TAN YEE YIN Architecture Portfolio
CONTENTS Master of Architecture Give A Damn Design Thesis Small is the New Big Residential Project
pg 1-8 pg 9-18
Screenshot Civic Project
pg 19-24
Co-Exist Mix-Development
pg 25-30
Construction Subject
pg 31-34
Bachelor of Environments Fire Studio University’s archive
pg 35
Sparks Studio Outre Gallery
pg 36
Air Studio Sculpture
pg 37
Water Studio Boathouse
pg 38
Earth Studio Aboriginal Centre
pg39
Self-Interest
Sketches & Drawings
pg 40
TAN YEE YIN Personal Details birth nationality
1992 Malaysia
Education June 2015 - present 2012 - 2014
Master of Architecture, Melbourne School of Design Bachelor of Environments, Melbourne School of Design The University of Melbourne
Professional Experience Dec 2012 - Feb 2013 Jan 2015 - May 2015
Internship in practice Formzero Architects, Kuala Lumpur, Malaysia Assistant Architect in John Lim Architect, Kuala Lumpur, Malaysia
Computer Skills Rhinoceros AutoCad Revit Adobe Photoshop Adobe InDesign Adobe Illustrator SketchUp V-ray
Visual Communication Skills Sketching Drawing Water Colouring Oil Painting
Language Skills English Chinese
IELTS 2010 (7.5) Malaysian Certificate of Education (B+)
Contact Email Address Tel
tanyeeyin20@gmail.com +61452415518
Drinking Accommodation Office Food Retail Service Education
THE SOUP TEMPLE
AN URBAN PROTOTYPE OF FOOD DEMOCRACY
Program Analysis
Delivery lane Tramway Car lane Bus stop
Traffic Analysis
Current Condition: Food waste piled up along the lanes after trading hours. Share of spaces for setting-up, trading and cleaning.
Recycling & storage Organic waste Water wastage
Waste Management
Future Masterplanning: New below-ground operational area, with back-of-house facilities & Daytime traders Cleaning workers Public / Shoppers Night market Soup Van
Community Overlapping Clock
It is a sacred architecture that have a faith in food waste to strive for a new form of interaction between it and the people. The Soup Temple treats food as a high culture, which it is no longer playing a role to satisfy the people, but becoming a valuable need to be appreciated. Given Queen Victoria Market is the heart of food in Melbourne, the project hence will take the challenge of making the food waste in the market as a tool to achieve social euity through the provision of a sustainable environment.
My Proposal:
Future Masterplanning:
A new meeting place for different community groups, as well as a complementary site to deal with the food
Realigning Franklin Street, to ensure better connection to the “Market Square”.
Why it is a temple? Food scarcity is a raising issue in today’s world. Hence, people in developed countries like Australia, ought to feel the same respect towards food. Reconsidering the way we deal with food waste, instead of throwing it away, we can process them for a new purpose. The Soup Temple, is a complementary part to the existing Queen Victoria Market. It brings a new culture to a market with long history. It anchors a culture of togetherness, by implementing the self-sustaining practice amongst the community as a way to deal with the organic waste.We are now not simply buy what we want and leave. We stay here-spend the day with family at the community farming, exchange extra food at
the barter plaza, volunteer to give away excess food to the homeless and many other events. This project, hence provides the architectural spaces for these activities to happen. Like most of the temples, journey is an important part to bring people from mundane life to the sacred space. In my design, I create different experience, different intensities at all directions before reaching the main circular hall. Flexibility, Intersection and Experience are the best descriptions to the architecture of Soup Temple. It is not an exaggerated temple for people to admire its architecture, but rather humble, to shift people’s attention on what we should be concern-the reborn of food waste. Master of Architecture Semester 4 pg 01
DESIGN THESIS Queen Street Entrance from Market
Master of Architecture Semester 4 pg 02
GIVE A DAMN
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A
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A
3
11
4 11 9
10
5
1 6
15
8 16
7
Ground Floor Plan scale 1:1000
Ground Floor Plan
Traders Setting Up at the Dawn
Soup Kitchen at the Night
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11
Section A-A scale 1:400
9
10
1
Master of Architecture Semester 4 pg 03
Soup Temple / Leftover’s Recipe Incubator barter plaza public space Anaerobic Digesters’ Colonnades pop-up zero food waste restaurants Ozharvest Food Rescue store kitchen and w/c warehouse traders’ facilities
Food Waste Recycling at the Attic
10 generator and service room 11 glasshouse 12 chicken coop 13 community farming 14 potting shed and worm farm 15 garden 16 food trucks and soup vans 17 laneway in between cafes and balcony 18 rooftop access to Anaerobic Digesters
DESIGN THESIS
1 2 3 4 5 6 7 8 9
Public Hangout Space
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4
3
Master of Architecture Semester 4 pg 04
GIVE A DAMN
T EE
IN
FR
L NK
R ST
A
Wareh
A sense of home with the kitchenette at entrance
The central hall of Soup Temple Pop-Up Waste Zero Cafes& Food Rescue Store
The Barter Exchange The Garden
The Colonnade of Anaerobic Digester columns
EN
E QU ET RE ST Public Workers Homeless
Master of Architecture Semester 4 pg 05
E PE T EE
TR LS
The symbolic facade as the entrance. Simply as an envelope, this facade lacks of connection to the interior space of the market today.
Substantial barrier to separate the cemetery and the market in the past. Duplicate the arched brick wall to the glazed wall of the Soup Temple, with melted recycled aluminium cans as the “motif ”.
house & storage
Journey along the orchard Intersection between traders’facilities & the public glasshouse
The Glasshouse as an event space
The Worm Farm
A meeting point of workers & the local community
Corroded lanterns hung under the Sheds. Bringing this element along the cafe lane, a path traces back to the glorious moment of Queen Victoria Market.
Cast Iron column with molded capital that represents the architecture of 1900s. By blending the historical architecture element into the Soup Temple, it exemplify the story of QVM as part of the Temple.
Timber columns with lot numbering along the Sheds. Same material and purpose are used in my architecture, as separation between the unit containers .
Repetitive Shed’s pediment is one of the symbolic features of QVM.Whereas the Sheds are open space , the interior space of my Temple is glazed, with the colonnade of Anaerobic Digester Columns as the journey to the hall.
Master of Architecture Semester 4 pg 06
The Soup Temple reflects a sacred yet welcoming space for everyones. It is a space that encourages a mix of different events, as depicted in the perspective view. In term of architecture, melted aluminium cans are used as a decorative element at the glass facade. The colonnade of Anaerobic Digester’s columns covered by the recycled wood crates from the market. Before heading to the Soup Temple, there are pop-up cafes and public staircase along the colonnade.
The laneway with similar cast iron columns and lanterns aligned. Popup cafes and a balcony in the glasshouse are along the laneway. Silo, for instance, is one of the zero waste cafe which promote the same goal of the project, In brief, the renders illustrate an introduction of public space to attract the community for being part of a group to fight for zero food waste. In addition to the technical mechanism as a way to recycle the waste.
Master of Architecture Semester 4 pg 07
DESIGN THESIS The Soup Temple
The Colonnade
The Meeting Point
Master of Architecture Semester 4 pg 08
SMALL IS THE NEW BIG
Work early at dawn due to insomia
Meet up with other artists at co-working studio space
Late night carousing with friends
PARTIES & DINNER
A story flow to describe what if the renowned artist, Francis Bacon becomes one of my tenants in the residency and how he would explore the flexibilities and opportunities that the residency could provide to him, not only within his own unit but overall building facilities.
This studio focuses on the different functional spaces within a house, which required by the residents at specific time and needs. It allows freedom for the students to set their The studio provides a flexibility to own briefs and the related target of the students to create their own brief users. with specific client, site and project concept. By doing so, a more efficient My brief is to establish an artist strategy can be resolved to provide most ideal living condition to the as- residency for the artists who are craving for community-based insigned client in respect to the site. teraction and cultural learning. The project will serve as a platform to foster the relationships in both between the artists as well as with the local community. The Small is the New Big studio explores different gestures of living, by starting from the small scale of interior living conditions to the large scale of overall building.
The solution came up with the concept of “R.A.W�. This provides the flexibility in the very basic stage, which is the ability to customize use of spaces, by the transformable floor structure. Other than the big mechanism to move the flooring platform for different stages of use, the overall interior are plain and simple, to ease the changes needed to be made by different residents.
Unlike common generalised group of users, the challenge in my brief is the need of flexibility to accomodate different behaviours and styles of the artists, whom are the temporary tenants in the residency. Master of Architecture Semester 3 pg 09
RESIDENTIAL
Wall perimeter for hanging artwork & wheel mechanism installation.
Wall perimeter for view and light enhancement.
Sink in promixity to the workstation for convenience.
Wheel mechanism to move platform at ease. Foldable desk mounted on wall.
Flexible mechanism structure for exchangeable spaces.
Fixed functional spaces.
Master of Architecture Semester 3 pg 10
SMALL IS THE NEW BIG
1 4
2 3
Sleeping + Working Mode
scale 1:50
Dual Working Mode
scale 1:50
Dining + Working Mode
scale 1:50
Master of Architecture Semester 3 pg 11
RESIDENTIAL Elevation 1
scale 1:50
Elevation 2
scale 1:50
Elevation 4
scale 1:50
Elevation 3
scale 1:50
Master of Architecture Semester 3 pg 12
SMALL IS THE NEW BIG
1
2
3
4
5
6
1 gallery 2 information centre 3 cafe 4 artists’ archive 5 administrative office 6 w/c & pantry
Ground Floor Plan
scale 1:300
B
A
D
C
Master of Architecture Semester 3 pg 13
11
7
RESIDENTIAL
8
9
10
12
7 single person residential unit 8 painting studio 9 drawing studio 10 couple residential unit 11 sculpting studio 12 general co-working space 13 pop-up rooftop garden
First Floor Plan
scale 1:300
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7
10
8
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1
3
Cross Section
scale 1:150
Master of Architecture Semester 3 pg 14
SMALL IS THE NEW BIG
Perspective A Corridor along building perimeter
Perspective B Corridors in between the building blocks Master of Architecture Semester 3 pg 15
RESIDENTIAL Perspective C Ground floor main gallery
Perspective D Upper level gallery walkway Master of Architecture Semester 3 pg 16
SMALL IS THE NEW BIG
BEVEL GEAR SPUR GEAR
HANDLE
1
JOINERY PLAN SCALE 1: 10 @ A3
2
JOINERY SIDE ELEVATION SCALE 1: 10 @ A3
ROLLER LOCK LINEAR GEAR
SPUR GEAR RECESSED FLOOR AS TRACK
3
JOINERY FRONT ELEVATION SCALE 1: 10 @ A3
Master of Architecture Semester 3 pg 17
Master of Architecture Semester 3 pg 18
SCREENSHOT Initial proposal of “Water Has Memory” to create a form with the notion of moving back to the past.
The illustration shows the circulation flow of public from different directions to the building.
The concept of “Controlled Explosion” is meant to create a sense of clashing with the memories, to reminiscing the important role of Yarra river that led to the formation of Melbourne city. As illustrated in the render above, the strategic location of the site links to the paraBy understanding the urban typolo- mount river by the Birrarung Marr gies set at the Federation East, City of Melbourne, a civic building that Park. consists of business hub, public plazza, public pool, restaurants and bars A strong multi-cultural society have is designed in order to respond to the been anchored in this free flow rivlocal community and tourists. er for a long period. By juxtaposing it with the direction of the dynamic flowing river, the scattered forms of the building is the result of a handson experiment, of throwing sticks on the soft “melting landscape”, which is the blanket. The further developed form hence is the outcome of exploration on “Controlled Explosion”. Screenshot studio explores proposals that creating forms, spaces as a place or precinct where new transformations may occur. The studio re-focus on the design process and develop a design discourse taking into account notion of screen, motion and the urban spectacle.
In regards with the project, the exposing surface of the landscape contains an ecological system of planting trees, while its inner space together with the rigid blocks on the top are occupied for different public activities, such as restaurants, hotel rooms and facilities, greenhouse as well as shopping lots. In response to the site, my project attempts to avoid blockage of views and interaction between Melbourne CBD and Southbank. Hence, an extension of building in vertical direction is restricted by only up to three levels. There are cut-off points at ground level, for shorter circulation to cross between city edge to the river., and view towards both sides are enhanced with the increasing perimeter along the building. Master of Architecture Semester 2 pg 19
CIVIC PROJECT The exploded axonometric diagram depicts the overall circulation path with the transitional shift from public to private. Meanwhile it also brings a sense of “Controlled Explosion�, by illustrating there is no clear division of levels but rather the intersecting meeting points due to different level heights of blocks and the artificial landscape. Master of Architecture Semester 2 pg 20
The bottom of extruded block exposes the constructed beams, creates a sense of skin-off appearance after explosion.
Hotel lobby atrium that made up of 10m in height, with crossing corridors to enhance interaction across levels.
Moonlight cinema at the rooftop
Master of Architecture Semester 2 pg 21
CIVIC PROJECT
On the top of artificial landscape, made up of viewing platform and pop-up market.
Public pool and walkable park.
Master of Architecture Semester 2 pg 22
SCREENSHOT
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10 11
1 restaurants 2 retail shops 3 bike hiring outlet 4 public pool 5 pop-up cafe 6 changing room & sanitary 7 gymnasium 8 administration office 9 hotel lobby 10 plant nursery 11 plant nursery selling point 12 bar & live musical venue 13 pop-up market 14 hotel rooms
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6 4
3
5 2
1
Ground Floor Plan
scale 1:1000
Longitudinal section with the background setting of Melbourne CBD scale 1:800
Master of Architecture Semester 2 pg 23
CIVIC PROJECT Different spatial experience happens at ground floor, where there are changing spaces of exterior and interior spaces at the “melting artificial landscape� (with holes for columns that planting trees sit on top and skylights) as well as penetration of rigid blocks where main programs, such as restaurants, hotel lobby, gymnasium and so on are located.
14
Since the location of the site is hidden behind the landmark of Federation Square, my idea is to attract the public from the main streets in city. To do so, I place the pop-up market on the top of the artificial landscape, which will be easily spotted from far streetscape level. 13
First Floor Plan
scale 1:1000
Cross section depicts the relationship of the building with the railway track and Yarra River scale 1:800
Master of Architecture Semester 2 pg 24
CO-EXIST
A
Mid level floor plan
scale 1:1000
Ground floor plan A
scale 1:1000
The Co-Exist studio is an exercise in identifying the current development drivers shaping our city, by understanding the current reality and exporing alternatives.
First floor plan
scale 1:1000
In my part of individual project, the aim is to incorporate a mix of community activites, private properties and residential housing at this very visible point of the site, which is the substantial junction of the Haymarket roundabout. A mix of different activities in the mid-rise building manages to activate the building itself across every levels, by a thoughtful circulation mapping in vertical direction.
The site is a 10,000 sqm parcel of land bounded by Elizabeth, Peel , Queensberry and O’Connell Streets in North Melbourne. Followed up by the masterplan that presented in group, we individually developed a multi-residential project and a secondary, complimentary use of their “The Green Gem� is my proposed choice, within this masterplan. theme to implement the greenery and sustainability concept into the mixed-use development. In term of context, my design imposes a positive image to the location where previously described as the Roundabout of Death.
Upper residential floor plan
scale 1:1000
house is the highlight that leads up to the green open spaces at upper levels which made up of private offices, hotel and residential housing, that accessible by the visible lift cores at perimeter. As depicted in the diagram,restaurants and extension of greenhouse are located at mid level in order to encourage interaction between the residents and the public. This hence can activate the local interactions that used to be only happens at the streetscape level.
The appearance of blocks that face different directions is to avoid the emphasis on only one main entrance, as there are several entrances can be accessed from ground level for a better circulation flow that At the ground level, there are public ease the people who are coming and social spaces that welcomes the from different directions. visiting from general people, where the four-storey height of green-
Master of Architecture Semester 1 pg 25
MIX-DEVELOPMENT Master of Architecture Semester 1 pg 26
CO-EXIST
social housing
co-housing
hotel mixed zone greenhouse
office office lobby
Section A-A scale 1:350
Master of Architecture Semester 1 pg 27
MIX-DEVELOPMENT Activation of basement space from ground level
Bringing nature into daily living
Roof deck as the recreational space
sports
culture
Longitudinal Section for the understanding of the hierarchy of different activities across levels.
Master of Architecture Semester 1 pg 28
CO-EXIST
Master of Architecture Semester 1 pg 29
MIX-DEVELOPMENT
Environmental sustainable design (ESD) section to illustrate how the green system works throughout the building.
Master of Architecture Semester 1 pg 30
BMU RAIL
CONSTRUCTION
PARKING PIT
BMU PLATFORM WIDTH: 1800MM TRACK: I BEAM TRACK ON STEEL STRUCTURE
FLOOR OUTLET UVS 75 BODY ASSEMBLY
SYSTEM: 4 STAGE TELESCOPING JIB FIXED ATOP A 2 STAGE CONTINUOUSLY SLEWING VERTICALLY TELESCOPING PEDESTAL. WHEN NOT IN USE THE JIB AND PEDESTAL RETRACT TO PARK THE BMU TO MINIMISE VISUAL IMPACT
DESIGN INTENT: THE CONCEPT IS TO MAINTAIN THE OVERALL CURTAIN WALL SYSTEM AS THE FACADE SYSTEM, BY PLACING THE PERFORATED ALUCOBOND@ PLUS SUNRISE SILVER METALLIC CLADDING PANEL ON THE CURTAIN WALL SYSTEM. WITH THE 2500MM HEIGHT PARAPET AND A SETBACK FOR PARKING PIT, THE RETRACTABLE BMU WILL NOT BE SEEN WHEN IT IS NOT OPERATING.
1 -
BMU OVERALL PLAN SCALE 1: 400 @ A2
SQUARE HOLLOW SECTION COLUMN/TRUSS 200X200 9MM THICK ZINCPOWDERCOATED DESCRIBED IN EN-ISO 1461 SQUARE HOLLOW SECTION BEAM 200X200 9MM THICK ZINCPOWDERCOATED DESCRIBED IN EN-ISO 1461
WEBFORGE ALUMINIUM STANCHIONS WITH STANDARD BASE PLATE @ 46O.D. X 3.5MM
WEBFORGE FLOOR GRATING @ C505MP (CUSTOMIZED PANEL SIZE @ 1000 X 8100MM)
2 -
BMU PARTIAL PLAN SCALE 1: 50 @ A2
MELBOURNE SCHOOL OF DESIGN
ABPL90118 APPLIED CONSTRUCTION SEMESTER 2, 2016- FINAL ASSIGNMENT
PROJECT
292 EXHIBITION ST
TITLE
TEAM MEMBERS:
STACKING STRATEGY
LI AI ANG 560558 HUI LI YEOH 560651 YEE YIN TAN 560654
DWG NO
TUTOR:
TUTE NO.
MOHD HUSSIN
08
DATE:
19 JUNE 2016
Master of Architecture Semester 2 pg 31
CONSTRUCTION
D1 A5.5 STACK JOINT
PARAPET HEIGHT: 2500MM
PARKING PIT RAIL WIDTH: 100MM TRACK WIDTH: 1800MM
200MM DEPTH I BEAM BELOW WEBFORGE GRATING
D2 A5.6 PERFORATED ALUCOBOND CLADDING ON CURTAIN WALL SYSTEM
D3 A5.6 PERFORATED ALUCOBOND CLADDING ON CURTAIN WALL SYSTEM
TYPICAL CURTAIN WALL SYSTEM WITH SOLAR PANEL
3 -
ELEVATION
4 -
SCALE 1: 50 @ A2
MELBOURNE SCHOOL OF DESIGN
ABPL90118 APPLIED CONSTRUCTION SEMESTER 2, 2016- FINAL ASSIGNMENT
PROJECT
292 EXHIBITION ST
SECTION SCALE 1: 50 @ A2
TITLE
TEAM MEMBERS:
STACKING STRATEGY
LI AI ANG 560558 HUI LI YEOH 560651 YEE YIN TAN 560654
DWG NO
TUTOR:
TUTE NO.
MOHD HUSSIN
08
DATE:
19 JUNE 2016
Master of Architecture Semester 2 pg 32
CONSTRUCTION
BACK-TO-BACK C SECTION @C100
BACK-TO-BACK C SECTION @ C125
TOP OF CAPPING
11/2"
3MM THK ANGLE @ 50X50MM
5 DEGREE SLOPE
ANGLE BEDDED IN CONTINUOUS SEALANT
”
COUNTERSUNK RIVET @ 16”
SHIM @ 1 5/8” THK MARINE GRADED PLYWOOD SUBSTRATE ON PACKING SHIFT
O.C.’
1/16” PERFORATED ALUMINIUM FASTERNER WITH NEEOPRENE WASHERS
SPLIT MULLION WITH ALUCOBOND@PLUS PERFORATED METALLIC SUNRISE SILVER
1 -
80MM WIDE ALUCOBOND BACKING STRIP
KEY PLAN SCALE 1: 5 @ A2
C505MP WEBFORGE GRATING @ 100MM LOAD BAR INTERVAL & 40MM CROSS BAR INTERVAL WEBFORGE FIXING CLIP C001MG
0.5MM THK FLASHING
5 MM THK END STRIP CROSS BAR LOAD BAR @ 50 X 5 MM
200MM DEPTH I-BEAM
200MM DEPTH PFC
D1 A4.5
DETAIL SECTION 1 SCALE 1: 5 @ A2
MELBOURNE SCHOOL OF DESIGN
ABPL90118 APPLIED CONSTRUCTION SEMESTER 2, 2016- FINAL ASSIGNMENT
PROJECT
292 EXHIBITION ST
TITLE
TEAM MEMBERS:
STACKING STRATEGY
LI AI ANG 560558 HUI LI YEOH 560651 YEE YIN TAN 560654
DWG NO
TUTOR:
TUTE NO.
MOHD HUSSIN
08
DATE:
19 JUNE 2016
Master of Architecture Semester 2 pg 33
CONSTRUCTION
BACK-TO-BACK C SECTION @C100 (DIAGONAL BOLTED TRUSS)
2 X STEEL PLATE @ 12” X 16”
BACK-TO-BACK C SECTION @C125
D2 A4.5
DETAIL SECTION 2
D3 A4.5
DETAIL SECTION 3
SCALE 1: 5 @ A2
ROOFCOTE ALUMINIUM PAINT DERBIGUM SP4 WATER PROOFING MEMBRANE WITH 75MM SIDE LAPS AND 100MM END LAPS
SHIM STACK JOINT (CLADDING UNITISED SYSTEM WITH CURTAIN WALL UNITISED SYSTEM)
CANT STRIP @ 76MM WIDE 25MM THK 50MM THK SCREED TO FALL @ 1:80 6MM THK ANGLE @125 X 75 MM
SQUARE HOLLOW STRUCTURAL SECTION 8MM THK 100MM HT BOTTOM CHORD HOLLOW STRUCTURAL SECTION WITH 12”X 12”STEEL PLATE
1200 DEPTH UNIVERSAL I-BEAM
ISOLATION TAPE BETWEEN STEEL & ALUMINIUM SURFACES
TOP HAT LOW MODULUS SEALANT
MELBOURNE SCHOOL OF DESIGN
ABPL90118 APPLIED CONSTRUCTION SEMESTER 2, 2016- FINAL ASSIGNMENT
PROJECT
292 EXHIBITION ST
SCALE 1: 5 @ A2
TITLE
TEAM MEMBERS:
STACKING STRATEGY
LI AI ANG 560558 HUI LI YEOH 560651 YEE YIN TAN 560654
DWG NO
TUTOR:
TUTE NO.
MOHD HUSSIN
08
DATE:
19 JUNE 2016
Master of Architecture Semester 2 pg 34
FIRE STUDIO
8.3%
apartment
pictures on racks scholar's office
To design an archive for The University of Melbourne, which is not only for repository purpose, but also provides public library, gallery, classrooms, conference room and administrative office.
archival processing
quarantine
photographs in boxes
archival irradiation area
loading bay
locker room
cloakroom reception
Ground Floor Plan
ated this PDF from an application that is not licensed to print to novaPDF printer (http://www.novapdf.com)
Taking an embryo in a womb as my analogy to describe the relationship between the University of Melbourne and its archive, which plays an important role to protect historical records. Being explored with the futuristic approach, the profound building form shows the contrast of what the building preserves for and how it actually looks like.
Public Use A raw concrete appearance.
Open Space Roof space for interaction.
Reception Area Organic morphological flow emerged from the ‘embryo’ form.
Archival Corridor A mix of concrete and glass walls for archival displays.
Admin. Space Cross-laminated timber panels.
Bachelor of Environments Semester 6 pg 35
SPARKS STUDIO
The current Outre Gallery is locating in the Melbourne CBD, a small gallery along Elizabeth Street. Design a new building for the gallery that would be relocated to the junction of Albert Street and Sydney Road, Brunswick. I related Outre Gallery to a less formal, more casual kind of art exhibition. In my design, I used the idea of folding and pop-out paper card as my analogy. This is because pop-out design cards are the creative yet cheap form of art that always bring warmth to the receivers. I tried to used the layout of Outre Gallery as my starting point by folding them in several ways. This is the final outcome that led to my building design.
Longitudinal Section
Bachelor of Environments Semester 6 pg 36
AIR STUDIO
To design an aesthetic sculpture that generates green energy which can attract the visitors to the site, Refshaleoen, Copenhagen. The design allows the visitors to experience the dynamic spatial interaction within the sculpture, where the flapping panels of the facade will generate wind energy. Not only that, the design also encourages the visitors to involve in generating energy by stepping on the piezo-flooring panels.
Bachelor of Environments Semester 5 pg 37
WATER STUDIO
Ground Floor Plan
To design a boathouse which replaces the existing Studley Park Boathouse. The programs involve are the boat hiring area, restaurant, cafe and kiosk for public access.
Learning from Herzog and the Meuron, I focused on the materials used for facade treatment. Printed dots on the transparent glass wall is one of the inspired idea from the IKMZ BTU Cottbus. This pattern of seabed-like-dottings will form an interior of underwater feeling when the sunlight penetrates into it. In my design also emphasize the ramps for public access at the rooftop.
Bachelor of Environments Semester 4 pg 38
Ground Floor Plan
First Floor Plan
EARTH STUDIO
Basement Floor Plan
To design an area consists of reconcilation garden, unearthing colonisation discovery place., unearthing pre-colonial indigenous colonisation place, office, storage, a stage for performance as well as a sculpture at the assigned part of Herring Island.
Refer to the story of ‘ A Lifelong Colonist’, they used to describe the aborigines as ‘Shadow People’ due to their random appear and disappearance on the land. Thus, my design concept is based on this interrelationship between the colonist and the aborigine. The idea of unequal height of the wall of Aboriginal Discovery Centre in to create the feeling of the aboriginal people who try to hide from the colonist while at the same time desire to be able to
move freely on the land they used to own. On the other side, the curtain wall of upper floor of the Colonial Discovery Centre enables the visitors to look down at the pathway of the Aboriginal Discovery Centre. The Skylight will cause shadow forming of the visitors at the lower floor. Hence, The people will see the shadows formed from the upper Colonial Centre, which match with the concept of ‘Shadow People’.
Bachelor of Environments Semester 3 pg 39
SELF INTEREST
VISUAL COMMUNICATIONS
VISUAL COMMUNICATIONS
The University of Melbourne Stadium
Commonwealth Bank Union House
St Paul Cathedral
pg 40