THE WINTER'S TALE, Yale Repertory Theatre, 2012

Page 1

MARCH 16 to APRIL 7

2011-12

SEASON

Life, Liberty, Pursuit of Happiness and the

A MER ICA N A RT FROM THE YA L E U N I V E R SI T Y A RT G A L L E RY AN E X H I BI T I O N PR E S EN T ED I N T H R EE PA RTS

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John Trumbull, The Declaration of Independence, July 4, 1776 (detail), 1786–1820. Oil on canvas. Yale University Art Gallery, Trumbull Collection

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A NOTE FROM THE ARTISTIC DIRECTOR Welcome to The Winter’s Tale by William Shakespeare! I am delighted to share with you the work of this accomplished company of artists led by Liz Diamond, an OBIE Award-winning resident director at Yale Rep whose premieres of plays by Suzan-Lori Parks and, more recently, Lucinda Coxon’s Happy Now? in its American premiere. More than 1500 middle and high school students from The Winter’s Tale at a series of special early matinee performances which are the culmination of this year’s WILL POWER!, "# $ %

& ' '

() staff members, and $10 student tickets. We are grateful to the many supporters of & ( ) ( ) () + & It is also my pleasure to tell you about our plans for next season, which include Academy Award-nominated actor Paul Giamatti in William Shakespeare’s Hamlet; ) () ( / 2 4 ' 6 ) ' " 7 " 7 8 ) 2 + 9 6 : # 2 < ) Stones in His Pockets; and a new collaboration by acclaimed director Robert Woodruff and actor Bill Camp, the team behind Yale Rep’s electrifying Notes from Underground. (Please turn the page for details about each production.) + ( ? ( @ ) ' () FHJKN QKH<THKQ' U ? # V & + 2 @ " 7 " 7 $ The Realistic Joneses, directed by OBIE Award winner Sam Gold, begins performances on April 20! 8 & ) 4 )

& )

' ' ) ( ) () 4 ( )Z) Sincerely,

James Bundy Artistic Director

5

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' ' ? of past and present, stereotype and truth.

OCTOBER 26 TO NOVEMBER 17, 2012

World Premiere

MARIE ANTOINETTE By DAVID ADJMI Directed by REBECCA TAICHMAN A Co-Production with American Repertory Theater

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MARCH 15 TO APRIL 13, 2013

PAUL GIAMATTI

HAMLET

By WILLIAM SHAKESPEARE Directed by JAMES BUNDY

PAUL GIAMATTI PHOTO BY MATTHEW McGREGOR. PLAYS, DATES, AND ARTISTS SUBJECT TO CHANGE.

Academy Award nominee Paul Giamatti returns to the Yale Rep stage as the Prince of Denmark in Hamlet, Shakespeare’s harrowing tragedy of corruption, betrayal, and madness. Haunted by a ghostly ' { ' murdered, Hamlet puts into motion a

consequences for his family and the kingdom.

P’S 2012–13 SEASON NOVEMBER 30 TO DECEMBER 22, 2012

World Premiere

DEAR ELIZABETH By SARAH RUHL

JANUARY 25 TO FEBRUARY 16, 2013

STONES IN HIS POCKETS By MARIE JONES

A play in letters from Elizabeth Bishop to Robert Lowell and back again Directed by LES WATERS Sarah Ruhl, one of the most celebrated and honored playwrights of her generation, returns to Yale Rep with the world premiere of Dear Elizabeth, chronicling the remarkable thirty-year friendship between two of the most celebrated and honored American poets of the 20th )@ $ 7 ( U ( & 6 { ) ' as far away as London and South America, Dear Elizabeth )

6 : ) funny� (Associated Press) play, a rural () 2 Charlie and Jake are cast as extras in the

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World Premiere

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By RAINER WERNER FASSBINDER Adapted by BILL CAMP and ROBERT WOODRUFF Directed by ROBERT WOODRUFF Featuring BILL CAMP (4 < ) '

( ) '€ $ V ( $ ' ' $ ' ) )

known. PAUL GIAMATTI PHOTO BY MATTHEW McGREGOR. BILL CAMP PHOTO BY JOAN MARCUS. *UPGRADE CHARGES MAY APPLY FOR MORE EXPENSIVE PERFORMANCES. PLAYS, DATES, AND ARTISTS SUBJECT TO CHANGE.

MARCH 16 TO APRIL 7, 2012

YALE REPERTORY THEATRE James Bundy, Artistic Director Victoria Nolan, Managing Director

PRESENTS

BY WILLIAM SHAKESPEARE DIRECTED BY LIZ DIAMOND Composer Choreographer

MATTHEW SUTTOR RANDY DUNCAN

Scenic Designer

MICHAEL YEARGAN

Costume Designer

JENNIFER MOELLER

Lighting Designer Sound Designer Production Dramaturgs Vocal and Text Coach

MATT FREY ELIZABETH ATKINSON CATHERINE SHEEHY ILINCA TAMARA TODORUT GRACE ZANDARSKI

Casting Director

TARA RUBIN CASTING

Stage Manager

CATHERINE COSTANZO

Production support for The Winter’s Tale i

() 8 : 2 V „

Yale Repertory Theatre’s production is part of Shakespeare for a New Generation, a national program of the National Endowment for the Arts in cooperation with Arts Midwest.

SEASON MEDIA SPONSOR

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Serious Coffee.

CAST THE KINGDOM OF SICILIA ' { + Hermione, Queen of Sicilia Mamillius Paulina Antigonus Camillo, Guard 2 Dion, Gaoler Cleomenes, Guard 1 Lord 1 Lord 2 Lady Emilia + T # + ' #

ROB CAMPBELL SUSANNAH SCHULMAN REMSEN WELSH FELICITY JONES BRIAN KEANE TYRONE MITCHELL HENDERSON FRANCIS JUE ADAM O’BYRNE LUKE ROBERTSON TIM BROWN SHERIA IRVING ADINA VERSON RICHARD RUIZ THOMAS KOPACHE

THE KINGDOM OF BOHEMIA " ? ' { U Florizel, his son Perdita Old Shepherd, Time Clown Autolycus Dorcas Mopsa Mariner, Shepherd 1 + K Shepherdess Shepherd Boy + H' + H Bear

HOON LEE TIM BROWN LUPITA NYONG’O THOMAS KOPACHE RICHARD RUIZ LUKE ROBERTSON SHERIA IRVING ADINA VERSON FRANCIS JUE BRIAN KEANE FELICITY JONES REMSEN WELSH ADAM O’BYRNE CHRIS VAN ZELE

MUSICIANS Cello Percussion Woodwinds

PAUL BRANTLEY MICHAEL COMPITELLO ADAM ROSENBLATT JASON MAY

SETTING: 8 { + U ' THERE WILL BE ONE FIFTEEN-MINUTE INTERMISSION.

11

THE TRIUMPH of TIME “The Triumph of Time� was the subtitle Robert Greene gave his late 16th-century romance, Pandosto, which was William Shakespeare’s source for The Winter’s Tale. Of course, it is now a commonplace to remark how from the whole cloth of another’s plot, Shakespeare could make a work so completely his own. The Winter’s Tale is a marvelous example of just such alchemy, but the difference that Shakespeare and Greene make of the concept of time’s “triumph� is worth lingering over. You wouldn’t think the same word could do for both, so opposed are their ends.

Other diverge < 8 ' ( us, renovation Shakespeare made to the source material was to switch the settings of the action between Bohemia and Sicilia, giving the “too hot, too hot� jealousy to the land of the mad Mediterranean sun and the refuge of the rural to what is now approximately Prague. In Greene’s original, Bellaria, Queen of Bohemia and Hermione’s counterpart, dies, but (unlike in Her N & U te is indelible. Her daughter, Fawnia, Perdita’s pattern, is set adrift by her furious fath ' ˆ ) shores of Sicilia where she’s raised by a shepherd, falls in love with the king’s son, then ) ( & her father’s kingdom after 16 years—so far, so similar. But upon Fawnia’s arrival in her natal land, her father unwittingly, but insistently, falls in love with her. When the now-extremely-awkward family reunion comes about and Pandosto realizes that he has lusted after his own daughter, he commits suicide in remorse for the damage he has wrought. That is time’s triumph in Pandosto. Time in Greene’s hands is more like the avenger Shakespeare had imagined in his bitterly comic ending to Twelfth Night, where Feste taunts the beaten and broken Malvolio with“and thus the whirligig of time brings in his revenges.� But that Shakespeare was the Shakespeare of a decade earlier. The Shakespeare of the late plays, the Romances in particular, more often sees time as no less inexorable, but occasionally also benevolent and merciful. The Winter’s Tale is famous for three things: the reanimation of Hermione, the death-by-stage-direction of Antigonus (“exit pursued by a bear�), and the pers 8 me. When the Chorus steps forth as that most elusive of dimensions, he begins, “I, that please some, try all, both joy and terror/Of good and bad, that makes and unfolds error.� The emphasis is mine, of course. That trial of Time (as in Tom Paine’s “These are the times that try men’s souls,� and my mother’s “Young lady, you are trying my patience�), feel it, as our knees creak and our arms shorten (you can’t tell me it’s my eyes!), as the names of our childhood pets are quicker to hand than the handle of the person we met last week, comes upon us as that revenge-delivery system—Time in its whirligig mode. But for this production, director Liz Diamond has crafted, in the reanimation of Hermione, a “human miracle of forgiveness� that requires not only that we do “awake our faith� but obliges us to look upon Time as balm. For in The Winter’s Tale, Shakespeare asks us to consider not only the wrinkles Time has created, but those

very moving version of Greene’s “triumph of time.�

12

—CATHERINE SHEEHY, PRODUCTION DRAMATURG

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GOVERNMENT AND POLITICS Sicilia is an absolute monarchy and has 7,%/)74)%6)´7 4 ) )' ? ( ÂŒ 2 { ) did he cement powerful allies by winning the hand of the most sought-after princess in Europe, Hermione, daughter of the Emperor of Russia, but he immediately secured his succession with the production of the promising princeling, Mamillius, of whom it is said, “he‌makes old hearts fresh.â€? The ruling family has strong connections to the Bohemian court through ( { " ? ' { U

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ECONOMY 8 ) ' + ) Œ ( & ) ) € F‘ N ( ) gratitude, they still feel the need to offer “many thousands moe� thanks upon departing. TRANSPORT Getting There + ’2 + ' ) ( ' do the physics. Getting Around ' + ) & 2 @ € ) ' ) ) ATTRACTIONS The Delphic Oracle’: TH< ) 4 ) + most sacred places of the ancient world. Shakespeare’s Sicilians are Greek ) ) 2 ' )

& 4 2

+ ' priests interpret the utterings of the Pythia, a sibyl who sits upon a tripod as The High Court—Justice is meted out here in grand style. Designed by the same architect and completed in the same period as the Royal Palace, the High Court 2

() { ' ( 6 ) ) ( ' 4 The Chapel of Paulina’8 Sicilia’s foremost families, this Chapel is occasionally open to the public upon request. The arts are held in high esteem in Sicilia, and it is said that the owner of this chapel is a personal friend of that late Italian master Julio Romano, ) < & ` )

14

SHAKESPEARE’S

BOHEMIA

Geography and Climate With its unique, indeed improbable, location both at the heart of Europe and on the Adriatic, Shakespeare’s Bohemia ( ' meadows, and rugged 2 to tourists and political refugees alike, Bohemia (

its notoriously stormy winters. September is also the time of the local < Caveat Beware the ursa arctor, the Eurasian bear! As ferocious as their American cousins the grizzly, they are notorious for their incongruous appearance at the & beach unaccompanied.

Society

Dress

Bohemia under the { " ? 4 ) its welcoming of asylum seekers and for its tolerance of political and religious difference. A predominantly rural population gambols around idyllic pastures, tending their sheep. Strangers are always welcome to take refreshment at local shepherds’ cottages. Try the delicious local cheese!

The colorful national costume is a mixture of ˆ $ Europe and along the Silk Road. In the rough winter, residents are bedecked in fur, but in summer the

alike put to shame the ( ˆ crop up in the meadows. Pick up the genuine article from any local peddler. They make great presents for the folks back home.

Caveat There are limits to Bohemian hospitality, ” ? ' ) ( strict class structure, so do not court the local noble youths. There are serious consequences to incurring the royal wrath.

Caveat While this is generally a safe and friendly country, extremely beautiful young “disliken the truth of their own seeming� with hats

unwanted attention.

Food “Simple fare for simple folk� best describes the local cuisine. But during the Sheep+ ” ' U & 8 ' ' raisins, currants, saffron-colored warden pies—a kind of pear tart—and in some well-to-do families, rice! Caveat U

8 ' ( (

' ` & ) 8 ) milk drunk quickly, but this can compound the problem in some. —ILINCA TAMARA TODORUT AND CATHERINE SHEEHY, PRODUCTION DRAMATURGS 15

CERTIFIED MIXOLOGIST

" ) ( ? ( $ ’ ) ’ U + & + The Art of Bar(d)tending, with The Winter’s Tale 8 <V € $ 4 )

T he So be rett e Shakespeare’s Paulin a is a tarter versio cocktail M. de Mol ière would later mak n of the Soubrette e so famous in the of his witty women person servants, like Dor ine and Toinette, their masters where who tell to get off and the ir young charges how get on with it. The to unusual feature of this cocktail is tha is comprised entire ly of bitters. t it • Dogged determinatio n bitters • She-lion-hearted protectiveness bit ters • Patience of a sai nt bitters • Bitter truth bitter s • Angostura bitters Shake all liberally over lots of ice, place in an air-tight con tainer in a cool, dry place—a chapel wor ks best—for 16 yea rs or until what’s lost has been found.

T he Boh o Boo Hoo

(a variation on that classic cock tail, the Heavy Father)

comedy. He stands between the hero and his love and impediment to th e union of the ha is an ppy couple until defeated or won he is either over. His object ion can be to th social station, e young lady’s or he may actual ly have eyes for her himself.

One part wrathf ul imperiousness One part frozen longing Sprig of Rosema ry Bunch of rue Muddle the rosema ry and rue in a heavy bottomed glass. Pour the imperiousness ov er the frozen with the efferves cence of youth.

T h e Trick s y Sou r

mes a servant, meti ickster. So er’s Tale kster lives, In The Wint ions of comedy—the tr r, the tric te if sh it lycus in ead ap mes a sh oldest tr ciety. Auto god, someti s of his so dfather to both a le s ru me e ti th me e so Hermes, gran ther, he was rives outsid lies, and th ology was the son of Like his fa th s. my ut l na ca go classi n of the Ar so Ja d an Odysseus

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er’ incredi 0 s Tale owes a ble esc apades, great deal to queen, the ch th e tyrant king— aracters at th e t h m e o r s a upernat l poles + like yo ural —the go un od the lon g Prince Mamil / and events th g, dark at lius, w , cold

e r e calle n i g d upon hts of Measure t winter o more pl o make passing 2 ut equal parts e a s a n o t f . 3 3 4 & * Mix the well-mu m in a cauldro lled. L adle in n over low hea to a fa nciful t until goblet.

Pastoral Punch

This heady brew redolent of grassy and tawny notes represents the irrepressibility of Nature,the strength of the life force, and the goodness inherent in simplicity, particularly when juxtaposed to a super-sophisticated but sickly or decadent society. 5 7 Amorous, handsome swains Fetching, fecund shepherdesses Sun-kissed limbs 4 7 + Mead-improved dispositions Pitched hay and woo In a large punch bowl (do not use cut crystal), mix all the ingredients in any order you choose. Set in a sunny spot on a sill to ferment. Garnish with violets, rose petals, + ' 7 of the panpipes.

T h e De u s ex M a chin

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at when you’re st the thing ju , ks be ee n Gr ca on ent ted concocti from the anci knot of This caffeina l impasse. Handed down it the kn un ca to gi ed ur n deploy a dramat e machine� in tion was ofte s “god in th e form of the this interven akespeare has loosed hi ene in th Sh the trial sc crisis, but s play during hi of le dd the mi le. Delphic Orac One scroll pe + A dashed ho of wonder 8 // d suspicion s ot sh e re Th de One unfoun hed queen is One unblem es ri ul emissa Two faithf er cocktail shak , force am edients in a fo gr e in nc e ce th no l in Shake al . the queen’s ulity. of ed cr es it of wh e until the rough a siev th is e is th cr t dash agains the moment of the brim and Fill glass to . ck well ba wall. Stand

—CS

CAST PAUL BRANTLEY (CELLO) is a composer, cellist, and music director, and made his Yale Rep debut last season in Autumn Sonata. ( 6 & 6 ' U V ( 6 ” ' St. Bartholomew’s and by the Philharmonic Orchestra of 2 F8 N' U & $ ( F8 { ) V N' $ F{ V " 2 N' $? Trombone Ensemble (Performance Today), Goliard Ensemble, Manhattan School of Music Symphony, Belladona, L’Opera du Village, and SONYC F8 { N The Swan (La MaMa E.T.C.); Our Country’s Good, The Maid’s Tragedy (Syracuse Stage); Beauty and the Beast (Syracuse Opera); and Evolution d’Amour F U N " Trey Anastasio, recorded for BĂŠla Fleck and James Morrison, toured with Jimmy Page and Robert Plant, gigged with Chester Thompson, produced for Roy “Futuremanâ€?

' / U )' $ ' 8 ' Christian Scott. Residencies include MacDowell Colony, Banff Centre, and Gabriel ” \ V " ( @ #? – ) " ' U ( 6 " teaches conducting at Manhattan School of Music. TIM BROWN (FLORIZEL, LORD 2) is proud to be making his Yale Rep debut. He is a second-year MFA candidate at Yale School of Drama from Atlanta, GA. His credits at the School of Drama include Cymbeline; Angels in America, Part Two: Perestroika; Arcadia; and Eligible Receivers. He was also seen in As You Like It, The Tempest (Yale Summer Cabaret); Trannequin! A New Musical and reWilding F V ( N 8 U+ – ) $

ROB CAMPBELL* (LEONTES) Yale Rep credits include Underground, Bricklayers, and Troilus and Cressida. Broadway credits include Ivanov and Translations. His Off-Broadway, London, and regional credits include Titus Andronicus, Measure for Measure, King Lear, As You Like It, In The Blood, The Singing Forest, The Treatment, Him (all at The Public Theater); Hamlet (title role), Small Tragedy (OBIE Award), Mad Forest, The Illusion, Bad Jazz, Orphan of Zhao, Mojo, The Ark and the Covenant, and # " ) V ? V &

" 4 & ' Drama Desk, Lortel, Outer Critics Circle, and Bay Area Theatre Critics Circle Award ” Unforgiven, Hedwig and the Angry Inch, Boys Don’t Cry, The Crucible, Rabbit Hole, City of Ghosts, The Stars Fell on Henrietta, The Photographer, Wonder Boys, Ethan Frome, Hostile Waters, Dark Matter, Damages, Brotherhood, Hope & Faith, Sex and the City, One Life to Live, all three Law *MEMBER OF ACTORS’ EQUITY ASSOCIATION, UNION OF PROFESSIONAL ACTORS AND STAGE MANAGERS.

18 **APPEARS COURTESY OF ACTORS’ EQUITY ASSOCIATION.

& Order series, and numerous others. A graduate of Yale School of Drama and a 2012 Beinecke Fellow in Drama, he dedicates his performance to the memory of his teacher Earle Gister.

MICHAEL COMPITELLO (PERCUSSION) is guided by his passion to create new art through collaborations with composers, performers, and artists in all mediums. He has worked with composers Helmut Lachenmann, Nicolaus A. ( ' / ' : 2 ' 2 4 ™ š ' 6 Applebaum, and Martin Bresnick on premieres and performances of new works and has performed as a chamber musician and / + V ' ” & #8 <6 & ' 8 { ” ' ” 2 ' & V ( 6 ” ' U V From 2009 to 2010, Michael performed and studied contemporary chamber music with the Ensemble Modern and the International Ensemble Modern Academy in Frankfurt, Germany, on a Fulbright Grant from the U.S. Department of State. Michael U6 " ( ) V ) 66 School of Music, where he is pursuing an MMA degree. TYRONE MITCHELL HENDERSON* (CAMILLO, GUARD 2) " The Piano Lesson as well as The America Play directed by Liz Diamond. His New York credits include The Tempest starring Patrick Stewart, Two Noble Kinsmen, The Public Sings, Letters to the End of the World, Medea, Stonewall' Bring in ’Da Noise, Bring in ’Da Funk. Regional credits include Reckless, Radio Golf, The 39 Steps, Enemy of the People, Romeo and Juliet, Julius Caesar, Antony and Cleopatra, The Tempest, Much Ado About Nothing, The Merchant of Venice, Othello, Hamlet, Topdog/Underdog, Intimate Apparel, Gutenberg the Musical, Yellowman, Jitney, All My Sons, Art, The Crucible, “MASTER HAROLD� ...and the boys, Angels in America, A Raisin in the Sun, and Blues for an Alabama Sky

" ) ” 8 @ Ride for Your Life, The Treatment, Suits (pilot), Boardwalk Empire, Law & Order, Law & Order: Criminal Intent, As the World Turns, and All My Children 2 @ 2–/$ $V# 2 ' / 8 V Award nominee, and a Leon Rabin Award.

SHERIA IRVING** (DORCAS, LADY) is a second-year MFA candidate at Yale School of Drama, where her credits include The Seagull, Outlaw Jean, and Blacktop Sky. She has also been seen in Trannequin! A New Musical, Hollow Roots (Yale Cabaret); Cleopatra, Bench Women, Bridges (AFW Repertory Theater); Steal Away (Paul Robeson Theater); and Berkeley Repertory 8 & 8 2 6 V ) Again and Again 19

CAST in New York. Last summer she attended the British Academy of Dramatic Arts in Oxford, $ + 6+ " – ) U2 ” + – )

FELICITY JONES* (PAULINA, SHEPHERDESS) ) appeared at Yale Rep in The Master Builder, A Woman of No Importance, Lulu, and The Ladies of the Camellias. Her New York stage credits include the Broadway production of Metamorphoses' # <U )@ The Captain’s Tiger (Manhattan Theatre Club), Measure for Measure (The Public Theater), and As You Like It (The Acting Company). Regional credits include The Homecoming, ’Tis Pity She’s a Whore, Lady Windemere’s Fan (CENTERSTAGE); The Diary of Anne Frank (Westport Country Playhouse); Enrico IV F2 V ) 8 N9 The Odyssey (Goodman Theatre); and Cymbeline (Hartford Stage, McCarter Theatre). She is an associate with Lattawork Productions, performing her one-woman school show Me Pluribus Unum. She was an Associate Artist for ten years at Theatre de la Jeune Lune, where she cowrote and performed in such works as Crusoe, Friday and the Island of Hope, The Green Bird, and Children of Paradise: Shooting a Dream (the last two also seen here at N ” Julie & Julia, Wonderland, Deadline, Ed, and Law & Order.

FRANCIS JUE* (GAOLER, DION, MARINER, SHEPHERD 1) is ( & ( ' Yale College in 1986. On Broadway, Francis originated the role of Bun Foo in Thoroughly Modern Millie, appeared as the Madam and the Dutch Admiral in , and understudied

( U ˆ) #U $ and Lucille Lortel Awards (plus Drama Desk and Drama League N / ) Yellow Face. #

New York credits include Love’s Labour’s Lost, Coraline, Falsettoland, A Language of Their Own, No Foreigners Beyond This Point, Hamlet, King Lear, Timon of Athens, and Richard II. Francis has won regional theatre awards for In the Next Room (or the vibrator play), Cabaret, Kiss of the Spiderwoman, Into the Woods, The Illusion, Miss Saigon, and Red. He has had recurring roles on The Good Wife, Law & Order: SVU, One Life to Live, ) 2 ( ' Joyful Noise. Proud member of Actors’ Equity.

BRIAN KEANE* (ANTIGONUS) ) in Lucinda Coxon’s Happy Now? directed by Liz Diamond. New York credits include Timon of Athens directed by Barry Edelstein (The Public Theater); Happy Now? (Primary Stages); Cyrano de Bergerac directed by Frank Langella, All My Sons (Roundabout Theater Company); The Misanthrope with Roger Rees and Uma Thurman, Richard III with John Turturro (Classic Stage 20

Company); Sideman (Naked Angels). Regional credits include A Streetcar Named Desire directed by John Miller-Stephany (Guthrie Theater), Book of Days directed by Wendy C. Goldberg (Arena Stage), How I Learned to Drive directed by Barry Edelstein (CENTERSTAGE), and A Midsummer Night’s Dream () / ” & FU + 2 N 8 Lights Out (recurring), all three Law & Order series, Queens Supreme, All My Children, Urbania, Going Under, and BearCity.

THOMAS KOPACHE* (OLD SHEPHERD, OFFICER, TIME) appeared on Broadway in Orpheus Descending and Our Town and Off-Broadway in productions at Manhattan Theatre Club, The Public Theater, Ensemble Studio Theatre, La MaMa E.T.C., and Rattlestick Playwrights Theater, among others. His regional theatre credits include Pasadena Playhouse, A.C.T. (Seattle), CENTERSTAGE, Long Wharf Theatre, The Old Globe, and V " ) No Country for Old Men (SAG Award), Zodiac, Catch Me If You Can, Leaving Las Vegas, This Boy’s Life, Ghosts of Mississippi, Stigmata, Star Trek: Generations, White Collar, Bones, Castle, Saving Grace, Numb3rs, Big Love, Dirty Sexy Money, Brothers & Sisters, Desperate Housewives, The West Wing, Boston Legal, Six Feet Under, Malcolm in the Middle, Carnivale, and Gilmore Girls. He is a proud member of Actors’ Equity Association.

HOON LEE* (POLIXENES) Broadway credits include Overtures, Urinetown, and Flower Drum Song. Off-Broadway and regional theatre credits include Love’s Labour’s Lost, Hamlet F8 " ( 8 N9 / The School for Lies (Classic + V )N9 / ) Yellow Face (Mark Taper Forum; The Public Theater, Theatre World Award, Drama League Award nomination); Terrence McNally’s Golden Age F{ ) Center, Helen Hayes Award nomination); SIDES: The Fear Is Real‌ F8 V " 4 ' " + THH' 6 < 8 V )N' < a founding member of Mr. Miyagi’s Theatre Company; and American Hwangap (Play V )' 6 < 8 ' & " ) / V N

+ on Nickelodeon’s upcoming re-launch of Teenage Mutant Ninja Turtles. Other TV and The 22, Blue Bloods, Premium Rush, The Oranges, Fringe, Sex and the City, Law & Order, We Own the Night, and Saving Face

<

& Homefront, Grand Theft Auto: San Andreas, and Midnight Club III. He is the recipient of a TCG Fox Foundation Fellowship and is a graduate of – )

*MEMBER OF ACTORS’ EQUITY ASSOCIATION, UNION OF PROFESSIONAL ACTORS AND STAGE MANAGERS.

21

CAST JASON MAY (WOODWINDS) is a freelance multiinstrumentalist currently residing in Boston, MA, originally from Pittsburgh, PA. He has most recently been heard on the National Tour of The Color Purple and the Istanbul, Turkey, production of Grease. Jason is a specialist on all of the woodwind instruments and has done a number of pit orchestra engagements with Phoenix Entertainment, the Lyric Stage of Boston, Pittsburgh Playhouse, and Theatre by the Sea. While ' 4 77 ) V : 77 # ' +) )' 8 + 8 FV N' V ( # ' V ( V ) Orchestra, The Stars of The Lawrence Welk Show, Frankie Vallie, Little Anthony and the Imperials, and was also a member of Pittsburgh’s premier swing band, Dr. Zoot. LUPITA NYONG’O (PERDITA) is proud to be making her Yale Rep debut. She is a third-year MFA candidate at Yale School of Drama, where her credits include The Really Big Fat Show, Doctor Faustus Lights the Lights, Uncle Vanya, The Taming of the Shrew, the friendship of her thighs, and elijah. Other stage credits include Romeo and Juliet (The Phoenix Players), The Princess and the Golden Yam (Bantabaa Theatre), and Ruby Red (The Co-op at Dixon Place). Lupita’s TV credits include the lead role in MTV’s award-winning, hard-hitting drama series, Shuga, for which she + / )< ' Shuga: Love, Sex, Money F N + V ” 8 @ Z )

ADAM O’BYRNE* (CLEOMENES, GUARD 1, SERVANT 2, SHEPHERD 2) is happy to return to Yale Rep, where his credits include Medea/Macbeth/Cinderella, You Never Can Tell, Iphigenia at Aulis, and The Black Monk 2 Canada, Adam began his professional career at the Stratford + & ” London Assurance, Henry IV, The Brothers Karamazov, Orpheus Descending, Measure for Measure, and The Winter’s Tale. Regionally, he has appeared in the world premiere of Bloody Bloody Andrew Jackson (Center Theatre Œ N9 V ) " The Homecoming F2 V ) Theater); Love’s Labour’s Lost; Othello (Shakespeare Santa Cruz); and Antony and Cleopatra F ™ )N The United States of Tara, NCIS, Cold Case, Yeti, and the upcoming feature Dead Man’s Burden. Adam is a graduate of Yale College and Yale School of Drama, where he was a part of the original cast of The Intelligent Design of Jenny Chow and was awarded the Herschel Williams Prize. 22

LUKE ROBERTSON* (AUTOLYCUS/LORD 1) ) appeared at Yale Rep in Passion Play by Sarah Ruhl. His other regional credits include A Doll House (Triad Stage); Spoon Lake Blues (Alliance Theatre); The Importance of Being Earnest, Cyrano, and Jerry and Tom FV$ 8$ +82Œ$N How We Got Away With It, Split Ends, The Favor, Imaginary Heroes, Levity, The Good Wife, Blue Bloods, Law & Order, Law & Order: SVU, Third Watch, and All My Children. Luke is a graduate of Yale School of Drama and a proud member of Actors’ Equity Association. ADAM ROSENBLATT (PERCUSSION) / <( percussionist Adam Rosenblatt is delighted to be making his stage debut at Yale Rep. Adam is currently a Master’s student at the Yale School of Music and spends his time immersed in ) < ' ) + ' : V ' / ' many others. As a member of the internationally renowned " Œ ' 2

& V ) ( &<( new music ensemble Le Train Bleu. RICHARD RUIZ* (CLOWN, SERVANT 1) is proud to make his Yale Rep debut. His theatre credits include The Two Gentlemen of Verona (The Public Theater) as well as the National Tours of Sweet Charity, Urinetown, Man of La Mancha, and Jesus Christ Superstar. Regionally he has appeared in Cyrano (Folger Theatre), ’Tis Pity She’s a Whore (CENTERSTAGE), The Mystery of Irma Vep (Intiman Theatre), Guys and Dolls (Long Wharf Theatre), Moby Dick: Rehearsed FU & 8 ” N' Candide (Arden Theatre Company), Love’s Labour’s Lost (Connecticut Repertory Theatre), Treasure Island (People’s Light & Theatre), A Midsummer Night’s Dream F8 8 V )N' The Music Man (Lyric Theatre), and Picasso at the Lapin Agile (Theatre Virginia). SUSANNAH SCHULMAN* (HERMIONE) ) at Yale Rep in Rough Crossing and All’s Well That Ends Well. Recent credits include You, Nero (Arena Stage), Three Days of Rain, and A Midsummer Night’s Dream (South Coast Repertory). Other credits include Roundabout Theatre Company, Huntington Theatre, Hudson Stage Company, Œ 8 ' +) + ' U & ) ) 8 ' # + & ” ' Barbican Theatre, Magic Theatre, Marin Theater Company, *MEMBER OF ACTORS’ EQUITY ASSOCIATION, UNION OF PROFESSIONAL ACTORS AND STAGE MANAGERS.

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CAST 2 8 ' + 6 Picasso at the Lapin Agile' seasons at Shakespeare Santa Cruz, and six seasons at California Shakespeare Theater, where she is an Associate Artist.

CHRIS VAN ZELE (BEAR) is thrilled to work with Yale Rep – ) V theatre productions of Macbeth, Love’s Labour’s Lost, The Glass Menagerie, 7 Blowjobs, Philip Glass Buys a Loaf of Bread, Murder in the Cathedral, Jesus Christ Superstar, and An Italian Straw Hat.

ADINA VERSON** (EMILIA, MOPSA) is a third-year MFA candidate at Yale School of Drama, where she has been seen in Cymbeline, Doctor Faustus Lights the Lights, Jib, elijah, Twelfth Night, Uncle Vanya, and Tall Skinny Cruel Cruel Boys. Her Yale Cabaret credits include pleasureD, Salome, As You Like It, The Tempest, Hedwig and the Angry Inch, The Rocky Horror Show, and Vaska Vaska, GlÜm. Other credits include productions at Yale Repertory Theatre, The Actors Company Theatre, Gene Frankel Theatre, La MaMa E.T.C., the New York and Edinburgh Fringe ” ' ) 8 V )' V Critics Circle Award nomination for her portrayal of Yum-Yum in The Mikado. She is a V 2 ) 2 U”2 8 U V )

REMSEN WELSH (MAMILLIUS, SHEPHERD BOY) ) ) Bossa Nova last season. Her other stage credits include A Civil War Christmas (Long 8 ' )9 8 V )N and VaudeVillian (A Broken Umbrella Theatre). She also & ? ) 6 &

' ' ) ' yoga.

CREATIVE TEAM ELIZABETH ATKINSON (SOUND DESIGNER) is a third-year MFA candidate at Yale School of Drama, where her credits include Doctor Faustus Lights the Lights, Blacktop Sky, and A Streetcar Named Desire 7 " ( ' V ) 8 ) ? 24

Stage, Repertory Theatre of St. Louis, Merrimack Repertory Theatre, Emelin Theatre, Pittsburgh Playhouse Repertory, Quantum Theatre, and Pittsburgh Irish and Classical 8 + 4 ) ( " " & V 6 – 8 Pittsburgh Post-Gazette named her Sound Designer of the Year in 2003, 2006, and 2007. Liz also had the honor of exhibiting at the 2007 and 2011 Prague Quadrennial.

CATHERINE COSTANZO* (STAGE MANAGER) ) manager on the Yale Rep productions of Belleville and A Delicate Balance. She is a third-year MFA candidate at Yale School of Drama, where her credits include Jib, Blacktop Sky, Good Goods, Phèdre, and A Midsummer Night’s Dream. Regional stage & + ' " ) + & ” ' " ( " ) ' V ” 8 ' + V ( ' + V ( + & ” ' V U2 $ – ) " ( LIZ DIAMOND (DIRECTOR) is a Resident Director at Yale Repertory Theatre and V / / +

/ " Yale Rep include Lucinda Coxon’s Happy Now? (also at Primary Stages in New York), Marcus Gardley’s dance of the holy ghosts, Strindberg’s Miss Julie' + { Fighting Words and Rice Boy, Seamus Heaney’s The Cure at Troy, Brecht’s St. Joan of the Stockyards, and the premieres of The America Play and The Death of the Last Black Man in the Whole Entire World by Suzan-Lori Parks. She has directed new plays and classical & # + & ” ' 2 ) Theatre, The Public Theater, Vineyard Theatre, and Theatre for a New Audience, and has won the OBIE and the Connecticut Critics Circle Awards for Outstanding Direction. 7 U V ( ™ " + 8 2 ) V + & V ) ( ' V ' and daughter, Hanna.

RANDY DUNCAN (CHOREOGRAPHER) ` ( < recipient of Chicago’s prestigious Ruth Page Award for Outstanding Choreographer

2 2 2 V Association of Dance Masters and three Black Theatre Alliance Awards. He earned 2 V ) 2 &

Save the Last Dance starring Julia Stiles. Mr. Duncan’s work can be seen in the companies of the : ) U ' Œ : 77 / V ' V / V )' Bat-Dor Dance Company of Israel, BalletMet Columbus, among many others. His theatre credits include the Goodman Theatre, South Coast Repertory, Actors 8 ' # + & ” ' ) productions such as Hair, Carousel, Zoot Suit, Once on This Island, The Rose Tattoo, Amadeus, Antigone, The Pirates of Penzance, and the Pulitzer Prize-winning play *MEMBER OF ACTORS’ EQUITY ASSOCIATION, UNION OF PROFESSIONAL ACTORS AND STAGE MANAGERS. **APPEARS COURTESY OF ACTORS’ EQUITY ASSOCIATION.

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CREATIVE TEAM Ruined. Randy continues his support for HIV/AIDS causes by donating his time and choreography to Dance for Life. He teaches worldwide and for the past sixteen years ( ) 8 V 2 ) 2 ' Dance Department Chair.

MATT FREY (LIGHTING DESIGNER) " @ Happy Now?, All’s Well That Ends Well, Landscape of the Body, and Mrs. Warren’s Profession. Recent work includes The Ugly One (Soho Rep), Close Up Space (Manhattan Theatre Club), 7 Homeless Mammoths Wander New England F8 8 N' This (Center 8 ÂŒ ' " ) 7 N – 4 Lonely? I’m not‌ (Second Stage Theatre), Feng Yi Ting F+ ” –+2Âœ V ” N' and Dog Days (Peak Performances). Other companies he has collaborated with include Steppenwolf Theatre Company, Corn Exchange (Dublin), Brooklyn Academy of Music, Naked Angels, The New Group, Manhattan Class Company, New York Theatre Workshop, and Paper Mill Playhouse, as well as many other theatres, regional and abroad.

JENNIFER MOELLER (COSTUME DESIGNER) " the the world premiere of Marcus Gardley’s dance of the holy ghosts directed by Liz Diamond. Her other recent work includes Happy Now? (Primary Stages); Crooked F " 4 N9 The How and the Why (McCarter Theatre); Venus in Fur (Studio Theatre); The Merchant of Venice, Richard II, Romeo and Juliet, Antony and Cleopatra, Julius Caesar, Tamburlaine, and Richard III (Shakespeare Theatre Company); Six Degrees of Separation F 8 ” N9 Sweeney Todd (Barrington Stage Company); Waiting for Godot FU & 8 ” N The Winter’s Tale FV ` 8 V )N + 6”2 +

/

TARA RUBIN CASTING (CASTING DIRECTOR) has been casting at Yale Rep since HJJQ U )@ How to Succeed in Business Without Really Trying; Promises, Promises; A Little Night Music; Billy Elliot; Shrek; Guys and Dolls; The Country Girl; Rock ’n’ Roll; The Farnsworth Invention; Young Frankenstein; The Little Mermaid; Mary Poppins; My Fair Lady; The Pirate Queen; Les MisÊrables; The History Boys; Spamalot; Jersey Boys; The 25th Annual Putnam County Spelling Bee; The Producers; Mamma Mia!; Imaginary Friends; The Phantom of the Opera; Oklahoma!. Lincoln V 8 @ Happiness, The Frogs, Contact, Thou Shalt Not # <U )@ Love, Loss, and What I Wore + + 8 @ { ) V ' : Playhouse, Dallas Theater Center. CATHERINE SHEEHY (PRODUCTION DRAMATURG) is Resident Dramaturg at Yale Repertory Theatre and the Chair of Dramaturgy and Dramatic Criticism at Yale School of Drama. Her most recent Yale Rep dramaturgy credits include Bossa Nova, POP!, Trouble in Mind, and The King Stag F < $

26

and Mike Yionoulis). Her adaptation of Pride and Prejudice was recently produced at Asolo Repertory Theatre and Dallas Theater Center. She has worked at the O’Neill Playwrights Conference, in New York and Ireland with the late Joseph Chaikin, U V$ 8$ +82Œ$ ' ” Dramaturg at Shakespeare Santa Cruz. She is a former associate editor of American Theatre and a former editor of Theater 7 + T‘‘‘ @ If You Care to Blast for It: Excavating the Lost Comic Masterpieces of the American Canon.

MATTHEW SUTTOR (COMPOSER) New Zealand-born composer Matthew Suttor is Associate Professor and Director of the Laurie Beechman Center for Theatrical Sound Design and Music at Yale School of Drama. Suttor’s work in opera and dance includes Don Juan in Prague' ( / V ( ' U + + ” 6 7 " ” ' Œ & " ' U26 ? ” 9 ' The Trial of the Cannibal Dog' ” 2 ' ' New Zealand, and was broadcast by Radio New Zealand; and I Find Comfort in Thunder for the Folkwang Tanzstudio, Essen, toured Germany. National U.S. theatrical productions include the score for Rolin Jones’s The Intelligent Design of Jenny Chow (Yale Repertory Theatre, Atlantic Theatre Company). Recent concert works include Syntagma, commissioned by the Yale Institute of Sacred Music; TRANS/PROSE, for narrator and chamber, commissioned by the Beinecke Library; and The Eastman School of Music commissioned and premiered Buntpapier and Villancico. Recent performances of commissioned works include Seattle Cathedral; Bremen Cathedral/ � {� ' Œ )9 Œž ( # 2 )' + 2 ” ( + ' + V ( – ) ILINCA TAMARA TODORUT (PRODUCTION DRAMATURG) is a second-year MFA +

/ ' The Seagull + U2 6 ( ) V 4 ) ' and she is a regular contributor to Scena.ro, Romania’s leading performance art magazine. MICHAEL YEARGAN (SCENIC DESIGNER) Among Michael Yeargan’s designs for Yale Rep are Hay Fever, Pentecost, Edward II, A Lesson from Aloes, The Ladies of the Camellias, and the world premiere of Stephen Sondheim’s The Frogs, which was

? ) across the country, including Long Wharf and Hartford Stage. A two time Tony Award winner, his Broadway credits include The Light in the Piazza, , Joe Turner’s Come and Gone, and Awake and Sing. In London’s West End, he designed Becket with Derek Jacoby, Cyrano de Bergerac with Robert Lindsey, and the musical

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CREATIVE TEAM Napoleon. Internationally known for his work in opera, he has designed many 6 & V ) # – 4 L’Elisir d’Amore, which opens the season at the Met next year, and the Australian company of this summer. Mr. Yeargan is an associate professor of stage design at Yale School of Drama.

GRACE ZANDARSKI (VOCAL AND TEXT COACH) has been a member of the Voice + ) +

/ HJJH

include the new Mike Nichols production of Death of a Salesman on Broadway; The Comedy of Errors, The Master Builder, Romeo and Juliet, and Three Sisters at Yale Rep; as well as productions at the Signature Theatre Company, The Public Theater, ™ ) 8 ' 6 V 8 ' U26 Œ ) ” – ) + V / Lab and The Public Theater’s Shakespeare Lab. She was named Associate Teacher of Fitzmaurice Voicework in 1998. She has worked with both actors and professionals ) ( & ' ' ' ' as celebrity speakers and politicians. In addition, she continues to work as an actor and director. Acting credits include the McCarter Theatre, Wilma Theater, Oregon + & ” ' 2 V ) 8 $ @ 6”2' 2 V ) 8 9 U2' " – )

FESTIVAL 2012 JUNE 16-30 New Haven, Connecticut

KING LEAR CONTEMPORARY LEGEND THEATER (TAIWAN)

This is King Lear as you have never seen it before: Actor-director Wu Hsing-Kuo’s fascinating solo adaptation has been praised around the world for its blend of Eastern and Western theatrical forms, and for its revealing insight into one of Shakespeare’s most celebrated tragedies. Performed in Mandarin with English surtitles.

JUN 28-29

with generous support from

WWW.ARTIDEA.ORG 28

creating lasting impressions

PRINTING AND MAILING 475 Heffernan Drive, West Haven, CT 06516 203 479-7500 212 209-3901 www.ghpmedia.com

YALE REPERTORY THEATRE JAMES BUNDY (ARTISTIC DIRECTOR) is in his tenth year as Dean of Yale School of Drama and Artistic Director of Yale Repertory Theatre. In ' ) ' 2 ' ' ? ( () Connecticut Critics Circle with the award for Best Production of the year, ( " 7 " 7 / ' Rep has also commissioned more than two dozen artists to write new work

< &

Œ "# $ %' initiated in 2004. Mr. Bundy’s directing credits include The Psychic Life of Savages, The Ladies of the Camellias, All’s Well That Ends Well, A Woman of No Importance, Death of a Salesman, and A Delicate Balance at Yale Rep, as well as productions at Great Lakes Theater ” ' 8 2 V )' V + & ” ' 2 ( + & ” ' 8 : +

/ / 2 V V V 8 { 2 ? ) ( V HJJÂ&#x;' 6 U ) ) ( 8 V ÂŒ ' 7 " )' & Associate Producing Director of The Acting Company, Managing Director of Cornerstone 8 V )' 2 / ÂŒ & 8 ” V +

/ VICTORIA NOLAN (MANAGING DIRECTOR) is in her 19th year as Managing / ) 8 ' / ) / +

/ ' ) + ) 6 / Indiana Repertory Theatre, Associate Managing Director at Baltimore’s CENTERSTAGE, Managing Director at Ram Island Dance Company in " ' 6 9 ( / V – )9 82Œ ” ' 7 # <U ) 9 U – ) +

2 6 ( $ 2 ' ' boards including the AT&T Foundation, The Heinz Family Foundation, Lila Wallace-Reader’s / ” ' 6 ” + $? Committee of the League of Resident Theatres (LORT) and on numerous negotiating teams for national labor contracts. A Fellow at Yale’s Saybrook College, she is the recipient of the Betsy L. Mahaffey Arts Administration Fellowship Award from the State of Connecticut $ œ ) 2 ' 4 ) () – ) V ) ) JENNIFER KIGER F2++#V 28$ 2 8 +8 V / $V8# N ) at Yale Rep and is also director of the new play programs of the Yale V 8 ' < creation of new plays and musicals for the American stage through ' ' & ' 6 { to Yale Rep from South Coast Repertory (SCR), where she was Literary 6 HJJJ HJJ V </ " 30

" ) ” + QJ ) +V ' world premieres of Rolin Jones’s The Intelligent Design of Jenny Chow, Amy Freed’s The Beard of Avon, and the West Coast premieres of Sarah Ruhl’s The Clean House and Nilo Cruz’s Anna in the Tropics " ' 2 Repertory Theatre, collaborating with Robert Brustein, Robert Woodruff, Liz Diamond, and { & )' < U ( 6 Œ ( V

Charlie in the House of Rue and Mac Wellman’s Hypatia. She has been a dramaturg for the Playwrights’ Center of Minneapolis and Boston Theatre Works and a panelist for the $ 2 V 2 V 6 { / ) 2 ) 8 2 8 8 – )' BRONISLAW SAMMLER (PRODUCTION SUPERVISOR) has been Chair of Yale School of Drama’s acclaimed Technical Design and Production Department since 1980. In 2007 he was named the Henry McCormick " F2 4 N 8 / " () " ' V < Technical Brief and Technical Design Solutions for Theatre, Vols. I & II. He co-authored Structural Design for the Stage, which won the United States Institute of Theatre Technology’s (USITT) Golden Pen Award. Demonstrating his commitment to excellence in technical education and professional production, he co-founded USITT’s 8 8 ) $? ( ' < ( 9 commissioner and a director at-large and is a lifetime Fellow of the Institute. He was honored as Educator of the Year in 2006 by the New England Theatre Conference and chosen –+ 88 / 2 2 8 " HJJ‘ production management techniques and his introduction of structural design to scenic technology are being employed in both educational and professional theatres throughout the world. JAMES MOUNTCASTLE (PRODUCTION STAGE MANAGER), has been at Yale Rep since 2004. He has stage managed productions of Three Sisters, We Have Always Lived in the Castle, The Master Builder, Passion Play, Richard II, Eurydice, a new adaptation of The Cherry Orchard, and the world premiere of The Clean House. A professional stage manager for more than twenty years, he has worked in regional, stock, and Broadway theatre. Broadway credits include Damn Yankees, Jekyll & Hyde, Judgment at Nuremberg, The Boys from Syracuse, The Smell of the Kill, Life x(3), and Wonderful Town. Mr. 6 V & V ) legendary production of A Christmas Carol at Madison Square Garden. Broadway national tours include City of Angels, Falsettos, and My Fair Lady " + Manager for Damn Yankees starring Jerry Lewis for both its national tour and at the Adelphi 8 $ ' 6 6 & 8 { ) Center, CENTERSTAGE U ' 2 8 ' U

& ) 2 ) 6 ' : : )

( @ $ ' TK ) ' { ' TT 31

YALE REPERTORY THEATRE STAFF James Bundy, Artistic Director Victoria Nolan, Managing Director : { ' Associate Artistic Director

ARTISTIC Resident Artists Paula Vogel, Playwright-in-Residence 7 / ' $ ' Resident Directors Catherine Sheehy, Resident Dramaturg Ming Cho Lee, Set Design Advisor Michael Yeargan, Resident Set Designer Jane Greenwood, Costume Design Advisor Jess Goldstein, Resident Costume Designer Jennifer Tipton, Lighting Design Advisor Stephen Strawbridge, Resident Lighting Designer / U ' Sound Design Advisor Walton Wilson, Voice and Speech Advisor Rick Sordelet, Fight Advisor Mary Hunter, Stage Management Advisor Associate Artists  H + " 4 ' { ÂŒ & ' 6 & ' MTYZ Theatre/Moscow New Generations Theatre, U ' + '

& ) Artistic Administration Amy Boratko, Literary Manager { ) " 6 ' Artistic Associate Tanya Dean, Artistic Coordinator U 4 ” ' $ U ¥ &' 2 + ' Literary Associates Tara Rubin, C.S.A.; Merri Sugarman, C.S.A.; $

' V + 2 9 ) 9 { + 9 Stephanie Yankwitt, Casting Ruth M. Feldman, Director of Education and Accessibility Services Teresa Mensz, Library Services Assistant Josie Brown, Senior Administrative Assistant to the Artistic Director and Associate Artistic Director Laurie Coppola, Senior Administrative Assistant for the Directing, Dramaturgy and Dramatic Criticism, Playwriting, and Stage Management Departments Mary Volk, Senior Administrative Assistant for the Design and Sound Design Departments

ADMINISTRATION { ” 7 ' : :

' Associate Managing Directors Jennifer Lagundino, Assistant Managing Director Anne Flammang, Eric Gershman, Melissa Zimmerman, Management Assistants Emalie Mayo, Senior Administrative Assistant to the Managing Director Caitie Hannon, Company Manager Yu Shen, Alyssa Simmons, Assistant Company Managers Development and Alumni Affairs Deborah S. Berman, Director of Development and Alumni Affairs Janice Muirhead, Senior Associate Director of Development U ) { ' Senior Staff Writer Susan C. Clark, Laura J. Eckelman, Development Associates Belene Day, Senior Administrative Assistant to Development and Marketing & Communications Shane D. Hudson, Development Assistant

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Finance and Information Technology { / U š ' Director of Finance and Human Resources Denise Zaczek, Associate Director of Finance Cristal Coleman, Alex Grennan, Ashlie Russell, Randall Rode, Information Technology Director Daryl Brereton, Associate Information Technology Director Mara Hazzard-Wallingford, Director, Yale Tessitura Consortium Toni Ann Simiola, Senior Administrative Assistant Operations, and Tessitura Marketing, Communications, and Audience Services Anne Trites, Director of Marketing and Communications + " ' Senior Associate Director of Communications Daniel Cress, Senior Associate Director of Marketing Rachel Smith, Associate Director of Marketing / / : ( <{ ' Associate Director of Marketing + + <6 ' Online Communications and Advertising Manager Marguerite Elliott, Publications Manager Lauren Wainwright, Marketing Assistant { 6 ' $ ) Szewczyk, Graphic Design and Production Assistants ” ' Graphic Designer Joan Marcus, Production Photographer Janna J. Ellis, Associate Director of Audience Services and Tessitura Specialist { &' Assistant Audience Services Director Shane Quinn, Audience Services Assistant Tracy Baldini, Subscriptions Coordinator $ U &' 2 U 7' 2 V ' V ) $ ' Œ ( )' $ ) + ' + ' " # Operations Diane Galt, Director of Facility Operations Rich Abrams, Operations Associate Paul Catalano, Arts and Drama Zone Superintendent { : 6 ' 217 Park and 212 York Superintendent VonDeen Ricks, Senior Custodian Marcia Riley, Facility Steward Lucille Bochert, Norma Crimley, Donell D’Gioia, Ty Frost, Mark Roy, Custodians Theater Safety and Occupational Health William J. Reynolds, Director of Theater Safety and Occupational Health Jacob Thompson, Ed Jooss, # $

Fred Geier, % $

PRODUCTION Bronislaw J. Sammler, Production Supervisor James Mountcastle, Production Stage Manager Jonathan Reed, Senior Associate Production Supervisor Grace O’Brien, Senior Administrative Assistant to the Production Department Costumes Tom McAlister, Costume Shop Manager Robin Hirsch, Associate Costume Shop Manager Mary Zihal, Senior Draper

Clarissa Wylie Youngberg, Draper Deborah Bloch, Senior First Hand { )</ ' Costume Project Coordinator Denise O’Brien, Wig and Hair Design Barbara Bodine, Company Hairdresser Linda Wingerter, Costume Stock Manager Greta Schmitt, Assistant to the Costume Shop Manager Electrics Donald W. Titus, Lighting Supervisor Jason Wells, Linda Young, Senior Head Electricians 2 ? ¢

& ' Head Electrician Emily Erdman, Assistant to the Lighting Supervisor Painting Ru-Jun Wang, Scenic Charge Angie Meninger, Scenic Artist { { ' Assistant Scenic Artist Allison Jackson, Nathan Jasunas, Assistants to the Painting Supervisor Properties Brian Cookson, Properties Master / " + ' Properties Craftsperson Jennifer McClure, Properties Assistant Bill Batschelet, Properties Stock Manager Scenery V U & ' / )' 6 ' Technical Directors Alan Hendrickson, Electro Mechanical Laboratory Supervisor Eric Sparks, Shop Foreman Matt Gaffney, Ryan Gardner, Sharon Reinhart, Master Shop Carpenters Brandon Fuller, Shop Carpenter V && 6 ' { ) ÂŁ 8 ' Jacqueline Deniz Young, Assistants to the Technical Director Sound Josh Loar, Sound Supervisor Paul Bozzi, Staff Sound Engineer Jacob Riley, Jennifer Timms, Assistants to the Sound Supervisor Projections Erich Bolton, Projection Supervisor Micah Stieglitz, Head Projection Technician Stage Operations Janet Cunningham, Stage Carpenter { U ) U & ' Properties Runner Elizabeth Bolster, Wardrobe Supervisor Charles Harbert, FOH Mix Engineer

ADDITIONAL STAFF FOR THE WINTER’S TALE Emily Reilly, Assistant Director Carmen Martinez, Chien-Yu Peng, Assistant Scenic Designers Seth Bodie, Assistant Costume Designer # ' Assistant Lighting Designer Joel Abbott, Assistant Sound Designer and Engineer Nicole Marconi, Assistant Stage Manager Rachel London, Stage Management Observer { ' Associate Production Supervisor

Daniel Perez, Technical Director Shaina Graboyes, Nicholas Johnson, Assistant Technical Directors Francis Jue, Dance Captain Vicki Shaghoian, Singing Coach Nicole Bromley, Master Electrician Emily Erdman, Assistant Master Electrician Nora Hyland, Assistant Properties Master Monique Fazzone, Harry Johnson, Judianne Wallace, Drapers Chris Luter of Puppet Farm Arts, Bear Construction Xaq Webb, House Manager $ U

7 ' && / ' Nicholas Hussong, Nicholas Johnson, ) { ' : + ' Yu Shen, Joe Stoltman, Yi Zhao, Run Crew UNDERSTUDIES Mamoudou Athie, Polixenes Chris Bannow, Autolycus, Lord 1 V

<

&' Paulina, Shepherdess Winston Duke, Gaoler, Dion, Mariner, Shepherd 1 Robert Grant, Antigonus, Servant 3 Ashton Heyl, Hermione Merlin Huff, Leontes Leno T. Lester, Jr., Mamillius, Shepherd Boy Matt McCollum, Clown, Servant 1 Jack Moran, Camillo, Guard 2 Seamus Mulcahy, Old Shepherd, , Time Mariko Nakasone, Perdita Marissa Neitling, Emilia, Mopsa Hannah Sorensen, Dorcus, Lady Mickey Theis, Florizel, Lord 2 Mitchell Winter, Cleomenes, Guard 1, Servant 2, Shepherd 2 SPECIAL THANKS Angels the Costumiers, London; Ralph Chipman; Hanna / V 9 / V ( 9 Rob Clare; Richard Green and Jonathan Lipman; Paula Goldman; Jeff Hamlin at Lincoln Center Theater; Paul Hawkins and the Yale Summer School of Art and Music; Peter Francis James; / { 9 Sam Messer; Alicia Wold, Costume Rentals, Minneapolis; the Yale School of Drama Directors; 2( &

(

The Scenic, Costume, Lighting, and Sound Designers in LORT are represented by United Artists Local USA-829, IATSE.

Yale Repertory Theatre operates under an agreement between the League of Resident Theatres (LORT) and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. The Winter’s Tale March 16 to April 7, 2012 – ) 8 ' HHH & +

YALEREP.ORG 33

YALE CENTER FOR NEW THEATRE YALE REPERTORY THEATRE is dedicated to the production of new plays and bold

TJJ Â’ " 7 " 7 Â’() ( ) $ U )' garnering more than 40 Tony Award nominations and eight Tony Awards. Yale Rep is also the recipient of the Tony Award for Outstanding Regional Theatre. Professional assignments at Yale Repertory Theatre are integral components of the program at +

/ ' ) Established in 2008, the YALE CENTER FOR NEW THEATRE <

4 ' ' production of new plays and musicals at Yale Rep and across the country. A key component of the Center’s work is the support of productions of Yale-commissioned works at theatres other than Yale Rep. The Center also facilitates residencies of playwrights and composers at Yale School of Drama. To date, the Yale Center for New Theatre has supported the work of more than thirty commissioned artists as well as the world premieres and subsequent productions of nine new American plays and musicals—including this season’s Belleville by Amy Herzog, Good Goods by Christina Anderson, and The Realistic Joneses by Will Eno. / &) Notes from Underground, adapted by Bill Camp and Robert

' ) () V its world premiere at Yale Rep. In 2010, Notes had its West Coast premiere at La Jolla Playhouse and its New York premiere at Theatre for a New Audience, in U ) &

2 V 8 V premiere co-production of Rinne Groff’s Compulsion at Yale Rep, Berkeley Rep, and The Public Theater—as well as the world premiere of the Yale-commissioned On the Levee by Marcus Gardley, Todd Almond, and Lear deBessonet at Lincoln Center Theater’s LCT3.

COMMISSIONED ARTISTS / 2 4 ' 8 2 ' ) U ' 2 U &' U V ' U ' $ ' 6 Œ )' 6 Œ ' { Œ ' / Œ ' Ann Marie Healy, Amy Herzog, Naomi Iizuka, Branden Jacobs-Jenkins, 2 U { ' V { 7 ' / ” ' $ 7 ( 6 ' + 6 )' : 6 6) ' / ” ' " ' : ) ' + ' # + ' ) 8 ( ' 2 8 ' " ™ ' { ) ' Anne Washburn, Marisa Wegrzyn, and Robert Woodruff

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Yale Rep productions supported by the YALE CENTER FOR NEW THEATRE, clockwise @ 6 : U V Notes from Underground, 2009; Cristin " ) F( & @ { 7 $ ) + N POP!, 2009; Jenn Gambatese and Sean Palmer in We Have Always Lived in the Castle, 2010; $ : ) ” V )<{ Bossa Nova, 2010; and Maria Dizzia and Gilbert Owuor in Belleville, 2011. Photos by Joan Marcus. 35

FOR YOUR INFORMATION

ACCESSIBILITY SERVICES

HOW TO REACH US ) 8 U ? # 1120 Chapel Street (at York St.) "# U ? HJ¤HQQ' ' V8 J¼ HJ 203.432.1234 $ @ ) Z)

Yale Repertory Theatre offers all patrons ( ) V ' a season of open-captioned and audio ( ' listening system, large-print and Braille programs, wheelchair accessibility with Theatre located on the left side of the building, and accessible seating. For more information about the theatre’s ( ) ' 6 Feldman, Director of Education and 2 ( ) + ' HJK QKH ¤QHÂ

Z)

BOX OFFICE HOURS Monday to Friday from 10AM to 5PM Saturday from 12PM to 5PM Until 8PM on all show nights FIRE NOTICE (

indicate emergency exits. Please check ? )' ) ( () of the building. RESTROOMS There is an accessible restroom in the main lobby. Additional restrooms are located downstairs. EMERGENCY CALLS " ) œ beeper, name, and seat number with the concierge. We’ll notify you if necessary. The emergency-only telephone number at Yale Rep is 203.764.4014. GROUP RATES / & ( groups of ten or more. Please call 203.432.1572. SEATING POLICY $ ) & + )' children in arms or on laps. Patrons who ( ( & the theatre.

THE TAKING OF PHOTOGRAPHS OR THE USE OF RECORDING DEVICES OF ANY KIND IN THE THEATRE WITHOUT THE WRITTEN PERMISSION OF THE MANAGEMENT IS PROHIBITED. 36

Yale Repertory Theatre’s accessibility () 8 Seedlings Foundation, Frederick A. DeLuca Foundation, and the Carol L. Sirot Foundation. Yale Repertory Theatre gratefully acknowledges the Carol L. Sirot Foundation for underwriting the assistive listening systems in our theatres. AUDIO DESCRIBED (AD) 2 ) ' ' and costumes for patrons who are blind or OPEN CAPTIONING (OC) &' ) )Œ€ # V

digital display of the play’s dialogue as it’s spoken. Open Captioning and Audio Described performances are on Saturdays at 2PM. 2/ < ( T@Q "6

The Winter’s Tale The Realistic Joneses

Mar 31 May 5

Apr 7 May 12

H ( # V

Repertory Theatre.

MAKE A GIFT! ) & 2 ” ' ) &

For more information, or to make a donation, please call Susan Clark, HJK QKH T  ‘ yalerep.org/donate.

YALE REP’S EDUCATION PROGRAMS As part of Yale Rep’s commitment to our community,

) Since our 2003–04 season, WILL POWER!, which offers teacher training and curricular support prior to ) ' than 15,000 Connecticut students and educators. The / œ$

" 4 (

2 8 Middle School to Yale Rep for a month-long, afterschool playwriting program designed to strengthen < ?

” #6 8#"@ +V ## + Œ28 $ Œ ”# WILL POWER!; THE DWIGHT/EDGEWOOD PROJECT, 2011.

Yale Rep’s education programs are supported in part by Allegra Print and Imaging; Anna Fitch Ardenghi Trust, Bank of America, N.A.,Trustee; Deborah S. Berman; Bob and Priscilla Dannies; Frederick A. DeLuca Foundation; Bruce Graham; the Lucille Lortel Foundation; Romaine A. Macomb; Mrs. Romaine Macomb; Jim and Dawn Miller; NewAlliance Foundation; Robbin A. Seipold; Sandra Shaner; V + ) 8) 9 $ – 9 V Patricia Walkup; and Bert and Martha Weisbart.

SPONSORSHIP: COMMUNITY PARTNERS Allegra Print and Imaging Est Est Est Fleur de Lys Floral and Gifts Heirloom Hull’s Arts Supply and Framing

{ 4 Mionetto New Haven Register The Study at Yale, a Boutique Hotel Take the Cake

GHP Printing and Mailing Union League Cafe Willoughby’s Coffee and Tea WSHU Public Radio Group The Yale Bookstore Yellowbook

These lists include current pledges, gifts, and grants received from January 1, 2011‚ through March 1, 2012. 37

CONTRIBUTORS

to Yale School of Drama and Yale Repertory Theatre LEADERSHIP SOCIETY ($50,000 and above) Anonymous Anonymous John Badham John B. Beinecke Nicholas Ciriello Sterling and Clare Brinkley Edgar M. Cullman, Jr. Edgar M. Cullman III A.R. Gurney F. Lane Heard III Frederick Iseman / : Adrian and Nina Jones Tim Jones and Annie V „ Jennifer Lindstrom Neil Mazzella Andrew W. Mellon Foundation William S. Monaghan Don Nelson Mary B. Reynolds Robert Riordan Robina Foundation Talia Shire Schwartzman The Shubert Foundation Stephen Timbers Edward Trach { – ( Esme Usdan Reggie Van Lee GUARANTORS ($25,000–$49,999) Anonymous Lois Chiles and Richard Gilder Educational Foundation of America Peter Entin Heidi Ettinger $ $ {

National Endowment for the Arts National Endowment for the Arts, Arts Midwest, Shakespeare in American Communities Edward John Noble Foundation James Munson Cliff Warner BENEFACTORS ($10,000–$24,999) Americana Arts Foundation Anonymous Bisno Productions Lynne and Roger Bolton Mary L. Bundy CECArts Link Michael Diamond Edgerton Foundation

38

+ Catherine MacNeil Hollinger Ellen Iseman Lucille Lortel Foundation Donald B. Lowy Stacey Mindich Productions

+ 4 " & + The Seedlings Foundation Michael and Riki Sheehan Jeremy Smith Carol L. Sirot Foundation Trust for Mutual Understanding PRODUCER’S CIRCLE ($5,000–$9,999) Nina Adams and Moreson { Deborah Applegate and Bruce Tulgan Amy Aquino and Drew McCoy Foster Bam Jim Burrows Bill Conner The Noel Coward Foundation Michael Desantis and Patrick Baugh Terry Fitzpatrick Marc Flanagan Beth Galston Linda Gulder Huett Ben Ledbetter and Deborah Freedman Sarah Long Mionetto USA Carol Ostrow F. Richard Pappas Robert Pohly and Julie 8 4 Linda Frank Rodman Ted and Mary Jo Shen Philip J. Smith Susan Stroman DIRECTOR’S CIRCLE ($1,000–$4,999) Actor’s Equity Foundation Anna Fitch Ardenghi Trust, Bank of America, N.A., Trustee Paula Armbruster 6 6 U 2 Cornelia Barr Robert L. Barth $ V) { Barrington John Lee Beatty Jody Locker Berger Deborah S. Berman Jeffrey A. Bleckner Walter Bobbie { U 7

Thomas Bruce Robert W. Brundige, Jr. James Bundy Ben Cameron Joan D. Channick Patricia Clarkson + 2 Π8 ) V Peggy Cowles Marycharlotte Cummings The Frederick A . DeLuca Foundation 6 + / Elizabeth Doyle Glen R. Fasman Marcus Dean Fuller Leiko Fuseya / ΠFred Gorelick and Cheryl MacLachlan Stephen Godchaux James W. Gousseff John Guare Judith Hansen Richard Harrison { & Carol Thompson Hemingway James Ingalls James Earl Jewell Rolin Jones : { 7 & The Ethel & Abe Lapides Foundation + $ George N. Lindsay, Jr Stephen Lindsay Linda Lorimer and Charley Ellis William Ludel Dr. and Mrs. Robert W. Lyons Jane Lyman Tien-Tsung Ma Romaine A. Macomb Estate of James MacLaren Jenny Mannis and Henry Wishcamper Jane Marcher Foundation Edward Martenson Thomas Masse and Dr. James Perlotto Maximum Entertainment Productions Susan McNamara, MD Dawn G. Miller The Garret and Mary Moran Family Foundation Neil Mulligan Arthur and Merle Nacht NewAlliance Foundation Victoria Nolan and Clark Crolius Richard Ostreicher + #? Dw Phineas Perkins Π{ ) "

Hal Prince Sarah Rafferty Dr. Michael Rigsby Ben and Laraine Sammler 2 + + ( Marie S. Sherer Eugene F. Shewmaker U 4 + 7 & Rachel Smith { + &) { : + Shepard and Marlene Stone Charles Strotz Lee Stump Sy Sussman Robert and Arlene Szczarba John Henry Thomas Thomas Thurston V + ) 8) Courtney Vance Barry and Fran Weissler Thomas Wilner Terrence Witter Amanda Wallace Woods George Whelen IV Albert J. Zuckerman + ¢ & PARTNERS ($500–$999) In Memory of Herbert Altman Mary Ellen and Thomas Atkins Alexander Bagnall Christopher Barreca Alice B. and James T. Brown Joy G. Carlin Anna Cascio Cosmo Catalano, Jr. John Conklin Bob and Priscilla Dannies Ramon L. Delgado The Cory & Bob Donnalley Charitable Foundation Roberta Enoch and + V Paul Cleary + / Peter Entin Walter M. Frankenberger III ) + ÂŒ Donald Granger Rob Greenberg William B. Halbert { Elizabeth Langhorne Barbara Hauptman Jane C. Head Sara Hedgepath Jennifer Hershey Donald Holder

John Robert Hood Albert Hurwitz { U ) Nalebuff / V { ” { 6 { Edward Lapine Charles Long and Roe Curtis Brian Mann John McAndrew Johanna D. McAuliffe Susie Medak Daniel Mufson James Naughton Arthur Oliner Maulik Pancholy Stephen Pollock 2 ) "

Margaret Adair Quinn Pamela and Arthur Rank Alan Rosenberg Tony Shalhoub Sandra Shaner Carol Spawn Trainer Family Foundation Carol M. Waaser William and Phyllis Warfel Zelma Weisfeld Vera Wells Carolyn S. Wiener + $ Catherine Zuber INVESTORS ($250–$499) Anonymous Susan and Bruce Ackerman Richard Ambacher Dylan Baker James Bakkom Raymond Baldelli and Ronald Nicholes Robert Baldwin Richard Bianchi Robert Bienstock Lewis Black Susan Brady and 6 & ˆ Tom Broecker Mark Brokaw Claudia Brown Bruce and Janet Bunch Jonathan Busky Thomas Buttke and Judith Waters Anne and Guido Calabresi Ian Calderon Bozena Chepya Patricia J. Collins 8 V George Corrin, Jr. Robert Cotnoir

Stephen Coy John W. Cunningham Ernestine and Ronald Cwik Drew S. Days III and Ann R. Langdon Charles Dillingham Alexander Dodge Dennis Dorn Dr. and Mrs. Frederic Finkelstein Joel Fontaine Anthony Forman / ” Joseph Gantman Nina M. Glickson Melanie Ginter and John Lapides Elizabeth M. Greene The Stewart and V Œ Foundation 2 { Œ Norma and Richard Grossi Regina Guggenheim Sarah Hancock Scott Hansen / { / ) Michael Haymes and Logan Green Nicole and Larry Heath June and George Higgins Elizabeth Holloway Raymond P. Inkel Joanna and Lee Jacobus V) { ( & 2 { U { { 2 ) & { ) : $ ) { & Foundation / { ( Suttirat Larlarb { Suzanne Cryer Luke Peter Marshall Mark McCullough Sandra Milles Lawrence Mirkin William and Barbara Nordhaus Louise Perkins and Jeff Glans Lawrence Perry and Rebecca Wayland Stephen Pollock 2 / & " Carol A. Prugh U ( / Bill and Sharon Reynolds Daniel and Irene Rissi Harry M. Ritchie + ( Douglas Rogers Melina Root Constanza Romero

Jean and Ron Rozett Suzanne Sato Georg Schreiber Mark and Cindy Slane / + / Mary C. Stark James Beach Steerman Sandra T. Stein and ) { Jaroslaw Strzemien Anne Trites Bernard Sundstedt Suzanne Tucker John M. Turturro / : Dana Westberg Robert Wierzel Judith and Guy Yale Patricia and John Zandy FRIENDS ($100–$249) Anonymous Emily Aber and Robert Wechsler / $ 2 & ) Lois Aden Joseph V. Agostini Michael Albano Sarah Jean Albertson William Allison Liz Alsina Annette Ames Leif Ancker Bob and Jane Archibald Mary B. Arnstein Atticus Bakery Clayton Mayo Austin 2 2 John and Nancy Babington Frank and Eileen Baker { : Baldassarri Michael and Heidi Barker Michael Baron and Ruth Magraw John Barrengos Barbara and Edward Barry Pattsy Bates and Charles W. Eckert William Batsford Mark Bauer Nancy and Richard Beals Andrew A. Beck Jack Beecher Spencer P. Beglarian Ursula Belden Wendell and Lora Lee Bell : V U Albert Bennett Edward Bennett Elizabeth Bennett Todd Berling 6 U

Henry and Joan Binder William Bletzinger Anders Bolang John Cummings Boyd Mark Boyer John Breedis Mr. and Mrs. Scott J. Brennan Russell and Freddie Brenneman 2 ) U / Sacco Cynthia Brizzell-Bates Theresa Broach Carole and Arthur Broadus Brenda and Howard Brody 2 U U Julie Anne Brown Shawn Hamilton Brown Oscar Lee Brownstein Philip Bruns Robert Brustein Andrew Bundy and { Gerard and N. Burrow Robert and Linda Burt Sheldon Bustow Susan Byck Susan Cahan and Jßrgen Bank Donald Cairns { ) 2 V Vincent Cardinal Lisa Carling Susan Carney and Lincoln Caplan Carolyn Foundation Adrienne Carter William E. Caruth ) V Sami Joan Casler " V / 6 { V Edward Check Suellen G. Childs { <” V # V ) Nicholas and Barbara Jean Cimmino Lani Click Becky and Gary Cline { / V Margaretta M. Clulow { ? Coady Jack Cockerill Joel Cogen and Elizabeth Gilson Robert S. Cohen 8 V James Congdon { V ) William Connolly Audrey Conrad Helen and Jack Cooper Aaron Copp

39

CONTRIBUTORS

to Yale School of Drama and Yale Repertory Theatre Dana S. Croll Timothy and Pamela Cronin Douglas and Roseline Crowley Jane Ann Crum William H. Cuddy Sean Cullen Donato Joseph D’Albis F. Mitchell Dana + Œ / Nigel W. Daw Barbara DeBaptiste Mr. and Mrs. Paul DeCoster Elizabeth DeLuca : / Liz Diamond Jose A. Diaz Connie and Peter Dickinson George Di Cenzo Francis X. and Renee Dineen Gene Diskey Melinda DiVicino Michael Donahue Christopher Donnelly Franchelle S. Dorn Merle Dowling JoAnne E. Droller, R.N. D. William Duell George and Diane Dumigan John A. Duran { $ / East Coast Management & Consulting Mindy Eads 6 6 / $(( Douglas Edwards Frances L. Egler Dr. and Mrs. Richard Ehrenkranz Marc and Heidi Eisenberg Nancy Reeder El Bouhali Janann Eldredge Prof. Robert Ellickson and Ms. Lynn Hammer Barbara T. Ellinghaus Lucinda Thomas Embersits Jenifer Endicott Elizabeth English Dirk Epperson / $ Edith Dallas Ernst Howard and Jackie Ertel Frank and Ellen Estes Dan and Elizabeth Esty Euphoria Salon : ) $ / $ $ $ John D. Ezell Patricia Fahey

40

Michael Fain { ” & & Ann Farris Christopher Feeley Barbara and Richard Feldman Ruth M. Feldman Dr. and Mrs. Paul Fiedler Earle Finch Alexandra Fischer Aurelia Fisher Dennis Flynn Lewis Folden Joel Fontaine { ” Abigail Franklin { ” Linda and Gary Friedlaender Reynold Frutkin Richard Fuhrman Randy Fullerton Michael T. Fulton and Catherine Hernandez Barbara and Gerald Gaab / Œ ) Jim and Eunice Galligan 2 Œ Joseph Gantman Dr. Lonnie Garris Jr. + Œ + U ) Œ ( Robert Gerwien Patricia Gilchrist Morfydd and Gilbert Glaser Robert Glen William Glenn Neil Gluckman Susan Gobel Marian Godfrey Lindy Lee Gold Betty and Joshua Goldberg Norma and Myron H. Goldberg Sandra Goldmark Robert Goldsby Timothy and Mary Helen Goldsmith / Œ Lori S. Gorton Naomi Grabel Charles F. Grammer { 6 Œ 7 { Œ Bigelow Green Joe Grifasi { Œ Alan A. Grudzinski Eugene Gurlitz Dr. Ronald and Maria Hagadus Anne Hamburger Alexander Hammond

Ann T. Hanley Jerome R. Hanley / Scott Hansen Harold Harlow John Harnagel Charlene Harrington Lyndsay N. Harris Betty and Walter Harris James T. Hatcher Scott Hawkins Ihor Hayda James Hazen Robert Heller Patricia Helwick Heather Henderson Stephen Hendrickson Jennifer Hershey-Benen Dennis Hickey Roderick Lyons Hickey III Christopher Higgins Hill Regional Career High School Elizabeth Holloway Slate Holmgren Amy Holzapfel Agnes Hood V ™

< ) Charles Litty Mary B. Howard / $ ) Hull’s Art Supply and Framing Derek Hunt Mary and Arthur Hunt Peter H. Hunt Timothy and Diane Hunt Patricia Ireland Ihor Hayda { & : & John W. Jacobsen Chris Jaehnig Drs. Donald and Diana Jaffe Ina and Robert Jaffee Jim and Cynthia Jamieson Jeffrey’s, a restaurant Cynthia Lee Jenner Geoffrey A. Johnson Marcia Johnson Donald E. Jones, Jr. $ 7 ( { : { ( Œ ) { V { ) 2 { : / { Dr. and Mrs. Michael { U { 7 $ 2 { ) : ) { 2 : { )' : 2(() { (

U ) { "

{ V + & { + ) { / { ) { { + {

U : { 7 : { U { & 6 { 7 { ? Howard and Shirley Lamar Marie Landry and Peter Aronson Nico Lang / Jeremy Larson Michael John Lassell Gerard Leahy Wing Lee Charles E. Letts III Emily Leue Bradford Lewis Irene Lewis Malia Lewis Jeremy Licht Alan Lichtenstein 6 4 Bertram Linder Bruce Lockwood Edgar Loessin Robert Hamilton Long II Sara Low Henry Lowenstein Jean Murkland Luburg " / & Nancy Lyon Andi Lyons Janell M. MacArthur $ 7 ( 6 6 { ) Lizbeth Mackay U 6 { Wendy MacLeod Alan Mokler MacVey 6 7 / Wilson Peter Andrew Malbuisson Penney Maloney Joan Manning 6 6 Peter Marcuse Elizabeth Margid Jonathan Marks Timothy and Leslie Marsh Robin Marshall Craig Martin Margaret Mason Maria Mason and William Sybalsky Richard Mason Carole A. Masters James and Margaret Mathis U ) 6 )

Amy Lipper McCauley Alice McConnell 8 2 6 V ) Robert A. McDonald Brian McEleney Thomas McGowan April McGrath Deborah McGraw ( : 6 { " 6 { ) Patricia McMahon Bruce W. McMullan Lynne Meadow Mr. and Mrs. James Meisner Stephen W. Mendillo Andrew Metrick Donald Michaelis Carol Mikesell Brina Milikowsky George Miller and Virginia Fallon Lesley Miller Jonathan Miller Robert J. Miller Inga-Brita Mills Mary Jane Minkin + " Jennifer Moeller Richard R. Mone Donald W. Moreland George Morfogen Anne Morrison Emily Moskowitz Grafton V. Mouen Carol Bretz Murray-Negron Gayther Myers, Jr. Rachel Myers / James Naughton 8 V

Tobin Nellhaus Regina and Thomas Martha New Ruth Hunt Newman Ronald Dean Nolen Lynn Nottage / Dwight R. Odle Janet Oetinger Phyllis O’Hammel V ) # { Ann Okerson Richard Olson Fran and Ed O’Neill Sara Ormond Lori Ott { 8 " & Joan D. Pape

Dr. and Mrs. Michael Parry John L. Peschel William Peters Zane Pihlstrom Roberta Pilette Stephen B. Pollock / " Lisa Porter Nancy B. Porter Michael B. Posnick Jeffrey Powell ( "

7 2 + " Dr. Deborah DeRose " Faye and Ashgar Rastegar Ronald Recasner Ralph Redpath Gail Reen James and Cynthia Reik Sandra and Gernot Reiners Mary B. Reynolds Ross Sumner Richards Brian Robinson Lori Robishaw Gordon Rogoff Howard Rogut Joanna Romberg Philip Rosenberg Russ Rosensweig Fernande E. Ross John M. Rothman Jed Rubenfeld Julia Meade Rudd { & Dr. Ortwin Rusch Frederick Russell John and Jeanette Ryan Dr. and Mrs. Herbert S. Sacks + + & " +

) Marta Elisa Moret Clarence Salzer Robert Sandberg Robert Sandine and Irene { 7 Frank Sarmiento Peggy Sasso Cary Scapillato Joel Schechter Anne Schenck { + Mr. and Mrs. Michael Schmertzler Ruth Hein Schmitt William Schneider Sanford and Carol Schreiber

Jennifer Schwartz Alexander Scribner { 6 $ + Forrest E. Sears Paul Selfa + ( { + + + Paul H. Serenbetz Sandra Shaner Morris Sheehan Daniel Shindler Paul R. Shortt Mark Shufro Carol M. Sica Lorraine Siggins and U ? 6 { Lee Skolnick Betsy and William Sledge Helena L. Sokoloff Suzanne Solensky and Jay Rozgonyi Alan Solomon E. Gray Smith, Jr. Marian and Howard Spiro Regina Starolis Louise Stein Neal Ann Stephens : + : V + Marilyn and Robert Stewart 6 & + 8 + Richard Guy Suttor / ) + Douglas Taber : + 8 Muriel W. Test Paul J. Tines Eric Ting / ” 8 Albert J. Toth Tahlia Townsend Howard B. Treat Jr. Russell L. Treyz Richard B. Trousdell Deborah Trout Miriam S. Tulin Mr. and Mrs. Gregory Tumminio Marge Vallee Joan Van Ark Flora Van Dyke Michael Van Dyke Carrie Van Hallgren Hyla and Barry Vine Arthur Vitello Fred Voelpel Fred Volkmar

Elaine and Patrick Wackerly Mark Anthony Wade Andrea S. Walker Charles Walkup Elizabeth Walsh Erik Walstad Barbara Wareck and Charles Perrow + ? Gil Wechsler Rosa Weissman Thomas Werder Charles Werner Raymond Werner J. Newton White Peter White Joan Whitney { ? Lisa A. Wilde Robert Wildman / Catherine M. Wilson Marshall Williams The Winokur Family Foundation Carl Wittenberg Michael Wolak Yun C. Wu Arthur and Ann Yost Zhong Yun and Qun Lin IN-KIND GIFTS 6 6 { { &) EMPLOYER MATCHING GIFTS Aetna Foundation Component Engineers, Inc. Corning, Inc. General Electric Corporation IBM The John D. and Catherine T. MacArthur Foundation Mobil Foundation, Inc. " 7 Pitney Bowes Procter & Gamble The Prospect Hill Foundation SBC Communications, Inc. United Technologies Corporation

8 ' ' : ) T' HJTT' 6 T' 2012. For more information about making a donation to Yale Repertory Theatre, please contact + V & HJK QKH T  ‘ &Z) 41

NO BOUNDARIES: A SERIES OF GLOBAL PERFORMANCES

THE REHEARSAL BY CUQUI JEREZ

MARCH 23 & 24 yalerep.org/noboundaries

YALE REPERTORY THEATRE WORLD PREMIERE

THE REALISTIC JONESES BY WILL ENO DIRECTED BY SAM GOLD

APRIL 20 TO MAY 12

yalerep.org

YALE SCHOOL OF DRAMA 7TH ANNUAL

CARLOTTA FESTIVAL OF NEW PLAYS MAY 4 TO 12

drama.yale.edu/carlotta

38

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Making Hi◊ory

a n t iq ua r i e s i n b r i ta i n

february 2–may 27, 2012 Organized by the Society of Antiquaries of London in association with the Yale Center for British Art and the McMullen Museum of Art, Boston College

ya l e c e n t e r f o r b r i t i s h a r t 1080 Chapel Street, New Haven · britishart.yale.edu Tuesday–Saturday 10–5; Sunday 12–5 Admission is free · 877 brit art Roll Chronicle (detail), mid-fifteenth century, illumination with colored inks and tints on vellum rolls, By Permission of the Society of Antiquaries of London

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