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This Saturday, as it enters the home stretch, the 27th annual RiverRun International Film Festival will present the discussion “The Art and Impact of ARCHIVAL RESEARCH: A Conversation with Rosemary Rotondi and Monica Berra” at 4 p.m. at Hanesbrands Theatre

4 Bringing the soul from Greensboro, North Carolina, RANFORD ALMOND is a young singer/songwriter and troubadour that has begun to make his mark across the Southeast.

5 Kildare or Casey ? The latter referred to two competing medical dramas that ran concurrently from 1961 to 1966: Ben Casey which aired on ABC, starred Vince Edwards, and Dr. Kildare, which was broadcast on NBC, starred RICHARD CHAMBERLAIN

6 SACRAMENTO marks the feature debut for co-writer/producer/director Michael Angarano, and although this “Gen Z” road-trip comedy/drama treads some familiar territory.

7 BETTY ON BURKE refers to itself as a “sister” restaurant to Mozelle’s (878 W. 4th St.). Jennifer Smith, proprietor of both, has an eye. Betty has to have one of the prettiest interiors I have ever encountered.

8 MerleFest sound guru CLIFF MILLER says he was simply at the right place at the right time, but there’s more to the story than that. A lot more.

11 It’s a season of new across the TRIAD MUSIC COMMUNITY, highlighted by not only the aptly titled debut release, “Community,” from GTCC’s Ti-Tone Records; but also through new releases and shows spanning genres and region.

12 Carter alleged that, despite “nearly six years of documented issues, including mold, a cracked joist, compromised flooring, structural instability, and unsafe yard grading,” Habitat of Greensboro has FAILED TO FULFILL what she describes as multiple promises to remediate her home.

visions Deep focus: RiverRun honors documentary ﬁlmmakers

This Saturday, as it enters the home stretch, the 27th annual RiverRun International Film Festival will present the discussion “The Art and Impact of Archival Research: A Conversation with Rosemary Rotondi and Monica Berra” at 4 p.m. at Hanesbrands Theatre, 209 N. Spruce St., Winston-Salem. The event is open to the public and admission is free. Rotondi is the recipient of this year’s Master of Cinema award and Berra the recipient of the festival’s Spark award, and both are well-versed in the art of documentary filmmaking. As an archival researcher and archival producer, her credits include the Oscarwinning documentary features Inside Job (2010) and Citizenfour (2014) and, more recently, Last Call: When a Serial Killer Stalked Queer New York (2024), streaming on HBO and Max; American Murder: Gabby Petito (2025), streaming on Netflix; and One to One: John & Yoko (2025).

Berra, who received her Master of Fine Arts in Documentary Film from Wake Forest University, counts among her credits A Choice of Weapons: Inspired by Gordon Parks (2021), Paul Anka: His Way (2024), and most recently, this year’s River of Grass . They will discuss their careers in the realm of documentary filmmaking, film archival research and producing, and their particular methodology sifting through facts, photos, footage, and documents that comprise a comprehensive documentary, be it short or feature-length, as well as their inspirations and their upcoming projects.

“I am rather overwhelmed being called a ‘Master of Cinema,’ Rotondi admitted, “and am so honored to receive my award from RiverRun, a festival I respect and love that has steadily become a major film festival in the USA. I began my career as an archival film and photo and network news researcher

in 1986 and I am still very excited and happy with what I do for a living. I am also happy to share this award with previous recipients like Stanley Nelson (2015) who is truly a ‘Master of Cinema’ and with whom I have been lucky enough to work with on five different documentary films, including his documentary Attica (2015) which was nominated for an Academy Award, and which is still in rotation on Showtime.”

Having attended RiverRun twice in the past, including once as a juror, she was immediately impressed. “What stood out to me is how the entire city is involved with the festival, how enthusiastic everyone was, how smoothly everything went, and how well we panelists,” she said. “I also love the city of Winston-Salem and its energy and great museums, culture, bars, and restaurants. I love walkable cities like Winston-Salem.”

According to Rotondi, “fate played a big hand in my becoming an archival researcher,” she said. “In 1986, I had just graduated with my Masters of Cinema Studies from New York University’s Tisch School of the Arts. Out of the blue, I heard from the ICA (Institute of Contemporary Art) around the time I was graduating from NYU. They asked if I had any interest in being an archival researcher for a video artist named Daniel Reeves who was creating an experimental documentary for

WGBH’s Creative Television Program. I asked, ‘What is that?’ and the curator explained what his all-archival documentary required. I took the job — and found I loved archival research. Currently, I am working with Sam Pollard on his new feature documentary, The Lorraine , and currently on Netflix is a three-part series on which I served as network news researcher, American Murder: Gabby Petito by Mike Gasparro.”

With nearly 40 years’ experience in the field, “I continue to be inspired by Stanley Nelson, Sam Pollard, Laura Poitras, Kevin MacDonald, Barbara Kopple, and Matt Wolf, as well as Susan Muska and Greta Olafsdottir — with whom I have worked,” Rotondi said. “I would work with any of them again. Their dedication to the documentary field is outstanding and inspiring. It is not easy to raise funds required to create documentaries, especially at this time of flux.

“I believe I do have a strong affinity for documentaries that reveal hidden histories or events that have not previously been examined deeply,” she observed. “I am attracted to documentaries that will make viewers think, ask questions, perhaps feel uncomfortable in a good way. I work on projects that I believe inspire viewers to go on to conduct their own research and watch more than once. I work in an amazing field.” !

Mark Burger

Contributor

Rosemary Rotondi

Greensboro native Ranford Almond to perform at MerleFest

Bringing the soul from Greensboro, North Carolina, Ranford Almond is a young singer/songwriter and troubadour that has begun to make his mark across the Southeast. Raspy fresh vocals meet the Appalachian strings of Ranford’s acoustic guitar, reminiscent of John Prine, and Towns Van Zandt with his own unique stamp. Furthermore, his talent extends far beyond composition and strumming, as he is a warrior on the electric as well. Ranford plays as a solo artist and leads a full band. His full length debut “Old Soul” arrived in November 2023, and demonstrates the evolution of Almond’s ability as he grows as both a writer, arranger, and player. The album, recorded at Ovation Sound, features a litany of nationally recognized guests, such as Roosevelt Collier, Je Sipe, Ryan Cavanaugh, Becca Stevens, Billy Cardine, and many more. Also featured is Bill Stevens, the producer of “Old Soul.” The release follows his EP entitled “Back Burner,” which is also available on all streaming platforms. The degree of anticipation and support of the full length debut was evident immediately following the release where a sold out crowd ﬁlled the Flat Iron, in Greensboro to join in celebration of the new album at its release party. In addition to Almond’s studio explorations, his live history is evident of his growth on stage. Spread-

ing beyond its home of the Piedmont Triad, it has begun to meet new stages and audiences. Festival appearances include Floyd Fest, Mountain Music Festival, Shakori Hills, The New River Gorge Festival, The Big What?, Trail Days, The Casual Campout, and more. In addition to twice selling out the Flat Iron, other notable stand alone plays include appearing under the lights on the big screen of Winston Salem’s Drive In, a feature and headlining appearance of the North Carolina’s “Writer’s In The Round” series and its live counterpart Singers & Songbirds. As of late winter 2023, Almond made his Colorado debut as a solo artist in Steamboat Springs, following his prior guest appearances with Big Something in the region. Ranford’s live collaborative projects link him to signiﬁcant established talent as well. Red Panda is a six piece unit that sees him join forces with the likes of Nick MacDaniels with whom he also shares a duo, and Jesse Hensley, both of Big Something. He can be found fronting another all star style band with Casey Cranford (Big Something), Daniel Yount (Super Yamba Band), and Seth Barden, the latter two staples of the New York City. !

WANNA know?

Ranford Almond will perform at MerleFest on the Plaza Stage, Saturday, April 26, 2025 from 1:15 to 1:30 p.m.

[WEEKLY ARTS ROUNDUP] TRIBUTE CONCERT CELEBRATING JAMES TAYLOR & BILLY JOEL COMES TO WINSTON-SALEM

Fans of iconic American music are in for a special treat later this month as the heartfelt melodies of James Taylor and Billy Joel take center stage at Hanesbrands Theatre. On Saturday, April 26, Arts Council of Winston-Salem & Forsyth County presents “James & Joel: A Tribute to Great American Songwriters,” a solo tribute concert that promises a memorable night of music, storytelling, and nostalgia.

Led by acclaimed musician Clay Mottley, this one-man show is a celebration of two of America’s most beloved songwriters. Mottley, a seasoned singer, songwriter, and multiinstrumentalist, is no stranger to the music of Taylor and Joel. Known for his sold-out tribute concerts “Shower the People” (honoring James Taylor) and “New York State of Mind” (celebrating Billy Joel), Mottley brings together the best of both artists in a brand-new experience that highlights their enduring legacy.

“James Taylor and Billy Joel were mainstays on the radio as I grew up,” Mottley says. “These two proliﬁc songwriters kept getting better with age.

Their later songs are just as amazing as their early work, making the stories behind these songs all the better.” With vocals, guitar, and piano all performed by Mottley himself, the 2.5-hour concert spans decades of unforgettable hits — from Taylor’s soothing folk-rock ballads to Joel’s energetic piano-driven anthems. Audience members can expect not only to hear beloved classics, but also to gain insight into the inspiration behind the music.

The event takes place at Hanesbrands Theatre, located at 209 N. Spruce Street, with the performance beginning at 7:30 p.m. Tickets start at just $26 (plus tax and fees) and can be purchased online at intothearts.org/ james-joel, by phone at 336-722-2585, or in person at the front desk of the Milton Rhodes Center for the Arts (251 N. Spruce Street).

Whether you’re a lifelong fan or discovering these musical legends for the ﬁrst time, “James & Joel” o ers a soulful journey through the soundtrack of a generation — right in the heart of downtown Winston-Salem. Don’t miss this chance to relive the magic of two songwriting greats, brought to life by one extraordinary performer. !

SUBMITTED BY BRIANNA CANTWELL Arts Council of Winston-Salem & Forsyth County

voices Remembering Richard Chamberlain

In the early 1960’s Americans were divided by three great debates: Coke or Pepsi? Ginger or Mary Ann? And Kildare or Casey? The latter referred to two competing medical dramas that ran concurrently from 1961 to 1966: Ben Casey which aired on ABC, starred Vince Edwards, and Dr. Kildare, which was broadcast on NBC, starred Richard Chamberlain. The two heartthrobs couldn’t have been more di erent. Casey was ruggedly handsome with dark features and a dark personality to match, while Kildare was gentle, soft-spoken, and drop-dead gorgeous. We manly men liked Casey, while women swooned over Kildare.

Like his TV character, Chamberlain was a nice guy in real life, something I discovered when I met him on location in Virginia in 1985 while he was ﬁlming Dream West. By then Richard was already a global star and had become known as “King of the Mini Series,” yet he was una ected by his fame and was unpretentious in his manner. Unlike

method actors like Daniel Day Lewis, Chamberlain was just a regular guy who didn’t demand to be referred to by his character name between takes. He was a cultural icon for his talent and later on for how he dealt with a personal struggle over his sexuality. In later years he lived a quiet life in his beloved Hawaii, and that is where he died on March 29 at the age of 90.

Richard Chamberlain was born in Los Angeles to a loving mother and an abusive father. Early on he wanted to become an artist, but after college, he caught the acting bug. Richard served a short stint in the Army during the Korean

War, after which he landed numerous guest-starring roles on hit TV shows such as Gunsmoke and Alfred Hitchcock Presents But unlike many of his contemporaries who struggled to find work early on, Richard had a meteoric rise to fame when he landed the titular role in Dr. Kildare. Following his stint on Dr. Kildare, Chamberlain appeared on stage and in films such as Joy in the Morning, The Three Musketeers, and The Towering Inferno. But it was his success in the TV mini-series genre that made him a household fixture in the 1970s and ‘80s in such hits as Centennial, Shogun, Dream West, and The Thorn Birds. Richard’s talents were always in demand, and he was constantly working as a leading romantic figure, but only because he kept his sexuality hidden from fans. Unlike today where TV viewers and moviegoers could care less if an actor is gay, back then a career could

be destroyed by revealing one’s sexual preference.

Richard ﬁnally came out with the publication of his autobiography, “Shattered Love” in 2003, after which he developed a whole new fan base by guest starring on TV shows like Desperate Housewives, and Will and Grace.

Still, it is sad that such a kind and talented man should have had to endure the stress of hiding his true identity in order to stay employed in his chosen ﬁeld.

It is said that a good actor is someone who can make us believe he is really someone else. Richard Chamberlain did that all of his life, not just for the art, but for his very survival.

That made him more than just a good actor. It made him a great one. !

JIM LONGWORTH is the host of Triad Today, airing on Saturdays at 7:30 a.m. on ABC45 (cable channel 7) and Sundays at 11 a.m. on WMYV (cable channel 15) and streaming on WFMY+.

Richard Chamberlain as Dr. Kildare

Sacramento marks the feature debut for co-writer/producer/ director Michael Angarano, and although this “Gen Z” road-trip comedy/ drama treads some familiar territory, it’s also a pleasing showcase for the ensemble cast Angarano has surrounded himself with, including Michael Cera, Kristen Stewart, and real-life wife Maya Erskine. Like so many actor-turned-directors, Angarano displays an easy touch with his actors, allowing each to cruise through and establish their characters, no matter how large or small the part. That he’s

married to Erskine (who plays his love interest), and years ago dated Stewart (who plays Cera’s wife), establishes a comfortable rapport that certainly comes across onscreen — and keeps it ambling along in an enjoyable fashion.

On a whim, Angarano’s Rickey decides to drop in on Cera’s Glenn, an old highschool chum consumed with worry over impending fatherhood and the status of his job. Yes, Cera is again playing a (very) neurotic character, but he does it well here thanks to the perceptive script co-written by Angarano and producer Chris Smith. Glenn’s pregnant wife Rosie (Stewart) is fully aware of her husband’s foibles, even if he cannot admit them himself.

Having purchased Glenn’s old car, Rickey invites him on a road trip to Sacramento, ostensibly to deposit his late father’s ashes. Glenn agrees — nervously, of course — and o they go, talking about the good old days because they’re not quite able to talk about the current ones.

That’s what is really at the heart of Sacramento: Facing one’s responsibilities, being honest with oneself, and being honest with others. Clearly, and refreshingly, this isn’t just some raunchy post-adolescent romp or a wallow in easy nostalgia.

Angarano and Cera bounce o each other well, Erskine is frank and forthright without being pushy, and Stewart’s wise, deadpan delivery o ers the perfect counterpoint to Cera’s neuroses. There are nice turns by AJ Mendez and Iman Karram as female wrestlers who meet Rickey and Glenn in a Sacramento bar, which is only appropriate because Mendez (under the name “AJ Lee”) was herself a professional wrestler. Angarano has even found roles for his father Michael Sr. and son Leon. The friendly vibes abound.

Admittedly, Glenn’s late-inning meltdown — which the ﬁlm has been building to almost from the get-go — is a little over the top, and the feel-good wrap-up is a little pat, but in the case of Sacramento, getting there is all the fun.

— Sacramento is playing in selected theaters. !

Mark Burger

Chow Down with John Batchelor at Betty on Burke

BY JOHN BATCHELOR

Betty on Burke refers to itself as a “sister” restaurant to Mozelle’s (878 W. 4th St.).

Jennifer Smith, proprietor of both, has an eye. Betty has to have one of the prettiest interiors I have ever encountered. And I use the feminine terminology deliberately. It’s a delicate look, but not frilly. A chandelier made of oyster shells casts a soft glow over the dining room, which is clad in wallpaper decorated with palm fronds.

The interior is small, so reservations are rather jealously guarded. Make yours well in advance for weekends, and honor them! Patio seating opens things up, especially this time of year.

Jay Pierce, whose work I have admired for decades, is executive chef-partner. The name of the restaurant pays tribute to the owners’ grandmothers, both of whom were named Betty.

The “Smalls” section of the menu covers what might otherwise be called starters or appetizers.

If I had my way, Potato Chips would be one of the essential food groups. This kitchen makes its own version in-house, thinly slicing fresh potatoes and frying them light and crisp, presented over labneh (strained yogurt), yielding a Middle Eastern twist to this American classic. Fronds of fresh fennel lend color as well as delicate ﬂavor shading.

A Shrimp Cocktail might strike an outsider as plebian, but the preparation at Betty is sophisticated. First, the six jumbos are cooked just-right-tender, then sprinkled with what the menu calls

“magic dust.” It’s a mildly spicy blend of gochugaru chili, Aleppo pepper, lime zest, and kosher salt, allowing the natural taste of the shrimp to come through. Fried Oysters are medium-sized, pleasantly crisply crusted. Six of these are attractively arrayed around a ramekin of mustardy sauce, decorated with fresh dill.

Latkes are potato pancakes. Here, they are lighter in texture than many I have had, concocted from shredded potatoes, onions, beaten eggs, and matzo meal. They are formed on the griddle, then ﬁnished in the fryer. These are plated over applesauce made from local stayman winesap apples, white wine, cardamom, and brown sugar. The surface is dusted with “apple dust,” made from dried apple skins treated with citric acid, apple cider vinegar, and salt, decorated with clips of green onion. I loved them.

The “Bowls” section includes salads, but also anything else that is served in a bowl.

Since Tuna Nicoise is one of my favorite dishes, I immediately gravitated there. This version features sushi-grade tuna slices seared and lightly peppered, served cold, in combination with egg salad, hearts of palm, fresh fennel, and cannellini beans, ﬂanked by crisp shoestring fries. A sharpish lemon-mustard sauce adds character.

This section also o ers a vegetable bowl, a Sweet Gem Caesar salad, and Korean Barbecue Beef, which I will try on another visit, of which there will be many.

On to the “Mains.”

Sweet Potato Gnocchi are pu y-

tender, richly flavored in their own right, plated with shredded duck meat, also cooked soft. Throw in locally grown mushrooms, and you get a rewarding result. Lemon Spaghetti is light in initial impact, gaining complexity from peppery-fresh arugula and roasted tomatoes. You can add proteins to thischicken, shrimp, or lobster. My wife chose shrimp and found tender texture that marries well with the citrusy pasta sauce. Pork Schnitzel is sliced thin, coated with breadcrumbs, and fried crisp. The pork flavor is excellent in its own right, but it gains from a topping of fried egg, plus carrots and radishes, scattered with feta cheese crumbles, and salsa verde. A whole hot pepper alongside will light you up, but it tastes really good. Just don’t try to eat too much too fast. Chicken Paillard is breast meat, pounded thin, flash-sauteed in a very hot pan. The e ect generates crusty flavor, sharpened with lemon sauce, presented over fusilli pasta.

We got both the pork and chicken due to a mistake. We ordered one but received the other. That is not a criticism or a complaint. Every restaurant (and every person, btw) makes mistakes. The issue is not whether, but how often, and of most importance, how they deal with it. Commendations to our server, who was obviously trained to report any issue, and to Manager Keith Votapka, who brought the replacement. I wish more restaurants would make more mistakes and handle them this well.

Bolognese is classic family home cooking. Betty’s version is loaded with meat sauce, ladled over inch-wide pasta. This

is all about ﬂavor, deep, rich tomato-beef ﬂavor, with a bit of grated Parmesan for added richness.

We tried one dessert. Hibiscus Panna Cotta is a custard, blended with red wine cinnamon coulis, with a cookie on top. I would recommend removing the cookie and eating it separately. If you mistake the presentation for sliceability, you are likely to squirt the custard across the table into your companion’s lap. Just savor the complexity of tastes and enjoy the cookie on its own.

Betty has entered my short list of personal favorites. !

JOHN BATCHELOR has been writing about eating and drinking since 1981. Over a thousand of his articles have been published. He is also author of two travel/cookbooks: Chefs of the Coast: Restaurants and Recipes from the North Carolina Coast, and Chefs of the Mountains: Restaurants and Recipes from Western North Carolina. Contact him at john.e.batchelor@gmail.com or see his blog, johnbatchelordiningandtravel.blogspot. com.

WANNA go?

Betty on Burke 1016 Burke St., Suite D Winston-Salem 336-999-8866 bettyonburke.com

Hours: Lunch and Dinner, 11 a.m.-9 p.m. Wednesday-Saturday; Brunch 11 a.m.-3 p.m. Sunday

Smalls: $8-$22

Bowls (including salads): $14-$24

Mains: $15-$26

Desserts: $12

Most recent visit: April 5

Fried Oysters Shrimp Cocktail Lemon Spaghetti with Shrimp Chicken Paillard

BY OGI OVERMAN

MerleFest sound guru

Cliff Miller says he was simply at the right place at the right time, but there’s more to the story than that. A lot more.

There’s an old metaphor about watching ducks glide serenely across a pond. On the surface they’re moving effortlessly, barely making a ripple, but underneath and out of sight they’re paddling furiously. The moral: Appearances can be deceiving.

And so it goes with MerleFest.

At a glance, everyone and everything is running smoothly; the artists at each of the 13 stages come on like clockwork; the crowds meander from stage to stage with ease; the vendors sell their wares and food cordially; and the busses pick up and drop off patrons on schedule. In short, it is a professional, well-run operation.

But behind the scenes, there is a whirlwind of activity going on. The staff and volunteers are working tirelessly from the first note to the last. Crews are loading equipment on and off stage each set and shuttling artists constantly; sound techs are perfecting the monitor and front sound for each artist; and the artists themselves are rehearsing and running through their

Call

Cli : He’ll take care of it

where, all the time, all at once. His name is Cliff Miller, owner of Greensboro’s SE Systems. From day one — literally — he has been responsible for running the sound at each of the stages. Over its 36-year history, the festival has expanded from two to 13 stages and his crew from six to 60. Moreover, he is in charge of the video production and radio broadcast.

Yet, while Miller is revered by the hundreds of artists, staff, various music professionals, and the Watson extended family, it is probably safe to say that his name would not ring a bell for the majority of attendees. And that is just fine with the humble, affable, easy-going sound guru.

“My job, from a production standpoint, is to portray each act in the best possible light,” said Miller. “Each year all of us involved try to make it better, both from the artists’ perspective as well as the ticket-buying public. And by ‘all of us,’ I mean the festival staff and the hundreds of volunteers plus our guys. I’m just a small part of a large operation.”

dium; Stevens Center shows with Tony Bennett, Dinah Shore, Josh Groban, etc.; a concert at the White House with Bill Monroe and Doc Watson in which he met President Jimmy Carter; installation of the sound system at the Tanger Center; the MIX Foundation’s Excellence in Audio and Creativity Awards for “Tour Sound Production” for their tour with Alison Krauss; etc.), this is the one that is closest to his heart. That’s because his relationship with Doc and Merle Watson and their bassist, T. Michael Coleman, predates the festival by about 14 years.

the next eight years, he alternated between the soundboard and the stage, either running sound or accompanying Doc.

“I was on the road with them and T. Michael constantly during that time,” noted Miller. “Doc was becoming a household word by then. We had some really wild experiences, fond memories, and good times.”

But the good times ended abruptly the evening of October 23, 1985, when Merle was killed in a tractor accident at his home in Lenoir, N.C. Around that time, Miller’s son, Graham, was born, so he came off the road full-time.

Gradually, Doc and his wife, RosaLee, allowed the grieving process to work, with one of the best remedies being for Doc to begin performing again.

“Doc had picked up Jack Lawrence, who is a wonderful guitarist, to accompany him,” related Miller. “I mainly ran sound for them, although I did do a few gigs during that time.”

set list backstage.

But there is one man who is every-

If MerleFest sounds like a personal cause for Miller, that’s because it is. While his company works some of the largest and most prestigious concerts, events, and venues in the nation (the first-ever arena show at the U.S. Olympic Festival in Carter-Finley Stadium in 1987; ten MLB All-Star games; audio director for the Carolina Panthers sta-

It all started at a bluegrass festival in Angier, N.C. in 1973. Miller was running sound at the main stage and during Doc’s sound check the blind guitarist called out, “Sounds like you’re having a little trouble around 160 (hurtz, between the D and G string), son,” recalled Miller. “He knew that by tapping on his guitar. I was amazed, so after the set I went backstage and started asking him some questions about resonance and frequencies. I guess he was impressed that I wanted to learn and wanted to get it right. He seemed to like me, I think.”

pic Festival in Carter-Finley Stadium in 1987; ten MLB All-Star games; audio

Merle broke his hand before a festival in Canada, Bluegrass 77, Doc had a ready-made stand-in — Miller. Over

Watson also liked the fact that Miller, in addition to being a skilled sound tech, was also an accomplished guitarist in his own right. So in 1977, when Merle broke his hand before a festival in Canada, Bluegrass 77, Doc had a ready-made stand-in — Miller. Over

Ironically, a couple of years after Merle’s death, the head of the horticulture department at Wilkes Community College, “B” Townes, had an idea to build a garden on the campus, representing the various types of aromatic plants. It so happened that he and Doc had a mutual friend, Bill Young, who, along with board member Ala Sue Wyke, suggested that they approach

Wyke, suggested that they approach Doc about doing a benefit concert to raise funds for the garden. So, Young

paid Doc a visit to broach the subject. He offered to name the garden after Doc, but Watson rejected the notion, saying he would play the benefit only if they named it after Merle. Thus was born the Eddy Merle Watson Garden of the Senses — and the Eddy Merle Watson Memorial Concert.

Still, there was the matter of sound reinforcement for the concert, but Doc had a simple and logical solution: “Call Cliff; he’ll take care of it.”

Miller smiled at the recollection: “Doc told ‘B’ to call me, and I said, ‘I’m in.’ It was that simple.”

The original plan was to have the concert in the Walker Center on campus, with the headliner being a reunion show with Newgrass Revival. But once word got out that a virtual who’s who of luminaries from the bluegrass, country, and folk worlds had volunteered their services, the organizers realized they’d sold more tickets than they had seats.

So “B” and Cliff started scouting potential outdoor sites for a second show. Cliff envisioned the treeline behind what was then a softball field on the lower campus being the perfect backdrop. So he put together a makeshift stage, perpendicular to where the Watson Stage is now, of two flatbed trucks and, voila, the first Eddy Merle Watson Memorial Concert was held on April 30 and May 1, 1988.

The show drew over 4,000 fans, far more than anticipated. Among the performers were Earl Scruggs, Emmylou Harris, John Hartford, Sam Bush, Bela Fleck, Tony Rice, Jerry Douglas, Marty Stuart, Chet Atkins, John Cowan, David Holt, and Grandpa Jones.

Afterward, as Miller and the crew were loading out the equipment, a torrential downpour happened. “We were out there in the field, rolling cables in the rain, soaking wet,” said Miller. “Somebody said, ‘We’ll see you at next year’s festival.’ I said, ‘That’s news to me,’ and made some snide comment that I won’t reveal, but it was definitely not conducive to MerleFest.”

Miller is not sure exactly how or when it was decided to make the festival an annual event. “It went over so well that it was probably decided that day,” he surmised. “Ralph Rinzler, who was among other things, the curator of folk music at the Smithsonian Institution, had helped coordinate the festival and booked many of the bands, and he likely had something to do with it.” But it wasn’t until 1995 that it of-

ficially became MerleFest. “The story goes that a band from Canada, Strictly Clean and Decent, who’d played there the year before, called and asked when the next ‘MerleFest’ was going to be,” remembered Miller. “Doc and RosaLee heard about it and approved of the change, and it became official the following year.”

As the event has expanded, averaging around 80,000 patrons over four days, obviously changes and tweaks are made from year to year to accommodate the crowds. Stages have gotten added, and sometimes moved around, as have parking lots; the acreage around the main stage was expanded and vendor tents moved back; permanent speakers and light towers were added; crowd flow got rearranged.

“It’s kind of like a zoo, in an odd way,” smiled Miller. “You spread everything out so that it’s not so obvious how many people are there. You just want to make it the best it can be.”

While those changes are aimed mainly at crowd comfort, three years ago Miller took it upon himself to help the artists’ comfort level. He took an unused area adjacent to the stage and transformed it into an Artists’ Patio, complete with a steel-log firepit, and coolers full of salads and fruit cups, stocked by the students from the college’s hospitality department.

“It had gotten so full backstage that they had nowhere to go to relax except their busses,” said Miller. “It was a dead area, so I got permission to make it into something useful.”

And that Artists’ Patio is a micro-

cosm of Miller’s devotion both to this event and Doc’s legacy. Although Doc passed away on May 29, 2012, everyone associated with the festival, from the iconic musicians to the unknown volunteers, seems to have vowed that MerleFest remain the fan-friendly, alcohol-free, multi-genre festival Doc

and “B” and Cliff and all the original organizers envisioned all those years ago.

“It’s become a personal reflection of what I wanted to see,” mused Miller on the eve of his 36th festival. “Each year we remind everybody of the flavor of the festival. Doc called it ‘traditional plus,’ because he liked all kinds of music, not just bluegrass. That opened the door for other genres but was also representative of his values.

“I don’t think of myself as being on the ground floor; I just happened to be there. We do a lot of big events, but this is the most important one we do.”

Although Cliff Miller is far too humble to take even a modicum of credit for MerleFest’s success, anyone who’s been associated with the event will tell you that without his expertise, work ethic, imagination and personable nature, MerleFest may have become but a footnote to history.

Instead, it has become an ongoing part of history.

MerleFest will be held April 24-27. For tickets, lineup and further information, log onto merlefest.org. !

Cli Miller

PRESENTS

hot pour

[BARTENDER OF THE WEEK COMPILED BY NATALIE GARCIA] Check out videos on our Facebook!

NAME: Jessica VandeGiessen

BAR: Breathe Cocktail Lounge

AGE: 39

WHERE ARE YOU FROM? Brown Summit, N.C.

HOW LONG HAVE YOU BEEN BARTENDING? 12 years

HOW DID YOU BECOME A BARTENDER?

I worked as a cocktail waitress at a dueling piano bar near D.C. We were so busy that the other bartenders had me start making my own drinks just to keep up. I was promoted to bartender soon after.

WHAT DO YOU ENJOY ABOUT BARTENDING?

I enjoy the fast pace and that everyday is di erent. I like meeting and entertaining people as well.

WHAT IS THE MOST CHALLENGING PART OF BARTENDING?

I think learning how to interact with di erent types of customers in order to make sure they are happy is a di cult part of the job.

WHAT’S YOUR FAVORITE DRINK TO MAKE?

I enjoy making smoked old fashioneds.

WHAT’S YOUR FAVORITE DRINK TO DRINK?

My go to is a PBR and a shot of Paddys.

a squeeze of mayonnaise in it. Apparently it was supposed to look like the worm at the bottom of the bottle and he wanted to trick his friend into drinking it.

WHAT WOULD YOU RECOMMEND AS AN AFTER-DINNER DRINK?

I love Fernet or a good homemade limoncello.

WHAT’S THE STRANGEST DRINK REQUEST YOU’VE HAD?

I had a customer try to order a shot of tequila with

WHAT’S THE CRAZIEST THING YOU’VE SEEN WHILE BARTENDING? One night a ﬁght broke out and the guy that got knocked down looked like he had broken his leg. Our security had to carry him out while I carried down his prosthetic leg.

WHAT’S THE WEIRDEST THING YOU’VE FOUND IN A BAR BATHROOM? Underwear, more times than I care to count.

WHAT’S THE BEST/BIGGEST TIP YOU’VE EVER GOTTEN?

I’ve gotten a $100 tip several times.

WANNA BE FEATURED IN HOT POUR?

Email Natalie Garcia at natalie@yesweekly.com and ask about being our Bartender of the Week!

PHOTO BY TAYLAR

“Community” and the season of new releases

It’s a season of new across the Triad music community, highlighted by not only the aptly titled debut release, “Community,” from GTCC’s Ti-Tone Records; but also through new releases and shows spanning genres and region. From rapper G-$Santana, GENREROCKERS Scoby, and bluegrass SOMETHING from Mason Via, there’s a freshness in the air and stereos.

MASON VIA’S - “MASON VIA”

Stokes County native, Mason Via, enters a new chapter on familiar footing with his upcoming self-titled album (out April 25 on Mountain Fever Records). “It marks a pivotal turning point in my musical journey,” he said. “I’m returning to my bluegrass roots — and shaking things up with a progressive newgrass sound. Inspired by his upbringing along the Virginia/North Carolina border, the new album reflects the musical traditions Via absorbed as a music-loving kid — with an award-winning bluegrass songwriting father and a “Deadhead momma” — who grew up around picking parties, music festivals, fiddlers conventions, and campfire jams.

“It’s gonna be a real good time,” Via said, turning to his upcoming appearance as part of Ziggy’s Space’s 2025 series kick-o weekend at the COHAB compound in High Point on April 19. He’ll open up for Sierra Hull, a two-time Grammy Nominated artist and songwriter, six-time recipient of IBMA’s “Mandolin Player of the Year;” who counts Alison Krauss, Sturgill Simpson, Garth Brooks, Dolly Parton, Béla Fleck, Bobby McFerrin, and Brandi Carlile among her circle of friends and collaborators.

For Ziggy’s head, Jay Stephens, it’s the start of a wonderful season. “We have two great shows coming up this week,” he said, noting preparations underway. “Spa ord with the Sam Fribush Organ Trio Thursday night and Sierra Hull with Mason Via Friday night.“

From there, the calendar rolls with big names (and local ties) like Big Something, Camel City Yacht Club, and Umphery’s McGe. ”Be certain, we have lots more shows in the works.”

SCOBY’S - “THE PERFECT PLEASURE”

Oscar Wilde describing a cigarette o ers a pretty solid reference for the Camel City indie band, SCOBY’s debut LP.

“It is exquisite, and it leaves one unsatisﬁed. What more can one want?” …hedonist words to live by and an apt sequitur for an album that, as SCOBY’s Dianna LaTerra explained, “thematically covers a lot of ground, especially surrounding masculinity, with perspectives from self-pitying losers, frat boy caricatures, and the women who deal with them.”

Continuing on the path of uninhibited creativity and exploration of life, grief and growth established by their 2023 EP, “That Will Be The End,” SCOBY builds beyond their beginnings to develop “a community project, brought together across city lines and internet lines.”

A community they’re excited to share with a release show at the D.O.S.E. Artist Collective space in Winston-Salem on April 19. “We love y’all,” SCOBY said, inviting fans to “sit back, take a drag, and enjoy the perfect pleasure.”

Thematically it is about holding spaces and the value of places like D.O.S.E.

G-$ANTANA - “O’LORD HAVE MERCY”

Returning to his roots to deliver “his most powerful body of work,” Greensboro’s G-$ANTANA, drops his latest mixtape release, “O’LORD HAVE MERCY,” with a party at the Flat Iron on April 24. Looking forward to “tapping back into his natural element as an Emcee,” the Flat Iron show will feature DJ A-Vegas on deck and performances from Chelsea Simone, Gya’, Bakari, Dave Lamar, and Taaylee.

As for the record, “I’ve been working on this mixtape tirelessly, and one thing I can say is I’m proud of my progression,” he said. “But instead of talking it all out, I put my all in these bars. I made sure to

lay the foundation of Hip Hop ﬁrst and foremost, but I also have some new experimental sounds that I’ve been tinkering with. Think Wiz Khalifa — aggression mixed with the best cloud, cozy vibes.”

“COMMUNITY” FROM TI-TONE RECORDS

Ti-Tone Records, a student-led record label designed to draw current and potential students to the GTCC Entertainment Technologies department will celebrate its debut release compilation, “Community,” a project completely produced, recorded, and mixed by GTCC students, with an album release show in Building H4 (room 022) at GTCC’s High Point Campus on April 25.

Named to reference GTCC’s “Titan” mascot (it’s hard for this GTCC Ent-Tech alum to not make a naughty Oneders inference), “this whole record label has been a whirlwind of activity,” said Dr. Mark Dillon, Ti-Tone faculty advisor.“The show is a true culmination of their hard work and creative e orts and will serve as a celebration of the program’s future. Ti-tone Records gives our students a unique opportunity to immerse themselves in all aspects of the modern music industry.”

“Ti-Tone not only helps them develop technical and creative skills but also fosters collaboration across disciplines,

which is critical in today’s entertainment landscape,” Dillon continued. “The Album Release Show is their time to shine — and the public is invited to witness it ﬁrsthand.”

O ering a mix of genres from both students (R&B songs from Jenielle and Tami’Qua; a hard rock instrumental from Lorenzo DiMeo; pop from KPX3; and singer-songwriter from Tracy Phillips) and teachers (R&B from Kismet Rideau; punk from Ally & the Wolf Slayers; and folk from Colin Cutler), the album’s production and release is the inaugural cross-departmental culmination — “bringing together students from music, graphic arts, live sound and lighting, marketing, and business to simulate and run a fully operational record label.” Work is already underway for the second installment. “If you’re a student at GTCC and have original music and want an opportunity to showcase it, please do not hesitate to ready yourself for our next project in the Fall Semester,” Dillon said. “Although it’s designed to encourage students to major and invest in our Entertainment Technology programs, we still highly encourage those who have a passion for music to join us on our journey. Whether you’re a part of GTCC’s sta , a full-time student, part-time student, a CCP student, or even a Middle College student, all students (and faculty) of all ages are welcome here!” !

KATEI CRANFORD is a Triad music nerd who enjoys spotlighting artists and events.

Katei Cranford

Contributor

Homeowner dissatisﬁed with o er from Habitat for Humanity

In January 2024, YES!

Weekly reported that dozens of Habitat for Humanity homes in the majority-Black East Greensboro neighborhood of Poplar Ridge have deteriorated from water damage caused by improper grading when they were built 25 years ago. In support of the homeowners, the Greensboro Chapter of the NAACP called for the city to withhold funds from Habitat for Humanity of Greater Greensboro until the problems are ﬁxed.

Those Poplar Ridge residents include Lisa Carter, whose home su ered the most deterioration. Carter showed YES! Weekly multiple rooms in which warped ﬂoors felt weak and “bouncy” underfoot, as well as a kitchen with buckling tiles.

Since that report, 42 Poplar Ridge homeowners have signed agreements with Habitat to remediate and repair conditions in their homes. Carter, who alleges years of neglect and broken promises, has not. Rather than contracting to repair her home, Habitat has o ered her a lump sum settlement.

On March 24, Carter sent an email to Russ Clegg, manager of the Long Range and Strategic Planning Division of the city’s Planning Department; Mayor Nancy Vaughan; and Greensboro NAACP President Damon Williams, stating:

“I am writing to formally request that the City of Greensboro and all responsible parties withhold the release of the $1.5 million in American Rescue Plan (ARP) funds currently allocated to Habitat for Humanity of Greater Greensboro, until all critical repairs at my home are fully and comprehensively completed.”

Carter alleged that, despite “nearly six years of

documented issues, including mold, a cracked joist, compromised ﬂooring, structural instability, and unsafe yard grading,” Habitat of Greensboro has failed to fulﬁll what she describes as multiple promises to remediate her home.

“My situation remains dire, and I continue to live in uninhabitable conditions with my disabled daughter, whose complex medical needs make a safe home essential. In 2023, an independent assessment stated that my ﬂoors are at risk of collapsing within three years. I faithfully pay a mortgage for a home that endangers our lives.”

She stated that David Kolosieke, president and CEO of Habitat for Humanity of Greater Greensboro, visited her home in 2018, where he identiﬁed poor backyard grading as having caused moisture intrusion, mold, weakened ﬂoors, and crawlspace deterioration. According to Carter, Kolosieke “apologized, took full responsibility, and assured me that Habitat would correct the grading and make all necessary repairs.”

Six years later, she says that still hasn’t happened, despite “multiple professionals (including Habitat sta , the City of Greensboro, Guilford Environmental, and licensed construction experts), all conﬁrming the severity and urgency of repairs.”

Carter described a Feb. 4, meeting “initiated by Greensboro NAACP President Damon Williams, and Wayne Hodges, president/owner of Guilford Environmental,” at which Kolosieke “accepted full responsibil-

ity for the unsafe conditions, promised a full repair proposal and timeline, [and] committed to resolution, yet has since failed to follow through.”

Because of this, she says that her daughter’s life remains at risk.

“Kierra is 34 years old and lives with severe lifelong disabilities, including Crouzon syndrome, legal blindness, epilepsy, and spastic quadriparesis. She is non-verbal, immunocompromised, and completely dependent on me. The mold and hazards in our home severely threaten her health. I have soft and weakened ﬂoors. Every day I fear something will happen — this is not a livable situation.”

In her conclusion, Carter wrote that she has “remained hopeful and patient” for six years, despite “repeated broken promises, shifting narratives, and silence,” but that “I cannot accept band-aid solutions that mask Habitat’s failure to fulﬁll its promise of safe, digniﬁed housing.”

On March 25, Kolosieke sent Carter the following email:

“Following a discussion with our Board of Directors, in lieu of our completing the work on your home, we would like to o er you a one-time lump sum payment of $50,000 for the repairs on your home. You would be free to use whoever you wanted to complete the work. This amount exceeds our estimated cost to complete the work and will hopefully support the completion of all needed repairs on your home.”

“This o er,” continued Kolosieke, “is contingent upon you agreeing to execute a full release and indemniﬁcation agreement, releasing Habitat Greensboro from any claims you might have related to your home.” He concluded by asking Carter to “respond by 5 p.m. on Friday, April 11, 2025, to Diane Myers, Habitat Greensboro COO.”

On April 1, Carter sent a reply calling this o er “legally unjust, ﬁnancially insu cient, and contradictory to long-standing commitments made by Habitat’s leader-

Ian McDowell

Contributor

Lisa Carter demonstrating grading of her backyard.

Mold and mildew in Lisa Carter’s home.

warp of Carter’s backporch.

ship, who educated me on the root problem by Habitat for the poor grading, took accountability, apologized and promised to resolve comprehensively.”

She called the o ered $50,000 “far below the $73,000 estimate provided to Habitat on February 28, 2025,” as it “excludes critical components such as temporary housing and storage,” and alleged the lack of a “clear, itemized breakdown of how the lump sum was determined.”

Stating “I continue to pay my mortgage on a home that remains unsafe, structurally compromised, and unsuitable for my medically fragile daughter,” Carter called it “unethical” for Habitat to require her to sign a release from responsibility “while I remain ﬁnancially bound” to her residence.

She then requested:

“A revised settlement o er of no less than $60,000; full forgiveness of the remaining mortgage balance and immediate deed transfer; a transparent cost breakdown supporting the revised settlement amount; full legal documentation outlining terms, indemniﬁcation, release of claims, and conﬁdentiality; a 30-day period to review and respond after receiving all required documentation; [and] clear explanation of how

this resolution will impact my status as a Habitat homeowner, as I am a paying customer.”

On April 9, Myers sent Carter an email stating:

“This is our ﬁnal o er regarding our efforts to assist with completing the work on your home. Should we not hear from you by the close of business on Friday, April 11, 2025, with your acceptance of this o er, we will assume that you are not interested in our supporting your repair e orts.”

Also on April 9, Williams sent Myers an email asking that Habitat give Carter 30 days to consider her options. “Please respond back to her with a tacit agreement allowing for an extended time for her decision. As this is a very important moment for Madame Carter and Habitat for Humanity, I believe this ﬁnal step is most important.”

On April 11, Christine Byrd, chief development o cer of Habitat Greensboro, provided the following statement:

“Our Board of Directors has agreed to extend the deadline for response by Ms. Carter to April 30.”

In a follow-up phone conversation, Byrd said:

“This is not the ﬁrst o er that we have extended, as this has been an ongoing

discussion with her for over a year now. Our board is now just looking to come to a ﬁnal resolution and this is their best and ﬁnal o er to reach that resolution. We want to make sure that her concerns are addressed and we want her and her daughter to have a safe environment to live in. We have been committed to that from the very beginning.”

Of the $50,000 settlement o er, Byrd said “There has been lots of discussion and a lot of back-and-forth around contracts; we feel like this is her best option to move forward.”

Asked to comment on Carter’s allegations of broken promises, Byrd replied:

“We feel that is something that should remain between us and Ms. Carter that is best addressed between the two of our parties. Over the past year, we have been able to work with 42 other Poplar Ridge homeowners to remediate their crawl spaces. That is, 42 homeowners went ahead and signed their paperwork, allowing us to be on their property and to execute work in their homes. So we are very excited and proud to have worked with those other homeowners who now have fully encapsulated and sealed crawlspaces and seem to be very pleased with the work that was performed.” !

lished in September of 2023 by

IAN MCDOWELL is an award-winning author and journalist whose book I Ain’t Resisting: the City of Greensboro and the Killing of Marcus Smith was pub-

Scuppernong Editions.

NAACP GSO president Damon Williams speaking to Habitat Greensboro CEO David Kolosieke at 2024 meeting.

[WEEKLY SUDOKU]

[KING CROSSWORD]

for U.S.

Larger version of a dictionary, say

Article in Essen

for services: Abbr.

— Ho Lee

Triceps, e.g.

What you are giving when you contemplate this puzzle’s theme?

binged, for short

[SALOME’S STARS]

Week of April 21, 2025

[ARIES (March 21 to April 19) Someone will try to pull the wool over your eyes. Trust your inborn sense of what’s right and what’s wrong to help you avoid getting ﬂeeced.

[TAURUS (April 20 to May 20) Love dominates the Taurean landscape this week, but someone from the past doesn’t feel so kindly to the divine Bovine. Resist an attempt to goad you into a ﬁght.

[GEMINI (May 21 to June 20) A perplexing on-the-job situation that you thought was resolved reopens with a new twist. But this time, you’ll have more people willing to help you deal with it.

[CANCER (June 21 to July 22) A major move could be good for your career, but you worry that it might cause problems for your loved ones. Before making a decision, talk things over with them.

[LEO (July 23 to August 22) The Big Kitty’s glitter dazzles the right people who react to your charm. But they’ll want more proof that you can do the job they’re o ering.

[VIRGO (August 23 to September 22) Continue to assess both sides of a workplace situation before deciding which to support. An old friend brings potentially life-changing news. Listen well.

[LIBRA (September 23 to October 22) Your natural inclination for fairness might conﬂict with the special needs of a friend. Weigh both issues carefully and make your decision in your usual honest way.

[SCORPIO (October 23 to November 21) A misunderstanding causes a rift in a once-closed relationship. Make a move toward sealing the breach before it grows too wide to ever be repaired.

[SAGITTARIUS (November 22 to December 21) You can keep secrets like no one else can, but an unexpected development may force you to consider revealing one of them.

[CAPRICORN (December 22 to January 19) Someone tries once again to goad the Goat into a confrontation, but resist. Remember that you’ve nothing to gain by being the butt of someone else’s ambitions.

[AQUARIUS (January 20 to February 18) An opportunity that recently opened up needs to be fully explored to make sure that no unsettling surprises will emerge later on. Ask questions and demand answers.

[PISCES (February 19 to March 20) An old friend reveals a secret from the past that can lead to changes in relationships with family and friends. Expect a shocking reaction from a surprising source.

[BORN THIS WEEK: You have a reservoir of self-conﬁdence that you can draw on forever. Your energy output makes you seem like a living example of perpetual motion.

answers

[CROSSWORD]

crossword on page 14

[WEEKLY SUDOKU]

sudoku on page 14

[TRIVIA TEST]

by Fifi Rodriguez

[ 1. GENERAL KNOWLEDGE: What do you call a person who has lived to the age of 100 years?

[ 2. HISTORY: When were cigarette commercials banned from American television?

[ 3. MOVIES: Whose life is depicted in the movie Raging Bull?

[ 4. U.S. STATES: In which state are the Catskill Mountains located?

[ 5. TELEVISION: Which long-running TV drama was set in Cabot Cove, Maine?

[ 6. MEASUREMENTS: How long is the ancient measurement called a cubit?

[ 7. FOOD & DRINK: What is a dish called Cullen Skink?

[ 8. CHEMISTRY: A diamond is composed of which single element?

[ 9. GEOGRAPHY: What country is home to the Ba n, Victoria and Ellesmere islands?

[ 10. ANATOMY: What is another name for the condition called “piloerection”?

answer

7. Scottish soup made of smoked haddock, potatoes and onions. 8. Carbon. 9. Canada. 10. Goosebumps.

6. 1.5 feet.

1. A centenarian.

2. Jan. 2, 1971.

3. Jake LaMotta (played by Robert De Niro).

4. New York.

5. Murder, She Wrote