooms, plus an office, 3 bathrooms, fully equipped kitchen, and laundry room. On the second level of the guest house is another full-sized room currently being utilized as a gym that can easily be converted back to staff quarters. This estate home is not to be missed, and is for the most discerning buyer. Offered at: $13,500,000.

DAVID WELLES, P.A. Founding Associate 561.313.9123 dwelles@equestriansir.com wellesproperties.com 12180 South Shore Blvd. Suite 102 Wellington, FL 33414

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Skara Glen Farm| Wellington South

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12 Stall Center Aisle Barn | 5 Acres| 6 Paddocks | 3 BD Home | Private & Gated | Seperate Vet/Farrier Bldg | Short Hack to WEF

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OC TOB E R/NOVE MB E R | 20 1 6 | EQ L I V I NG .CO M | 8 9


FIGUERAS DESIGN GROUP Continued from page 45

Clockwise from upper left: Nacho Figueras, Nacho Ramos, and Nacho Ramos Jr. The design seeks to preserve natural features of the landscape. An alternate view of the polo field. The spiral staircase leads to the green roof jumping arena with seating for 300 spectators.

principles that serve as the foundation for FDG: respect for the environment and a love of horses. Ramos is quick to note that while the barn is a stunning example of architectural design, it also serves the purpose for which it was created with great efficiency. “It functions very well as a barn,” he says. “It’s a great atmosphere for the horses and for the grooms who work there. What’s interesting, though, is that despite the practicality, the barn incorporates a sequence of beautiful spaces and moments. It could be a museum or a school.” Estudio Ramos, the architectural firm owned by Ramos and his son, Ignacio, presented the project at the Venice Architecture Biennale 2016. The striking design of the stable caught the interest of the architecture and design industry, and photographs of the now-iconic barn have appeared in publications around the globe. With the stable completed, Ramos and Figueras realized that they had identified a niche in equestrian architecture, and FDG was established to pursue other projects in their signature style. They’re currently involved in a significant project in California’s Napa Valley to create an equestrian community incorporating stables, polo fields, stadium jumping and riding arenas, and other equestrian elements, together with a clubhouse, homes, and a hotel. The project is ambitious on many levels but remains rooted in FDG’s immutable principles of respect for the horse and the environment. Says Ramos, “You must realize that nothing is more beautiful than nature. The footprint of any structure destroys life on the building site, so we take pains to be in harmony with nature and respectful of nature. We also pay great attention to scale to avoid overbuilding.” Every project is created with the ability to blend into its surroundings as the foremost

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consideration. Green roofs, such as the one gracing Figueras’ stable in Argentina, are one element FDG employs to soften the visual impact of their designs. Naturally, respect for the environment goes far beyond visual harmony. FDG designs with sustainability in mind and their work incorporates green building practices that are environmentally responsible and resource-efficient from all stages through design and construction to operation and maintenance. Figueras and Ramos have wide-ranging plans for FDG’s future. Figueras is on the board of Amaala, a luxury tourism project that is part of Saudi Arabia’s Vision 2030 road map, and FDG has developed the master plan for the project’s polo and equestrian club. The firm is also competing for another Saudi project outside of Riyadh. Both Ramos and Figueras are very excited to be exploring opportunities in the Middle East, as the challenges of a vastly different culture and climate present an exciting prospect to extend the boundaries of equestrian design. Given the breadth of the projects underway and the potential of designing for the drastically different climate of the arid Middle East, FDG is looking forward to significantly expanding its footprint. Says Figueras, “We don’t see ourselves just as equestrian designers. We have a lot more to offer. Some of our projects include housing and hospitality, including restaurants and hotels. We have a lot more to give, and the projects we’re working on will prove what we can do. We shoot for the stars.” Taking their completed and ongoing projects as just a taste of what’s to come, there’s every reason to believe that Figueras and Ramos can look forward to a future of stellar achievement in architectural design. CONTACT INFO | PAGE 95


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12917 Mizner Way | Palm Beach Polo Club Wellington, Florida, USA • Offered at $3,700,000

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ocated in Wellington’s prestigious Palm Beach Polo and Country Club, this stunning Mediterranean Masterpiece sits on a beautiful lake-front lot and boasts over 5,000 square feet of floor to ceiling custom home features. This lovely residence offers a gorgeous interior design infused with a twist of Old World-British West Indies Charm. In addition to this homes beautiful interiors, it’s exterior living space is equally as stunning. Featuring multiple indoor/outdoor seating areas, gorgeous views of the lake, and a heated, salt water, free form pool and spa , this estate is nothing short of special.

Alison Barens

Global Real Estate Advisor c. +1 561.635.9194 abarens@equestriansir.com

OC TOB E R/NOVE MB E R | 20 1 6 | EQ L I V I NG .CO M | 9 1


EQ E S S E N T I A L S | F A V O R I T E S

HORSE BRAIN, HUMAN BRAIN

Continued from page 25

train well, we need to understand these evolutionary motives. EVO LU T I O N ’ S B E H AVI OR A L TE N D E N C I E S

Because of their need to escape predators, horses are innately afraid of being restricted or confined. Tying, for example, needs to be taught in a gradual gentle way to overcome the horse’s natural fear. Blocking the horse’s side view in narrow passageways causes trouble —and, unknowingly, people do it all the time. At least 35 million years of evolution tells an equine brain that the dark, restricted, metal box of a trailer spells D-E-A-T-H. A horse who balks at these practices is not being ornery. He’s being a horse. We all know that horses are attuned to unexpected sights and sounds. But many people don’t realize that the least

obvious of these are the most likely to startle the horse: short rapid movements and low-volume sounds. Predators did not announce their presence in advance— they tried to hide. If you’ve ever seen a non-horse person try to “hide” from a horse so as not to bother him, you know what I mean. Once while I was giving a lesson, a visitor tried to hide her Labrador retriever under the bleachers in an indoor arena. Every horse in the ring flipped out. Once the dog was in plain view, they settled. Hiding from a horse is impossible, and the very act of attempting to remain unseen and unheard unnerves the horse much more than a serene open approach. Some of the most critical brain differences between horses and humans are wrought by the distinctions between predators and their prey. Horses (along with rabbits, deer, cattle, and many other species) are prey animals—food for

predators. Their brains evolved to notice tiny movements instantly, hightail it out of there with no analysis, and live in groups for safety. Prey animals are easily identified by sideward-facing eyes that survey a wide horizontal range for potential danger. Predators have forward-facing eyes. Their brains evolved for visual focus, depth perception, stalking, and killing. These include lions, wolves, cats, dogs, and um (how can I say this gently?)… humans. You and I are predators, and every horse knows it with one glance at our close-set eyes. The fact that horses allow us to work with them at all—let alone straddle their backs—is a testament to their generosity, curiosity, and domestication. But we do well to remember that the horse’s brain is still hard-wired by evolution to fear us. CONTACT INFO | PAGE 95

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ANNABELLE GARRETT

Look for the symbol throughout the magazine to find out about featured products and services.

Details on images Story on pages 66–75

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This spread clockwise: The lightflooded living room boasts floating metal balloons by Danish artist Jeppe Hein, the picture, Freedom, by Erik Parker, the Alien Blue Window light sculpture by Pamela Rozenkranz, a Bruno Romeda glass coffee table, and bold pieces by Damien Hirst and Paola Pivi. The dramatic entrance chandelier is by Marsia Holzer; a Julio le Parc is at the top of the stairs and an Avery Singer at the bottom. A 1500s military sword used for battle; Annabelle standing on the magnificent glass bridge, which connects two halves of the house. For full details see page 00.

JA NUA RY/FEB RUA RY | 2021 | EQLIVING .COM | 37

Pages 68-69 Left page: The light-flooded living room prominently displays Annabelle’s bold, contemporary works of art. Whimsical floating metal balloons by Danish artist Jeppe Hein create the interplay of presumption and perception; the feathered polar bear by Paola Pivi, nods to the symbiotic relationship between nature and climate change. A Damien Hirst skull hologram is a favorite of Annabelle’s. When her mother threatened never to visit if she bought it, she laughed and said she might buy one for every

S

Continued from page 00

he knew exactly what she wanted to achieve with the house design as she studied the topography back in 2013 when she bought the land. “I wanted something that represented me—basic on the outside (I’m a blue jeans girl at heart), but surprising on the inside,” Annabelle smiles. “So from the exterior, you have what essentially looks like a box, and something you would see in the south of France, where we spent our summers growing up, or in Tuscany. However, when you enter, the home is distinctly modern, with the glass bridge—the main feature of the house— really setting the initial tone of surprise.” To accomplish the desired interior tone of the house, she enlisted the expertise of interior designer, Robert Giberson. “He was great and understood what I wanted to achieve,” Annabelle says. “It was a true labor of love.” The modern, airy aesthetic is created with a soothing palette and inviting furnishings clad in a mélange of fabrics that are strategically situated in open, light-flooded settings. Hints of Annabelle’s humor and whimsy are on display in some of her sculptural acquisitions. In the living room, floating metal balloons, contrast with a feathered polar bear clinging to an adjacent wall. Recognizing how the property’s exterior design had to complement the home’s architecture, she turned to her friend Sophia Trapp, a talented landscape architect. “I knew right away she would make it distinctive,” admits Annabelle. “From an aerial view, you can see the hedge lining the front of the property is a wave, and the plants, trees, and shrubs, are particularly unique.” Annabelle’s talents and achievements encompass an impressive breadth of endeavors and reach well beyond architecture and design. She is an

Above top: Annabelle’s powder room display of her grandmother’s comb collection. Middle: A miniature antique chest of drawers with miniature shoe and boot forms. Below: Two pieces from Annabelle’s armor collection; An Ottoman silver-gilt mounted saddle and a 17th-century shaffron. She first noticed a cost-prohibitive 15th-century shaffron and waited five years for her dealer to find the above.

accomplished show-jumping equestrian and polo player, a mother of two daughters who are also up-and-coming equestrians, and a knowledgeable art collector. Equally impressive in the business sector, she was the founder of Pitario Capital Management, an asset management firm, a member of the original team at Axiom International Investors, and served as vice president at Salomon Smith Barney. She currently owns and competes on the Postage Stamp Farm polo team, which she founded in 2015. Philanthropically minded, Annabelle serves on various boards, including the Norton Museum of Art in West Palm Beach, Florida, the Mount Sinai Medical School education committee, and on the President’s Advisory Council on Internships at Brown University. Additionally, she holds an appointed seat on the Equestrian Preserve Committee in Wellington, Florida. Given her ingenuity, Annabelle has combined her myriad talents and parlayed them into satisfying outlets for her interests and passions. A fluke auction item led to her unexpected migration from show jumping to polo and her ultimate ownership of the polo team. “About six years ago, I won an auction item that I really didn’t want,” laughs Annabelle. “It was five days of polo lessons with three of the top U.S. polo players for three of my friends and myself. At the end of the five days, my friends were convinced that within three years I would quit show jumping and take up polo.” The timing seemed right as Annabelle was having issues with her show-jumping trainer. She ended up taking more and more polo lessons, and, almost three years to the day, she quit show jumping and plays polo exclusively. It’s fortuitous that her boyfriend, Leighton Jordon, shares the same zeal for the sport. In college, he and three

This page clockwise: A second floor hall is lined with miniature antique chests and set-off by a David Hockney IPad drawing. A display case houses Annabelle’s armor collection; the orange room for relaxing showcases a custom-designed carpet by Annabelle, a mobile by Mexican artist Jose Davila, and a painting by Anish Kapoor behind the couch.

Continued on page 00 3 8 | EQUESTRIA N LIVING | JAN UARY/FEB RUARY | 2 0 2 1

Pages 70-71 Left page bottom: Two pieces from Annabelle’s expanding armor collection; an Ottoman silver-gilt mounted saddle and a 17thcentury shaffron. She first noticed a cost-prohibitive 15th-century shaffron and waited five years for her dealer to find the above. “I remember my grandparents came over, and they couldn’t believe I considered that art.

4 0 | EQUESTRIA N LIVING | JAN UARY/FEB RUARY | 2 0 2 1

Opposite: Annabelle with daughter Stephanie, Leighton Jordon, and Charlie (Missing from photo is Annabelle’s other daughter, Daphne, who was away at school). This page: Exterior photo of the house with the focal-point bridge in view. Wrought iron metalwork adds subtle accents to the entrance doors and windows; An ornate entrance gate designed by Marsia Holzer.

JA NUA RY/FEB RUA RY | 2021 | EQLIVING .COM | 41

Pages 72-73 Right Page: The home’s box exterior mimics homes you would see in the south of France or Tuscany,

room in the house. Annabelle standing on the magnificent glass bridge, which connects two halves of the house. Right page: The picture, Freedom, is by Erik Parker; the Alien Blue Window light sculpture is a Pamela Rozenkranz, and the glass coffee table is by Bruno Romeda. The chandelier in the dramatic entrance is by Marsia Holzer; a Julio le Parc is at the top of the stairs, and at the bottom, an Avery Singer. One of a series, Damien Hirst’s medicine cabinet brilliantly places Viagra front and center, garnering men’s amusing responses. Annabelle said, “To see men’s reaction when they walk through the house and they see this is exactly what I wanted. You get one of two reactions. It’s either ‘haha, that’s awesome’ or it’s ignored completely.” A 1500s military sword used for battle.

FAVORITES Page 9 Lillie Keenan’s Favorites Serafina New York, NY serafinarestaurant.com LesEleveurs Halle, Belgium les-eleveurs.be/en/ restaurant-bistronomie-2 ASPCA aspca.org Pilate Rocks Wellington, FL pilatesrocks.com Equipoise Pilates Somers, NY equipoisepilatesandwellness.com South Lodge Sussex, UK exclusive.co.uk/south-lodge/

So I never bought another piece again until they had passed away,” admits Annabelle. “Then I went to Istanbul to the Topkapi Palace and saw all the armor, and I had the same reaction. So I started with the armor collection, and for me, it’s just moving. Everything that I’ve bought speaks to me.” Right page: A second floor hall is lined with miniature antique chests and set-off by a David Hockney iPad drawing. A display case houses Annabelle’s armor collection; the orange room for relaxing showcases a custom-designed carpet by Annabelle, a mobile by Mexican artist Jose Davila, and a painting behind the couch by Anish Kapoor.

DECOR Page 11 Equine Accents Ballard Designs ballarddesigns.com Design Toscano designtoscano.com Perigold perigold.com Pottery Barn potterybarn.com Wayfair wayfair.com

however, it is distinctly modern, with a glass bridge setting the interior’s tone of surprise. Exterior details include wrought iron metalwork on the entrance windows and door. Annabelle’s friend, Marsia Holzer, designed the striking entrance gates.

Page 24 Human Brain, Horse Brain By Janet Jones Trafalgar Square Books 2020 horseandriderbooks.com/product/ HOBRHU.html

FOOD+DRINK Page 14 Luxe Libations The Breakers thebreakers.com DESIGN Page 16 Winter Comforts Belgard belgard.com Bon Chef bonchef.com Chaplins Furniture chaplins.co.uk Summer Classics Home summerclassics.com Sur La Table surlatable.com Wayfair wayfair.com

Williams Sonoma williams-sonoma.com Page 21 The Colors of 2021 Pantone pantone.com/ color-of-the-year-2021 Annabel James annabeljames.co.uk Lights4Fun lights4fun.co.uk Lime Lace limelace.co.uk Norsu Interiors norsu.com.au Retropeepers retropeepers.com Tom Tailor home24.de Welsh Otter welshotter.co.uk PEOPLE Page 20 Matt Johnson Engel & Volkers Wellington & The Palm Beaches mattsells.com Page 28 Neil Hirsch Coach House Wellington coachhousewellington.com Page 33 Jennifer Ward + Jennifer Woods Jump Media LLC jumpmediallc.com FASHION Page 29 Face the Elements Fairfax & Favor fairfaxandfavor.com Farlows farlows.co.uk Le Chameau lechameau.com LL Bean llbean.com Nobis us.nobis.com Pendleton pendleton-usa.com Tartan Blanket Company tartanblanketco.com Tom Lane tomlane.co Welligogs welligogs.com

TRAVEL Page 32 Pod-Friendly Travel andBeyond andBeyond.com A GAME CHANGER Page 34 World Equestrian Center Ocala, FL worldequestriancenter.com/ ocala-fl ASSISTANT TRAINERS Page 36 Stonehenge Stables stonehengestables.com True North Stables truenorthstables.com Days End Farm Horse Rescue defhr.org DESIGN FEATURE Page 40 Figueras Design Group figuerasdg.com eqliving.com/fdg Floating Farmhouse Tom Givone floatingfarmhouse.com givonehome.com King Construction Company kingbarns.com TerraNova Equestrian Center B&D Builders banddbuilders.com Annie Carruthers In-Site Design Group insitedesigngroup.com Blackburn Architects blackburnarch.com Balios Equestrian Club Tim Court timothycourt.com.au GALLERY Page 76 Kate Black kateblackillustration.co.uk kateblack@bigcartel.com theshopfloorproject.com BARN DOG Page 98 CeCe Bloum Newmarket Farm newmarketfarm.com Thrive Animal Rescue thriveanimalrescue.com

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MEET THE DOGS OF THRIVE The founder of Thrive Animal Rescue introduces her pack of “FOSTER FAILS.” BY CECE DURANTE BLOUM

CeCe Durante Bloum lives at Newmarket Farm in Southern California. Daughter of the beloved Jimmy Durante and his wife Margaret, she has made her career as a horse trainer and animal advocate of many years. After years of finding dogs in shelters for her friends, she teamed up with Georgia Spogli to found Thrive Animal Rescue in 2014. Today, CeCe and her husband, Steve Bloum, have transformed a piece of land at Newmarket Farm into a safe haven where newly rescued dogs from overcrowded shelters in Los Angeles and San Diego can run, play, and roll in the grass, before finding their forever homes.

N

ewmarket is an equestrian training facility that I started in the late ‘80s and was very involved with until I retired 8 years ago. There are about 50 horses here, and now Thrive Animal Rescue is also on the property. It’s heaven living with all these animals! I devote most of my time to Thrive, my animals, and my husband, and I flip houses. Houses and hounds are our passion. At the moment, we have six adorable doggies. First is Owen, a 15-year-old retriever, and the only one in the group that was not rescued. He has dementia but still bosses us around. Then Beauty, Bo, Redd, Levi, and Willow are all “foster fails“ from Thrive, I could not part with them after fostering. They are an

Bloum, Spogli, and the pack at Thrive.

amazing group of dogs that bring us so much joy. They each have their quirks: Redd, the small guy, was covered in pepper spray when he was picked up by animal control the day I was at the shelter pulling dogs. He was set to be euthanized because he was unable to be handled; he was shaking and growling in the back of the kennel. We scooped him up and took him home, and now we have had him for four years—it’s only been in the past six months that my husband has been able to pet him. Beauty, our Louisiana rescue that arrived with 15 two-week-old puppies and heart worms, is now his therapy dog. She gives him lots of confidence and direction. She’s the mother to all, our queen B. Then there is Bo, who was dumped at a local shelter. They called me to come meet this amazing dog: he had some service dog training and was left by an elderly couple’s grown kids when they went into a home. He’s our Thrive mascot to show people that you can

98 | EQ UE S T R I A N L I V IN G | J AN UARY / FEB RUARY | 2021

find amazing, familyfriendly dogs in shelters and you don’t need to go to a breeder if you have patience and work with a reputable rescue. Levi, our black dog that I was only planning to foster, came very stressed out with ulcers, so we gave him a calm environment and showed him lots of love. Of course we could not give him the boot when he recovered. Then there is goofy Willow, the giant white puppy that I couldn’t resist, that’s been a handful that we love so much. That is our pack and we could not imagine life without them. When I met Georgia, after training her daughter at Newmarket, we decided to put our love of dogs to work and reach out to our equestrian community to start a rescue. It all fell into place and today we are blessed to have a wonderful team working to build the organization and take care of the animals. We have been able to place close to 800 dogs, and our goal is to expand our facility so we can take in more dogs and keep doing this work. It’s so touching and inspiring for all of us to receive the feedback we get about how these dogs have changed their lives and the joy they bring to their adopters. Rescuing can be heartbreaking but at the same time, it’s the most rewarding thing I have ever done. We hope to continue to change dogs’ and humans’ lives for many more years. CONTACT INFO | PAGE 95




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