YI SZU LIAO Lighting & Architecture Design Portfolio 2019
Yi-Szu Liao
MFA Lighting Design Parsons School of Design expected 2019
Phone: +1 917 520 4227 Email: liaoiris20@gmail.com
CONTENTS Chapter I
Lighting Design
01 Community Backyard Brooklyn Public Library - Borough Park Branch
02 Light and Spirituality Dry Dock Community Spiritual Center
03 Scribe A Co-working Space for Literary Folk
04 Permeating Lighting Installation in University Center
05 Micro Project Small Library Daylight and Electric Lighting Design
Chapter II
Architecture Design
06 Urban Oasis
The Long-Pu Junior High School Design
07 City Food Drama
appendix
Professional Work
Christian Mountain Children's Home
Other
01 LIGHTING DESIGN
COMMUNITY BACKYARD Brooklyn Public Library - Borough Park Branch Academic/ Group School Project 2018 Site: Brooklyn, NY Type: Library Day Lighting/Electric Lighting Design Instructor: Davidson Norris, Matt Franks, Nelson Jenkins, Derek Porter, Team: Xingying Peng
Daylighting design involves a layered approach that brings with the building skin as an envelope that contains interior human activity. Thus, daylighting design can be effectively summarized as the manipulation of the building shell by use of apertures and filters to direct and distribute natural light to the interior. This project focuses on developing a building facade strategy in response to the given building mass, its location within New York City (Borough Park, Brooklyn), and the surrounding site context. The main goal of this project is to provide a library for the community where lives with and blend into the neighborhood. It is not simply designed for esthetic pleasure but really focuses on making this library as part of community where doesn't have vainglorious, over exaggerated glass facade, but use warm and friendly brick as main facade material to create an approachable building. By cutting off the busy street side, opening the tranquil backyard, and with the intentional treatments of daylight quality for each space and activity, we hope this library can be seen as a welcoming second home of the neighborhood.
Community Backyard The surrounding environment of this library is more communal for the local neighborhood. Our idea is to make it blend into the street, as part of the everyday life, but also open the community backyard for the neighborhood where all generations of people can gather and interact with each other.
Daylight Strategy The building to be divided into three parts, from the most enclosed one facing the street side to the most open one at the back of the building. By playing with the detachment of the building skins to create different daylight environments and spaces for the library.
divide enclosure hierarchy
detach light cracks
Sun Path and Light Volumes The program distribution is according to the sun access study and the analysis of occupants' using time slots, to give each user group a daylight environment which suitable for the activities. glass garden children’s field lobby senior reading area
43rd st
detach occupiable space
highlight contained light
Programs and Predicted Daylight Zones - Light Interaction
Second Floor
First Floor
Basement
Material and Facade Using bricks as main facade material to merge with the look of the neighborhood. Different treatments to building facade are applied to perform the hierarchy of enclosure. From the one has regular windows facing to the street side to the one at the back totally detach and create an occupiable outdoor space.
1.
2.
4 2
3
1
3.
4.
From Street to Backyard The wall facing the street side protects the library from the noise and busy activities, provides a relax feeling of coming home. The visual connection to the outside gets wider, and the light qualities change gradually as moving through spaces.
Solar Penetration and Scenes Base on daylight access and solar penetration studies, providing daylighting scenes with various daylighting characteristics.
6/21 10:45AM
3/21 10:03AM
12/21 9AM
6/21 1:15PM
3/21 2:30PM
12/21 3:35PM
Electric Light Strategy Keep the light volume concept, from large to small scale. Instead of bringing light in, the library bleeds out lights as an attraction to the community. Without physical division, light volumes define spaces for highlighted programs. Fixtures integrated with furniture create micro light environment for specific activities or visual highlights.
light mass bleed light out
Section
light zone define spaces
highlight create micro light environment
Second Floor
First Floor
Lighting Layouts Linear ceiling and floor lighting systems are used to define spaces, which serves as general lighting. Fixtures integrated with furniture and small architectural components create micro lighting elements.
Basement
Children's Play Room
Senior Reading Area
Backyard
02 LIGHTING DESIGN
LIGHT AND SPRITUALITY Dry Dock Community Spiritual Center
Academic/ Group School Project 2018 Site: NewYork, NY Type: Community Center Day Lighting/Electric Lighting Design Instructor: Derek Porter(Lighting), Kim Ackert(Architecture), Bill Watson(Interior) Team: Polina Sandstorm(Architecture),Tan Ping(Interior)
The project brings three disciplinaries together- Architecture, Interior Design, and Lighting design. The site locates in the Alphabet City neighborhood of Manhattan in New York City. Currently, the “Dry Dock” site is comprised of a community playground, basketball court, public pool and changing rooms. The propose of this project is to offer a unique characteristic driven by the presence and power of natural light and its symbolic relationship to spirituality. Our team believes that spirituality exists in our everyday life. Finding spirituality is a mentally transitional process. Starting from daily experience, filtering out the chaotic to find calmness, and finally focusing on our inner voices. Our design seeks to offer a place as part of the community where brings the community together but also provide spirituality to groups or individuals. In this community center, spirituality is divided into three different experiences: Community experience is “live with diversity”; communal spiritual experience is “diffuse with nature”, that provides inner calmness; private spiritual experience is “vacuumed space”, where helps find spiritual focus.
Architectural Approach Open four corners for the neighborhood to access easily and separate the building into two (public and spiritual) to enhance the intensity of transiting from daily experience to spiritual experience. The gap between public and spiritual space serves as an entry point also a critical threshold of the experiential transition point. Different aperture treatments for two volumes respond to daylight access to distinguish the lighting characteristics of the programs.
Public School
Grocery store
1
2
3
4
5
6
Szold Pl
Avenue D
11th Street
10th Street
Bus stop
Bridge to East River park
1/64”=1´-0”
Lighting Intent The design strives to apply the concept to both daylighting and electric lighting design and gives different light qualities for each experience. Community experience: - Dynamic light quality with ever-changing direct daylight condition and various light distribution also provides visual connections to the exterior. Communal spiritual experience: - Uniform and diffuse light quality within an enclosed space with a visual connection to the sky. Private spiritual experience: - Dark space with limited light that enforces visual concentration.
Activated
Calm
Focus
Sun-eye view Study - Daylight Access The photos are taken under the Heliodon device to study the actual daylight access of the building. The red part on each photo represents the areas where the direct sunlight can get to in that specific moment of time. From the photos, we see how dynamic of the daylight changing in the public space throughout a year and how sunlight never get into the spiritual space (except for contemplative rooms).
EQUINOX
9am
12pm
3pm
12pm
3pm
12pm
3pm
SUMMER SOLSTICE
9am
WINTER SOLSTICE
9am
Illuminance Mapping - Dynamic & Uniform The illuminance mapping study shows a huge difference of daylight character between public space and meeting hall. Because of the sun coming from various directions throughout a day and a year, it presents a dynamic daylight distribution at the public space. In contrast, the daylight quality stays consistently, around 100 to 400 lux, it’s dimmer and diffuser but adequate.
Equinox
Summer Solstice
Winter Solstice
9am
500 consistant
meeting hall
public space
12pm
dynamic 3000
lux 0
3pm
Radiation Study - Visual Attraction In between the public space and spiritual space is a gap to separate the two in order to serve as a transition point from community experience to spiritual experience. The lowered volume of the public space allows direct sunlight hitting on the massive solid and highly reflective wall and bouncing back to the public space as an attraction for people to move into the spiritual space. The light patch moves up and down throughout different seasons, it is the end point of the dynamic community experience also the start point of the diffuse communal spiritual experience.
Equinox
Summer Solstice
Winter Solstice
Solar Penestration - Direct, Diffuse, and Limited Light Different treatments of apertures are applied to create unique lighting characteristics for each spiritual space. The sectional solar penetration study gives a clearer vision of the different daylight qualities. 1. Community experience: Public Space – direct sunlight, dynamic 2. Communal spiritual experience: Meeting Hall – diffuse daylight, consistent 3. Private spiritual experience: Contemplative Rooms – limited light, intense
2.
3.
1. 11th Street
Avenue D Entrance
Cafe
Meeting Hall
10th Street
Contemplative Room
Sectional Fixture Vignette & Fixture Mounting Detail (Allied Focus) The main light fixtures in the meeting hall are hidden in architectural pockets, which evenly wash through walls and seating area, to achieve ambient and diffuse light quality for peace and calm feelings. Decorative pendants create a second layer of the ceiling, also respond to the language in contemplative rooms.
10ยบ
12ยบ
160ยบ
160ยบ
30ยบ
1.ceiling suspended luminaire
2. surface mounted LED tape integrated with seat
3. surface mounted LED cove uplight
1
3
2
Custom Luminaire The only light sources in contemplative rooms, which only can be perceived by human eyes as sparkle light source but doesn’t distribute illuminance to the floor in order to keep the darkness of the space. The prototype of the luminaire is composed of two parts: the recessed housing part made by aluminum with special reflector inside of it and the revealed lens part of glass cabochon. The luminaire to be prewired and screwed to the punched stone sheet then mudded to cover the ring to only show the glass part when installing the wall finishes. To avoid glare, all of the luminaires are install above average human eye level.
1 :1 Study Mock-up
Contemplative Room
Landscape Lighting Dry Dock Community is quiet and tranquil at night. The landscape lightings are more closed to the ground level to keep activated horizontally but also tuned down vertically in order not to disturb the community’s nightscape.
03 LIGHTING DESIGN
SCRIBE
A Co-working Space for Literary Folk Academic/ Group School Project 2017 Site: None Type: Co-working Office Lighting Design Instructor: Glenn Shrum, Alex Pappas, Francesca Bastianini Team: Aldo Jacques Espina, Xingying Peng
Manhattan is a highly populated city area; the spaces are valued and very expensive. It is hard for one or few people company to find a suitable place to work. This is the reason of why New York City needs more and more co-working space. Scribe is a co-working space for all people who work relatedly to literary. We hope people can find everything they need to support their creative process in here. With living and working with people from different scopes but all related to literary, people can share ideas and have collective resources. However, writing is a public act but often a private and solitary practice. In this project, we focus on how to use lighting controls and its interaction with architectural language to create a dynamic level of privacy that people can individually determines according to their needs and activities.
Mission Statement Scribe is a co-working space for all literary folk. We raise voices and tell stories. From desks and chairs to research stations and libraries, you can find everything you need to support your creative process. We strive for an inclusive, uplifting space for all involved in writing, a place where you feel most at ease as you scribe away.
scribe
Design Concept Writing is a public act but often a private and solitary practice. Our design seeks to foster interactions between the different parties involved in writing, and at the same time propagate individual growth. Through play of different lighting environments and material, the proposal provides different levels of privacy and different spacial experiences.
Solution - Edges and User Control
fully enclosed full user control
semi - enclosed full user control
open semi-user control
open no user control
Fifth Floor_Promotion Floor: for all people exhibit event publishing
0'
2'
8'
4'
16'
Fourth Floor_Communal Floor: for members only share resources communication writing
0'
2'
8'
4'
16'
Thrid Floor_Office Floor: for members only co-working writing
0'
2'
4'
8'
16'
Bookshelf Types
Bookshelf Locations
Bookshelf serves both as architectural language and lighting system, which is the main lighting resource on the hallway. It has differnt compositions based on the type of spaces behind it.
box LED tape 38% translucent panel
Lighting Layout
AA2-W Z-5035
AA1(12) Z5001
AB
Z-5002
AF
Z-5007
AA3
Z-5008
AL
Z-5015
AC
Z-5003
AE(4)UP Z-5019
AL
Z-5016
AJ (3)
AE(4)DN
AK
Z5005
Z-5017
Z-5014
Z-5007
Z-5004
AN
AN
AF
AG
AB
Z-5020
AL
Z-5009
Z-5014
AL
Z-5018
Z-5002
AF(2) Z-5000
AL
AA1(65)
Z-5022
Z-5001
AA3
AA3
Z-5010
Z-5012
AD(2)
AI(2)
AL
Z-5021
AI(2)
Z-5011
Z-5023
Z-5013
No User Control
AC
Z-5003
AK
Z-5006
AL
AL
Z-5025
Z-5024
AR
Z-5027
AF
AB
Z-5007
Z-5003
AD(2)
AA1(13)
Z-5026
Z-5001
AJ(2)
AM(4)
Z-5033
Z-5032
AK
Z-5031
Fifth Floor
AS
AD
AH (2)
AS
Z-5029
Z-5028
Z-5030
Z-5034
AA2-W Z-5035
0'
2'
4'
0'
2'
4'
0'
2'
4'
8'
16'
AJ(2) Z4001
AK
Z4002
AA2 (6) Z-4059
AQ(4)
AA2
Z-4060
Z-4038
AJ(2)
AD
Z-4036
Z4003
AN
AA3
Z-4042
AD
Z-4037
AA3
Z-4040
Z-4044
AD
Z003
AL
Z-4005
AR
AL
Z-4045
Z-4006
AQ
AD
AH(2) Z-4035
Z-4038
AK
Z-4043
AA2 (4)
Z4007
AA2
AI(3)
Z-4060
Z-4041
AD
Z-4059
Z-4046
AA2 (5)
AH(2)
Z-4059
AR
Z-4034
AQ
Z-4008
User Control Zones (Group)
AL
Z4004
AR
Z-4060
Z-4047
AT(3) Z-4036
AD
AR
Z-4009
Z-4050
AR
AR
AR
Z-4054
AQ
Z-4010
Z-4060
AE(2)DN
AD(2)
Z-4052
Z-4048
AE(2)UP Z-4051
AD
Z-4011
Z-4056
AD
AE(2)UP
AD
Z-4053
Z-4032
Z-4055
AA (3)
AE(2)DN
AK
AK
Z-4057
Z-4033
Z-4058
Z-4057
AR
Z-4049
AR
Z-4012
AR
AA2 (11)
AR
Z-4031
Z-4059
Z-4014
AA3
AD(2) Z-4013
Z-4017
AR
Z-4015
AD(2) Z-4028
AD(2) AR
Z-4018
Fourth Floor
AH(2)
AR
AR
AR
Z-4020
AR
Z-4023
AR
Z-3003
Z-4025
Z-4021
AH(2)
Z-4019
AD(2)
Z-4022
AK
AI(3)
Z-4016
AR
Z-4024
AR
AR
Z-4026
Z-4029
Z-4027
AR
Z-4030
AA2-W
Z-3002
Z-5035
Z-3005
8'
16'
AD(2) Z-3001
AD(2) Z-3004
AT(3)
AR
Z-3042
AN
Z-3006
Z-3063
AA2(6) Z-3061
AR
Z-3008
AN
AQ(2)
Z-3042
Z-3061
AD(2)
AK
Z-3007
AA3
Z-3072
AA3
Z-3046
AL
AR
Z-3044
AN
AL
Z-3068
Z-3009
Z-3064
Z-3042
AA3
AD
AN
Z-3010
AK
AL
AK
Z-3047
Z-3065
Z-3045
AN
Z-3063
AR
Z-3063
AL
AR
Z-3041
AL
Z-3070
Z-3011
Z-3066
AD
AD
Z-3040
Z-3043
AL
AL
Z-3071
AD
User Control Zones (Local)
Z-3062
AL
Z-3069
Z-3067
AR
Z-3050
Z-3012
AR
AR
Z-3049
Z-3055
AR
AR
Z-3054
Z-3038
AR
Z-3013
AD(2)
AA3
Z-3048
Z-3062
AR
Z-3059
AD(2) Z-3053
AA2(4)
AD(2)
Z-3061
Z-3058
AR
AD(2) Z-3037
Z-3060
AD
Z-3014
AK
Z-3072
AS
AS
Z-3051
AR
AS
Z-3052
AS
Z-3056
AR
Z-3057
Z-3039
Z-3015
Z-3061
Z-3061
Z-3063
AR
AA3
Z-3020
Z-3019
AR
AD(2)
AR
AD
Z-3018
Z-3034
Z-3061
Z-3061
AD
Z3016
AR
Z-3061
AA2
AQ(2)
Z-3033
Z-3026
Z-3016
Third Floor
AQ(2)
AQ(2)
AA2
AN
AR
Z-3017
AD(2) Z-3021
AH(2) Z-3022
AD(2)
AD(2)
Z-3024
AI(3)
Z-3027
Z-3030
AH(2) Z-3023
AR
Z-3025
AR
Z-3028
AR
Z-3029
AR
Z-3031
AR
Z-3032
AR
Z-3035
AR
Z-3036
8'
16'
Co-working Area Users can individually turn on/off the task light above them to have differnt levels of privacy.
General Light Task Light
Hall
Lighting in the hallway stays the sam office determines how much is the lev and
General Light
lways
Office
me, but the lighting condition inside the vel of visual connection between hallway office.
By controlling differnt lighting condition in the office, user can have both open or private space qualities in one room.
100%
general light Task Light
100% 20-100%
Mockup Study - Scene Setting
General Light: 0% Tesk Light: 0%
General Light: 0% Tesk Light: 100%
General Li Tesk Lig
ight: 50% ght: 0%
General Light: 100% Tesk Light: 0%
General Light: 100% Tesk Light: 100%
04 LIGHTING DESIGN
PERMEATING
Lighting Installation in University Center Academic/ Group School Project 2017 Site: University Center-The New School Type: Human Scale Lightin Study Instructor: Glenn Shrum, Alex Pappas, Francesca Bastianini Team: Emily Moan, SeoYeon Park, Xingying Peng
In this project, each group needed to analysis the assigned site in the university center and created a human scale lighting installation which response to the site. The site is located on a path between stairs and elevator lobby, where people seldom stay for long period. The design idea is to create a micro lighting environment to give the area a stimulus, which will catch people’s attention and make them stay. The concept of playing with gradient, transmittance and color permeations were derived from the observation of ever-changing daylight condition near to the site.
Current Site Condition The site locates on the corridor near one side of the building. The narrow and linear space serves as circulation; people always pass through without staying for a whole. We wanted to create a light space on the corridor by performing changing of colors and gradient.
11 am
4 pm
0 fc
0fc - 10fc
11fc - 20fc
21fc - 30fc
31fc - 40fc
41fc - 50fc
51fc - 60fc
61fc - 70fc
71fc - 80fc
8 pm
80 fc
Design Approach
gradient study
light source study
color/transmitance study
Final Installation We aligned the vertical distance between panels with the height of each step of the stairs, which is about 6”7”. So with each step down, the viewer sees one more layer of panel, more gradient, and eventually the whole installation.
1/2” Plywood
6”
12.75”
12.75”
6”
1/2” Plywood
18” x 24”
GE Flourascent 18”
24” x 18” Frosted acrylic
15” x 24” 24”
12” x 24” 24”
Frosted acrylic
18”
11 am
8 pm
05 LIGHTING DESIGN
MICRO PROJECT Small Library Lighting Design
Acadamic/ Individual School Project 2018 Site: None Type: Natural and Technological Lighting Design Instructor: Matt Franks
Nature light is the first light source ever introduced to human, it is often considered as the most ideal light source for human activities. Building apertures are the medium that brings natural light into the building. By understanding how apertures reform the sunlight and create a natural lighting environment is an important process when studying daylight. And it also inspires the thinking of electric light design. This micro project is a small library, where I focus on exploring the variety of daylight condition, also the relationship between daylight and electric light. Through intentionally arranging the positions and dimensions of apertures, in this library, during the day, people can experience different quantity and quality of daylight depends on their locations and activities, and on different time period of day or different seasons of year as well. At night, the lighting conditions shift to make contrast between day and night. It is a library where each space has its own lighting character.
Space Character VO
Starting from programs, the decision of openings is to give each program a distinctive character. VOLUME
LU
M
Entry Lobby & Lounge:
The character of entry lobby is more active because people go in and out. The daylight concept is to follow the space character and make dynamic daylight effect in the space. MU TE D VIS INT UA IMA L F TE OC US
Group Study Area:
The concept for group study area is to create a bright and diffused daylight environment, like indoor plaza. Using angled sky aperture to CARACTERS avoid direct sunlightPROGRAM but also to welcome the diffused skylight.
Private Study Carols:
SIG
NT
PR
OG
RA
M
IN
TE
RA
CT
UR
E DIM
AR
AC
TE
NG
The daylight environment for private study carols will be dimmer and more muted. Diffused skylight comes from the rooftop and gently washes down the wall at the end of the building. Direct sunlight creates different patterns on the wall through out seasons; the wall becomes a signature wall of the library.
PR
BR LIV IG EL HT Y
ED
ICT
ED
les
s
da
ylig
ht
am
ou
nt mo
re
RS
EN
ER
GA TIC MO
VIN
WE
DA YL
LC O DY MIN NA G MI C
IGH
PREDICTED DAYLIGHT ZONE
Plan
CH
IVE SH AR I
TZ
ON
E
G
25.8
DECEMBER 21st 12:00pm
o
December 21st noon
Solar Penetration Each apertures response to the changes MARCH 21st 12:00pm of sun angles through a year. Depending on suitable lighting quality of the programs, some are in order to catch direct sunlight and some are to avoid sunlight but get diffused skylight. The interplay between light and apertures creates variety and dynamic lighting environment and experience for occupants. JUNE 21st 12:00pm
SOLAR PENETRATION
Reflective Ceiling Plan
47.6
o
March 21st noon
68.9
o
June 21st noon LIGHTING STUDIO 2 : NATURAL ADN TECHNOLOGICAL LIGHT Exercise 2 : Micro Project Yi-Szu Liao
Day diffused skylight washes down direct sunlight creates patterns
diffused skylight for space
dynamic direct sunlight from entry
Night cove lighting system washes up soft gradient of light on the wall
direct light for table surfaces
stable diffused light from two sides of lounge
06 ARCHITECTURE DESIGN
URBAN OASIS Long-Pu Junior High School Design Academic/ Personal Scool Project 2011 Site: Sanxia, New Taipei,Taiwan Type: Educational Architecture
National Taipei University Special District (NTUSD), a redevelopment area at Sanxia, New Taipei, which is a new residential area planned to respond to the establishment of the new campus of NTU. The district developed fast and population grew tremendously within few years. A large number of housing was built closely in this area in order to meet rapid population growth. However, as many redevelopment areas are, it resulted the area full of people but lack of green space for relaxing and having outdoor activities, people have few open space to interact with other. This district was planned to be a community for a large school area. During daytime, it is vivid due to lots of school activities, but after school time or on weekend, after schools’ gates are locked, the decreased activities and usage make schools become idle spaces. However, schools in this district should be the role, which can provide green and space for more use. Given the reasons above, this project focuses on demonstrating a school as Urban Oasis, an activation center in this concrete jungle. Except for the ordinary use of class, it could be open to public, bring people access to nature, let activities extend from inside to outside like ripple, increase interaction and connection among residents and reactivate the district.
an Dah
er
Riv
Housing Area Park
NationalTaipei University
ay
hw
ig aH
os
rm
Fo
Schools
SITE
National Taipei University Special District
Redifine the Role of School
Concept
The site is located on Long-Pu junior high school campus, which is next to the biggest park in the area but the park doesn’t provide much green and open space for residents. If the green could extend throughout the whole campus and open to public, it will create more possibility for people to access to green space and offer various events, then activities will reversely spread to nearby area.
Breaking down walls between campus and outside and bring people in by creating an easily accessible environment. Letting people around the area can use the campus after there is no class at evening or on weekend. So the green and campus space can be enjoyed by anyone.
The school will enrich local events and natural environment and can be used in many situations and be redefined as a new open space for long period use. 09
before
after
Design Approach
opening main green axel
connecting main activity space
extending to secondary activity space
creating three layers of paces
Program Distribution The activity intensity decreases from south to north of the site as the Formosa Freeway on the north side. In order to balance activity intensity, it is important to set a hierarchy of the space. The first layer continues the park environment, the second layer forms the main area of the campus, and the third one is more for particular uses, so people would enter the campus spontaneously if they need to use the specific space. In which case, activities and events would be extended naturally. particular class room regular class room special education class room
low activity e on spac r utilizati input: 80% particula activation
intense
oďŹƒce space
green axis
ace u s sp 60 % camtiop n input: in a m tiva
high act ivity int e
ac
nse
e sp a c pen put: 40% o d ende ion in
t t mex activa
ce sapt: 20% k r u a c p inp bli on pu ivati t ac
10
3 2 5 4
1 6
Second Floor Plan 1. classroom 6
2. theme classroom 3. laboratory
1
4. outdoor classroom / plaza 5. school hall 6. office 7. reading room 7
8. conference room
5
4
10 3 9
Ground Floor Plan
2
1. classroom
6 7
2. computer classroom 3. theme classroom
1
4. dining room 5. swiming pool 6. special need classroom 7. office 8
8. library 9. ecological pond 10. pick-up area
Upper Level - Wide & Vivacious Instead of using typical linear space, curved arrangement can create another open space to combine and link other surrounding area and make indoor and outdoor more connective.
13
Ground Level - Exquisite & Peaceful Green and light drop down to the ground level like raindrop, and events and activities extend at the same time. The open space of upper layer is wider and offers dynamic outdoor events, as ground level’s open space is more separate and provides shades and relatively static activities.
14
07 ARCHITECTURE DESIGN
CITY FOOD DRAMA New Social Food Space for City Daily Life Academic/ Personal Theses Project 2013 Site:Tian-Mu,Taipei,Taiwan Type: Infrastructure
Food has historically revolved around the need to feed ourselves, but at the same time, it is a social and cultural phenomenon. It shows how we live, like a drama in our life. In the past, the exchanging and sharing of food once built a very solid and stable bond among people, food was the common language that let people share their life and connect with each other. Food production and distribution played the important rules in day-to-day life. However, this profound relationship between food and people and among people disappeared gradually because the way that people live with food has changed drastically. Today’s production and distribution of food are not as accessible as past time for people living in city. As a result, the food drama becomes dim. This thesis design project is trying to redefine the role of food space in the city. It should be a sort of public learning and participation. From individual to city scale, linking elements of food and city, then search for possibilities of connecting food space to city daily space. It is not designed simply for aesthetic pleasure; it's not even an attempt to make the city more sustainable. The main idea is reversing public space by inhabiting food space in it, bringing a green landscape and urban farming into the city and creating a new prototype of lifestyle. We might once again reinstate food as an integral part of our city.
Issue Introduction The relationship between food and people changes overtime. Formerly, people lived next to food resource and used to step outside then there’s plenty of fresh food available, but population growth, advanced technology and city exploration overturned the mode and strategy of food production and distribution, people no longer practiced self-reliance. As a result, food production has been pushed away toward the edge of city and fresh distance gets further. Food space also changes. In the past, dining room was the most important area for a family, especially for Asian culture, all the family members could gather together and share their daily story with each other while having dinner. But nowadays, kitchen and dining room become very small and useless parts of a house. It hinders the chance for people to participate food process. Personally, I believe what food brings to us is precious. Thus, what I focus on this project is trying to bring fresh food to modern city life, to rebuild the connection among people by food sharing and participating, then, provide a possibility of new prototype of food spaces in the city. Hoping people could once again enjoy the social and cultural activities that food brings to us.
Fresh Distance Timeline In this timeline, we can understand that all kinds of developments formed the present relationship between human and food. But, we can also see that the ideas of city in the future is trying to shorten the fresh distance and bring food drama back to our life.
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Food(story) + People(actor) + Space(background) = CITY FOOD DRAMA The common language to link different people and culture is food, and people are always the key to start the drama. Food drama should be able to be learned and participated. In the future, the relationship between human and food will not be just a dish on the table but a whole process of food which can involve human to participate more, relink food to our life and bring people back to main character. This project is not a particular type of space but a food+ space where remains original space utility yet offers new public spaces when food takes part in. It’s like put a food program into a city space then it’ll be changed into a whole new space about food.
+ PARK
+ MARKET
+ SCHOOL
+ MUSEUM
+ COMMUNITY
+ SPORT PARK
Break the process In the present food process, people don’t actually involve in it. Through breaking the process and inserting it into city space, it would trigger many new events in the city.
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Tian-Mu is one of the most flourish regions in Taipei. Compared to others, it is relatively more for living. Public spaces combine with living-scale area results in its distinctive characteristic. Its walking and biking property of street makes the living pace of the region relatively slow and opens an opportunity to bring food in. So I consider this area is perfect for my issue and I can practice food drama at it.
SUPERMARKET
TIANMU CREATIVE MARKET OLD LIVING CORE
SITE TAIPEI JAPANESE SCHOOL
TIANFU MARKET SHIN KONG DEPARTMENT STORE TIANFU PARK
TAIPEI AMERICAN SCHOOL NEW COMMERCIAL AREA
TIANMU SPORTS GROUND LANXING PARK
SHIDONG ELEMENTARY SCHOOL DAYEH TAKASHIMAYA DEPARTMENT STORE
SHIDONG MARKET LANYA JUNIOR HIGH SCHOOL
LANYA PARK
YUNONG ELEMENTARY SCHOOL
SOGO DEPARTMENT STORE
MRT ZHISHAN STATION
Site Context
The site is located on a shortcut where links old living center and new commercial area and contains many community public spaces, different people pass through this shortcut with different purposes. It offers a condition to create a new city food space between public and private. 20
Strategy Those open spaces along with the site provide many variable edges that can break the linear state of the shortcut and overturn it into a main public space in the city in which all the food-daily-related events will take place spontaneously.
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SPACETYPE
original space character
ELEMENT
important space element
ALTERNATION
creat additional space new space model
From production to eating, each stage of food process has its own space character. Through finding out the main space elements then transform them, the new type of food space could be matched to other uses and link daily activities with food.
STUDY
Food Space Restruction
PLANT
STORET
SELECT
COOK
EAT
different planting level
multiple food storage for different foods
horizontal sight
linear work space
areas of different space condition
raise and lower
ceiling,wall,stair as the food container
verticality
stagger
space illusion
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1. bus station 2. infoc 3. shop 4. learning spot 5. cafe 6. audio-visual room 7. outdoor rental kitchen 8. bar
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SCENE - 1 Experience Pavilion
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The experience pavilion is the main entrance of the area, like a small museum or a micro food city where contains People can get information about the place and learn and participate more by doing recreational activities.
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SCENE - 2 Food Library The food library is located next to a school, where replaces the present closed wall between school and park. By reopening the boundry, students can access to food area and take this place as a out-school classroom to participate and learn more about food.
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1. food library 2. roof farmland 3. bicycle rack 4. playground 5. gallery 6. stair plaza
SECTIONS and SCENES By inserting these delicate food programs and spaces, the living style of the region start changing. The most important meaning of today’s architecture is to offer human multiple choices of lifestyle. In this case, food spaces merge into our daily life and food drama will take place at everywhere.
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1. bus station 2. experience pavilion 3. learning sopt 4. outdoor rental kitchen 5. playground 6. gallery 7. plaza 8. vertical market
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Christian Mountain Children's Home New Children Dormitory & Church for Liouguei Charity Orphanage Professional work/ Project in J+R Architects 2014 Architect:Wen-Chieh Chiu Group Position: Designer Site: Liouguei, kaohsiung,Taiwan Type: Dormitory / Church I was involved in the design and first phase of detail design stages of this project. Afterward, I was responsible for architectural design, reviewing construction and green building regulations and building functions, as well as meeting with relative technicians and presenting proposals to the clients. This project was designed to cater for the need of the new dormitory and church in Christian Mountain Children’s Home. Because the constructional damages made by Typhoon Morakot in summer 2009, the president of children's home decided to reinforce the old buildings for the future tourism purpose because it would be a huge income resource for the children’s home, and to build a more save and sound living spaces for the children. And I took part in the first phase of the project, the new building design and constructional stages. The project concept is using a sequent unit of houses around the church to symbolize the meaning of HOME. The church represents believe and hope, and is like a core of a big house’s living room. Each unit would have its own living space yet we can also see the whole building as a big family.
Concept
church as the center of home
units rise along the steady slope
Section - the relationship between units and church
create public spaces belo units
form a church-based living area
Unit Detail
Other Works
Nov. 2017 -Complex Form + Matrices
Mar. 2018 -in.Light_Invisible Light
Sep. 2017 -Surface Modulations
Oct. 2008 -Object Magnification Study
Jan. 2009 -Material & Structure Study
Sept. 2009 -Experimental Installation
Nov. 2009 -Backyard Coffee House
Feb. 2010 -Shuangxi Community Center
April 2010 -International Student Dorm
Aug. 2010 -Social Housing Workshop
Oct. 2010 -Community Art Center
Jan. 2011 -Office Building
Aug. 2011 -New Housing Workshop
Oct. 2012 -An-Kan Social Housing
June 2013 -Thesis Exhibition
Yi-Szu Liao
Phone: +1 917 520 4227 Email: liaoiris20@gmail.com
Education Background Sept. 2008 - June 2013
Department of Architecture, Tamkang University, Taipei, Taiwan - Bachelor Architecture degree
Aug. 2017 - expected 2019 SCE, Parsons School of Design, The New School, New York, USA - MFA Lighting Design (Scholarship)
Professional Experience July 2011 - Aug. 2011
AMBI Studio, Taichung, Taiwan - Summer Internship
July 2012
6x2=18, Paper Exhibition of Architecture Graduation Design, Yilan, Taiwan - Exhibition executive assistant
Aug. 2013 - Aug. 2015
Wen-Chieh Chiu Architects and Associates, Taipei, Taiwan - Designer
Fab. 2017 - May 2017
M. C. TSAI Architect and Associate, Taipei, Taiwan - Designer
Jun. 2018 - Present
Domingo Gonzalez Associates, New York, New York - Lighting Intern
Aug. 2018 - Dec. 2018
Parsons School of Design, New York, New York - Teaching Assistant
Nov. 2018 - Present
Derek Porter Studio, New York, New York - Graduate Research Assistant
Competition May 2014
Far Eastern Group Chiaohsi Spa Resort Design Competition, Yilan, Taiwan, Second Prize
Jan. 2015
New Taipei Museum of Art Design Competition, New Taipei, Taiwan, Honorable Mention
Mar. 2018
IESNYC Student Lighting Competition, New York, New York
Workshop Sept. 2009
Tamsui Recycle Art Festival Workshop, New Taipei, Taiwan - Installation Design Team
Feb. 2010
Bamboo Installation Workshop for Urban Regeneration Station NO. 21, Taipei, Taiwan - Design Team Leader
Aug. 2010
Itabashi Housing Workshop, Tamkang University and Japanese Women University, Tokyo Japan | Instructor: Prof. Satoko Shinohara - Selected Participant
Aug. 2011
Songshan Social Housing Workshop, Tamkang University and Japanese Women University, Taipei Taiwan | Instructor: Hideki Hirahara - Team Leader
Exhibition Oct. 2012
Wave Hose, Social Housing Design Exhibition, Taipei, Taiwan - Participative Designer
June 2013
Tri-Arch, Graduation Design Exhibition, Tamkang University, Chung Yuan University and Chengkung University, Taipei, Taiwan - Participant
July 2013
Taipei Urban Design Center Opening Exhibition - Exhibition Assistant
July 2014
Cloud of Unknowing: A City with Seven Streets Exhibition, Taipei Taiwan - Installation Design Assistant
Skills Software
Agi32 (Daylight/Electric Light) | Auto CAD | Sketchup(V-ray) | Rhinoceros(V-ray) | DIVA for Rhinoceros | Adobe Creative Suite | Microsoft Office
Language
English | Chinese | Taiwanese
References Derek Porter
Principle, Derek Porter Studio | derek@derekporterstudio.com
Wen-Chieh Chiu
Principle, Wen-Chieh Chiu Architects and Associates | wenchieh.chiu@gmail.com
YI SZU LIAO liaoiris20@gmail.com +1 917 520 4227