XO No. 19 | The Under the Sun Issue by XO MAGAZINE

SUMMER Review 2013

No. 19

THE UNDER THE SUN ISSUE

SURFER BLOOD

XO No. 19 THE UNDER THE SUN ISSUE

Contributors FOUNDER | EDITOR IN CHIEF

Leâ&#x20AC;&#x2122;Keisha Sims DIRECTOR OF EDITORIAL & BUSINESS DEVELOPMENT

Moeima Dukuly INTERNATIONAL FASHION DIRECTOR

Rachel Holland WEST COAST MARKET & MULTIMEDIA EDITOR SU MME R review

Jesse Ashton COPY EDITOR

Jessica Schink GRAPHIC DESIGN

CONTACT:

BRITTANY BUTTON

infoxomag@gmail.com

contributing photographers

SUBMISSIONS:

Michelle Paulsen Nathan Hask Daniel Sims Merry Phillips Christopher Sims Anya Holdstock Mae Richards

rachel@xomagazineonline.com

Kimi Selfridge Darren Black Paul Farnham Tobias Batz Nico Turner Vicky Grout Celine Pinget

FOR ALL ADVERTISING AND SPONSORSHIP INQUIRIES

special thanks

Mahbod Moghadam Sabine Seymour Viva Bodyroll and the Haus of Sweat Drew Citron Irena Lasenby Brittany Button

Sophie Parker Phil Morgan Kelsey Bennett Tom Hoops Christopher Hench Atlantic Records Heather Breen

moeima@xomagazineonline.com WEB/SOCIAL MEDIA

xomagazineonline.com TWITTER: @we_are_xo INSTAGRAM: @we_are_xo FACEBOOK: Facebook.com/xomagazine

XO No. 19 THE UNDER THE SUN ISSUE

Contents

Editor’s letter

The Usuals

There is a certain electric vibe that fills the air in the summer. The joy of busting out the perfect pair of cutoffs, your favourite band tee and a killer pair of shades is one of the grand luxuries that summer brings. Rising temperatures, adventure filled nights, a killer soundtrack and being surrounded by one’s best friends: that’s the definition of summer for us here at XO.

Editor’s Letter 5

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MUSIC Five Minutes with...Big Deal 50 Meet Us Baby Bear Bones 110 Track By Track: Smith Westerns’ Soft Will 112

Fashion 10 Summer Accessories to Set You Ablaze with Illustrations by Sophie Parker 26 From Los Angeles with Love by Michelle Paulsen 20 Winter in Summer by Marc Pritchard 40 Warrior by Merry Phillips 44 MOLTEN by Nathan Hask 60 Mineralise by Christopher Sims 68 Haze by Daniel Sims 74 High Street by Anya Holdstock 114 Summer, Eclipsed by Mae Richards 120

Photojournals Switching Coasts with Nico Turner 8 SOUNDCHECK with Vicky Grout 14 Vancouver by Celine Pinget 94

XO LISTEN 124

Illustration by Phil Morgan

Special Guests

When Punk Meets Prim: Charli XCX 16 Musical Merry Go-Round: XO’s Summer Festival Review 32 LONG READ: Much Love, Homie: RapGenius and the Birth of a Social Phenomenon 52 Dressing Room with Phlo Finister 56 LONG READ: Time, Essence and the Truth of the Matter: 3D Printing 72

New Waves with Surfer Blood 78 La Sirene: Real Beauty, Real Women 84 Portrait of an Artist 90

RADAR Sights of Fancy: Phil Morgan 6 spotlight: Beaty Heart and Sofar Sounds 48 HOT ART: 4 artists, 4 cities 100 Dancefloor Dominatrix: Viva Bodyroll 108

WE HEART 125 Cover Illustration: Phil Morgan Cover Photo Credit: Paul Farnham

Within these pages, you’ll find bands and musicians that ooze summer: the lush dream soundscapes of rock duo Big Deal, the soulful noir-pop tunes of youth-quaker Phlo Finister, and the sunny indie-pop gems from our cover stars, Surfer Blood. Need some sartorial inspiration? In this issue, you’ll find fashion editorials that are just dripping in the essence of summer! We went far and wide from London to NYC to LA and beyond to capture this issue’s theme - ‘Under the Sun’. When creating this concept I really wanted our teams to not only capture the season but to also, capture looks that encapsulate what makes summer so enjoyable. So whether you are basking by the pool, hitting festivals and getting down and dirty in the mud (our editorial ‘Molten’ proves you can definitely rock some killer accessories - dirt and all), or even if you are in the southern hemisphere where temperatures are still pretty cool; we’ve got you covered. There are only a few weeks of summer left, so let’s make them count! Go to your favourite band’s show, hit the beach, go hiking, go skinny dipping -- if you haven’t already, there’s still a chance to make summer ‘13, unforgettable! We certainly will at XO! Sit back, soak up some rays, along with everything else under the sun with our new issue!

Le’Keisha Sims

Editor in Chief, XO Magazine

1. Tennis courts - Lorde 2. It Don’t Mean Jack -Aquadolls 3. Applause - Lady Gaga 4. Coca Cola - Phlo Finnister 5. Like a Stranger - Kitten 6. Wave - Crystal Fighters 7. Summary - Jeta Grove 8. Dance with Me - Joseph Childress 9. In Your Car - Big Deal 10. Attracting flies - Alunageorge

Illustration by Phil Morgan

XO No. 19 THE UNDER THE SUN ISSUE

Phil MOrgan

Sights of Fancy: Phil Morgan Interview | Moeima Dukuly

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Wondering whom to thank for our cover art and illustrations dotted throughout the issue? Rest your head and meet Phil Morgan, an illustrator hailing from Cardiff, Wales in the UK. Phil was kind enough to give us images to use and helped keep the mood light and fresh for this issue. He’s a guy you wanna know, so dig in. For more on Phil Morgan’s illustrations, visit: http://cargocollective.com/philmorganillustration So. How long have you been illustrating? How’d it all start?

1. I have been drawing since as long as I can remember, but have only been taking it seriously in the last few years. I designed a skateboard graphic for a friend’s board company which went into production in 2009 and since then, I have been working on my illustrations pretty much every single day. Your style is both recognizable and whimsical. You often create caricatures that are short, squat, almost potato-like figures -- is this just where your mind goes? Do your illustrations reflect a part of your personality, or a way you see people? 2. I like to draw stuff that people can relate to, whether it makes people laugh or they like the colour and the shape of my illustrations. I tend to draw a character, and then sit there for some time thinking what the phrase should say. Other times, I know what I want the illustration to say. It takes time, then, to draw the character to go with the piece. I enjoy painting more these days than using my computer and I prefer the work process more than using a plastic graphics tablet.

Are there illustrators (dead or alive) that you admire or despise? What recent illustrations have stirred something up in you? 5. I would say I have always been a big fan of David Shrigley’s work. His illustrations and paintings are hilarious.

The Kanye wall. Discuss. What was the motivation behind it?

3. The Kanye Wall came about when I got asked to paint the side of wall at the back of Milgi Bar in Cardiff for a group show. The wall was originally white with some graffiti tags sprayed over it. I knew I wanted to paint something big, but the one problem about the walls was there were these two, huge windows with steel grating on them bang in the middle. I was unsure of what to do and then my girlfriend Beth said, “You should include them into the piece. Why not draw a massive Kanye West?”

What is your dream project or collaborator?

I took some shots of the wall, then drew a loose sketch using my computer back home, then I just went for it. The phrase for the piece ‘Open a Kanye Whoop Ass’ only came to me half way through actually painting it. It’s the biggest wall piece I’ve ever done and I’m really happy with how it turned out. How much of an effect does music have on you when you’re illustrating?

4. Music has always had an effect on my work. I used to play bass in a punk band when I was younger. I listen to a lot of BBC Six Music when I am at home, but if I get fed up with the radio, I will stick on some Fugazi or The Pixies.

6. My dream project would be to do a huge wall piece in a gallery like MOMA in New York or San Francisco. At the moment I’m happy to paint my illustrations for people and be a part of as many group shows as possible. You meet so many great artists and illustrators along the way so that for me is like living the dream. Five favorite tracks of late, tell us. Go. 7. Tunes...

No Age - C’mon Stimmung The Night Marchers - Loud Dumb and Mean Tom Waits - Ice Cream Man !!! ( Chk Chk Chk ) - Heart Of Hearts The Minutemen - This Ain’t No Picnic

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switching coasts with nico turner Experience New York from the eyes of Los Angeles native, Nico Turner, drummer of Cat Power.

We started walking from The Dakota on 72nd st and somehow before we even realized, we were on W 20th, and somehow we didn’t mind.

I love the way Central Park envelopes you, as if there is no other place on earth, as if there isn’t a city bustling around, above and below.

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It doesn’t matter which corner you turn. Within a block, you’ll meet so many different kinds of people. The unifying force is the City.

There’s no getting around it, once you get to Brooklyn, you won’t want to sleep. Every street corner is a nook of something glorious to explore. A person, a book, writing on the wall.

XO No. 19 THE UNDER THE SUN ISSUE

NICO TURNER

photographs I love to take. I love New York lends its hand to the style OF

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capturing moments. I love getting the moments that I may have missed just passing by. You have to be quick; you have to be open to seeing more.

This is like roots leading to the sky. Family trees splayed out into a grid of ideas and dreams.

We walked through Central Park, one day, soon after we heard about the Bombings at the Boston marathon. The City was on Lockdown. I looked up and noticed the time on the CNN building and how much it seemed like a normal day until that point.

Thereâ&#x20AC;&#x2122;s a sense of history and timelessness built into the architecture of this city. No other place feels as beautiful and grotesque as New York.

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12 thinking of the roles men and women play in society. The man is usually elaborately adorned, colorful, big, celebrated. The woman, seemingly, plays a quieter role and her presence is sometimes obscured by the fact that she is, in fact, a woman.

I always think of the animal kingdom when

Central Park, April 15th, 2013

“It doesn’t matter when you walk around -- a rainy day, a snowy night -- this place is going to catch your attention and move you. It will inspire you to make some kind of beauty exist through you.”

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a beacon of hope.

In the summer, the city becomes insulated by its buildings. It’s a wonderful concrete heater.

We still believe in the magic of John Lennon... Aleksa Palladino and I went to Strawberry Fields once. We still believe in the magic of John Lennon and share Lennon’s belief in the magic of New York.

The typical day: show up at a friend’s house, listen to records, read about your favorite artists, take Polaroids, and talk about art. This is a basic inspiration course. One cannot become bored in NYC.

Artist, Todd Diciurcio, shows me his rooftop. He runs to the top and says “There’s not a bad view from any rooftop here. This is New York. You’ll spend a lot of time on a lot of rooftops.”

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Enjoy 3 bands playing 3 venues in London with

SOUND CHECK. Photos by Vicky Grout

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The Story So Far at Banquet Records May 16, 2013

Peace at Birthdays May 16, 2013

JAWS at Garage June 15, 2013

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When Punk meets Prim:

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Charli xcx

Photographer: Kimi Selfridge for tancamera.com Stylist: Heather Breen Makeup: Laramie Glen Hair: Cesar Ramirez Shot on location at Rockefeller Center, NYC

XO No. 19 THE UNDER THE SUN ISSUE

charlie XCX

Yellow Dress: Katie Ermilio Leather Cage Bustier: Chromat Garments Earrings: Tsura Bug RIngs (beetles and cicadas): Martine Ali gold stacked rings: iosselliani CUff: Laruicci Shoes: Charliâ&#x20AC;&#x2122;s own Neck Collar: Martine Ali

Floral skirt Bustier: Chromat Garments Peplum long skirt: Katie Ermilio Floral Choker: Martine Ali Earrings: Michael Spirito Chain Bangles: Martine Ali Shoes: Fluevog

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Black Jacket Look in office Top: Nha Khanh Jacket: Titania Inglis Leather Shorts: Nha Khanh Shoes: Angeline Lee Earrings: Tojours Toi Rings Right hand: Michael Spirito Silver Flower RIng: Laruicci Tights: Stylists Own

From Los Angeles, with Love

Photographer Vintage Shoot Location StylisT Makeup Hair Female ModeL Male Model

Michelle Paulsen Hollywood Hills, California Jacqueline Sapigao Amanda Nilo stacey Barnes Angie Menze George Olesky

Wardrobe: All pieces including jewelry were pulled from Merrileeâ&#x20AC;&#x2122;s Swimwear. (www.merrileeswimwear.com) Shoes are all Jeffrey Campbell

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Michelle Paulsen

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Michelle Paulsen

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Sophie Parker

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10 Summer Accessories to Set You Ablaze Most love summer so much, they never want to let go. The question is, why should you? Enjoy the essence of summer all year round at your leisure, by injecting these mouth-watering additions to your wardrobe, handpicked by our fashion director, Rachel Holland.

Illustrations by: Sophie Parker

Brand: Mawi Large pave spike and neon pearl earrings Price: £245 www.mawi.co.uk

Brand: Matt & Nat model: Dwell bag in Tangerine. Price is £85. Can be bought in independent boutiques nationwide or online at www.mattandnat.co.uk

Brand: Cutler and Gross Model: 1072 in Pinstripe Lace Price: £365 www.cutlerandgross.com

Brand: ASOS model: ASOS SUPANOVA price: £85.00 www.asos.com

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Brand: Fiona Paxton Cream & Rose gold ‘Gloria Necklace’ price: €283.06 www.fionapaxton.com

Sophie Parker

Brand: Rag & Bone Pilot clutch price: $300 www.rag-bone.com

Brand: Bill Skinner Rose Gold Horse Bracelet www.billskinnerstudio.co.uk

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9 Brand: Lele Pyp Multi Colour Mirror Shoe Price: £355.00 www.lelepyp.com

Brand: DSquared2 limited edition Sunglasses Price: £624.00 www.marcolin.com DSquared is also sold in Selfridges, Harrods and online.

Brand: Marcus Lupfer Model: Polka Dot bronze boot price: £340 www.selfridges.com

XO No. 19 THE UNDER THE SUN ISSUE

Musical Merry Go-Round: XO’s Summer Festival Review SU MME R review

31 Daryl Hall Main Stage

The 2013 festival season EXPLODED with festivals popping up all over the world, in more numbers and locations than any past year has seen. Though we wish we could clone ourselves and go everywhere, we focused on four major festivals: GoogaMooga, Gov Ball, Bonnaroo and Firefly. Take a peak and relive what festival culture was like, as well as enjoy band and atmosphere photos anda few extras.

with John Oates

The Great GoogaMooga “The Giant Buffet” Brooklyn, NY MAY 17-19 2013 PHOTO CREDIT: Kristin Gladney and C.Taylor Crothers

The Roundup:

The second year of Brooklyn’s “amusement park of food, drink and music” proved to be more food and drink-focused than music. In addition to a kickoff show Friday night with performances by the YeahYeahYeahs, The Flaming Lips and The Darkness, GoogaMooga boasted 100 wines, 75 beers AND a VIP Cocktail tent featuring 10 of NYC’s finest cocktail bars. But, unfortunately, Mother Nature ruined the party by forcing the festival to cancel the festivities on its last day at Prospect Park.

Calexico, Corn Nachos

Reviews and Words | Moeima Dukuly ILLUSTRATIONS BY PHIL MORGAN

People’s pops

the roots

Master of Whisky: Stephen Wilson Beneath the VIP Cocktail tent were several reasons to drink and be merry, but my favorites were the Master of Whisky, Stephen Wilson and the One More Chance cocktail. The name of the cocktail is fitting because I love second chances… but I love whiskey (well in this case, rye) more. We’ve never met a ‘master of whisk(e)y’ before (best job EVER!). Tell us about your beginnings and the whisky/rye/bourbon that started your obsession.

My background is pretty diverse, but I’ve had the pleasure of representing the Diageo whiskies for over seven years now. Growing up on the VA/TN border, my love of whisky started with American and Bourbon whiskies. From there, as my palate evolved and my knowledge grew, I started to explore other styles of whisky. I never thought my passion would grow into a career. Yes, it is the best job ever!

Whisky is Gaelic for ‘water of life’. What is it about this “life giving” drink that fascinates (or nourishes) you, compared to other liquors? Whisky fascinates me on multiple levels. With so many different styles (Scotch, Irish, American, etc.) and with new whiskies emerging every day, there is always something to learn. Whisky takes a lot of time and passion to make -- selecting the right mash bill (grains), fermentation time, distillation method, and the perfect casks for maturation-- all of which involves a lot of trial and error. The end result is a group of amazing folks working together to create exceptional whiskies, such as Bulleit Bourbon -- which Tom Bulleit has been working on since 1987 based on his Great Great Grandfather’s recipe -- to Johnnie Walker, a complex blended Scotch that dates back almost 200 years. Whisky vs. Whiskey. Discuss. Is there ANY difference, or just another case of UK vs. US spelling issues?

The Scots spelled whisky without the “e.” When the Irish started producing whiskey, they added the “e” to differentiate themselves from the Scots. When we look at our American whiskies and Bourbon whiskies, you can often tell the influence by noticing the spelling. Take, for example, George Dickel Tennessee Whisky; you’ll notice there is no “e” in whisky, because George believed his whisky was “as fine to

sip as any Scotch.” I work with whiskies from around the world, so my business card actually reads, “Master of Whisk(e)y.”

THE GOVERNOR’S BALL “The Mud Pit” Randall’s Island, NYC JUNE 7-9 2013

We get pretty international around these parts. According to our research, there are up to seven whiskey regions around the world, the newest being in Japan and New Zealand. How do you feel about the whisky in the eastern parts of the world? As a whisky enthusiast, I get excited when new whiskies emerge on the market! About 70 percent of the world is covered in water, so I’m glad to see what separates us also bringing us together, with more and more adult consumers discovering a new love for the “water of life.” And even though my schedule is busy, I always find time to attend whisky tastings and seminars, and I read up on as much as possible, no matter where the region [is].

PHOTO CREDIT: Forest Woodward

New York City had the distinct pleasure of enduring pounding winds and rain the entire day Friday, well into the evening. Soon, festival attendees were met with muddy grounds that were speculated to be 6 inches or deeper. With their first attempts at a three-day festival, they went big with Kanye West as a headliner. Despite the mud, GovBall delivered their usual: mainstream musicians and indie bands alike, as well as a plethora of NYC food vendors and attendees from all around the world.

What has been your favorite flavor/food pairing in whiskey cocktails?

Over the years, I’ve been fortunate enough to work with some amazing chefs and bartenders. A few standouts: Pulled Pork in a Johnnie Walker Black Label reduction sauce, Talisker Bloody Marys, and bacon infused Bourbon (thanks PDT). For me, it’s all about taking chances, pushing the flavor envelope and thinking outside the box. Now I’m hungry and thirsty. Thanks! Speaking of pairings: in terms of music, whisky has been the inspiration (and probably the driving fuel) for many, many musicians. Musicians mention whisky in their lyrics, they infuse the word in their band names -- they love the stuff. Can you tell us a few of your favorite songs that remind you of your beloved liquor?

Country music has always been a big part of my life and, needless to say, there are plenty of songs to choose from. “Whiskey River” by Willie Nelson is a classic and “Whiskey Girl” by Toby Keith is my “go to” karaoke song.

Finally, what’s your favorite whisky and/or whisky cocktail? How do you take it? I recently had the pleasure of meeting Chef Thomas Keller and he said (forgive my paraphrasing), “When choosing where to dine, the most difficult decision is not where to dine, but who to dine with.” I feel the same way about whisky. It’s about where I am, who I’m sharing the whisky with, the mood and the occasion. This summer, I’ve been obsessed with ginger

beer, so I’ve been sharing a lot of George Dickel #8 and ginger beer cocktails with friends. Some of my other go-to whiskies and cocktails that I love to share are: Bulleit Rye Manhattans, Bushmills 16, Johnnie Walker Black Label, George Dickel #12 and Crown Royal Reserve.

“One More Chance” 1 ¼ oz. George Dickel Rye

¼ oz. Gran Classico Bitters

½ oz. Grade B maple syrup ¾ oz. lemon juice

1 orange half wheel

The Lumineers

(THE GOVERNOR’S BALL CONTINUED)

festival review : the govern0r’s ball

Swear and Shake

Kanye west

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Q & A with Cultfever to Swear and Shake Our buddies Tamara and Joe, better known as Cultfever, are big fans of Swear and Shake. So we handed over the interview reigns and this is what came of their encounter. Check it out: CF: Donkey Kong or Mario Kart and why?

[Kari Spieler:] I DESTROY everyone in Mario Kart and I’m happy to say I do it with Princess Peach. It’s the best. CF: Any pre-show rituals? Do you guys rub each other’s bellies or something?

[Kari Spieler:] We all warm up in different ways about an hour before the show. I have funny looking vocal exercises that I do, but just before we go on stage, we do what I like to call, “All Points In.” Everyone puts their hands, fingertips in, to touch and then we curl into each other. Then someone says something ridiculous, we butt heads, and hit the stage. It is as ridiculous as it sounds. CF: We’ve noticed that three-fourths of the band invested in matching suits. How high are the dry-cleaning consequences after a stunt like that? (They look great, by the way).

[Adam McHeffey:] My dad always wore a suit to work, so I figured I should do the same. The dry cleaning only gets done when we’re home. Other than that, I keep a sewing kit handy, and I iron the pants and jackets whenever we’re at a hotel or a friend’s house for more than a couple hours. The shirts get oxi-cleaned as often as possible, which is about once a week. CF: Is our assessment correct that your song, “The Promise,” is in fact about murdering and then Frankenstein-ing someone you love?

[Adam McHeffey:] That’s correct. Actually, “The Promise” is probably the most emotionally twisted, someone-else’sfirst-person-perspective song I’ve ever penned, but it’s a lot easier to say it’s about Frankenstein’s monster.

yeasayer CULTFEVER

CF: So, “The Fire.” It’s a virginity song. Are we hot or cold? [Kari Spieler:] So cold. “Fire” is not a virginity song. It’s about being in love with someone who isn’t quite ready to love you back, but you know one day the stars will align and you’ll be together. Creepy, right?

CF: “Marbles” is one of our favorite songs. Have any of you actually shot marbles? Or, ok, better question: What do you guys do to pass the time on tour? We noticed a new tattoo on the roof of your van...

[Adam McHeffey:] Yes, to shooting marbles. But it’s been a while. We actually started selling marbles at the merch table as well, but it’s impossible to play without a cat’s eye. Otherwise, we pass time doing all sorts of different things. It’s true I’ve been painting a traditional tattoo-inspired piece on the roof. It’s one of the biggest paintings I’ve ever done. I use an alkyd-based Rustoleum paint to ensure that it’s weatherproof. CF: Venues or festivals? Is one better or worse, or are the experiences completely on different levels?

[Kari Spieler:] They are totally different. Indoor music venues are cool because they’re much less hectic and a bit more organized. Festivals are fun because you get to see a lot of music as well as perform. Sometimes you get to meet your heroes in the backstage area. It’s cooler to meet musicians you admire when you’re playing the same festival, ‘cause you get to be all like, “Yeah, I’m in a band. We played earlier.”

nas

haim

festival review : Bonnaroo

zz top

jack johnson

wu-tang clan japandroids

BONNAROO “The O.G.” Manchester, Tennessee JUNE 13-16 2013 PHOTO CREDIT: Jeff Kravitz for FilmMagic and aerial shot by C. Taylor Crothers

Jim james and billy idol

In its TWELFTH go ‘round, Bonnaroo is one of the oldest running festivals in existence. They do it big in every way that matters: huge square footage, 120,000+ attendees, major headliners and special guests. Among those special guests and headliners were big names like Paul McCartney, Bjork, R.Kelly, Billy Idol and more. In four days, they present a festival that tickles multiple senses and sensations. This festival experience not only inspires so many of the festivals now in existence, but also gives back to contributors and Coffee County, Tennessee where they are located every year.

bjÖrk

the xx

Elijah wood on the turntables

AZEALIA BANKS

XO No. 19 THE UNDER THE SUN ISSUE

Karen O of the Yeah Yeah Yeahs

FIREFLY “The Party in the Woods” Dover, Delaware JUNE 21-23 2013

festival review : firefly

KENDRICK LAMAR

PHOTO CREDIT: Theo Wargo for Getty Images

The Roundup: Firefly partied for its second time around this year and made a huge jump from 30,000 attendees to 80,000+. With an additional day tacked on, the festival made some ambitious leaps. While the weather held up until the third day, there were major issues the first day in terms of traffic control and many (like me!) missed most of the Friday performances. Overall, Firefly delivered legends like the Red Hot Chili Peppers, Public Enemy, Tom Petty and the Heartbreakers along with a solid roster of indie acts like MGMT, Edward Sharpe and the Magnetic Zeros, Crystal Fighters, Chvrches and many more to the tiny city of Dover, Delaware.

PUBLIC ENEMY

EDWARD SHARPE & THE MAGNETIC ZEROS

ELLIE GOULDING

CALVIN HARRIS

TOM PETTY

EDWARD SHARP & THE MAGNETIC ZEROS

SILENT DISCO

XO No. 19 THE UNDER THE SUN ISSUE

winter in summer

top Left Slip : Day Birger et Mikkelsen Jumper : Maison Scotch Coat : Denham Trousers : Shakuhachi Necklace : Kara Ross Bracelets : Kara Ross Rings : Bill Shinner Hat : Stylistâ&#x20AC;&#x2122;s own

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Bottom Right Coat : Won Hundred Hat : Stylistâ&#x20AC;&#x2122;s own

Dress : Andrew Majtenyi Gilet : One Teaspoon Necklaces (Top to bottom): Fiona Paxton, Pyrrah

nomadic

Summer Winter (or in some places, the rainy season) occurs in the Southern Hemisphere whilst the summer occurs in the Northern Hemisphere. Take a second with us to acknowledge how the other half lives and wrap up warm with our modern, nomadic style.

Photographer : Marc Pritchard

Make-up : Jennifer Parker

Stylist : Charlotte Holt

Model : Rosie at Select

Hair Stylist : Alex Szabo

Shirt : A la Disposition Poncho : Dagmar

Leggings : Ivana Pilja

winter in summer

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XO No. 19 THE UNDER THE SUN ISSUE

T-shirt : Helen Steele Leggings : Helen Steele Leather jacket : One Teaspoon Necklace : Fiona Paxton Bracelets (L-R) : Love Bullets, Delphine-Charlotte Parmentier Rings (L to R) : Love Bullets, Pyrrah Earring : Merle Oâ&#x20AC;&#x2122;Grady

Shirt : Baum und Pferdgarten Dress : Super Trash Cardigan : Samsoe o Samsoe Leggings : Baum und Pferdgarten Scarf : Maison Scotch Necklaces : All Love Bullets

Shirt : Billionaire Couture Gilet : 2nd Day Necklace : Fiona Paxton

Shirt : A la Disposition Gilet top : Bora Aksu Trousers : Edwin Necklace : Kara Ross Rings (L to R) : Love Bullets, Bill Shinner

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XO No. 19 THE UNDER THE SUN ISSUE

A call to arms

Photographer: Merry Phillips Stylist: SUZIE STREET Stylist’s Assistants: Bola Odusina and Danni Ressi Hair and Make up: Solo James using Dermalogica & Bobbi Brown

Left & top Left:

Top Right:

LEATHER HARNESS: UNA BURKE NECKLACE: IMOGEN BELFIELD LEATHER BUSTIER: MINK PINK TROUSERS: GEORGIA HARDINGE NECKACE (WORN AS BELT): MAWI RING: CARDINAL OF LONDON

DRESS: GEORGIA HARDINGE GOLD CUFFS: COCO DE MER NECKLACE: COCO DE MER NECKLACE: MAWI BRACELET (ON NECKLACE): RACHEL ENTWISTLE

Bottom Left: DRESS: DZHUS NECKPIECE: JANE BOWLER BRACLET CUFFS: MERLE O’GRADY SHOES: DUNE

warrior

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NECK CUFF: COCO DE MER JACKET: MALGORZATA DUDEK WRIST CUFFS: COCO DE MER SHORTS: MALGORZATA DUDEK SANDALS: ANCIENT GREEK SANDALS FOR MARIOS SCHWAB

NECK CUFF: COCO DE MER JACKET: MALGORZATA DUDEK WRIST CUFFS: COCO DE MER SHORTS: MALGORZATA DUDEK

LEATHER TOP: MARYLING LEATHER HARNESS NECKLACE: FRAULEIN KINK X LASCIVIOUS NECKLACE: MAWI BLACK CAPE: PAOLA BALZANO SHORTS: ADA ZANDITON CUFFS: MARIA PIANA

TOP: TODD LYNN SKIRT: TODD LYNN NECKPIECE: UNA BURKE ARM CUFFS: MARIA PIANA

XO No. 19 THE UNDER THE SUN ISSUE

SPOTLIGHT : BEATY HEART & SOFAR SOUNDS

SPOTLIGHT:

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Beaty Heart & Sofar Sounds WORDS | Kian Esmaeili and Moeima Dukuly

Beaty Heart is a trio of handsome lads who focus on what many would argue drives much of great music today and years past: drums. Each member of Beaty Heart plays the drums and what they create is a sound that holds the heart and mind hostage. With their unique approach to music, the boys venture at creating music that is without any sense of time or genre.

We were graciously invited to the May 21st Sofar Sounds event in Cole Haan’s New York corporate offices. Sofar Sounds is the team that organizes small shows all over the world for those with a true appreciation for live music. The unpretentious crowd was a refreshing change and they embodied the audience that Sofar Sounds caters to. The hostess for the evening was Jodie Belman, who went out of her way to greet me and offer help to a face she had never seen. Her genuine hospitality set the tone for the evening, and this mix of considerate and cool is what has made Sofar sounds so inimitable among

the many shows and series throughout the city. The evening began with Jet Boy Records’ newest addition Beaty Heart with a modern West African feel, followed by jazzy and soulful quartet Aabaraki. Then, Firehorse stepped on the stage and created stillness in the crowd with her commanding and hearfelt solo set. Afterwards, we were treated to an upbeat and skillful surprise performance by Topaz Jones, followed by headliners Seryn, who closed the show with a forceful and impressively tight and layered set. If you’re lucky enough to go, the mellow vibes of Sofar Sounds will leave you excited, thankful and ready for another.

If you’re lucky enough to go, the mellow vibes of Sofar Sounds will leave you excited, thankful and ready for another.

XO No. 19 THE UNDER THE SUN ISSUE

big deal

Five Minutes with

BIG Deal SU MME R review

Transatlantic pop-rock-and-roll duo, Big Deal are back with their new album June Gloom. Hot off the release of their new video ‘In Your Car,’ XO got a chance to chat with Kacey Underwood about what inspired the album, touring and what is on their summer playlist Words | Le’Keisha Sims

What were some of the major elements you guys explored that influenced June Gloom?

A mix of our childhood and what has happened in the past couple of years since forming the band. Trying to make sense of one and peace with the other. On the sonic side, we allowed ourselves much more freedom in adopting a full band sound.

to be honest, there wasn’t a whole lot that we were searching for. We knew what we wanted to do, so what was left was finding the best way to do it. That turned out to be working with our friends, Mel Rigby and Huw Webb, who happened to be fantastic musicians as well.

How did the title June Gloom come about?

arewhy we started the band… I imagine [that’s] why most musicians do, too. Aside from that, it was just a lot of driving and I almost got arrested a couple of times. We are not a wild bunch, but we just seem to have a knack for it.

It was on the tip of our tongues. I had a lot of weird puns in mind, but we went with June Gloom because it had that feel to it that we relate to. On your first album, your sound was very distinct and sonic, primarily being vocals and electric/acoustic guitars. With June Gloom, you guys added a few more sounds to the instrumentation. Did you experiment a lot before recording, or did you know exactly what you wanted to add after the recording of your first album? We did some experimenting with drum machines when we started writing it, but,

You are currently on tour, how has that been?

We just got back, actually. It was a roller coaster. Some really amazing shows, getting to meet people who are excited about music, and connecting with people

What are a few things that are must-haves for you on tour? Alice bought this game called Molki, which is from Finland I think. We hung out with a French band who had a set and it was a nice ice breaker. That’s really what you need on tour. You meet a lot of new people, and that’s not something we are very good at. Also -socks.

What music will you be jamming out to all summer long?

We listened to Mac Demarco’s record a lot on the long drives. European radio is wild; you hear all kinds of regional pop songs you never would otherwise, which is a double edged sword as about ninety percent of them are like being in a dentist chair.

XO No. 19 THE UNDER THE SUN ISSUE

Much Love, Homie: RapGenius and the Birth of a Social Phenomenon SU MME R review

Words I Jessica Schink

Think Ivy League-educated Brooklyn hipsters with mile-high coiffure and Ray Ban Wayfarers glued to their faces. Now give them millions of dollars. This is the image that the three founders of the breakthrough site RapGenius present to the world. People have called them everything from “Jean-Ralphio” wannabes to “white devil” sophists and they openly acknowledge that everything they do is “for love.” So why should we take the young men of RapGenius seriously? They’re the new faces of social media; that’s why. With $15 million from investment firm Andreessen Horowitz, 25 million site users, and new affiliated sites launching every day, RapGenius is still on a steady ascent to the top. I chatted with co-founder Mahbod Moghadam, who claimed that they will soon be bigger than both Twitter and Facebook. I guess we’d better get on board for a long ride.

Illustration i Phil Morgan

the new Kanye album (which the American Civil Liberties Union recently annotated on the site) to Classic Greek texts. On RapGenius, the lyrics are posted with rollover text that allows you to see site users’ interpretations and explanatory images for each line. This is different from other lyric or general reference sites such as SongMeanings.net, SparkNotes, or Wikipedia because the authors and artists have verified pages from which they can annotate their own work. Common, GZA, Snoop Dogg, and Azealia Banks, along with many other musicians, are all verified site-users. RapGenius also allows independent artists to put up their own work in hopes of promoting themselves and getting feedback from their peers. Moghadam is a hip-hop artist himself and posts his work on the site under the stage name Maboo. RapGenius is truly a great website for those who are passionate hip-hop fans, budding intellectuals, or simply curious outsiders. In case you still haven’t heard of it, RapGenius is a network of websites that allows RapGenius is the brainchild of past Yale the Internet public to annotate everything from classmates Tom Lehman, Mahbod Moghadam,

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and Ilan Zechory. After discussing the mistaken meaning of a Cam’ron lyric, the boys decided to create a website for their friends to post and annotate the lyrics of their favorite rap artists. “It started as a blog,” Moghadam told me. Now, he said, “it’s the blog of 25 million people.” Why did it start as a site for decoding rap lyrics, as opposed to any other music genre? Frankly, it’s because they made the site for themselves and rap is something for which they share a genuine passion. Tom learned some computer programming at his first job after college at D.E. Shaw and that began the evolution of the site into what it looks like today. For the first year, they had been receiving “angel” donations from Ashton Kutcher and other celebrities. After a year and a half, they received their first official investment from Y-Combinator. Now, they’ve scored some real money from Andreessen Horowitz and the business is expanding into new websites and international employees. As for why a major investment firm would give these apparent goofballs $15 million probably has more to do with their chutzpah than their business model. Ben Horowitz is a hip-hop fan, but Lehman, Moghadam, and Zechory also seem to have met three of his primary criteria for investing in a start-up company, according to his February presentation at the DLD conference in Munich. RapGenius is a “breakthrough idea” that “seems crazy,” and the entrepreneurs exhibit plenty of courage. When I first heard about RapGenius, I was really excited about the prospect of people coming together to analyze hip-hop like any

other literary form. In my head, I envisioned a modern-day cyber version of the artist salons in turn-of-the-century Paris. Moghadam had his own view on this, arguing that “RapGenius is the free university… [it’s] like college.” He told me that it’s sort of like those Parisian artistic circles in that it’s made up of “people who want to party and hook up.” So… it’s not exactly the intellectual haven I envisioned. But, he mused, “isn’t that what intellectualism really is – a bunch of people trying to have fun?” Maybe. Moghadam sees himself as performing a classblind service to society by providing educational tools for free. “I’ve worked for non-profits before,” he said, but he lamented that these organizations are often just as much a product of the class divisions that they’re trying to ease. The RapGenius team, on the other hand, according to Moghadam, “are not doing it for the gala events… but mostly for the love.” The RapGenius philosophy implies that love and fun are the main motivating factors driving their business. Doing things for fun has not always made the best impression of them on the media. They’ve admitted to crafting personas for themselves, making sunglasses and skinny jeans their version of Mark Zuckerberg’s hoodies and sandals. Moghadam in particular has gotten himself into trouble with the public by allegedly suggesting that Zuckerberg should ‘suck his dick’ (this turned out to be a misunderstanding) and posting an awkward, shirtless freestyle video in response to rap group Das Racist referring to RapGenius as “white devil sophistry.” On these matters, he told me, “I was trying to [carry on the tradition of] ‘beef’ like in hip-hop culture, but of

As for why a major investment firm would give these apparent goofballs $15 million probably has more to do with their chutzpah than their business model

course journalists took it really seriously.” Now that they’ve received such big investments, he said he’s cleaned up his act a bit. Still, he can’t seem to stop proclaiming that RapGenius will surpass both Facebook and Twitter in users and social significance. As for the hip-hop blogosphere’s accusations that the RapGenius boys are engaging in cultural tourism, Moghadam argued, “I’m not white… I used to get made fun of in school [for being Persian].” He said that, “At first, we called ourselves outsiders [to hip-hop culture] out of modesty,” but they never saw their race as an issue. Really, being white or not white isn’t what keeps getting them negative attention for running a hip-hop website. The problem is that these young men of privileged background say things like, “We don’t have to do this for money; we were rich before we got investors,” but then they do profit from a culture that originated in a lifestyle they will never understand. Whether one can truly “get” hip-hop regardless of race or class is perhaps something that the community needs to work out. Either way, the numerous artists with RapGenius accounts seem to have embraced the site, so why shouldn’t we? Despite the criticism against them, and the caricatures they have made of themselves, the co-founders of RapGenius are contributing positively to society. Their passion in their

Rap Genius

project is real and their love for art is deep. The site has recently expanded beyond hip-hop with two spin-off sites, PoetryGenius and NewsGenius. They are currently developing a collaboration with Columbia University to use RapGenius in literature courses, and they briefly collaborated with NYC Public Schools and GZA to use RapGenius as an educational tool for science classes. Moghadam commented that he was disappointed with the results of the latter because he wanted the students to be able to make their own accounts and use the site themselves, but he still wants to work on incorporating RapGenius into schools. When asked about the future of RapGenius, Moghadam responded, “I would love to get ArtGenius started up” which would be a revolutionary, free Art History resource. He would also like to see someone start collecting and annotating lyrics for future sites like CountryGenius or even HouseGenius. The possibilities are literally endless because RapGenius’ work is based entirely on the desires of its users and the whims of its creators. As music continues to evolve and those creators sculpt their identities, the days of uncertainty with lyrics are gone and listeners can find clarity in RapGenius.

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Meet Phlo, the 22 year old, a beautiful Compton-raised beauty who has adopted Diana Vreeland’s term youthquaker as her own. Her adoration for 60’s aesthetics and love for old time glamour inspired us to dress up Phlo in modern fittings styled with a retro edge to produce a look that is an homage to decades past. In this brand new feature, Phlo provided a soundtrack and sentiments, inspired by the wardrobe we styled her in. 1. Audrey Hepburn - Moon River I love creating my own environments and Living out my inspirations. In my West Hollywood apartment, the kitchen was painted Tiffany Blue and one of my favorite films is Breakfast at Tiffany’s, so whenever I’m alone, I enjoy listening to ”Moon River.” It puts me at ease with being alone while drinking a nice cup of tea as the sun rises to start my day. 2. Velvet Underground - Pale Blue Eyes

One of my favorite classic bands is the Velvet Underground, Lou Reed is the greatest story teller to ever live. The song “Pale Blue Eyes” reminds me of waking up in the morning alone to get dressed for my day, except I’m in the 60’s and I’m walking the streets of New York bare foot in a striped shirt & black tights. 3. The Dixie Cups - Chapel of Love

Alongside Lou Reed, Jeff Barry is also one of my favorite writers of all time and whenever I listen to the Chapel of love, I think about young marriage and being the lead singer in an all girls band from the sixties.

Dress: Shakuhachi Earrings: Finchittida Finch Photographer: Darren Black Styling: Jaime Jarvis

Styling Assistant: Jess Foster

Makeup: Laura Forrest using MAC

Hair: Niki Black using Paul Mitchell Shot at Cherrybomb Studio, UK

XO No. 19 THE UNDER THE SUN ISSUE

4. Nico - Chelsea Girls I love Andy Warhol's film Chelsea Girls. The colours are amazing and are the inspiration behind my collection of mod dresses. When I listen to Nico sing the Chelsea Girl song it makes me wanna put on my favorite vintage mini dress and sit in front of my vanity mirror and put my make up on. 5. The Turtles - Happy Together

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The song “Happy Together” is one of those songs that makes you feel bittersweet about love. I day dream about being on the back of a motorcycle in my leopard print coat and smoking a cigarette as the man of my dreams takes me away to an unknown place. 6. The Zombies - Time of the Season

Takes me visually back to a time in the swinging sixties when mod girls were running the streets, dominating the fashion scene and dancing in swim suits on the beach at night. 7. Janis Joplin - Summertime

Janis Joplin is the greatest female blues singer of all time. Her raspy voice is southern comfort. I feel warm inside when I listen to the song “Summertime.” It’s like taking a shot of Jack Daniels. 8. The Doors - The End

Dress: William WIlde Bracelet: Mawi Ring: Mawi

The haunting sound of Jim Morrison’s voice can make any girl feel like she’s died and gone to heaven. When I listen to “The End,” I think about entering the gates of heaven and seeing Jim Morrison and having sex with him.

Cropped jumper: Topshop Skirt: Topshop Necklace: Mawi Earrings: Disaya

Phlo Finister

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From deep within the earth…from amongst the mud and the molten lava, - liquid metal and precious gemstones form and merge, to create hotter than hot jewellery this season. Make a wild and raw style statement by wearing these timelessly bold pieces on bare skin with just a hint of leather. Utterly wearable. Breathtakingly unforgettable.

Rings (On left hand from left) Ring 1: Silver ring, Maison Scotch Rings 2: Band rings, Hannah Warner Ring 3: fools gold silver ring by Imogen Belfield Ring 4: Silver band ring, Hannah Warner Triangular Earrings: Maria Francesca Pepe Rings (On right hand from left) Ring 1: Silver ring, Maria Francesca Pepe Ring 2: Silver Lizard Skull Ring, Hannah Warner Ring 3: Gold ring, Hannah Warner Black Shiny Leather top: Malene Oddershede bach RIGHT ‘Fool’s Gold’ Ring – Imogen Belfield

Photographer: Nathan Pask Creative Direction: Rachel Holland Stylist: Rachel Holland Make-Up Artist: Holly Silius using Caudalie & MAC PRO

Hair Stylist: Ranelle Chapman using Bumble and Bumble Nail Artist: Helen J at SixtyOne, using HJ Manicure Photographers Assistant: Andras Bartok Stylists Assistants: Noelia Santa Garcia & Daria Modeykova

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Leather Jacket: NapSugar Von Bittera Cross Earrings: Hannah Warner Collar Necklace: Maria Francesca Pepe Charlotte Silver Spike Cuff: Hannah Warner Silver Bangle: Felicities Rough Silver bangle: Maria Francesca Pepe Silver Chain bracelet: Maria Francesca Pepe RingS (On left hand from left) RING 1: Imogen Belfield Ring 2: Silver band ring, Hannah Warner Jewelled Bag: Bracher Emden Rings (On right hand from left) Rings 1: Stacked rings, Hannah Warner Ring 2: E Ring - Pyrrha Ring 3: Large tree ring - Pyrrha H&H Black ruthenium thistle nails

MOLTEN

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Earrings: Flower gemstone earrings with teardrop by ‘Mawi’ Necklace: ‘Pretty in Punk’ Ornate leaf necklace with Crystal Tier by ‘Mawi’

Liquid Gold Dress: Arjan Bagh Necklace: Fiona Paxton collar necklace Cuff Bracelet: Merle O’ Grady Gold Rings (From left): Ring 1: Gold Spike ring, Majdan Rocks Ring 2: Matthew Campbell Laurenza Ring 3: Imogen Belfield H&H GOLD rose thumb nail

Laser Cut Leather Jacket: NapSugar Von Bittera Bronze Necklace: Imogen Belfield Bronze bracelet (just seen): Maria Francesca Pepe Ring at top: ‘Caged finger’ ring, Hannah Warner Ring at bottom: Imogen Belfield Silver Clutch Bag: Matthew Campbell Laurenza

Collar Necklace: Sorapol Metal Knuckle Rings, both: Hannah Warner

MOLTEN

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LEFT: Navy Slip Dress: Felder & Felder Bronze Clutch Bag: Matthew Campbell Laurenza Statement knuckle duster ring: Imogen Belfield Gold Bracelet: Imogen Belfield Mouse Skull Earrings: Hannah Warner Twin Skull Necklace: Julia Burness H&H black ruthenium multi thorn nail Right: Gold Hooped Earrings: Bill Skinner earrings Necklace: Hexagon foil and hammered box necklace by ‘Mawi’ Cuff: Single hexagon foil and pave cuff by ‘Mawi’ Slope & Spike Gold Rings: Majdan Rocks

MOLTEN

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MINERALIZE Photographer: Christopher Sims Stylist: Rachel Holland Make-Up Artist: Michelle from 1st option using Mac Pro Hair Stylist: Luke Pluckrose from Saks Art Team Photographers Assistant: Nick Thompson Stylistâ&#x20AC;&#x2122;s Assistant: Daria Modeykova Make-Up Artists Assistant: Lyndsay Jenkins Post Production: 55factory Photographed at 55 Factory Studios

Red Dress: Bernard Chandran Black Sunglasses: Emmanuel Katsaros Pink Clutch Bag: Feather M White Dress: Kirsty Ward White Bag: Bracher Emden White Sunglasses: Emmanuel Katsaros Black Mesh & PVC Shirt: Kirsty Ward Blue & Orange Bangle: Kirsty Ward Blue & Orange Necklace: Kirsty Ward Blue & Orange Earrings: Kirsty Ward Clutch Bag: Matthew Campbell Laurenza

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‘Thomas Tait Sadzies’ Sunglasses with Green Lenses: Cutler & Gross Glitter Bug Clutch Bag: Mawi Silver Leather Jacket: Tramp in Disguise Drop Earrings: Merle O' Grady

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Yellow Sunglasses: Emmanuel Katsaros Pave Hexagon Pink Clip Earrings: Mawi Bodysuit: Samsoe & Samsoe Jacket: Nova Chiu Black Satchel with Pink Neon Trim: Kate Sheridon Orange Headphones: Urbanears

Pink Headphones: Urbanears Neon Rocks Earrings: Mawi Ring: Merle Oâ&#x20AC;&#x2122; Grady Jacket: Maison Scotch Grey Mini Skirt: American Apparel

Yellow Top: Marc Cain Yellow Skirt: Samsoe & Samsoe Neon Rocks, Yellow Spike Ring: Mawi Yellow Bag: Bracher Emden Yellow Flower Hat: Alexandra Harper

Headpiece: Little Shilpa Yellow Sweater: Marc Cain Denim Batwing Top: Christopher Waller Neon Yellow Ring: Angelica London Neon Chain Necklaces: Angelica London Bag: Kzeniya

XO No. 19 THE UNDER THE SUN ISSUE

3D SANGRAR Printing

understand and be able to create all the different file formats. People seem to forget all of that and what it actually takes to create something in 3D. This is not a simple thing that your grandma can do.”

Interview and Words I Freya Hill The DIY production of a 3D printed gun (titled, of all things, ‘The Liberator’) was bound to cause goose pimples down the public’s spine.

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But as Dr. Sabine Seymour, Chief Creative Director of Moondial: a Canadian textile and wearable technology company explained, “We have a very small percentage of people who are willing, able, capable and interested in doing it themselves.” (I know we learned never to start a sentence with the word “but,” but I think this opening paragraph needs to be split into two separate sentences, so let’s take some creative liberty with that one.

Perhaps, the natural challenging aspects of this process and machination is why the fashion industry has taken to 3D printing like a duck to water; fashion is a creative specialism known for breaking expectations and delving into new and exciting technology territories. Who remembers Crystallization by Iris van Herpen? The sculptural collection was the bi-product of van Herpen, .MGX by Materialise and artist Daniel Widrig’s encounter with three-dimensional printing. And that was a visual success, with its backless bodices reminiscent of feathers. The collaboration between a designer and artist to produce a 3D printed form is an investigative procedure that Sabine Seymour has found herself submerged in. “I’m cochairing and lead consultant on a project called ‘Computational Fashion’. What we do there is choose two projects per year to be developed. We choose a fashion designer, scientist, technologist - you name it - to create projects about computational fashion. Currently we have a scientist that specialises on battery development. Really forward thinking in the context of fashion.” Seymour continued, “We have another project where we have the creation of a wearable games controller. It’s literally for gaming. You wear this controller.”

We have another project where we have the creation of a wearable games controller. It’s literally for gaming. You wear this controller.

3D printing, as you may or may not know, has been a method of manufacturing since the mid eighties(vague—how much time?). In the automotive industry, high performance thermoplastics are used to prototype semi-truck fenders, duct outlets and dashboards. As well as in medics, prosthetic limbs, bionic ears, even organs have been constructed with the aid of 3D printing(sentence fragment... I know what you meant, but you need to put a verb in here for clarity). Most recently -- a first for our developing world -- doctors saved a young boy’s life by creating miniscule plastic airway splints and inserting them into his throat to strengthen his ability to breathe. It’s funny how most of us are unaware of this story, but the gun made national headlines. Yet, the question beckons, how much do we really know about the process?

“3D printing as an industry has been around for many, many years. It is now a consumer endeavour because of the things that arose over the last year, such as smaller DIY systems,” explained Seymour. “But 3D printing is not just printing,” she continued. “You have to understand the material you work with, you have to

Seymour rightly explained that 3D printing has the ability to become a ‘disruptive technology in the manufacturing process, maybe not for everything, but for some products,’ causing us to question the position it will earn in the future. Could this become a technology accessible during compulsory education? At the moment, it is a given at art schools, although Seymour pointed out that it would be far more advantageous if it was an inter-disciplinary technology

that’s available before university level. Or, in twenty years down the line, how many of us will find joy in printing our own stylish creations, and will we have to be part of a large organisation in order to access file-making technology, let alone the printer itself?

“We need to think how that impacts the manufacturing of the future,” Seymour stated. “It’s important to understand that we can create certain shapes and patterns with 3D printing that we cannot with traditional craftsmanship. However, traditional craftsmanship is probably more appropriate for a lot of other things. We have to be very contextual.” So, are people reacting to 3D printing with interest, or a sceptical mindset? “Today, very interestingly, people see [3D printing] as a huge advantage. The ability to actually create a prototype of an encapsulated piece of technology that you then integrate onto your fabric, or onto your garment, is definitely very appealing.” In recent weeks, established editorials have

suggested that DIY 3D printing is flawed because consumers will soon be able to print out their own items that will prove detrimental to society (not just guns, but replica designer items such as sunglasses). However, taking into consideration that from the moment a brand conceives an idea for 3D printing there can be a following developmental stage that can last between three and five years, or in some markets, 18 to 36 months, “It very much depends on which demands the clients have in order to get things onto market,” Seymour argued. “But,” she said, “because we’re dealing with fashion, technology and science, we are dealing with three different perceptions of time” – We can’t help but wonder, is 3D printing something about which members of the public are actually acutely ignorant? Producing a three-dimensional product requires so much more than pushing print and watching an item evolve from your HP Laser Jet. As Sabine Seymour quite rightly concluded, “It’s the whole process, not just the printing.”

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Jumper: American Apparel Bikini Bottoms: Topshop Sunglasses: Topshop Necklace: Kenneth Jay Lane

Photographer: Daniel Sims Stylist: Sophie Parker Stylistâ&#x20AC;&#x2122;s Assistants: Emma Jacobs Wasabii Ng Make-Up: Kelly Mitchell using Bobbi Brown Hair: Tuesday-Rose Mullings Models: Franziska Klein at Models 1 Mimi at Nevs Models

Top Jumpsuit: ASOS Bikini Top: Cheap Monday @ Urban Outfitters Hat: Pachacuti

Jumpsuit: ASOS Bikini Top: Cheap Monday @ Urban Outfitters Hat: Pachacuti

Bottom T-Shirt: American Apparel Skirt: American Apparel Bikini Bottoms: Cheap Monday @ Urban Outfitters Necklace: A Beautiful Story Earrings: Vintage

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top left & right Swimming Costume: American Apparel Dress: American Apparel Necklace: & Other Stories

Playsuit: ASOS Bracelet: (Just seen) Topshop

Top: Bikini Top: H&M Bracelet: Topshop Earrings: ASOS Playsuit: ASOS

Bottom Right: Swimsuit: Topshop Sunglasses: Topshop

Bottom Left: Bikini: Urban Outfitters Shirt: American Apparel Earrings: Vintage

XO No. 19 THE UNDER THE SUN ISSUE

New Waves with

surfer Blood

Summer. Music. When you put together a great summer playlist, it usually embodies everything you could imagine your perfect summer to be. But what’s it like bringing music to the masses and creating a summer album? XO’s editorial director Moeima Dukuly raps with John Paul Pitts (better known as JP) and Tom Fekete of Surfer Blood about tough tour schedules, making a label-backed sophomore album, the love (or loathe) of the summer sun and what’s allowed them to learn, grow and build up those Pythons. MD: Let’s talk a bit about Pythons [their latest album release]. Tell me what it was like putting together your sophomore album. Sophomore albums can be pretty stressful for bands. Is this the first album you’re putting out with Warner Music? JP: Yes, it is.

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MD: I’m sure that was an added pressure, [dealing with the label]. What was that like for you, putting together songs?

JP: Well, you know, it was a situation where there was definitely more pressure than making Astro Coast. You can’t really compare the two, because they’re two completely different worlds. I think the difference is: this one, knowing we were going to go to a real studio with someone like Gil Norton, we really took the time to write a lot of songs. So, there was a lot more involved before we went into the studio… than there was with Astro Coast. [For Astro Coast], we recorded the first ten songs we wrote and wrote lyrics later and laid out a bunch of guitar parts over it. We had really solid and concrete ideas for songs going into the studio for this one. Tom: All of a sudden, there was this group of people… I mean, I could sit here and say that we had complete artistic freedom, but that’s just not true. We did write all the songs ourselves and whatnot. Nothing weird going on there. But when it came to actually picking songs and who we were gonna work with and whatnot, there was a ton of pressure. It was kind of one of those things where someone would say, ‘You know, it’s your record so do whatever you want… but photographer: Paul Farnham STYLIST: SABINA EMRIT ASSISTANTS: BEMI SHAW, RHIANNA SIMMONS-BARTLEY & DOMENICA SZCZERBA Location one / Graffiti wall location two/ canal

I’m not gonna let you leave this table until you agree with me.’ (laughs) Its definitely different, you know. I would say some people in the band handled it better than others, me being the huge baby hating every second of it. In the end, I am proud of the record.

Tom Shoes – Sperry Polka Dot Jumper / Penfield Black jeans / Edwin

Tyler Shirt / Plectrum By Ben Sherman Jeans / Levis Blue lace ups / Pointer Footwear

JP Kevin Light marl button down shirt / Tears Blue Shirt / Samsoe & Samsoe Jeans / Kill City Edwin Burgundy brogues / Pointer Jeans / XXX Rude Jeans Foortwear Light Grey Brogues / Samsoe & Samsoe

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MD: Tell me about the artwork; why that cover?

JP: That was sort of [drummer] Tyler’s idea. He was the one that came up with the name Pythons. He wanted a picture of a really skinny, young kid. A naïve kid, flexing his muscles in the mirror, fantasizing. The name and the image sounded really good together and it really struck a chord with me the first time I heard it. MD: Touring sounds really, really grueling. What are parts that made you really uncomfortable that possibly you didn’t expect?

JP: It can be tough being a support band, I think. Definitely. Supporting a band who’s doing their own tour, kind of doing their own thing and sort of trying to keep up with them. That can be really exhausting, knowing that it’s not necessarily your crowd every night [that] you’re driving eight hours to play for. I think after a number of weeks, that can be really frustrating.

Tom: Yeah. Exhaustion and lack of sleep and definitely playing to crowds who want you offstage as opposed to onstage can be very difficult, especially

when you do it for months at a time. We’ve actually done that, but we’ve done it overseas as well and it’s kinda like, ok well... now I just have no idea what’s going on, ever. (laughs) Its kinda funny but, the thing about touring is like while you’re on tour, you’re wishing you were home, but you have two days at home and you wish you were on tour again. In the end, it’s what we do and we’ve grown so accustomed to it. I find that no matter how exhausted I am, I miss it within a day or two. It’s so much work, but, in the end, you realize it was very productive. MD: So what do you want at this stage? You’re just starting out at your label, getting your bearings and recognizing what works and doesn’t. What do you want for yourselves for the next year or two, what would you love to have or love to feel from this experience?

Tom: Obviously, longevity and growth are the two most important things. I’m not really concerned with the level of growth, as long as we are growing as a band and we are winning fans over. Whether than means there’s gonna be 100 more fans at our shows this time around, or a 1000, or whatever. As long as that keeps happening, we’ll keep making music.

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XO No. 19 THE UNDER THE SUN ISSUE

We’ve said that a bunch of times before. We’d love for this to be our lives…and we’d love for there to be a demand for us to keeping making records. It’s funny -- when we were making this album, I kept thinking in my head, ‘I hope this really takes off, I hope this becomes a huge thing.’ And then yesterday, I went and I saw Bob Dylan …I saw them at this huge kind of amphitheater type setting. It was so mind numbingly boring. I can’t even describe it. I hated it. I thought, ok, it must be great to be this successful, but… I was thinking back when I saw like Yo La Tengo in a 400 capacity room… you kind of start to realize… you know, I’m not a old man yet and no offense to those bands, but I would love to continue playing these intimate, energetic shows. I could do that for years. What do I care if my record goes gold or not? When we first signed… that’s what was on our minds: we have to sell a lot of records. Now, I don’t really give a shit. As long as people come to our shows, you know?

MD: Right, and you get that feeling. Tom: Yeah.

MD: What do you think about summer? You guys all met in Florida. In terms of summer, you grew up feeling summer all the time – when you tour and see seasons change and experience a fluctuation, does it make you appreciate the sun and the experience of warmth all the time?

Tom: I personally spent the first half of my life in Cincinnati and Nashville. I moved to Florida right at the beginning of high school. So, I do feel like I grew up in Florida. I was very accustomed to seasons changing… and fall was like my favorite thing ever. I moved to New York for a while with my now fiancée and I did not miss the Florida weather at all. When it was winter, I was like, ‘Thank god, I missed this so much.’ I feel the same way about LA; I find myself cursing the perfect weather. That constant blue sky, sunny thing will actually depress me over time. But you talk to our drummer and he’ll say the exact opposite. I don’t know about you, JP.

JP: I don’t know. Winters in Florida are really nice. Summers are brutal… it’s really humid… bugs everywhere…not the nicest place to be in the summer. You actually can’t go outside for most of the day. I personally like the nice weather though. I like the warmth. Tom: I will say there’s nothing like Palm Beach in the winter… it’s absolutely perfect. Low 70s and just sunny… it’s amazing.

inside the pub: Tyler Red and blue patchwork check shirt / Element Europe Blue cords / Ben Sherman Blue lace ups/ Pointer Footwear

Kevin White and grey striped t-shirt / Alban Trousers – XXX Rude Jeans Light Grey Brogues / Samsoe & Samsoe Tom Blue and white crew neck / Worn By Jeans / Edwin Europe Shoes / Sperry

JP Red check shirt / Element Europe (Emerald Collection: Conscious by nature) Black wet look leather detail Jeans / Scotch and Soda Brown desert Boot / Kurt Geiger

La Sirene Words and Concept | Moeima Dukuly

Women are the essence of beauty. It is

that essence that makes a woman memorable, interesting and, most of all, captivating. I appreciate women in all forms and reject the usual ‘standards’ of beauty that may be presented to the masses by way of ad campaigns and the media and believe that seeing is believing. I coordinated this style and beauty shoot, inspired by three beautiful ‘real’ women -- who just happen to be curvaceous, lovely and highly photogenic -- to represent something I see everyday in New York City: incredible, striking beauty. By exposing more true to life images of women, I hope to take confident leaps in the right direction in terms of defining what the standard of beauty is – that is, that there is no standard. Beauty morphs and lies in the eye of the beholder. These women were my inspiration in every way from their attitudes, their style and their bodies and they personified my idea of a siren: bold, fearless and undeniably beautiful. Photographer: Mae Richards Models: Drew Citron Irena Lasenby Brittany Button

Drew Height: 5’9 Bust: 40 Waist: 28 Hips: 39

XO No. 19 THE UNDER THE SUN ISSUE

Brittany

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Height: 5’9 Bust: 45 Waist: 34 Hips: 46

Irena Height: 5’5 Bust: 37 Waist: 29 Hips: 40

la sirene

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XO No. 19 THE UNDER THE SUN ISSUE

la sirene

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portrait of an artist

Portrait of an Artist For the creators who see so much in the world around them, its rare to have the chance to witness their perspectives of themselves. XO asks a few photographers to present self-portraits and turn the lens around, along with questions to gain insight into the mind of these artists.

Your full name. Tom Hoops

Where do you live/ where are you based?

For the time being I flit between Bangkok and London What keeps you awake at night?

Work and travel; I work through till early morning on most days. Witches used to scare me and keep me awake at nights, but I think I’m over that now What kind of creative patterns, routines or rituals do you have?

I’m not sure I have any, other than getting rather fond of some lenses over others. I use manual focus lenses almost exclusively, even with digital cameras. Other than that, I have no rituals; I like to try new things and experiment [with] different ways to light, shoot, and edit.

Who/what has been your biggest motivation and inspiration to date?

You know, it’s only very recently [that] I have begun to think about where all this has come from. When I was a teen, my bedroom wall was plastered with portraits from fashion magazines like The Face. I also used to sketch peoples’ faces almost daily. These are all things I had almost forgotten about, but all of which contribute to my work now, so, in that sense, those would be major inspirations. In terms of motivation... until 7 years ago, I was doing a job I didn’t like, [and] when I picked up a camera, I knew finally what I should be doing and it went from there. To be doing something you love for a living is motivation enough, I think. Is there a creative medium/way of working that you would love to pursue but haven’t yet? I think I would like to find some obscure film techniques and try them out, or perhaps also play with ways of changing film negatives.

Find more of Tom’s work here: www.tomhoops.com

XO No. 19 THE UNDER THE SUN ISSUE

portrait of an artist

Your full name.

Kelsey MacFarlane Benedetto

Where do you live/where are you based?

NYC

Where are you from?

New Jersey

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Describe your work in 20 words or less. Portraits. Surrealistic and superreal.

What did you originally want to be as a child? Madonna

If you were forced to pick one inanimate type of object to photograph for the rest of your life, what would it be (i.e. books, windows, swing sets)?

The pages of people’s diaries

Name a few of your guilty pleasures.

I try not to feel guilty about pleasure.

What body part do you most admire/appreciate on the opposite sex? Is this a trick question?

Find more of Kelsey’s work here: www.kelseybennett.com

Your full name.

Christopher Hench

Where do you live/where are you based? London

Where are you from? Born and raised in Pennsylvania, USA.

What did you originally want to be as a child? As a child, I wished to be an artist of some sort. I just wanted to play my entire life.

What keeps you awake atnight? My mind.

What is the most inspirational country that you’ve ever visited? To be honest, everywhere I visit is an inspiration of some sort. Anything foreign to me can bring inspiration.

If you were forced to pick one object to photograph for the rest of your life, what would it be (i.e. books, windows, swing sets)? Flowers. Flower symbolism, from sexual to emotional, is enough of a reflection of human life to consume a lifetime expressing. Find more of Chris’ work here: www.christopherhench.com

Soaring birds on False Creek. Envolée d'oiseaux à False Creek.

Celine Pinget

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Spring Time Printemps

Legs and ladder. Jambes et echelle.

Tree. L'arbre.

Fog on Commercial Drive. Brouillard sur Commercial Drive.

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The House of Cleveland Dam. La maison sur l'eau de Cleveland Dam.

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Hot Art : 4 artists, 4 cities As we bathe in the sun, this issue for all things fashion and culture, we take a vacation from our usual trips to the museum to enjoy things outside. Adventuring into the streets to adore some loved works of art in alley-ways, on the walls of beautiful buildings, and amidst the dirt and debris, we meet some of our favorite street artists from around the globe, each highly unique and all incredibly talented. With growing popularity in larger cities and trending in artistic meccas, these murals (and sometimes hidden gems of art) are worth keeping your eyes peeled for the next time you visit one of our artist’s home cities. Simply put: these artists are “prettying-up” the streets they touch, leaving ever-changing works of art in their trail.

and I can’t resist Tarantino films. But what really gets me is the delicate manner in which the body moves and certain expressions that speak to me. I have a background in dance and natural healing, so I’m kind of a nerd for eloquence and anatomy. How is one of your street art pieces created? What materials do you use?

I get down with spray paint usually, occasionally throwing some acrylics and marker action in the mix, or making some on-the-spot stencils to add a little texture. Depending on the location, and how far out in the sticks I am, I may even use house paint or anything with a pigment to get by.

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Interview and Words | Jesse Ashton Rhodus

hot art : 4 artists, 4 cities

KAZILLA (MIAMI) Where are you from and when did you start painting on buildings?

I’m a bit of an urban nomad; [I] lived in many places, but I grew up in New Nexico. I think I’ve actually been in Miami longer than any other one place. I started doing tags in high school, but didn’t start going big until about 6 or 7 years ago.

What inspires your style?

I take a lot of my visual inspiration from fashion photography and film. I devour it. I especially like looking at old photographs of fashion from the 20’s. Those cats were really on to something visionary, with the elaborate ornamentation, accessories, and hair. And what about Busby Berkeley? That guy has to be one of my favorite choreographer/filmmakers of the century. Of course, I’m a huge kung fu fan too. Oh

How long does one of your street art pieces usually last?

It really depends on the location. When it comes to my work in Miami, most of my pieces are still riding, with exception of a few (one that I painted over myself). What are some upcoming projects?

I have a few shows lined up for the fall and winter, including a traveling exhibition, “Art,

Beats & Lyrics,” which is sponsored by Gentlemen Jack (my second tour with them), and a team-up with Mixed Media Collective/ Black Key Group for Art Basel. I am also planning a sculptural collaboration with my BF Louie Diamonds, which is going to make your mind spill colors. Not to mention a few painting vacays, because I can’t resist the urge to travel, and of course leave some color behind.

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My work really always starts from my feelings, my energy, and from passion. I am kind of a crazy hopeless romantic. My wish for love and my wish for better communication among my fellow humans has moved most of my recent street art pieces. How is one of your street art pieces created? What materials do you use?

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MAGDALENDA MARCENARO (nyc) (AKA Magda Love) In the hustle and bustle of the city, our favorite NY artist begs passersby to stop, look, and think about what the image means to them. Creating large-scale, mixed media street art, with themes of beauty and romance, Magdalena melds her many kinds of artistic abilities into these amazing installations. She certainly got our attention! Where are you from and when did you start painting on buildings?

I was born into a very creative family. My mother is a teacher and my father was a sculptor, so I grew up in a studio surrounded by materials like tools, wood and paint. There were all sorts of artistic characters around us. I always loved to draw and do collages... I started experimenting with clothing design and painting textiles in Buenos Aires, where I first opened a store when I was 18, and then continued painting

privately and also learned to do silkscreen printing when I came to NY at the end of 2000. Things really all came together last year when

I was offered my first solo show at Gowanus Print Lab. I created a series of large-scale, mixed-media paintings, a stop motion movie, and a mural for their building. After that show, people started inviting me to do more shows in Miami [and] here in NY, I was commissioned [to do] a mural at the Nu Hotel, some private commissions at The Vault in Miami and WIP NYC Nightclub, just to name a few. What inspires your style?

I believe my style is a faithful reflection of me, my personality, the things I care about, that I consider important as a woman, as a mother, and as human being. I love to use mixed media. It’s almost like I can’t

commit to one medium. I like the idea of layering to create dimension, movement, and texture. I believe using different techniques works more effectively to communicate different emotions. My style is also very much inspired by my background in Argentina, which is a country of many immigrants. I was always very interested in social sciences, anthropology, geography, [and] traveling. Learning how people relate to each other, how we communicate our differences, our hopes, how we “evolve” from our traditional values and we recycle and reinvent them to apply them into our modern societies.

I usually start with a main [image] (or a few main images) that I like and then I kind of go crazy around it... I like to trace out the image in my studio or silkscreen print like a maniac and then when I get to the site, I have a lot of material to work [with], so I let the wall, the space, my mood, the people, [and] the surroundings take me in the direction the work needs to go. I feel more comfortable working organically and most of the time that is the part of the piece that I enjoy the most. I use tons of wheat paste, small stencils, silkscreen prints, papers of all types, and I like to draw with ink markers. I started painting and using spray paints a lot more now that I have larger and larger projects. I basically recreate my studio work in larger scale. I clip the images I have and play around with them, paste them, paint around, use stencils on top, then draw. Its like a huge, organic, mixed media project.

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How long does one of your street art pieces usually last?

Ha! Well, we have yet to see. The tricky thing of art in the streets is that [it] is completely out of your control zone. It grows with the environment: it gets rained on, scratched, ripped, tagged on. We had some massive rainstorms in NY recently and some work I did was on construction boards, so the paper started peeling. I try to learn from every piece I make. But I think there is something beautiful about the ephemeral quality of the paper. It’s almost romantic how the works catch a new life and start ripping or fading. It evolves in the direction it needs to go without you. There is something very interesting about it. It’s almost a lesson to myself about letting go of control and letting the time and environment decide my fate a bit. But it’s all a learning process. What upcoming projects do you have?

Wow, so much is in the calendars. This year it has been sooo crazy. So happy! So busy. I have a really big project coming up in Brooklyn, my largest piece yet on a big building. I am working with Build It Green. They have an amazing space in Brooklyn and they have become my sponsor for paint for my public art projects. I will be painting in Art Basel Miami in December, I was invited to the Meeting of the Styles in Mexico in October, and I will be doing some projects in Buenos Aires and Rio at the end of December. I keep myself busy; let’s say juggling a busy schedule is one of my favorite things to do.

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BECCA MIDWOOD (LA) Evoking the cool, glamorous vibe of the city, our favorite LA artist tends to keep her pieces on a slightly smaller scale, sometimes hidden up alleyways and painted where growing ivy crawls. We love her slightly vintage feel and adore the femininity of her work. In LA, discovering a “Becca” is like stumbling upon a little gem of art.

Where are you from and when did you start painting on buildings?

I was born in Brooklyn and raised in Virginia. I started painting on buildings when I was 17 years old and 29 years later, I’m still doing the same thing along with painting for commissions, galleries, and installs, to name a few. What inspires your style?

Fashion, Beauty, Nature and Life.

How is one of your street art pieces created? What materials do you use? Paper and paint.

How long does one of your street art pieces usually last? Anywhere from 25 years to a day.

hot art : 4 artists, 4 cities What are some upcoming projects?

Silk screening at Modern Multiples, private commission work for Norman Reedus & Christopher McQuarrie, a skateboard with Kicks Sole Provider, and my ongoing collaborative with Phil Lumbang - “Hug Life.”

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MALARKY (LONDON) Like something out of an 80’s MTV dream, our favorite street artist from across the pond uses bright colors mixed with bold graphics in his whimsical, large-scale illustrations to create his creatures of all kinds. We think his silly vibe suits him pretty perfectly. It’s Malarky. Where are you from and when did you start painting on buildings? I’m from South London. I started painting in the future in 2004 and then went back to 2003 where my DeLorean was stolen and sold for scrap metal, so minus 12 years.

What inspires your style?

I’m inspired solely by the film The Goonies.

How is one of your pieces of street art created? What materials do you use?

I usually paint with a toothbrush and mashed up gooey eyeballs.

How long does one of your street art pieces usually last? About the same period of time it takes to make a fat person cry using sign language. What are some upcoming projects? Punch a swan.

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Dancefloor Dominatrix:

Viva Bodyroll Photographer: Tobias Batz All clothing supplied by dancers

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Tell us your real name and the story behind your to modern dance. Mrs. Reed who taught me the drama of jazz and the fire and passion of flamenco. For many years, stage name, Viva Bodyroll.

My real name is Vanessa Soudan. Back in high school, my BFF started calling me Viva as a nickname. In Spanish, Viva means life or to live and I embody that meaning through every molecule of my body. I do things full-out; that’s just how I roll. Guess you could call me an extremist.

The name and idea of Bodyroll came later, after college. I had been living in Brooklyn for a few years, balancing my work as an experimental dance choreographer/performer and dancefloor-dominating the underground club scene of NYC. I began having these incredible experiences in the club where people would feed off of my energy and literally follow my every move. I would get the whole floor moving as one! I felt so empowered, I decided to create a class to officially teach club moves for diva dancefloordominating and encourage students to find freedom. As for the name? Well, the body roll has always been my ‘go-to’ move and in Viva’s world, learning how to body roll is the first step in igniting your inner flygurl! My dance crew #hausofsweat was born out of the Bodyroll Workout. We are proFRESH party starters who perform at dance clubs, art openings, public spaces, etc.

How’d you get in the dance game?

I have been dancing my whole life. Throughout my childhood I studied from various teachers gathering a broad perspective [of] dance. There was Miss Elizabeth with her lycra unitards, Bach records and heartfelt devotion

I studied under Gena Rose, a former backup dancer for Michael Jackson and Billy Blanks front man. I remember she taught this class called MTV Moves and every year, We would perform in these over the top recitals with amazingly gawdy costumes to a variety of pop hits; I loved every second of it. In high school, I was also captain of the Dance Team where I choreographed routines for the half-time shows during basketball games. Sound familiar? Every time I teach a Bodyroll Workout class, I treat the students as if they have just joined a dance team. My crew #hausofsweat literally is a dance team. So how did I get in the dance game? Betch(z), I’ve been captain of my own team for a long time.

You’re pretty major on the NYC scene, especially in LGBT circles. Do you think this was just a natural progression of your career, or did you want it that way?

Pretty immediately after I moved to NYC, I found myself drawn to the queer community. I attended The New School, where I started partying with The House of Ladosha, Zebra Katz and attending parties hosted by Cuntessa Stuto/Cuntmafia. These young artists were experimenting with gender roles, performance art,

voguing and rap music. When I freestyle on the floor, my style is very athletic, aggressive and in your face. I go HAM (hard as a muthafucka) and this underground sound and community was where I found my home. I could express myself without feeling inhibited or objectified.

3 favorite songs to dance to, GO.

“Bubble Butt” - Major Lazer “Pony” - Ginuwine “Sweet Dreams” - Eurythmics

ENERGY. I’ve see you dance nonstop for what’s seemed like hours, dripping with sweat and getting Tell us your most incredible dance moment. the crowd to get your level. How do you do it?

I have an Energizer bunny stamina and if there is music and a crowd, I will slay for hours. I fall into an almost trance state where all the energy radiating off of the crowd gets my “bodyroll’n” and there’s no stopping me. My main source of expression is through my body. When I get up there and hype, it’s a chance for me to release and let go. It’s exhilarating! Speak your mind: What are your thoughts on music (excluding ballads), you can’t ‘bodyroll’ to? Is there room in your life for music you can’t truly dance to?

There is no such thing as music you can’t Bodyroll to! Yeah, sure, I prefer some 90s R&B or a pop hit from one of our “fave” Divas, but Bodyroll’n is a universal language that can be experienced with countless genres of music. I really only listen to music that feeds the fire of dance.

Let’s talk about the ‘dance industry.’ Where does is start for a novice dancer? Where can it lead? Where does it usually end? And, in terms of the toll it can take on the body, what are you thoughts and feelings on that matter?

Oh, the dancer’s life; we are the ultimate hustlers. Floating from gig to gig, we are physical artists embodying human emotions and exposing them in raw form. We are masochistic in nature, athletes who train and have a drive that pulses through our veins. A true dancer is born, not learned. Yes, take classes, workshops, freestyle at the club and audition, but, ultimately, [it] is all about branding. Ask yourself, “WHO U?!” What kind of dancer are you? What kind of jobs do you want to book? What kind of legacy do you want to leave? Whether it be internationally touring with a show, becoming a professor of dance, working as a choreographer on Broadway, or developing your own brand of dance-aerobics, I believe in the power of manifestation: you want something, go and get it. The industry is a game; learn the rules and become best in show. Oh, and do yoga.

I would have to say [that] it was performing for Jessica 6 alongside singer Nomi Ruiz and choreographer Georgia Sanford. We opened for CocoRosie at Antony Hegarty’s Meltdown Festival last summer in London. Artists such as Patti Smith and David Bowie have performed for this festival -- true icons, in my eyes. The experience was surreal. We had one rehearsal before we took the stage -- no time for inhibitions. This was my moment. We slayed.

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Meet : us baby bear bones

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You guys are about to release your debut album in a few weeks, so can you tell us a bit about it?

What is it like for you guys recording and coming up with ideas in the studio?

You are playing a few live shows this summer, are there any bands you are excited about seeing, be it a gig or an upcoming festival?

What would be your soundtrack to summer 2013?

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Meet Us Baby Bear Bones - a UK dream pop trio who are sweet yet rough around the edges and create imaginative, soft soundscapes that encompass electronic beats and layers of harmonies. This band is always ones to push the envelope on creativity. For their feature, instead of doing a typical interview, they volunteered to give us a visual representation of their answers and you know what they say: “A picture speaks a thousand words.....” Words | Le’Keisha Sims All Artwork by Us Baby Bear Bones

How did you guys come up with the name Us Baby Bear Bones?

You guys are a fan of trippy visuals. Are the 60s and 70s a big influence for you?

Their latest LP What Starts With a U Ends with an I was released June 2013.

Track by track: XXIII

Only Natural

Max’s baby. He had been working on this song forever and had a demo of it saved away in his computer. When it came time to make the record, we thought it [would] be interesting if we had an instrumental, as that was something we had never had on the previous records. The song has been referred to as an exercise in layering and texturizing.

This song is in an entirely different time signature from the rest of the album and I guess that makes it unique. I don’t think we will ever play this song live. I feel that there are certain songs that belong only to be experienced on record and this is definitely one of those songs.

Fool Proof

SUMMER

This song dealt a lot with disillusion. I had grown up my entire life trying to be studious and [to] eventually one day earn a degree and make a “living.” However, my life couldn’t be any further from that, and being conditioned with that mindset but going against it takes a lot of strength and risk and occasionally there’s doubt. The lyrics talk about snubbing the “American Dream,” or the ideals that everyone is supposed to strive for, and saying, “fuck it, I’ll do it my own way.”

Smith Westerns’ front man Cullen Omori cracks the code on their new album Soft Will and gives us an opportunity to get inside the band’s head in this issue’s Track By Track. Words | Le’Keisha Sims 3AM Spiritual

This was the first song written for Soft Will. I had bought this tiny mini midi keyboard and was playing around with the few chords I knew on piano and after a couple tries, I had a skeleton of a song. The lyrics wrote themselves for this song; [they] didn’t really refine or change from the notes I first scribbled down. When we were in the studio we recorded two versions: a very immediate version of the song and then a slower version that’s on the record, and I think we made the right choice.

track by track : smith westerns

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Idol This song took a really long time to evolve, but once it did, it was totally worth the headache. We kept on coming back to this song during mixing and really gave it a face lift the last week we had left in the studio. The song was about the expectation that we put onto our idols and kind of examining that. I think that during DIB, a lot of things about being in a successful band and touring I had romanticized and I definitely had [an?] awakening. Glossed

This was one of the original few demos we had when we started working on Soft Will. Max started demoing the verse and we didn’t really know what to do with it as far as the chorus went. We finally were able to write the chorus when we were in El Paso tracking. If you listen closely, you can hear our friend Madeline, from Cults, singing back ups during the chorus.

Best Friend

One of my favorites from the record for sure. I had this picture of Dakota Fanning taped to the wall of my bedroom in my old apartment and wrote the lyrics kind of serenading her. I like the idea of how people make connections with people and places they have never met or been [to] and this song kind of talks about that. Cheer Up

This song was recorded during the last days of mixing and barely made it onto the record. We recorded it inside of this little, tiny woodshed while the rest of the record was being mixed in the larger studio. We really wanted to make a song that was dynamic and the chorus of this song… does a good job of that. Varsity

White Oath Coming from a background in lo-fi, I never thought we would make a song that had just vocals and guitar on it, but we did. I think that this song is representation of our evolution as musicians. We’ve toured basically non stop since we decided to go for it in 2009 and we’ve come light years as a band and as musicians.

Probably the only actual love song on the record. It was the last song written for the album and came together in the studio in El Paso. It’s about my relationship with my girl friend and is pretty confessional -- much more so than any other SW song.

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Top & Trousers by Topshop

Model: Marnie represented by Models1 and EMG Hair & Make up: Chloe Han using Bumble & Bumble and MAC cosmetics (http://www.chloehan.com) Photography & Styling: Anya Holdstock (www.anyaholdstock.com)

Left: Bralette by Miss Selfridge Leather Skirt by Boutique

Top & Trousers by Topshop Shoes by Sorapol

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Top by Topshop Shorts by Mango Shoes by Primark

Top & Skirt by Topshop

Silk Shirt by Boutique Trousers by Topshop Shoes by COS

MRS. LAWSON

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Left & Right Bralette by COS Trousers by Topshop

high street

summer, 122

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Photography: Mae Richards for MAZE Photography Styling: Georgia Mitropoulos

Model: Julia for Ford Models

Wardrobe: Assorted Vintage Pieces

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summer eclipsed

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we Heart

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xo LISTEN

We Heart 2

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1 Crocodiles - Crimes of Passion

AlunaGeorge - Body Music

3 5 Crystal Fighters - Cave Rave

Kitten - Like A Stranger EP

1. Orange Is The New Black 2. Hyper Realistic Pencil Drawings by Diego Fazio 3. Crystal Cactus 4. House of Cards SS13 5.The memories

6 K.Flay - What If It Is

Kid Karate - Lights Out EP

Find them at:

movies.netflix.com/OrangeIstheNewBlack http://www.diegokoi.it/ - hyper realism

http://www.houseofcardsthelabel.com/

6. Phillip Lim 3.1 x Target http://crystalcactus.com

https://www.facebook.com/pages/The-Memories/ http://target.com

THE UNDER THE SUN ISSUE N019 SUMMER review