ARCH.PORTFOLIO YOKE HENG NG | 2012 heng_51star@yahoo.com | +6016 6360829
content design fundamentals communication drawing art gallery -
m.arch
landscape + arch timber connection adaptive-reuse + urban-renewal 5th year project -
Mi Casa
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Great (Bamboo) Wall
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Artgem on King’s
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Artist in Residence
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Boat School
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Flow
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School as Community Hub
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Photography + other Drawings
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Hyde Park North Hyde Park South
Mi Casa
Water Power Vehicle Access
Diagrama c scheme source: City of Sydney
Having freedom to choose a site that I like in Sydney and to design my ideal home, a ‘sculptural shell’ was envisioned on the tranquil Hyde Park in the midst of the bustling Sydney CBD. Like a camera, the windows located at specific points capture the moments and experinces of the site, such as the change in seasons, falling leaves, starry nights. Fit for one person dwelling only, it is designed as a compact house with built-in furniture, with viewing pla orms set at 3 fifferent loca ons: the living space, the bedroom and the corridor near the shower room.
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GROUND ND FLR. PLAN
Monument: Statue of Captain Cook
FIRST FLR. FLR R. PLAN
Falling Leaves: Experience of the Senses
Issue: Privacy, TraďŹƒc and Noises
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COMMUNICATION DRAWING
GREAT (BAMBOO) WALL Kengo Kuma & associates
Loca on: Beijing, China Comple on: April, 2002 Floor area: 716m2 Func on: Hotel / private house
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This aim of the project is to produce drawings that are interpre ve, oering insight into how I responded to this building emo onally, imagina vely and crea vely. Par cular a en on is given to the materiality of the architecture, as shown in the two-point perspec ves here. In order to be er communicate the spaces and built ma er, themes such as precision, fluidity, tac lity, spa ality, vantage and narra ve are applied, expressed through the use of mediums like charcoal, watercolour and pencil.
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Newtown, NSW
ArtGem on
S ’ G KIN Newtown is famous as an art district with vibrant mix of culture and art - par cularly street art/graffi , with a touch of Bohemian feel. Intricate lacery on reclaimed steel objects by Cal Lane and Anselm Kiefer’s bold sculptures are the inspira on for the design of this art gallery, where by the building is a fusion of ‘rus c lacery’ and brutalist walls, consis ng rooms of varying sizes for artwork displays, a roof-top bar for use during opening ceremonies, mini office and a studio/ bedroom for the curator.
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Basement
Ground Floor
1st Floor
2nd Floor
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Image le : Final Model showing internal circula on paths. Image below: Programs and func ons of the spaces. Images next page: Model on site (street view).
Roof-top Bar Studio Private Courtyard
Public Roof Garden
Outdoor Living Area
Kitchen
Bedroom Entrance
Gallery Spaces
Storage
OďŹƒce
(sculptures only)
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GLENN MURCUTT STUDIO
ARTIST IN RESIDENCE Cooma, Berridale, Sydney
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Located in a pris ne and unique site consi ng of large boulders in Cooma/Berridale NSW, the project aims to develop a public building on a private land owned by Farmers David and Vi jamieson, with great emphasis on landscape and the natural environment.
The facility houses an ‘Artist in Residence’ program, offering 3 par cipa ng ar st a place to socialise, work and rest. Snuggled in between the large Thors on higer grounds, the buildings are shaped in response to the landform. The porposal consists of 3 parts:
1. a large floor space for huge sculptures/artworks, a photo gallery and dark room for photography development, and a music hall. 2. Curator’s residence. 3. Ar sts residence with shared facili es.
The 3 nominated ar sts are Japanese musician Kitaro, Australian landscape photographer Ray killen, and German sculptor Sussan Kessler (in collaboraon with architect Petra Eichler).
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Curator’s Residence
Water Storage + Waste Management
Rain water collec on and storage The ‘Living Machine’ as waste-water treatment centre
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Gallery
Construc on Model of Main Gallery Space
Interac on between Human and Nature
Cooma - Farmland with Unique Large Tors
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GIFU CONNECTION STUDIO
BOAT SCHOOL @ Chowder Bay, Sydney UNSW + JAPANESE STUDENT (GIFU) JOINT PROGRAM
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The project aims to design a boatshed / boat school for Simon Sadubin, a boat builder and industrial designer, on the historically-charged site - Chowder Bay, and placing major emphasis to the use of Ɵmber as the main material for structure and construcƟon. The concept is to crete a pitched-roof boatshed that responses to the site context and genius loci, yet disƟnguishes it from the rest with the detailing of the ‘scissor-truss’ structure - inspired by the exisƟng boarshed’s scissor-truss roof; by rotaƟng and transforming the classic scissor truss, a portal frame that funcƟons as both column and roof is created. Meanwhile the “openness” of Richard Leplastrier’s public amenity is applied to bring in more natural light and improve cross-venƟlaƟon. OrientaƟon-wise, two perpendicular axes are drawn from the site’s exisƟng building alignments, with the proposed building skewed along the concrete base for beƩer foundaƟon.
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ExisƟng Boatshed RL 2.34
Storage RL 2.50
Link RL 2.50
RL 0.00
RL 2.00
Boat School RL 2.50
N GROUND FLOOR PLAN
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Exis ng Mezanine
Void
Office RL 5.30
Void
Workshops Storage (office on mezzanine level) Link Toilet
N FIRST FLOOR PLAN
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Dominant N-E winds
Private Access
Access to toilet.
Public Access Views
Views + Boat Access
The ‘Link’ and outdoor working area.
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SOUTH ELEVATION
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EAST ELEVATION
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NORTH ELEVATION
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CONSTRUCTION DETAIL PIER + FLOOR CONSTRUCTION: • 30Concrete foo ng + steel joint suppor ng 290x75mm double bearer (355mm spacing) • 190x45mm joist (450mm spacing) • 130x20mm strip fl ooring SCISSOR TRUSS (Portal Frame) • 290x75mm double bearer with literal pin joint, directly linked to the bearers below with M30 Bolt • Main structural column is 200x100mm and ‘ra er’ is 100x160mm, with secondary webs on both sides at 200x45mm (bo om, connected with 6mm steel plates) and 160x45mm mber webs (top) • bending of ‘web’ - to create a more aesthe cally pleasing form and to reduce fl oor area occupied by the joint on fl oor • use of peckers for spacing at top WALL • 150x50mm stud @600mm spacing (allows smaller things to be placed and reach with ease) • wall frame li ed up with 150x100mm beam • 200x25mm shiplap weatherboard cladding ROOF • Corrugated steel shee ng for the main boat house, transparent roof shee ng for the ‘link’
STRUCTURAL ANALYSIS Load Path
Deflec on
Ac on Effects
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UNSW + SEU JOINT STUDIO
interposi on
介处
Group members: Yoke Heng NG, Ruo Chen CHENG, Laura ABBEY 成员：伍钰馨 ， 程若尘 ， 劳拉 艾比
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FLOW
Parrama a, Sydney
The project is a crea ve explora on of architectural adap ve reuse and the integra on of architecture into the wider urban landscape through a cross-cultural and interdisciplinary study of ‘Rivermark’ and the Parrama a Ferry Wharf. Reinforcing its image as the gateway to Parramatta City, the design is an invi ng mee ng place centred on various needs of the community, allowing people to interact, learn and share their unique cultural differences. This has been implemented by means of passive recrea onal spaces, viewing pla orms, pathways in the landscape and a thoroughfare, informa on centre, exhibi on hall, gym and childcare facili es, interac ve audio-visual centre, café, bar and restaurant within the building.
Inspired by the concept ‘flow’, mul ple levels including technical, architectural, spa al and sensory dimensions were explored. A series of landscaping interven ons have created a consistent ‘flow’ across the landscape to re-link the disrupted greenbelt along the river, and to enhance the river-site rela onship. The project also explores the connec on between indoor / outdoor by crea ng a series of harmonious spa al ‘flows’ both within the building and between the building and its surrounding landscapes. Technical and architectural systems, such as the water system and building access, have been integrated into the building, also play on this idea of ‘flow’.
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RIVERMARK 2.0 Parrama a, Sydney
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Icon in Parrama a 标志性
CBD + Wharf Transi ons 中心区变迁
Sydney Waterways 悉尼水路
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Discon nued Green Belt
断开的绿带
Reconnec ng the Green Belt
Determining the Flow Curve
确定横向和纵向流动的曲线
Linking the Pathways
重塑连接的绿带
建立绿带道路建筑的联系
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Circula on & Accessibility 流线和可达性
Views across the Site 视线
Water Flow & Mee ng Point 水流方向及结合点
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Basement: Carpark + sunken garden / cafe 地下室: 停车场 + 下沉式花园 / 咖啡厅
Ground Level: Info Centre + Plant Room 地面层平面: 信息咨询中心+ 设备机房
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Exis ng Circula on Programs: Before 原有建筑功能
Programs: A er 改建后建筑功能
现状建筑流线
Reformed Path (Primary) 改造后的主要流线
Reformed Path (Secondary) 改造后的次要流线
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Level 1: Lobby + Thoroughfare 一层平面: 大堂 + 通道
Level 2: Library + Audio Visual Area 二层平面: 图书馆 + 视听区
Level 3: Mul purpose Rooms 三层平面: 多功能室
Level 4: Exhibi on Space + Gym 四层平面: 展览厅 + 健身房
Level 5: Gym (cont.) + Childcare Centre 五层平面: 健身房 + 育儿中心
Level 6: Childcare Centre + Exhibi on 六层平面: 育儿中心 + 展览厅
Level 7: Bar + Community garden 七层平面: 酒吧 + 社区花园
Level 8: Restaurant 八层平面: 餐厅
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Rain water collec on 雨水收集
Restaurant + Kitchen
Restrooms
餐厅及厨房
卫生间
Bar + Community Garden 酒吧及 社区花园
Gym
Machinery Cooling
Water System and Uses
健身房
机械制冷设备
水系统及用途
Ver cal Circula on 垂直流线
Vehicular Access Water feature, storage + recycling 水景，贮藏与水再循环
Irriga on 灌溉
交通路线
Horizontal Path 横行路径
Water System 水系统
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A B D C
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B
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D
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interposition 介 处 Transforming the Parramatta Ferry Wharf Area interposition examines the physical, social and cultural qualities of the Parramatta Ferry Wharf area and explores its potentials in invigorating the “second CBD of Sydney”. This urban site, historically charged and strategically positioned in Parramatta, presents itself as a meeting point between the city of regular grid and the suburbs of irregular layout, between the seawater and freshwater along the Parramatta River, between stable ofÀce/ residential spaces and Áuid transport lines, between business and leisure, between local inhabitation and latent tourism. It is an area of conspicuous tensions between elements of signiÀcant diversity in history, culture, use, scale, and character. Architecture, Interior Architecture and Landscape Architecture students from the Southeast University and the University of New South Wales are positioned between different cultures, different institutes and different disciplines, working in teams of three to develop seven evocative propositions for the redevelopment of this challenging site.
Poster Design (Nanjing Studio Ehibi on) 46
Randwick School A Village for Learning and Sharing
N MASTER PLAN
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The school is inspired by the idea of a ‘village for learning & sharing’. A progression in scale leads students, teachers, and the public from large courtyards at the school gateways to smaller, protected courtyards at the classroom units and community facili es. A path running across the site creates a strong north-south axis, direc ng movement into the seemingly sca ered school facili es. This spine, along with the courtyards, encourages students to socialise as they make their way to their classes, and also enables informal mee ngs to take place along the way.
Precedent: Protestant Comprehensive School, Bismarck-Gelsenkirchen (Germany)
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Dis nc ve N-S Axis
Building Alloca on - in rela on to exis ng bus route and special facili es
Zoning + Segrega on
Grid Extension + Open-space Access
Site Access + Drop-o Areas
Courtyard series + Func ons
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Mixed use (Apartment, Cafe, Book Shop, Convenient Stores etc.).
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Admin, Childcare.
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Primary + Secondary Schools
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Shared facili es (Gym, Theatre, Gallery, Material 1 & 2 Rooms, Library, Swimming Pool).
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Accommoda on for (interna onal) students or workers + Small retails (convenience stores, book shops) and cafes to cater for the Hospital goers and habitants of the site.
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Public. Wide open spaces with stair sea ng, viewing toward football field and beyond. Possible ac vi es: Sports Day, Music, Dance or Food Fest, weekend markets, Baking Sale etc.
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Dis nc ve entrances to the primary and secondary schools.
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Heart of the (Secondary) School. Every facility is within walking distance, encouraging students to interact with different groups of people. Allows informal, or surprised, mee ngs.
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Primary School hub + access to Paine Reserve.
Hands-on Experiences ƚŚƌŽƵŐŚ ŐĂŵĞƐ͕ ƉĂƌƟĐŝƉĂƟŽŶ
PHYSICAL
21st C. Edu.
MENTAL
STUDENT = ŝŐŝƚĂů EĂƟǀĞ Games Sports Events
SOCIAL
/ŶĨŽƌŵĂƟŽŶ Knowledge [ INTERNET ]
AGE GROUPS
/ŶƚĞƌĂĐƟŽŶ ǁŝƚŚ KƵƚƐŝĚĞ tŽƌůĚ
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HIGH SCHOOL PLAN: Ground Floor
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South Eleva on on Rainbow St.
Sec onal Eleva on across site
East Eleva on on Avoca St.
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Main entry to Randwick High School (approach to the Admin building).
Approach to library.
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Covered outdoor learning area (COLA) connec ng the gym facili es and the canteen.
Ac vites around campus.
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Classroom Type 2 (larger, 9 x 9m)
TYPICAL GENERAL LEARNING UNIT PLAN: Ground Floor
Group Study Area (50m2) with access to outdoor courtyard
Classroom Type 1 (typical, 9 x 8m)
2.5m wide Corridor for circula on
Outdoor Decking (north-facing)
Break-out Space Internal Courtyard
Main entrance
Mee ng room (20m2)
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Break-out Space Solid Mass vs. Void
Light-weight vs. Sturdy Founda on Prac cal ac vity area (wet area, 7m2)
Storage (20m2)
Decking/ informal gathering space (north-facing)
Structural columns at 9 x 8 m spacing (with suppor ng columns @ 4.5m apart)
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Classroom blocks, while similar, are given dis nc ve idenes by unique colours which also help with way-finding. Modular classroom layouts (GL units: 9x8m; Specialist units: 8x7.5m) supported by concrete columns form a protected, internal courtyard for each cluster of classrooms, with brick infill and mber claddings for the external faรงade to create a sense of warmth and calmness.
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Concrete roofing spanning 2500mm to cover the corridors, also funcons as a large gu er.
Corrugated sheet metal roofing; 100x50mm C-steel ba ens on 200mm deep I-beam ra ers, supported by 300mm deep I-beam.
ROOF + DRAINAGE Light-shelf
Horizontal louvers for sun shading.
Sliding window on steel frame.
STRUCTURE
Manually controlled aluminum louvers (powder coated to mimic the colour of mber façade).
100x50mm sawn mber stud frame. SKIN
Reverse Brick Veneer construc on – mber cladding on 100x50mm mber stud frame, si ng on 100x50mm steel beams plus 50mm insula on.
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Photography
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Architectural Spatialization
Pen Sketch - Pyrmont Point, Sydney
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Pen sketch - The Rocks, Sydney
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Pencil Sketch - Botany Bay Rd., Sydney
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Cartoon Character Design
Handdrawn + Watercolour
Handdrawn + Computer Graphics
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FIN.
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