2021–22 SEASON
Mission
David Geffen School of Drama and Yale Repertory Theatre train and advance leaders in the practice of every theatrical discipline, making art to inspire joy, empathy, and understanding in the world.
Values ARTISTRY
We expand knowledge to nurture creativity and imaginative expression embracing the complexity of the human spirit.
BELONGING
We put people first, centering well-being, inclusion, and equity through anti-racist and anti-oppressive practices.
COLLABORATION
We build our collective work on a foundation of mutual respect, prizing the contributions and accomplishments of the individual and of the team.
DISCOVERY
We wrestle with compelling issues of our time. Energized by curiosity, invention, bravery, and humor, we challenge ourselves to risk and learn from failure and vulnerability.
NOVEMBER 13–18, 2021 DAVID GEFFEN SCHOOL OF DRAMA AT YALE James Bundy, Elizabeth Parker Ware Dean Florie Seery, Associate Dean Chantal Rodriguez, Associate Dean Kelvin Dinkins, Jr., Assistant Dean PRESENTS
Qui Nguyen directed by Adrienne D. Williams by
Scenic Designer
Miguel Urbino
Costume, Hair, and Wig Designer
Kyle Artone
Lighting Designer
Jiahao (Neil) Qiu 邱嘉皓 Projection Designer
Henry Rodriguez Sound Designer
Bailey Trierweiler UptownWorks Original Music
Daniela Hart
Production Dramaturg
Patrick Denney
Technical Director
Laura Copenhaver Dance, Fight, and Intimacy Choreographers Kelsey Rainwater and Michael Rossmy Stage Manager
Brandon Lovejoy
She Kills Monsters is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. concordtheatricals.com She Kills Monsters was first produced in New York City by the Flea Theater, Jim Simpson, Artistic Director and Carol Ostrow, Producing Director. This production is supported by the Benjamin Mordecai III Production Fund.
Cast
in order of appearance Narrator/Evil Tina........................................................................................ Rebecca Kent Tilly Evans........................................................................................................... Jessy Yates Agnes Evans.................................................................................................... Olivia Cygan Chuck................................................................................................................... Patrick Ball Miles/Gelatinous Cube.................................................................... Thomas Pang (yao) Lilith...................................................................................................... Maggie McCaffery Kaliope............................................................................................................ Sarah Lyddan Orcus................................................................................................................ Mihir Kumar Steve........................................................................................................... Kayodè Soyemi Vera......................................................................................................... Isuri Wijesundara Farrah/Evil Gabbi..................................................................................... Shimali De Silva
Setting 1995. Athens, Ohio and New Landia. She Kills Monsters is performed without an intermission.
All patrons must wear masks at all times while inside the theater. Our staff, backstage crew, and artists (when not performing on stage) will also be masked at all times.
The taking of photographs or the use of recording devices of any kind in the theater without the written permission of the management is prohibited.
Yale University acknowledges that Indigenous peoples and nations, including Mohegan, Mashantucket Pequot, Eastern Pequot, Schaghticoke, Golden Hill Paugussett, Niantic, and the Quinnipiac and other Algonquian speaking peoples, have stewarded through generations the lands and waterways of what is now the state of Connecticut. We honor and respect the enduring and continuing relationship that exists between these peoples and nations and this land.
Cast Bios Chuck
Orcus
at David Geffen School of Drama, where he has appeared in Measure for Measure, In His Hands; or the gay christian play, Pivot, and The Tempest. Yale Cabaret credits include Seawall, #4, A Doll’s House, The Zoo Story, Red Speedo, Elon Musk: The Musical, and We Are Proud to Present...
actor at David Geffen School of Drama. Credits include Richard III (Shakespeare Theatre Company); Cymbeline, Romeo and Juliet (Commonwealth Shakespeare); Girls (understudy, Yale Repertory Theatre). International: The Comedy of Errors (Australian Shakespeare Company). Yale credits: If the Dancer Does Not Dance, The Shift (David Geffen School of Drama); A Doll’s House, Iris and Maggie, The Van Gogh Café (Yale Cabaret). Education: M.F.A. candidate, David Geffen School of Drama; B.A., UCLA.
Patrick Ball is a fourth-year actor
Agnes Evans
Olivia Cygan (she/her) is a third-year
MFA candidate at the David Geffen School of Drama at Yale. A proud native of Chicago, Olivia originated roles in The Burials at Steppenwolf Theatre and Feathers and Teeth at Goodman Theatre. She’s had the pleasure of working with Yale Repertory Theatre, McCarter Theatre Center, The Gift Theatre at Steppenwolf, Cincinnati Playhouse in the Park, Repertory Theatre of St. Louis, TimeLine Theatre, Piven Theatre, and others. Olivia received her B.S. in Theater from Northwestern University. Evil Gabbi/Farrah
Shimali De Silva is a third-year M.F.A.
candidate at David Geffen School of Drama. Credits include The Tempest, Much Ado About Nothing, Love’s Labour’s Lost, and Mojave, She was also in the original cast of Six! the Musical. Narrator/Evil Tina Rebecca Kent is a third-year M.F.A. candidate at David Geffen School of Drama. Credits include Macbeth, God of Carnage (Seliges); The Last Days of Judas Iscariot, Five Lesbians Eating a Quiche, Maureen Human (Spotlights); and Much Ado About Nothing (Studio Space). Film and television credits include Phosphor (directed by Jacob Basri), Last Party in New York, The Fourth Envelope, Merde, Water Me, Love is Blindness, and The Emancipation of Anemone. Rebecca received her B.A. in theater and English from University of Bristol.
Mihir Kumar (he/him) is a third-year
Kaliope
Sarah Lyddan is a fourth-year M.F.A.
candidate at David Geffen School of Drama, where her credits include YELL: a “documentary” of my time here, Measure for Measure, Reykjavik, Tilted, and Henry IV, Part 3. She recently appeared in Nick Payne’s Constellations at Yale Cabaret. Lilith
Maggie McCaffery is a third-year
M.F.A. candidate at David Geffen School of Drama. Credits include Damsels, A Man’s World, In Search Of (Williamstown Theatre Festival); Fill Fill Fill Fill Fill Fill, Not my Monster, ms. estrada, In the Open (The Flea Theater); The Wolves (Huntington Theatre Company); The Blue (Samuel French Off-Off Broadway Festival); The Second Girl (The Vineyard Playhouse); and The Two Gentlemen of Verona (Shakespeare on the Shoreline). University). Miles/Gelatinous Cube Thomas Pang (yao) is a theatermaker previously based in Singapore where he found critical acclaim across a number of lead roles, eventually winning the 2018 Life! Theatre Award for Best Actor in Hand to God, directed by Guy Unsworth (Singapore Repertory Theatre). In 2021, he can be seen in
Cast Bios the feature film The Tiong Bahru Social Club directed by Tan Bee Thiam, which was selected for the New York Asian Film Festival, Los Angeles Asia Pacific Film Festival, Busan Film Festival, and continues to be played at many others. Yao is an M.F.A. candidate at David Geffen School of Drama ‘23. Steve
Kayodè Soyemi is a third-year M.F.A.
candidate at David Geffen School of Drama, where his credits include the salt women. Other credits include A Raisin in the Sun (understudy, Yale Repertory Theatre); Ontario Was Here (Aurora Theatre); Love’s Labour’s Lost (Atlanta Shakespeare Company); Pipeline, The Curious Incident of the Dog in the Night-Time, and Same Time, Same Place (Actors Theatre of Louisville). Film and television credits include Dr. Bird’s Advice for Sad Poets (Kreate Films); Bad Blood, Modern Warfam (Problem Attic Productions); and Blackface (FSU Motion Pictures). Kayodè received his B.F.A. from Meadows School of the Arts at Southern Methodist University. kayodesoyemi.com Vera
Isuri Wijesundara is a third-year
M.F.A. candidate at David Geffen School of Drama sailing from the coastal waves of Sri Lanka. Isuri has a curiosity in the field beyond acting, including work in voice overs, directing, stage combat, producing, photography, and human rights advocacy. Credits include The Promotion (C1 Media); Conjurors’ Club (American Rep); Marjana and The Forty Thieves (Target Margin Theatre); The In-Between (in development with NAATCO); Elon Musk: The Musical, A Doll’s House (A Radio Play) adapted by Tanika Gupta (Yale Cabaret); Killjoy (The Parlour); and Hamlet (Brick Theater). isuriw.com | @isuriw
Tilly Evans
Jessy Yates (she/her) is a fourth-
year actor at David Geffen School of Drama whose credits include Alice; Mr. Burns, a post-electric play; YELL: a “documentary” of my time here; and Luna Gale. Other credits include Ambient Dreams for Sleep-Deprived Teens (Yale Cabaret); a On Every Link a Heart Does Dangle (Kennedy Center); I Was Unbecoming Then (Ars Nova ANT Fest); You’re Going to Hell If You Laugh (2017 Prelude Festival); Once Upon a Time in the Berkshires, The Amish Project (Williamstown Theatre Festival); The Penalty (The Public Theater); and Teenage Dick (Florida Studio Theatre). Jessy was in Speechless on ABC and Law & Order: SVU. As performance artist Cerebral Pussy, she’s performed at BAM, Dixon Place Mainstage, and Nationwide Children’s Hospital Orthopedic Conference.
Creative Team Bios Costume, Hair, and Wig Designer Kyle Artone is a third-year M.F.A. candidate at David Geffen School of Drama. Credits include Polka-Dots: The Cool Kids Musical (Virginia Rep); Around the World in 80 Days (Theatre Lab); Little Shop of Horrors (Raymond Hodges); Venus in Fur, The 39 Steps, and The Nightman Cometh (SALT Lab). Kyle received his B.F.A. in costume design and technology from Virginia Commonwealth University. Technical Director
Laura Copenhaver is a fourth-year
student in Technical Design and Production at David Geffen School of Drama, where her credits include El Huracán, Trouble in Mind, and Mr. Burns, a post-electric play. Before coming to Yale, she was a theater teacher and technical director at Lake Nona High School in Orlando, Florida.
Other credits include Lenny’s Fast Food Kids Gang and Two Mile Hollow at Yale Cabaret, where she also served as web designer. Her favorite job is being Auntie to Linus, Madeline, Reu, Margaux, and Elektra. Production Dramaturg Patrick Denney is a fourth-year M.F.A. candidate at David Geffen School of Drama, where his credits include Completely Out of Fucks, The Shift, and Mr. Burns, a post-electric play. He has served as an associate dramaturg on The Mystery of Irma Vep and The Glass Menagerie, both at California Shakespeare Theater. Patrick holds a B.A. and an M.A. in theater arts from University of California, Santa Cruz. As a scholar, Patrick has presented multiple times at the annual Literary Managers and Dramaturgs of the Americas (LMDA) Conference and presented at the American Society for Theatre Research (ASTR) 2021 Original Music
Daniela Hart is a NYC based sound
designer, composer, and filmmaker and a fourth-year M.F.A. candidate at David Geffen School of Drama. Selected theater credits include already there (Kennedy Center), Vapor Trail (MIT Music & Theater Arts); The Masses Are Asses (Weslyan University); Pleasure Machine(Colt Couer), How to Save the World in 90 Minutes (Cherry Lane); Mr. Burns, a post-elctric play (David Geffen School of Drama); References to Salvador Dali...(Harvard Radcliffe at ART); Julius Caesar (Vermont Shakespeare); Neighborhood 3, Must Wash Hands (Rattlestick Theater); The Parlour (Soho Rep). UptownWorksNYC.com. Stage Manager
Brandon Lovejoy is a third-year M.F.A. candidate at David Geffen School of Drama. Select credits include stage
manager: Hamlet (David Geffen School of Drama), How We Got On (Brown/ Trinity), Club Grimm (OutLOUD Theatre Company); assistant stage manager: Fun Home (David Geffen School of Drama); production assistant: Girls (Yale Repertory Theatre). When not stage managing, he spends his time as the Drama Director and Younger Division Leader at Lake of the Woods and Greenwoods Camps. After graduation, his aim is to build stage management education for young people across the United States and beyond. Playwright
Qui Nguyen is a playwright, television
and film writer, and co-founder of the OBIE Award-winning Vampire Cowboys Theatre Company of NYC. He and his work are known for an innovative use of pop-culture, stage violence, puppetry, and multimedia. Plays include Vietgone, Poor Yella Rednecks, Revenge Song, Krunk Fu Battle Battle, Begets, Trial by Water, and the critically acclaimed Vampire Cowboys productions of She Kills Monsters, Soul Samurai, The Inexplicable Redemption of Agent G, Alice in Slasherland, Fight Girl Battle World, and Living Dead in Denmark. Qui has written for Dispatches from Elsewhere (AMC), The Society (Netflix), Incorporated (SyFy), Peg+CAT (PBS), and Marvel Studios. quinguyen.com Lighting Designer
Jiahao (Neil) Qiu 邱嘉皓
(he/him) is a third-year M.F.A. candidate
at David Geffen School of Drama, where his credits include Measure for Measure. Neil received his B.F.A. in theater production and design from Simon Fraser University. Dance, Fight, and Intimacy Choreographer Kelsey Rainwater is an actress based out of the ancestral lands of the Munsee Lenape people, or today’s Hudson County. She teaches Stage Combat and
Creative Team Bios Intimacy at David Geffen School of Drama and is one of their faculty Intimacy and Fight Director’s. Kelsey has worked as the Intimacy Coach on A Raisin in the Sun (canceled due to Covid-19) at Yale Repertory Theatre, and has partnered with Michael Rossmy on the intimacy direction for Susan Lori Parks’s White Noise directed by Oskar Eustis, Measure for Measure for The Public’s Mobile Unit, and Blues For An Alabama Sky with the Keen Company. At the School, Kelsey has collaborated on multiple productions including How Black Girls Get Over Fuckbois, Vol. 1; Tilted; and Is God Is. Projection Designer
Henry Rodriguez is a third-year
M.F.A. candidate at David Geffen School of Drama. Credits include She Kills Monsters, Jesus Christ Superstar, Legacy of Light, and West Side Story at University of Northern Colorado, where Henry received his B.A. in theater arts: design and technology. Dance, Fight, and Intimacy Choreographer Michael Rossmy is a lecturer in acting at David Geffen School of Drama and the Combat and Intimacy Supervisor for Yale College. Regional credits include Yale Repertory Theatre, The Public Theater, Westport Country Playhouse, Goodspeed Musicals, Paper Mill Playhouse, Asolo Rep, The Old Globe, TheaterWorks (Hartford), Princeton University, The Acting Company, Soho Rep., the Geffen Playhouse, Long Wharf Theatre, McCarter Theatre, Carnegie Mellon University, and others. He was nominated for a 2017 Drama Desk Award for his work on Troilus and Cressida for The Public Theater’s production in Central Park. As an intimacy coach, Michael’s credits include the world premiere of White Noise by Suzan-Lori Parks at The Public
directed by Oscar Eustis, The Marriage of Figaro at the St. Louis Opera, and The Acting Company’s Measure for Measure directed by Janet Zaresh. Sound Designer
Bailey Trierweiler is a fourth-year
M.F.A. candidate at David Geffen School of Drama, where their credits include Measure for Measure, The Shift, and How Black Girls Get Over Fuckbois, Vol. 1. Other credits include Curious New Voices Companion Plays (Curious Theatre) and She Rode Horses Like the Stock Exchange (Square Product Theatre). Bailey received their B.F.A. from University of Colorado, Boulder. Scenic Designer
Miguel Urbino (he/him/his) is
a queer, first generation FilipinoAmerican scenic and costume designer at David Geffen School of Drama. He has previously collaborated with various companies including Yale Cabaret, Studio McLane, David Korins Design, T. Schreiber Studios, 59E59 Theatre, NJSDA, among others. Miguel received a B.A. in theater arts from Marymount Manhattan College. He is also a part of Design Action, a group advocating for a radical shift in the landscape of American theater design. murbinodesigns.com | @murbinodesigns Director
Adrienne D. Williams is an Artistic
Associate at Martha’s Vineyard Playhouse, and is currently on the M.F.A. acting faculty of Brooklyn College, where she serves as the Creative Director of their Performing Arts Center. She is also a guest director at NYU Tisch Graduate Acting Program (Zooman and the Sign, Luck of the Irish, Joe Turner’s Come and Gone) and a project director at Juilliard School of Drama (Bus Stop, Nora, Uncle Vanya, Pipeline, A Raisin in the Sun, Blue
Window). Off Broadway she has originated the roles of Countess Gewshwitz in Eric Bentley’s translation of The First Lulu, Aglaya in David Fishelson’s adaptation of The Idiot, and Angeline in Barbara Lebow’s The Keepers. Other New York and Regional credits include Rose in Fences, Clytemnestra in Iphigeneia at Aulis, Alma in Yellowman (Best Actress nominee, IRNE awards, Boston), Andrea in the operetta Al Fresco with Craig Lucas, and Daisy in Eatonville with music by Wynton Marsalis. Her other directing credits include Angela’s Mixtape, What Now?, Crumbs from the Table of Joy, Antigone, The Colored Museum, Before it Hits Home, Just Passin’ Through, and the opera The Tales of Hoffmann. The Director is a member of the STAGE DIRECTORS AND CHOREOGRAPHERS SOCIETY, a national theatrical labor union.
Staff for SHE
The Benjamin Mordecai III Production Fund, established by a
graduate of the School, honors the memory of the Tony Award-winning producer who served as Associate Dean and Chair of the Theater Management program at David Geffen School of Drama from 1993 until his death in 2005. During his tenure as Yale Rep’s Managing Director alongside Dean/Artistic Director Lloyd Richards, 1982–1993, he developed a model of professional producing that changed the course of new play development in the American theatre. His 25 Broadway credits included Tony Kushner’s Angels in America, as well as work by Anna Deavere Smith, Athol Fugard, David Henry Hwang, Terrence McNally, Robert Schenkkan, and perhaps most significantly August Wilson, with whom he collaborated on each of the ten plays in the epic 20th Century Cycle.
KILLS MONSTERS
Artistic
Associate Safety Advisors Annabel Guevara Eric Walker
Administration
Assistant Costume Designer Theo Dubois
Assistant Technical Directors Nate Angrick Nicolas Benavides
House Managers Samanta Cubias A.J. Roy
Production Electrician Christina Dragen-Dima
Run Crew Ro Burnett Sam Douglas Sebastián Eddowes Jihane Fareseddine Sufyan Safwon Farmer Bobbin Ramsey E Rosales Sammy Zeisel
Assistant Scenic Designer Omid Akbari
Assistant Lighting Designer Yichen Zhou Assistant Projection Designer Sam Skynner Associate Sound Designers Daniela Hart Noel Nichols
Projection Engineer Luke Bulatowicz Properties Manager Andrew Riedemann
Assistant Sound Designer and Engineer Joe Krempetz
Associate Production Manager Megan Birdsong
Assistant Stage Manager Aisling Galvin
Projection Content Creators Abigail Entsminger Meg Powers Suzu Sakai Hannah Tran John Horzen Eugenio Sáenz Flores Stephen Marks
Production
Production Manager Mia Sara Haiman
Associate Managing Director Emma Rose Perrin
Special Thanks Nick Orvis
David Geffen School of Drama Staff Elizabeth Parker Ware Dean James Bundy
Acting Production Manager C. Nikki Mills
Associate Dean Florie Seery
Acting Production Coordinator and Student Labor Supervisor Robert Chikar
Associate Dean Chantal Rodriguez Assistant Dean Kelvin Dinkins, Jr.
Artistic Management
Associate Artistic Director and Director of New Play Programs, Yale Repertory Theatre Jennifer Kiger (on leave)
Senior Administrative Assistant to the Production, Theater Safety and Technical Design and Production program Grace O’Brien
Scenery
Technical Directors Neil Mulligan Matt Welander
Production Stage Manager James Mountcastle
Electro Mechanical Laboratory Supervisor Alan Hendrickson
Literary Manager Amy Boratko
Scene Shop Supervisor Eric Sparks
Acting Literary Manager Taylor Barfield
Senior Lead Carpenter Matt Gaffney
Artistic Associate Kay Perdue Meadows
Lead Carpenters Ryan Gardner Kat McCarthey Sharon Reinhart Libby Stone
Artistic Fellow Molly FitzMaurice Senior Administrative Assistant to the Artistic Director and Associate Artistic Director Josie Brown
Painting
Senior Drapers Clarissa Wylie Youngberg Mary Zihal Senior First Hands Deborah Bloch Patricia Van Horn Costume Project Coordinator Linda Kelley-Dodd Interim Costume Stock Manager Jamie Farkas Costume Intern Micah Ohno
Electrics
Lighting Supervisor Donald W. Titus Senior House Electricians Jennifer Carlson Linda-Cristal Young Electrics Interns Christina Dragen-Dima Alary Sutherland
Sound
Sound Supervisor Mike Backhaus Staff Sound Engineer Stephanie Smith
Scenic Charge Ru-Jun Wang
Sound Intern Rebecca Satzberg
Scenic Artists Lia Akkerhuis Nathan Jasunas
Projection Supervisor Eric Lin
Painting Intern Jihane Fareseddine
Head Projection Technician Mike Paddock
Properties
Projection Intern Erin Sims (on leave)
Properties Craftsperson David P. Schrader
Stage Carpenter Janet Cunningham
Properties Associate Zach Faber
Wardrobe Supervisor Elizabeth Bolster
Properties Warehouse Manager Mark Dionne
Lead Properties Runner William Ordynowicz
Production Management
Properties Intern Kaitie Hughes (on leave)
Lead Light Board Programmer David Willmore
Costumes
Production Manager Jonathan Reed (on leave)
Costume Shop Manager Christine Szczepanski
FOH Mix Engineer Eric Norris
Senior Administrative Assistant for Directing, Dramaturgy and Dramatic Criticism, Playwriting, and Stage Management Laurie Coppola Senior Administrative Assistant for the Design program Kate Begley Baker Senior Administrative Assistant for the Acting program Ellen Lange Library Services Lindsay King
Production
Director of Production Shaminda Amarakoon
Properties Supervisor Jennifer McClure
Projections
Stage Operations
Administration
Manager, Business Operations Martha Boateng
Associate Managing Directors Madeline Carey Samanta Cubias Caitlin M. Dutkiewicz Emma Rose Perrin
Business Office Analyst Stacie Wcislo
General Management
Senior Administrative Assistant to the Associate Dean, Assistant Dean, and Theater Management program Emalie Mayo Assistant Managing Director Jacob Santos Management Assistant Chloe Knight Company Manager Caitlin M. Dutkiewicz Assistant Company Manager Natalie King
Development and Alumni Affairs
Director of Development and Alumni Affairs Deborah S. Berman Senior Associate Director of Institutional Giving Janice Muirhead Senior Associate Director of Operations for Development and Alumni Affairs Susan C. Clark Associate Director of Development and Alumni Affairs William Gaines Associate Director of Development Communications and Alumni Affairs Casey Grambo Senior Administrative Assistant to Development and Alumni Affairs Jennifer E. Alzona
Finance, Human Resources, and Digital Technology Director of Finance and Digital Technology Katherine D. Burgueño
Director of Human Resources Sarah de Freitas Director, Yale Tessitura Consortium, and Web Technology Janna J. Ellis
Digital Communications Associate George Tinari Business Office Specialists Preston Mock Sharon S. Brown Digital Technology Associates Edison Dule Garry Heyward Senior Administrative Assistant to Business Office, Digital and Web Technology, Operations, and Tessitura Shainn Reaves Business Office Assistant Ashlie Russell Database Application Consultants Ben Silvert Erich Bolton Bo Du
Financial Aid and Registrar
Financial Aid Officer Andre Massiah
Registrar/Admissions Administrator Ariel Yan Senior Administrative Assistant to Financial Aid and Admissions Laura Torino
Marketing, Communications, and Audience Services Director of Marketing Daniel Cress
Director of Communications Steven Padla Senior Associate Director of Marketing and Communications Caitlin Griffin (on leave) Assistant Director of Marketing and Communications Jake Hurwitz Senior Administrative Assistant for Marketing and Communications and the Associate Dean Mishelle Raza Director of Audience Services Laura Kirk
Assistant Director of Audience Services Shane Quinn Subscriptions Coordinator Tracy Baldini Audience Services Assistant Molly Leona Box Office Assistants Mikaela Boone Sydney Garick Jordan Graf Kenneth Murray a.k. payne Production Photographer T. Charles Erickson Videographer David Kane
Theater Safety and Occupational Health
Director of Theater Safety and Occupational Health Anna Glover
Customer Service and Safety Officers Ralph Black, Jr. Kevin Delaney Ed Jooss John Marquez
Operations
Director of Facility Operations Jennifer Gonsalves Operations Associate Nadir Balan Operations Assistant Janet Cunningham Arts and Graduate Studies Superintendents Jennifer Draughn Michael Halpern Team Leaders Andrew Mastriano Sherry Stanley Facility Stewards Michael Humbert Marcia Riley Custodians Sybil Bell Christina Davis Tylon Frost Cassandra Hobby Kathy Langston Mark Roy Jerome Sonia
