T A B L E O F C O N T E N T I N T R O D U C T I O N ABSTRACT PROJECT INTRODUCTION PROJECT AIMS & OBJECTIVES
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SITE INTRODUCTION HISTORY OF THE SITE MACRO SITE ANALYSIS MICRO SITE ANALYSIS
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PRECEDENT STUDIES DESIGN INTENTION & STRATEGY DESIGN DEVELOPMENT & SITE RESPONSE SPATIAL LAYOUT & CIRCULATION PROGRAMMES
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CLIMATIC STUDIES ENVIRONMENTAL DESIGN RESPONSE STRUCTURAL CONSIDERATIONS
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SITE PLAN FLOOR PLANS ELEVATIONS SECTIONS VISUALISATION
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The final architecture design project is to propose a city cultural hub, a cultural park. The cultural hub should be a place for celebration of culture, tradition and way of life, (local, cross or multi-cultural). The theme is ‘Sustaining Humanities’, where architecture of people, place and time, a role in making a place civilized by making a community more livable. The chosen sites for this project are magnet areas for locals and visitors in Kuala Lumpur. The unique quality and condition of the sites will give a good reference for students in making the ‘Cultural Hub-Cultural Park’ a more interesting architectural space and design. Site investigation, both macro scale and micro scale has been thoroughly carried out in order to understand the site more. The targeted users of the site are also drawn out, so that the cultural hub is designed based on the needs of the community and responding to the site. The final design report is documenting the entire design process, step by step from the preliminary stage to the final stage of designing, including the insight of my own interpretations to the site, as well as my own perception on the design.
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The ‘Cultural Hub/Cultural Park’ will promote, showcase and celebrate the rich culture and art of the country and its people. The project calls designing a place wherein it extends the unique identity and likewise serve as a platform to encourage cultural exchange between people. With the five given sites in the middle of KL city, each sites are given with its own function and building typology as well. The cultural hub, in order to adhere with the site, both tangible and intangible factors of the site are to be explored. From there, the programme and function of the cultural hub can be defined. In conjunction to that, the building’s performance, feasibility, sustainability, buildability are to be taken care of as well, to produce a legible design scheme. With the given brief, the building must be no larger than 2,000 sq.mts. and not lesser than 1,800 sq.mts built-in a minimum of 3 levels and maximum 5 levels which include the covered circulation spaces. Basement Parking does not count in floor area and level requirements. Fully open spaces, landscaping & others are not to be included in area calculation. The initiative of the project is “using what exists to create what it is to be”, for the foreigners and locals around the site to exchange their own distinctive and rich culture, but on the other hand, also to promote our local culture to the foreigners. To let people from different country acknowledge Malaysia’s culture, but at the same time also focus on the importance of the site, to elevate the dying spirit of the site.
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This project calls place where it promotes culture in a more current and engaging approach. Strongly promotes a dialogue between people, activity, moment and place. Hence, becomes a mean of educating people about the country’s culture, tradition and way of life. The exchange cultural hub aims to bridge the two major group of users on site, the foreigners and the locals. These two groups of users passes through the site on daily basis, but they are always parallel, they never seemed to has any intersection point at all. So, through exchange in activities, opinions, values, identities and culture, bringing in new reciprocity to the site.
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01 To create an architectural space that promotes interaction and cultural exchange between people, not just for locals to educate visitors about their culture but likewise to remind them appreciate their own. 02 To design spaces that will become a platform for the public to use, for viewing, performing, exhibition, training and other culturally related activities. 03 To design spaces that will conform to the current cultural trends and activities, whether physical, social and educational focused. A unique approach that reflects creativity, diversity and identity. 04 To function as a place to host both daytime and nocturnal activities 05 To design a place that is highly permeable and engaging to pedestrians and passers-by. 06 To align design with the current development on site and within its vicinity. 07 To respect and positively affect site and neighbouring places with its highly engaging design. 08 To incorporate an element of sustainability and green in design, educating people about the importance of healthy living and environment. 09 Design should comply with pertinent guidelines and regulations. Compliance with buildability, safety and building requirements. 10 A form design that will create a sense of ‘recall’ for the place.
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The site is at the intersection of two main roads, Jalan P. Ramlee and Jalan Sultan Ismail. The site is surrounded by three major KL landmarks, which are the KL Tower, KLCC and Pavillion. These landmarks formed the golden triangle of Kuala Lumpur, and our site situated almost at the middle of the triangle. Hence, on a daily basis, there are huge amounts of foreigners: tourists and also white collar locals passing through the site. With the three major landmarks surrounding the site, it often goes unnoticed as these landmarks outshine the site itself. Now, the site is a private carpark owned by DBKL, caters to the white collars around the site.
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Kuala Lumpur was declared as the capital of Malaya. Fine grained architecture expanded towards the north and east of Gombak River.
Emergence of coarse grained urban fabric were notable around Bukit Bintang as Kuala Lumpur became a Federal Territory.
As the nation heads towards globalization, coarse grained architecture are abundant in Bukit Bintang. Fine grained architecture is less apparent within the growing nation.
A coarser grained fabric in the KLCC vicinity, which reduces the permeability and pedestrian activities around our site. It is also important to note how throughout the years, the development happening around the site seemed to not have an impact on our site despite its proximity to global landmarks.
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Based on the three landmarks, we can define the districts sandwiching our site as the KLCC district, KL Tower district and the Bukit Bintang district.
The land use around the site which comprises primarily of residences, businesses and offices make up a vibrant culture within the macro site which brings with it opportunities that can be tapped.
These districts can also be defined respectively as commercial, corporate and leisure based on the land use.
The districts are also divided based on primary edges, Jalan Sultan Ismail and Jalan Raja Chulan.
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The difference of land use on each side of the edge where there are more office buildings on the KL tower side, and shopping centers on the bukit bintang side.
Jalan Sultan Ismail makes up a primary edge dividing the klcc and corporate districts based on the monorail line as a hard edge that runs along the road.
Our site on Jalan P. Ramlee sits along a secondary edge defined by the major road that leads the leisure and corporate district to the klcc district.
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Due to the site being in between the three districts, we get a rich demographic make up around the site; showing the multifaceted nature of the area.
L O C A L S The site is populated mainly by white collar locals and hawkers during working hours
F O R E I G N E R S Tourists roaming around due to its proximity to KLCC, a global landmark. Tourists on site can be divided into asian and caucasian tourists. Caucasian tourists are generally more adventurous and prefer outdoor activities. They prefer walking around in the streets. On the other hand, Asian tourists prefer to stay indoors and are more inclined towards shopping and leisure activities. It is important to note this distinction as the area needs to cater to both groups and their traveling needs
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There is a monorail line located above Jalan Sultan Ismail. According to DBKL requirements, we are having the setback of the site boundary to be 12m from the monorail, 6m from the other two roadsides and 3m from the side that is next to the adjacent building.
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S T U D I E S The nodes are divided into persistent and transient nodes.
On weekdays,
The two persistent nodes that are constant would be the main junction and the front of the Vortex suites where there is a bus stop, pedestrian path and a convenience store. Transient nodes during weekdays such as warungs, food trucks and commercial buildings only occur during eating hours.
On weekends,
The persistent nodes are the same whereas transient nodes cater tourist activities such as taxi stands, KL city walk, and the Hard Rock CafĂŠ.
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At night,
Weekdays and weekends are quite similar where the transient nodes are the bar and pubs, night food trucks, the hard rock cafe and KL life center.
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Pedestrian circulation around the site is enhanced by nearby bus stops, shaded walkways and also short cuts through buildings which increases the overall permeability of the site.
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A study of accommodations nearby our site are done, and the close proximity of the accomodations produces opportunity for tourist activity and circulation around the site. The blue tones would be the lower priced hotels and the orange are the high end hotels
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In todays sharing economy, the number of air bnbs in urban areas have risen and many of the residential apartments are now fully or partially operating air bnbs. The high number of short term living spaces create an ever changing user environment. The site does not have a specific local community and is planned out ideally for the transient user.
a c c o m m o d a t i o n s
Hotel less than RM 300/night Hotel more than RM 300/night Airbnbs
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With the site surrounded by the landmarks, it allows for easy access to public transportation. The adequate amount of shaded walkways create a pedestrian friendly environment.
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With our site being placed at the transition point, neglectance issues are inevitable such as 1. Mentally ill and the homeless 2. Waste management issues 3. Illegal Parking Limited entry and exit point
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NATIONAL MUSEUM OF WORLD WRITING A site-specific design that reminds to the ancestral and sacral atmosphere of the caves through the power of the light on the surfaces and shapes, a space in which nature and artifice blend. The design process take part from the excavation and modeling of the existing soil that, while ensuring the physical interaction between the city and the park surface, opens and shapes to allow the light and the Visitors to access and cross it.
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A R C H I T E C T S The heart of this excavation is a public space, a large square, located at the intersection of the tracks coming from both the park and the city moving towards the museum. The visitors can reach it through a system of ramps, stairs and lifts from the boundaries of the project site lapped by the park’s internal pathways, such as the one coming from the subway station or the walking route, or the one located along the roadside that connects Central Park with the built-up neighbourhood.
Along this same axis, a pedestrian bridge overlooking the square allows to fast cross the museum, connecting more directly the city and the park. A separate entry from that of pedestrians, allows cars and trucks to enter from the central street to the parking lot for the public and the museum’s storage, using two distinct ramps.
From the museum square you can access all the functions open to the public and museum workers, such as the education area and the office and research area and the two lobbies that act as the atrium of the two exhibition spaces, the special one and the permanent one, linked by a storage space. At the level below the square there is a technical floor connecting all the functions.
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The Jianliju theatre company, in an interesting examination of typology, offers a unique spectator experience where the audience plays an integral part of their performances and productions, as such the brief for their new premises in Shanghai demand, a careful architectural approach to the relationships between space, event and movement. The practice has taken the cinematic expression of film noir and applied its heightened sense of drama to the atmosphere within to create a sequence of contrasting spaces that read as a montage of screenshots from a film reel.
Heightened sense of drama to the atmosphere Monotone palette, minimal with a hint at texture through the treatment of the plaster to give a lustre and depth to the spaces.
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Linear arrangement of spaces
The theatre is accessed off a non-descript side-street in central Shanghai, the entrance door hidden at the back of an antique furniture emporium. Visitors arrive only with a time, location and number. From the door, a stair leads down into the darkness and from there the circulation seeks to create a sense of departure from the world outside, a deliberate act of disorientation initiated by a dark curved corridor that emphasizes low-key lighting and unbalanced compositions leads to the spaces inside. The functions are organized into a linear arrangement of spaces, where the visitor is prevented from going backwards, as if following an unknown figure through the street at night.
Final space
After the show concludes the sequence finishes with a hall of mirrors, one final nod to the film reel and the cinematic traditions that their design engages with. Given this final space is predominantly used for photographs and selfies, their last note is intentionally witty, a critical reflection perhaps on the ambiguous relationship between actor and audience that their architecture has curated throughout.
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The site is at a transition point between the ‘klcc district’ and ‘kl tower district’. Therefore it is always unnoticed and incapable to bring in harmony of the existing complex contemporary condition. It never move towards resolution, but continuously expanding. It is a space of otherness, the heterotopia. The site is sandwiched between globalization and localization. Culture of the site is quite inperceptible. What is the ethnography of the site? The purpose of the cultural hub is to encourage social exchange as well as to provide an environment to be immersed & experience in the culture.
The klcc area brings in huge amount of foreigners, passing through the site everyday, mainly tourists, which consists of both asians and caucasians.
KL tower area brings in huge amount of white collar passing through the site everyday, mainly during lunch hour. There are also local stall vendors nearby the site.
But these two major user groups of the site is always parallel, there is never a intersection point between these two. So, what if using what exists to be create what it is to be, these two distinctive groups of people exchange and share, their attitudes, culture, activities, interests, values and opinions, would it bring new layers of reciprocity to the site? Creating a cultural hub with its own behavioural culture, layered with exchanged culture. To bring out the ethnography of the site, and bring people’s focus to the site.
What is culture? Culture and mind are inseparable. People are shaped by their culture, and the culture is shaped by them as well.
A people driven cultural hub
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E N C O U N T E R the purpose of ground floor is for encounters to happen not only encounters with people, but also encounters with the site. the gallery on ground floor is separated into two sections : “localised gallery” and “globalised gallery” “localised gallery” is for showcasing the local artworks done by the exchanged candidates. “globalised gallery” is for showcasing the foreign artworks done by the exchanged candidates. the site on Jalan P Ramlee is slowly consumed by the globalised phenomenon which is happening in Kuala Lumpur right now. However, there are still traces of localisation to be seen on Jalan P.Ramlee which are the warung and the food trucks nearby the site. therefore, the “localised gallery” has a darker spatial quality while the “globalised gallery” is brighter.
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‘ L I F E ’ To maintain the element of surprise on ground floor, most of the programme-related activities, as well as the public realm are happening from the first floor level onwards. ‘Life’, as in the liveliness of the space. H OW T O E X C H A N G E ? Exchange through observation Exchange through communication Exchange through participation Observe through the eating etiquettes and interests in food. Observe through the culture participation area to connect to each other’s culture.
The best way of observing is through eatery, to observe people from different culture on food preparing, food ordering, and food consuming. There are also corridors which allow observation on the activities that are going on, which are the corridors crossing the indoor and outdoor eatery, as well as the language classes, the art workshop.
Communication on thoughts and opinions. The interchanging of thoughts, between visitors and the space, visitors and the event, the movement.
def.: a library is a collection of sources of information and similar resources, made accessible to a defined community for reference or borrowing. There is an archive, “the book library” and the outdoor plaza as well as the discussion rooms, “the human library” which allow exchange through communication to take place.
Societies are and can be built through culture participation. Culture engagement as part of life long education.
Arts education develops individual cognitive and creative skills, fosters appreciation of different cultural expressions and diversity, and might therefore stimulate enhanced cultural participation. Participation in cultural activities can also lead to the creation of shared narratives and shared values. Not only exchanging souvenirs but also collecting souvenirs that are brought by different people from all over the world as an act of participation in other’s culture.
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01 a place for contemplation know your own cultural value in order to know other’s culture, you must know your own’s. understand your own assumptions about body language, communication style, or other cultural characteristics.
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02 to conclude the journey, the viewing deck projects a question to the visitors, to contemplate: what is the site? which the viewing deck frames the view of klcc and kl tower what is the impact of globalisation to the site? how does it affect the site? what is the culture of the site?
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01 AXIS
The diagonal axis is created, so that the building is facing, and able to capture the view of the global landmarks around the site, the kl tower & klcc.
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02 VIEWS FROM MONORAIL
On first floor, the outdoor plaza is protruding out from the axis, in order to allow view from monorail line, to have an insight on what is happening in the building.
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03 ELEMENT OF SURPRISE
04 PLAZAS
05 PROGRAM
To maintain the element of surprise for ground floor, tunnel- like entrances are located slightly off the main pedestrian lane, which is Jalan P.Ramlee. Besides, three entrances are to capture different groups of people passing through the site.
Plazas are naturally formed when the axis is created. The plazas also play an important roles as they allow social activities to happen and attract pedestrian’s attention towards the entrances.
The private segment of the building (more program-related spaces and dormitory) are placed just beside the adjacent building so that it is more quiet, while the spaces such as eatery protrudes out to attract pedestrian’s attention. However the viewing deck’s form is adhering to the axis so that views from klcc and kl tower can be framed.
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06 FRAMING THE ACTIVITIES
To maintain the element of surprise, framing of activities are widely used on ground and first floor, in order to attract pedestrians’ attention.
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07 VISUAL CONNECTION
The plazas are not only for social activities to take place, but also creating visual connection between ground floor and second floor, as well as interior and exterior.
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08 BREAKING THE MONOTONOUS
09 FORM
Introducing different type of geometry to break the monotonous square geometry, and also to act as the stagnation point for encounter.
The purpose of ground floor is to act as a magnet to pull people in, and then the activities disperse to upper floors. The form of the roof, as of the activities, spread out into two directions.
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I N T E N T I O N S E X C H A N G E P R O G R A M INTERCULTURAL PROGRAM the program is not only for the foreigners but also including the locals Organized by the Ministry of Tourism Malaysia and AFS Antarabudaya Malaysia. The AFS is a world-class intercultural education organization; a global movement to develop and activate global citizens. Also collaborating with the nearby organizations such as the Tourist Information Center (MATIC), Turkish cultural center as well as Korea Tourism Organization.
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P R O G R A MM E There are three major programs included in the exchange program, which are the host family, volunteer program, and education program.
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Both the wind and sunlight factors do not affect our site on 100 percent, because of the fact that the site is surrounded by high rise buildings and also vegetations. Trees are in a close proximity to the site and range in height from 16m-25m. This shady environment gives us the opportunity to conduct rooftop activities. Sun Path
Wind Rose
So throughout the day thetrthere is partial sunlight on the site and also an equal amount of shade.
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E N V I R O N M E N T A L Local materials are sourced out and utilised such as concrete, steel material in order to achieve fast construction and lesser pollution to the site, as well as combating with the tropical weather. The outdoor dining area on the first floor is overhang, not only sufficiently to shade the plaza on the ground floor, but also create visual connections and interactions with activities on the ground floor. The vegetations around the site are preserved, so the surrounding of the building and the pedestrian lanes are shaded to ensure user comfort in the building and outside of the building as well.
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R E S P O N S E S As the site is surrounded by tall vegetations and tall buildings, the natural ventilation is slightly insufficient on the site itself. Therefore, the form of the building, which is dispersing from first floor onwards, increases and encourages natural ventilation through the building, helps in scooping wind into the building.
Overhangs on the roof are adopted on the monopitch roofs as a sun shading devices for the users. However for some spaces which are more public and encounter with public activities, skylight is adopted to allow natural lighting during the day.
Vegetations are also brought into the building interior as an indoor plaza to create interactions with the users.
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S T R U C T U R A L C O N S I D E R A T I O N S The construction methods used to the proposed design is rather common to be found on the site context. RC pad footing system is utilised for the foundation, as well as the metal roof panels that are sourced locally. Regarding to the construction of the curved wall which acts as the backdrop of the amphitheatre, is using pre-cast method, which consists of its own individual footing below the ground floor slab.
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‘i do not believe that architecture has to speak too much. it should remain silent and let nature in guise of sunlight and wind’ ando