IN A YEAR WITH 13 MOONS, Yale Repertory Theatre, 2013

APRIL 26 to MAY 18

2012-1

3 SEAS

ON

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Source: Q1 2012 Omniture; Jan. 2012 Comscore.

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A NOTE FROM THE ARTISTIC DIRECTOR Welcome to Yale Repertory Theatre!

In a Year with 13 Moons marks the first collaboration between actor Bill Camp and director Robert Woodruff since their acclaimed 2009 production of Dostoevsky’s Notes from Underground at Yale Rep. Rainer Werner Fassbinder’s 1978 film, from which the play is adapted, is a masterpiece of the New German Cinema movement and reflects a host of influences—from the existential philosophy of Arthur Schopenhauer, to the brightly colored 1950s melodramas of Douglas Sirk, to the slapstick comedy of Dean Martin and Jerry Lewis’s buddy movies. It’s a deeply felt artistic response to the global scars left by the Second World War as well as to the personal trauma wrought by the suicide of Fassbinder’s own lover.

Robert Woodruff and Bill Camp celebrate Fassbinder’s unique aesthetic and have infused his remarkable story with their own tremendous sense of theatricality. Yale Rep has become an artistic home for Robert, and I’m thrilled to welcome him and Bill back to our stage, as well as so many of Robert’s longtime collaborators. In 13 Moons, they introduce (or reintroduce) us to the tragic central figure, Elvira, at a moment of extreme crisis which allows, indeed necessitates, the breathtaking range of events and emotions depicted in the play, as well as our own individual responses to them.

The questions that In a Year with 13 Moons raises—about the lengths to which one may go to love and to be loved, the search for one’s own place in the world—are visceral. We understand them on a gut level, even though they may not be answered easily. I’m grateful to have adventurous audience members like you along for the ride.

Whether this is your first visit to Yale Rep or you are a long-time subscriber, thank you for being here today and for making our 2012–13 season such a remarkable experience. I look forward to hearing what you think and feel about In a Year with 13 Moons (my email address is james.bundy@yale.edu), and to seeing you back at Yale Rep in the fall.

Sincerely,

James Bundy Artistic Director 5

YALE REP’S 20

MARIN IRELAND IN MARIE ANTOINETTE. PHOTO BY T. CHARLES ERICKSON, 2012.

13–14 SEASON A Streetcar Named Desire

The Fairytale Lives of Russian Girls

SEPTEMBER 20-OCTOBER 12, 2013

JANUARY 31-FEBRUARY 22, 2014

By TENNESSEE WILLIAMS Directed by MARK RUCKER

Owners

By CARYL CHURCHILL Directed by EVAN YIONOULIS

OCTOBER 25-NOVEMBER 16, 2013

Accidental Death of an Anarchist

By DARIO FO Adapted by Gavin Richards From a translation by Gillian Hanna Directed by CHRISTOPHER BAYES Featuring STEVEN EPP

NOVEMBER 30-DECEMBER 21, 2013

By MEG MIROSHNIK Directed by KATE WHORISKEY

WORLD PREMIERE

These Paper Bullets Adapted by ROLIN JONES From William Shakespeare’s Much Ado About Nothing Songs by BILLIE JOE ARMSTRONG Directed by JACKSON GAY

MARCH 14-APRIL 5, 2014 WORLD PREMIERE

The House that will not Stand

By MARCUS GARDLEY Directed by PATRICIA McGREGOR

APRIL 18-MAY 10, 2014

SUBSCRIPTIONS ON SALE NOW!

YALEREP.ORG 203.432.1234 yalerep@yale.edu PLAYS, DATES, AND ARTISTS SUBJECT TO CHANGE.

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A P R I L 2 6 T O M AY 1 8 , 2 0 1 3

YALE REPERTORY THEATRE James Bundy, Artistic Director Victoria Nolan, Managing Director

PRESENTS THE WORLD PREMIERE ADAPTATION OF

Film and screenplay by RAINER WERNER FASSBINDER Adapted for the stage by BILL CAMP and ROBERT WOODRUFF Directed by ROBERT WOODRUFF. Based on a literal translation by LOUISA PROSKE Choreographer Scenic and Costume Designer Lighting Designers Sound Designer and Composer Projection Designer Vocal Coach

DAVID NEUMANN DAVID ZINN JENNIFER TIPTON YI ZHAO MICHAËL ATTIAS PETER NIGRINI WALTON WILSON

Casting Director

JESSICA RIZZO CATHERINE SHEEHY TARA RUBIN

Stage Manager

ALYSSA K. HOWARD

Production Dramaturgs

In a Year With 13 Moons was commissioned by Yale Repertory Theatre.

Development and production support are provided by Yale’s Binger Center for New Theatre and the Andrew W. Mellon Foundation.

YALE REP IS SUPPORTED IN PART BY THE CONNECTICUT OFFICE OF THE ARTS.

SEASON MEDIA SPONSOR

“One cannot think well, love well, sleep well, if one has not dined well.”

Virginia Woolf

Lunch Dinner Bar des Artistes Private Events New York Times “Extraordinary”

10

CAST IN ALPHABETICAL ORDER Elvira Ensemble Anton Saitz, Ensemble Heinz, Man Outside of Saitz’s, Ensemble Irene, Ensemble Sister Gudrun, Cleaning Lady, Ensemble Marie-Ann, Ensemble

BILL CAMP GABRIEL CHRISTIAN CHRISTOPHER INNVAR JOHN KELLY JACQUELINE KIM JOAN MacINTOSH MARIKO NAKASONE

Christoph, Smolik, Ensemble

BABS OLUSANMOKUN

Soul-Frieda, Writer, Ensemble

JESSE J. PEREZ

Red Zora, Ensemble Frank, Stranger, Ensemble Sybille, Ensemble

MONICA SANTANA MICKEY SOLIS ARIANA VENTURI

MUSICIANS MICHAËL ATTIAS SATOSHI TAKEISHI

SETTING

FRANKFURT AM MAIN, 1978

IN A YEAR WITH 13 MOONS WILL BE PERFORMED WITHOUT AN INTERMISSION.

11

VIA JUXTAPOSA: FASSBINDER, in a backstory for In a Year with 13 Moons, Rainer Werner Fassbinder wrote that we are witnessing “the encounters a man experiences during the last five days of his life.” When we first meet Erwin, our hero, he has already become Elvira—the ineluctable, irreversible choices that set him on his final “way of sorrows” have already been made. Fassbinder, who was a playwright as well as a filmmaker, creates a form for the piece that borrows from medieval morality plays like everyman, from religious rituals like the stations of the cross, and from expressionist subjective dramaturgies like august strindberg’s To damascus, to examine the life of a modern martyr for love.

To heighten the impact of each “station,” or episode, we see, In a Year with 13 Moons deploys the alchemy of juxtaposition. alchemy is a mystical process of turning base metals into gold. however, writing in the wake of personal and national catastrophe,

I

germAn SociAl StructureS: F a s s B i n d eR Was B o R n inTo

a

solidly

RWF is born May 31, 1945, B o u R Geois in Bavaria. house-

poinT he Was acuTely

The selF-

The WaR had Taken on his

m a d e

counTRy and The Respon-

poWeR-

siBiliTy GeRmany BoRe

BRokeR

FoR BRinGinG The WoRld

anTon

To The BRink oF desTRuc-

s a i T z

the holocAuSt:

s u R -

Tion.

hiTleR’s sysTemaTic exTeRminaTion oF The

JeWs II

TRanslaToR. FassBindeR Found The RiGid class sTRucTuRe oppRessive and made iT a TaRGeT in his Films, paRTicu-

World

WAr ii: FassBindeR Was BoRn JusT 3 Weeks aFTeR v-e day in may oF 1945. FRom This vanTaGe

and

From 19461951, RWF’s father, a doctor, routinely treats prostitutes in his home surgery.

The

hoRRoRs oF

docToR, his moTheR a

MarIa Braun.

l e s s .

aWaRe oF BoTh The Toll

hold. his FaTheR Was a

laRly The MarrIage of

III

The

vived The

RWF’s parents divorce in 1951.

camps, h a R nessinG The

concen-

model oF TeRRiBle eF-

TRaTion

Ficiency pRacTiced By

camps,

The nazis ThaT he WiT-

W h i l e

nessed TheRe To make

noT FoRe-

his FoRTune.

GRound-

poSt-WAr reconStruction: The

ed in In a

maRshall plan Was an

Year WITh

iniTiaTive oF The u.s. To

13 Moons,

puT euRope Back on iTs

hanG oveR

FeeT aFTeR WWii and sloW

The Whole

oR sTop The spRead oF

p i e c e

communism.

noneThe-

pumped inTo The GeRman

money

BIOGRAPHY, AND BACKGROUND Fassbinder also deploys a reverse alchemy, debasing the “gold” of German high culture, cutting his patrimony with shards of popular culture and obscenity—an assemblage of fragments shored against its author’s ruin.

Juxtaposition, which occurs when two or more discreet things join to create something greater by their placement in proximity one to the other, defers meaning-making until the work arrives in the receiver. To be entrusted with this responsibility as an audience requires that we become perceptive receptors, holding things we’ve just seen, heard, and felt in readiness, to allow them to join with what’s coming next.

Behind the images of Rainer Werner Fassbinder are some of the disparate threads that cohere to create context in In a Year with 13 Moons.

IV

RWF attends the FridlLeonhard Studio for actors from 1964–1966.

economy

laRly inTeResTed in The

To sTay, aWaken The

cReaTed

philosopheR’s ThouGhTs

dead, and make Whole

oppoR-

on suicide, placinG

WhaT has Been smashed.

TuniTies

his TexT diRecTly inTo

BuT a sToRm is BloWinG

and Re-

The mouThs oF seveRal

FRom paRadise; iT has GoT

senTmenT

chaRacTeRs.

cauGhT in his WinGs WiTh

in almosT

the Angel oF hiStory: WalTeR

equal

BenJamin descRiBed The

olence

measuRe.

anGel: “his Face is TuRned

ThaT The

alonG

ToWaRd The pasT. WheRe

anGel

WiTh

V

such vi-

VI

We peRceive

can no

d e -

a chain oF

lonGeR

naziFi-

evenTs, he

close

caTion,

sees

Them.

iT Was

sinGle ca-

T

a coRneRsTone oF

TasTRo-

sToRm

The

ReconsTRuc-

phe, Which

i R R e -

Arthur SchopenhAuer

keeps pilinG

sisTiBly

W R e c k -

pRopels

aGe

him inTo The FuTuRe

Tion eFFoRT.

(1788-1860): his The World as WIll and represenTaTIon

is

quoTed diRecTly in The TexT oF In a Year WITh 13 Moons. FassBindeR Was paRTicu-

RWF is denied admission to Berlin’s German Film and Television Academy in 1964.

one

upon

h

e

RWF founds the AntiTheater in 1968.

WReckaGe

To

Which his Back is

and huRls

TuRned, While The pile

iT in FRonT

oF

oF his FeeT.

him GRoWs skyWaRd.

The anGel

This sToRm is WhaT

Would like

We call pRoGRess.”

deBRis

BeFoRe

VII

CatholiC ChurCh: Fassbinder Finds systematic Failure oF mission in large social

the

like

catho-

lic church.

Capitalism: many oF Fassbinder’s Films are

luC GoDarD: the Film

werner herzog, wim

director was one oF the

wenders, and mar-

chieF practitioners oF

garethe von trotta.

the French new wave, “la

their motto was,

nouvelle vague,” and his

the old cinema is

breAthless and bAnd of

dead. we believe in

outsIders remain pinna-

the new cinema.

organizations

kluge,

exander

DouGlas sirk: RWF makes his first full-length film, Love is Colder than Death, in 1969.

Fueled by the disdain and revulsion he Feels For the imbalance and prejudices oF

german-educat-

able achieve-

ed hollywood

ment. Fass-

Filmmaker

binder oFten

made classic

q u o t e d

“weepers” like

godard in

All thAt heAven

his work. in

Allows, ImItAtIon of lIfe, mAgnIfIcent VIII obsessIon, and wrItten on

ist countries that

Fassbind-

ity oF the world’s

er Found

New GermaN CiNema: wealth.

proponents oF the movement, which bloomed From the late 1960s through

the

w I n d .

control the major-

one oF the chieF

1975 premiere of RWF’s play Garbage, the City, and Death canceled over charges of antisemitism.

sirk’s use

notables included al-

13

moons

the gangster sequences belie a godardian aFFin-

Jerry lewis: a ity.

correlative oF

holly-

wood

For

oF color and

Fassbinder and a comic

predeliction

genius to europeans,

For melodra-

jerry lewis teamed with

ma inspiring.

dean martin For a series

sirk’s inFlu-

oF buddy movies that

ence can be

ranged From the hilar-

seen in Fass-

ious to the absurd. in

binder’s In A YeAr wIth 13

13 moons, Fassbinder

moons and lolA. JeaN-

has the ruthless anton-

In 1970 RWF marries the actress Ingrid Caven.

They divorce after two years.

the mid 1980s. the other

movement’s consider-

and the capital-

was

cles oF the

the danish-born,

market economies

Fassbinder

IX

photo: john springer collection, courtesy oF corbis

X

saitz training his entourage oF toughs and yesm e n to perFect thebig dance number RWF resigns directorship F r o m of Frankfurt’s m a r t i n Theater am a n d Turn in 1975. lewis’s You’re never too Young.

JohaNN wolfGaNG voN Goethe (17491832): the inestimable german writer oF novels, poetry, criticism, scientiFic treatises, and plays, including the immortal fAust, penned the

XII tragedy torquAto tAsso, which Fassbinder quotes at length in In A YeAr wIth 13 moons. the eponymous hero, a mad poet, is abandoned and robbed oF his XI magnum opus, “cast out, and likea beggar b a n ished,” as Fassbinder In 1978, RWF’s lover characArmin Meier ters are commits w o n t suicide on to Feel Fassbinder’s them-

birthday.

selves.

RWF dies in 1982 at age 37 of a drug overdose.

In his short life he made 40 feature films.

XIII it was an existential necessity to make anything at all. there were three possibilities open to me: the first was to go to Paraguay and become a farmer. Why Paraguay I don’t know. It just came to me. The other possibility was to stop being interested in whatever was around me. That would surely have led to a kind of mental disorder. The third option was to make a movie.

Of course this was the easiest one for me. It was really very logical to do that. It’s important to me that I made a film that didn’t simply transpose my own feelings about this suicide. Like the pain and sadness about the fact that I had failed at so many things in this relationship, and whatnot—but instead I made a film that of course takes its point of departure from Armin, but which...tells you much more than what I could have told about Armin. And that, that really was a decision for life.

—rWF On The mAkIng OF 13 moons —jessIcA rIzzO And cATherIne sheehy, PrOducTIOn drAmATurgs

CAST MICHAËL ATTIAS (SOUND DESIGNER, COMPOSER; MUSICIAN) is a New York City-based saxophonist/composer.

He has performed concerts in clubs and festivals throughout the United States, Europe, the Middle East, and Japan with musicians such as Paul Motian, Anthony Braxton, Anthony Coleman, Oliver Lake, and many others. A recording artist and leader of several ensembles, he has composed and designed for dance, theatre, and film, both in the U.S. and Europe. His collaborations with Robert Woodruff include Theatre for a New Audience’s production of Edward Bond’s Chair (The Duke on 42nd Street); Yale Rep’s world premiere of Notes from Underground, for which he designed sound and composed music and in which he also performed (also seen at La Jolla Playhouse and Theatre for a New Audience, in association with Baryshnikov Arts Center); Yale Rep’s Battle of Black and Dogs by Bernard-Marie Koltès, for which he served as translator and composer; and Yale Rep’s Autumn Sonata, for which he served as music director.

BILL CAMP* (CO-ADAPTOR; ELVIRA) previously appeared in the Yale Rep productions of Dostoevsky’s Notes from Underground (which he co-adapted with Robert Woodruff), Troilus & Cressida, and The Bourgeois Avante-Garde. In New York, his credits include the Broadway productions of Death of a Salesman (directed by Mike Nichols, Drama Desk nomination), St. Joan, The Seagull, Jackie: An American Life, Heartbreak House, and Coram Boy; and Off-Broadway: Homebody/Kabul (OBIE Award), Lydie Breeze, The Devils, The Misanthrope (Drama League nomination), Beckett Shorts (New York Theatre Workshop); Macbeth, Measure for Measure (Theatre for a New Audience); Hamlet, One Flea Spare, Titus Andronicus, and Twelfth Night (The Public Theater). At American Repertory Theater, he appeared in Henry IV, Parts I and II; Henry V; Picasso at the Lapin Agile; Long Day’s Journey into Night (Elliot Norton Award, Best Actor); Richard II; The Provok’d Wife; and Olly’s Prison (Elliot Norton Award, Best Actor). Film and television credits include 12 Years a Slave, The Maid’s Room, Lincoln, Lawless, Compliance, Tamara Drewe, Public Enemies, Deception, Reversal of Fortune, In and Out, The Guitar, Criminal Justice (HBO pilot directed by Steve Zaillian, co-star), Boardwalk Empire, Damages, Brotherhood, The Good Wife, Law & Order: Criminal Intent, Joan of Arcadia, and New York Undercover. He is a graduate of The Juilliard School and is a Beinecke Fellow at Yale School of Drama this spring.

*MEMBER OF ACTORS’ EQUITY ASSOCIATION, UNION OF PROFESSIONAL ACTORS AND STAGE MANAGERS.

16

GABRIEL CHRISTIAN (ENSEMBLE) is thrilled to make his professional theatrical debut at Yale Rep. He is a senior at Yale College and will receive his BA in theater studies in December.

Previous projects include The Island at Yale Cabaret (assistant director) and lead roles in Caucasian Chalk Circle and Julius Caesar, among seventeen other undergraduate productions.

This August, he will appear in the premiere production of his classmate Rachel Kauder-Nalebuff’s Beijing Cake at the Edinburgh Fringe Festival.

CHRISTOPHER INNVAR* (ANTON SAITZ, ENSEMBLE) was last seen at Yale Rep in The People Next Door. New York credits include The Gershwins’ Porgy and Bess, The People in the Picture, 110 in the Shade, The Threepenny Opera, Les Misérables, Victor/Victoria, all on Broadway; Harper Regan (Atlantic Theater Company); The Witch of Edmonton (Red Bull); The Boys in the Band (Transport Group); Floyd Collins, Gun-Shy (Playwrights Horizons); A New Brain (Lincoln Center Theater); Eight Days Backwards (Vineyard Theatre); The Chemistry of Change (Women’s Project); and Time and Again (Manhattan Theatre Club). Regional credits include Maria Arndt, The Royal Family (Steppenwolf Theatre Company); Wintertime (Guthrie Theater); The Beaux’ Stratagem, The Taming of the Shrew, The Way of the World, Twelfth Night (Shakespeare Theatre, Affiliated Artist); Fran’s Bed (Long Wharf); The Crucible, A Streetcar Named Desire, Private Lives, Cyrano De Bergerac, Ring Round the Moon, and The Importance of Being Earnest (Barrington Stage, Artistic Associate).

Directing: The Collyer Brothers at Home, Period Piece, The Whipping Man, Higher Ground (writer and director), The Wilderness, and There’s No Here Here (Barrington Stage).

JOHN KELLY* (HEINZ, MAN OUTSIDE OF SAITZ’S, ENSEMBLE) is a performance and visual artist. His performance works, ranging in scale from solo to ensemble, have been based on subjects including the Berlin Wall, the Troubadours, the AIDS epidemic, and Expressionistic Film, and also include character studies based on Egon Schiele, Caravaggio, Antonin Artaud, Joni Mitchell, and Jean Cocteau. Acting credits include the Broadway production of James Joyce’s The Dead (Bartell D’Arcy) at the Belasco Theatre; Dog Days (Prince) at Peak Performances, directed by Robert Woodruff; Dido, Queen of Carthage (Cupid) at American Repertory Theater; Orpheus X (Jon/Persephone) at A.R.T. and Theatre for a New Audience, directed

by Robert Woodruff; and The Clerk’s Tale (Spencer Reese), a film by James Franco.

Awards: two NEA American Masterpieces Awards, two Bessie Awards, two OBIE Awards, Alpert Award, Ethyl Eichelberger Award, and Eliot Norton Best Actor Award. Fellowships: 2013 USA Artist Fellowship, Guggenheim Foundation, Radcliffe Institute, Sundance Theatre Institute, American Academy in Rome. Visual Art exhibitions: MOMA, Alexander Gray Associates, the MIT List Visual Art Center, and ICA Philadelphia.

17

CAST JACQUELINE KIM* (IRENE, ENSEMBLE) is happy to be making her Yale Rep debut. She first worked with Robert Woodruff on The Skin of Our Teeth at the Guthrie Theater, where she also played such roles as Nina in The Seagull, the title role in Sophocles’s Electra, and Phocion/ Princess in The Triumph of Love under the artistic leadership of Garland Wright. Recent theatre credits: Yes is a long time with Mira Kingsley, Uncle Vanya at Seattle Rep, Measure for Measure at TFANY. She won an LA Drama Critics Circle Award for her portrayal of Fosca in Stephen Sondheim and James Lapine’s operetta, Passion. Jacqueline was nominated for an Independent Spirit Award for her portrayal of Charlotte/Darcy in the sleeper hit, Charlotte Sometimes. She co-wrote the film and several features to follow before creating her original short, Present: a moment in the future. Currently, she is co-writing the feature version of the PBS FutureStates short, Advantageous, with the director Jennifer Phang. Film work includes Red Doors, Brokedown Palace, Volcano, Star Trek: Generations, Disclosure, and a recent video project with Bill Viola and Kira Petrov.

Jacqueline’s musical a.k.a. is This I Heard. She is a student of the Zen master and social activist, Thich Nhat Hanh.

JOAN MacINTOSH* (SISTER GUDRUN, CLEANING LADY, ENSEMBLE) has enjoyed a distinguished career in the American theatre for over 45 years, performing countless leading roles on and off Broadway, in resident theatres throughout the U.S., Europe, Africa, and Asia. This is her fourth time at Yale Rep (Talley’s Folly, Elizabeth I: Almost by Chance a Woman, Happy Now?), and her third collaboration with Robert Woodruff, as well as her third with Bill Camp. As a founding member of The Performance Group, she won three OBIES for her performances in Dionysus in 69, Commune, and The Tooth of Crime. She has also won an OBIE for Sustained Excellence of Performance; the Drama Desk Award for her solo performance in Request Concert, directed by JoAnne Akalaitis; a Drama League Award and the Edinburgh Festival’s Herald Angel Award for her performance in Ivo van Hove’s production of More Stately Mansions; and the Elliot Norton Award for her performance in Robert Woodruff’s production of Britannicus. She won the JDR 3rd Fund grant for theatre study in India, Southeast Asia, Japan, and South Africa; and the Spencer Cherashore Grant to write O Beloved. Ms. MacIntosh is an Associate Professor of Acting at Yale University, where she teaches and directs. She is writing a book about her years in the experimental theatre, and she is a Fox Fellow.

*MEMBER OF ACTORS’ EQUITY ASSOCIATION, UNION OF PROFESSIONAL ACTORS AND STAGE MANAGERS. **APPEARS COURTESY OF ACTORS’ EQUITY ASSOCIATION.

18

MARIKO NAKASONE** (MARIE-ANN, ENSEMBLE) Regional credits include Arms and the Man, Macbeth, A Christmas Carol (The Guthrie Theater); Our Town, The Clay Cart, Henry VIII, The Comedy of Errors, A Midsummer Night’s Dream, Don Quixote, The Music Man (The Oregon Shakespeare Festival); The Diary of Anne Frank, Pericles (The Utah Shakespeare Festival); and Children of Eden (Edinburgh Fringe Festival). Mariko is a second-year MFA candidate at Yale School of Drama, where she appeared in Romeo and Juliet, Twelfth Night, Fox Play, and What a Very Pretty Pageant!. At Yale Cabaret: This and Chamber Music. Mariko can currently be seen on FOX in the show DragonflyTV, on which she has appeared for four seasons. Mariko is a graduate of Boston University and attended the London Academy of Music and Dramatic Art.

BABS OLUSANMOKUN* (CHRISTOPH, SMOLIK, ENSEMBLE) Babs (Babatunde) Olusanmokun is making his Yale Rep debut. He was last seen on stage in Arena Stage’s critically acclaimed production of Ruined (directed by Charles Randolph-Wright). He has performed in New York at theatres such as La MaMa E.T.C., La MaMa Annex, Ensemble Studio Theatre, The Soprano’s Michael Imperioli’s Studio Dante (Ponies), New York International Fringe Festival, and HERE Arts Center. TV credits include Blue Bloods, Law & Order: SVU, Veronica Mars, and Law & Order: Criminal Intent. Mr. Olusanmokun can be seen in director Andrew Dosunmu’s 2013 Sundance sensation Mother of George.

JESSE J. PEREZ* (SOUL-FRIEDA, WRITER, ENSEMBLE) previously appeared in Yale Rep’s productions of The Servant of Two Masters (2009), Lulu (2007), The Cherry Orchard (2005), and The Taming of the Shrew (2003). His New York credits include Triple Happiness (Second Stage Theatre), Barrio Girl (Summer Play Festival), Recent Tragic Events (Playwrights Horizons), In the Penal Colony (Classic Stage Company), Up Against the Wind (New York Theatre Workshop), and Lucia di Lammermoor (The Metropolitan Opera). Regional theatre productions include A Midsummer Night’s Dream, Othello, Much Ado About Nothing (Shakespeare on the Sound); Hard Weather Boating Party (Humana Festival of New Plays); Arabian Nights (Berkeley Rep); Argonautika, Looking Glass Alice, Cascabel (Lookingglass Theatre Company); Pericles, Candide (Goodman Theatre, The Shakespeare Theatre); The Servant of Two Masters (The Shakespeare Theatre, Guthrie Theater); and Hamlet (McCarter Theatre Center). Film and television: American Splendor, Enter Nowhere, Playing God, Kazaam, Person of Interest, Life on Mars, Law & Order, Law & Order: SVU, The Job, and Third Watch. He is a graduate of The Juilliard School.

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CAST MONICA SANTANA* (RED ZORA, ENSEMBLE), a fortunate holder of Venezuelan and American passports, is making her Yale Rep debut. Theatre credits include Phoenician Women, The Country and the Happiness (Riverside Theatre); Play America (Sister Sylvester Company); Three Sisters (The Frankfurt School); Beyond the High Valley (Mettawee River Theatre Company); Puppetpalooza (The New Victory Theatre); and The Feast (Schapiro Theatre). She is a proud member of Actors’ Equity Association.

MICKEY SOLIS* (FRANK, STRANGER, ENSEMBLE) is making his Yale Rep debut. Off-Broadway credits include An Oresteia (Classic Stage Company), White People (Ensemble Studio Theatre), and Night Over Taos (INTAR, directed by Estelle Parsons). Regional and other theatre credits: Desire Under the Elms, Olly’s Prison, The Provok’d Wife, Romeo and Juliet, Cardenio, The Seagull (American Repertory Theater); It’s Too Late (The Mother and the Whore adaptation), ...But the Next Morning (Celine & Julie adaptation), L’Amour Fou (Dangerous Ground Productions, Brooklyn; company member); Baal, The Error of Their Ways (HERE Arts); Beckett at 100: Three Plays (92nd Street Y, Appalachian Summer Festival, Hasty Pudding); Spring Awakening (Moscow Art Theater); House (Epic Theater); The Illusion (Triad Stage); A Midsummer Night’s Dream (Shakespeare on the Sound); Love’s Labour’s Lost (Kentucky Shakespeare). Film and television: michigan (writer), Lament for the Artist, Law & Order, and Law & Order: SVU. He has taught acting at Tisch School for the Arts at NYU. He studied comparative religion and drama at Western Michigan University and earned his MFA from the Institute for Advanced Theater Training at Harvard University.

SATOSHI TAKEISHI (MUSICIAN) is a native of Mito, Japan.

He has been living in New York since 1991, and he has performed and recorded in a vast variety of genres, from world music, jazz, and contemporary classical music to experimental electronic music with musicians such as Ray Barretto, Carlos “Patato” Valdes, Eliane Elias, Marc Johnson, Eddie Gomez, Randy Brecker, Dave Liebman, Anthony Braxton, Mary Murphy, Herbie Mann, Paul Winter Consort, Rabih Abu Khalil, Erik Friedlander, Ned Rothenberg, Michaël Attias, Shoko Nagai, Paul Giger, Toshiko Akiyoski Big Band, Ying String Quartet, Metamorphosen Chamber Orchestra, Dhafer Youssef, Lalo Schifrin, and Pablo Ziegler, to name a few. He continues to explore multicultural, electronic, and improvisational music with local musicians and composers in New York.

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ARIANA VENTURI (SYBILLE, ENSEMBLE) is a first-year MFA candidate at Yale School of Drama. This production marks her Yale Rep debut. Regional credits include Michael von Siebenburg Melts through the Floorboards (36th Humana Festival, Actors Theatre of Louisville). New York credits include Dance Dance Revolution directed by Alex Timbers (Ohio Theater); Vendetta Chrome (Clubbed Thumb); Classic Kitchen Timer written and directed by Adam Rapp, Recess directed by Kip Fagan, and La Boheme (Spoken), all at The Flea Theater.

She is a member of Shelby Company and has toured in their original productions of Sousepaw: A Baseball Story and Font of Knowledge, as well as their sketch comedy show Ephemerama. Ari has previously trained at RADA and has a BA in English from Vassar College.

CREATIVE TEAM ALYSSA K. HOWARD* (STAGE MANAGER) is a third-year MFA candidate at Yale

School of Drama, where her work has included The Seagull, Mexico Play, and Eligible Receivers: A Play with Songs. Other credits include The Realistic Joneses (Yale Rep, assistant stage manager); Rey Planta, Dracula, and the world premieres of The Fatal Eggs, The Bird Bath, All This Noise, and Trannequin! A New Musical (Yale Cabaret); Maren of Vardø (Yale Institute for Music Theatre); the world premiere of Fetch Clay, Make Man, the American premiere of the musical Take Flight (McCarter Theatre); Much Ado About Nothing, The Merchant of Venice (Orlando Shakespeare Theater); and serving as Production Stage Manager for Yale Summer Cabaret’s 50 Nights: A Festival of Stories. Alyssa is also an accomplished freelance pianist, pipe organist, accompanist, and music director. She is an alumna of Williams College.

DAVID NEUMANN (CHOREOGRAPHER) As artistic director of Advanced Beginner

Group, Neumann’s original work has been presented in New York at PS 122, New York Live Arts, The Kitchen, Central Park Summerstage Symphony Space, and The Whitney. ABG has also performed at the Walker Art Center, Alverno College, and MASS MoCA, among others. Neumann has been a featured performer in the works of Big Dance Theater, Susan Marshall, Sally Silvers, and club legend, Willi Ninja. He was a member of Doug Varone and Dancers and an eight-year original member and collaborator with the Doug Elkins Dance Company, with whom he toured nationally and internationally. He continues to perform and choreograph for theatre, opera, and film, including The Total Bent by Stew, and created two duets that he performed with Mikhail Baryshnikov. Most recently he directed Geoff Sobelle in The Object Lesson for Lincoln Center’s LCT3 residency. He is currently professor of theatre at Sarah Lawrence College.

*MEMBER OF ACTORS’ EQUITY ASSOCIATION, UNION OF PROFESSIONAL ACTORS AND STAGE MANAGERS.

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CREATIVE TEAM PETER NIGRINI (PROJECTION DESIGNER) previously designed the projections for Yale

Rep’s Autumn Sonata and the world premiere of Notes from Underground, which was also seen at California’s La Jolla Playhouse and in New York at Theatre for a New Audience, in association with Baryshnikov Arts Center. His Broadway credits include Fela! (also in London) and The Best Man. Other credits include the Grace Jones Hurricane tour; Der Ferne Klang (Bard Summerscape); Haroun and the Sea of Stories (New York City Opera); Blind Date (Bill T. Jones/Arnie Zane Dance); The Elaborate Entrance of Chad Deity (Second Stage Theatre); Fetch Clay, Make Man (McCarter Theatre Center); The Orphan of Zhao (Lincoln Center Festival); Sweet Bird of Youth (Williamstown Theatre Festival); and Here Lies Love (The Public Theater). He is one of the founders of Nature Theater of Oklahoma for whom he has designed: No Dice (2008 OBIE Award), Romeo and Juliet (Salzburger Festspiele), and Life and Times (Burgtheater, Vienna), among others. Upcoming projects include the new musical Far From Heaven at Playwrights Horizons.

LOUISA PROSKE (LITERAL TRANSLATION) is a director of classics, new plays, and

opera. Originally from Berlin, Germany, she holds an MFA in Directing from Yale School of Drama and is now based in New York City. Her directing credits include Fassbinder’s The Bitter Tears of Petra von Kant (Strasberg Institute/ NYU); the opera La Voix Humaine (Yale Opera); the world premiere of the opera Invisible Cities at the Italian Academy New York; an evening of world premiere short operas at Issue Project Room; her thesis production of Cymbeline at Yale School of Drama; Rum ‘n’ Coca Cola in Port-of-Spain, Trinidad; an international tour of Macbeth; As You Like It (Yale Summer Cabaret Shakespeare Festival); Pierrot Lunaire (The Wild Project, NYC); ’Tis Pity She’s a Whore (The Tank, NYC); The Lover (Yale School of Drama); REVELS (Manhattan School of Music); The Servant of Two Masters (Edinburgh Fringe Festival); The Barber Shop (Cambridge Footlights); 4.48 Psychosis; The Importance of Being Earnest; No Exit (all Apollonysus Theatre, York, UK); and a tour of Lucy’s Dream through schools in India and Nepal. Louisa is a 2013 Drama League Directing Fellow. yaledrama.digication.com/louisa_proske

JESSICA RIZZO (PRODUCTION DRAMATURG) is a second-year MFA candidate at Yale School of Drama, where her credits include Tennessee Williams’s Vieux Carré (directed

by Joan MacIntosh), Poulenc’s opera La Voix Humaine (directed by Louisa Proske), and Martyna Majok’s Petty Harbour (directed by Tea Alagić). Previously at Yale Repertory Theatre, she served as assistant director to Tina Landau on Christina Anderson’s Good Goods. Jessica is also a managing editor of Yale School of Drama’s Theater magazine.

TARA RUBIN CASTING (CASTING DIRECTOR) has been casting at Yale Rep since 2004.

Broadway: The Heiress; Scandalous: The Life and Trials of Aimee Semple McPherson; Ghost; One Man, Two Guvnors (U.S. casting); Jesus Christ Superstar (U.S. casting), Hugh Jackman: Back on Broadway; How to Succeed in Business Without Really Trying; Promises, Promises; A Little Night Music; Billy Elliot; Shrek; Guys and Dolls; The Country Girl; Rock ’n’ Roll; The Farnsworth Invention; Young Frankenstein; The Little Mermaid; Mary Poppins; My Fair Lady; The Pirate Queen; Les Misérables; The History Boys; Spamalot; Jersey Boys; The 25th Annual Putnam County Spelling Bee; The Producers; Mamma Mia!; The Phantom of the Opera; Oklahoma!; Contact. Off-Broadway: Love, Loss, and What I Wore, Second Stage Theatre. Regional: The Kennedy Center, La Jolla Playhouse, Dallas Theater Center, The Old Globe, Westport Country Playhouse. Film: Lucky Stiff, The Producers.

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CATHERINE SHEEHY (PRODUCTION DRAMATURG) is Resident Dramaturg at Yale

Repertory Theatre and the Chair of Dramaturgy and Dramatic Criticism at Yale School of Drama. Her most recent Yale Rep dramaturgy credits include The Winter’s Tale, Bossa Nova, POP!, Trouble in Mind, and The King Stag (which she also co-adapted with Evan and Mike Yionoulis). Her adaptation of Pride and Prejudice was produced at Asolo Repertory Theatre and Dallas Theater Center. She has worked at the O’Neill Playwrights Conference, in New York and Ireland with the late Joseph Chaikin, at Baltimore’s CENTERSTAGE with Irene Lewis, and for four seasons as Festival Dramaturg at Shakespeare Santa Cruz. She is a former associate editor of American Theatre and a former editor of Theater magazine. She received her doctorate from Yale in 1999 for her dissertation: If You Care to Blast for It: Excavating the Lost Comic Masterpieces of the American Canon.

JENNIFER TIPTON (LIGHTING DESIGNER) is well known for her work in theatre, dance,

and opera. Her recent work in opera includes L’Elisir d’Amore directed by Bartlett Sher at the Metropolitan Opera; Elektra for the Chicago Lyric Opera, and Maria Stuarda at the Metropolitan Opera, both directed by David McVicar. Her recent work in dance includes Alexei Ratmansky’s Romeo and Juliet for the National Ballet of Canada and Paul Taylor’s Gossamer Gallants. In theatre her recent work includes The Testament of Mary on Broadway, James Joyce’s The Dead at the Court Theatre in Chicago, and Richard Nelson’s Sorry at The Public Theater in New York. Ms. Tipton teaches lighting at Yale School of Drama. She received the Dorothy and Lillian Gish Prize in 2001, the Jerome Robbins Prize in 2003, and the Mayor’s Award for Arts and Culture in New York City in 2004. In 2008 she was made a United States Artist “Gracie” Fellow and a MacArthur Fellow.

WALTON WILSON (VOCAL COACH) is Head of Voice and Speech at Yale School of

Drama. He was trained and designated as a voice teacher by Master Teacher Kristin Linklater and was trained and certified as an associate teacher by Master Teacher Catherine Fitzmaurice. He also studied with Richard Armstrong, Meredith Monk, and Patsy Rodenburg. As a voice/dialect coach, his New York credits include The Violet Hour and Golden Child on Broadway; the world premiere productions of The Laramie Project and The Laramie Project: 10 Years Later, and Endangered Species. Regional credits include productions at Actors Theatre of Louisville, American Repertory Theater, Long Wharf Theatre, McCarter Theatre, Shakespeare & Company, and Williamstown Theatre Festival. At Yale Rep, he has served as voice and dialect coach for Robert Woodruff’s three previous productions (Autumn Sonata, Battle of Black and Dogs, Notes from Underground), as well as A Doctor in Spite of Himself, Boleros for the Disenchanted, The Evildoers, The Unmentionables, The Cherry Orchard, The Intelligent Design of Jenny Chow, The Black Monk, Medea/Macbeth/Cinderella, Betty’s Summer Vacation, The Birds, and Richard III.

ROBERT WOODRUFF (CO-ADAPTOR, DIRECTOR) co-adapted and directed Yale

Rep’s 2009 production of Notes from Underground, which was also seen at La Jolla Playhouse in California and in New York at Theatre for a New Audience, in association with Baryshnikov Arts Center, and directed the Yale Rep productions of Battle of Black and Dogs (2010) and Autumn Sonata (2011). He has directed over 70 productions across the U.S. at theatres including Lincoln Center Theater, The Public Theater, American Conservatory Theater, Guthrie Theater, and Mark Taper Forum, among others.

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CREATIVE TEAM Recent credits include the premieres of the cello opera Elsewhere, a collaboration with Maya Beiser for Brooklyn Academy of Music; Dog Days, an opera by composer David Little (Peak Performances at Montclair); Celebration (Hungarian Theater of Cluj, Romania); Madame White Snake by Zhou Long (Opera Boston, also presented in Beijing; Pulitzer Prize in Music); Ifigeneia in Aulis (Toneelgroep Amsterdam); and Philip Glass’s Appomattox (San Francisco Opera). Internationally, his work has been seen at the Habimah National Theatre in Israel, Sydney Arts Festival, Los Angeles Olympic Arts Festival, Edinburgh International Festival, Hong Kong Festival of the Arts, Jerusalem Festival, and Spoleto Festival USA. Mr. Woodruff has taught at the University of California campuses at San Diego and Santa Barbara, New York University’s Tisch School of the Arts, and Columbia University. He is on the faculty of Yale School of Drama. In 1972, he co-founded the Eureka Theatre in San Francisco, where he served as Artistic and Resident Director until 1978. In 1976, Mr. Woodruff established the Bay Area Playwrights Festival, a summer forum for the development of new plays that is still flourishing. From 2002 to 2007, Mr. Woodruff was the Artistic Director of American Repertory Theatre. He was named a 2007 USA Biller Fellow by United States Artists, an arts advocacy foundation dedicated to the support and promotion of America’s top living artists.

YI ZHAO (LIGHTING DESIGNER) previously designed the lighting for Yale Rep’s A

Doctor in Spite of Himself, which was also seen at Berkeley Repertory Theatre. Other recent projects include The Bakkhai (Fisher Center for the Performing Arts at Bard College); Luz (La MaMa E.T.C.); The Glass Menagerie (TheatreWorks, Colorado Springs); Mary Becoming (ArtPond); Disquiet (Living Theatre); Jib, Passing, Eurydice, Othello (Yale School of Drama); Saori’s Birthday!, The Misanthrope, She of the Voice, Winter Journey (PS122); and Telephone/Landscape (Chocolate Factory). He is a graduate of the University of Chicago and Yale School of Drama. His work can be seen at www.yi-zhao. com.

DAVID ZINN (SCENIC AND COSTUME DESIGNER) Previous Yale Rep credits include

The Realistic Joneses (set and costumes); We Have Always Lived in the Castle, Notes from Underground (sets); and Medea/Macbeth/Cinderella (costumes). His Broadway credits include the sets and costumes for Seminar and costumes for Picnic, The Other Place, Other Desert Cities, Bengal Tiger at the Baghdad Zoo, Good People, In the Next Room (or the vibrator play) (Tony and Drama Desk Award nominations), A Tale of Two Cities, and Xanadu. His recent Off-Broadway credits include The Flick, The Big Meal, Completeness, Circle Mirror Transformation (Playwrights Horizons); Look Back in Anger (Roundabout Theatre Company); Dogfight (Second Stage Theatre); and The Select (The Sun Also Rises) (New York Theatre Workshop); His regional credits include productions at A.R.T., McCarter, Berkeley Repertory Theatre, Mark Taper Forum, Oregon Shakespeare Festival, La Jolla Playhouse, Guthrie Theater, Intiman Theatre, and the Seattle Rep, among many others. His set and costume designs for opera have been seen at the Lyric Opera of Chicago, Santa Fe Opera, Glimmerglass, New York City Opera, and others.

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YALE REPERTORY THEATRE JAMES BUNDY (ARTISTIC DIRECTOR) is in his eleventh year as Dean of Yale School of Drama and Artistic Director of Yale Repertory Theatre. In his first ten seasons, Yale Rep has produced more than thirty world, American, and regional premieres, six of which have been honored by the Connecticut Critics Circle with the award for Best Production of the year, and two of which have been Pulitzer Prize finalists. During this time, Yale Rep has also commissioned more than forty artists to write new work and provided lowcost theatre tickets and classroom visits to thousands of middle and high school students from Greater New Haven through WILL POWER!, an educational program initiated in 2004. In addition to Yale Rep, he has directed productions at Great Lakes Theater Festival, The Acting Company, California Shakespeare Festival, Alabama Shakespeare Festival, and The Juilliard School Drama Division. A recipient of the Connecticut Critics Circle’s Tom Killen Award for extraordinary contributions to Connecticut professional theatre in 2007, Mr. Bundy currently serves on the board of directors of Theatre Communications Group, the national service organization for nonprofit theatre. Previously, he worked as Associate Producing Director of The Acting Company, Managing Director of Cornerstone Theater Company, and Artistic Director of Great Lakes Theater Festival. He is a graduate of Harvard College; he trained at the London Academy of Music and Dramatic Art and Yale School of Drama.

VICTORIA NOLAN (MANAGING DIRECTOR) is in her 20th year as Managing Director of Yale Repertory Theatre, serves as Deputy Dean of Yale School of Drama, and is on its faculty. She was previously Managing Director of Indiana Repertory Theatre, Associate Managing Director at Baltimore’s CENTERSTAGE, Managing Director at Ram Island Dance Company in Portland, Maine; and she has held various positions at Loeb Drama Center of Harvard University; TAG Foundation, an organization producing Off-Broadway modern dance festivals; and Boston University School for the Arts. Ms. Nolan has been an evaluator for the National Endowment for the Arts, for which she has chaired numerous grant panels, and has served on other panels and foundation review boards including the AT&T Foundation, The Heinz Family Foundation, Lila Wallace-Reader’s Digest Fund, and the Metropolitan Life Foundation. She has also served on the Executive Committee of the League of Resident Theatres (LORT) and on numerous negotiating teams for national labor contracts. A Fellow at Yale’s Saybrook College, she is the recipient of the Betsy L. Mahaffey Arts Administration Fellowship Award from the State of Connecticut and the Elm/Ivy Award, given jointly by Yale University and the City of New Haven for distinguished service to the community.

JENNIFER KIGER (ASSOCIATE ARTISTIC DIRECTOR AND DIRECTOR OF NEW PLAY PROGRAMS) is in her eighth year at Yale Rep and is also Director of the New Play Programs of Yale’s Binger Center for New Theatre, an artistdriven initiative that supports the creation of new plays and musicals for the American stage through commissions, residencies, workshops, and productions. Ms. Kiger came to Yale Rep from South Coast Repertory (SCR), where she was Literary Manager from 2000 to 2005 and served as Co-Director of the Pacific Playwrights Festival. She was dramaturg on 26

more than 40 new plays at SCR, including the world premieres of Rolin Jones’s The Intelligent Design of Jenny Chow, Amy Freed’s The Beard of Avon, and the West Coast premieres of Sarah Ruhl’s The Clean House and Nilo Cruz’s Anna in the Tropics. Prior to that, she served as production dramaturg at American Repertory Theatre, collaborating with Robert Brustein, Robert Woodruff, Liz Diamond, and Kate Whoriskey, and with multi-media director Bob McGrath on stage adaptations of Robert Coover’s Charlie in the House of Rue and Mac Wellman’s Hypatia. She has been a dramaturg for the Playwrights’ Center of Minneapolis and Boston Theatre Works and a panelist for the National Endowment for the Arts and the California Arts Council. Ms. Kiger completed her training in Dramaturgy at the American Repertory Theatre Institute for Advanced Theatre Training at Harvard University, where she taught courses in acting and dramatic arts.

BRONISLAW SAMMLER (PRODUCTION SUPERVISOR) has been Chair of Yale School of Drama’s acclaimed Technical Design and Production Department since 1980. In 2007 he was named the Henry McCormick Professor (Adjunct) of Technical Design and Production by Yale’s President, Richard C. Levin. He is co-editor of Technical Brief and Technical Design Solutions for Theatre, Vols. I & II. He co-authored Structural Design for the Stage, which won the United States Institute of Theatre Technology’s (USITT) Golden Pen Award. Demonstrating his commitment to excellence in technical education and professional production, he co-founded USITT’s National Theatre Technology Exhibit, an on-going biennial event; he has served as a commissioner and a director at-large and is a lifetime Fellow of the Institute. He was honored as Educator of the Year in 2006 by the New England Theatre Conference and chosen to receive the USITT Distinguished Achievement Award in Technical Production in 2009. His production management techniques and his introduction of structural design to scenic technology are being employed in both educational and professional theatres throughout the world.

JAMES MOUNTCASTLE (PRODUCTION STAGE MANAGER), has been at Yale Rep since 2004. He has stage managed productions of American Night: The Ballad of Juan José, Three Sisters, We Have Always Lived in the Castle, The Master Builder, Passion Play, Richard II, Eurydice, a new adaptation of The Cherry Orchard, and the world premiere of The Clean House. A professional stage manager for more than twenty years, he has worked in regional, stock, and Broadway theatre. Broadway credits include Damn Yankees, Jekyll & Hyde, Judgment at Nuremberg, The Boys from Syracuse, The Smell of the Kill, Life x(3), and Wonderful Town. Mr. Mountcastle spent several Christmas seasons in New York City as stage manager for the now legendary production of A Christmas Carol at Madison Square Garden. Broadway national tours include City of Angels, Falsettos, and My Fair Lady. He served as Production Stage Manager for Damn Yankees starring Jerry Lewis for both its national tour and at the Adelphi Theatre in London’s West End. In addition, Mr. Mountcastle has worked at The Kennedy Center, CENTERSTAGE in Baltimore, Actors Theatre of Louisville, Brooklyn Academy of Music, and elsewhere. James and his wife Julie live in North Haven and are the very proud parents of two beautiful girls: Ellie, who is 14 years old, and Katie, age 12.

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YALE REPERTORY THEATRE STAFF James Bundy, Artistic Director Victoria Nolan, Managing Director Jennifer Kiger, Associate Artistic Director Director of New Play Programs

ARTISTIC

Resident Artists Paula Vogel, Playwright-in-Residence Liz Diamond, Evan Yionoulis, Resident Directors Catherine Sheehy, Resident Dramaturg Michael Yeargan, Set Design Advisor, Resident Set Designer Jane Greenwood, Costume Design Advisor Jess Goldstein, Resident Costume Designer Jennifer Tipton, Lighting Design Advisor Stephen Strawbridge, Resident Lighting Designer David Budries, Sound Design Advisor Walton Wilson, Voice and Speech Advisor Rick Sordelet, Fight Advisor Mary Hunter, Stage Management Advisor

Finance and Information Technology Katherine D. Burgueño, Director of Finance and Human Resources Denise Zaczek, Associate Director of Finance Cristal Coleman, Alex Grennan, Joanna Romberg, Business Office Specialists Randall Rode, Information Technology Director Daryl Brereton, Associate Information Technology Director Janna J. Ellis, Interim Director, Yale Tessitura Consortium Mara Hazzard-Wallingford, Tessitura Consultant Toni Ann Simiola, Senior Administrative Assistant to Business Office, Information Technology, Operations, and Tessitura

Marketing, Communications, and Audience Services Anne Trites, Director of Marketing and Communications Steven Padla, Senior Associate Director of Communications Associate Artists Daniel Cress, Senior Associate Director of Marketing 52nd Street Project, Kama Ginkas, Mark Lamos, Rachel Smith, Associate Director of Marketing MTYZ Theatre/Moscow New Generations Theatre, Brittany Behrens, Associate Director of Marketing Bill Rauch, Sarah Ruhl, Henrietta Yanovskaya Sarah Stevens-Morling, Online Communications and Advertising Manager Artistic Administration Marguerite Elliott, Publications Manager Amy Boratko, Literary Manager Kathleen Martin, Online Communications Assistant Ruth M. Feldman, Director of Education and Stephanie Rolland, Marketing Assistant Accessibility Services Fraver, Graphic Designer Kay Perdue Meadows, Artistic Associate Joan Marcus, Production Photographer Walter Byongsok Chon, Artistic Coordinator Laura Kirk, Interim Associate Director of Benjamin Fainstein, Ilinca Tamara Todorut, Audience Services and Tessitura Specialist Literary Associates Shane Quinn, Interim Assistant Audience Services Director Tara Rubin, C.S.A.; Merri Sugarman, C.S.A.; Tracy Baldini, Subscriptions Coordinator Eric Woodall, C.S.A.; Dale Brown, C.S.A.; Evan Beck, Amanda Bermudez, Brandon Boyer, Lindsay Levine; Kaitlin Shaw; Katie Metcalf, Andrew Moore, Sophie Nethercut, Stephanie Yankwitt, Casting Emily Sanna, Peter Schattauer, Box Office Assistants Lindsay King, Teresa Mensz, Tobin Nelhaus, Library Services Operations Josie Brown, Senior Administrative Assistant to the Diane Galt, Director of Facility Operations Artistic Director and Associate Artistic Director Ian Dunn, Operations Associate Laurie Coppola, Senior Administrative Assistant for Paul Catalano, Arts and Drama Zone Superintendent the Directing, Dramaturgy and Dramatic Criticism, Krista J. MacLellan, 217 Park and 212 York Playwriting, and Stage Management Departments Superintendent Mary Volk, Senior Administrative Assistant for the VonDeen Ricks, Senior Custodian Design, Sound Design, and Projection Departments Marcia Riley, Facility Steward Lucille Bochert, Norma Crimley, Donell D’Gioia, ADMINISTRATION Ty Frost, Patrick Martin, Mark Roy, Custodians Jennifer Lagundino, Katie Liberman, Associate Managing Directors Theater Safety and Occupational Health Lico Whitfield, Associate Director of Special Programs William J. Reynolds, Director of Theater Safety Eric Gershman, Alyssa Simmons, Assistant and Occupational Health Managing Directors Jacob Thompson, Security Officer Sarah Williams, Management Assistant Ed Jooss, Audience Safety Officer Emalie Mayo, Senior Administrative Assistant Fred Geier, Patrick Grant, Customer Service and to the Managing Director Safety Officers Lauren Wainwright, Company Manager Anh Lê, Assistant Company Manager PRODUCTION Bronislaw J. Sammler, Production Supervisor Development and Alumni Affairs James Mountcastle, Production Stage Manager Deborah S. Berman, Director of Development and Jonathan Reed, Senior Associate Production Supervisor Alumni Affairs Grace O’Brien, Senior Administrative Assistant Janice Muirhead, Senior Associate Director of Development to the Production, Theater Safety and Occupational Reynaldi Lolong, Associate Director of Development Health Departments Barry Kaplan, Senior Staff Writer Susan C. Clark, Development and Alumni Affairs Officer Laura J. Eckelman, Development Associate Molly Hennighausen, Development Assistant Belene Day, Senior Administrative Assistant to 28 Development and Marketing & Communications

Scenery Colin Buckhurst, Neil Mulligan, Matt Welander, Technical Directors Alan Hendrickson, Electro Mechanical Laboratory Supervisor Eric Sparks, Shop Foreman Matt Gaffney, Ryan Gardner, Sharon Reinhart, Master Shop Carpenters Brandon Fuller, Shop Carpenter Emily Erdman, Wyatt Heatherington Tilka, Assistants to the Technical Director Painting Ru-Jun Wang, Scenic Charge Keri Kriston, Scenic Artist Stephanie Huck, Assistant Scenic Artist Nathan Jasunas, Clare McCormick, Assistants to the Painting Supervisor Properties Brian Cookson, Properties Master David P. Schrader, Properties Craftsperson Jennifer McClure, Properties Assistant Bill Batschelet, Properties Stock Manager Elizabeth Zevin, Assistant to the Properties Manager Costumes Tom McAlister, Costume Shop Manager Robin Hirsch, Associate Costume Shop Manager Clarissa Wylie Youngberg, Mary Zihal, Senior Drapers Deborah Bloch, Harry Johnson, Senior First Hands Linda Kelley-Dodd, Costume Project Coordinator Denise O’Brien, Wig and Hair Design Barbara Bodine, Company Hairdresser Linda Wingerter, Costume Stock Manager Electrics Donald W. Titus, Lighting Supervisor Linda Young, Senior Head Electrician Brian Quiricone, Head Electrician Sound Mike Backhaus, Sound Supervisor Paul Bozzi, Staff Sound Engineer Sanghyun Ahn, Pornchanok Kanchanabanca, Assistants to the Sound Supervisor Projections Erich Bolton, Projection Supervisor Christopher Russo, Head Projection Technician Stage Operations Janet Cunningham, Stage Carpenter Kate Begley Baker, Head Properties Runner Elizabeth Bolster, Wardrobe Supervisor Jacob Riley, FOH Mix Engineer

ADDITIONAL STAFF FOR IN A YEAR WITH 13 MOONS

Andrej Viski, Assistant Director Kurt Boetcher, Assistant Scenic Designer Patrick Johnson, Assistant Costume Designer Yi Zhao, Assistant Lighting Designer Michael F Bergmann, Assistant Projection Designer Joel Abbott, Associate Sound Designer Brian Hickey, Assistant Sound Designer and Engineer Jennifer Schmidt, Assistant Dramaturg Rick Sordelet, Firearms Consultant Robert Chikar, Assistant Stage Manager Christina Keryczynskyj, Projection Engineer Kaitlyn Anderson, Associate Production Supervisor Nicholas Christiani, Technical Director Emily Erdman, Thomas Harper, Assistant Technical Directors Jennifer McClure, Properties Master Jacqueline Deniz Young, Assistant Properties Master Justin Bennett, Master Electrician Scott Keith, Shop Carpenter Emika Abe, House Manager Louisa Balch, Montana Levi Blanco, Shawn Boyle, Hugh Farrell, Jessica Holt, Matthew McCollum, Mickey Theis, Karen Walcott, Run Crew UNDERSTUDIES John Kelly, Smolik Jacqueline Kim, Sister Gudrun, Cleaning Lady Mariko Nakasone, Red Zora, Sybille Jesse J. Perez, Stranger, Christoph, Frank, Heinz Ariana Venturi, Marie-Ann, Irene Andrej Viski, Man Outside of Saitz’s SPECIAL THANKS Jeremy Chernick of JMFX, Professor Karsten Harries, Long Wharf Properties Department, Susan Moore, Professor Paul North

The Scenic, Costume, Lighting, and Sound Designers in LORT are represented by United Artists Local USA-829, IATSE.

Yale Repertory Theatre operates under an agreement between the League of Resident Theatres (LORT) and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

In a Year with 13 Moons April 26 to May 18, 2013 Yale Repertory Theatre, 1120 Chapel Street

YALEREP.ORG 29

BINGER CENTER FOR NEW THEATRE YALE REPERTORY THEATRE is dedicated to the production of new plays and bold interpretations of classics and has produced well over 100 premieres—including two Pulitzer Prize winners and four other nominated finalists—by emerging and established playwrights. Eleven Yale Rep productions have advanced to Broadway, garnering more than 40 Tony Award nominations and eight Tony Awards. Yale Rep is also the recipient of the Tony Award for Outstanding Regional Theatre. Professional assignments at Yale Repertory Theatre are integral components of the program at Yale School of Drama, the nation’s leading graduate theatre training conservatory.

Established in 2008, Yale’s BINGER CENTER FOR NEW THEATRE is an artist-driven initiative that devotes major resources to the commissioning, development, and production of new plays and musicals at Yale Rep and across the country. Among the Center’s programs, a key component is its Production Enhancement Fund, which provides financial support for productions at other theatres of works commissioned by and/or first produced at Yale Rep. The Center also facilitates residencies of playwrights and composers at Yale School of Drama. Permanently endowed by a gift from the Robina Foundation, and supported by additional funding from the Andrew W. Mellon Foundation and individual donors, the Center is named in honor of James H. Binger (1916–2004), the noted businessman, theatre impresario, and philanthropist who created the Robina Foundation.

To date, the Center has supported the work of more than forty commissioned artists as well as the world premieres and subsequent productions of twelve new American plays and musicals—including David Adjmi’s Marie Antoinette, Dear Elizabeth by Sarah Ruhl, and Bill Camp and Robert Woodruff’s new adaptation of In a Year with 13 Moons by Rainer Werner Fassbinder, all of which will premiere at Yale Rep this season.

Dostoevsky’s Notes from Underground, adapted by Bill Camp and Robert Woodruff, was the first commissioned play supported by the Center to receive its world premiere at Yale Rep. In 2010, Notes had its West Coast premiere at La Jolla Playhouse and its New York premiere at Theatre for a New Audience, in association with the Baryshnikov Arts Center. The Center also supported the world premiere co-production of Rinne Groff’s Compulsion at Yale Rep, Berkeley Rep, and The Public Theater; the world premiere of the Yale Rep-commissioned On the Levee by Marcus Gardley, Todd Almond, and Lear deBessonet at Lincoln Center Theater’s LCT3; and the world premiere of Maggie-Kate Coleman and Anna K. Jacobs’s musical POP! at Yale Rep and its May 2012 production at Pittsburgh’s City Theatre.

For more information, please visit www.yalerep.org/center.

COMMISSIONED ARTISTS David Adjmi, Todd Almond, Christina Anderson, Hilary Bell, Adam Bock, Sheila Callaghan, Bill Camp, Lucinda Coxon, Lear deBessonet, Will Eno, Dorothy Fortenberry, Marcus Gardley, Matt Gould, Kirsten Greenidge, Danai Gurira, Ann Marie Healy, Amy Herzog, Naomi Iizuka, Branden Jacobs-Jenkins, Aditi Brennan Kapil, Carson Kreitzer, Dan LeFranc, Elizabeth Meriwether, Scott Murphy, Julie Marie Myatt, David Lefort Nugent, Lina Patel, Jay Reiss, The Rude Mechs, Sarah Ruhl, Octavio Solis, Rebecca Taichman, Lucy Thurber, Alice Tuan, Paula Vogel, Kathryn Walat, Anne Washburn, Marisa Wegrzyn, Robert Woodruff 30

Yale Rep productions supported by the BINGER CENTER FOR NEW THEATRE, clockwise from the top: Merritt Janson and Bill Camp in Notes from Underground, 2009; Clifton Duncan, Angela Lewis, de’Adre Aziza, and Marc Damon Johnson in Good Goods, 2012; Cristin Paige and Randy Harrison (background: Leslie Kritzer and Emily Swallow) in POP!, 2009; Maria Dizzia and Gilbert Owuor in Belleville, 2011; Teale Sperling and Marin Ireland in Marie Antoinette, 2012. All photos by Joan Marcus, except Marie Antoinette by T. Charles Erickson.

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FOR YOUR INFORMATION

ACCESSIBILITY SERVICES

HOW TO REACH US Yale Repertory Theatre Box Office 1120 Chapel Street (at York St.) PO Box 208244, New Haven, CT 06520 203.432.1234 Email: yalerep@yale.edu

Yale Repertory Theatre offers all patrons the most comprehensive accessibility services program in Connecticut, including a season of open-captioned and audiodescribed performances, a free assistive listening system, large-print and Braille programs, wheelchair accessibility with an elevator entrance into the Yale Rep Theatre located on the left side of the building, and accessible seating. For more information about the theatre’s accessibility services, contact Ruth M. Feldman, Director of Education and Accessibility Services, at 203.432.8425 or rm.feldman@yale.edu.

BOX OFFICE HOURS Monday to Friday from 10AM to 5PM Saturday from 12PM to 5PM Until 8PM on all show nights FIRE NOTICE Illuminated signs above each door indicate emergency exits. Please check for the nearest exit. In the event of an emergency, you will be notified by theatre personnel and assisted in the evacuation of the building.

Yale Repertory Theatre’s accessibility services are supported in part by The Seedlings Foundation and the Carol L. Sirot Foundation.

Yale Repertory Theatre gratefully acknowledges the Carol L. Sirot Foundation for underwriting the assistive listening systems in our theatres.

RESTROOMS Restrooms are located downstairs. Please contact the concierge for assistance with the elevator.

EMERGENCY CALLS Please leave your cell phone and/or beeper, name, and seat number with the concierge. We’ll notify you if necessary.

The emergency-only telephone number at Yale Rep is 203.764.4014.

GROUP RATES Discounted tickets are available for groups of ten or more. Please call 203.432.1572.

SEATING POLICY Everyone must have a ticket. Sorry, no children in arms or on laps. Patrons who become disruptive will be asked to leave the theatre.

THE TAKING OF PHOTOGRAPHS OR THE USE OF RECORDING DEVICES OF ANY KIND IN THE THEATRE WITHOUT THE WRITTEN PERMISSION OF THE MANAGEMENT IS PROHIBITED. 32

AUDIO DESCRIBED (AD) A live narration of the play’s action, sets, and costumes for patrons who are blind or low vision.

OPEN CAPTIONING (OC) You’ll never again have to ask, “What did they say?” Open Captioning provides a digital display of the play’s dialogue as it’s spoken.

Open Captioning and Audio Described performances are on Saturdays at 2PM. AD pre-show description begins at 1:45PM.

In a Year with 13 Moons

May 11 May 18

c2 is pleased to be the official Open Captioning provider of Yale Repertory Theatre.

YALE REP’S EDUCATION PROGRAMS As part of Yale Rep’s commitment to our community, we provide two significant youth theatre programs. Since our 2003–04 season, WILL POWER!, which offers teacher training and curricular support prior to seeing a selected play at Yale Rep, has served more than 17,000 Connecticut students and educators. The Dwight/Edgewood Project brings eight middle school students from New Haven’s Augusta Lewis Troup Middle School to Yale Rep for a month-long, after-school playwriting program designed to strengthen their self-esteem and creative expression.

Yale Rep’s education programs are supported in part by Allegra Print and Imaging; Deborah S. Berman; Roxanne Coady; Bob and Priscilla Dannies; Bruce Graham; the George A. and Grace L. Long Foundation, Bank of America, N.A. and Alan S. Parker, Esq. Co-Trustees; the Lucille Lortel Foundation; Romaine A. Macomb; Mrs. Romaine Macomb; Dawn G. Miller; NewAlliance Foundation; Robbin A. Seipold; Sandra Shaner; Cheever and Sally Tyler; Esme Usdan; Charles and Patricia Walkup; and Bert and Martha Weisbart.

LEFT, FROM TOP: SCHOOLS GATHERING FOR WILL POWER!; WILL POWER! CLASSROOM WORKSHOP; PAINTING SCENERY FOR THE DWIGHT/EDGEWOOD PROJECT, 2012.

SPONSORSHIP: COMMUNITY PARTNERS Allegra Print and Imaging Est Est Est Fleur de Lys Floral and Gifts Heirloom Hull’s Art Supply and Framing

New Haven Meatball Shop New Haven Register The Study at Yale Take the Cake GHP Printing and Mailing

Union League Cafe Willoughby’s Coffee and Tea The Wine Thief The Yale Bookstore Yellowbook

These lists include current pledges, gifts, and grants received from January 1, 2012‚ through April 1, 2013.

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MAKE A GIFT!

When you make a gift to Yale Rep’s Annual Fund, you support the creative work on our stage and our innovative outreach programs. For more information, or to make a donation, please call Susan Clark, 203.432.1559. You can also give online at yalerep.org/donate.

THANK YOU TO THE GENEROUS CONTRIBUTORS TO YALE SCHOOL OF DRAMA AND YALE REPERTORY THEATRE: LEADERSHIP SOCIETY ($50,000 and above) Anonymous (2) John B. Beinecke Nicholas Ciriello Lynne and Roger Bolton Sterling and Clare Brinkley State of Connecticut, Office of the Arts Edgar M. Cullman, Jr. Edgar M. Cullman III Anita Pamintuan Fusco and Dino Fusco Horace W. Goldsmith Foundation Frederick Iseman David Johnson Adrian and Nina Jones Jennifer Lindstrom Neil Mazzella Andrew W. Mellon Foundation William S. Monaghan Don Nelson Pam and Jeff Rank Robert Riordan Robina Foundation Linda Frank Rodman Talia Shire Schwartzman The Shubert Foundation Stephen Timbers Kara Unterberg Esme Usdan Reggie Van Lee

GUARANTORS ($25,000–$49,999) Anonymous Lois Chiles and Richard Gilder Educational Foundation of America Heidi Ettinger Estate of Richard G. Mason* National Endowment for the Arts National Endowment for the Arts/Arts Midwest, Shakespeare for a New Generation

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James Munson Jeremy Smith Edward Trach

BENEFACTORS ($10,000–$24,999) Americana Arts Foundation Anonymous Bisno Productions Sonja Berggren and Patrick Seaver The Cornelius Schecter Family Fund Scott Delman Ruth and Steve Hendel Catherine MacNeil Hollinger Sarah Long Lucille Lortel Foundation Donald B. Lowy Stacey Mindich Productions Carol Ostrow Michael and Riki Sheehan Ted and Mary Jo Shen Carol L. Sirot Foundation Trust for Mutual Understanding Carol M. Waaser

PRODUCER’S CIRCLE ($5,000–$9,999) Nina Adams and Moreson Kaplan Deborah Applegate and Bruce Tulgan Amy Aquino and Drew McCoy Merritt Forrest Baer Foster Bam Mary L. Bundy Jim Burrows The Noël Coward Foundation Michael Desantis and Patrick Baugh Michael Diamond Terry Fitzpatrick Beth Galston F. Lane Heard III Linda Gulder Huett

Ellen Iseman Ben Ledbetter and Deborah Freedman Arthur and Merle Nacht Peter Nelson NewAlliance Foundation Theater Communications Group Robert Pohly and Julie Turaj Philip J. Smith Susan Stroman

DIRECTOR’S CIRCLE ($1,000–$4,999) Anna Fitch Ardenghi Trust, Bank of America, N.A., Trustee Paula Armbruster Mr. and Mrs. B. Ashfield John Badham Alexander Bagnall Robert L. Barth Jody Locker Berger Deborah S. Berman Jeffrey A. Bleckner Edward Blunt Walter Bobbie Michael Broh Raymond Carver James Bundy CECArts Link Joan D. Channick Enrico Colantoni Sue Ann Gilfillan and Tony Converse Peggy Cowles The Frederick A. DeLuca Foundation Michael S. David Sasha Emerson Glen R. Fasman Marc Flanagan Lawrence and Megan Foley Marcus Dean Fuller Melanie Ginter and John Lapides Fred Gorelick and Cheryl MacLachlan James W. Gousseff Albert R. Gurney Judith Hansen

Richard Harrison Carol Thompson Hemingway James Ingalls James Earl Jewell Rolin Jones Jane Kaczmarek Betsy Katz and Reed Hundt The Ethel & Abe Lapides Foundation The George A. and Grace L. Long Foundation George N. Lindsay, Jr Linda Lorimer and Charley Ellis William Ludel Drs. Robert and Wendy Lyons Romaine A. Macomb Jenny Mannis and Henry Wishcamper Jane Marcher Foundation Thomas Masse and Dr. James Perlotto Maximum Entertainment Productions Maeve McGuire Dawn G. Miller The Garret and Mary Moran Family Foundation Neil Mulligan Victoria Nolan and Clark Crolius Richard Ostreicher Mr. and Mrs. Albert Pailet F. Richard Pappas Dw Phineas Perkins George and Kathy Priest Hal Prince Lance Reddick Marie S. Sherer Eugene F. Shewmaker Benjamin Slotznick Rachel Smith Kristin Sosnowsky Kenneth J. Stein Shepard and Marlene Stone

Lee Stump Arlene Szczarba John Henry Thomas Tobin Theatre Arts Fund Courtney Vance Barry and Fran Weissler Terrence Witter Steve Zuckerman

PARTNERS ($500–$999) Actors’ Equity Foundation The Bruce Altman Family Mary Ellen and Thomas Atkins Christopher Barreca Alice B. and James T. Brown Joy G. Carlin Cosmo Catalano, Jr. Patricia Clarkson Paul Cleary CT Humanities Ernestine and Ronald Cwik Bob and Priscilla Dannies Ramon L. Delgado The Cory & Bob Donnalley

Charitable Foundation Roberta Enoch and Steven Canner Paul Cleary Richard Sutton Davis Peter Entin Dr. and Mrs. Frederic Finkelstein Rob Greenberg Elizabeth M. Greene William B. Halbert Karsten Harries and Elizabeth Langhorne Katherine W. Haskins Jane C. Head Jeffrey Hermann Donald Holder John Robert Hood Helen Kauder and Barry Nalebuff Donald and Candice Kohn Mildred Kuner Edward Lapine Charles Long and Roe Curtis Chih-Lung Liu Brian Mann John McAndrew Johanna D. McAuliffe George Miller and Virginia Fallon *deceased

Daniel Mufson Janice Muirhead James Naughton Arthur Oliner Maulik Pancholy Amy Povich Dr. Michael Rigsby Peter S. Roberts Liev Schreiber Sandra Shaner Jack Thomas and Bruce Payne Thomas Thurston Cheever and Sally Tyler Zelma Weisfeld Vera Wells Carolyn S. Wiener Steven Wolff Evan Yionoulis

INVESTORS ($250–$499) Anonymous Susan and Bruce Ackerman Richard Ambacher Clayton Mayo Austin James Bakkom Robert Baldwin Douglas and Sarah Banker Michael Barker and Heidi Leigh Hanson John Lee Beatty Richard Bianchi* Lewis Black Deborah Bloch Irving and Jackie Blum Susan Brady and Mark Loeffler Tom Broecker Donald Brown Claudia Brown Jonathan Busky Sheldon Bustow Anne and Guido Calabresi Ian Calderon Anna Cascio Aurélia and Ben Cohen Robert Cotnoir Stephen Coy John W. Cunningham Charles Dillingham Merle Gordon Dowling Pat Egan Marc Eisenberg Arthur Fergenson Joel Fontaine Walter M. Frankenberger III David Freeman James Galligan

Joseph Gantman Robert Gerwien Joseph Wayne Gordon David M. Grant Anne K. Gregerson Norma and Richard Grossi Regina Guggenheim Sarah Hancock D. Keith Hargreaves Douglas Harvey Barbara Hauptman Sara Hedgepath Michael Haymes and Logan Green Nicole and Larry Heath Amy Herzog June and George Higgins James Guerry Hood Mary and Arthur Hunt Raymond P. Inkel Joanna and Lee Jacobus Cynthia Kaback Asaad Kelada Barnet K. Kellman Fredrica Klemm David Kriebs Bernard Kukoff Frances Kumin Suttirat Larlarb Kenneth Lewis Suzanne Cryer Luke Nancy F. Lyon Robert and Nancy Lyons Elizabeth Margid Peter Marshall Wendy McCabe Deborah McGraw George Miller and Virginia Fallon David Nancarrow William and Barbara Nordhaus Laura Patterson Louise Perkins and Jeff Glans Stephan Pollack Michael Potts Meghan Pressman Carol A. Prugh Alec and Drika Purves Margaret Adair Quinn Sarah Rafferty Faye and Ashgar Rastegar Barbara and David Reif Bill and Sharon Reynolds Daniel and Irene Mrose Rissi Steve Robman Constanza Romero Russ Rosensweig Fernande E. Ross

Jean and Ron Rozett Suzanne Sato Cindy and Mark Schoenfeld Mark and Cindy Slane Matthew Specter Mary C. Stark Sandra T. Stein and Harvey Kliman Jennifer Tipton Anne Trites Suzanne Tucker David J. Ward William and Phyllis Warfel Dana Westberg Judith and Guy Yale

FRIENDS ($100–$249) Anonymous Emily Aber and Robert Wechsler Ade Ademola Michael Albano Sarah Jean Albertson Narda Alcorn Susan Anderson Leif Ancker Bob and Jane Archibald Mary B. Arnstein Andrew Asensio Victor and Laura Atshul Angelina Avallone The Bahr, Levy and Rifas Families Sandra and Kirk Baird Frank and Eileen Baker Raymond Baldelli and Ronald Nicholes Robert Barr William Batsford Nancy and Richard Beals Thomas Beckett Barbara and Jack Beecher James Bender Melvin Bernhardt Saundra and Donald Bialos Martin Blanco Anders Bolang Paul Bordeau John Cummings Boyd Mark Boyer Amy Brewer and David Sacco Julie Anne Brown Oscar Lee Brownstein William J. Buck Gerard and Ann Burrow Robert and Linda Burt Kate Burton

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Contributors to Yale School of Drama and Yale Repertory Theatre Susan Byck Michael Cadden Susan Cahan and Jürgen Bank Donald Cairns Kathryn A. Calnan Lisa Carling Nicholas Carriere William E. Caruth Sami Joan Casler Marcelo Castro Patricia Cavanaugh Dr. and Mrs. W.K. Chandler Jim Chervenak Suellen G. Childs Cynthia Clair Christian Clemenson Lani Click Katherine D. Cline Robert S. Cohen Mr. and Mrs. Thomas Colville Patricia J. Collins Forrest Compton Audrey Conrad David Conte Jack and Helen Cooper Greg Copeland Aaron Copp George Corrin, Jr. Robert Cotnoir Dana S. Croll Timothy and Pamela Cronin Julie Crowder Douglas and Roseline Crowley Jane Ann Crum William Cuddy Sean Cullen Marycharlotte Cummings William Curran Donato Joseph D’Albis F. Mitchell Dana Sue and Gus Davis Robert Dealy Nigel W. Daw Mr. and Mrs. Clifford E. DeBaptiste Mr. and Mrs. Paul DeCoster Melissa de La Cruz Elizabeth DeLuca Julia L. Devlin Liz Diamond Jose A. Diaz Leslie Dickert Peter and Connie Dickinson

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Melinda DiVicino Alexander Dodge Peter Donat JoAnne E. Droller, R.N. Jeanne Drury Diane Dumigan Carolyn Dundes John A. Duran East Coast Management & Consulting Robert Einenkel Frances L. Egler Dr. and Mrs. Richard Ehrenkranz Nancy Reeder El Bouhali Janann Eldredge Elizabeth English Dirk Epperson David Epstein Howard and Jackie Ertel Dustin Eshenroder Christine Estabrook Ellen and Frank Estes Dan and Elizabeth Esty Euphoria Salon Jerry N. Evans Douglass Everhart John D. Ezell Patricia Fahey Christopher and Brenda Faretta Michael Fain Kristan Falkowski Christopher Feeley Barbara and Richard Feldman Ruth M. Feldman Earle Finch David Florin and Robin Thomashauer Lewis Folden Anthony Forman Nanci Fortgang Keith Fowler Meredith Freeman Richard Fuhrman Michael T. Fulton and Catherine Hernandez Barbara and Gerald Gaab Joseph J. Garry and David Frazier Karin Geballe Steven Gefroh Stuart and Beverly Gerber Patricia Gilchrist Robert Glen Marian Godfrey Lindy Lee Gold

Betty and Joshua Goldberg Robert Goldsby Naomi Grabel Kris and Marc Granetz Katharine Grant Raymond Grasso Bigelow Green Joe Grifasi Elizabeth Greenspan Margaret Grey and Michael Lauterbach Michael Gross John Guare Jessica and Corin Gutteridge Phyllis Hammel Alexander Hammond Ann T. Hanley Jerome R. Hanley Scott Hansen Charlene Harrington Betty and Walter Harris Ihor and Roma Hayda Brian Haynsworth Heather Henderson Jennifer Hershey-Benen Rachel Hewitt Dennis and Joan Hickey Matthew and Lee Hieb Christopher Higgins Hill Regional Career High School Ira Hoffman Elizabeth Holloway Nicholas Hormann David Howson Evelyn Huffman Hull’s Art Supply and Framing Derek Hunt Peter H. Hunt Timothy and Diane Hunt John Huntington John and Patricia Ireland Lisa Iverson Andrew Jackness Candace Jackson Kirk Jackson John W. Jacobsen Chris Jaehnig Ina and Robert Jaffee Jim and Cynthia Jamieson Jeffrey’s, a restaurant Allison Hall Johnson Geoffrey A. Johnson Marcia Johnson Donald E. Jones, Jr. Elizabeth Kaiden

Carol Kaplan James D. Karr Dr. and Mrs. Michael Kashgarian Bruce Katzman Edward A. Kaye Richard Kaye Jay Keene Arthur J. Kelley, Jr. Abby Kenigsberg Roger Kenvin Alan Kibbe Colette Kilroy Peter Young Hoon Kim Carol Soucek King Shirley Kirschner Raymond Klausen David and Charlotte Koskoff Brenda and Justin Kreuzer Joan Kron William Kux Howard and Shirley Lamar Marie Landry and Peter Aronson James Larkin David Jeremy Larson Sylvia Lavietes James and Cynthia Lawler Wing Lee Charles E. Letts III Bradford Lewis Irene Lewis Malia Lewis Drew Lichtenberg Alan Lichtenstein Jerry Limoncelli Chuck and Helana Litty Benjamin Lloyd Bruce Lockwood Tony Lolong Derek Lucci Paul David Lukather Thomas Lynch Andi Lyons Janell M. MacArthur Timothy Mackabee Elizabeth M. MacKay Lizbeth Mackay Jonathan Macey Wendy MacLeod Alan Mokler MacVey Linda Maerz and David Wilson Peter Andrew Malbuisson Jocelyn Malkin

Orla and Mithat Mardin Jonathan Marks Timothy and Leslie Marsh Maria Mason and William Sybalsky Carole A. Masters Craig Mathers James and Margaret Mathis Beverly May Rita and Michael McDonough Brian McEleney Thomas McGowan Frederick McGuire Robert McKinna and Trudy Swenson Mr. and Mrs. James Meisner Robert Melrose Stephen W. Mendillo Donald Michaelis Carol Mihalik Carol Mikesell Jonathan Miller Lesley Miller Sandra Milles Inga-Brita Mills Mary Jane Minkin and Steve Pincus Cheryl Mintz Marjorie Craig Mitchell Jennifer Moeller Richard R. Mone Elizabeth H. Moore Tom Moore George Morfogen Grafton V. Mouen Gayther Myers, Jr. Rachel Myers James Naughton Tina C. Navarro Meg Neville Regina and Thomas Neville Ruth Hunt Newman Ronald Dean Nolen Grace O’Brien Dwight R. Odle Fran and Ed O’Neill Sara Ormond Jim and Mary Ottaway

Kendric T. Packer Ginny Parker Dr. and Mrs. Michael Parry Dr. Ismene Petrakis William Peters Roberta Pilette David Pomeran Nancy B. Porter Michael B. Posnick Gladys Powers Robert Provenza Jeffry Provost Alvin S. Prusoff and Dr. Deborah DeRose James Quinn Ronald Recasner James and Cynthia Reik Mary B. Reynolds Peter S. Roberts Brian Robinson Lori Robishaw Priscilla and Deever Rockwell Doug Rogers Howard Rogut Joanna Romberg Andrew Rubenoff Dr. Ortwin Rusch Raymond Rutan Edward and Alice Saad Steven Saklad Clarence Salzer Robert Sandberg Robert Sandine and Irene Kitzman Frank Sarmiento Peggy Sasso William and Annita Sawyer Joel Schechter Anne Schenck Kenneth Schlesinger Mr. and Mrs. Michael Schmertzler Ruth Hein Schmitt William Schneider Judith A. Schomer Drs. Carol and Sandy Schreiber Georg Schreiber Jennifer Schwartz Alexander Scribner

Forrest E. Sears Paul Selfa Subrata K. Sen Vicki Shaghoian Sandra Shaner Morris Sheehan Paul R. Shortt Mark Shufro Lisa-Marie Shuster Carol M. Sica Lorraine Siggins and Braxton McKee Michael Vaughn Sims E. Gray Smith, Jr. Helena L. Sokoloff Suzanne Solensky and Jay Rozgonyi Amanda Spooner Regina Starolis Louise Stein Neal Ann Stephens John Stevens Jaroslaw Strzemien Mark Sullivan Katherine Sugg Thomas Sullivan Sy Sussman Jane V. Suttell David Loy Sword Ellen Tsangaris Muriel Test Eleanor Q. Tignor Eric Ting David F. Toser Albert Toth Russell L. Treyz Richard B. Trousdell Deborah Trout Marge Vallee Joan Van Ark Carrie Van Hallgren Russell Vandenbroucke Hyla and Barry Vine Arthur Vitello Eva Vizy Fred Voelpel Elaine and Patrick Wackerly Mark Anthony Wade Andrea S. Walker Charles and Patricia Walkup Erik Walstad

Barbara Wareck and Charles Perrow Joan Waricha Judith Barcroft Washam Steven I. Waxler Gil Wechsler Robert Wechsler Margaret Weidlein Rosa Weissman Vera Wells Susan Wheeler Peter White Richard Whittington Lisa A. Wilde Robert Wildman Marshall Williams David Willson The Winokur Family Foundation Alexandra Witchel Carl Wittenberg Stephen Wolff Yun C. Wu David York Arthur and Ann Yost Donald and Clarissa Youngberg Patricia and John Zandy Catherine Zuber

EMPLOYER MATCHING GIFTS Aetna Foundation Component Engineers, Inc. General Electric Corporation IBM The John D. and Catherine T. MacArthur Foundation Mobil Foundation, Inc. Pfizer Pitney Bowes Procter & Gamble The Prospect Hill Foundation The Shelley and Donald Rubin Foundation SBC Communications, Inc. United Technologies Corporation

This list includes current pledges, gifts, and grants received from January 1, 2012, through April 1, 2013. For more information about making a donation to Yale Repertory Theatre, please contact Susan Clark at 203.432.1559 or susan.clark@yale.edu.

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HOUSE BEAST JUSTIN TAYLOR JACK TAMBURRI

By Directed by

LOTTIE IN THE LATE AFTERNOON AMELIA ROPER ETHAN HEARD

By Directed by

SAGITTARIUS PONDEROSA

MJ KAUFMAN MARGOT BORDELON

By Directed by

drama.yale.edu/carlotta JAMES BUNDY, DEAN VICTORIA NOLAN, DEPUTY DEAN JEANIE O’HARE, CHAIR OF PLAYWRITING

203.432.1234 ysd.shows@yale.edu

ISEMAN THEATER, 1156 CHAPEL STREET PHOTOS BY T. CHARLES ERICKSON, 2013.



  

          

   

   

FESTIVAL 2013 JUNE 15-29

A MIDSUMMER NIGHT’S DREAM BRISTOL OLD VIC & HANDSPRING PUPPET CO

A “magical and myserious” (Guardian UK) new production from the creators of the international award-winning sensation WAR HORSE

JUNE 15-23

University Theatre

/ArtIdea @ArtIdea

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artidea.org

Yale University Art Gallery VISIT WITH FRIENDS

Expanded museum now open View of modern and contemporary art galleries, Š Elizabeth Felicella, 2012

Free and open to the public artgallery.yale.edu