Univers I love typography I love typography I love typography I love typogr
In 1954 the French type foundry Deberny & Peignot wanted to add a linear sans serif type in several weights to the range of the Lumitype fonts. Adrian Frutiger, the foundry’s art director, suggested refraining from adapting an existing alphabet. He wanted to instead make a new font that would, be suitable for the typesetting of longer texts — quite an exciting challenge for a sans-serif font at that time. Starting with his old sketches from his student days at the School for the Applied Arts in Zurich, he created the Univers type family. In 1957, the family was released by Deberny & Peignot, and afterwards, it was produced by Linotype.
raphy I love typography I love typography I love typography Adrian Frutiger
Adrian Frutiger was a Swiss typeface designer who influenced the direction of digital typography in the second half of the 20th century and into the 21st. His career spanned the hot metal, phototypesetting and digital typesetting eras. Frutiger's most famous designs, Univers, Frutiger and Avenir, are landmark sans-serif families spanning the three main genres of sansserif typefaces: neogrotesque, humanist and geometric. Univers was notable for being one of the first sans-serif faces to form a consistent but wide-ranging family, across a range of widths and weights.Frutiger described creating sans-serif types as his "main life's work".
Designing type systems I love typography I love typography I love typograp
Univers goes beyond the quest to design individual letters, attempting instead to design space, to create a system of relationships between different sets of shapes which share distinctive parameters. Prior to Univers, type designers concerned themselves with the relationships between letters of the same set, how an a is different from a b. Univers creates a situation in which there are a’s of many different shapes, and each has to be positioned on the axes of weight and width, distributed sufficiently far away from the next, but no further, in order to create a usable system. How heavy ought the Medium to be in order to leave space for yet another weight, the Bold, and how will this translate into a design with condensed proportions?
phy I love typography I love typography I love typography I lov Peter Bilak
These were all new questions for type designers, and Frutiger opened up completely new territory for those who were to come after him. Thanks to Frutiger it is now common practice to produce a dozen or more styles when working on a new type family. In terms of typeface innovation there is much more room for originality than when you only look at the individual lettershapes. Thus to create truly useful new works, type designers need to examine not only how characters relate to each other within a style, but also how different styles relate to each other within a family. Bilak, Peter. "Designing Type Systems — I Love Typography." I Love Typography RSS. 2012.
Usages
S Univers was used in a modified version by the new Swiss International Air Lines used in the 1960s and 1970s.
A
G
Apple Inc previously used Univers as well as its condensed oblique variant for the keycaps on many of its keyboards.
General Electric used the font Univers from 1986 to 2004.
D The Walt Disney World road system also make extensive use of Univers.
H Univers is embedded in the HP LaserJet 1100 Printer. Installing a LaserJet 1100 on a Windows system will also add new fonts to the list.
C CNN Domestic and CNN International have adopted several weights of Univers in their on-screen graphics,since early 2009.
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Helvetica bold
Univers45 Light Bold 100 points
Helvetica Bold 100 points
Arial Bold 100 points
Univers45 Light Bold 200 points
Helvetica Bold 100 ponints
Arial Bold 200 points
For further information please contact: info-eu@monotype.com Designed by Yang