Collection.
YAO-YU CHUNG
This is a collection of my works during college. From 2015 to 2018.
CONTENTS
NO.
+886 978-156-100
01
EVERLONE
02
BACKSHELL
03
NOTE222
04
SLEEPWALKING
05
HOMESUALIZED
06
LIGHTITUDE
07
LAWNIA
cosmos6426@gmail.com
1-2
01 EVERLONE
Since I have been studying at art
rules for the drawing except
classes when I was a child, draw-
finishing it on time. However, I
ing is already not a "hobby" to
still used to ask myself to draw
me. At that time, I was taught
realistic and skillful. This made
how to make drawing more real-
me frustrated because it was
istic, more skillful, and draw
always worse than I expected,
faster. Therefore, drawing has
and I never reached the goal of
become a "skill" to me, become
my mind. Therefore, I try to ask
what I have to do. When I drew, I
myself to put down the the exces-
was not emotional anymore.
sive demands for myself, and try
After entering the university,
to find a balance on it. And this
for the first time in my life, I had
p i c t u re re a c h " t h e b a l a n c e" .
a teacher who not giving any
1. 1 EVERLONE
1 .1
3-4
02 BACKSHELL
It looks soft and light, but actual-
er, once the sight of others stay
ly it is cumbersome and compact,
on me, the bricks of my small
full of complex structures, and
world begin collapse. My brain
strange. I use the wool material
is running at full speed, try to
to make this body installation. It
guess what the person is think-
looks like a turtle shell. Huge,
ing. Are the clothes I wore very
bulging, filled with a clutch of
strange? Is my hair messy ?
egg-like things, which were full
What's wrong with me? I used
and seems like to break trough
to care about others' sight so I
the turtle shell. The tail forward
am afraid that someone
from my hips through the crotch
stepped into my small world.
til belly button below. I used the
But now I am different, I am
line to tie white balloons togeth-
very comfortable even if I carry
er, and connected them to the
this strange turtle shell which
shell. Crowded, full, and restless,
has something like eggs
just like many small living things.
coming out. Because this is part
They were gazing, looking me
of my body, I don’ t need to be
from head to toe, whispering. I
ashamed. I am no longer afraid
was looking up, biting lips, tide
of someone else's sight even if I
of my mind onrushing under
am still living in my own small
t h e d e e p p i t . A m I s t ra n g e ?
world. Everything is still be
Where? How ? In your sight, I
alright. I am very good with the
am full of scars.It seems like
living thing on my back. He is
the installation on my body
j u s t re s t l e s s , I a m a s a l w a y s
looking strange.
calm. There are not so many
In the past, I was afraid of
things to fear. The earth is still
being noticed. I only want to be
turning, you are still you, I am
a silent person, living in the
still me.
small world that I built. Howev-
2. 1 BACKSHELL
2.1
5-6
2. 2
2.2 the detail of BACKSHELL when wearing it
2.3
2. 3 the content of BACKSHELL
7-8
03 NOTE222
NOTE222 is a map belonging to
pictures and scrapbooked them
me that I use some pictures to
on the huge self-made notebook.
collage my life. I collected the
Some relative positions of the
things what I saw by camera or
photos on it are the real locations
cellphone about one month.
on the map. When I was creating
During that time, I went many
it, I thought I was doing “memory
places such as Ximending for film
patchwork” . NOTE222 recorded
festival, Xingtian Temple for
my life’ s trace during that one
buying fish, Taipei arena for skat-
month.
ing. After that, I printed the
3. 1 the view during taking the bus
3.1
9-10
3 .2
3. 2 the content of NOTE222
11-12
04 SLEEPWALKING
The motion of project is mainly
look the beautiful scenery
about the similar places of my
from a higher angle.
dream. The reorganization of images
Because the scenery you see
are just like the action in my head, I
will change beyond on the weath-
tried to recall the happened things of
er or the time, therefore I never
my dream when I wake up.
get tired of watching the view of
I really like to take on a bus, it
the road leading to the home.
allows me to see a variety of views,
I think these beautiful scenery
including the interaction of people in
are just like the place in the
the city. Moreover, the height of
dream.Therefore it reminds me
sitting on the bus is higher than the
that when people wake up from
general field of vision when standing
their dreams, they always try to
on the floor. Because of that , I feel
re c a l l w h a t h a p p e n e d i n t h e
that my own eyes are just like the
dream. I call it the "memory
aerial camera to watch the
patchwork". I make the motion of
world.
collaging the photo's pieces ,and
In addition, my favorite route is
project it in a semi-enclosed
"the road leading to the home"!
space. Therefore the audiences
Because the car will be drove on
will have the illusion of really
viaduct that is different from the
being inthe space.
general freeway, and I can over-
4 .1 the view outside the window from the bus
4. 1
13-14
4. 2 live shot from SLEEPWALKING
4 .2
4.3 real scene
4.3
4.4
4.4 the scene after the “memory patchwork”
15-16
05 HOMESUALIZED
I found a place where it didn't have
imagined past people done before
any furniture, or even you can call it
i n s i d e , a n d b e re c o rd e d . E v e n
a ruin. However, you can still see the
though the audience did not see any
traces of life done before.When I
furniture in these photos, they were
walked in there, imagining what the
still able to know what I was doing
people of the past had done here. I
through my movements and their
came up with an idea, I decided to
own imagination. That is visualizing
put the imagination of my mind into
home, forming the images of this
reality. I made the action what I
place in your mind.
5. 1 SLEEPSUALIZED
5.1
17-18
5.2
5. 2 LIFESUALIZED
19-20
06 LIGHTITUDE
Lightitude is a light installation. Its
I used laser cutting wood to make
idea come from the afternoon in my
the structure.There are 34 blades
room. At that time, the sunshine will
drove by servo motors on it.I used
go through the window and irradiate
the Arduino program to control the
the whole space. When the subway
speed or the angle of the motor.
out of the window passes, it will
Also, I established the relationship
against the sunshine and cause an
between the motors, and let them
interesting visual effect on the
run “ the schedule of the show ".
ground or on the wall. l call it “ the
Therefore, when the light inside is
wave of light and shadow ” .
turned on, the rotating blades can
This installation is mainly intended
project "the wave of light and shad
to make the same visual effect.
-ow "in the whole space.
6. 1 live shot from LIGHTITUDE
6.1
# i n clude <S er vo.h > S e rvo myser vo; // S e rvo ser vos[ 34 ]; i n t numSer vos = 34; vo id setu p( ) { // s e rvo s [ 0] . a tta ch (17); s e rvo s [ 1] . a tta ch (16); s e rvo s [ 2] . a tta ch (15); s e rvo s [ 3] . a tta ch (14); s e rvo s [ 4] . a tta ch (0); s e rvo s [ 5] . a tta ch (1); s e rvo s [ 6] . a tta ch (2); s e rvo s [ 7] . a tta ch (41); s e rvo s [ 8] . a tta ch (40); s e rvo s s e rvo s s e rvo s s e rvo s s e rvo s s e rvo s s e rvo s s e rvo s s e rvo s s e rvo s s e rvo s s e rvo s 2. s e rvo s t he out si de pl an e s e rvo s s e rvo s s e rvo s [ 24] . a tta ch (6); s e rvo s [ 25] . a tta ch (5); s e rvo s [ 26] . a tta ch (4); s e rvo s [ 27] . a tta ch (3); s e rvo s [ 28] . a tta ch (12); s e rvo s [ 29] . a tta ch (11); s e rvo s [ 30] . a tta ch (10); s e rvo s [ 31] . a tta ch (18); s e rvo s [ 32] . a tta ch (19); s e rvo s [ 33] . a tta ch (20); // fo r(int i=0;i<n u m Se rv o s;i+ + ) { s e rvo s [ i] . w r ite(90); } d elay(5000) ;
v oi d w av e M ot i on ( i n t s t ar t S e r v o, i n t e n d S e r v o, i n t re p e a t , f l o a t a m p l i t u d e , f l o a t s t ar t A n g l e , f loat p h as e A h e ad , i n t d e l ay T i m e ) { / / amp l servo / / s t ar t servo s t ar t A n / / p h as sin fun
for(int j=0 ;j<num S ervos ;j++) { s ervos [ j].write(( j%2 )* 9 0 ); d el a y (5 0 0 ); =0 ;j<num S ervos ;j++) ].writ e((( j+1 )%2 )* 9 0 ); 5 0 );
1. t h e p l a t e o f t h e bo tto m
f or ( i n t i = 0 ; i < 3 6 0 * re p e at ; i ++) / / t h e d e g re e s f or s i n f u n c t i on { f or ( i n t j = s t ar t S e r v o; j < =e n d S e r v o;j ++) { le = ( s i n ( ( i +j * p h as e A 0 . 0 * 2 * 3 . 1 4 1 5 9 2 6 ) +1 ) * a m s t ar t A n g le ; . w r i t e ( an g l e ) ; j + 7 ] . w r i t e ( an g l e ) ; j + 1 4 ] . w r i t e ( an g le ) ; j + 2 1 ] . w r i t e ( an g le ) ; j + 2 8 ] . w r i t e ( an g le ) ; ay T i m e ) ;
() // s e r v os [ 3 ] . w r i t e ( 1 8 0 ) ; d e l ay ( 1 0 0 0 ) ; s e r v os [ 1 0 ] . w r i t e ( 1 8 0 ) ; d e l ay ( 1 0 0 0 ) ; s e r v os [ 1 7 ] . w r i t e ( 1 8 0 ) ; d e l ay ( 1 0 0 0 ) ; s e r v os [ 2 4 ] . w r i t e ( 1 8 0 ) ; d e l ay ( 1 0 0 0 ) ; // f or ( i n t i = 0 ; i < n u m S e r v os ; i + +) { s e r v os [ i ] . w r i t e ( 0 ) ; } d e l ay ( 1 0 0 0 ) ;
=0 ;i<num S ervos ;i++) { s ervos [i].write(0 ); } d el a y (1 0 0 0 ); //B wa veMotion(0 ,6 ,1 ,9 0 ,0 ,4 5 ,2 0 ); //s t a rtS ervo,end S ervo,repea t ,a m pl it ud e, s t a rtA ngl e, pha s eA hea d , d el a y Tim e // for(int i=0 ;i<num S ervos ;i++) { s ervos [i].write(0 ); } //C wa veMotion(7 ,1 3 ,1 ,9 0 ,0 ,4 5 ,2 0 ); // for(int i=0 ;i<num S ervos ;i++) { s ervos [i].write(0 ); } //D wa veMotion(1 4 ,2 0 ,1 ,9 0 ,0 ,4 5 ,2 0 ); // for(int i=0 ;i<num S ervos ;i++) { s ervos [i].write(0 ); } //E wa veMotion(2 1 ,2 7 ,1 ,9 0 ,0 ,4 5 ,2 0 );
fo r(in t i=0;i<n u m Serv o s;i+ + ) { servos[ i] . w r it e(0); } d ela y( 1
s e r v os [ 4 ] . w r i t e ( 4 5 ) ; d e lay ( 2 0 0 ) ; s e r v os [ 3 ] . w r i t e ( 1 3 5 ) ; d e lay ( 2 0 0 ) ; write(45); ; //B.A . D write(135); servos[ ; d ela y( 3 write(45); servos[ ; d ela y( 3 .write(45); servos[ ; d ela y( 3 .write(135); servos[ ; d ela y( 3 .write(45); servos[ ; 3. d ela y( 3 .write(135); t he i nsi de st r u c t u re servos[ ; d ela y( 3 .write(45); servos[ 0] . w r it e (180); d e lay ( 2 0 0 ) ; d ela y( 300) ; s e r v os [ 3 0 ] . w r i t e ( 1 3 5 ) ; servos[ 31] . w r it e (180); d e lay ( 2 0 0 ) ; d ela y( 300) ; s e r v os [ 1 4 ] . w r i t e ( 4 5 ) ; servos[ 32] . w r it e (180); d e lay ( 2 0 0 ) ; d ela y( 300) ; s e r v os [ 1 5 ] . w r i t e ( 4 5 ) ; servos[ 33] . w r it e (180); d e lay ( 2 0 0 ) ; d ela y( 300) ; s e r v os [ 1 6 ] . w r i t e ( 1 3 5 ) ; servos[ 28] . w r it e (180); d e lay ( 2 0 0 ) ; d ela y( 300) ; s e r v os [ 1 7 ] . w r i t e ( 4 5 ) ; servos[ 29] . w r it e (180); d e lay ( 2 0 0 ) ; d ela y( 300) ; s e r v os [ 1 8 ] . w r i t e ( 1 3 5 ) ; servos[ 30] . w r it e (180); d e lay ( 2 0 0 ) ; d ela y( 300) ; s e r v os [ 1 9 ] . w r i t e ( 4 5 ) ; servos[ 14] . w r it e (180); d e lay ( 2 0 0 ) ; d ela y( 300) ; s e r v os [ 2 0 ] . w r servos[ 15] . w r it e (180); d e lay ( 1 0 0 0 ) ; d ela y( 300) ; servos[ 16] . w r it e (180); // d ela y( 300) ; f or ( i n t i =0 ; i < servos[ 17] . w r it e (180); { d ela y( 300) ; s e r v os [ i ] . w r i t servos[ 18] . w r it e (180); } d ela y( 300) ; d e lay ( 1 0 0 0 ) ; servos[ 19] . w r it e (180); d ela y( 300) ; / / B.C. D. E 4. servos[ 20] . w r it e (180); w av e M ot i on ( 0 t h e b l a de s d ela y( 1000) ; / / s t ar t S e r v o, e p li t u d e , s t ar t //B.A . D d e lay T i me servos[ 6] . w r it e (45); d ela y( 200) ; // servos[ 5] . w r it e (135); f or ( i n t i =0 ; i < n u m S e r v os ; i + +) d ela y( 200) ; {
s ervos [i].writ e(0 ); } d el a y (1 0 0 0 ); // for(int j=0 ;j<num S ervos ;j++) { s ervos [ j].writ e(( j%2 )* 9 0 ); } d el a y (1 0 0 ); for(int j=0 ;j<num S ervos ;j++) { s ervos [ j].writ e((( j+1 )%2 )* 9 0 ); } d el a y (1 0 0 ); // for(int i=0 ;i<num S ervos ;i++) { s ervos [i].writ e(0 ); } d el a y (1 0 0 0 ); // for(int i = 0 ; i <= 1 8 0 ; i+=1 ) //t he d egrees for s ervo m otors { for(int j=0 ;j<num S ervos ;j++) { s ervos [ j].writ e((i+j* 1 0 )%1 8 0 ); } d el a y (2 0 ); >= 0 ; i-=1 ) S ervos ;j++) i+j* 1 0 )%1 8 0 );
S ervos ;i++) } d el a y (2 0 0 0 ); }
);
23-24
6. 2
6. 2 live shot from LIGHTITUDE
25-26
07 LAWNIA
Lawnia is combined with two words,
ed with a SD card and a servo motor
lawn and media. Its concept comes
which is to turn a fan. When the fan
from me and Hoi-Ian, Wong. The
turning, the grass waves. Therefore,
installation is a media that can pass
the audience can â&#x20AC;&#x153;feel the textâ&#x20AC;? from
message. The main material for this
the waves of the grass. There are
installation is the text. We make a
seven servos in the installation. In
dancer listening to the reading
the first mode (using the data
sound of the text , then he performs
collecting from dancer to control the
body movements. The sensor on his
servos), the grass waves like a clock.
body will collect the data of his
In the second mode, the grass waves
movements. Trough the Processing
smoothly. The movements of grass
code, I save the data to the txt file.
follow the program of the Arduino
After that, I put the files into the SD
software. I use a Arduino MEGA to
card which is connected with Ardui-
control all servos.
no UNO. An Arduino UNO is connect-
7. 1 poster for LAWNIA
7. 1
27-28 #include <SPI.h> #include <SD.h> #include <Servo.h> File myFile; Servo myservo; char val[512]; void setup() { myservo.attach(9); Serial.begin(9600); Serial.print("Initializing SD card..."); if (!SD.begin(4)) { Serial.println("initialization failed!"); while (1); } Serial.println("initialization done.");
}
{
} } }
float f = atof(val); Serial.println(val); Serial.println(f); myservo.write((f*0.15) + 75); delay(250); i=0; myservo.write(85); delay(100);
myFile = SD.open("0102.txt"); if (myFile) { Serial.println("0102.txt"); }
void loop() { myservo.write(85); delay(1000); int i = 0; while (myFile.available() > 0) { while (1) { char v = myFile.read(); if (v == '\n' || v == ',') { val[i] = 0; break; } val[i] = v; i++; } if(i>0)
7. 2
7.2 Arduino program to control servos and Processing Program to save data collecting from body movements
7.3
7. 3 the detail of LAWNIA
29-30
7. 4
7.4 the full view of LAWNIA
7 .5
7. 5 the detail of LAWNIA
YAO - YU CHUNG Borned in 1997, a new media art creator based in Taiwan. When I made these projects, I tried to express my emotion or feeling of life in a rational way. I hope audiences can be influenced and inspired to rethink the feelings or emotions in their life when they experience my projects.