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TABLE OF CONTENTS

PLACE

IDEA

1 SITE DESCRIPTION

4 CIRCULATION STUDY

2 AMBIET LIGHT

5 MEASUREMENT STUDY

3 SHADING STUDY

6 SCALE STUDY 7 LIGHT STUDY

9 CONCEPT ANALYSIS 10 SITE DESIGN

11 CONCEPT 13 LIGHT STUDY 15 VISUAL MOBILITY

FORM

MATERIAL

17 FINAL PLAN

19 SECTION

25 CONSTRUCTION DETAILS

27 GROUND VIEW

18 ELEVATION

20 MODEL

26 AERIAL VIEW

31 LIGHT STUDY

22 EXPLODED LAYERS 23 LIGHT STUDY

PLACE

SITE DESCRIPTION The site of project is located in the Maths Lawns space, in front of the Barr Smith Library’s East elevation, which is bordered on the southern side by the Mathematics and Engineering Building, and on northern side by the Physics Building and the Braggs Lecture Theatre.

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AMBIENT LIGHT

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SHADING STUDY

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FEB 9AM

FEB 12AM

FEB 5PM

AUG 9AM

AUG 12AM

AUG 5PM

CIRCULATION STUDY Movement 1 Movement 2 Human usage (chairs)

PLACE STUDY This site is a relatively large area where people can host festivals and teaching activities, which allows the math lawn to reflect the campus value and culture of the University of Adelaide.

The library on the west side of Maths Lawns is unique. Barr Smith and Elders are well-known philanthropists and are very interested in the social and cultural development of the colonies. The University of Adelaide was founded in 1874 and Robert Bar Smith has been a member of its board of directors for 19 years. Throughout his life, he has donated more than 20,000 to the university, including 9,000 to improve the library. In 1899, the University Council decided that the name of its library should be “Bal Smith Library.�

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MEASUREMENT STUDY 60748

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scale study

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SCALE 1:750

SCALE STUDY

SCALE 1:500

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LIGHT STUDY LUMINOSITY Linguistic definition: Luminosity is an absolute measure of the radiant electromagnetic power (light) emitted by luminous objects. In astronomy, luminosity is the total amount of electromagnetic energy emitted per unit of time by stars, galaxies, or other astronomical objects.

Philosophical meanings: Light has been studied as a metaphor for truth in philosophy, and in science as lumens (as external and objective problems) and lux (as subjective and internal; As a metaphor for the visual and spiritual senses. Many studies have shown that people conceive, use and experience colors and the luminous quality of things in culturally specific ways. The color and surface of an object may emit or ignore light, color, or saturation, and such changes may represent sacred, spiritual, or other specific social dimensions. However, other changes, such as the type of shadow or lighting (electricity, fire, daylight, etc.) and the way of lighting (bright, dim, soft, etc.), have not been the scene, in which coloured or potentially luminous things are equally involved and thus affect its substance.

Luminosity is an absolute measure of the radiant electromagnetic power (light) emitted by luminous objects. In astronomy, luminosity is the total amount of electromagnetic energy emitted per unit of time by stars, galaxies, or other astronomical objects. thoroughly studied. These changes may alter or become an important part of The excellence of Zaha Hadid’s project lies in her innovative approach to physical materials The excellence of Zaha Hadid’s project lies in her innovative approach to physical materials and her imagination to light media. Her fragmentation and mobility theory has now become a well-known design technique that enables her to perform table lookup. Although she has become an essential element in revealing and explaining its architecture, her progress in rendering it with light is often overlooked. Light Bridges the gap between architecture and our perception. We perceive forms and materials not directly through the eye but through reflected light.

Vitra fire station (vere on the Rhine, 1993) clearly expresses the tension of the concrete walls of the site. The light between the ceiling or wall and the floor or between the wall and the ceiling enhances the linear structure with sharp edges. Inside, the gap between the walls and ceiling also destroys the traditional building structure. Even the unique shadow design enhances the linear pattern language.

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The fino science centre (wolfsburg, 2005) was a turning point for hadid. The Windows and lamps on the building’s surface have the same shape, thus creating a holistic design approach that is free of hadid’s early lines and sharp corners. The elevated concrete structure produces large shaded areas, with a daylight view on one side enhancing the impression of dark voids.

Nordpark railway station (Innsbruck, 2007) is hadid’s new light and trend. Instead of being absorbed by concrete, the light is reflected by glass. Inspired by the ice crystals and ice caps of the local glaciers, hadid dramatically increased her surface reflectivity, creating an amazing mirror image. Therefore, the structure is not placed in the landscape in isolation, but has embedded local landscape characteristics.

The complex mirror image stimulates the viewer’s sense of the station as it moves towards or around the station. The station is illuminated at night, giving off a vibrant glow.

Her port house (Antwerp, 2016) provides a fragmentary explanation of the volume of the floating glass. Most of the triangular facets of the building extension are transparent, only a few are opaque. The combination of the exterior wall and the corrugated surface conveys a very vivid image of the dramatic changes that take place under different daylight conditions.

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IDEA The core of this project is seeking light is discovery. When it comes to exploration, it is generally compared with the word invention.

Exploration is the discovery of what exists, and invention is the creation of new things. In the three design idea, the author focuses on human exploration of what is exists but isn’t knows.

The first inspiration is to explore the universe.

Does Mars have life? The existence of aliens?

All kinds of problems are undoubtedly the direction that leads human progress.

The second inspiration is human exploration of DNA. Everyone’s DNA is different. There are no two identical people in the world. Human exploration of DNA is also looking for new light.

SEEK LIGHT IS

DISCOVERY

The thired idea is that Columbus explored the New World and then proceeded to the journey of Europeans. They explored the world in the world and searched for a new continent.

PRECEDENT

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Reading room

Seminar room 1

Reception Toilet

Small library

Exhibtion

Disabled acess Entrance Toilet

Seminar room 2

Space Design

Steady

Aboveground Movement

Dynamical

Reading room

Seminar room 1

Reception Toilet

Disabled acess

Small library

Entrance

Exhibtion

Disabled acess Entrance Toilet

Aboveground Movement

Seminar room 2

Underground Movement

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CONCEPT

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LIGHT STUDY REFLECTION Linguistic definitions: Reflection is a change in the direction of the wavefront at the interface between two different media, so the wavefront returns to the medium of its origin. Common examples include reflections of light, sound and water waves. The law of reflection says that for specular reflection, the Angle at which the wave hits the surface is equal to the Angle of the reflected wave. The mirror shows specular reflection.

Philosophical meanings: Reflection is the process of reproducing the traces or imprints of things affected by it under the influence of other things; in organic nature, reflection is a positive process, such as the adaptation of animals to the environment or the stress of plants and other organisms. Here, the characteristics of the organism are the result of the long-term adaptation process of the species, and the individual will actively manifest itself when it directly affects other individuals in the environment, as it is shown during this development period. Reflecting theory as the correspondence between spiritual image and material world is the origin of these images and the basis of materialistic cognition methods.

Even though modernism promoted transparency in glass architecture, many in the movement were aware of the monotony of large glass walls, and even Mies van der Rohe used elements such as his trademark mullions to destroy his walls. But in the years since, countless uniformly structured glass skyscrapers have emerged, boring city dwellers. In response, the unconventional reinterpretation of the outer wall has aroused interest.

Along with the belief that light and brightness can help create iconic buildings and a better human world, glass and metal have been transformed in 13

of forms to bilbao, but also enhances his design with a unique dynamic image that changes with each cloud and sun.

Herzog&de Meuron’s glass facade on Hamburg’s Elbphilharmonie refers to the visionary Scheerbart glass culture, in which inward and outward curving glass elements distort the perception of the city, water and sky. They form a sharp contrast with the uniform flat glass curtains of the international style. The environment is not viewed as a clear mirror, but rather as a process of modification and reproduction.

When the sky is blue or diffusely reflected, the unique curve reflects the light as a bright line, similar to the horizontal line in the automobile industry design. In direct sunlight, bright spots of light appear and evoke a jewel-like shimmer.

The Elbphilharmonie, formerly known as the Prada Epicenter in Tokyo, which was completed in 2003, was the first to show Herzog&de Meuron’s desire to transform the mirror effect of modern glass skyscrapers.

The shell of the glass window is mainly composed of diamond-shaped elements, but the selected parts can create an obvious distorted reflection due to the convex shape of the glass exterior - the same as the contact lenses on the facade.

an innovative way to produce crystal images. As a result, the meaning of the building shifted from the original form of internal space to the outer surface.

The American architect Frank Gehry transferred this glorious aesthetic from glass to metal in 1997 in the titanium cladding of the Guggenheim Museum Bilbao. Has become a treasure of the city, with its iconic signs began the reconstruction of many cities. Thanks to the shimmering quality of the titanium sheet and its ever-changing appearance, Frank Gehry not only brings a vibrant combination 14

VISUAL MOBILITY

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Grass

Glass

Concrete

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FORM -PLAN -SECTION -ELEVATION

PLAN 1:200

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ELEVATION 1:200

ELEVATION 1:200 18

SECTION

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1:300

3D MODELS

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The aboveground section, decorated with pavilions, is a reflective material.

Vegetation covering the roof.

One-thirds of the pavilion. This parts is above on the ground, therefore sun light can get in it.

Light shine into pavilion.

It is the two-thirds of the pavilion and it is underground.

Entrance

EXPLODED LAYERS 22

LIGHT STUDY OPACITY Linguistic definitions:

Opacity is a measure of the impermeability of electromagnetic or other radiation, especially visible light. In radiation transmission, it describes the absorption and scattering of radiation in a medium such as a plasma, dielectric, shielding material, glass, and the like.

Philosophical meanings:

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The purpose of this work is to revisit the angle of the opaque context natural language.

“Opacity” is first understood as the failure of the application. Leibniz’s principle of equal replacement and subsequent accessibility. Possible world between. However, the semantics of natural language should be opaque

Extreme variations in weather and daylight have led to unique lighting conditions in Scandinavia, with daylight entering buildings from the side rather than from above. Instead, there is a diffuse glow on a summer evening. In his book “Nordic light: modern Nordic architecture,” Henry Plummer points out that Norway, Sweden, Denmark and Finland share the same soft light, even though the terrain and vegetation are different.

Plummer, in his research, has uncovered contemporary buildings from the 15th century to Steven Holl’s museum of contemporary art in henning, where whiteness is an important aspect of how Nordic architects respond to their local environment. There is no doubt that white surfaces provide high reflectivity to maximize interior brightness during dark winter months, but for the Plummer, the preference for white is also tied to the beauty of the snow-covered landscape.

Early examples of white architecture can be found in medieval churches in Denmark, and this design method still influences modern sacred buildings, such as Dybk academy r church in Regnbuen Arkitekter. The Bagsv rd church by rnUtzon was designed in white. “light is the most important feature of the church,” the architects explained to Plummer. I provided white walls and a white ceiling to make the most of the daylight that is restricted for most of the year in Denmark and always produces more light than is outside.”

Alvar Aalto introduced the concept of white diffusion for the Paimio sanatorium in the 1930s, using white plaster, white enameled steel and white linoleum, culminating in the Nordyjllands gallery in 1972. White shadows cover the walls, floor and ceiling, as well as expressive daylight shovels. However, the strength of the pure white volume is not the only feature of the Nordic built environment.

The vibrational mode of light or the transient natural pulsation of dramatic light and shadow also belongs to the unique Nordic light method.

Is simply described as a real function, in which case it comes from the device.

Both avoid the plausible interpretation of the sentence and circumvent it.

Pseudo-Scotus.

Scandinavian countries have developed great buildings that resonate with the lack of light in winter and long summer days. Henry Plummer, a professor emeritus at the university of Illinois at urbana-champaign who has studied the Nordic world of daylight with great care, sees daylight beyond the practical advantages of using reflective white Spaces to make bright rooms.

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3D CONSTRUCTION DETAILS

WALL FINISH CONCRETE WALL FINISH INSULATION CONCRETE CONCRETE INSULATION CONCRETE WATERPROOF MEMBRANE WATERPROOF MEMBRANE BRICK

BRICK WALL FINISH

WALL FINISH INSULATION CONCRETE INSULATION CONCRETE SOIL

SOIL

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MATERIAL

AERIAL VIEW

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GROUND VIEW

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Final DESIGN The final design is an integration of the three ideas, and a single space is planned on the premise of space planning, which is connected by the road. The pavilion has not only stairs, but also elevators. The design is half above the ground and half below the ground, so that the sunlight can enter directly, and the same radian reflecting material is designed on the landscape area above the ground to help the light reflect and allow some areas to have light refraction without sunlight.

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LIGHT STUDY FILTRATION Linguistic definitions: Filtration is a physical, biological or chemical operation that separates solid matter and fluid from a mixed filter medium that has a complex structure that only fluid can pass through.

Filtration occurs in nature and engineering systems; there are biological forms, geological forms and industrial forms.

Philosophical meanings: During British rule in India, the country adopted the downward filter theory. Filtering means things from top to bottom. Therefore, the filtering theory in education means education or knowledge from top to bottom, that is, from the upper class to the lower class or ordinary people Filtering theory means “filtering education to ordinary people. Drop by drop, education should be open to the general public, so as to take the form of a big stream at the right time and stay in the society for a long time to irrigate the desert, so as to educate the people of high class and benefit the general public.

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Le Corbusier USES directions, openings and textures in his three hallowed buildings to create a dynamic day. His visits to Ronchamp’s pilgrim church, Sainte Marie DE La Tourette monastery and Firminy’s saint-pierre parish church reveal unique and personalized approaches, each providing light to the contemplative space.

Longchamp’s (1950-55) Notre Dame cathedral features a continuous cycle of solar activity. The light of dawn illuminates the walls of the chapel and makes the painted red void redder.

This reddish morning light apparently resembles the birth of a human being. Later, sunlight flooded the high gap between the east wall and the south wall and was accompanied by

light passing through the deep cavity of the south wall. At last, at sunset, a warm light shone through an opening in another chapel.

Compared with Ronchamp, La Tourette’s lighting arrangement is more complex and widely distributed. The monastery of st. Mary tourrette (1953-60) at evx-sur-lubbe has a linear geometry, clearly in opposition to the poetic forms of rochanne and finmene. As the open face of all the corridors faces in one of the four basic directions, believers encounter a variety of light experiences. The melodic beat has music intonation and fluidity - it is similar to the sound of ch intonation, and its tone helps to encourage further meditation.

The highlight of the light choreography at La Tourette church begins at sunset. Cracks at the top of the western wall draw warm lines along the side walls. The northern wall connects two golden lines that move slowly upward as the sun sets. The effect varies with the seasons -- from small triangles in winter to large rectangles in summer -- and becomes larger when the sun is at its maximum energy.

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