FEBRUARY 3 – 25 2011-12
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We the People July 29–December 31, 2011 Defining the Nation January 31–April 8, 2012 America Rising May 8–July 8, 2012
John Trumbull, The Declaration of Independence, July 4, 1776 (detail), 1786–1820. Oil on canvas. Yale University Art Gallery, Trumbull Collection
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Good Goods ticket pAss.* cominG soon: THE WINTER’S TALE
By William Shakespeare Directed by Liz Diamond MARcH 16 To ApRIL 7 World premiere
THE REALISTIc JoNESES By Will Eno Directed by Sam Gold ApRIL 20 To MAy 12
*One ticket per pass. Offer expires March 2, 2012. Joseph Parks in Romeo and Juliet. Photo by T. Charles Erickson, 2011.
A NOTE FROM THE ARTISTIC DIRECTOR Welcome to Yale Repertory Theatre! I am delighted you are here today for the world premiere of Good Goods, which marks the Yale Rep debuts of two dynamic theatre artists: playwright Christina Anderson and director Tina Landau. It’s a great pleasure to introduce you to Christina Anderson, a recent graduate of Yale School of Drama (her one-act Blacktop Sky was produced in the Carlotta Festival of New Plays last May) and this season’s Playwright-in-Residence at the Magic Theatre in San Francisco. Her play, Inked Baby, premiered at Off-Broadway’s Playwrights Horizons in 2009. Recently featured in American Theatre magazine as an emerging artist whose work will be transforming our country’s stages in the coming decades, Christina joins a diverse roster of American playwrights that includes August Wilson, Sarah Ruhl, Suzan-Lori Parks, David Adjmi, and Amy Herzog, all of whom have premiered plays here at Yale Rep on their path to national and international recognition. Connecticut theatergoers may recall Tina Landau’s thrilling production of Shakespeare’s Antony and Cleopatra at Hartford Stage and the world premiere of A Civil War Christmas by Paula Vogel at Long Wharf in recent seasons. A longtime ensemble member of Chicago’s famed Steppenwolf Theatre Company, Tina’s celebrated work has been seen on and off Broadway and at theatres across the country. I am thrilled that she’s here with such a remarkably gifted cast and creative team to bring to life the mysterious and beautifully-wrought world that Christina Anderson has created. I hope you’ll join us again soon at Yale Rep. You can even apply the cost of today’s ticket to a 4 or 6-ticket pass, which provide great savings over regular ticket prices and can be shared with family and friends this spring. In March, Resident Director Liz Diamond stages The Winter’s Tale, Shakespeare’s magical story of blinding jealousy and forgiveness. The season concludes with the world premiere of The Realistic Joneses, which marks two more Yale Rep debuts: Will Eno, the Pulitzer Prize-nominated author of Thom Pain (based on nothing) and Middletown, and director Sam Gold, whose busy theatre season includes Seminar starring Alan Rickman on Broadway and Look Back in Anger at the Roundabout Theatre Company. I look forward to hearing what you think and feel about Good Goods at james.bundy@yale.edu. Your thoughtful comments are one of the best measurements of how we’re doing, and they are greatly appreciated. Enjoy the show! Sincerely,
James Bundy Artistic Director
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FEBRUARY 3 TO 25, 2012
YALE REPERTORY THEATRE James Bundy, Artistic Director Victoria Nolan, Managing Director
PRESENTS THE WORLD PREMIERE OF
BY CHRISTINA ANDERSON DIRECTED BY TINA LANDAU Scenic Designer Costume Designer Lighting Designer Sound Designer Production Dramaturgs Vocal and Dialect Coach Fight Director Casting Director Stage Manager
JAMES SCHUETTE TONI-LESLIE JAMES SCOTT ZIELINSKI JUNGHOON PI AMY BORATKO ALEXANDRA RIPP JANE GUYER FUJITA RICK SORDELET TARA RUBIN CASTING MARIA CANTIN
Production support is provided by the Yale Center for New Theatre, established and operated through a grant from the Robina Foundation and with significant support from the Andrew W. Mellon Foundation. Development of Good Goods was supported by the Eugene O’Neill Theater Center during a residency at the National Playwrights Conference of 2011, Preston Whiteway, Executive Director; Wendy C. Goldberg, Artistic Director. SEASON MEDIA SPONSOR
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Serious Coffee.
CAST (IN ORDER OF SPEAKING)
MARC DAMON JOHNSON CLIFTON DUNCAN KYLE BELTRAN
Truth Stacey Wire
DE’ADRE AZIZA
Patricia
ANGELA LEWIS
Sunny
OBERON K.A. ADJEPONG
Waymon as Hunter Priestess, Factory Folk
TIME: 1961 and 1994. And everything in between. Time is layered, stacked, mixed, and matched. PLACE: A small town/village that doesn’t appear on any map. You have to know about it to get to it. And even then you have to know somebody who’s from there to survive. THERE WILL BE ONE FIFTEEN-MINUTE INTERMISSION.
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A Conversation with Christin
In the second week of rehearsal, playwright Christina Anderson (left) and director Tina Landau (right) sat down to discuss how Good Goods began on the page and the process of realizing it on the stage. TINA LANDAU: Where and how did Good Goods begin for you? CHRISTINA ANDERSON: The play started here, while I was a student at Yale School of Drama. Every year, Paula Vogel, chair of the playwriting program, assigns a “Bake-Off.” Essentially, you write a play in 48 hours. In 2009, “possession” was the theme. Every time I get a Bake-Off from Paula, my first thought is: how do I make it black? I immediately thought of the Obasi sisters. In 1994, two sisters believed that their baby sister had been possessed by the devil. They left Louisiana in the middle of the night and drove to Texas, where the two older sisters gouged the baby sister’s eyes out. They were tried in Texas for attempted manslaughter, but these women were convinced that they had saved their baby sister’s life. I thought about the interesting relationship between what we deem as real and possible, and otherworldliness and spirituality.
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TL: On the first page of Good Goods, as a preface, you have the word “possession” and then many different definitions, and they all apply in different ways to the play. There are the ways that we try to possess each other in relationships, and Good Goods takes place in a store called Good Goods, which relates to ownership of actual objects or things or a place. What I’ve realized the more I’ve read the play is how the word “possession” also speaks to self-possession and ways in which we try to own ourselves. You’ve also mentioned other influences, images, music, and people that filtered into Good Goods. Can you say what those are? CA: One thing I was interested in exploring was queer relationships. I reread Audre Lorde’s Zami, and I saw the movie Tongues Untied by Marlon Riggs. Audre Lorde’s work has a paragraph about being a black woman in the West Village in the 1950s and being in a lesbian environment. In one passage, she talks about the electricity
na Anderson and Tina Landau when another black lesbian comes into the space and the decision to make eye contact or not. And you fast forward to 1989, with Marlon Riggs’s artistic documentary about being a black gay male. He has a monologue about being in the Castro, walking down the street, and seeing another gay black man come towards him and deciding whether to make eye contact or not. Whether Marlon was consciously referencing Audre Lorde, I remember seeing those two elements and wondering why they couldn’t find solace in each other. There’s a camaraderie that can exist across genders without sex being involved. Nina Simone and Donny Hathaway are both in this play; I was influenced by the qualities of their music and their personal stories. I love their music in a profound way, and I had no idea that, for instance, Donny Hathaway was a schizophrenic. I was fascinated by icons in pop culture who suffered in silence and how illness is talked about in our communities. TL: As you were talking to me, I realized that Good Goods is a giant, seamless collage of a million things that are in the ether and are in Christina Anderson. CA: I do tons of research. There are no limits—it can be music, film, poetry, science. I don’t say “no” to anything. But, I do have an affinity for Aristotle. How far can I go out in a theatrical realm and still hold on to a structure? Because at the end of the day, it is about storytelling. TL: One could say that the play takes place is a kind of temporal collage. How would you describe when the play is set?
CA: I started considering how time operates, specifically in Black American history. I was interested in how events repeat themselves: the history of Black American culture as self-referential, how comedy and pop culture work by commenting on the thing that happened previously. There’s a song that’s referred to in the play, Koko Taylor’s “Wang Dang Doodle,” that came out in 1961 and the Obasi sisters’ case, which happened in 1994. To give myself a frame, I looked at those two time periods and everything in between. People ask me, “Does the play go from 1961 to 1994?” and I say, “No, it all lays on top of each other.” For instance, the crack epidemic in D.C. is lying on top of Little Richard’s piano playing. Those things come together to build a foundation. You can have an object from 1965 sitting next to something from 1985. 13
TL: Because you’ve set this play in a town that’s not on any map, in a time period that layers many years on top of each other, what we’re doing in rehearsal and with the designers is creating our own world. The fun for the actors and for me as the director is deciding what this world is and how it operates. You cannot point to it and say, “Oh, that’s Arkansas, or that’s Alabama, or that’s Louisiana.” It has elements of the South. It’s not meant to be a documentary reproduction of an exact time or place. CA: That’s very true. That’s why I love good actors—and good directors—so much. It’s such a big, magical, theatrical, comical play. We need a rehearsal room that can be open to all the possibilities. TL: What the play begins as, that has all the trappings of what we might call “naturalism,” slowly and in beautiful ways, morphs into something else. To me, that has been a guiding force in the design of the play—knowing that we’re starting in a world that appears one way, but that opens up to things that we might not expect. What we’re finding in rehearsal is that for every moment, every character, every back story, there’s no one answer. You have to live in the mystery and the possibilities. CA: As I constructed this town and the mystery and grayness around it, all these themes and influences came in, like spices. They are what the play is in conversation with. TL: There are so many themes that the play deals with—possession; identity, gender identity but also self-identity— CA: Spirituality; otherworldliness; and love— TL: Yes, love. CA: And new beginnings and connections. Watch more of Christina and Tina’s interview online at yalerep.org. PREVIOUS PAGE AND TO THE RIGHT: RESEARCH COLLAGES POSTED IN THE GOOD GOODS REHEARSAL ROOM AT YALE REP, COMPILED BY TINA LANDAU. PHOTOS BY MARGUERITE ELLIOTT.
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OONOGOKOD: GOODS B E T O N ’S T H IG R W Y TES NO A R L HE P TA GLHIMEPSE INTO CHRISTINA ANDERSON’S JOURNAL AND
CAST OBERON K.A. ADJEPONG (WAYMON AS HUNTER PRIESTESS, FACTORY FOLK) is making his Yale Rep debut. He has performed Off-Broadway in Like I Say, Cellophane (The Flea Theater); Mother Courage, The Blacks (Classic Stage Company, The Classical Theatre of Harlem); Wabenzi (Ohio Theatre); Hieroglyphic Grafitti (Hip-Hop Theater Festival); The Hamlet Project (La MaMa E.T.C.); Oya and Sango (The National Black Theatre). Regional credits include Ruined (La Jolla Playhouse, Huntington Theatre Company, Berkeley Repertory Theatre, Philadelphia Theater Company); The Piano Lesson, Our Town, James and the Giant Peach (Arden Theatre Company); Timon of Athens, Coriolanus (Shakespeare Theatre Company); and A Rhyme Deferred (National Black Theatre Festival, The Kennedy Center, Nuyorican Café). He has also appeared in film and television projects such as Smash, NYC 22, Margin Call, The Son of No One, The Onion News Network, Hope & Faith, and Law & Order: SVU. He has trained at Lola Louis’ Creative and Performing Arts Studio, Oxford University, and Howard University.
DE’ADRE AZIZA (PATRICIA) is proud to be making her Yale Rep debut. Her Broadway credits include Women on the Verge of a Nervous Breakdown and Passing Strange, for which she won OBIE and Theatre World Awards and was nominated for a Tony Award. Off-Broadway and regional theatre credits include Passing Strange (Berkeley Rep, The Public Theater), The Radio City Christmas Spectacular (Radio City Music Hall), Doris to Darlene (Playwrights Horizons), and The Hot L Baltimore (Steppenwolf Theatre). Her credits include three Spike Lee films: Passing Strange, Miracle at St. Anna, and Red Hook Summer; also Law & Order: SVU and Sex and the City. de’Adre has also performed as a jazz singer at Carnegie Hall, the Hollywood Bowl, Lincoln Center, and many other venues. Training: NYU’s Tisch School of the Arts, the Groundlings Improv School in Los Angeles. KYLE BELTRAN (WIRE) is making his Yale Rep debut. He recently made his Broadway debut as Usnavi in In the Heights after originating the role on the show’s first national tour. His other credits include 10 Things to Do Before I Die (Second Stage Theatre), Kingdom (The Old Globe), and Aida (West Virginia Public Theatre). Workshops: Fortress of Solitude (Center Theatre Group), Choir Boy (Manhattan Theatre Club), Clueless (New Group), Tupac Shakur’s Holler If Ya Hear Me (The Gold Company), Lincoln Center Theater Directors Lab, Bubble Boy (ASCAP/PCLO). Kyle recurs as Henry on CBS’s hit procedural Unforgettable. He received his BFA in drama from Carnegie Mellon University. 18
CLIFTON DUNCAN (STACEY) is making his Yale Rep debut. He has appeared Off-Broadway in Lost in the Stars at City Center Encores!, Twelfth Night at The Public Theater, and as a featured artist at Ars Nova’s ANT Festival in his hip-hop solo piece, the uniVERSE project. His regional theatre credits include productions at Arena Stage, CENTERSTAGE, Barrington Stage, Williamstown Theatre Festival, Signature Theatre in Virginia, The Shakespeare Theatre Company, Eugene O’Neill Theater Center, Kansas City Rep, The Shakespeare Theatre of New Jersey, Hangar Theatre, Georgia Shakespeare Festival, Chautauqua Theatre Company, and Washington Shakespeare Company. He has also been seen on Comedy Central’s Onion Sports Network. Clifton received his MFA from NYU’s Graduate Acting Program. Follow him on Twitter: @cliftonduncaniv.
MARC DAMON JOHNSON (TRUTH) is honored to make his Yale Rep debut. Selected credits include The Brother/ Sister Plays (OBIE Award, Drama League Award nomination), Measure for Measure (The Public Theater); The Brothers Size (Abbey Theatre, Dublin); Mr. Fox: A Rumination (Signature Theatre Company; Drama League Award nomination), as well as productions at John Houseman’s The Acting Company, Arena Stage, McCarter Theatre, Berkeley Repertory Theatre, The Kennedy Center, La Jolla Playhouse, Long Wharf Theatre, Cincinnati Playhouse, Cleveland Play House, and Great Lakes Theater Festival. Television and film credits include Army Wives, Rescue Me, The Sopranos, Law & Order, Law & Order: Criminal Intent, Third Watch, 100 Centre Street, Preaching to the Choir (directed by Charles Randolph-Wright), It Runs in the Family (directed by Fred Schepisi), Grace & Glorie (directed by Arthur A. Seidelman), and Sweet and Lowdown (directed by Woody Allen).
ANGELA LEWIS (SUNNY) is pleased to make her Yale Rep debut. Angela’s Off-Broadway credits include Hoodoo Love (Cherry Lane Theatre; AUDELCO Award nomination, Best Actress), Sand (Women’s Project), Inked Baby by Christina Anderson (Playwrights Horizons), and Milk Like Sugar (Women’s Project/Playwrights Horizons and La Jolla Playhouse in California). Angela received her BFA in acting from the University of Michigan and is a member of LAByrinth Theater Company.
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CREATIVE TEAM CHRISTINA ANDERSON (PLAYWRIGHT) Plays include: Drip, Hollow Roots, Blacktop Sky, Inked Baby, and Man in Love. Her work has been produced by or developed with Steppenwolf Theatre Company, Playwrights Horizons, Crowded Fire, American Conservatory Theater, About Face, The Public Theater, Penumbra Theatre, and other theatres all over the country. Awards and honors include the PONY Fellowship nomination, ASCAP Cole Porter Prize (Yale School of Drama), Schwarzman Legacy Scholarship awarded by Paula Vogel, two Susan Smith Blackburn Prize nominations, Lorraine Hansberry Award (American College Theater Festival), Van Lier Playwriting Fellowship (New Dramatists), Wasserstein Prize nomination (Dramatists Guild), Lucille Lortel Fellowship (Brown University), and Core Writer (Playwrights’ Center). American Theatre magazine selected Anderson as one of fifteen up-andcoming artists “whose work will be transforming America’s stages for decades to come.” Born and raised in Kansas City, KS, she obtained her BA from Brown University and her MFA from Yale School of Drama. Through the National New Play Network, Anderson is currently a playwright-in-residence with Magic Theater in San Francisco, CA. christinaranderson.com AMY BORATKO (PRODUCTION DRAMATURG) is the Literary Manager at Yale Rep and has previously served as dramaturg on the Yale Rep productions of Belleville, Autumn Sonata, We Have Always Lived in the Castle, Battle of Black and Dogs, Compulsion, Notes from Underground, A Woman of No Importance, Eurydice, and The Cherry Orchard. Other dramaturgy credits include The Time of Your Life, The Summer People, Romeo and Juliet, The War Is Over (Yale School of Drama), as well as Voice and Vision’s ENVISION Retreat at Bard College. She has been a teaching fellow at Yale College and Yale School of Drama and was a managing editor of Theater magazine. A graduate of Rice University, she received her MFA in Dramaturgy and Dramatic Criticism from Yale School of Drama.
MARIA CANTIN (STAGE MANAGER) previously worked at Yale Repertory Theatre as the Assistant Stage Manager for The Piano Lesson and Three Sisters. She is a third-year MFA candidate at Yale School of Drama, where her credits include The Tall Girls, A Streetcar Named Desire, Every Other Hamlet In The Universe, The Droll, The Seagull, and Buffalo, Maine. Other credits include Normal, Future Oprah Lovesong (Yale Cabaret), and Stuck Elevator (Yale Institute for Music Theatre). She is a graduate of Hillsdale College. She is a proud member of Actors Equity Association.
JANE GUYER FUJITA (VOCAL AND DIALECT COACH) is a Lecturer in Acting at Yale School of Drama. Her coaching credits include productions at Yale Rep (Bossa Nova, We Have Always Lived in the Castle), American Repertory Theatre, Ensemble Studio Theater, Actors’ Shakespeare Project, and Shakespeare in the Parking Lot. Jane
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received her MFA in voice and speech pedagogy from the American Repertory Theatre Institute at Harvard University and is an associate teacher of Fitzmaurice Voicework®.
TONI-LESLIE JAMES (COSTUME DESIGNER) Broadway credits include The Scottsboro Boys; Finian’s Rainbow; Chita Rivera: The Dancer’s Life; Ma Rainey’s Black Bottom; King Hedley II; One Mo’ Time; The Wild Party; Marie Christine; Footloose; The Tempest; Twilight: Los Angeles, 1992; Angels in America: Millennium Approaches & Perestroika; Chronicle of a Death Foretold; and Jelly’s Last Jam. Off-Broadway: multiple productions at Lincoln Center Theater, The Public Theater, The Vineyard Theatre, Second Stage, Playwrights Horizons, and 16 productions for the City Center Encores! series. Television: Whoopi for NBC, five specials for WNET/13’s Great Performances series, As the World Turns, and The Huey P. Newton Story. Ms. James has been honored with a Tony nomination, three Drama Desk nominations, a Lucille Lortel nomination, the Hewes Design Award and three additional nominations, the Connecticut Critics Circle Award, The Irene Sharaff Young Masters Award, and the 2009 OBIE Award for Sustained Excellence in Costume Design. She is Director of Costume Design at Virginia Commonwealth University.
TINA LANDAU (DIRECTOR) is a writer and director and an ensemble member at Steppenwolf Theatre Company, where her directing credits include Hot L Baltimore, The Brother/Sister Plays, Superior Donuts, The Tempest, The Time of Your Life (also at Seattle Rep, American Conservatory Theater), The Diary of Anne Frank, The Cherry Orchard, and Chuck Mee’s Berlin Circle and Time to Burn. New York credits include Tarell Alvin McCraney’s Wig Out! (Vineyard Theatre) and In the Red and Brown Water (The Public Theater), Mee’s Iphigenia 2.0 (Signature Theatre Company), and the Broadway productions of Superior Donuts and Bells Are Ringing (revival). Tina’s other directing work includes Antony and Cleopatra (Hartford Stage), Paula Vogel’s A Civil War Christmas (Long Wharf), and A Midsummer Night’s Dream (McCarter Theatre), while her original writing work includes the upcoming musical Beauty with composer Regina Spektor and lyricist Michael Korie, Floyd Collins with Adam Guettel (Playwrights Horizons, Prince Theatre, The Old Globe, Goodman Theatre), Dream True with Ricky Ian Gordon (Vineyard Theatre), and her plays Space (The Public, Mark Taper Forum, Steppenwolf) and Beauty (La Jolla Playhouse). Tina’s a graduate of Yale College, is a USA Fellow, and is the author, with Anne Bogart, of The Viewpoints Book.
JUNGHOON PI (SOUND DESIGNER) made his Yale Rep debut last season with The Piano Lesson. He is a composer, sound designer, and multi-instrumentalist from South Korea. He has composed scores for mainstream Korean films including Wandeuki (Berlin Film Festival, 2012), Finis Operis (Cannes Film Festival, 2011), and A Better Tomorrow (Venice Film Festival, 2010). K-Pop credits include Crown J, Spacecowboy, Shinhwa, Roo’ra, and R.ef. New York and regional theatre credits 21
CREATIVE TEAM include Walkabout Yeolha (The Riverside Theatre), Blood Wedding (Schapiro Theatre), and Price (New York International Fringe Festival). He received his BM and MM from Yonsei University and Dongguk University, and he is a third-year MFA candidate at Yale School of Drama, where he is the recipient of the Eldon Elder Fellowship and where his credits include Twelfth Night and Every Other Hamlet In The Universe. At Yale Cabaret: Electra: Mask Ritual, The Other Shore, Out of the Blue, Creation 2011. junghoonpi.com
ALEXANDRA RIPP (PRODUCTION DRAMATURG) is a second-year MFA candidate at Yale School of Drama and a current managing editor of Theater magazine. She served as assistant dramaturg on The Piano Lesson and production dramaturg on Belleville at Yale Rep. She was literary intern at McCarter Theatre, where she was the assistant dramaturg on Take Flight and Fetch Clay, Make Man. She is a graduate of Princeton University, where she majored in Spanish and Portuguese Languages and Culture. Alex’s translation of Rey Planta by Chilean theatre artist Manuela Infante was produced by Yale Cabaret in the fall.
TARA RUBIN CASTING (CASTING DIRECTOR) has been casting at Yale Rep since 2004. Broadway: How to Succeed in Business Without Really Trying; Promises, Promises; A Little Night Music; Billy Elliot; Shrek; Guys and Dolls; The Country Girl; Rock ’n’ Roll; The Farnsworth Invention; Young Frankenstein; The Little Mermaid; Mary Poppins; My Fair Lady; The Pirate Queen; Les Misérables; The History Boys; Spamalot; Jersey Boys; The 25th Annual Putnam County Spelling Bee; The Producers; Mamma Mia!; Imaginary Friends; The Phantom of the Opera; Oklahoma!. Lincoln Center Theater: Happiness, The Frogs, Contact, Thou Shalt Not. Off-Broadway: Love, Loss, and What I Wore and Second Stage Theatre. Regional: Kennedy Center, La Jolla Playhouse, Dallas Theater Center. JAMES SCHUETTE (SCENIC DESIGNER) has worked with Tina Landau on over 25 productions, including Tarell Alvin McCraney’s The Brother/Sister Plays (Steppenwolf Theatre Company, The Public Theater, McCarter Theatre), Tracy Letts’s Superior Donuts (Broadway), Ricky Ian Gordon’s Sycamore Trees (Signature Theatre), and Paula Vogel’s A Civil War Christmas (Long Wharf). Recent work includes Carmen (Glimmerglass Opera); La Fille du Regiment and The Death of Klinghoffer (Opera Theatre of St. Louis). His work has been seen at the Vineyard Theatre, New York Theatre Workshop, Brooklyn Academy of Music, Playwrights Horizons, American Repertory Theatre, Arena Stage, Oregon Shakespeare Festival, Berkeley Rep, Goodman Theatre, Manhattan Theatre Club, Court Theatre, American Conservatory Theater, La Jolla Playhouse, Mark Taper Forum, Seattle Rep, Trinity Rep, Houston Grand Opera, Seattle Opera, New York City Opera, Boston Lyric Opera, Chicago Opera
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Theatre, Opera Theatre of St. Louis, Washington National Opera, Minnesota Opera, Santa Fe Opera, and internationally. He is a member of Anne Bogart’s SITI Company and is a graduate of Yale School of Drama.
RICK SORDELET (FIGHT DIRECTOR) Fifty Broadway productions, including Disney’s The Lion King, Beauty and the Beast, Tarzan, The Little Mermaid, and Aida. More than fifty productions all over the world, including Cyrano de Bergerac starring Placido Domingo at the Metropolitan Opera, The Royal Opera House, and La Scala in Milan. Stunt coordinator for the films The Game Plan starring Dwayne “The Rock” Johnson, Dan in Real Life starring Steve Carell and Juliette Binoche, and Hamlet starring Campbell Scott. He served as the chief stunt coordinator for Guiding Light. Rick sits on the board of the Shakespeare Theatre of New Jersey and is a company member of Drama Dept. He teaches at Yale School of Drama, The New School for Drama, and The Neighborhood Playhouse, and he is the author of the play Buried Treasure. Rick is a proud recipient of the Edith Oliver Award for Sustained Excellence from the Lucille Lortel Foundation. He is married to actress Kathleen Kelly and has three children: Kaelan, Christian, and Collin. SCOTT ZIELINSKI (LIGHTING DESIGNER) New York credits include Topdog/ Underdog (Broadway), Atlantic Theater Company, Classic Stage Company, Lincoln Center Festival, Manhattan Theatre Club, New York Theatre Workshop, Playwrights Horizons, The Public Theater, Signature Theatre Company, Theatre for a New Audience, among others. Regionally he has designed at numerous theatres throughout the US. Internationally he has designed in Adelaide, Amsterdam, Avignon, Berlin, Bregenz, Edinburgh, Fukuoka, Gennevilliers, Hamburg, Hong Kong, Istanbul, Linz, London, Lyon, Melbourne, Orleans, Oslo, Ottawa, Paris, Reykjavik, Rouen, St. Gallen, Singapore, Stockholm, Stuttgart, Tokyo, Toronto, Vienna, Vilnius, and Zurich. Dance credits include American Ballet Theatre, American Dance Festival, Boston Ballet, Centre National de la Danse, Houston Ballet, Joyce Theater, Kennedy Center, National Ballet of Canada, and San Francisco Ballet. His opera work includes Arizona Opera, Bregenzer Festspiele, Brooklyn Academy of Music, Canadian Opera Company, English National Opera, Gotham Opera, Houston Grand Opera, Lithuanian National Opera, Minnesota Opera, Nederlandse Opera, New York City Opera, Opera Colorado, Pittsburgh Opera, San Francisco Opera, and Spoleto Festival USA. Upcoming productions include Miss Fortune at Royal Opera House (London), Abigail’s Party at National Theatre (Oslo), Lear Dreaming at TheatreWorks Singapore, and The Seagull at Festival d‘Avignon (Cour d’Honneur). scottzielinski.com
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YALE REPERTORY THEATRE JAMES BUNDY (ARTISTIC DIRECTOR) is in his tenth year as Dean of Yale School of Drama and Artistic Director of Yale Repertory Theatre. In his first nine seasons, Yale Rep has produced more than twenty world, American, and regional premieres, six of which have been honored by the Connecticut Critics Circle with the award for Best Production of the year, and two of which have been Pulitzer Prize finalists. During this time, Yale Rep has also commissioned more than two dozen artists to write new work and provided low-cost theatre tickets and classroom visits to thousands of middle and high school students from Greater New Haven through WILL POWER!, an educational program initiated in 2004. Mr. Bundy’s directing credits include The Psychic Life of Savages, The Ladies of the Camellias, All’s Well That Ends Well, A Woman of No Importance, Death of a Salesman, and A Delicate Balance at Yale Rep, as well as productions at Great Lakes Theater Festival, The Acting Company, California Shakespeare Festival, Alabama Shakespeare Festival, and The Juilliard School Drama Division. A recipient of the Connecticut Critics Circle’s Tom Killen Award for extraordinary contributions to Connecticut professional theatre in 2007, Mr. Bundy currently serves on the board of directors of Theatre Communications Group, the national service organization for nonprofit theatre. Previously, he worked as Associate Producing Director of The Acting Company, Managing Director of Cornerstone Theater Company, and Artistic Director of Great Lakes Theater Festival. He is a graduate of Harvard College and Yale School of Drama. VICTORIA NOLAN (MANAGING DIRECTOR) is in her 19th year as Managing Director of Yale Repertory Theatre, serves as Deputy Dean of Yale School of Drama, and is on its faculty. She was previously Managing Director of Indiana Repertory Theatre, Associate Managing Director at Baltimore’s CENTERSTAGE, Managing Director at Ram Island Dance Company in Portland, Maine; and she has held various positions at Loeb Drama Center of Harvard University; TAG Foundation, an organization producing Off-Broadway modern dance festivals; and Boston University School for the Arts. Ms. Nolan has been an evaluator for the National Endowment for the Arts, for which she has chaired numerous grant panels, and has served on other panels and foundation review boards including the AT&T Foundation, The Heinz Family Foundation, Lila Wallace-Reader’s Digest Fund, and the Metropolitan Life Foundation. She has also served on the Executive Committee of the League of Resident Theatres (LORT) and on numerous negotiating teams for national labor contracts. A Fellow at Yale’s Saybrook College, she is the recipient of the Betsy L. Mahaffey Arts Administration Fellowship Award from the State of Connecticut and the Elm/Ivy Award, given jointly by Yale University and the City of New Haven for distinguished service to the community.
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JENNIFER KIGER (ASSOCIATE ARTISTIC DIRECTOR) is in her seventh year at Yale Rep and is also director of the new play programs of the Yale Center for New Theatre, an artist-driven initiative that supports the creation of new plays and musicals for the American stage through commissions, residencies, workshops, and productions. Ms. Kiger came to Yale Rep from South Coast Repertory (SCR), where she was Literary Manager from 2000 to 2005 and served as Co-Director of the Pacific
Playwrights Festival. She was dramaturg on more than 40 new plays at SCR, including the world premieres of Rolin Jones’s The Intelligent Design of Jenny Chow, Amy Freed’s The Beard of Avon, and the West Coast premieres of Sarah Ruhl’s The Clean House and Nilo Cruz’s Anna in the Tropics. Prior to that, she served as production dramaturg at American Repertory Theatre, collaborating with Robert Brustein, Robert Woodruff, Liz Diamond, and Kate Whoriskey, and with multi-media director Bob McGrath on stage adaptations of Robert Coover’s Charlie in the House of Rue and Mac Wellman’s Hypatia. She has been a dramaturg for the Playwrights’ Center of Minneapolis and Boston Theatre Works and a panelist for the National Endowment for the Arts and the California Arts Council. Ms. Kiger completed her training in Dramaturgy at the American Repertory Theatre Institute for Advanced Theatre Training at Harvard University, where she taught courses in acting and dramatic arts. BRONISLAW SAMMLER (PRODUCTION SUPERVISOR) has been Chair of Yale School of Drama’s acclaimed Technical Design and Production Department since 1980. In 2007 he was named the Henry McCormick Professor (Adjunct) of Technical Design and Production by Yale’s President, Richard C. Levin. He is co-editor of Technical Brief and Technical Design Solutions for Theatre, Vols. I & II. He co-authored Structural Design for the Stage, which won the United States Institute of Theatre Technology’s (USITT) Golden Pen Award. Demonstrating his commitment to excellence in technical education and professional production, he co-founded USITT’s National Theatre Technology Exhibit, an on-going biennial event; he has served as a commissioner and a director at-large and is a lifetime Fellow of the Institute. He was honored as Educator of the Year in 2006 by the New England Theatre Conference and chosen to receive the USITT Distinguished Achievement Award in Technical Production in 2009. His production management techniques and his introduction of structural design to scenic technology are being employed in both educational and professional theatres throughout the world. JAMES MOUNTCASTLE (PRODUCTION STAGE MANAGER), has been at Yale Rep since 2004. He has stage managed productions of Three Sisters, We Have Always Lived in the Castle, The Master Builder, Passion Play, Richard II, Eurydice, a new adaptation of The Cherry Orchard, and the world premiere of The Clean House. A professional stage manager for more than twenty years, he has worked in regional, stock, and Broadway theatre. Broadway credits include Damn Yankees, Jekyll & Hyde, Judgment at Nuremberg, The Boys from Syracuse, The Smell of the Kill, Life x(3), and Wonderful Town. Mr. Mountcastle spent several Christmas seasons in New York City as stage manager for the now legendary production of A Christmas Carol at Madison Square Garden. Broadway national tours include City of Angels, Falsettos, and My Fair Lady. He served as Production Stage Manager for Damn Yankees starring Jerry Lewis for both its national tour and at the Adelphi Theatre in London’s West End. In addition, Mr. Mountcastle has worked at The Kennedy Center, CENTERSTAGE in Baltimore, Actors Theatre of Louisville, Brooklyn Academy of Music, and elsewhere. James and his wife Julie live in North Haven and are the very proud parents of two beautiful girls: Ellie, who is 13 years old, and Katie, age 11. 25
YALE REPERTORY THEATRE STAFF James Bundy, Artistic Director Victoria Nolan, Managing Director Jennifer Kiger, Associate Artistic Director
ARTISTIC
Resident Artists Paula Vogel, Playwright-in-Residence Liz Diamond, Evan Yionoulis, Resident Directors Catherine Sheehy, Resident Dramaturg Ming Cho Lee, Set Design Advisor Michael Yeargan, Resident Set Designer Jane Greenwood, Costume Design Advisor Jess Goldstein, Resident Costume Designer Jennifer Tipton, Lighting Design Advisor Stephen Strawbridge, Resident Lighting Designer David Budries, Sound Design Advisor Walton Wilson, Voice and Speech Advisor Rick Sordelet, Fight Advisor Mary Hunter, Stage Management Advisor
Belene Day, Senior Administrative Assistant to Development and Marketing & Communications Eric Gershman, Shane D. Hudson, Development Assistants Finance and Information Technology Katherine D. BurgueĂąo, Director of Finance and Human Resources Denise Zaczek, Associate Director of Finance Cristal Coleman, Alex Grennan, Ashlie Russell, Business Office Specialists Randall Rode, Information Technology Director Daryl Brereton, Associate Information Technology Director Mara Hazzard-Wallingford, Director, Yale Tessitura Consortium Toni Ann Simiola, Senior Administrative Assistant to Business Office, Information Technology, Operations, and Tessitura
Marketing, Communications, and Audience Services Anne Trites, Director of Marketing and Communications Steven Padla, Senior Associate Director of Communications Daniel Cress, Senior Associate Director of Marketing Rachel Smith, Associate Director of Marketing Artistic Administration DeDe Jacobs-Komisar, Associate Director of Marketing Amy Boratko, Literary Manager Sarah Stevens-Morling, Online Communications and Kay Perdue Meadows, Artistic Associate Advertising Manager Tanya Dean, Artistic Coordinator Marguerite Elliott, Publications Manager Benjamin Fainstein, Elliot B. Quick, Anne Seiwerath, Literary Associates Shane D. Hudson, Lauren Wainwright, Marketing Assistants Tara Rubin, C.S.A.; Merri Sugarman, C.S.A.; Eric Woodall, C.S.A.; Lindsay Levine; Kaitlin Shaw; Kathleen Martin, Graphic Design and Production Stephanie Yankwitt, Casting Assistant Fraver, Graphic Designer Ruth M. Feldman, Director of Education and Accessibility Services Joan Marcus, Production Photographer Teresa Mensz, Library Services Assistant Janna J. Ellis, Associate Director of Audience Services and Tessitura Specialist Josie Brown, Senior Administrative Assistant to the Artistic Director and Associate Artistic Director Laura Kirk, Assistant Audience Services Director Laurie Coppola, Senior Administrative Assistant for Shane Quinn, Audience Services Assistant the Directing, Dramaturgy and Dramatic Criticism, Tracy Baldini, Subscriptions Coordinator Playwriting, and Stage Management Departments Evan Beck, Brittany Behrens, Amanda Bermudez, Mary Volk, Senior Administrative Assistant for the Amanda Culp, Courtney Engle, Gabriel Levey, Design and Sound Design Departments Tiffany Lin, Emily Sanna, William Smith, Joanna Wilson, Box Office Assistants Associate Artists 52nd Street Project, Kama Ginkas, Mark Lamos, MTYZ Theatre/Moscow New Generations Theatre, Bill Rauch, Sarah Ruhl, Henrietta Yanovskaya
ADMINISTRATION
Karena Fiorenza Ingersoll, Jaeeun Joo, Associate Managing Directors Jennifer Lagundino, Assistant Managing Director Anne Flammang, Lauren Wainwright, Xaq Webb, Management Assistants Emalie Mayo, Senior Administrative Assistant to the Managing Director Caitie Hannon, Company Manager Yu Shen, Assistant Company Manager Development and Alumni Affairs Deborah S. Berman, Director of Development and Alumni Affairs Janice Muirhead, Senior Associate Director of Development Barry Kaplan, Senior Staff Writer Susan C. Clark, Laura J. Eckelman, Development Associates
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Operations Diane Galt, Director of Facility Operations Rich Abrams, Operations Associate Paul Catalano, Arts and Drama Zone Superintendent Krista J. MacLellan, 217 Park and 212 York Superintendent VonDeen Ricks, Senior Custodian Marcia Riley, Facility Steward Lucille Bochert, Norma Crimley, Donell D’Gioia, Ty Frost, Mark Roy, Custodians Theater Safety and Occupational Health William J. Reynolds, Director of Theater Safety and Occupational Health Jacob Thompson, Security Officer Ed Jooss, Audience Safety Officer Fred Geier, Customer Service and Safety Officer
PRODUCTION
Bronislaw J. Sammler, Production Supervisor James Mountcastle, Production Stage Manager Jonathan Reed, Senior Associate Production Supervisor Grace O’Brien, Senior Administrative Assistant to the Production Department Costumes Tom McAlister, Costume Shop Manager Robin Hirsch, Associate Costume Shop Manager Mary Zihal, Senior Draper Clarissa Wylie Youngberg, Draper Deborah Bloch, Senior First Hand Linda Kelley-Dodd, Costume Project Coordinator Denise O’Brien, Wig and Hair Design Barbara Bodine, Company Hairdresser Linda Wingerter, Costume Stock Manager Greta Schmitt, Assistant to the Costume Shop Manager Electrics Donald W. Titus, Lighting Supervisor Jason Wells, Linda Young, Senior Head Electricians Alexander Zinovenko, Head Electrician Emily Erdman, Assistant to the Lighting Supervisor Painting Ru-Jun Wang, Scenic Charge Angie Meninger, Scenic Artist Keri Kriston, Assistant Scenic Artist Allison Jackson, Nathan Jasunas, Assistants to the Painting Supervisor Properties Brian Cookson, Properties Master David P. Schrader, Properties Craftsperson Jennifer McClure, Properties Assistant Bill Batschelet, Properties Stock Manager Scenery Colin Buckhurst, Don Harvey, Neil Mulligan, Technical Directors Alan Hendrickson, Electro Mechanical Laboratory Supervisor Eric Sparks, Shop Foreman Matt Gaffney, Ryan Gardner, Sharon Reinhart, Master Shop Carpenters Brandon Fuller, Shop Carpenter C. Nikki Mills, Kenyth X. Thomason, Jacqueline Deniz Young, Assistants to the Technical Director Sound Josh Loar, Sound Supervisor Paul Bozzi, Staff Sound Engineer Jacob Riley, Jennifer Timms, Assistants to the Sound Supervisor Projections Erich Bolton, Projection Supervisor Micah Stieglitz, Head Projection Technician Stage Operations Janet Cunningham, Stage Carpenter Kate Begley Baker, Properties Runner Elizabeth Bolster, Wardrobe Supervisor Charles Harbert, FOH Mix Engineer
ADDITIONAL STAFF FOR GOOD GOODS
Jessica Rizzo, Assistant Director Valérie Thérèse Bart, Assistant Scenic Designer Elivia Bovenzi, Assistant Costume Designer Jake DeGroot, Assistant Lighting Designer Hannah Shafran, Assistant Sound Designer and Engineer Kirstin Hodges, Assistant Stage Manager Joe Stoltman, Associate Production Supervisor Christopher Russo, Technical Director Eric Casanova, Ted Griffith, Assistant Technical Directors Sanghun Joung, Master Electrician Kate Wicker, Assistant Properties Master Harry Johnson, Draper Jonathan Pellow, Effects Engineer Alyssa Simmons, House Manager Brittany Behrens, Dana Tanner-Kennedy, Masha Tsimring, Jacqueline Deniz Young, Run Crew UNDERSTUDIES Jabari Brisport, Wire Will Cobbs, Truth William DeMerritt, Stacey Miriam A. Hyman, Patricia Afi McClendon, Sunny Paul Pryce, Waymon as Hunter Priestess, Factory Folk SPECIAL THANKS Charlotte Brathwaite, Trai Byers, Michael Compitello, Kevin Alan Daniels, Austin Durant, Anne Erbe, Dipika Guha, Marcus Henderson, Kari Hodges, Aja Naomi King, Long Wharf Theatre Props Department, Magic Theatre Company, Lindsey McWhorter, Meg Miroshnik, Izetta Autumn Mobley, National New Play Network, Tracy Patterson, Southern Connecticut State University Theatre Department
The Actors and Stage Manager employed in this production are members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers.
The Scenic, Costume, Lighting, and Sound Designers in LORT are represented by United Artists Local USA-829, IATSE.
Yale Repertory Theatre operates under an agreement between the League of Resident Theatres (LORT) and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. Good Goods February 3 to 25, 2012 Yale Repertory Theatre, 1120 Chapel Street
YALEREP.ORG 27
YALE CENTER FOR NEW THEATRE YALE REPERTORY THEATRE is dedicated to the production of new plays and bold interpretations of classics and has produced well over 100 premieres—including two Pulitzer Prize winners and four other nominated finalists—by emerging and established playwrights. Eleven Yale Rep productions have advanced to Broadway, garnering more than 40 Tony Award nominations and eight Tony Awards. Yale Rep is also the recipient of the Tony Award for Outstanding Regional Theatre. Professional assignments at Yale Repertory Theatre are integral components of the program at Yale School of Drama, the nation’s leading graduate theatre training conservatory. Established in 2008, the YALE CENTER FOR NEW THEATRE is an artist-driven initiative that devotes major resources to the commissioning, development, and production of new plays and musicals at Yale Rep and across the country. A key component of the Center’s work is the support of productions of Yale-commissioned works at theatres other than Yale Rep. The Center also facilitates residencies of playwrights and composers at Yale School of Drama. To date, the Yale Center for New Theatre has supported the work of more than thirty commissioned artists as well as the world premieres and subsequent productions of nine new American plays and musicals—including this season’s Belleville by Amy Herzog, Good Goods by Christina Anderson, and The Realistic Joneses by Will Eno. Dostoevsky’s Notes from Underground, adapted by Bill Camp and Robert Woodruff, was the first commissioned play supported by the Center to receive its world premiere at Yale Rep. In 2010, Notes had its West Coast premiere at La Jolla Playhouse and its New York premiere at Theatre for a New Audience, in association with the Baryshnikov Arts Center. The Center also supported the world premiere co-production of Rinne Groff’s Compulsion at Yale Rep, Berkeley Rep, and The Public Theater—as well as the world premiere of the Yale-commissioned On the Levee by Marcus Gardley, Todd Almond, and Lear deBessonet at Lincoln Center Theater’s LCT3.
COMMISSIONED ARTISTS David Adjmi, Todd Almond, Hilary Bell, Adam Bock, Bill Camp, Lear deBessonet, Will Eno, Marcus Gardley, Matt Gould, Kirsten Greenidge, Danai Gurira, Ann Marie Healy, Amy Herzog, Naomi Iizuka, Branden Jacobs-Jenkins, Aditi Brennan Kapil, Carson Kreitzer, Dan LeFranc, Elizabeth Meriwether, Scott Murphy, Julie Marie Myatt, David LeFort Nugent, Lina Patel, Jay Reiss, Sarah Ruhl, Octavio Solis, Lucy Thurber, Alice Tuan, Paula Vogel, Kathryn Walat, Anne Washburn, Marisa Wegrzyn, and Robert Woodruff
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Yale Rep productions supported by the YALE CENTER FOR NEW THEATRE, clockwise from the top: Merritt Janson and Bill Camp in Notes from Underground, 2009; Cristin Paige and Randy Harrison (background: Leslie Kritzer and Emily Swallow) in POP!, 2009; Jenn Gambatese and Sean Palmer in We Have Always Lived in the Castle, 2010; Ella Joyce and Francesca Choy-Kee in Bossa Nova, 2010; and Maria Dizzia and Gilbert Owuor in Belleville, 2011. Photos by Joan Marcus. 29
FOR YOUR INFORMATION
ACCESSIBILITY SERVICES
HOW TO REACH US Yale Repertory Theatre Box Office 1120 Chapel Street (at York St.) PO Box 208244, New Haven, CT 06520 203.432.1234 Email: yalerep@yale.edu
Yale Repertory Theatre offers all patrons the most comprehensive accessibility services program in Connecticut, including a season of open-captioned and audiodescribed performances, a free assistive listening system, large-print and Braille programs, wheelchair accessibility with an elevator entrance into the Yale Rep Theatre located on the left side of the building, and accessible seating. For more information about the theatre’s accessibility services, contact Ruth M. Feldman, Director of Education and Accessibility Services, at 203.432.8425 or rm.feldman@yale.edu.
BOX OFFICE HOURS Monday to Friday from 10AM to 5PM Saturday from 12PM to 5PM Until 8PM on all show nights FIRE NOTICE Illuminated signs above each door indicate emergency exits. Please check for the nearest exit. In the event of an emergency, you will be notified by theatre personnel and assisted in the evacuation of the building.
Yale Repertory Theatre’s accessibility services are supported in part by The Seedlings Foundation and the Carol L. Sirot Foundation. Yale Repertory Theatre gratefully acknowledges the Carol L. Sirot Foundation for underwriting the assistive listening systems in our theatres.
RESTROOMS Restrooms are located downstairs. Please contact the concierge for assistance with the elevator. EMERGENCY CALLS Please leave your cell phone and/or beeper, name, and seat number with the concierge. We’ll notify you if necessary. The emergency-only telephone number at Yale Rep is 203.764.4014. GROUP RATES Discounted tickets are available for groups of ten or more. Please call 203.432.1572. SEATING POLICY Everyone must have a ticket. Sorry, no children in arms or on laps. Patrons who become disruptive will be asked to leave the theatre.
AUDIO DESCRIBED (AD) A live narration of the play’s action, sets, and costumes for patrons who are blind or low vision. OPEN CAPTIONING (OC) You’ll never again have to ask, “What did they say?” Open Captioning provides a digital display of the play’s dialogue as it’s spoken. Open Captioning and Audio Described performances are on Saturdays at 2PM. AD pre-show description begins at 1:45PM.
Good Goods Feb 18 The Winter’s Tale Mar 31 The Realistic Joneses May 5
THE TAKING OF PHOTOGRAPHS OR THE USE OF RECORDING DEVICES OF ANY KIND IN THE THEATRE WITHOUT THE WRITTEN PERMISSION OF THE MANAGEMENT IS PROHIBITED. 30
Feb 25 Apr 7 May 12
c2inc is pleased to be the official Open Captioning provider of Yale Repertory Theatre.
YALE REP’S EDUCATION PROGRAMS As part of Yale Rep’s commitment to our community, we provide two significant youth theatre programs. Since our 2003–04 season, WILL POWER!, which offers teacher training and curricular support prior to seeing a selected play at Yale Rep, has served more than 15,000 Connecticut students and educators. The Dwight/Edgewood Project brings eight middle school students from New Haven’s Augusta Lewis Troup Middle School to Yale Rep for a monthlong, after-school playwriting program designed to strengthen their self-esteem and creative expression.
FROM TOP: SCHOOLS GATHERING FOR WILL POWER!; THE DWIGHT/EDGEWOOD PROJECT, 2011.
Yale Rep’s education programs are supported in part by Allegra Print and Imaging; Anna Fitch Ardenghi Trust, Bank of America, N.A.,Trustee; Estate of Cynthia K. Barrington; Deborah S. Berman; Bob and Priscilla Dannies; Frederick A. DeLuca Foundation; Bruce Graham; the Lucille Lortel Foundation; Romaine A. Macomb; Mrs. Romaine Macomb; Jane Marcher Foundation; Jim and Dawn Miller; NewAlliance Foundation; Robbin A. Seipold; Sandra Shaner; Cheever and Sally Tyler; Esme Usdan; Charles and Patricia Walkup; and Bert and Martha Weisbart.
SPONSORSHIP: COMMUNITY PARTNERS Allegra Print and Imaging Est Est Est Fleur de Lys Floral and Gifts Heirloom Hull’s Arts Supply and Framing Koji Mionetto New Haven Register
The Study at Yale, a Boutique Hotel Take the Cake GHP Printing and Mailing Union League Cafe Willoughby’s Coffee and Tea WSHU Public Radio Group The Yale Bookstore Yellowbook
These lists include current pledges, gifts, and grants received from July 1, 2010‚ through February 1, 2012. 31
CONTRIBUTORS
to Yale School of Drama and Yale Repertory Theatre LEADERSHIP SOCIETY ($50,000 and above) Anonymous Anonymous John Badham John B. Beinecke* Nicholas Ciriello Sterling and Clare Brinkley* Edgar M. Cullman, Jr. Edgar M. Cullman III Scott M. Delman* A.R. Gurney F. Lane Heard III Frederick Iseman* David Johnson Adrian and Nina Jones* Tim Jones and Annie Cardelús* Jennifer Lindstrom* Neil Mazzella Andrew W. Mellon Foundation William S. Monaghan Don Nelson Mary B. Reynolds Robert Riordan Robina Foundation Talia Shire Schwartzman The Shubert Foundation Stephen Timbers Edward Trach* Esme Usdan* GUARANTORS ($25,000–$49,999) Anonymous Lois Chiles and Richard Gilder* Educational Foundation of America Peter Entin* Heidi Ettinger* Estate of Edward Kleno National Endowment for the Arts National Endowment for the Arts, Arts Midwest, Shakespeare in American Communities Edward John Noble Foundation James Munson Reggie Van Lee Cliff Warner BENEFACTORS ($10,000–$24,999) Americana Arts Foundation* Anonymous Lynne and Roger Bolton Mary L. Bundy* CECArts Link Michael Diamond Edgerton Foundation
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Ruth and Steve Hendel* Catherine MacNeil Hollinger* Ellen Iseman Lucille Lortel Foundation Donald B. Lowy Renova Sonja and Patrick Seaver* The Seedlings Foundation* Michael and Riki Sheehan* Jeremy Smith* Carol L. Sirot Foundation Trust for Mutual Understanding PRODUCER’S CIRCLE ($5,000–$9,999) Nina Adams and Moreson Kaplan* Deborah Applegate and Bruce Tulgan* Amy Aquino and Drew McCoy* Foster Bam Jim Burrows Bill Conner The Noel Coward Foundation Michael Desantis and Patrick Baugh Terry Fitzpatrick* Marc Flanagan Beth Galston* Linda Gulder Huett* Ben Ledbetter and Deborah Freedman Sarah Long Mionetto USA Carol Ostrow* F. Richard Pappas Robert Pohly and Julie Turaj Linda Frank Rodman Ted and Mary Jo Shen Philip J. Smith Susan Stoman DIRECTOR’S CIRCLE ($1,000–$4,999) Actor’s Equity Foundation Anna Fitch Ardenghi Trust, Bank of America, N.A., Trustee Paula Armbruster Mr. and Mrs. B. Ashfield* Cornelia Barr Robert L. Barth Estate of Cynthia K. Barrington John Lee Beatty* Jody Locker Berger* Deborah S. Berman* Bisno Productions*
Jeffrey A. Bleckner* Walter Bobbie Katherine Borowitz* Thomas Bruce Robert W. Brundige, Jr. James Bundy Ben Cameron* Joan D. Channick* Patricia Clarkson Sue Ann Gilfillan and Tony Converse* Peggy Cowles Marycharlotte Cummings* The Frederick A. DeLuca Foundation Michael S. David Elizabeth Doyle* Glen R. Fasman Marcus Dean Fuller* Leiko Fuseya* David Goldman Fred Gorelick and Cheryl MacLachlan* Stephen Godchaux* James W. Gousseff* John Guare* Richard Harrison Katherine W. Haskins* Carol Thompson Hemingway James Ingalls James Earl Jewell Rolin Jones* Jane Kaczmarek The Ethel & Abe Lapides Foundation Sasha Emerson Levin George N. Lindsay, Jr Stephen Lindsay Linda Lorimer and Charley Ellis William Ludel* Dr. and Mrs. Robert W. Lyons* Jane Lyman* Tien-Tsung Ma* Romaine A. Macomb* Estate of James MacLaren Jenny Mannis and Henry Wishcamper* Jane Marcher Foundation Edward Martenson Thomas Masse and Dr. James Perlotto* Susan McNamara, MD* Dawn G. Miller Neil Mulligan* Arthur and Merle Nacht* NewAlliance Foundation Victoria Nolan and Clark Crolius* Richard Ostreicher* Steven Oxman* Dw Phineas Perkins George and Kathy Priest* Sarah Rafferty*
Michael Rigsby Ben and Laraine Sammler* Alvin Schechter* Liev Schreiber* Marie S. Sherer Eugene F. Shewmaker Benjamin Slotznick Rachel Smith Kristin Sosnowsky Kenneth J. Stein* Shepard and Marlene Stone Charles Strotz Lee Stump* Sy Sussman* Robert and Arlene Szczarba* John Henry Thomas Thomas Thurston* Cheever and Sally Tyler* Courtney Vance* Barry and Fran Weissler Thomas Wilner Terrence Witter Amanda Wallace Woods* George Whelen IV* Albert J. Zuckerman* Steve Zuckerman* PARTNERS ($500–$999) In Memory of Herbert Altman Mary Ellen and Thomas Atkins* Alexander Bagnall* Christopher Barreca Alice B. and James T. Brown Joy G. Carlin* Anna Cascio* Cosmo Catalano, Jr.* John Conklin Bob and Priscilla Dannies* Ramon L. Delgado Roberta Enoch and Steven Canner* Richard Sutton Davis* Peter Entin* Walter M. Frankenberger III Michael T. Fulton and Catherine Hernandez Wray Steven Graham* Donald Granger Rob Greenberg William B. Halbert* Karsten Harries and Elizabeth Langhorne* Barbara Hauptman Jane C. Head* Sara Hedgepath Jennifer Hershey* Donald Holder John Robert Hood* Albert Hurwitz*
Helen Kauder and Barry Nalebuff* Donald and Candice Kohn Frances Kumin* Mildred Kuner* Edward Lapine* Charles Long and Roe Curtis* Brian Mann John McAndrew Johanna D. McAuliffe* Susie Medak Daniel Mufson James Naughton Arthur Oliner Maulik Pancholy* Stephen Pollock Amy Povich* Margaret Adair Quinn Pamela and Arthur Rank* Alan Rosenberg* Tony Shalhoub Sandra Shaner Carol Spawn* Trainer Family Foundation Carol M. Waaser* William and Phyllis Warfel Zelma Weisfeld Vera Wells* Carolyn S. Wiener* Steven Wolff* Evan Yionoulis Catherine Zuber INVESTORS ($250–$499) Bruce Altman* Anonymous Susan and Bruce Ackerman Richard Ambacher* Mary B. Arnstein Dylan Baker* James Bakkom* Raymond Baldelli and Ronald Nicholes Robert Baldwin* Richard Bianchi* Robert Bienstock Lewis Black Susan Brady and Mark Loeffler* Tom Broecker Mark Brokaw* Claudia Brown Bruce and Janet Bunch Jonathan Busky* Thomas Buttke and Judith Waters Anne and Guido Calabresi Ian Calderon Bozena Chepya Patricia J. Collins* Thomas Colville*
George Corrin, Jr. Robert Cotnoir Stephen Coy* John W. Cunningham Ernestine and Ronald Cwik Drew S. Days III and Ann R. Langdon Charles Dillingham Alexander Dodge* Dennis Dorn Dr. and Mrs. Frederic Finkelstein* Joel Fontaine Anthony Forman* David Freeman* Joseph Gantman Nina M. Glickson Melanie Ginter and John Lapides* Elizabeth M. Greene* The Stewart and Constance Greenfield Foundation* Anne K. Gregerson* Norma and Richard Grossi Regina Guggenheim Sarah Hancock* Scott Hansen* D. Keith Hargreaves Douglas Harvey Michael Haymes and Logan Green Nicole and Larry Heath June and George Higgins Elizabeth Holloway Raymond P. Inkel* Joanna and Lee Jacobus* Cynthia Kaback Asaad Kelada* Barnet K. Kellman* Ashley York Kennedy* John and Evelyn Kossak Foundation David Kriebs* Suttirat Larlarb Kenneth Lewis* Suzanne Cryer Luke Linda Maerz and David Wilson Peter Marshall Mark McCullough* Sandra Milles* Lawrence Mirkin* William and Barbara Nordhaus Louise Perkins and Jeff Glans Lawrence Perry and Rebecca Wayland* Stephen Pollock Alec and Drika Purves Carol A. Prugh Barbara and David Reif* Bill and Sharon Reynolds* Daniel and Irene Rissi*
Harry M. Ritchie Steve Robman* Douglas Rogers* Melina Root* Constanza Romero* Jean and Ron Rozett* Suzanne Sato Georg Schreiber* Mark and Cindy Slane David Soper and Laura Davis Mary C. Stark* James Beach Steerman* Sandra T. Stein and Harvey Kliman* Jaroslaw Strzemien* Anne Trites Bernard Sundstedt John M. Turturro David J. Ward* Dana Westberg Robert Wierzel* Judith and Guy Yale* Patricia and John Zandy* FRIENDS ($100–$249) Anonymous Emily Aber and Robert Wechsler David E. Ackroyd Lois Aden Joseph V. Agostini* Michael Albano* Sarah Jean Albertson* William Allison* Liz Alsina Annette Ames Leif Ancker Bob and Jane Archibald* Atticus Bakery Clayton Mayo Austin* Angelina Avallone John and Nancy Babington* Frank and Eileen Baker Ken and Jeanette Baldassarri Michael and Heidi Barker* Michael Baron and Ruth Magraw John Barrengos Barbara and Edward Barry Pattsy Bates and Charles W. Eckert William Batsford Mark Bauer Nancy and Richard Beals Andrew A. Beck Spencer P. Beglarian Ursula Belden Wendell and Lora Lee Bell James C. Bellavance Albert Bennett Edward Bennett
*Donors who have generously participated in the Annual Fund Matching Challenge.
Elizabeth Bennett Todd Berling Melvin Bernhardt Henry and Joan Binder* William Bletzinger Anders Bolang* John Cummings Boyd Mark Boyer* John Breedis Mr. and Mrs. Scott J. Brennan Russell and Freddie Brenneman Cynthia Brizzell-Bates Theresa Broach Carole and Arthur Broadus Brenda and Howard Brody Arvin B. Brown Shawn Hamilton Brown* Oscar Lee Brownstein* Philip Bruns Robert Brustein Andrew Bundy and Karen Hansen* Gerard and Ann Burrow* Robert and Linda Burt Sheldon Bustow* Susan Byck* Susan Cahan and Jürgen Bank Donald Cairns* Kathryn A. Calnan Vincent Cardinal Lisa Carling Susan Carney and Lincoln Caplan* Carolyn Foundation Adrienne Carter William E. Caruth Raymond Carver Sami Joan Casler Patricia Cavanaugh Dr. and Mrs. W.K. Chandler Edward Check Suellen G. Childs King-Fai Chung* Olive Chypre Nicholas and Barbara Jean Cimmino* Lani Click Becky and Gary Cline* Katherine D. Cline Margaretta M. Clulow Kevin and Roxanne Coady* Jack Cockerill Joel Cogen and Elizabeth Gilson Robert S. Cohen Thomas Colville James Congdon Kristen Connolly* William Connolly* Audrey Conrad Helen and Jack Cooper
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CONTRIBUTORS
to Yale School of Drama and Yale Repertory Theatre Aaron Copp Dana S. Croll Timothy and Pamela Cronin Douglas and Roseline Crowley Jane Ann Crum* William H. Cuddy* Sean Cullen Donato Joseph D’Albis F. Mitchell Dana* Sue and Gus Davis Nigel W. Daw Barbara DeBaptiste* Mr. and Mrs. Paul DeCoster Elizabeth DeLuca Julia L. Devlin* Liz Diamond Jose A. Diaz George Di Cenzo Francis X. and Renee Dineen Gene Diskey Melinda DiVicino Michael Donahue* Christopher Donnelly Franchelle S. Dorn Merle Dowling JoAnne E. Droller, R.N. D. William Duell John A. Duran Karen and Edwin Duval East Coast Management & Consulting, LLC Mindy Eads* Mr. and Mrs. David Ebbin Douglas Edwards Frances L. Egler Dr. and Mrs. Richard Ehrenkranz Marc and Heidi Eisenberg Nancy Reeder El Bouhali* Janann Eldredge Prof. Robert Ellickson and Ms. Lynn Hammer Debbie Ellinghaus* Barbara T. Ellinghaus* Lucinda Thomas Embersits* Jenifer Endicott* Elizabeth English Dirk Epperson David Epstein Edith Dallas Ernst* Howard and Jackie Ertel Frank and Ellen Estes Dan and Elizabeth Esty Jerry N. Evans* Douglass Everhart* Eva Ewing John D. Ezell Patricia Fahey* Michael Fain*
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Kristan Falkowski Ann Farris Christopher Feeley Barbara and Richard Feldman* Ruth M. Feldman* Dr. and Mrs. Paul Fiedler Earle Finch* Alexandra Fischer* Aurelia Fisher* Dennis Flynn Lewis Folden* Joel Fontaine Keith Fowler Abigail Franklin Karen Freedman Linda and Gary Friedlaender* Reynold Frutkin Randy Fullerton Richard Fuhrman* Barbara and Gerald Gaab* David Gainey Jim and Eunice Galligan Anne Galvin Joseph Gantman* Dr. Lonnie Garris Jr. Steven Gefroh Stuart and Beverly Gerber Robert Gerwien Patricia Gilchrist* Morfydd and Gilbert Glaser Robert Glen William Glenn Neil Gluckman* Susan Gobel Marian Godfrey Lindy Lee Gold* Betty and Joshua Goldberg* Norma and Myron H. Goldberg Sandra Goldmark* Robert Goldsby* Timothy and Mary Helen Goldsmith* David Gorton Lori S. Gorton Naomi Grabel Charles F. Grammer Kris and Marc Granetz Katharine Grant Bigelow Green Joe Grifasi Karen Grimmell Alan A. Grudzinski Eugene Gurlitz Dr. Ronald and Maria Hagadus Anne Hamburger Alexander Hammond Ann T. Hanley* Jerome R. Hanley* David W. Hannegan
Scott Hansen Harold Harlow John Harnagel Charlene Harrington Lyndsay N. Harris Betty and Walter Harris James T. Hatcher Scott Hawkins* Ihor Hayda James Hazen Robert Heller* Patricia Helwick Heather Henderson* Stephen Hendrickson* Jennifer Hershey-Benen Dennis Hickey* Roderick Lyons Hickey III* Christopher Higgins* Hill Regional Career High School Elizabeth Holloway Slate Holmgren* Amy Holzapfel Agnes Hood Carol V. Hoover Helena Hoover-Litty and Charles Litty* Mary B. Howard* David Howson* Evelyn Huffman* Hull’s Art Supply and Framing Derek Hunt Mary and Arthur Hunt Peter H. Hunt* Timothy and Diane Hunt Patricia Ireland Ihor Hayda Kirk Jackson John W. Jacobsen Chris Jaehnig* Drs. Donald and Diana Jaffe Ina and Robert Jaffee* Jim and Cynthia Jamieson Jeffrey’s, a restaurant Cynthia Lee Jenner* Geoffrey A. Johnson Marcia Johnson* Donald E. Jones, Jr. Elizabeth Kaiden* Jonathan Kalb Gregory Kandel Carol Kaplan Lloyd A. Kaplan James D. Karr Dr. and Mrs. Michael Kashgarian Bruce Katzman Edward A. Kaye Jay Keene Arthur J. Kelley, Jr. Abby Kenigsberg Bettyann Kevles Peter Young Hoon Kim
Carol Souscek King Shirley Kirschner Dragan Klaic Raymond Klausen* Richard Klein Stephen Kovel Brenda and Justin Kreuzer Jonathan Krupp Bernard Kukoff Mitchell Kurtz William Kux* Howard and Shirley Lamar Marie Landry and Peter Aronson Nico Lang* David Larson Jeremy Larson Michael John Lassell Gerard Leahy Wing Lee* Charles E. Letts III Emily Leue Bradford Lewis* Irene Lewis Malia Lewis Jeremy Licht Alan Lichtenstein Martha Lidji Bertram Linder Bruce Lockwood Edgar Loessin Robert Hamilton Long II Sara Low Henry Lowenstein Jean Murkland Luburg Paul David Lukather Nancy Lyon* Andi Lyons* Janell M. MacArthur Elizabeth M. MacKay* Lizbeth Mackay* Laura Brown MacKinnon Wendy MacLeod* Alan Mokler MacVey* Peter Andrew Malbuisson Penney Maloney* Joan Manning* Marvin March Peter Marcuse Elizabeth Margid Jonathan Marks Robin Marshall Craig Martin Margaret Mason* Maria Mason and William Sybalsky Richard Mason Carole A. Masters James and Margaret Mathis* Beverly May Amy Lipper McCauley* Alice McConnell* Tarell Alvin McCraney Robert A. McDonald
Brian McEleney Thomas McGowan* April McGrath* Deborah McGraw Robert J. McKinna Paul McKinley Patricia McMahon* Bruce W. McMullan Lynne Meadow Mr. and Mrs. James Meisner Stephen W. Mendillo Andrew Metrick* Donald Michaelis* Brina Milikowsky George Miller and Virginia Fallon Lesley Miller Jonathan Miller Robert J. Miller Inga-Brita Mills Mary Jane Minkin and Steve Pincus Jennifer Moeller* Richard R. Mone Donald W. Moreland George Morfogen* Anne Morrison* Emily Moskowitz* Grafton V. Mouen Carol Bretz Murray-Negron Gayther Myers, Jr.* Rachel Myers David Nancarrow James Naughton Tina C. Navarro* Tobin Nellhaus Regina and Thomas Neville Martha New Ruth Hunt Newman Ronald Dean Nolen* Lynn Nottage* David Nugent* Dwight R. Odle Janet Oetinger Phyllis O’Hammel* Carolyn O’Keefe Ann Okerson Richard Olson* Fran and Ed O’Neill Sara Ormond Lori Ott Kendric T. Packer Joan D. Pape Dr. and Mrs. Michael Parry John L. Peschel William Peters*
Zane Pihlstrom Roberta Pilette* Stephen B. Pollock David Pomeran Lisa Porter Nancy B. Porter* Michael B. Posnick Jeffrey Powell Robert Provenza* Alvin S. Prusoff and Dr. Deborah DeRose William Purves Faye and Ashgar Rastegar Ronald Recasner Ralph Redpath Gail Reen James and Cynthia Reik Sandra and Gernot Reiners Mary B. Reynolds* Ross Sumner Richards* Brian Robinson* Lori Robishaw Gordon Rogoff Howard Rogut Joanna Romberg Philip Rosenberg* Russ Rosensweig* Fernande E. Ross John M. Rothman Jed Rubenfeld* Julia Meade Rudd Kevin Rupnik Dr. Ortwin Rusch* Frederick Russell John and Jeanette Ryan* Dr. and Mrs. Herbert S. Sacks Steven Saklad Peter Salovey and Marta Elisa Moret Clarence Salzer Robert Sandberg* Robert Sandine and Irene Kitzman Frank Sarmiento* Peggy Sasso* Cary Scapillato Joel Schechter Anne Schenck Kenneth Schlesinger* Mr. and Mrs. Michael Schmertzler Ruth Hein Schmitt* William Schneider* Sanford and Carol Schreiber* Jennifer Schwartz
Alexander Scribner Kathleen McElfresh Scott Forrest E. Sears* Paul Selfa* Subrata K. Sen* Shawn Senavinin* Paul H. Serenbetz Sandra Shaner Morris Sheehan Daniel Shindler* Paul R. Shortt* Mark Shufro Carol M. Sica Lorraine Siggins and Braxton McKee Lee Skolnick Betsy and William Sledge* Helena L. Sokoloff* Suzanne Solensky and Jay Rozgonyi* Alan Solomon E. Gray Smith, Jr.* Marian and Howard Spiro* Regina Starolis Louise Stein* Neal Ann Stephens John Stevens Joseph C. Stevens Marilyn and Robert Stewart* Mark Sullivan Thomas Sullivan Richard Guy Suttor David Loy Sword Douglas Taber* Jane Savitt Tennen* Muriel W. Test Paul J. Tines Eric Ting David F. Toser* Albert J. Toth* Tahlia Townsend Howard B. Treat Jr. Russell L. Treyz Richard B. Trousdell Deborah Trout Miriam S. Tulin Mr. and Mrs. Gregory Tumminio Marge Vallee Joan Van Ark Flora Van Dyke Michael Van Dyke Carrie Van Hallgren* Hyla and Barry Vine Arthur Vitello* Fred Voelpel Fred Volkmar
Elaine and Patrick Wackerly Mark Anthony Wade Andrea S. Walker* Charles Walkup Elizabeth Walsh Erik Walstad* Barbara Wareck and Charles Perrow Steven I. Waxler Gil Wechsler* Rosa Weissman* Thomas Werder Charles Werner* Raymond Werner J. Newton White Peter White Joan Whitney Richard Kent Wilcox* Lisa A. Wilde Robert Wildman David Willson Catherine M. Wilson Marshall Williams The Winokur Family Foundation Carl Wittenberg Michael Wolak Yun C. Wu Arthur and Ann Yost* Zhong Yun and Qun Lin IN-KIND GIFTS Mr. and Mrs. Kenneth Krupsky EMPLOYER MATCHING GIFTS Aetna Foundation Component Engineers, Inc. Corning, Inc. General Electric Corporation IBM The John D. and Catherine T. MacArthur Foundation Mobil Foundation, Inc. Pfizer Pitney Bowes Procter & Gamble The Prospect Hill Foundation SBC Communications, Inc. United Technologies Corporation
*Donors who have generously participated in the Annual Fund Matching Challenge.
This list includes current pledges, gifts, and grants received from July 1, 2010, through February 1, 2012. For more information about making a donation to Yale Repertory Theatre, please contact Sue Clark at 203.432.1559 or susan.clark@yale.edu
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SHakeSpeaRe at Yale Rep
NOW THROUGH JUNe 29 Chronicling more than four decades of Shakespeare productions at Yale Repertory Theatre, this exhibit illuminates work by some of the American theatre’s most renowned directors, actors, and designers, revealing Shakespeare’s intricate and expansive dramatic universes. Sponsored by Gallery at the Whitney Humanities Center and Yale Repertory theatre.
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3/2/07 1:14:43 PM
Making Hi◊ory
a n t iq ua r i e s i n b r i ta i n
february 2–may 27, 2012 Organized by the Society of Antiquaries of London in association with the Yale Center for British Art and the McMullen Museum of Art, Boston College
ya l e c e n t e r f o r b r i t i s h a r t 1080 Chapel Street, New Haven · britishart.yale.edu Tuesday–Saturday 10–5; Sunday 12–5 Admission is free · 877 brit art Roll Chronicle (detail), mid-fifteenth century, illumination with colored inks and tints on vellum rolls, By Permission of the Society of Antiquaries of London