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THE STYLE MAGAZINE FOR YOUR HOME OCTOBER 2018 £4.80

LONDON IS OPEN YOUR GUIDE TO THE CAPITAL’S DESIGN FESTIVAL

HANDM ADE TA L E CUTTING - EDGE CRAFT BY THE NATION’S FINEST ARTISANS

PLUS THE UK’S MOST INSPIRATIONAL INTERIORS, FROM LONDON TO THE ISLE OF SKYE

9 770957 894229

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THE BIG FABRI CS , WALLPAPERS & PAI NTS – UPDATE YOUR HOME IN THIS SEASON’S HOT TEST COLOURS

JADE JAGGER SIR JOHN SORRELL FAYE TOOGOOD BETHAN GR AY CHRISTOPHER FARR SUZ Y HOODLESS & MORE…

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THE B R IT LIST

43 The collaboration We chat to Bethan Gray as she

gets set to launch her new collection with Anthropologie

47 The interior designer Suzy Hoodless talks about the inspirations behind her luxurious, modern style 49 The revival Furniture brand Established & Sons

is back, with a renewed focus on strong, original design

52 Best of British: serene greens Our edit of the finest buys in leafy shades and sumptuous woods

55 High-street hit Fashion brand Shrimps’ founder

Hannah Weiland on her vibrant new range for Habitat

57 The designer trio Founders of furniture and lighting

brand Ochre reflect on their most dazzling pieces

60 Best of British: muted monochrome Buy into this update of the classic palette with pieces for every budget 62

The powerhouse Forty years after founding the Andrew Martin brand, Martin Waller still drives innovation

65 The design store Introducing 8 Holland Street, London’s new destination for lovers of art and interiors 68 The new brand Maker & Son is set to stun design enthusiasts with its handcrafted, all-natural furniture

70 The fashion line H&M gives William Morris’s iconic

prints a new lease of life with its latest collaboration

73 Inside story Everything you need to know about

D EC OR ATI N G S P E C IAL

CON T E N TS

121 IT’S TIME TO EMBRACE THE HAPPY DESIGN TREND AND DECORATE BOLDLY, WITH THE HELP OF OUR BI-ANNUAL EDIT OF FABRICS, WALLPAPERS AND PAINT COLOURS

historic Stafordshire pottery brand Burleigh

76 My cultural life Sir John Sorrell CBE reveals what

he’s reading, watching and listening to this month

79 The inspiration H&M’s range isn’t the only treat for fans of Morris – explore his work and gardens, too 80 History of a brand British furniture company Linley has a legacy of crafting tomorrow’s classics 83 Architecture Eva Jiřičná CBE talks ahead of being

honoured at the London Design Festival and we reveal our highlights from the RIBA House of the Year longlist

88 In conversation with Faye Toogood The designer reflects on inspirations and the future 96 The handmade tale Our favourite products from

PICTURE: KRISTY NOBLE

the British craft scene, from ceramics to woodwork

105 At home with Jade Jagger The designer shares

the experiences that have defined the look of her abode

113 Scent of a nation A new crop of home fragrances are bringing Britain’s blooms back into the spotlight

From left ‘Plein Été’ wallpaper, £204 per roll, Pierre Frey (pierrefrey.com).

‘Block Party’ fabric in blue by Donghia, £358 per metre, Rubelli (rubelli.com)

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CON T E N TS 172 Reach for the skyline This central London apartment building ofers a contemporary blueprint for urban living that’s creative, customisable and cool

184 Life on the grid In London’s radically

re-imagined King’s Cross district, designer Rhonda Drakeford has created a hyper-modern space that perfectly suits its inner-city setting

192 Riches of ages Surface texture and

LO N D O N D E S I G N F E STIVA L

204 Capital gains When writer Anabel Cutler

251 WE REVEAL THE BEST EVENTS, SHOPS, TALKS AND MORE FROM ALL OF THIS YEAR’S DESIGN DISTRICTS

214

Storm breaker On the remote Isle of Skye, a larch-clad, sparsely-furnished bothy ofers explorers contemporary, calm shelter amid the rugged landscape and rough seas

226 Softly sculptural Interior designer

Allegra Hicks’s quiet palette and delicate textiles have transformed this gallery-like London house into a family home

ESC APE

239 EXPLORE BRITAIN’S FOODIE HIGHLIGHTS, FROM WINE BARS TO MARKETS 38

Subscribe Check out the fantastic ofer for our most loyal readers

269

Stockists Love something you’ve seen in this issue? Here’s where to buy it

282

Fine print We reveal this month’s eyecatching fabric: ‘Pure Arbutus’ by Morris & Co

TH E C OVE R S Newsstand A Fritz Hansen daybed and chair, and a graphic design by The Rug Company feature in this London home, p204 Subscriber Our most loyal readers get a closer look at the ‘Meander’ linen by Christopher Farr, who we talk to on p135

NEWSSTAND: PAUL RAESIDE (PHOTOGRAPHY), CLAUDIA BRYANT (STYLING)

bought a former garage plot in north London, she seized upon the rare opportunity to carve out a calming sanctuary in the city

FINALLY

rediscovered treasures adorn this townhouse near London’s Portobello Road

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PICTURE: JAMES MCNAUGHT *OVERSEAS READERS CAN DOWNLOAD BATHROOMS: VOLUME 3 FROM THE ELLE DECORATION APP

– it really does! It should be your sanctuary, somewhere that inspires and delights, where you can feel completely relaxed. As we find ourselves on the brink of a new season, it seems a pertinent time to compare the whirling worlds of fashion and interiors. When I consider what I want to wear on a daily basis, I’m often plagued with anxiety, whereas choosing pieces and schemes for my home fills me with nothing but joy. Contemplating this fact, I’m struck by the wise words of New York-based writer Kate Bolick: ‘When you’re insecure about your appearance, trying to make yourself look better is a fraught endeavour. However, the home is a blank canvas, or empty vessel – a place where the will toward beauty can be expressed unchecked, without the messy complications of the self.’

It’s an astute observation and, with it in mind, I hope you’ll find that this month’s comprehensive decorating section – with the latest fabrics, wallpapers and paints, alongside inspiring ideas – will give you real opportunity to express beauty unchecked in your own individual way. Embrace vibrant colour, pattern and texture in the space that stands for who you are and what home means to you.

Of course, in the context of this issue, ‘home’ also refers to our annual celebration of all things British, which sees us championing a roster of UK-based talents new and old, all of whom, in my opinion, truly represent the breadth and diversity that makes our nation’s design, style and substance so very unique and utterly wonderful. Plus, the beautiful houses featured this month (bar one stunning architectural bolthole in Scotland) can all be found in London, the city I call home.

Executive Editor

Also this issue, we’re treating you to a 100-page Bathrooms magazine – your guide to creating on-trend spa style at home* Follow me on

Instagram: @mrbspriggs

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/ B I G B R A N D S / C O L L A B O R AT I O N S / S H O P P I N G / C R A F T S TA R S / A R C H I T E C T U R E

DESIGNERS

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THE BRIT LIST

T H E C O L L A B O R AT I O N

BETHAN GR AY X ANTHROPOLOGIE

WORDS: PIP MCCORMAC PICTURE: CIRCE HAMILTON

As she launches her first line of furniture for the high-street retailer, Gray discusses finding inspiration in the UK’s beaches, parks and her son’s collection of shells

Top ‘Feather’ rug, from £598, Anthropologie (anthropologie.com) Above Bethan Gray sits on the ‘Feather’ chair, £698, Anthropologie (anthropologie.com)

Bethan, how do you want people to feel when they see your designs? I always want them to be comfortable, for there to be an element of cosiness to everything I do. You know what it’s like when people come to your house – you want them to feel at home, and not like they can’t touch anything.

That’s the mood I’m always trying to achieve.

And what is it about your work that creates such a feeling? I have a colour palette that I tend to stick to – teals and jades, golds and coppers, soft greys and even softer pinks. It’s all very harmonious, taking its lead from shades that exist in nature, such as stones and woods – the things you would see when you’re taking a walk in the park.

Is nature a big influence for you? It really is.

I have a four-year-old son who loves being outside and is a real hoarder. He collects shells, pebbles, whatever he can find. The feather shapes seen in the design of the chairs and cabinets in my new range for Anthropologie were inspired by him. I’m also influenced by the British craft movement, and enjoy using traditional techniques to tell cultural stories.

Anthropologie is an American brand, founded in Wayne, Pennsylvania, so I started by researching indigenous American cultures and was drawn to the ancient patterns and motifs created by Ancestral and Acoma Puebloans. They are so bold and graphic – I thought they were beautiful, and I knew that a modern reinterpretation would be just perfect.

How connected are you to craft in the UK? I’ve just been made a fellow of Cardif Metropolitan University and it was such a huge honour, especially seeing as it’s in my home city. They really nurture craftsmanship there and I’ve been seeing a revival of certain skills around ceramics and textiles coming out of their undergraduate courses.

And what do you make of the British design scene as a whole right now? It’s such a supportive and nurturing industry, and I feel so lucky to have been helped by so many people over the years. My days working for Habitat were great – I was one of a whole tribe of talented designers, so many of whom have gone on to do amazing things. There is definitely a Britishness to my work – the ‘Stud’ table in my first collection was inspired by Welsh cricket tables – but what’s great about London is how multicultural it is. I’ve always been open to meeting people from other cultures – being a Welsh speaker means you’re used to smaller communities – and that melting-pot element to the UK is what makes British design so fresh and exciting. bethangray.com Turn the page to see more of the collection

OCTOBER 2018 ELLEDECORATION.CO.UK 43

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THE BRIT LIST 1

2

1 ‘Feather’ accent chairs, £698 each 2 ‘Feather’ bar cabinet, £2,698 3 ‘Strike’ side tables, £498 each 4 ‘Feather’ bed, £2,098, all by Bethan Gray, Anthropologie (anthropologie.com)

‘THE NATURAL SHAPES SEEN IN MY RANGE FOR ANTHROPOLOGIE WERE INSPIRED BY MY SON – HE’S A REAL HOARDER, COLLECTING SHELLS AND PEBBLES’

3 44 ELLEDECORATION.CO.UK OCTOBER 2018

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THE BRIT LIST

THE INTERIOR DESIGNER

SUZY HOODLESS This tastemaker’s eponymous studio is a firm favourite with lovers of luxurious, contemporary British design

‘MY CLIENTS ALWAYS HAVE AN AESTHETIC VISION, BUT EQUALLY IMPORTANT IS HOW THEY WANT TO FEEL’

WORDS: BECKY SUNHSHINE PICTURE: JAMES TURNER

Suzy Hoodless takes practicality seriously. Having opened her studio in 2000 and gone on to design homes, private members’ clubs, restaurants, oices and hotels around the world, her style may be subtly luxurious and contemporary, but through a perfect blend of classic and vintage furniture, colour and pattern, it’s comfort that remains key.

‘My clients always have an aesthetic vision, but equally important is how they want to feel,’ says Hoodless, who works out of her Notting Hill studio.

‘If it looks great, but it’s not comfortable or it doesn’t work properly, it’s a fail – form and function go hand in hand.’

The designer’s inspiration often comes from the architecture of buildings.

She recently worked on the new development at the former BBC Television Centre in White City, designing many of the communal areas as well as its private apartments (below). For the prestigious project, she commissioned carpet specialists Vanderhurd to design textiles based on the photography of Lee Mawdsley, who documented the 1950s site before renovations began – the iconic Atomic Dots that adorned the building are recreated on a rug, while a satellite dish motif is woven into a wallhanging.

It looks as though the next year will be a busy one for Hoodless. She’s currently working on her first ceramics – due to launch in January 2019 – as well as designing the second London branch of the women’s members’ club The AllBright, which opens in 2019. Plus, she’s joining forces with Vanderhurd once again to display the wallhangings and rugs created for the Television Centre project in her studio during the London Design Festival – the pieces are made to order and available to buy from either brand (from £1,135 for a wallhanging; from £805 for a rug). suzyhoodless.com; vanderhurd.com

OCTOBER 2018 ELLEDECORATION.CO.UK 47

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THE BRIT LIST

T H E R E V I VA L

ESTABLISHED & SONS With former co-founder Sebastian Wrong back at the helm, this British brand is creating a new identity, focusing on craftsmanship and originality Earlier this year, just as the design industry was wondering whether the 13-year-old furniture brand Established & Sons had had its day, it unveiled a new collection – its first in four years. The firm’s trio of enthusiastic new owners have kept things simple, including just two lights, two sofas and a chair. Each piece’s design is subtle, restrained, elegant and considered.

Once known for its bold and bombastic approach to creating experimental, often high-end pieces, which attracted big-name designers such as Terence Woodgate, Zaha Hadid and Barber & Osgerby, as well as ofering a platform to emerging talents such as Jaime Hayón and Raw Edges, Established & Sons has taken stock and adopted a more cautious path. Gone is the over-spending on slick branding and big, extravagant parties – there’s now a focus on commercially viable products at more afordable prices. What remain exactly the same, however, are the brand’s core values: fine

craftsmanship, beautiful materials, cutting-edge manufacturing processes and, of course, truly original design.

The company’s notable change of direction is largely down to one of Established & Sons co-founders, Sebastian Wrong, who, having left in 2012 to head up Danish brand Hay, is now back at the helm as design director. Armed with a new wealth of business experience, as well as a heartfelt confidence in the company, Wrong quite rightly predicts a bright future.

‘Established & Sons did a remarkable thing in a short space of time, which everyone in the industry respected,’ Wrong explains.

‘We were very creative and free-spirited. We brought energy to what we were doing. At the end of the day, though, it comes down to the products. We are in the business of making and selling products, so you have to strip things back and get sensible.’

This new, sensible outlook not only means safeguarding the company’s impressive back catalogue of more than 200 pieces from 50 designers, but also carefully adding to it. Recent designs include the 1980s-feel ‘Barbican’ chaise longue by Konstantin Grcic, the pared-back ‘Cassette’ sofa by the Bouroullec brothers, ‘Mauro’, a timber chair designed in the 1970s by the now 87-yearold designer Mauro Pasquinelli, and the ‘Filigrana’ Murano glass pendant lights (below) by Wrong himself, while newcomer Dimitri Bähler has created ‘Light Light’ floor lamps with washi paper shades. All in all, it’s a positive fresh start. establishedandsons.com Turn the page to see all products mentioned

PICTURE: MATEO CUZZOLA

‘ESTABLISHED & SONS DID A REMARKABLE THING IN A VERY SHORT SPACE OF TIME, WHICH EVERYONE IN THE INDUSTRY RESPECTED’

Sebastian Wrong and the ‘Filigrana’ pendant lights he designed for Established & Sons

OCTOBER 2018 ELLEDECORATION.CO.UK 49

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THE BRIT LIST 2

‘WE WERE VERY CREATIVE AND FREE-SPIRITED. AT THE END OF THE DAY, THOUGH, WE ARE IN THE BUSINESS OF MAKING AND SELLING PRODUCTS, SO YOU HAVE TO GET SENSIBLE’

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50 ELLEDECORATION.CO.UK OCTOBER 2018

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1 ‘Mauro’ chairs by Mauro Pasquinelli, from £495 each 2 ‘Cassette’ sofa by Ronan and Erwan Bouroullec, from £3,900 3 ‘Light Light’ floor lamps by Dimitri Bähler, from £865 4 ‘Filigrana’ pendant light by Sebastian Wrong, £355; ‘Barbican’ chaise longue by Konstantin Grcic, from £3,600, all Established & Sons (establishedandsons.com)

PICTURES: PEER LINDGREEN, MORGANE LE GALL

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SERENE GREENS Leafy shades and sumptuous woods combine for a scheme that’s reminiscent of a forest retreat 3 2

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1 ‘Coral’ fabric in green, £70 per metre, Soane (soane.co.uk) 2 ‘Quill 550’ pendant light

by Tom Raield, £325, Heal’s (heals.com) 3 ‘Asparagus Fern’ paint, £44 for 2.5 litres, Designers Guild (designersguild.com) 4 ‘Joyce’ cabinet, £7,255, Pinch (pinchdesign.com) 5 Faux string of pearls plant in ceramic pot, £25, Marks & Spencer (marksandspencer.com) 6 ‘Semley’ bench, £565; 7 ‘Semley’ table, £1,445, both Another Country (anothercountry.com) 8 ‘Sadie’ splattered serving bowl, £35, Habitat (habitat.co.uk) 9 ‘Semaphore’ tiles in ‘Hunley’, £39 per square metre, Claybrook (claybrookstudio.co.uk)

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HIGH-STREET HIT

SHRIMPS X HABITAT Hannah Weiland, founder of Shrimps – the fashion brand loved for its vibrant colours, faux fur and zany prints – has dug into her design archives to produce a homeware collection for Habitat, which launches this month ‘It’s the first time Habitat has ever used gold thread in a carpet!’ Weiland is talking about the ‘Doodle’ rug (right, £450), her favourite piece from her inaugural interiors collection. Hand-tufted with her depictions of fairytale objects and cosmic animals, then hand-carved to make each creature three-dimensional, it is undoubtedly a showstopper. ‘A spotty horse, a unicorn, a crown, a ring of roses and a moon with stars falling out of it... they’re all things that appear in my dreams,’ she explains.

The homeware range – which comprises cushions, bedlinen, faux fur throws, rugs and framed prints – features motifs lifted from Shrimps’ first five years of collections, which have always been about mixing bold patterns and witty, of-kilter illustrations with rich fabrics and sustainable materials. It was a natural decision, then, for Weiland’s Habitat collection to focus on soft furnishings.

Prawn-pink prevails on the colour-scheme front, but there are pieces that will suit most design tastes, from the subtly checked ‘Viola’ cushion (£60) to a striped faux-fur throw named ‘Bridget Breton’ (£295) which,

WORDS: CHARLOTTE BROOK

SHRIMPS’ DESIGNS MIX BOLD PATTERNS AND WITTY, OFF-KILTER ILLUSTRATIONS WITH RICH FABRICS AND SUSTAINABLE MATERIALS as Weiland observes, would ‘add a bit of eccentric luxe’ to a bedroom.

The collaboration makes sense to both brands: with their pufs, frills, beading and voluminous shapes, Shrimps’ clothes are as much sculpture as garment, and Weiland often trawls online furniture store 1st Dibs for inspiration for her fashion designs. Plus, she’s ‘a real home person’ – the walls of her Notting Hill house are painted in sherbet shades to create a backdrop for brighter furnishings, which include a leopard-print chair, an old Marni rug and scalloped lampshades by the designer Matilda Goad. To the same efect, she used pearly pink as the background for a lot of the Habitat pieces, which balances the vivid illustrations.

As the owner of a small, independent British brand, Weiland leapt at the chance to collaborate with Habitat, a high-street retailer that she herself has shopped at for years. ‘It’s been a joy,’ she says. ‘It’s great to bring Shrimps’ designs out at an afordable price point, and it was a nice surprise to find that such a big company still gets so many of its products made by hand.’ Indeed, Weiland’s ‘Faces’ dhurrie rug (£70) is handwoven in India, while her ‘Dory’ and ‘Doodle’ cushions (£70 each) are embroidered using a rare couch-stitch technique.

The collection’s highlight? For the decidedly maximalist customer, it has to be the high-vis, hot pink ‘Venezia’ bedlinen set, onto which Weiland’s watercolour paintings of scenes of Venice, the City of Light – ‘from a romantic trip there last year’ – have been digitally printed. The cheerful pattern features churches, floating dogs and Venetian jesters.

‘It’s completely mad,’ laughs Weiland. ‘Obviously.’ habitat.co.uk

Shrimps founder Hannah Weiland

OCTOBER 2018 ELLEDECORATION.CO.UK 55

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THE DESIGNER TRIO

OCHRE’S LEADING LIGHTS The founders of the British brand renowned for its breathtaking lighting installations and artful furniture reflect on its unique and enduring aesthetic

WORDS: FIONA MCCARTHY

EACH OF OCHRE’S PIECES BEAUTIFULLY BALANCES ARTISTIC TEMPERAMENT WITH EVERYDAY FUNCTIONALITY

‘Working with the beauty and imperfections of natural materials has always run through what we do,’ says Harriet Maxwell Macdonald, one third of the team behind sophisticated design brand Ochre. She started the company in 1996 with fellow art school graduate Joanna Bibby – four years later, they were joined by Solenne de la Fouchardière. Revelling in the tactility of hand-forged bronze, sensuous nubuck leather, rough-woven linen and the grainy richness of woods such as oak, Ochre has consistently pushed the boundaries of design, marrying traditional artisan craftsmanship with the ‘barest of clean lines’, says de la Fouchardière. It’s this aesthetic for which the brand has become renowned.

‘It’s about appreciating the quality of how something is made,’ says Bibby. ‘We use materials that feel as though they’ve already had a life of their own in a slightly more unusual way.’ This might mean wrapping a ‘Sungaya’ lamp stand or ‘Sable’ chair entirely in hand-stitched, naturally dyed leather, fashioning an ‘Oasis’ rug from a myriad diferently sized veined-stone discs, or forging the base of a ‘Willow’ table from granite, with polished plaster on top. ‘The key is never to work with too many materials in one piece,’ explains Bibby. ‘Each component needs room to speak for itself and to breathe.’

From left Solenne de la Fouchardière, Joanna Bibby and Harriet Maxwell Macdonald

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Nowhere are these materials more magically brought to life than in Ochre’s vast range of lighting installations, from the raindrop efect created by the hundreds of LED-illuminated glass buds encased in rough cast-bronze hung in the ‘Seed Cloud’ chandelier to the way in which the mass of glass droplets in ‘Moonlight Murmuration’ imitate the swooping, swirling shapes and patterns created when a flock of starlings takes flight. It’s this spectacular innovation that iconic gallerist Rossana Orlandi calls ‘brava’ (clever), and why she invites Ochre to Salone del Mobile in Milan every year to display its new collections.

During this month’s London Design Festival, Ochre will showcase its most recent design, the jellyfish-like ‘Medusa Bloom’ – each organic glass bubble on the installation has been handblown with a subtle shade of grey pigment at its heart. As well as this, more new pieces are on display at the brand’s showrooms in London and New York, most notably the ‘Gaia’ pendant (above, £4,752), which is reminiscent of an Alexander Calder mobile – a large, solid illuminated glass droplet balances at one end, a blackened nickel weight at the other.

Today, the Ochre trio’s design process is as organic as when they first started working together just over 20 years ago: sometimes inspired by their own personal needs, but more often by the discovery of a new material or technique. The result is an impressive catalogue of lighting, furniture and accessories, with each piece beautifully balancing artistic temperament and everyday functionality. ‘We’re just following our hearts,’ explains Bibby.

‘When we’re designing together, we come from diferent angles, yet we always end up with something that we all love.’ ochre.net

‘WE USE MATERIALS THAT FEEL AS THOUGH THEY’VE ALREADY HAD A LIFE OF THEIR OWN IN A SLIGHTLY MORE UNUSUAL WAY’

Above ‘Willow’ table, £16,704; ‘Sable’ chair, £1,464, both Ochre (ochre.net)

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BEST OF BRITISH

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MUTED MONOCHROME Cool stone and camel hues pair with soft greys and graphic black lines for a fashion-forward take on a neutral palette 1

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1 Coloured linen in ‘Graphite & Old White’, £39.95 per metre, Annie Sloan (anniesloan.com) 2 ‘Camel & Black I’ print, £3,200, Liza Giles (lizagilesart.com) 3 ‘Purbeck Stone’ paint, £45 for 2.5 litres, Farrow & Ball (farrow-ball.com) 4 ‘Massimo’ sofa by Magnus Long, from £3,199, Heal’s (heals.com) 5 Mohair blanket in ‘Taupe Grey’, £195, Toast (toa.st) 6 ‘Makao’ cushion by AE Studio, £69, Heal’s (heals.co.uk) 7 ‘Pondicherry’ cushion in ‘Ink/Isla white’, £60, Gail Bryson (gailbryson.co.uk) 8 ‘Light Light’ floor lamp by Dimitri Bähler, from £865, Established & Sons (establishedandsons.com) 9 ‘Mirage’ rug by Perennials, from £450 per square metre, The Rug Company (therugcompany.com) 10 ‘Float’ side table, £795, Pinch (pinchdesign.com) 11 ‘Orlando’ lounge chair by Reiko Kaneko, £2,228, SCP (scp.co.uk)

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THE POWERHOUSE

ANDREW MARTIN Forty years after its launch, this British brand still champions innovation. Here, co-founder Martin Waller discusses his global influences and the importance of staying young at heart

62 ELLEDECORATION.CO.UK OCTOBER 2018

‘CREATIVELY, I NEVER REALLY GREW BEYOND THE AGE OF 12 – IF I LIKED SOMETHING THEN, I LIKE IT NOW’ From left ‘Turnball’ chair in ‘Diego Storm’, £395; ‘Lumière’ display unit, £1,550; ‘Sergio’ lantern, £225; ‘Marcel’ desk, £1,350; ‘Sun Rays’ artwork, £575; ‘Otto’ table lamp, £295; ‘Terence’ desk chair, £395, all Andrew Martin

WORDS: FIONA MCCARTHY PICTURE: DOMINIC BLACKMORE

In 1976, inspired by the ‘magical scene setting’ at Barbara Hulanicki’s Biba department store on London’s Kensington High Street, Martin Waller (right) co-founded Andrew Martin with his former business partner Andrew Gillespie (hence the brand’s name). Since then, it has become Britain’s one-stop shop for brilliantly bonkers, unique design. ‘I have very few rules,’ explains Waller. ‘Our look has always been about taking everything from everywhere and putting it all together.’

The pops of colour, patterns and patinas synonymous with Andrew Martin’s wares – now sold in 63 countries – owe everything to Waller’s love for travel and ‘capturing the spirit of diferent cultures from around the world’. In the brand’s London flagship store, he thinks nothing of mixing antiquities, such as African masks, wooden model windmills picked up on his adventures to countries as far afield as Siberia and Guatemala, Indian headdresses and Mayan and Mexican printed cushions. This artful curation of unusual pieces means that the experience of visiting an Andrew Martin store is akin to spending time in a gallery – design fans flock there to get lost in a vivid riot of colour and pattern, often stumbling across quirky finds, such as a rotating barber’s pole or a life-size resin cow.

Today, Waller is constantly called on to source pieces for film sets – his portfolio includes the Harry Potter and James Bond movies – and to work on projects as diverse as private homes in Mumbai and hotels in Marbella and Latvia. His passion for design also led to the establishment of Andrew Martin’s annual International Designer of the Year award in 1996. ‘I felt that interior design wasn’t being given its due,’ says Waller. Now, the award is the design world’s hottest ticket, propelling the careers of its past recipients – including Tara Bernerd, Axel Vervoordt and Rose Uniacke – into the stratosphere.

Waller’s playful, irreverent charm is an important driving force behind the brand.

‘Creatively, I never really grew beyond the age of 12,’ he laughs. ‘If I liked something when I was that age, I still like it now.’ He’s a firm believer that design is about having fun.

‘Decoration is an important building block of happiness – I hope what we do helps to make people feel happy and comfortable in their homes, and therefore in themselves,’ he enthuses. ‘It’s about enjoying the beauty in the things we love.’ andrewmartin.co.uk

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THE DESIGN STORE

8 HOLLAND STREET London’s latest destination for art lovers and interiors enthusiasts alike was born out of its co-founders’ joint passion for all things beautifully designed

WORDS: CLAUDIA BAILLIE PICTURES: LOUISE LONG, JAMES MACDONALD

‘WE DISCOVERED A MUTUAL APPRECIATION FOR THE FINE, THE FOUND AND COLLECTABLE ARTWORK’

‘We both wanted to open a space that wasn’t intimidating – that didn’t just sell a particular genre of art, or antique furniture from a specific period,’ explains Tobias Vernon, co-founder of 8 Holland Street, the new gallery and design store in London’s Kensington. ‘Somewhere all kinds of work could sit together without any hierarchy.’

Together with fine art curator Rowena MorganCox, Vernon launched the space in March, with the pair drawing inspiration from Kettle’s Yard in Cambridge, the Eames House in Los Angeles and Peggy Guggenheim’s home in Venice. ‘The aim was to create a relaxed environment, where people can wander, sit and discover,’ says Vernon.

Both are former History of Art students – Morgan-Cox completed an MA at the Courtauld Institute before working at galleries including The Fine Art Society, where she became a director, while Vernon made a foray into art buying and interior design – and, when they met through a friend, they discovered a mutual appreciation for ‘the fine, the found and collectable artwork’.

Stock is sourced from all over Europe and everything is for sale, from pieces by Alan Davie and Elisabeth Frink to stylish recycled Mexican glassware (from just £12) and fine Murano glass tumblers by Campbell Rey. 20th-century Italian and French furniture also features heavily, as do antique Swedish textiles and studio ceramics.

‘We also showcase contemporary artists, such OCTOBER 2018 ELLEDECORATION.CO.UK 65

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as Emily Buck, who makes clay sculptures, and friends of ours, including Sam Padfield, who uses 24-carat gold with smoked glass, concrete and oil paint to make abstract work,’ says Morgan-Cox. ‘The collection really is quite organic.’

Word of mouth has seen the shop become a key destination for designers and art-lovers in the know, and the duo have recently opened a byappointment outpost near Frome in Somerset, too. ‘There are so many creative people in the area – a willow weaver, for example, plus a picture framer, ceramicists and auction houses,’ says Vernon. ‘We also mock up display ideas there for the London gallery, to see how pieces look in a diferent environment. The city can sometimes feel rushed, so it’s great to view things from a diferent perspective.’ 8hollandstreet.com

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‘WE MOCK UP DISPLAY IDEAS FOR THE LONDON GALLERY IN OUR SOMERSET OUTPOST, TO SEE HOW PIECES LOOK IN A DIFFERENT ENVIRONMENT’

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NEW BRAND

MAKER & SON

WORDS: BECKY SUNSHINE

You may not have heard of this family-run furniture brand yet, but it’s sure to become a favourite, thanks to its commitment to achieving the highest levels of comfort and belief in using only natural materials

Tucked away in the leafy Sussex countryside, the next branch of Britain’s most famous design family tree is putting down roots. For it’s here that Alex Willcox, former buying director for The Conran Shop, has launched the furniture brand Maker & Son, his son being the product designer Felix Conran, grandson of the great Sir Terence.

Every piece in its ‘Song’ range, which so far comprises a generouslyproportioned sofa (£3,995), armchair (£2,495) and footstool (£995) – a bed follows later this year – is handmade from natural materials and features hardwood frames, wool and cotton padding, natural latex, ethically sourced feathers and jute webbing, while covers are made from machine-washable linen cotton or cotton velvet.

The brand’s intention is to ofer ‘the highest quality craftsmanship together with the latest in digital technology,’ explains Conran, adding that its online store boasts an augmented reality app that enables customers to envisage the furniture in their own homes.

Making the company’s products 100 per cent natural is also of huge ‘HAVING importance to both father and A NATURAL son. ‘What future is there for any of us crafting or buying pieces PRODUCT IS made from plastic-based foam?’

A KEYSTONE asks Willcox. ‘It’s a sad fact that virtually every piece of upholstered OF MAKER furniture made across the world & SON, IT IS right now (whatever price you pay) is made with plastic-based THE FUTURE’ foams. All of our furniture is made to order, with lead times of four weeks. Having a natural product is a keystone of Maker & Son. There’s no other way to consider the future than to make products that will last at least one lifetime.’

Another mission of Maker & Son is to create extreme comfort.

‘To us, that’s everything,’ explains Willcox. ‘Not just physical comfort, but also achieving a level of relaxation that is so complete you feel as though your mind clears within seconds of sitting down. Imagine sitting in a bed made of pillows.’ Conran sums up: ‘You sit “in” our furniture, you don’t sit “on” it.’ Sounds dreamy. makerandson.com

68 ELLEDECORATION.CO.UK OCTOBER 2018

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T H E FA S H I O N L I N E

MORRIS & CO X H&M The Swedish clothing giant has transformed the most British of prints and patterns into a forward-looking collection of womenswear, menswear and accessories – and we can’t get enough of it

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Global fashion brand H&M has long been known for its stylish and savvy partnerships. To date, its list of past collaborators reads like a who’s-who of high-end design that’s seen the company teaming up with names as well-respected as Karl Lagerfeld, Stella McCartney and Versace. Lately, though, the high-street powerhouse has cast its creative net beyond the fashion world, looking to the home as its new source of inspiration.

After this summer’s capsule collection with fabric and wallpaper brand GP & J Baker, H&M has scoured the vast archive of another icon of British interiors. In, early October, it will celebrate the launch of its extensive collaboration with Morris & Co, the quintessentially British company ‘THE MORRIS & CO founded in 1861 by William Morris, one of the most influential designers PRINTS ARE SOME OF of the Arts & Crafts movement.

THE MOST RECOGNISED ‘The Morris & Co prints are some of the most recognised and loved AND LOVED AROUND around the world,’ says Pernilla THE WORLD‘ Wohlfahrt, H&M’s design director.

Motifs such as ‘Brer Rabbit’, ‘Lily Leaf’ and ‘Marigold’, familiar on fabrics and wallpapers, are given a new lease of life, appearing on everything from t-shirts to 1970s-inspired blouses and wide-leg trousers. ‘Pimpernel’ – originally a wallpaper print used in the dining room of Morris’s London home, Kelmscott House (more about that on p79) – can now be found on structured tailoring.

‘The collaboration enables us to show the relevance of Morris’s iconic patterns today,’ says Claire Vallis, creative director of Morris & Co. ‘It’s great to bring them to a new fashion-world audience.’ (hm.com).

WORDS: BEN SPRIGGS

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I N S I D E S T O RY

BURLEIGH The historic Stafordshire pottery known for its quintessentially English take on pattern

The ‘Black Willow’ collection by Burleigh, from £9 for a tea saucer

Sit down for afternoon tea at Dean Street Townhouse, one of Soho House & Co’s London restaurants, and your repast will be served on pretty, black-and-white floral china: the ‘Calico’ and ‘Felicity’ patterns, both classics by Burleigh. This Stafordshire pottery dates back to 1851, and its production methods have remained almost the same since. Every design is made largely by hand, with machines used only when necessary – it takes the skills of 25 diferent craftspeople to create a single piece.

Now owned by Denby – another Stafordshire pottery with a long history – Burleigh was originally known as Hulme and Booth. In 1862, it was taken over by William Leigh and Frederick Rathbone Burgess, who amalgamated their surnames to create a new brand name. The classic look that Burleigh is known for today is the result of a gradual process of accretion: in 1868, it took over the firm of Alcock & Co, acquiring both its moulds and its logo: a beehive. In 1886, it bought the 18th-century John Davenport business, adding yet more patterns and shapes to its archive. In this way, says the brand’s creative director Steven Moore, ‘Burleigh became a flag-bearer for British ceramic history and tradition without even knowing it.’ ➤ OCTOBER 2018 ELLEDECORATION.CO.UK 73

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Fans of Burleigh – of which there are many, from the Royal Family to Ralph Lauren, who chose Burleigh ceramics to be used in his cofee shops – don’t buy it for novelty’s sake. Its patterns are conservative in the best possible sense, with designs such as ‘Blue Burgess Chintz’ and ‘Black Willow’ blending English country-garden florals and traditional oriental style (in 1913, Queen Mary became so besotted with ‘Black Regal Peacock’ that she made an informal visit to Harrods in pursuit of the tableware).

‘Evolution, not revolution, is the Burleigh way,’ explains Moore.

‘Our best-selling pattern, “Asiatic Pheasants”, has held the top spot since 1862, and people love it because it’s a moment of calm in a busy modern world. If you have some Burleigh china of your grandmother’s, you can add to it today because it’s still made in the same way. You can’t do that with any other brand.’

Burleigh still occupies Middleport Pottery, which it built on the bank of the Trent and Mersey canal in 1889, and whose ‘free flow’ production line, with one workshop dovetailing into the next, was groundbreaking at the time. The original machinery is still in use, as is the 300-year-old technique of underglaze tissuetransfer printing that’s used on all Burleigh wares. This craft,

‘IF YOU HAVE BURLEIGH CHINA OF YOUR GRANDMOTHER’S, YOU CAN ADD TO IT TODAY BECAUSE IT’S STILL MADE IN THE SAME WAY’ which takes five years to master, involves engraving patterns onto copper rollers, which are then printed onto tissue-thin paper and applied by hand to each vessel. ‘It has to be done right the first time – there are no second chances – and it has the added benefit of being microwave and dishwasher safe, even though it was invented long before such appliances,’ says Moore. Burleigh is the last pottery in the world to use this method, which, says Moore, results in patterns of ‘matchless subtlety and depth’.

Recent product launches include a ‘Calico’ mug collection in new colours to mark the design’s 50th anniversary, one of which is ‘Calico Mulberry’, a new colourway for Harrods. There’s also a new version of the ‘Hibiscus’ print for London hotel The Ned (available at sohohome.com), made using an archive pattern in an exclusive ‘banker green’ colour inspired by the hotel building, a former bank (all Burleigh china is decorated using natural earth pigments, some of which are costlier than gold). Coming soon is ‘Highgrove Orchard’, a design created in collaboration with artist Sam Wilson especially for the Prince of Wales’ estate.

HRH The Prince’s Regeneration Trust donated £9 million to the Middleport Pottery in 2011 to facilitate emergency repairs and to keep production going. As well as buying pieces, you can also book tours of Burleigh’s factory on its website. burleigh.co.uk

‘Black Willow’ tankard jug, from £25

‘Pink Asiatic Pheasants’ rice bowl, £15

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‘Red Calico Osbourne’ mug, £18

‘Blue Arden’ dinner plate, £16

‘Dove Grey Felicity’ teapot, £55

WORDS: AMY BRADFORD

THE EDIT FIVE TIMELESS PIECES TO INVEST IN

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M Y C U LT U R A L L I F E

SIR JOHN SORRELL CBE An arbiter of taste reveals their cultural inspirations, from musical awakenings to favourite exhibitions A pillar of Britain’s design community, John Sorrell CBE is best known for cofounding the London Design Festival. The prolific graphic designer, entrepreneur and philanthropist ran branding agency Newell and Sorrell with his wife Frances for 25 years. Since then, the couple have focused on the creative sector as a whole, launching The Sorrell Foundation in 1999, followed by The Saturday Club Trust, both charities that focus on promoting arts education. Sorrell has chaired the Design Council, served as UK Business Ambassador, is a Trustee of the V&A and an advisor to the Mayor of London on Brexit and its potential impact on the capital’s many creative industries. 2018’s London Design Festival takes place this month (see p251 for our guide), as does the second Design Biennale, a coinciding showdown over at Somerset House (4–23 September; somersethouse.org.uk).

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every one of the The Godfather trilogy.

A quote I particularly like is one from my wife, Frances, that’s in Definitions of Design, a book I produced when I was chairman of the Design Council. I had become fed up with people asking me, ‘What is the definition of design?’, so gathered fifty answers from diferent people. Frances’ definition? ‘Hard work.’

My ultimate museum has to be the V&A (5), and my favourite object on display there is the world’s first 3D-printed gun. It provokes strong reactions and makes people think. If I could choose another museum, it would be MoMA in New York.

The last exhibition I saw was ‘The National Saturday Club Summer Show’ at Somerset House, which showcased the work of the 1,500 13–16 year olds who attended free Saturday morning classes at their local university, college or museum.

The young people’s work is brilliant.

If I won the lottery, the work of art I would buy would be by either Jackson Pollock, Lucian Freud, Frank Auerbach, Robert Rauschenberg or Jasper Johns – such as Targets and Flags (1968) (2).

The next place I’m travelling to is Cornwall (1). I enjoy exploring museums and discovering streets, but in Cornwall, Frances and I will have a little break and see family. It will be completely relaxing.

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WORDS: CHARLOTTE BROOK PICTURES: GETTY, ALAMY

The book that has influenced me the most is Animal Drawing (3) by John Skeaping. My father gave me a secondhand copy of it when I was seven, and I was completely fascinated by the beautiful drawings. I tried to copy them. It was the beginning of my interest in art and design.

My favourite piece of music is With God on our Side, which I saw performed live at the 1963 Newport Folk Festival by Bob Dylan and Joan Baez when I was a student at Hornsey College of Art. They sang with heart-breaking passion and intensity.

My favourite film? I would have to name a few: High Noon, Apocalypse Now (4) and

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T H E I N S P I R AT I O N

THE ART & CRAFT OF GARDENING

WORDS: CHARLOTTE BROOK PICTURES: ©NATIONAL TRUST IMAGES/ANDREW BU, ALAMY, © THE NATIONAL GALLERY, LONDON. BEQUEATHED BY SIMON SAINSBURY, 2006

Curly leaves and spry flowers are synonymous with William Morris’s iconic patterns. This month, explore his relationship with the land

Textile designer William Morris believed that rather than creating a natural wilderness at home, one’s garden should be fenced, ‘orderly and rich’. This month, an exhibition opens at the William Morris Gallery in Walthamstow, east London, for which curators have cherrypicked 90 sumptuous depictions of British gardens. And just as enticing is the splendid Georgian villa, buttressed by two softly curved brick turrets, in which they’re displayed, the Morris family home from 1848 to 1856. The show, ‘The Enchanted Garden’ (20 October–27 January 2019; wmgallery.co.uk), celebrates the afection in which 20th-century artists held the domestic garden. From Monet to Beatrix Potter’s illustrations of the Flopsy Bunnies in the lettuce patch and Bloomsbury Group member Duncan Grant’s 1929 painting of the view out to the garden from Charleston House, it’s a blend of charmingly rural styles.

To put yourself in Morris’s gardening shoes, do check out the gallery’s own plot. And, after admiring the painting by his daughter, May Morris, of the view of Kelmscott Manor featured in the exhibition, why not head of to explore the subject itself? The family’s 16th-century

summer home in the picturesque Cotswolds, surrounded by a dovecote, meadow, stream and lawns, has recently been lovingly restored.

The enchanting site, in a village that Morris once described as ‘heaven on earth’, is open to the public on Wednesdays and Sundays until 29 October (kelmscott.org.uk).

There’s more Morris-related gardenalia in Kent, at the Red House – the Tudor Gothicinspired home built for the Morris clan in 1860, which is open to visitors all year round. Morris created its compartmentalised medieval-style garden ‘to clothe the house’, and it, in turn, influenced his first wallpaper design, ‘Trellis’, in 1862. The grounds are currently being restored to their former glory by head gardener Robert Smith and team (nationaltrust.org).

Finally, if you’d like to create an Arts & Crafts patch in your own back yard, what to grow?

For a mini orchard inspired by the Red House, go for honeysuckle, fruit trees and lavender; or for an ode to Kelmscott and the patterns its horticulture inspired, plant strawberries, willow, hollyhocks and English roses, such as the ‘Sir Edward Elgar’ – all available from the Royal Horticultural Society (rhsplants.co.uk).

Clockwise from top The Red House in Kent.

‘Honeysuckle’ wallpaper, designed in 1883 by May Morris. Water-Lilies, Setting Sun by Claude Monet.

Kelmscott Manor in the Cotswolds. ‘Willow Bough’ wallpaper, designed in 1887 by William Morris

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THE EDIT FIVE DESIGNS TO KNOW

‘Aston’ chair, £3,850

H I S T O RY O F A B R A N D

LINLEY

‘Cocktail Box’, £16,000

For more than thirty years, this British brand has been busy making the classics of tomorrow

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of its namesake city, sold out on the day of its unveiling. At the event, Sir Roy Strong, the then director of the V&A museum, said, ‘David Linley’s furniture will become antiques of the future’.

His words were prophetic, and the commissions poured in. One, from the Metropolitan Museum in New York, was for a 20-metre-long conference table with neoclassical column legs.

With some customers ordering almost an entire home’s worth of Linley designs, it seemed only natural to launch Linley Interior Design. Some projects, such as the 2013 Art Deco-inspired ‘Map Room’ at Claridge’s in London, have involved creating interiors that evoke a certain time period.

Others, such as the 2016 design for a resident’s lounge in the Battersea Power Station development, and a private home in Oslo (above), have moved the brand into a more contemporary design period.

With yacht interiors, car designs and countless kitchen projects under its belt, and a creative team comprising over thirty members, Linley’s recent purchase of renowned architectural interiors company Keech Green indicates that the company will continue to expand its reach into the interiors world. As Linley has deftly proved over the past three decades, no matter how much further the brand grows or expands, its core commitment to extraordinary craftsmanship is what will maintain its rightful place in the British design pantheon for years to come. davidlinley.com

‘World Map’ table, £58,000

‘London Skyline’ panel, £75,000

‘Odyssey’ desk, £56,000

WORDS: ELIZA HONEY PICTURE: SARAH HOGAN

With founder David Linley’s royal background, it’s easy to see how his eponymous brand is known for creating furnishings fit for kings. The son of Princess Margaret and photographer Lord Snowdon, Linley’s early passion for arts and crafts was heartily encouraged both at home at Kensington Palace and in his father’s studio. In fact, his grandmother, the Queen Mother, was known to proudly pass one of his early creations from school, a handmade wooden cigar humidor, around at parties.

He studied Carpentry and Design at Parnham House under John Makepeace, one of Britain’s finest furniture designers, and set up his own carpentry workshop above a chip shop in Dorking after graduating in 1982. Three years later, he upgraded to the King’s Road in London, launching his own brand and shop, David Linley & Co, and in 1993, the rapidly growing company moved into its current showroom on Pimlico Road.

From the beginning, Linley’s designs have been known for their truly fine craftsmanship, with painstakingly detailed marquetry in a mix of exquisite woods, such as Macassar ebony, anigre, walnut and satinwood. In addition to the intricate inlay patterns, the brand’s desks, tables, screens and panels feature playful touches, such as cleverly hidden drawers and compartments.

The same year as his company’s launch, Linley presented his first furniture collection at Christie’s.

The ‘Venetian’ range, inspired by the architecture

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ARCHITECTURE

HOUSE OF THE YEAR Every year, the Royal Institute of British Architects (RIBA) celebrates the best modern homes in the UK with the House of the Year award. Here’s our pick of the 2018 longlist

DUNCAN COTTAGE JAMES GRAYLEY ARCHITECTS

RED HOUSE 31/44 ARCHITECTS Few architects would choose bright red for a building’s exterior, but 31/ 44 Architects is bold enough to make it work. The practice has produced an exquisitely crafted home that elegantly complements its neighbouring yellow and red brick homes.

Responding to its awkward site on the end of a terrace, the firm has carved the space into a series of intimately-angled rooms, dotted with glazed courtyards. The exterior’s statement hue is echoed inside, with pigmented concrete walls (3144architects.com).

The renovation and extension of this Grade II*-listed Palladian cottage in Bath required meticulous research and planning. The building’s original designer, John Palmer, created some of the Somerset city’s bestloved buildings, so a delicate touch was essential. James Grayley Architects’ plan was for there to be an interesting dialogue between the old and new elements of the house, which are married by the use of ashlar, a stone common in the architecture of the local area. There’s stunning modernity here, including a cutting-edge kitchen, but where historic details have endured, they are celebrated ( jamesgrayley.com).

WORDS: JAMES WILLIAMS PICTURES: RORY GARDINER, DAVID GRANDORGE, MEL

BERKSHIRE HOUSE GREGORY PHILLIPS ARCHITECTS A shining example of modern architectural style, this building is notable for the meticulous care that has gone into crafting every detail. Located in a commanding position ofering views of woods near the River Thames, the home is split into two halves – one area holds the guest accommodation, a playroom and utility spaces, while the other houses family areas. The layout may be classic, but the ingenious mix of shady, enclosed colonnades and doubleheight spaces edged with vast windows lends it a real sense of drama. A natural palette of pale stained red cedar and polished concrete adds Scandinavian-style calm (gregoryphillips.com).

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GIN DISTILLERY OPEN PRACTICE ARCHITECTURE Once a working Victorian gin distillery, this east London warehouse has been transformed into a family home. Bethnal Green-based firm Open Practice Architecture has retained many of the industrial details, including the original sheet-metal security gate, and its choice of materials focuses on simplicity and durability, with exposed steel and concrete (openpracticearchitecture.com).

6A ARCHITECTS IS KNOWN FOR ITS EXQUISITE USE OF RAW CONCRETE, WHICH IS SHOWN TO BRILLIANT EFFECT IN THIS NEW-BUILD

Wedged between two tall mid-Victorian houses, this four-storey east London home is a brilliant study in inventiveness and beautiful bespoke detailing. It was built over four years, giving Liddicoat & Goldhill time to carefully consider every space. For example, the rooms on the upper floors are unified by a richly-coloured Rhodesian mahogany parquet floor, salvaged from a 1970s fire station. The exterior’s sloped roof was angled specifically to allow light to fill every corner of the home, while two double-height doors open out onto a simple courtyard garden (liddicoatgoldhill.com).

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BLACK STONE BUILDING 6A ARCHITECTS London-based studio 6A Architects is known for its exquisite use of raw concrete, and this new-build in north London is a perfect example of its signature style. The property contains three independent apartments, irregularly stacked to perfectly squeeze into their tight plot on the corner of a street. The individual flats are all stunningly minimalist, comprised of raw concrete, Douglas-fir plywood and ceramics.

The efect is ultra-contemporary, but never austere (6a.co.uk).

To see even more pictures of these houses, plus the rest of the longlist in full, head to the RIBA website – architecture.com

PICTURES: SIMON WATSON, JOHAN DE, LEON CHEW

THE MAKERS HOUSE LIDDICOAT & GOLDHILL

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ASK AN ARCHITECT

EVA JIŘIČNÁ CBE What made you decide to become an architect? Up to the age of 17 I was actually devoted to chemistry. Unfortunately, in my last year at school we had a new professor who I found boring. When I mentioned that architecture might, in fact, be the right choice for me, everybody laughed – ‘Girls cannot understand engineering!’ they said.

That made me go for it, to prove that girls can.

What does the word ‘home’ mean to you? It is where I can do whatever I like, and where I can fully relax and recharge my batteries. The simpler it is the better.

What has been your favourite project to date? I don’t have a favourite – maybe it is still to come. As a matter of fact, any critical designer should see all of their future projects as a way to improve on the mistakes of the previous ones. That is the only way progress is made. Architects no longer work on their own – everything is a result of teamwork. My best memories are related to the projects where there was great collaboration.

Can you describe your creative process? I start by getting the facts related to the project down on paper. Then I begin questioning them, trying to understand the purpose of the design. What is it I want to achieve? Who is the intended user? Only after that’s done do I sketch and make models.

What are you working on now? I am very fortunate because I am still very busy. We are currently working on the refurbishment of the Jewellery Gallery at the V&A in London (below).

What would be your ideal project? I’ve been lucky in life. I’ve worked on large commissions,

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such as Brighton Marina and the capital’s famous Lloyd’s building, as well as a bus station in London’s Canada Water (left), libraries, shops, schools, galleries, exhibitions and flats. I also design costume jewellery, furniture, lights and many staircases (including the stunning steel-mesh Miles Stairs at Somerset House in London, above). I would like to work on humanitarian projects, though – something for those in real need.

What is the biggest challenge for architects today? For me, it’s the increasingly high number of people having to live in terrible conditions – in refugee camps with inadequate schools and hospitals. I dream about a time when architecture and industrial design will help us resolve these painful issues. We know how to use technological advancements to create our architectural landmarks and towering skyscrapers, but that knowledge doesn’t seem to apply to other parts of the world where people are sufering.

The British Land Celebration of Design Awards, part of this year’s London Design Festival, will be honouring you with a Lifetime Achievement Medal. How do you feel about receiving such a prestigious accolade? Very, very humble. I’ve had the chance to do something I have enjoyed my whole life. I have worked with brilliant people, learnt things I never dreamt of learning about, made great friends and even had a chance to teach the next generation of architects, both in England and the Czech Republic. I have travelled a lot, and have seen a substantial amount of the world. I thought that people only got medals for enormous achievements, and I feel so inadequate – I was just having fun. aidesign.cz

WORDS: JAMES WILLIAMS PICTURES: PETER COOK/VIEW, ATSUHIDA KIDA/FOTOTECA

Due to be recognised with a Lifetime Achievement Medal at this year’s London Design Festival, the Czech-born architect reflects on her career

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IN CONVERSATION WITH

The maverick, multi-disciplinary designer’s studio turns ten this year, and continues to push the boundaries of design. Here, she reflects on her inspirations and what the future might hold

PICTURE: BILL AMBERG STUDIO, FELICITY MCCABE

Words CHARLOTTE BROOK

describe them as my misfits,’ Faye Toogood laughs. She’s talking about the employees who work at her London studio – but, coming from the British entrepreneur who has defined herself as a ‘polymath tinker’, this is far from an insult. Rather, it’s gratifyingly non-HR-approved praise from the stylist-turned-designer who has made a career out of being a nonconformist. ‘We have architects, interior designers, product designers, graphic designers, a sculptor and a jeweller at the studio,’ she explains one sunny Friday morning at her home, during a break from sketching and looking after her newborn twins. ‘It’s a place where everyone can mix, so you’ll find a graphic designer working on an interior, or a fashion designer inputting on furniture. I encourage that.’

It’s all a far cry from Toogood’s situation back in 2008, when she ran her company alone at her kitchen table, having created multiple email addresses for herself ‘to make it look like a big business’. Today, the studio in east London’s Redchurch Street is bursting with people, prototypes and project plans. This month alone will see the studio present Toogood’s SS19 clothing collection in its Paris showroom space, unveiling a new interior concept for Mulberry’s Regent Street store, and launching a collaboration (left) with Bill Amberg for the London Design Festival, whereby a painting by Toogood has been exquisitely printed onto butter-soft leather using a new, state-of-the-art digital technique.

After graduating in both Fine Art and History of Art in Bristol, back in 1998, Toogood worked in the magazine industry for eight years, styling interiors shoots. ‘I think everything I do today is because of that time,’ she muses. ‘Firstly, as a stylist, you only have a photographic image – often without any text – to communicate with, so I discovered how to tell a story visually. Also, because of the monthly deadlines, I learnt how to produce things very quickly – which actually suits me!’ Indeed, Toogood believes that the reason she couldn’t ever see herself becoming an architect is because spending five years on one project ➤ OCTOBER 2018 ELLEDECORATION.CO.UK 89

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would drive her mad. ‘Plus, magazine budgets were always really low, so I picked up how to use paper and cardboard rather than gold and marble to make a set look great.’ Surely cost restrictions must have changed now she’s working with high-end brands? ‘I do now have clients who can, and want to, use gold and marble… but I’ll still throw in cardboard, because I like the juxtaposition of the utilitarian and the luxury.’

Her academic knowledge of art and its history means Toogood’s mental library of visual and cultural references, spanning centuries and continents, is vast – and it shows in her work. ‘When I’m designing, elements of art, architecture, nature and decoration tend to transcend their respective geographies and histories in my mind, and come into play together – sometimes consciously, sometimes not,’ she says. ‘For example, with the “Roly Poly” chair, some people say “Gosh, that looks really primitive”, but others think it looks totally 1960s and bubble-ish, or tell me how Art Deco it feels to them.’

Born and bred in the rugged Rutland countryside, and obsessed with gathering stones, bones and branches as a child, Toogood’s perennial primary source of inspiration is nature.

Toogood’s ‘Spade’ chair stands in the serene space on the ground floor at House of Toogood, the shop-gallery below her studio in east London’s Redchurch Street, which is now open to the public

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In fact, she is so passionate about all things agricultural and earthen that she launched her debut furniture collection, ‘Assemblage 1’, with the help of British mushroom forager Mrs Tee. Yet her design ethos can’t be pigeonholed, and her signature style is elusive – Toogood is also the go-to name when it comes to futuristic installations for avant-garde brands such as Comme Des Garçons. Her manifesto for her clothing line is to create pieces ‘fashioned for industry, not the fashion industry’ – and yet, she was asked by the staf of Vogue Italia to give their Milan oices a makeover this year.

These contradictions don’t mean that Toogood’s philosophy is erratic. ‘There is ➤

PICTURE: GENEVIEVE LUTKIN

House of Toogood is a TANGIBLE, atmospheric showcase of the designer’s WORK and VISION

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a thread that runs through all my work: our process is consistent, our emphasis on materials is consistent, our storytelling is always consistent.’ Equally, there is a consistent sense of fun in everything she does. ‘Design shouldn’t be too serious. Something needs to make you smile in order to connect with it.’ Hence the name ‘Roly Poly’ for her 2014 collection.

‘I think it’s quite British, and is about wanting to keep the connection to the child within me, and within others,’ she says. ‘That quality of play and naivety is important.’

Part of a close-knit group of designer friends – including Bethan Laura Wood, Max Lamb and Martino Gamper – Toogood believes there is a freedom of expression allowed in the British design scene that is unique to the UK. ‘There’s no set of rules here, and because of our heritage, there’s a certain depth. London used to be the be all and end all: you had to be there. I don’t think that’s true anymore, which is great for the rest of the country.’

British craft is a cause close to her heart. ‘The New Craftsmen and London Craft Week are really supporting makers across the UK and giving them a voice,’ she says, pointing out that ten years ago, most craftspeople didn’t have websites, let alone a social media presence, meaning few artisans would be known outside of their home towns. Craft is getting cool – which is in no small part due to Toogood’s studio and the way it employs

PICTURE: GENEVIEVE LUTKIN

‘Design shouldn’t be too SERIOUS – something needs to make you SMILE in order to connect with it’

traditional techniques, from weaving to claywork, to form cutting-edge designs.

Her loyalty to the UK has its drawbacks, however. As far as possible, all of Studio Toogood’s furniture and clothing designs are fabricated in British factories or made

by British artisans. This is good for UK manufacturing, but bad for price points – a cotton Toogood coat costs £1,670. She realises that while we have got our heads (and wallets) around paying more for, say, an organic British chicken from a farmer’s market over a shipped-in supermarket one, it’s a harder sell when the ‘locally sourced’ levy sees prices hit four figures. ‘I’d love to make a more afordably priced product.

But in order to do so, I’d have to take my manufacturing out of the UK, which would mean going against my principles,’ she says.

‘It’s something I wrestle with constantly.’

As for what’s to come next, there is talk of an online store, and you can now go and visit the House of Toogood, the ground floor of her studio, which has become a gallery and shop. Pass through a courtyard with grapevines overhead to a series of spaces where whitewashed walls and antiques ➤

Paperweights, bookends and artworks by Londonbased artist Małgorzata Bany stand on the ‘Roly Poly’ table and hang above the fireplace at House of Toogood’s evolving shop and exhibition space

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sit alongside the studio’s tables, chairs, clothes, wallpaper, lights and sculptures. It’s a tangible, atmospheric showcase of Toogood’s work and vision – a permanent incarnation of the imaginative installations that her team conjure up at Milan Design Week each year to create ‘a world of Toogood’. ‘We really want people to come. It’s by appointment,’ she says. ‘But that basically just means you have to knock on the door.’

There has never been a grand plan: ultimately, Toogood takes it year by year, and aims to continue that way. Her dream project? ‘A hotel,’ she says, without hesitating. After all, the studio could create everything from the interior spaces and furniture to serveware and the world’s most stylish staf uniforms. ‘Since Ilse Crawford did the amazing New York project with Soho House [in 2003] and the concept of the boutique hotel changed the hospitality landscape, I think the ethos and design of hotels has stood still – there’s a bit of a tick list thing going on these days. It would be an amazing challenge for my studio to change that,’ she ponders. ‘I feel that if Studio Toogood did design a hotel, it wouldn’t look like anything else out there.’ fayetoogood.com

‘There is a THREAD that runs through all my work – our storytelling is CONSISTENT’

HALL OF FAYE Other recent highlights from Studio Toogood

2015 Pots for Japanese homeware brand E&Y

2017 ‘Play Tapestry’, a hand-woven yarn wallhanging

2017 ‘Inventory’ rug collection for handmade carpet specialists CC-Tapis

2017 ‘Woodlands, Fields, Moors’ wallpaper collection for Calico Wallpaper

The ‘Puball’ lamps that Toogood designed for American lighting brand Matter in 2017 were inspired by the wild mushroom of the same name, and made from fibreglass and aluminium

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2018 Toogood’s first jeans line, made from British selvedge denim

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The British craft scene attracts the world’s top talent, with artisan ceramicists and woodworkers creating pieces that will be cherished for generations

Photography RORY GARDINER Styling SANIA PELL

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Ceramics, from left ‘Tea Set’ tea bowl and teapot by Sun Kim, £360; Assorted porcelain ‘Containers’ (four pictured) by Derek Wilson, from £165 each; porcelain bowl (on bench)

by Anna Silverton, £450, all Maud & Mabel (maudandmabel.com) Furniture, from left ‘Avery’ armchair in white oiled oak, £680, Pinch (pinchdesign.com). ‘OVO’ oak side table, £665; ‘OVO’ oak long bench, £1,595, both

by Foster + Partners for Benchmark (benchmarkfurniture.com) ➤

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From left Pebble and books, all stylist’s own. Black stoneware vessel by Tanya McCallin, £80; ‘Poppy Seed’ vase by Akiko Hirai, £220; ‘Keuper’ red clay vessel by Tanya McCallin, £85; steel plate by Josephine Cottrell, £360; ‘Herringbone’ teapot by Mizuyo Yamashita, £280, all Maud & Mabel (maudandmabel.com). ‘Imo’ black stained oak folding stool, £355, Pinch (pinchdesign.com) ➤

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Ceramics, from left ‘Still Life’ bottles (five pictured), from £140 each; ‘Poppy Seed’ vase, £250, all by Akiko Hirai , Maud & Mabel (maudandmabel.com) Furniture, from left ‘OVO’ long bench in oak by Foster + Partners, £1,595; ‘Maiden’ green oak stool/side table by Russell Pinch, £575, both Benchmark (benchmarkfurniture.com) ➤

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Ceramics, from left Porcelain jar

by Anna Silverton, £480; ‘Pourer’ vase by Mizuyo Yamashita, £65; salt and pepper pots (one pictured)

by Jo Davies, £110; ‘Herringbone’ teapot by Mizuyo Yamashita, £280, all Maud & Mabel (maudandmabel.com).

Wooden bench, stylist’s own

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Words CLARE SARTIN Photography GAELLE LE BOULICAUT

Designer, artist and rock-and-roll royalty Jade Jagger shares the experiences that have defined the look of her London home

he pair of snarling neon lips on the wall of the study in this colourful London home are a big clue as to who lives here. The daughter of style icon Bianca and Mick Jagger – lead singer of The Rolling Stones, and proud owner of perhaps the most famous lips in history – Jade Jagger wears her rock heritage with a sardonic wit.

Born in Paris in 1971, Jagger was an aspiring artist from an early age and later moved to New York, where she mixed with the cream of the Pop Art scene.

Andy Warhol once said of her, ‘I taught her how to colour and she showed me how to play Monopoly’.

These dual talents, an eye for design and a head for numbers, helped Jagger when launching her first business in the early 1990s, producing one-of-a-kind jewellery pieces. She has since worked as creative director at crown jewellers Asprey & Garrard, started an eponymous accessories brand and collaborated with John Hitchcox and Philippe Starck, founders of interior design firm Yoo, to create chic properties around the world, from Mumbai to the Cotswolds.

She has lived in the Hamptons, Morocco, the Caribbean and at her father’s château in the Loire Valley, but her most recent move was much closer to home – from Notting Hill Gate to east London.

‘It’s more of a design district,’ she says of her new neighbourhood. ‘I felt that all of my contemporaries, whether in fashion or architecture, were here.’

Jagger shares the home with her husband Adrian Fillary and their four-year-old son, Ray. ‘It’s one of the first houses I’ve bought that didn’t need a complete renovation,’ the designer remembers.

It’s an incredibly light space, thanks to cleverly placed skylights, but there are very few windows, gifting the property a level of privacy and calm that she appreciates. ‘It makes me feel very secure,’ she says.

‘It’s great for designing, because I’m not distracted by curtain twitching or people walking past.’ ➤

Office Jagger found the table, once used in The British Library, at Retrouvius.

The chairs are from Ochre Stockist details on p269

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‘My look has a sense of HISTORY, to do with all

Living room The ‘Charles’ sofa by B&B Italia and a ‘Signature’ chair by Carl Hansen & Søn provide contemporary seating. Jade’s books are stored on shelving

by Vitsœ Stockist details on p269 ➤

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the things I love to COLLECT and their stories’

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How would she describe her interiors style?

‘We just sold our house in Ibiza and got all of the furnishings back, so lately everything’s become more eclectic,’ Jagger admits. ‘I guess my look has a sense of history, to do with all of the things I love to collect and the stories that go with them.

‘I have a huge collection of textiles, mostly from India and South America, as well as linens from Europe,’ she continues. Phulkari fabric (embroidered silk from India’s Punjab region) has been used to cover chairs in the bedroom, while the carpet in the living room is from Jaipur. ‘Adrian and I call it the magic carpet, because we got married on it,’ she adds.

‘The work I do can encroach on my life, with fabrics and designs spilling out everywhere. That’s why you end up wearing black and white – to keep a sense of discipline,’ she jokes. ‘I do like colour and pattern, but I also believe in restraint.’ Jagger tempers her natural decorating exuberance by pairing pattern with a selection of sleek design classics, such as Vitsœ shelving, a ‘Charles’ sofa by Antonio Citterio for B&B Italia and a stylish ‘Signature’ lounge chair by Frits Henningsen for Carl Hansen & Søn.

Her favourite pieces, however, are personal – from the box made out of Japanese cards that her husband built for her as a birthday present to the plants that have travelled with her on her many moves. ‘I find the transience of fashion and design very bad,’ she says. ‘I don’t think you need to spend a lot of money, but you should think of things as heritage pieces.

Buy things you will love forever – things that will become part of the architecture of your life.’ ➤

‘I do like COLOUR and pattern, but I also believe in RESTRAINT ’ Outdoors Kartell’s ‘Ghost’ chairs are placed around a table by Cappellini Dining area Jagger’s owned this table for 25 years – it was once in the garden – and the chairs are from India. Souvenirs line the shelves Stockist details on p269

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‘My WORK can encroach on my life, with FABRICS spilling out everywhere’

Bedroom Jade made the lamp’s shade and the bed is layered with Phulkari fabrics from India. This room opens onto a courtyard, with ‘CH25’ chairs by Hans J Wegner for Carl Hansen & Søn Stockist details on p269

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Britain’s wildflowers and herbs are at the heart of our fragrance tradition, and a new crop of home scents from high-end brands is bringing them back into the spotlight Words AMY BRADFORD Illustrations MARIANA RODRIGUES OCTOBER 2018 ELLEDECORATION.CO.UK 113

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BRITISH PLANTS ARE ENSHRINED IN OUR COLLECTIVE MEMORY, SOMETHING THAT’S HUGELY IMPORTANT IN OUR EXPERIENCE OF SCENT James Craven, fragrance archivist at London boutique Les Senteurs, is pondering what the concept of a ‘British scent’ might mean. ‘Britain doesn’t really scream perfume,’ he reflects, ‘because many people associate scent with the exotic. It makes more sense for home fragrance, I think. The smell of the sea. Moors and mountains. Meadows, cricket pitches…’ Our traditionally cool, rainy climate, he adds, means that we have relatively few crops suitable for use in fragrance; the yield of oil is too small and too unreliable. What we do have, argues Sarah Rotheram, CEO of British perfumer Miller Harris, is a wealth of wild plants that difuse scent in a natural way. ‘Honeysuckle, privet and cow parsley all have scents that carry on the air,’ she says. ‘There are also evocative smells, such as woodsmoke and blackcurrant bushes, in our gardens. That’s why Miller Harris home fragrances are all about the idea of opening your windows and bringing aromas indoors.’

Wild scents, rather than fine perfumes à la Française, have long defined Britain’s olfactory landscape. Consider Shakespeare’s endless references to country blooms – ‘daisies pied and violets blue’, ‘luscious woodbine’ and ‘pale primroses’ – or William Morris’s celebration of marigold, meadowsweet and honeysuckle. Familiar from our national art and poetry, such plants are enshrined in our collective memory, something that’s hugely important in our experience of scent. ‘For centuries, many British homes would have had a “still room” where the family made medicines, candles and perfumed waters,’ notes Craven. ‘All would be made from oils distilled from the garden or found in the fields, such as sage, rosemary, thyme and valerian.’ Thanks to the glut of industrially made, artificially scented goods on sale today, we’ve lost touch with these old-world ingredients. ➤ 114 ELLEDECORATION.CO.UK OCTOBER 2018

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New British perfume label Parterre aims to change that with its botanical garden at Keyneston Mill, Dorset, where gardeners are reviving historic varieties of herbs, such as camomile and yarrow.

Visitors are entranced, says co-founder Julia Bridger. ‘People are eager to learn how the plants are grown and distilled; we encourage touching and sniing.’

An interest in natural, locally sourced botanicals like these is growing – as perfumer Roja Dove says, they are ‘the olfactive equivalent of the farm-to-table movement’. And though many raw materials continue to be sourced abroad, the number of British-inspired scents is also on the rise.

Dove has just relaunched his collection of single-note scented candles to reflect the provenance of each ingredient; ‘Bluebell of England’ (£95; rojadove.com) is a nostalgic tribute to the bluebell woods near his grandparents’ home. Elsewhere, Jo Malone London has unveiled the ‘Honeysuckle & Davana’ candle (£45; jomalone.co.uk). ‘Honeysuckle is a quintessentially English flower, but it doesn’t exist naturally in perfumery,’ says Celine Roux, the brand’s head of fragrance development.

To recreate its aroma in the most authentic way possible, perfumer Anne Flipo used headspace technology, a process that captures smells in the air around a plant. It was the flower’s wildness that appealed most – ‘It’s a happy scent that surprises you as you’re out walking,’ says Roux.

Even the humblest of British flowers can be captivating. Perfumer H’s ‘Dandelion’ candle (£110; perfumerh.com) is a bestseller. ‘People from all over the world buy it because it reminds them of ➤

‘LOCALLY SOURCED BOTANICALS ARE THE OLFACTIVE EQUIVALENT OF THE FARM-TO-TABLE MOVEMENT’

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‘Honeysuckle & Davana’ candle,£45, Jo Malone London (jomalone.co.uk)

wet green meadows and wildflowers in spring,’ says founder Lyn Harris, whose brand reflects her own love of the rugged British countryside and the changing seasons. Other notes in Perfumer H’s collection include ivy, sweet pea, moss, pine and oak.

Wildflowers are heavenly in the summer months, but in cooler weather, we instinctively turn ‘Dandelion’ candle, towards green, woody scents – those of the ‘moors and mountains’ described by James Craven. £110, Perfumer H For the coming autumn, Miller Harris has launched the new ‘Mossket’ room diffuser (£85; (perfumerh.com) millerharris.com), which Rotheram says ‘evokes the scent of a forest floor’; it’s the result of an 18-month foraging project. Meanwhile, London candlemaker Charles Farris has introduced the ‘British Expedition’ and ‘Pinetum’ candles (£34 each; charlesfarris.com), which feature mint tea and pine needle notes. The former is inspired by Victorian London, says perfumer Tim DugganRees, but conjures the ‘adventurous spirit’ of the Empire era.

It’s interesting that green, mossy aromas also appeal to brands beyond our shores – notably in France, where they were dubbed fougère (fern) scents in the 19th century. Parisian candlemaker Cire Trudon explores the genre in its ‘Balmoral’ candle (£70; trudon.com), which evokes the damp ‘Mossket’ room difuser, ferns that grow in the Royal Family’s Aberdeenshire estate, while pharmacy Buly 1803 ofers lotions perfumed with Scottish lichen and moss (from £46; buly1803.com). If French haute parfumeries £85, Miller Harris (millerharris.com) are rediscovering our nation’s perfume heritage, surely we should be doing the same.

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‘Root Of All Goodness’ eau de parfum, £95, Parterre (parterreat keynestonmill.com)

‘Balmoral’ candle, £70, Cire Trudon (trudon.com)

‘Pinetum’ candle, £34, Charles Farris (charlesfarris.com)

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FA B R I C S

/ WA L L PA P E R S / PA I N T S / T R E N D S / N A M E S T O K N O W

Inspired by the trend for happy design, the decorating maxim to live by this season is…

PICTURE: KRISTY NOBLE

Here’s our bi-annual edit of FABRICS, WALLPAPERS and PAINTS, plus all you need to update your home

For full credits and stockist details, head to p269

Edited by KIER A BUCKLEY-JONES

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GO GREEN Beatrix Potter’s Cumbrian farmhouse and George Bernard Shaw’s writing hut are just two of the historic properties that have influenced a new palette of greens

by Little Greene. Following a research project with the National Trust that involved studying more than 350 interiors, the company has created 31 shades.

Plus, for every can of paint you buy, a contribution goes towards the National Trust’s conservation work.

‘Pall Mall’ (left); ‘Edith’s Eye’ and ‘Hopper’ (below, from top), all £43.50 for 2.5 litres (littlegreene.com).

M A K I N G WAV E S

WORDS: EMMA LOVE PICTURES: LUCKY IF SHARP, YESHEN VENEMA

Abigail Edwards is best known for her hand-drawn wallpapers and fabrics inspired by nature and fairy tales. Now, she is adding rugs to her repertoire, with the launch of the madeto-order ‘Seascape’ collection. Each of the four colourways is hand-tufted in wool and bamboo silk, which adds a subtle shine to the rolling wave pattern. £1,288 (abigailedwards.com).

WHAT’S YOUR TYPE? Surface View’s new ‘Architype’ edit of archive prints is inspired by graphic architecture and typography. Highlights include a reproduction of the promotional poster for David Hockney’s 2012 exhibition at the Royal Academy, as well as this ‘Pink Design 1956’ print, a replication of a journal cover by the Council of Industrial Design (from £185; surfaceview.co.uk).

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WOVEN INTO HISTORY Having already worked with The National Gallery on a Tudor collection and paid homage to the 1940s New York Abstract Expressionist movement, British design label Blackpop has now teamed up with London’s Sir John Soane’s Museum on a range of wallpapers (including ‘Hampton Gold’, left, £216 per roll), fabrics (£144 per metre) and rugs (from £10,880, produced in collaboration with Knots Rugs). Titled ‘Collectors’, the lustrous designs weave in segments from Canaletto’s paintings of Venice and reworked illustrations by the museum’s architect, Robert Adam (blackpop.co.uk ).

4 OF THE BEST T R AV E L - I N S P I R E D P R I N T S

J A PA N E S E I N F L U E N C E S Scion’s new ‘Japandi’ range offers Japanese pattern in a Scandinavian palette. ‘Akira’ fabric, £29 per metre (stylelibrary.com/scion)

PA R I S I A N C H I C Sandberg’s ‘L’Hotel’ wallpapers are based on the eponymous Parisian pensione. ‘Christian’, £89 per roll (sandbergwallpaper.com)

V I S I T T H I S Fabric brand De Le Cuona is marking 25 years in business

by opening a new showroom on London’s Pimlico Road. Designed by Waldo Works, it will be a ‘new type of fabric house’, featuring the deeply pleasing Colour Lab – a wall showcasing each fabric in every shade (delecuona.com).

WORDS: NAME PICTURE: MAXINE HALL

DRAMATIC & DARK What happens when Roger Oates Design, a brand known for its striped runners and rugs, meets Abigail Ahern’s moody aesthetic? A capsule flatweave flooring collection woven to create a darker, more intense look. ‘Masai Smoke’ (right) sets yellow against a dark grey backdrop, ‘Malton Cinder’ features a new plum shade, ‘Fitzroy Rosebriar’ has soft, herringbone stripes with a rich border, and ‘Kobe Plum’ has been reworked with a dark weft to highlight its original, saturated colours. £129 per metre (rogeroates.com).

C O A S TA L C H A R M Seaside motifs define Sanderson Home’s new ‘Port Isaac’ collection. ‘Ripley’ wallpaper, £39 per roll (stylelibrary.com/sanderson)

EXOTIC DISCOVERIES Victorian explorer Isabella Bird is the muse behind Designers Guild’s wallpapers. ‘Jaipur Rose’, £69 per metre (designersguild.com)

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THE SUBTLE PALETTE Crown’s new ‘Washed’ paint range ofers the ideal selection of colours for anyone who’s a fan of faded fabrics and bleached linens. ‘We’re embracing the natural beauty of weathered, eroded surfaces,’ says the brand’s colour specialist, Jemma Saunders.

These quietly beautiful, muted shades are easily combined to create a relaxed, contemplative scheme. From £14.49 for one litre (crownpaints.co.uk).

PICK OF THE PARQUET Claybrook’s new ‘Dorset Cove’ porcelain parquet floor tiles are inspired by days spent on the coast. Not only do they bring the wholesome feeling of a seaside abode to any home, they are also easier to maintain and clean than traditional wooden boards. ‘Dorset Cove’ tiles in ‘Branksome’, £39.94 per square metre (claybrookstudio.co.uk).

WORDS: EMMA LOVE

LOST LANDSCAPES It’s hard to decide which of the prints in Prestigious Textiles’ new Eastern-influenced ‘Lost Horizons’ collection we love most. From vibrant florals to misty scenes, these fabrics combine digital printing with embroidery.

From left: ‘Ming’, £74.99 per metre; ‘Summer Palace’, £61.99 per metre; ‘Shangri-La’, £61.99 per metre (prestigious.co.uk).

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4 OF THE BEST GEOMETRIC CUSHIONS

ANGULAR ‘Arco’, £98, Kirkby Design (kirkbydesign.com)

HOT HUED ‘Pink Star’, £125, Susi Bellamy (susi-bellamy.com)

GILDED GENERATION These are glass tiles as you have never seen them before. The ‘Glassworks’ collection

by Original Style has precious leaves of gold, copper or silver foil encased in its brick or mosaic tiles. The efect is luxurious, with the metals shimmering and changing in the light. ‘Copper Leaf Bold’ tiles, £305.52 per square metre (originalstyle.com).

V I S I T T H I S Focus/18 at Design Centre, Chelsea Harbour (19–21

September) celebrates the use of colour in interior design. It will present a programme of launches, tours and talks – there’s one hosted by ELLE Decoration’s Ben Spriggs ( find out more on p256; dcch.co.uk).

MONOCHROME

WORDS: EMMA LOVE PICTURE: ANTHONY BROWN

‘Kuba Cay’, £180, Zinc Textile (zinctextile.com)

SIT IN STYLE ASYMMETRICAL ‘Modul’, £48, Scion (stylelibrary.com/scion)

Italian furniture brand Lema has teamed up with Osborne & Little to create fabrics for four new chairs, including the ‘Taiki’ (above), a collaboration with designer Chiara Andreatti. £3,071 (lemamobili.com).

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MARBLING MAGIC Granby Workshop is putting a new spin on traditional ceramic tiles. After researching the historic methods used to produce encaustic tiles, the company decided to invent a modern technique.

Instead of the colours and patterns being applied to the surface of the clay, it decided to form the colours from the clay itself – meaning that the patterns don’t fade as they wear. The colours are marbled together in a random fashion, making every floor or wall tile unique. £253 per square metre (granbyworkshop.co.uk).

O F F T H E WA L L Brooklyn-based husband and wife design duo Nick and Rachel Cope launched Calico Wallpaper (named after their cat) during the aftermath of Hurricane Sandy. Inspired by a rare sample of antique paper found in a curiosity shop in New York, they experimented with paper marbling, digitally enlarging handmade patterns. The brand’s latest range, ‘Oceania’ (below), is created using a salt-resist process. From £263 per square metre (calicowallpaper.com).

WORDS: EMMA LOVE

COLOUR CHARTED New book ‘Spectrum: Heritage Patterns and Colours’ (£24.95, Thames & Hudson) explores the palettes used by designers when creating upholstery fabrics and wallpapers, from the 15th century to the present day. Alongside each embroidery detail and design there is a grid that shows the diferent ways those shades have been combined at various periods in time. A great decorating source for understanding the history of colour.

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TREADING THE BOARDS This year, wood flooring brand Ted Todd celebrates its 25th anniversary. We sit down for a chat with its founder, Robert Walsh

4 OF THE BEST ARTISTIC RUGS

EXPRESSIONIST ‘Splash’ by Martyn Thompson, £1,400 per square metre, Perennials (perennialsfabric.com)

Swatches, from top ‘Raw Cotton Herringbone’ flooring, £85.34 per square metre; Antique ‘Ruskin Herringbone’ flooring, price on application, both Ted Todd

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ABSTRACT ‘Montage’, £9,214, Knots Rugs (knotsrugs.co.uk)

MODERNIST ‘Fulcrum’, £680 per square metre, Amy Kent (amykent.co.uk)

GRAPHIC ‘Sea Mist’, £1,320 per square metre, Deirdre Dyson (deirdredyson.com)

WORDS: EMMA LOVE PICTURE: AARON MARCUS SUTTON

What first sparked your passion for flooring?

When I was younger, my dad gave me some old floorboards to restore. I was able to sell them in the local newspaper to someone working on a barn conversion project.

Where do you source your reclaimed wood from? Much of it is taken from pre19th-century buildings in the UK, such as schools, warehouses and hospitals. We recently reclaimed some wood from the War Oice in Whitehall. As we only reclaim the best wood that we can find, it tends to come from places with historical merit.

You were known for your reclaimed floors, so why the move into new ones? People kept asking for reclaimed oak floorboards, but we couldn’t find enough to meet demand, so we decided to make new ones ourselves using traditional machinery and methods. At the time, no other company in the country was manufacturing wide-plank floors like we were.

What do you love about working with wood? As a material, it stands the test of time.

Reclaimed wood also has a unique beauty to it, which can be really captivating. Restoring and finding a new home for it is a hugely fulfilling process (tedtodd.co.uk).

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CH RIS TO PH ER FAR R Revolutionising rugs and bringing his bold aesthetic to fabrics, Farr’s vibrant brand is an institution

When Christopher Farr co-founded his eponymous rug company with Matthew Bourne in 1988, the demand for the decorative knotted or flatweave rugs with which it is synonymous was in the doldrums. ‘The market was split between antique styles and department store goods,’ recalls Farr. ‘This left out anyone who loved high-quality, well-crafted, creatively designed carpets.’

Undeterred, Farr and Bourne opened their first showroom in London that year. Farr, who studied at the Slade School of Fine Art in London, became enamoured with textiles on a trip to the Peruvian Andes in 1975. He felt that the region’s colour-saturated cloths packed just as much of a visual punch as abstract expressionist Mark Rothko’s colour-drenched canvases.

Initially stocking only antique rugs, Christopher Farr began displaying contemporary options in 1990. Despite the economic recession then, the latter proved a hit. A sellout show of rugs made with Royal College of Art students in 1991 kickstarted a slew of collaborations, including ones with fashion designers Romeo Gigli (in association with Cappellini), Rifat Ozbek and designers Kate Blee and Allegra Hicks.

The turn of the millennium marked the start of new chapters: the shop moved from Primrose Hill to Westbourne Grove – then London’s key design hub, and, says Farr, ‘the seed of what became the London Design Festival’. That year, it founded Christopher Farr Cloth with Michal Silver (once a designer for Mulberry).

Beginning with hand-printed textiles and wallcoverings, the company later added historical oferings, with rug designs by Bauhaus supremo Gunta Stölzl.

In 2012, it issued rugs by The Omega Workshops (founded by Bloomsbury Group members) and, soon after, ones by Bauhaus artists Anni and Josef Albers.

Asked what makes a pattern successful, Farr says, ‘We just make things we love by people we admire.’ Rugs and textiles, he believes, should be tools for selfexpression. christopherfarr.eu

WORDS: DOMINIC LUTYENS

From top ‘Meander’ linen by Anni Albers in ‘Hot Pink’, £120 per metre.

Christopher Farr with some of the brand’s designs. ‘Chan Chan’ rug, from £590 per square metre

DID YOU KNOW?

Famous fans and Farr’s celebrated collaborations 1 Christopher Farr Cloth’s best-selling design is the exuberant fabric ‘Carnival’, depicting pomegranates, created in the 1970s by textile designer Michael Szell. Clients that took a fancy to this design included the Queen Mother, as well as Hollywood royalty Ava Gardner.

2 As well as producing standout historic designs from the likes of Josef Albers, both branches of the company have also initiated partnerships with high-profile modern names, including artists Louise Bourgeois, Gary Hume and Gavin Turk, Kit Kemp, co-founder and interior designer of Firmdale Hotels, and industrial product designer Tord Boontje.

3 To coincide with the Tate Modern’s ‘Anni Albers’ exhibition showcasing the Bauhaus textile designer’s work (11 October – January 2019; tate.org.uk), Christopher Farr has produced a new tufted rug and two new printed textiles developed from her original designs in collaboration with the Josef and Anni Albers Foundation.

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VI O LET Move over, millennial pink – the shade’s grown-up sibling has a renewed hold on our afections

According to experts, 2018 is the year of purple. Pantone chose ‘Ultra Violet’ as its colour of the year, with trend forecasting firm WGSN noting that it fed into a renewed interest in maximalist fashions, as well as the desire for self-expression and escapism.

What neither firm mentioned, however, was that violet’s rise was foretold some 140 years ago by another group who had selfexpression and the future on their minds: the Impressionists.

While an early fan conceded that the Impressionists’ work did ‘almost always proceed from a violet and bluish range’, others were less kind. Some argued that they must sufer from a disease, which they dubbed ‘violettomania’. Others thought that their preference was a consequence of painting outside, the result of permanent damage to the artists’ eyes after spending too much time in the sun. The art critic Alfred de Lostalot, in a dismissive review of one of Monet’s shows, wrote that ‘he and his friends see purple, the crowd sees otherwise; hence the disagreement’. The Impressionists themselves, however, were unrepentant in their ardour for this shade. In 1881, Edouard Manet announced that he’d discovered the true colour of the atmosphere: ‘It is violet. Fresh air is violet.

Three years from now, the whole world will work in violet.’

If you share Manet’s enthusiasm, now is a good time to indulge – the publicity generated by Pantone and WGSN has propelled this hue into the spotlight. As you might expect, the queen of colour, India Mahdavi, includes it in her repertoire – Chez Nina, the private club she designed for Galleria Nilufar earlier this year, sees violet mixed with red and black in mid-century shapes. For a softer take, look at Designers Guild’s ‘Savoie’ wallpaper in ‘Fuchsia’, which segues from white, through violet to magenta (£225 per roll; designersguild.com). It’s a painterly take on the trend. Lostalot might not have approved; Manet, however, almost certainly would.

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PA I N T S T O T R Y

‘Morning Mist’ by Zofany, £46 for 2.5 litres, Style Library (stylelibrary.com)

‘Purple Pout’, £27.56 for 2.5 litres, Dulux (dulux.co.uk)

‘Amethyst’, £39.50 for 2.5 litres, Fired Earth (firedearth.com)

WORDS: KASSIA ST CLAIR PICTURE: GETTY, LUCKY IF SHARP

PANTONE ® 271 C

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D E C O R AT I N G

COU T UR E WA L L S

WORDS: AMY BRADFORD PICTURE: TOM FALLON

Bespoke craft techniques, such as relief plaster, cut leather and beading are transforming wallcoverings into works of art

At chef Ollie Dabbous’ new Mayfair restaurant Hide (above), guests can be forgiven for letting their gaze wander beyond the table: the venue’s bespoke wall finishes command attention. In the upstairs dining room, London artist Rachel Dein’s handmade plaster mural is adorned with a floral relief pattern, formed using casts of real foraged plants. In the bathrooms, Venezuelan artist Jeanette Ramirez of Twig By The Clorofilas has studded walls and ceilings with preserved moss, mushrooms and lichen. ‘The idea was to treat the walls as large-scale installations,’ explains Rose Murray, director of These White Walls, the design studio that led the project.

The walls at Hide are just one example of a new wave of handcrafted finishes that are as finely embellished as couture gowns. More adaptable than of-the-peg wallpapers, they can be customised to fit the shape of your space or to tell personal stories: the mural at Hide contains treasured objects hidden amid the flowers, including a necklace from Dabbous and one of Murray’s brooches.

For a private home in Hampstead, London, designer Daniel Heath created bespoke birdand-vine panelling that’s tailored to flow across the bathroom walls, snaking around fixtures and door frames (far left, from £500 per square metre; danielheath.co.uk). ‘The look is delicate, yet luxurious,’ says Heath. ➤ From top The stunning mural at Hide restaurant, London. A closer look at Hide’s plaster relief wall. Bespoke wall design by Daniel Heath

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From top Woven raia by Fameed Khalique. De Gournay’s luxe ‘Fish’ wallpaper.

‘Ponti’ wallpaper

by Fromental.

Leather wall by Genevieve Bennett

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Equally impactful are Fameed Khalique’s raia weaves (top left, from £947 per square metre; fameedkhalique.com). They come in many hand-embroidered patterns, such as florals and geometrics. ‘We can also create wood-veneer wallcoverings that resemble marquetry [£130 per square metre] and sculpted leather finishes [from £1,950 per square metre],’ says Khalique. ‘Because walls are such a huge canvas, there’s potential to create something with incredible drama.’

A heightened sense of materiality is key to designer Genevieve Bennett’s hand-carved leather wall panelling (far left), which adds sensual texture to any interior. Clad an entire wall or choose smaller panels (from £2,750 per square metre; genevievebennett.com).

At Fromental, there are endless options. Its ‘Ponti’ design (left, £556 per square metre; fromental.co.uk) is inspired by Gio Ponti’s geometric patterns and is made of silk, handpainted to resemble travertine. Likewise, the brand’s ‘Braque’ design’s collaged tea papers are coloured and scaled to transform a room into an artwork (£471 per square metre).

For interior walls at their most luxuriously embellished, look to specialist maker De Gournay, which has recently introduced beading and embroidery to complement its iconic hand-painted wallpapers. Sequins, delicate beads and metallic threads can be applied to custom patterns or any design in its permanent collection, so they glisten as the light moves across them. On the Japaneseinspired ‘Fish’ wallpaper on silver-gilded silk (top, from £1,344 per panel; degournay.com), the threads mimic the iridescence of scales.

It’s as close to couture as walls get.

PICTURES: ACCOOPER NEG & PRINT

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TO P TRI M M I N GS

WORDS AM BRADFORD

Tassels, braids and fringes are being reinvented for the modern home – take inspiration from these stylish designs

Trimmings – or passementerie, to give them their more romantic name – are back in vogue after years in the decorating wilderness. Italian designer Cristina Celestino revived them in spectacular fashion in her ‘Corallo’ installation, for which she festooned a Milanese tram with an array of fringes, rope cords and patterned borders; her ‘Gilda’ sofa and ‘Tripolino’ tables for Editions Milano are similarly embellished.

At House of Hackney, Soho Home and Gucci Décor, you can purchase tasselled cushions and furniture reminiscent of Victorian salons, while American designers Kelly Wearstler and Laura Kirar are making passementerie look modern again with chic, geometric trimmings.

Wearstler’s latest collection for Groundworks at Lee Jofa (above, from £45 per metre, GP & J Baker; gpjbaker.com) includes graphic borders inspired by the Bauhaus and a chunky bullion fringe, while Kirar’s ‘Artesania X’ range for British brand Samuel & Sons is influenced

by Mexican handcrafts.

‘Technology and new materials are redefining trimmings,’ says Michael Cohen, president of Samuel & Sons. ‘Hair-on-hide finishes, appliqué techniques and laser cutting are just some of the innovations that have transformed their staid image, and many of the new designs can be used in ways that were once impractical, such as on walls and around doorways.’ ➤ OCTOBER 2018 ELLEDECORATION.CO.UK 143

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London designer Jessica Light makes vibrant, modern pieces that can be customised to your interior. ‘Everything we do is designed to work in a contemporary home,’ she says. ‘Trimmings only look old-fashioned if they’re overused.

The trick is not to think of them just as edgings, but as tools to add interest to a scheme: pick one to three colours from the fabrics, paint and wallpapers you’re using and coordinate the trims, or be brave with a single contrast hue. Even a small key tassel on a drawer handle or light pull can be striking.’

Selecting a bright colour, such as the vibrant pinks and teals of the oversized tassels used (far right) to show of the joyful hues in British design brand House of Hackney’s ‘Mamounia’ wallpaper, will add drama to any room.

Ornate designs are on ofer at Nina Campbell and Osborne & Little – both brands excel at bead trims and embroidered borders – and Kate Spade at Kravet delivers chic dot motifs (far left). Use them to adorn cushions, curtains and more – the only limit is your imagination.

1 ‘Triple Dot’ by Kate Spade, £43 per metre, Kravet (kravet.com) 2 Detailing on Cristina Celestino’s ‘Corallo’ tram 3 ‘Artesania X’ range, from £27 per metre, Samuel & Sons (samuelandsons.com) 4 ‘Mamounia’ wallpaper, £185 per roll, House of Hackney (houseofhackney.com)

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CASA J OSEPH I N E Be inspired by this Madridbased interior design firm’s personal and colourful take on Mediterranean f lair

EXPERT ADVICE

Casa Josephine on how to perfect its look Colour A good way to find a colour combination that works is to choose shades that not only go well together as a set, but can also be used in small groups together as accent shades. Our best tip is always to try colours directly on the walls to see if they work. We hardly ever work with large patterns or wallpaper.

Textiles We love fabrics and use them extensively, not only to frame windows, but also to decorate walls and divide spaces. We like the idea of creating flexible spaces that can be customised with screens or curtains. For a shop we designed, we stitched more than 100 square metres of patchwork to cover the walls. The geometrical design and its unexpected scale made a dramatic impact.

Art As art historians, we know that art should be displayed in a clear space, for contemplation and preservation. But at the same time, as designers we are aware that art is part of the decoration of your home. In our projects, we like to use artworks in a low-key way, without putting the focus on one single piece; otherwise the room can look very contrived.

Always pick pieces for their visual qualities rather than their value.

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WORDS: AMY BRADFORD PICTURES: GERMAN SAIZ, BELEN IMAZ, ASIER RUA

Who are they? Iñigo Aragón (far left) and Pablo López Navarro met as students in the northwest Spanish city of Valladolid, where both were doing degrees in art history.

They have been partners in work and life ever since. ‘Our first project was a fashion brand, but it didn’t work out,’ remembers López Navarro. ‘After that, we bought an old house in the Rioja wine region, restored and decorated it, then turned it into a B&B, Casa Josephine (a tribute to the lady who lived in it before us). A few people who stayed with us asked us to decorate their homes and shops. We had no master plan – we just tried to rise to the occasion.’

What’s their style? The duo’s studio, named after the B&B that started everything, opened in Madrid in 2012. Today, the team remains small – just the two designers and an inhouse architect – and they take an appealingly low-key approach to projects. ‘We are less technology-oriented than other decorators,’ muses López Navarro. ‘If there is an essential tool in our oice, it’s a block of Post-It notes.’ This attitude is reflected in their look, which they describe as ‘cultured Mediterranean’. ‘We love vernacular architecture and the homes of artists and writers.’ You can see these influences at work in their own home (bottom right).

In the apartment the duo transformed into a showroom for their furniture and artworks (right), blocks of bold, flat colour are used in unexpected ways to highlight high ceilings and architectural features. And, when asked to convert the basement of Madrid restaurant La China Mandarina into a private dining room (below), they were characteristically undeterred by the lack of natural light, using dark shades on the walls and ceiling ‘to blur the perimeter of the room’. In fact, Casa Josephine’s brave and clever use of colour is its hallmark, and its future looks bright. casajosephine.com

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PAN O R AM I C PAT TER N

WORDS: AMY BRADFORD

Much loved in the 19th century, wide-angle wallpapers are back – here’s how to wow with them

Panoramic wallcoverings first became popular in the early 1800s, when the idealised scenes they represented – jungles, bucolic woodlands, romantic sunset harbours – brought a touch of fantasy to the average home. Today’s designs still have that immersive, indulgent feel, delivered in a much more contemporary way.

‘Wide-angle wallpaper designs look great when paired with architectural detailing – they can be framed within beading to create “wall paintings”, or hung seamlessly for added drama,’ explains Carley Bean, head of design at Cole & Son. ‘Their grandeur of scale works as an anchor to set the tone of a space.’

Non-repeating patterns are surprisingly versatile. The key is to find a design with the right scale for the proportions of your room: Pierre Frey’s ‘La Serre Palmier’ glasshouse scene (above, £789.60 for a panel; pierrefrey.com) works best if you have high ceilings, for example, while more abstract papers – such as Casamance’s ‘Akebono’, with its subtle forest landscape – suit smaller rooms.

The latest wallpaper collections show this panoramic style being revived in interesting ways. Designers Guild’s ‘Indian Sunflower’ looks especially striking hung above a painted dado rail, while Wall & Decò’s ‘Novecento’, depicting a contemporary cityscape, is a sophisticated twist on the traditional country scene. Milanese brand Larghevedute’s hand-painted designs imbue landscapes with a dark romance, while Sandberg counts watercolour efects and on-trend midnight-garden florals among its oferings.

Another key characteristic of panoramic wallpapers is their ability to create trompe l’oeil illusions. Piero Fornasetti’s ‘Nuvole al Tramonto’ cloud print, available at Cole & Son now comes in an ombré colourway. It presents the tantalising prospect of another world beyond your four walls, and can even be used on the ceiling for a truly enveloping pattern experience – the perfect way to quite literally broaden your decorating horizons.

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WA L L PA P E R M U R A L S 1 ‘Akebono’ by Casamance, £233 per roll (casamance.com) 2 ‘Indian Sunflower’, £195 per roll, Designers Guild (designersguild.com) 3 ‘Novecento’, £156 per square metre, Wall & Decò (wallanddeco.com) 4 ‘Black Garden’, £2,520 for mural, Larghevedute (larghevedute.com) 5 ‘Skog’, £425 for a panel, Sandberg (sandbergwallpaper.com) 6 ‘Nuvole al Tramonto’, £395 for a panel, Cole & Son (cole-and-son.com)

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We’ve rounded up the latest standout fabrics, wallpapers and paints in every shade Photography (sets) KRISTY NOBLE Photography (moodboards) LUCKY IF SHARP Styling KIERA BUCKLEY-JONES

M U S TA R D YEL LOWS From left ‘Reflex’ fabric, £211 per metre, Raf Simons for Kvadrat (kvadratrafsimons.com). ‘Scenery’ wallpaper, £159 per roll, Arte (arte-international.com). ‘Houdini’ velvet in ‘Quince’, £28 per metre, Andrew Martin (andrewmartin.co.uk). ‘Danby’ fabric in ‘Wasabi’, £80 per metre, Romo (romo.com).

‘Bonnelles’ wallpaper by Nina Campbell, £65 per roll, Osborne & Little (osborneandlittle.com).

‘Darnley’ toile velvet in ‘Tiger’s Eye’, £159 per metre, Zofany (stylelibrary.com/zofany) ➤

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O R AN G E & RU ST 1 ‘Temple’ fabric by Anni Albers in ‘Hot Pink’, £145 per metre, Christopher Farr Cloth (christopherfarr.eu) 2 Curtains made from ‘Equalize’ fabric in ‘Rust/Sky’, £69 per metre; ‘Axial’ wallpaper in ‘Rust’, £69 per roll; dining chair upholstered in ‘Kameni’ fabric in ‘Marine/Rust’, £59 per metre, all Harlequin (stylelibrary.com/harlequin) 3 ‘Cromer’ fabric in ‘Coral’, £45 per metre, Sanderson (stylelibrary.com/sanderson) 4 Mini pompom trim in ‘Red Hot Poker’, £0.90 per metre, VV Rouleaux (vvrouleaux.com) 5 ‘Houdini’ velvet in ‘Tangerine’, from £28 per metre, Andrew Martin (andrewmartin.co.uk) 6 ‘Composition’ rug in ‘Cream Burnt Orange’, £12,240, Vanderhurd (vanderhurd.com) 7 ‘Wychwood’ wallpaper in ‘Melon’ by Kit Kemp, £60 per roll, Andrew Martin (andrewmartin.co.uk) 8 ‘Garance’ wallpaper by Matthew Williamson, £76 per roll, Osborne & Little (osborneandlittle.com) 9 ‘Festival Orange’ paint, £39.50 for 2.5 litres, Fired Earth (firedearth.com) 10 ‘Shiver’ wallpaper, price on application, Arte (arte-international.com) 11 ‘Fern’ tile in ‘Clay Mud’ by Neisha Crosland, £7.80 each, Artisans of Devizes (artisansofdevizes.com) 12 ‘Vetiver’ fabric, £136.80 per metre, Lelièvre (lelievreparis.com) 13 ‘Quietude’ jacquard fabric, £57.20 per metre, Camengo (camengo.fr) 14 ‘Geometric Silk’ wallpaper, £140 per roll; curtain made from ‘Moonbeam’ sheer fabric in ‘Pale Gold’, £85 per metre; pouf upholstered in ‘Asta’ fabric in ‘Ochre’, £49 per metre; sofa upholstered in ‘Corelli’ fabric in grey, £69 per metre; cushions on sofa (from rear) covered in ‘Asta’ (as before); ‘Peli’ fabric in ‘Indigo/Copper’, £95 per metre; ‘Alara’ fabric in ‘Teal/Gold’, £95 per metre; ‘Ariel’ fabric in red, £79 per metre, all Jane Churchill (janechurchill.com) 15 ‘Fara Tassle’ fringe in ‘Henna’, £16.50 per metre, Romo (romo.com) 16 ‘Boat Wheel’ wallpaper in ‘Mallorca Orange’, £80 per roll, Jessica Osborne (jessicaosborne.com) 17 ‘Charlotte’s Locks’ paint, £45 for 2.5 litres, Farrow & Ball (farrow-ball.com) ➤

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SPI C Y REDS From left ‘Ratan’ wallpaper in ‘Burgundy’, £80 per roll, Brian Yates (brian-yates.co.uk). ‘Mirror’ fabric in ‘Clay’, £100 per metre, Kirkby Design (kirkbydesign.com). ‘Dipper’ fabric, £220 per metre, Kinnasand (kinnasand.com). ‘Kiosque’ fabric, £98.10 per metre, Lelièvre (lelievreparis.com).

‘Ainity’ wallpaper in ‘Cerise/Teal’, £59 per roll, Harlequin (stylelibrary.com/harlequin). ‘Bark’ fabric in ‘Blush’ by Donghia, £390 per metre, Rubelli (rubelli.com) ➤

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PI N K & PEACH 1 ‘Garance’ wallpaper by Nina Campbell, £76 per roll, Osborne & Little (osborneandlittle.com) 2 ‘Rêve’ fabric in ‘Nude’, £66 per metre, Camengo (camengo.fr) 3 Mini pompom trim in ‘Sissinghurst Pink’, £1.05 per metre, VV Rouleaux (vvrouleaux.com) 4 Curtain made from ‘Collette’ fabric in ‘Natural’, £95 per metre; sofa upholstered in ‘Sassino’ fabric in ‘Pale Silver’, £65 per metre; ‘Batali’ wallpaper in pink, £79 per roll; cushions on sofa (from left) covered in ‘Sassino’, as before; ‘Neve’ fabric in ‘Pale Silver’, £36 per metre , all Jane Churchill (janechurchill.com) 5 ‘Tuscan Pink’ paint, £46 for 2.5 litres, Zoffany (stylelibrary.com/zoffany) 6 ‘Chintamani’ wallpaper in ‘Pink Pomegranate’, £135 per roll, Ottoline (ottoline.nl) 7 ‘Storm’ wallpaper in ‘Dusk Pink’, £130 per roll, Flock (flock.org.uk) 8 ‘Island Hibiscus’ paint, £44 for 2.5 litres, Designers Guild (designersguild.com) 9 ‘Broderie’ paint (background); ‘Emanuella’ paint (top left); ‘Bohemia’ paint (bottom right), all £35 for 2.5 litres, Rockett St George (rockettstgeorge.co.uk) 10 ‘Coloured Linen’ in ‘Antoinette & Old White’, £39.95 per metre, Annie Sloan (anniesloan.com) 11 ‘Trees’ fabric in ‘Rose Crimson’, £89 per metre, Parker and Jules (parkerandjules.com) 12 ‘Stamp’ fabric in ‘Clay’, £110 per metre, Kirkby Design (kirkbydesign.com) 13 Round wax cord in ‘Old Fuchsia’, £0.80 per metre, VV Rouleux (vvrouleaux.com) 14 ‘Doodle’ wallpaper in ‘Dusty Pink’, £36 per square metre, Murals Wallpaper (muralswallpaper.co.uk) 15 ‘Bananas’ wallpaper in ‘Copper Blush’, £50 per roll, Graham & Brown (grahambrown.com) 16 ‘Dandelion’ tile in ‘Guava/Maroon’, £141 per square metre, Marrakech Design (marrakechdesign.se) 17 ‘Oslo’ fabric in ‘Coral’, £25.99 per metre, Prestigious Textiles (prestigious.co.uk) 18 ‘Marie’ wallpaper in pink, £89 per roll, Sandberg (sandbergwallpaper.com) ➤

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AQ UA BLU ES From left ‘Coloured Linen’ in ‘Provence & Old White’, £39.95 per metre, Annie Sloan (anniesloan.com).

‘Coban’ wallpaper, £144 per roll, Pierre Frey (pierrefrey.com). ‘Prism’ fabric in blue, £79 per metre, Jane Churchill (janechurchill.com). ‘Kaze’ wallpaper by Studiopepe from the ‘Essential Wallpaper’ collection, £286 per roll, Wall & Dèco (wallanddeco.com). ‘Aquarelle’ wallpaper by Weitzner, £198 per metre, Altfield (altfield.com). ‘Jungle Coconut’ wallpaper in ‘Light Blue’, £33.35 per roll, Caselio (caselio.fr). ‘Wild Garden’ fabric in ‘Cobalt’, £60 per metre, Romo (romo.com) ➤

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CR EA M & STO N E 1 ‘Eugene’ wallpaper in ‘Champagne’, £101.20 per roll, Casamance (casamance.com) 2 ‘Fanfare’ wallpaper, £220.83 per roll, Lincrusta (lincrusta.com) 3 ‘Muette’ braid by Nina Campbell, £35 per metre, Osborne & Little (osborneandlittle.com) 4 ‘Tenere’ wallpaper, £170.40 per roll, Pierre Frey (pierrefrey.com) 5 ‘Pure Orkney Weave’ fabric in ‘Linen’, £99 per metre, Morris & Co (stylelibrary.com/morris&co) 6 ‘Mallawi Tumbled’ stone tile, £64.87 per square metre, Claybrook (claybrookstudio.co.uk) 7 ‘Spike Stripe’ wallpaper in grey, £187 per roll, Bennison (bennisonfabrics.com) 8 ‘Manor House Grey’ paint, £45 for 2.5 litres, Farrow & Ball (farrow-ball.com) 9 ‘Pure Pimpernel’ wallpaper in ‘Black Ink’, £69 per roll; cushions covered in ‘Pure Belsi Weave’ fabric, £99 per metre, both Morris & Co (stylelibrary.com/morris&co) 10 ‘Shinku’ fabric in ‘Putty’, £45 per metre, Scion (stylelibrary.com/scion) 11 ‘Cambes’ engineered oak flooring, £145.93 per square metre, Woodworks by Ted Todd (woodworksbytedtodd.com) 12 ‘Nykel Viken’ wallpaper in ‘Kaki’ by Astrid & Rudolf, £14 per roll, Nicholas Herbert (nicholasherbert.com) 13 ‘Bastion’ embroidery in ‘Linen’, £66 per metre, Camengo (camengo.fr) 14 ‘Brush Large’ wallpaper by Engblad & Co, £49 per roll, Jane Clayton (janeclayton.co.uk) 15 ‘Trianon’ fringe by Nina Campbell, £15 per metre, Osborne & Little (osborneandlittle.com) 16 ‘Cedar Point Matt Mosaic’ tiles, £139.99 per square metre, Claybrook (claybrookstudio.co.uk) 17 ‘Butterscotch’ paint, £46 for 2.5 litres, Zoffany (stylelibrary.com/zoffany) 18 ‘Giardino Segreto’ fabric by Ardecora, £172 per metre, Zimmer + Rohde (zimmer-rohde.com) ➤

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VER DA N T G REEN S From left ‘Matira Woven’ fabric in ‘Leaf’ by Brunschwig & Fils, £195 per metre, GP & J Baker (gpjbaker.com). ‘Forest’ wallpaper in ‘Silva’, £325 per roll, Cole & Son (cole-and-son.com). ‘Selva’ fabric

by Matthew Williamson, £175 per metre, Osborne & Little (osborneandlittle.com). ‘Clue’ wallpaper, £719.80 per roll, Sahco (sahco.com). ‘Surimono’ wallpaper in ‘Moss’, £65 per roll, Designers Guild (designersguild.com). ‘Java’ fabric in ‘Leaf’, £16.50 per metre, Clarke & Clarke (clarkeandclarke.com) ➤

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MO NOCHROME 1 ‘Procuratie Con Vista’ wallpaper by Fornasetti, £180 per roll, Cole & Son (cole-and-son.com) 2 Plain tile, £3.96 each, Bert & May (bertandmay.com) 3 ‘Top Hat’ paint, £39.50 for 2.5 litres, Fired Earth (firedearth.com) 4 ‘Caton’ fabric by Hodsoll McKenzie, £103 per metre, Zimmer + Rohde (zimmer-rohde.com) 5 ‘Ellis’ laser-cut border in ‘Ice’, £58 per metre, Samuel & Sons (samuelandsons.com) 6 ‘Polka Jet Flock’ wallpaper, £80 per roll, Graham & Brown (grahambrown.com) 7 ‘Swing’ tiles in ‘Charcoal’, £154 per square metre, Bisazza (bisazza.it) 8 ‘Urban Slate’ tile, £5.55 per square metre, Fired Earth (firedearth.com) 9 ‘Errica’ wallcoverings in ‘Blooming (left) and ‘Frost’ (right), both £162 per metre; curtain made from ‘Shells’ fabric in ‘Glimmer’, £302 per metre, all Oleg Klodt in collaboration with Holland & Sherry (olegklodt.com/en) 10 ‘Breeze’ linen in white, £82 per metre, De Le Cuona (delecuona.com) 11 ‘Pure White No.1’ paint, £44 for 2.5 litres, Designers Guild (designersguild.com) 12 ‘Dimension’ fabric in ‘Monochrome’, £116 per metre, Kirkby Design (kirkbydesign.com) 13 ‘Industry’ fabric by Pollack, £198 per metre, Altfield (altfield.com) 14 Glazed brick tile in ‘Tar’, £4.70 each, Balineum (balineum.co.uk) 15 ‘Louise’ wallpaper border, £38 per roll, Sandberg (sandbergwallpaper.com)

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KENSAL RISE

/ P O R T O B E L L O / K I N G ’ S C R O S S / S O U T H WA R K / C H E L S E A / I S L E O F S K Y E

This issue, we introduce the very best homes from home – cutting-edge interiors from the capital to the Scottish Highlands

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BRITISH HOM ES

Re ach for the sk yline

This central London apartment building offers a contemporary blueprint for urban living that’s creative, customisable and cool Words AMY BRADFORD Photography RORY GARDINER

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Few of London’s new apartment blocks are as thoughtfully created as 81–87 Weston Street in Southwark. A collaboration between developer Solidspace – led by Roger Zogolovitch – and Simon Allford of architects AHMM, it was ten years in the planning and is a fine example of the benefits of ‘slow design’. ‘It takes time, and a lot of convincing people to build with imagination and character,’ says Roger, wryly. The end result is, he explains, ‘a combination of new Brutalism and the style of old Milanese apartment buildings.’ Local influences were also key. ‘The pale brickwork references London’s historical architecture,’ says Simon. So too does the old warehouse wall at the rear of the site, which was integrated into the new building. Thanks to its irregular shape, the block also blends in well with the area’s newer arrivals, such as The Shard, which looks down upon Weston Street.

A large proportion of the building is British-designed and made, including the concrete framework and interior timber cladding.

Even the apartment’s layout – a double-height living space with cooking, dining and working areas on staggered levels around it – complements native tastes. ‘The British prefer houses to flats, and our multi-level design is a kind of house in the sky,’ says Roger. ‘The decision to place bedrooms on the lower floors is, perhaps, more European, but it means that the living room gets the best light and connects to the roof terraces,’ reasons Simon.

Customisation was a priority for the interiors. Buyers were ofered a choice of oak or walnut panelling and floors (selected to complement the board-cast concrete structure) and marble or tiles in the bathrooms. Storage was planned around adaptable Ikea cabinets, and there is even the option of renting out a bedroom thanks to an entry system that renders them self-contained units.

Roger and Simon imagine Weston Street as a revival of the traditional London mansion block, with a vibrant mix of public and private spaces, and a real sense of community. It’s a testament to this ambitious design that one of the new owners is a Stirling Prize-winning architect. solidspace.co.uk; ahmm.co.uk

Kitchen The white cupboard units are by German brand Pronorm, supplied

by Concept Kitchens, and the appliances are by Siemens and Bosch. For similar parquet flooring, try Ecora. The ceiling lighting track is by Concorde Dining room Zeitraum’s ‘Twist’ table by Formstelle is surrounded by ‘CH24’ chairs by Hans J Wegner for Carl Hansen & Søn Stockist details on p269 ➤

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Study Matthew Hilton’s ‘Compass’ table for SCP serves as a desk. It is paired with a red ‘Plywood Group LCW’ chair

by Charles and Ray Eames for Vitra and a ‘Type 75’ table lamp from Anglepoise. The chandelier is the ‘Harrison’

by Søren Rose for Menu Stockist details on p269 ➤

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Living room The vintage 1960s sofa, a design by Danish company Rysberg Møbelfabrik, is paired with marble-topped ‘TS’ tables by GamFratesi for Gubi – available at Twentytwentyone. The ‘Ingrid Icon’ rug is by Gunilla Lagerhem Ullberg for Kasthall Stockist details on p269 ➤

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of new Brutalism and vintage Milanese style. It’s a contemporary revival

of the traditional London mansion block’

‘The building’s design is a mixture

Living room A blue ‘Haller’ storage unit (left) from Swiss company USM (available at Aram) sits beneath two prints by Ronan Bouroullec for The Wrong Shop.

The ‘Chairmakers’ rocking chair (above) is by Ercol and the side table is Auerberg’s oak ‘Tray-Table’, available from Connox Stockist details on p269 ➤

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Bathroom The Bianca Carrara marble and ‘Luminosa’ tiles are both from Stone Design London and the fittings are by Duravit Study A daybed by Another Country makes a peaceful place to read. Above it hang two vintage posters from Finnish Design Shop Bedroom An Ercol bed (the ‘Shalstone’ design is similar) and cushions from The White Company. The blue armchair and side table are both from Graham & Green Stockist details on p269

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Living room A pair of ‘Chiltern’ sofas from The Conran Shop and a bespoke tiled side table by Studio Rhonda sit on top of the bright, graphic ‘Astoria’ rug

by Made. The striped concrete planter is by Darkroom and designer Rhonda Drakeford painted the geometric mural Stockist details on p269 ➤

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BRITISH HOM ES

In London’s radically reimagined King’s Cross district, designer Rhonda Drakeford has created a hyper-modern space that suits its inner-city setting

Words KATE JACOBS Photography RACHAEL SMITH

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e often start renovation projects by considering how to make the most of our homes’ existing features – but this bland, white box of a new build, on the eighth floor of an imposing, brick-and-tile high-rise, was distinctly lacking in personality. In fact, the star attraction of the two-bedroom apartment in London’s King’s Cross was the view. ‘The surrounding tower blocks are unashamedly urban, and I wanted the apartment to really become part of this setting,’ explains its interior designer, Rhonda Drakeford. She’s pulled this feat of by creating her own pastel-toned take on Brutalism.

Rhonda is best known as the creative force behind Darkroom, the cult lifestyle brand currently hosting a pop up shop at Bert & May on Vyner Street, east London.

However, for her interior design projects, she works under the name of Studio Rhonda. ‘While there are recognisable traits across everything I do – strong, structural grids and bold colours that play of organic textures – my Darkroom aesthetic is quite focused, while Studio Rhonda is more free. It’s a conversation with each client.’

The clients in this case are a couple, both chefs. They wanted a home with impact – somewhere to run cookery courses, meet clients and do plenty of entertaining. It needed a statement kitchen and an element of concrete.

Beyond that, they trusted Rhonda’s vision. She included concrete via pigmented tiles, all specially made by Bert & May, arranged in strict, graph paper-like formation.

‘I wanted the imperfect finish of handmade tiles to serve as a contrast to the sharp gridlines,’ she says.

The colour of concrete also informs the chunky bands of grey paint that give definition to each room. ‘They’re about being playful and creating optical illusions,’ explains Rhonda. Against this backdrop, brighter shades pop out.

First came the pink, chosen to echo a neighbouring highrise, then shades of blue – cobalt and cornflower – inspired by the ever-changing skies outside. Primrose yellow and pea green complete the confident quartet, with Rhonda deliberately choosing varied tones rather than a rigid palette. ‘I’ve used chalkier shades of bright colour to bring more depth to the overall look,’ she says.

Seeing Rhonda’s vibrant vision come sharply to life, the homeowners cheerfully discarded their former furniture in favour of more colourful pieces – many of them made

by Rhonda herself. The designer also created the mural in the living room, which is inspired by mathematical charts.

The finished apartment transcends its bland beginnings.

‘It creates quite an abstract feeling,’ says Rhonda. ‘Like floating above a cityscape.’ studio-rhonda.com Kitchen Bespoke cabinets are surrounded by specially-made Bert & May tiles. A ‘Rok’ sink by Astracast is combined with a blue Vola tap.

The black ‘Slice’ chopping boards are by Darkroom and the concrete containers on the island are from Etsy Stockist details on p269 ➤

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CHALKY COLOURS ARE COMBINED WITH GRAPHIC PATTERNS

Study The second bedroom serves as the couple’s workspace. Beside the window overlooking the terrace, Rhonda has positioned a plush ‘Slice’ armchair by Pierre Charpin for Ligne Roset.

Bespoke painted concrete shelves by Studio Rhonda display bright, graphic pieces, including tiles by Darkroom for Bert & May and a Darkroom plate Stockist details on p269 ➤

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THIS PASTEL-HUED TAKE ON BRUTALISM SUITS ITS INNER-CITY SETTING

Bedroom The ‘Lucio’ bed and concrete ‘Kalor’ bedside table are from Made, while the ‘Pion’ lamp is by Hay. The vibrant yellow bedlinen is from John Lewis Bathroom Rhonda has opted for a Thermaform bath and ‘Ambra’ showerhead from Aston Matthews. The Vola tap and painted duckboard add dashes of sunshine to the grey and blue Bert & May tiles Stockist details on p269

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BRITISH HOM ES

Raw textures and rediscovered treasures adorn this townhouse near London’s Portobello Road Words CLAUDIA BAILLIE Photography MORTEN HOLTON Styling LYKKE FOGED

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Living room ‘Le Bambole’ sofas by Mario Bellini for B&B Italia and a sumptuous silk wallhanging elevate the charm of the rustic wooden cofee table, bought in France. The chandelier is a heritage piece Stockist details on p269 ➤

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Living room Italian Marmorino plaster adds texture to the high walls in this grand home Exterior The traditional façade of this Georgian townhouse reveals nothing of the unique, bohemian style within

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ocated close to London’s iconic Portobello Road, this Georgian townhouse could not look more typically British from the outside. Step through the door, however, and the interior is an elegant mix of global influences and reclaimed pieces selected to work in harmony with the traditional architecture. Redesigned by the creative studio at London salvage and reclamation specialists Retrouvius, the four-storey, three-bedroom property has been turned into a sanctuary in the heart of the city. ‘Our client needed her home to have a sense of calm, and to be a place she could wind down in when she returns from her travels,’ says Maria Speake, one of Retrouvius’ co-founders. ‘At the same time, she also wanted a sociable space, where she could welcome guests into a relaxed atmosphere.’

With this in mind, Maria reconfigured the layout to make better use of the property’s generous dimensions. ‘Historically, everybody would head straight to the lower-ground floor and, as a result, the living room felt soulless. We moved the staircase to the back of the lounge to encourage people to use the space,’ says Maria. ‘We also redesigned the kitchen, adding beams and an early 17th-century fireplace. It’s unusual to find this rawness in a London property, but it gives the home an earthy feel.’

Throughout the house, scrubbed pine floorboards create continuity, while walls are finished in Italian Marmorino plaster.

‘The owner specified early on that she wanted to avoid the flatness of emulsion, and this plaster has infinite texture and movement,’ explains Maria. ‘We also used antique textiles as large artworks – she’s a costumier, so has an ainity with fabrics.’

Vintage furniture finds sit comfortably beside design classics, including ‘Wishbone’ chairs by Hans J Wegner for Carl Hansen & Søn and the ‘Le Bambole’ sofas by Mario Bellini for B&B Italia, which belonged to the owner’s grandmother. ‘By moving things around you can change your relationship with them,’ says Maria.

‘We’re all about encouraging reuse, so we help people to recognise what fabulous items they already own. In the right place, they can look a million dollars.’ retrouvius.com ➤ OCTOBER 2018 ELLEDECORATION.CO.UK 195

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Kitchen The geometric drawer fronts are made from reclaimed 18th-century wooden flooring and the splashback is sliced onyx. ‘Wishbone’ chairs by Hans J Wegner for Carl Hansen & Søn surround the dining table Stockist details on p269 ➤

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Kitchen A thick travertine worksurface complements the cabinets’ intricate marquetry details. The ‘Nordic Square’ tap is by Quooker and the two small pendant lights are from Pooky Stockist details on p269 ➤

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This page A solitary ‘Wishbone’ chair by Hans J Wegner for Carl Hansen & Søn sits beside the relocated staircase Sun room This space has a relaxed feel, with a comfy sofa from Caravane, a console table from Puckhaber Decorative Antiques in Fulham, London, and a window seat made using the same pine as the floorboards Stockist details on p269 ➤

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‘It’s unusual to find this RAWNESS in a LONDON property, but it gives the home an EARTHY feel’

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The brief was to turn this home into a SANCTUARY in the HEART of the city, with a sense of CALM and RELAXATION

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Bathroom The red basin, which sits on a vintage console, came from reclamation expert Retrouvius. The mirror is the ‘F.A. 33’ by Gio Ponti from Gubi Bedroom A vintage Swedish rug in ochre adds a touch of colour to this neutral space. For a similar pompom throw, try Cox & Cox Stockist details on p269

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C A P I TA L

When writer Anabel Cutler bought a former garage plot in north London, she had the rare opportunity to create her own urban haven from scratch Words ANABEL CUTLER Photography PAUL RAESIDE Styling CLAUDIA BRYANT

Even if you were one of those people who is utterly in love with London, you’d still have to admit that life in the capital comes with certain stresses. In a city that’s so densely populated, it’s nigh on impossible to find solace, and I had reached the point at which my best chance for survival was to create a peaceful, internally-focused living space to provide an antidote to the chaos. I craved a home that was simple and beautiful – almost monastic.

So, when my partner Steve Wallington and I bought a garage plot in London’s Kensal Rise, it was a tantalising chance to create a new space that was totally unique and responded as much to our philosophy on living well as it did to our idea of a functional home.

Building a house from scratch in London is a rare opportunity, and it came with the added treat of being able to stay true to our design aesthetic. We agreed that the principles and materials that would bring this concept to life should follow the Japanese philosophy of wabi-sabi, which embraces authenticity, simplicity and natural design, and celebrates beauty in the flaws that come with age. Ultimately, we were guided by the curved arches and pools of light seen in JMW Turner’s 1819 sketch, Interior of an Italian Church, in which the play of sun on the walls has an integral role in creating atmosphere.

The Japanese-led architectural practice Takero Shimazaki Architects fitted perfectly with our ideals and, from the outset, they had a real understanding of what we were trying to achieve. Working with them over the three years it took to plan and build the twobedroom house felt like a truly creative collaboration, free of any ego-driven decisions.

‘The internal concrete structure and the strategically made openings, including the arches and the high-level window above the stairs, bring in just enough light to articulate the form of the building’, says Takero Shimazaki. ‘The external weathered chestnut wood façade was chosen to closely match the tone of the concrete. This home is a hidden, warm oasis of tactility and sensual light.’ It is everything we’d hoped for, and somewhere that gets better with time, growing and changing as we live our lives in it. We can shut the door and find stillness and peace. It’s a modern interpretation of the word ‘home’. t-sa.co.uk Living area A plaster wall finish by Clayworks, velvet curtain by Sally Rieder and ‘Deltille’ rug by Trine Kielland for The Rug Company create a tactile space. The De La Espada sofa is covered in ‘Epoque’ velvet in ‘Mole’ by Mark Alexander, while the copper side table is by Rose Uniacke Stockist details on p269 ➤

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The ‘PK80’ daybed and ‘PK22’ easy chair are both by Poul Kjærholm for Fritz Hansen, available at Skandium.

The ‘Alma’ rug is by Jaime Gili for The Rug Company Stockist details on p269 ➤

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WE WERE GUIDED BY THE CURVED ARCHES AND POOLS OF LIGHT IN JMW TURNER’S SKETCH, INTERIOR OF AN ITALIAN CHURCH

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Dining area The ‘Clay’ table by Marc Krusin for Desalto is teamed with a ‘Y’ chair by Rose Uniacke and an upholstered ‘Organic’ chair by Vitra. Floral arrangement by Rebel Rebel Stockist details on p269 ➤

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‘THE STRATEGICALLY MADE OPENINGS BRING IN JUST ENOUGH LIGHT TO ARTICULATE THE FORM OF THE BUILDING’

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Kitchen Pale clay plaster walls by Clayworks contrast with colourful tumblers from The Conran Shop Staircase A bespoke-made brass handrail by The London Blacksmith and the ‘Softspot’ ceiling light

by Giopato & Coombes are the only adornments in this concrete space Stockist details on p269 ➤

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Bathroom A reclaimed antique birdbath with a bespoke stand made by The London Blacksmith functions as a basin. The ‘London’ tap is by The Watermark Collection Bedroom The ‘Atollo’ lamp is by Oluce, the ‘Loren’ side table by Baxter and the bedlinen is from Larusi Stockist details on p269

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WE FOLLOWED THE PRINCIPLES OF WABI-SABI, WHICH CELEBRATES BEAUTY IN THE FLAWS THAT COME WITH AGE

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BRITISH HOM ES

On the Isle of Skye, a larch-clad, sparsely furnished bothy offers explorers contemporary, calm shelter amid the rugged landscape and rough seas that surround it

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Words CHARLOTTE BROOK

Photography FELIX MOONEERAM & ADAM DUCKETT

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plot of land ought to be able to earn its keep. Or, at least, that was the thinking of design consultant Jason Bold and his wife Sarah, an artist, when they snapped up a croft on the Harlosh peninsula of the Isle of Skye’s west coast. They realised they could make this small estate pay its way traditionally, by using it to farm sheep and chickens, as well as in a more modern way, by building contemporary boltholes around the site for holiday lets. ‘We quickly realised that, like us, people are attracted to modern architecture that is connected to the landscape,’ says Jason. This informed the pair’s brief for local architecture practice Dualchas, who came up with a simple, single-storey lodge that allows the stunning scenery to take the limelight.

The 70 square-metre split-level building is divided into two halves: an open-plan kitchen and living space, and a bedroom-bathroom area. Both have floor-to-ceiling windows, meaning residents can look out over the tawny-brown Cuillin mountains as the sun rises in the east, or admire the sunset over Loch Vatten and Macleod’s Tables (two flat-topped hills). ‘The area around Harlosh is characterised by the contrast between soft, rolling grassland and sudden, sharp drops at clif edges down to sea lochs and inlets,’ says Neil Stephen, the project’s lead architect. The design echoes this juxtaposition: the angular silhouette belies a gentler interior. ‘The décor is quite minimal, yet mellowed by natural elements and texture,’ says Sarah. ‘For example, most of the furniture is designed by us and handmade in oak by a brilliant Edinburgh-based joiner, Namon Gaston.’ The ostensibly austere concrete floor has been only slightly polished to leave a velvety, stillmatt finish, and is luxuriously heated throughout. The rich black Siberian larch that clads the exterior runs through the centre of the house, too – quite literally bringing the outside in.

The home’s isolated location, of access roads and mere metres from the sea edge, meant the project was challenging, but the couple are thrilled with the result. ‘I love the house’s space, the light, the connection to the weather,’ says Sarah. ‘When lying on the bed facing the windows, you can watch the weather passing by, be it sunshine or storms rolling in of the Atlantic. It feels like you’re about to float out over the croft.’

Harlosh sleeps two, from £975 for a three-night weekend, and can be booked on harlosh.co 216 ELLEDECORATION.CO.UK OCTOBER 2018

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A thick sheepskin throw from local, sustainable textile company Skyeskyns sits on a ‘G55 Sling Chair’ by Belgian designer Michaël Verheyden in the living area Stockist details on p269 ➤

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Living area The ‘Uniq 35’ stove is from Danish brand Westfire.

A Habitat pouf teamed with the ‘G55 Sling Chair’ creates a restful spot for taking in the stunning view of the loch Stockist details on p269 ➤

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Kitchen In a nod to simple Scandinavian design, a ‘CPH30’ table by Hay takes pride of place, paired with ‘Imo’ folding stools by Pinch.

A Royal Doulton teapot perches on the kitchen shelves, which float above cabinets by Naked Kitchens and a worktop made from ceramic specialist Porcelanosa’s hardwearing mineral compound surface, Krion Stockist details on p269 ➤

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‘WE QUICKLY REALISED THAT, LIKE US, PEOPLE ARE ATTRACTED TO MODERN ARCHITECTURE THAT IS CONNECTED TO THE LANDSCAPE’

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THE RICH BLACK SIBERIAN LARCH THAT CLADS THE EXTERIOR RUNS THROUGH THE CENTRE OF THE HOUSE – QUITE LITERALLY BRINGING THE OUTSIDE IN

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Living and dining areas The sofa was handmade by Edinburghbased maker Namon Gaston and upholstered by Scottish fabric specialists BeSeated. The ‘Annular’ pendant light that hangs over the table is by Danish brand Woud Stockist details on p269 ➤

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Bedroom A blanket, woven in Wales from Devon wool by Trill Farm, lies across the end of the bed, which was designed by homeowners Sarah and Jason and built by Namon Gaston. ‘He has incredible attention to detail, and wonderful craftsmanship,’ says Sarah. The bedroom also features a hidden motorised blind, operated by remote control Landscape Typically dramatic Hebridean weather of mist and sunshine illuminates the hills and sea loch, as seen from the house Stockist details on p269

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BRITISH HOM ES

S O F T LY SCU LPTU R A L Interior designer Allegra Hicks has used a gentle palette and delicate textiles to transform this gallery-like London house into a family home

Words PIP MCCORMAC Photography HELENIO BARBETTA/LIVING INSIDE Styling CHIARA DAL CANTO

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Portrait Interior designer Allegra Hicks sits on the softly-hued ‘Lantern’ rug she designed specially for this house Living room The central ‘SA05’ cofee table is by Sottsass Associati for Laura Meroni, while the sofas are covered in neutral fabrics

by Allegra. The sofa by Julio Katinsky is covered with a 1960s fabric by Silvia Nayla Stockist details on p269

228 ELLEDECORATION.CO.UK OCTOBER 2018

wned by a keen art collector, this home, hidden behind an unassuming Georgian façade on a peaceful street in London’s Chelsea, is a sharpedged gallery of a property. A shimmering vision of stone, stainless steel and glass, it was created by architect Tony Fretton and has the same arresting quality as the contemporary sculptures that it houses. The task of turning this modern masterpiece into a family home was given to an interior designer with a graceful touch: Allegra Hicks.

Known for her beautiful rugs and wallhangings – she has previously won Best Fabric at the ELLE Decoration British Design Awards – Allegra has added a sense of texture to this space, smoothing its corners and bringing an unexpected feeling of being cocooned to the arching, spacious proportions. Thanks to her sensitive approach, this monumental home feels almost cosy. ‘The biggest challenge,’ she says, ‘was making it comfortable, suitable for even the most mundane of moments.’

The house was filled with treasures – including Anish Kapoor’s When I am Pregnant, a white belly-like sculpture that appears to stretch out of the wall in the living room – as well as enviable collections of furniture and Indian artifacts. Allegra’s task was to work with these pieces, bringing a new softness to the setting. Textiles were key, such as the silvery silk carpet from Nepal in the bedroom and the bespoke woollen rug she designed for the living area. ‘I wanted the room to be interesting from whichever direction you look at it,’ she says. Her palette is delicate, comprising greys, grey-blues and grey-yellows – carefully chosen to lighten the space without detracting from the art on display.

Lightness, transparency and harmony were Allegra’s aims, enhancing what was so exciting about this architectural house. She mirrored the steel in the fabric of the building with metal tables in floral shapes and reflected the many windows with glass-topped furniture. The result is a work of art of a diferent sort – a space with the grandeur of a gallery and all the comforts of home. allegrahicks.com; tonyfretton.com ➤

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THIS SPACE HAS A NEW SENSE OF TEXTURE THAT SMOOTHS ITS CORNERS AND BRINGS AN UNEXPECTED FEELING OF BEING COCOONED TO ITS SPACIOUS PROPORTIONS

Living room Allegra designed the two flowershaped cofee tables, which complement her bespoke rug. The floor lamp is the ‘Mantis BS1’ by Bernard Schottlander for DCW Éditions and the blue armchairs are 1960s Italian designs. Amongst the sculptures sits a terracotta Apsara goddess from the 5th century AD, found in Pakistan Stockist details on p269 ➤

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Opposite The lounge chair is by George Nakashima Woodworkers.

Behind it hangs a black and white drawing by Tarka Kings This page The marble ‘Eros’ console table is by Angelo Mangiarotti for Skipper & Pollux, now manufactured by Agapecasa.

To the left protrudes Anish Kapoor’s When I am Pregnant sculpture. The sofa is by Vladimir Kagan, reupholstered in Allegra’s ‘Ombre Waves’ fabric. Beside the sofa is the ‘PK61A’ table by Poul Kjaerholm for Fritz Hansen Stockist details on p269 ➤

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Opposite The armchairs are

by George Nakashima Woodworkers and the table is a vintage Italian design This page A glass mobile by artist Julia Condon is suspended above the stairs Stockist details on p269 ➤

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LIGHTNESS, TRANSPARENCY AND HARMONY WERE THE AIMS FOR THE REWORKING OF THIS INTERIOR – ENHANCING WHAT WAS ALREADY SO EXCITING ABOUT THIS ARCHITECTURAL HOME

Bedroom The gentle droop of the ‘Flower Leaf’ floor lamp by Tommaso Barbi mirrors the foliage outside. The rocking chair is by Gio Ponti for Cassina, while Allegra sourced the carpet from Nepal. The bed is upholstered in ‘Jungle Aqua’ fabric by Allegra, and covered in her ‘Tulip’ throw Stockist details on p269

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T R AV E L

/ R E S TA U R A N T S / C U LT U R E

Edited by CHARLOT TE BROOK

The wine bars, markets and culinary retreats that make Britain a foodie heaven

PICTURE: GETTY/EYEEM

BECOME A PASTA MASTER Carousel in London’s Marylebone is best known for persuading top chefs to take up residencies, cooking their signature dishes for a set price. But aspiring pasta perfectionists should book a place on its one-day pasta-making course, with founder Ollie Templeton (next workshop 28 September, £55; carousel-london.com).

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ESCAPE

3 OF THE BEST NEW COOKBOOKS

GENIUS PRESERVES Lillie O’Brien quit her job as a pastry chef to start preparing imaginative preserves using natural, rather than refined, sugar.

She opened her shop, London Borough of Jam, in 2011 and has now written Five Seasons of Jam (autumn is split into early and late) – its recipes include pink elderflower and sage vinegar and medlar and rosemary jellies (£20, Kyle Books).

PICTURES: ELENA HEATHERWICK, ANNA BATCHELOR

FIVE-STAR CUISINE Ever wanted to know the secrets behind the decadent dishes served up at London’s grandest hotel? The Ritz London: The Cookbook takes us behind the scenes.

Now, you can rustle up a canard à la presse (pressed duck), followed by the hotel’s signature showpiece, the delicious crêpe suzette (£30, Octopus).

SCINTILLATING SPICE For instructions on how to cook Hyderabad baby aubergine with coconut and curry leaf – or just roll a chapatti – pick up a copy of Kricket: an Indian-inspired cookbook, named after the tiny Brixton restaurant that has quickly achieved culinary success – a brand new outpost recently opened in the newly revamped BBC Television Centre (£26, Hardie Grant).

FOREST FEASTS For some of us, the ideal getaway involves not a glamorous hotel, but an eco-dome with a log-burning stove and a morning delivery of local bacon, homemade yogurt, a still-warm loaf and a pie dish full of fruit.

This is the way the day starts in any of the dwellings – there are bell tents, yurts, cabins and rooms in the farmhouse – at Fforest, a holistic, holiday rental project in Pembrokeshire, run by James Lynch and Sian Tucker.

From £180 for a two-night self-catered stay (coldatnight.co.uk).

SOURDOUGH SCHOOL South London bakery Brick House’s beloved San Franciscostyle (slow fermentation) sourdough loaves appear in bread baskets at restaurants across London – and now you can learn to make your own.

Every Sunday at its Dulwich headquarters (the original ‘brick house’), the pros hold ‘Sourdough in a Day’ classes, where students learn to make Danish rye, focaccia and a take on the bakery’s classic loaf. A lunch of freshly-made pizza is included (you’ll make the bases) and pupils take home their kit, including a cane banneton (a woven basket to bake a cobbler in) and a sourdough starter. £150 (brickhousebread.com).

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PLAY THE MARKET Visit London’s new culinary meccas to find miniature restaurants alongside stalls selling great seasonal produce

MARKET HALLS, FULHAM Originally an Edwardian tube ticket hall, this Grade II-listed space has been transformed by restaurateur Simon Anderson into a thriving foodie hub, where most traders are local. Start the day with a rye loaf from Claude’s Deli and a macchiato from Press Cofee, or stop by in the evening for a pint of Market Helles, created exclusively for the venue by Harbour Brewing Co (markethalls.co.uk).

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ESCAPE

TOOTING MARKET, TOOTING This market in south London is finding a new lease of life. There are still outlets selling fabrics and Chinese medicine, as well as fresh fish, fruit and vegetables, but they now rub shoulders with outposts for up-and-coming chefs and sommeliers.

Visit Brickwood for artisan loaves, Unwined for a modern, accessible take on wine tasting and ‘micro restaurant’ Plot Kitchen (right) for dinner (tootingmarket.com).

MARE STREET MARKET, HACKNEY A market in the loosest sense, being bound by bricks and mortar on all sides, this brainchild of chef Gizzi Erskine purveys everything an east London foodie could desire. There’s great cofee, from Flying Horse Roastery, wine, from the Wes Anderson-esque Liquor Store, flowers from Rebel Rebel and the perfect Scotch eggs on sale at The Dining Room (left) Erskine’s restaurant (marestreetmarket.com).

PICTURE: JIM STEPHENSON

COMING SOON... Keep your eyes on London’s Belgravia. A group of faded Victorian buildings

are being turned into Eccleston Yards, a trendy cluster of independent food, fashion and co-working spaces, as well as exercise studios. The jewel in the crown will be Eccleston Place, the area’s first miniature market, comprising a homeware shop, deli and restaurant, run by catering company and ‘Evening Standard’ columnists Tart London. Expect ceramics handmade in Morocco, jars of preserved Italian lemons and a beautiful brasserie, serving everything from technicolour salads to hearty stews (eccleston-place.com).

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ESCAPE

CATCH OF THE DAY Lovers of seafood are spoilt for choice right now, with stylish new openings in Glasgow and London

A’CHALLTAINN Found in Glasgow’s The

Barras, the city’s market hall, this venue’s highlight is its £1 oyster happy hour. Shellfish savings aside, its interiors are stellar – housed under its impressively arching glass-roofed atrium you’ll find vintage filing cabinets, watercolour fish illustrations and mottled parquet flooring (baadglasgow.com).

NEPTUNE

The latest, largest and most glamorous project by chef Brett Redman and former fashion stylist Mags Crow, this seafood restaurant in London’s Bloomsbury is a true pearl. The interior, inspired by the work of British design hero David Hicks, features petticoat chandeliers, shell-shaped sconces and peach-coloured walls. The dishes are all as delectable as the décor: go wild and order the seafood platter, starring everything from langoustines to mackerel and cockles (neptune.london).

PARSONS The duo behind the independent

BRAT Brat is, in fact, an old English nickname for

turbot. Said fish, as well as sole, young leeks and Herdwick lamb are cooked, Basque-style, over flames, at the large fire pit located at one end of this restaurant on the first floor of a warehouse-style building in Shoreditch, London.

Inspired by the simplicity of the interiors in their favourite Japanese wine bars, the owners of Brat asked London joiner Dan Preston to craft tables from English chestnut wood, while plain white plates are the perfect backdrop to the major flavours and beautiful colours served up daily by the venue’s talented chefs (bratrestaurant.com).

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PICTURES: RACHEL PALMER, SETH CARNILL, CAROL SACHS

London wine bar 10 Cases has opened a small seafood restaurant around the corner in Covent Garden.

Founders Will Palmer and Ian Campbell have named their new project after their mums, who happen to have the same maiden name, and designed the room to evoke seafood dinners of yore. The menu is scrawled on the wall daily. No time for dinner? Take a pew for a glass of Picpoul, a brown crab pissaladière and some potted shrimp croquettes (parsonslondon.co.uk).

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A GOOD DEAL The eight-bedroom The Rose Inn in Deal is one of the most stylish places to stay on the Kent coast.

And, even if you haven’t booked a room, its glorious restaurant is well worth a visit. You’ll find the scene set by terrazzo tables and Deal-sourced paintings and antiques. The menu changes with the seasons, always using British ingredients – current favourites include violet artichokes with white beans, dandelion and goat’s curd and the lemon verbena posset.

From £90 per night (therosedeal.com).

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ESCAPE

SMELL THE COFFEE When Brighton’s oldest (and only) organic cofee roasting company wanted a new look for its headquarters, it sought out Melbourne-based design studio Stella Collective, which has brightened the roastery and café with marble and brass.

Stop by for a Fairtrade espresso or reserve a table for the evening, when the space transforms into Pike & Pine, an elegant brasserie (redroaster.co.uk).

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ESCAPE

SECRET SUPPER Book a seat at the most sought-after table in town, where the vibe is homely and the menu a surprise

GRAPE NEWS

Raise your glass to three cool, new wine bars, all pairing their tipples with equally delectable dishes

LEROY, LONDON The owners of the elegant, edgy and Michelin-starred Ellory have now moved on to this more low-key venue. Start your evening with a glass of orange wine and a plate of Padron peppers in the light, airy Shoreditch space, created by British designer Fred Rigby (leroyshoreditch.com).

ALCHEMILLA, GLASGOW Pull up a stool at the countertop in this contemporary new tapas bar, named after the herb otherwise known as ‘lady’s mantle’. It only serves sustainably-sourced natural wine, and food ranges from a simple saucer of fresh anchovies in olive oil to refined dishes, such as pigeon, pistachio, dates and herbs (thisisalchemilla.com).

Chiltern Firehouse chef Nuno Mendes is very firm about the fact that his new venue, Mãos, is not a restaurant. So what is it? A kitchen, dining table and wine shop, all situated within London’s Blue Mountain School, a multi-disciplinary project run by cult fashion label and concept store Hostem. Dinner here is served in a single sitting, starting at 7pm, with the venue designed to look and feel like a home. Photographing your dishes is frowned upon, but chatting to the chefs over a glass of pinot noir while they prepare dinner is encouraged. Guests are welcome to eat dessert in the kitchen or wander through to the wine room to pick up a bottle between courses. And the food? It’s influenced by Portugal and Japan – seaweed and fresh fish abound – but dishes aren’t announced until the night, to maintain a sense of mystery. £150 for three courses (bluemountain.school/maos).

248 ELLEDECORATION.CO.UK OCTOBER 2018

BRIGHT, LONDON The team behind Clapton’s legendary natural wine shop and bar, P. Franco, has opened a sibling bar with more tables.

Step inside for a glass of something ‘frizzante’, cold and chemical-free – often poured from bottles with labels so beautiful they could be hung on a wall – and a plate of grilled prawns (brightrestaurant.co.uk).

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Words ALI MORRIS

The capital is opening its doors between 15–23 September for its yearly celebration of innovation and creativity. But with so much to see and do, what should you visit first? Here, we pick the events not to be missed…

Design consultancy Kellenberger-White will install 26 ‘Alphabet’ chairs (above) in front of Exchange House. Each seat is painted in an industrial hue, such as ‘International Orange’, which is used on San Francisco’s Golden Gate Bridge

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L O N D O N D E S I G N F E S T I VA L

EVENTS

These are the shows and exhibitions everyone will be talking about – the must-have tickets featuring British design’s biggest names

ART IN RESIDENCE Artist Cyril Lancelin’s studio, Town and Concrete, will be unveiling its brand-new artwork ‘Arches’ at Ligne Roset’s store on Mortimer Street, west London. Expect something Instagramworthy, much like the bright pink inflatable ‘Knot’ work he created for the city of Hangzhou, China, last year.

LONDON DESIGN BIENNALE In 2016, the first ever London Design Biennale saw designers from around the world take over Somerset House.

This year, the Biennale returns with entries from up to 40 countries, cities and territories, all responding to the theme of ‘Emotional States’. 4–23 September (somersethouse.org.uk).

FRITZ HANSEN ‘Timeless Yet Relevant in Time’, a touring exhibition taking an in-depth look at the iconic pieces of furniture created by architect and designer Arne Jacobsen for Copenhagen’s SAS Royal Hotel exactly 60 years ago, will be on display in London’s Fritz Hansen store. Learn about and shop the classics (fritzhansen.com).

100% DESIGN

V&A MUSEUM

London’s longest-running design show features heavyweight British brands such as Foster + Partners. This year, interiors writer Barbara Chandler has asked designers who launched their careers at 100% Design to each select an emerging name to exhibit work. 19–22 September (100percentdesign.co.uk).

LONDON D E S I G N FA I R The Old Truman Brewery in east London welcomes exhibitors from 36 countries. For 2018, the fair has selected Japan as its guest country and plastic as its material of the year. You’ll see recycling ideas and products that reduce or reverse their environmental impact. 20–23 September (londondesignfair.co.uk).

Celebrating ten years as the Festival’s oicial hub, this year the V&A will host a maze-like wooden structure (above) designed by Waugh Thistleton Architects that will encourage visitors to re-think the way homes and cities are designed.

Other installations include a prototype for a drinking fountain created by Michael Anastassiades (vam.ac.uk).

DESIGN MUSEUM SIR JOHN SOANE’S MUSEUM London-based practice Studio MUTT has created four ‘architectural characters’.

Each of the four mixed-media pieces – ‘Lawyer’, ‘Architect’, ‘Monk’ and ‘Magician’ (above), all types of professional who could have inhabited the building before Soane moved in – feature colours and patterns influenced by the building’s interiors.

12 September–18 November (soane.org).

An awe-inspiring airship installation called ‘Mind Pilot’ will be hovering in the museum’s atrium during the Festival.

Designed by Loop.pH, the textile airship is controlled by visitors, using the power of their hearts and minds. Using a headset and a series of personal monitoring devices, the visitor’s heart rate and brain activity will control the robotics that move the balloon. 15–23 September (designmuseum.org).

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L O N D O N D E S I G N F E S T I VA L

DESIGN JUNCTION

Newly relocated to London’s Southbank, this yearly celebration of global talent is the place to shop new designs and be inspired

Emma Alington

Deco Collective

Now in its eighth year, Designjunction is the home of established and emerging talent and cutting-edge concepts, known for being one of the most shoppable exhibitions at the London Design Festival.

This year, the show’s selection of stellar UK and international brands, such as Caesarstone, Bontempi, LSA, Rado and Vitra, will be showcased across three venues – Doon Street, Oxo Tower Wharf and Riverside Walkway. Think of it as your creative hub, where you can meet designers, be inspired and leave having bought your favourite pieces. 20–23 September (thedesignjunction.co.uk).

Iittala

PICTURE: KRISTY NOBLE

E L L E D E C O R AT I O N X D E S I G N J U N C T I O N I N C O N V E R S AT I O N

SHOPPING WEEKEND

THE CAFÉ

ELLE Decoration’s Executive Editor Ben Spriggs will be taking part in a conversation about craftsmanship, joined by designers Sebastian Cox and Ini Archibong, as well as the head of interiors for architecture firm Squire and Partners, Maria Cheung. 21 September, 12pm. Tickets £8, book at thedesignjunction.co.uk

Visit on Saturday 22 or Sunday 23 September to shop your favourite brands, including Iittala, Emma Alington, Deco Collective and more at discounted prices. Go to the ELLE Decoration Café and pick up your coupon to redeem ofers. Look out for ELLE Decoration Swing tags on participating stands. T&Cs apply.

This year, we will be hosting the Designjunction café, operated by Workshop Cofee. Located at Doon Street, the space will be furnished with beautiful furniture from Danish design brand Frama and stylish shelving from String, with cofee served on minimalist cofeeware from Japanese lifestyle brand Kinto.

EXCLUSIVE: 50% OFF TICKETS FOR ELLE D E C O R AT I O N R E A D E R S To celebrate this year’s partnership with Designjunction, all ELLE Decoration readers can buy tickets for the event for just £8 – that’s 50% of the normal entry price.

To claim your discount, use the code ‘ELLE100’ at the checkout on thedesignjunction.co.uk

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FOCUS/18 With more than 600 brands and 120 showrooms, Design Centre, Chelsea Harbour is a highlight of the London Design Festival. The largest design hub in Europe, it spans three domes as well as four floors in Design Centre East – and, for six days in September, it’s home to the annual Focus design event. This is your chance to see new collections from established brands and meet a host of emerging talent – plus, the international artist Moritz Waldemeyer wants to fill you with positivity through his installation of light, colour and movement.

Design Centre, Chelsea Harbour has long played host to some of the most influential names in interiors. Take inspiration from the fabrics and wallcoverings in the showrooms of Style Library, GP & J Baker, Romo, Arte, Lelièvre, Altfield, Sutherland Perennials Studio, Colefax and Fowler, Cole & Son, Holland & Sherry and Dedar. Admire the furniture at Poliform, Porada, Gallotti & Radice, Savoir Beds, Giorgetti and Flexform. Find vibrant rugs at Tufenkian Artisan Carpets, see the latest bathroom innovations at Samuel Heath, Victoria + Albert Baths and Villeroy & Boch, and check out the latest kitchens at Espresso Design and Perrin & Rowe. There will be a jampacked programme of more than 100 free sessions, including talks, demonstrations, workshops and discovery tours, giving you ‘access all areas’ to the newest ideas in home décor. 16–21 September (dcch.co.uk).

E L L E D E C O R AT I O N X FOCUS/18 DESIGN DISCOVERY TOUR Join Executive Editor Ben Spriggs for a unique discovery tour of Focus/18.

Get an insider’s view of some of the biggest names in the industry and embark on a voyage of discovery to find new colourful pieces for autumn/winter.

19 September, 2.30pm, limited spaces available. Book your ticket at dcch.co.uk I N C O N V E R S AT I O N Join ELLE Decoration and Stafan Tollgård Design Group to discuss the inspiration behind its new ‘Archipelago’ collection for Italian furniture brand Porada. Head to its showroom: First Floor, South Dome, Design Centre, Chelsea Harbour. 19 September, 5pm.

Free with a Focus/18 ticket.

Discover what’s hot in the world of interiors at Design Centre, Chelsea

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L O N D O N D E S I G N F E S T I VA L

Harbour, Europe’s biggest destination for interior design professionals and enthusiasts L I G H T FA N TA S T I C

Having designed outfits covered in LEDs for Rihanna and ‘the most advanced piece of millinery in the world’ for Jamiroquai’s Jay Kay, designer Moritz Waldemeyer’s latest project is an emotive installation of light at Design Centre, Chelsea Harbour for Focus/18 How do you describe what you do? That’s a diicult question!

I’m a curious creator of sorts, I go in creative directions that aren’t limited to a single discipline, borrowing strands from art, design, photography and fashion – just being very free.

I hesitate to use the phrase ‘Renaissance Man’, but perhaps it’s the closest description. Polymath, maybe?

Light features prominently in your work – what materials do you prefer to use when designing? I started out in my career at the same time as the rise in the innovation of the LED bulb – I was working at Phillips from around 2000, when LEDs were just little signal lights on radios. We had the sense that they would become twice as strong and half as expensive, and the beauty of them for me is that they can be easily interfaced with electronics, simply controlled, and used to create amazing efects and an incredible ambience. You can use them to tap into people’s emotions. You see, fire is something that is programmed into our psyches – we have an instant response to it. With LEDs, I can find a way to mimic that, but make it look more curious than flames, amplifying the response.

What was the brief Design Centre, Chelsea Harbour came to you with? They wanted an installation that would be site-specific, would attract people and be a talking point. It needed to be interactive and photogenic. I love the building’s octagonal domes, so was inspired to cover two walls in octagonal frames that will shine light around the space. The Design Centre is all about decorative elements, full of wallpaper and fabric samples, so people will be able to bring their swatches up to a camera beside the lights and it will read their colours, turning the LEDs into that specific shade. It means the installation will be led by the curious, and we’ll be able to tell which colours are the biggest trends of the season by looking at which ones get shown to the camera most often.

What do you hope people will get from it? At the moment, nothing is more necessary than positivity – we are being overrun with negativity every time we open a newspaper. Design needs to counteract that and bring balance back to the world with optimistic vibes – that’s what my practice is all about.

Waldemeyer’s installation ‘Journey of Colour’, a 12-metre-long walkway of light, will be open 16–21 September (waldemeyer.com) OCTOBER 2018 ELLEDECORATION.CO.UK 257

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PROMOTION

DECOREX INTERNATIONAL Always a treasure trove of exciting design, the annual Decorex International event is full of inspiring and innovative interiors.

This year’s theme, ‘Blank Canvas’, promises to bring out the creative sides of the specially selected designers who have all been asked to devise beautiful spaces for the show from scratch. Expect a wide-reaching roster of events, including talks by John Allsop, Ptolemy Mann and Stafan Tollgård.

And be sure to stop by the ‘Future Heritage’ section, where you’ll find distinctive work by up-and-coming names in British craft. With over 400 international brands in attendance – and an elegant bar designed by interior design firm Lambart & Browne – Decorex International is not to be missed.

16–19 September; public day, 18 September (decorex.com).

1

There are many reasons to head to this celebration of all that’s great in interiors BEST IN SHOW 1 Blackpop At this year’s event, the brand will launch what are undoubtedly its most dramatic designs to date: the new ‘Collectors’ wallpapers and fabrics, inspired by the antiquities at Sir John Soane’s Museum.

2 Dedar Known for its cutting-edge collections of fine fabrics, this Milanese brand’s latest designs are not to be missed, taking inspiration from such far-reaching and diverse places and time periods as the Sundarbans jungle and the 18th-century Renaissance.

3 Oicine Gullo The Florentine kitchen design brand mixes technology with style, blending the latest innovations into bespoke stainless-steel cabinets and worktops. Look out for the new range in sleek silver.

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E L L E D E C O R AT I O N X D E C O R E X I N T E R N AT I O N A L I N C O N V E R S AT I O N ELLE Decoration’s Ben Spriggs will be discussing colour and creativity with the founder of Designers Guild, Tricia Guild OBE. 18 September, 1pm. Free with a Decorex ticket.

LIMITED-EDITION COVERS Pick up these collectible covers, made for Decorex International visitors, at Blackpop, Dedar and Officine Gullo’s showcases.

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L O N D O N D E S I G N F E S T I VA L

SHOPS

Expand your mind while you fill your shopping bags – the design world’s favourite stores are holding exhibitions and installations worthy of a visit

TWENTYTWENTYONE Following the success of its ‘Edit’ event last year, the shop will be hoping to impress again with 2018’s ‘Edit’. The products on show include new works by the likes of Barber & Osgerby, the Bouroullec brothers, Cecile Manz and Pierre Paulin. Also in the mix is Tiipoi, which will debut its concrete planters (above) inspired by India’s urban infrastructure (twentytwentyone.com).

ARAM STORE

FORTNUM & MASON

Visit ‘Hilos Invisibles’ (‘Invisible Threads’), a collection of products

by Uruguay-born designer Matteo Fogale.

The pieces, which include collaborations with seven studios based in Uruguay’s capital, Montevideo, were created during Fogale’s residency at Museo Casa Vilamajó – the home built by Modernist architect Julio Vilamajó Echaniz (aram.co.uk).

Daily tea parties will be held in a specially-designed space on the first floor of the flagship store in Piccadilly throughout the festival. Dreamt up by Dutch studio Scholten & Baijings, the venue is as much an art installation as it is a cofee shop – displaying more than 80 pieces by companies from around the globe (fortnumandmason.com).

MINT

SELFRIDGES

This year, Lina Kanafani’s design store celebrates its 20th anniversary with a showcase dedicated to designers who have worked with materials in inventive ways. Called ‘TRANS-FORM’, it will include work by 60 makers, such as designer Tadeáš Podracký, who uses industrial glass waste to make vessels, and Stine Mikkelsen, who creates sculptural objects using two new composite materials (mintshop.co.uk).

The iconic department store will be presenting a collection of exclusive products made with sustainable and ethical trading in mind. Called ‘Conscious Creators’, it will highlight furniture made by startup company Pentatonic using recycled smartphones and food waste, as well as a selection of cashmere pieces from Oyuna’s collaboration with the Sustainable Fibre Alliance (selfridges.com).

SCP Collectively titled ‘A World Of Ordinary Things’, SCP’s programme of product launches and experiences includes an exhibition of chairs by Jasper Morrison for Emeco, brought to life with a sound installation by Anthony Moorea. The brand is also launching a new corner chair and sofa – designed by Gareth Neal in collaboration with Folk, they feature saddle bags made using surplus leather from SCP’s upholstery factory (scp.co.uk).

V I T SOE Vitsœ explores the emotional bonds between its customers and their belongings in an exhibition at its Duke Street shop. Lent to the brand by its loyal customer base, the treasured objects on show have been used, repaired and cherished for many years. Displayed alongside their stories, the pieces include a universal lid opener from the 1990s, a 36-year-old tape measure and a toasting fork made by a customer’s great-grandfather (vitsoe.com).

SKANDIUM In line with Brompton Design District’s theme of ‘Material Consequences’, the home of Scandinavian design will be transforming its flagship store into an eco home.

Responsibly made products (such as the ‘Montana’ shelving, above) constructed using sustainably sourced materials or under corporate responsibility initiatives will be showcased against a backdrop designed by architect Helena Laursen (skandium.com).

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L O N D O N D E S I G N F E S T I VA L

DISTRICTS

There’s something going on in every corner of London – wherever you travel across the capital, our essential guide has you covered

KING’S CROSS

PIMLICO

M AY FA I R

This new design route draws on the area’s rapidly expanding flock of creative businesses. Tom Dixon will host ‘Electroanalogue’ – a gathering of digital innovations in the brand’s new home – and Matter of Stuf’s pop-up gallery, designed

by Raw Edges, will open its doors.

Visit the enlightening ‘Sustainable Self’ art installation by PDP Architects in Orange Square, then stop by Carl Hansen & Søn’s new Danish design flagship, Rose Uniacke for classic sofas, Poggenpohl for live cookery demonstrations, and Soane Britain to see craftspeople at work.

At design venue and bar Sketch, Matter of Stuf will be presenting ‘Cocktail Atmospheres’ – with new lighting and furniture served up alongside matching drinks – while Galerie Patrick Seguin is presenting the work of mid-20thcentury French designer Jean Royère.

BROMPTON

VICTORIA

WEST KENSINGTON

Focused on how waste can be used as a resource, the Brompton Design District’s exhibitors will inhabit a block of vacated shops and oices on Brompton Road. Designer Fernando Laposse will be presenting ‘Totomoxtle’ – a new veneer material made from Mexican corn.

This area’s activities and events are built around the theme of ‘Connections: People and Places’. Take the ‘Victoria: Then & Now’ tour with Landsec – one of the area’s largest landowners – and see The Guards Museum’s exhibition on how military uniforms are influencing fashion.

Home to the Design Museum and the BBC Television Centre, which will each have its own programme of LDF events. Also not to be missed is Polish brand Zieta’s exhibition at the Arthill Gallery, and special guided tours of Blythe House, the V&A’s research centre in Hammersmith.

SHOREDITCH The Design Triangle will once again be the focus of east London’s activities. Lee Broom will be launching his new ‘Orion’ light at his Rivington Street showroom, and curator Laura Houseley will launch the fourth edition of ‘Ready Made Go’ – a collection of pieces made by Londonbased designers for Ace Hotel.

M A RY L E B O N E New to the Festival map, this district boasts some big names. The Conran Shop, David Mellor and Little Greene will all be holding workshops, demos and launches on Marylebone’s chosen festival day: 19 September. Another Country’s new furniture in collaboration with eco architects Ekkist promises to be a treat.

REGENT STREET & ST JAMES’S Also making its debut in 2018, this area’s highlights are Bottletop, the world’s first 3D printed store, and Showcase, a shop dedicated to discovering new design talent – visit to see a window display by recent Royal College of Art graduates.

FITZROVIA Established brands, such as West Elm, Fritz Hansen and Habitat, will all be holding events here. Look out for ‘Flint’ – a collection of terrazzo furniture and objects by Joyce Wang Studio (above) – and a celebration of London’s pioneering female designers at Heal’s.

BANKSIDE

CLERKENWELL

PA D D I N G T O N C E N T R A L

Font fans and type geeks should head to the riverbank to partake in events such as a pop-up sign painting school in Borough Market with Mike Meyer, hosted by his lettering agency Better Letters.

Be sure to book Sarah Hyndman of Type Tasting’s interactive history of type through the medium of wine and gin.

It’s no surprise that this creative hub has a busy programme of events. Highlights include Viaduct’s show ‘Common Senses’, which will feature, among others, Ilse Crawford and Nani Marquina, and ‘Open House’, a pop-up by rental management company Hostmaker that will present craft demonstrations by local makers.

Stroll down the Grand Union Canal next to Paddington station, where you’ll find a photography exhibition by the Royal College of Arts and a pop-up book pavilion by architecture firm Snøhetta.

Plus, barges decorated with artworks by pop artist Sir Peter Blake will be hosting dinners throughout the festival.

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L O N D O N D E S I G N F E S T I VA L

The Festival is a melting pot for the best design from around the world – we shine a light on the big Italian brands’ celebrations

ITALIAN INVASION

M O LT E N I & C

POLIFORM

P O LT R O N A F R A U

Two designs will be previewed in London for the first time at the brand’s showroom on Shaftesbury Avenue during the festival. Francesco Meda’s new ‘Woody’ chair will be exhibited alongside the reissue of Gio Ponti’s ‘Time & Life’ dining table, which was originally designed for Harrison & Abramovitz’s building of the same name in 1959. The event will be the last at Molteni & C’s current home before its moves to Brompton (molteni.it).

Head to its showroom on the King’s Road in Chelsea to see the latest collection, including work by long-time collaborator French architect JeanMarie Massaud, whose new pieces are inspired by the rejuvenated industrial area of Bellport, just outside New York.

Also look out for the unveiling of Poliform’s collaboration with fashion and design school Istituto Marangoni London (poliform.it).

Joining in with the plethora of events happening across west London’s Brompton Design District, Poltrona Frau’s Fulham Road showroom will showcase the brand’s 2018 collection.

The Italian leather expert’s new range, which includes furniture, lighting and accessories, explores the notion of lightness (poltronafrau.com).

MERIDIANI This year, the Brompton Design District welcomes Meridiani into the fold as the luxurious Italian brand oicially inaugurates its flagship store in London.

With a prime spot in front of the Victoria & Albert Museum, the new showroom is designed by Meridiani’s art director Andrea Parisio, who has been working with the company since its inception in 1996 (meridiani.it).

CALLIGARIS In celebration of its 95th anniversary, Calligaris has invited style authority and former ELLE Decoration Editor in Chief Michelle Ogundehin to curate its London showroom. The exhibit, titled ‘My Home’, will capture the company’s contemporary style while showing of the functionality and flexibility of its furniture designs (calligaris.com).

CAPPELLINI British designer Jasper Morrison has been creating furniture for this Italian brand since establishing his design oice in 1986. To celebrate over 30 years of collaboration, Cappellini’s Clerkenwell showroom is hosting a retrospective of Morrison’s work, from his ‘Thinking Man’s Chair’ – spotted by Giulio Cappellini at Aram Store in 1987 – to his new ‘O-Cap’ chair (cappellini.it).

KARTELL

CASSINA

Three new Kartell products – the ‘Venice’ and ‘Catwalk’ chairs and the ‘Cara’ armchair – will be showcased alongside classics such as the ‘Louis Ghost’ chair (above) at its Brompton Road showroom in an exhibition called ‘Kartell Wander’. There will also be talks by Lorenza Luti, Kartell’s marketing and retail director, and designer Roberto Palomba, who created the brand’s collection for bathroom brand Laufen (kartell.com).

The brand’s Brompton showroom will welcome its 2018 collection, which is on show for the first time in the UK. Pieces include the modular ‘Bowy-Sofa’ by art director Patricia Urquiola, ‘Ordinal’ tables, a new collaboration with Michael Anastassiades, and reissues of pieces by Frank Lloyd Wright and Vico Magistretti (cassina.com).

P L U S , all the latest from other Italian heavyweights Porada, Galotti & Radice, Giorgetti and Flexform at Design Centre, Chelsea Harbour – see p256 264 ELLEDECORATION.CO.UK OCTOBER 2018

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STOCKISTS / 8 Holland Street (8hollandstreet.com)

A

Abigail Edwards (abigailedwards.com) Agapecasa (agapecasa.it) Allegra Hicks (allegrahicks.com) Altfield (altfield.com) Amy Kent (amykent.co.uk) Andrew Martin (andrewmartin.co.uk) Anglepoise (anglepoise.com) Annie Sloan (anniesloan.com) Another Country (anothercountry.com) Anthropologie (anthropologie.com) Aram (aram.co.uk) Arte (arte-international.com) Artisans of Devizes (artisansofdevizes.com) Aston Matthews (astonmatthews.co.uk) Astracast (astracast.com)

B

B&B Italia (bebitalia.com) Balineum (balineum.co.uk) Baxter (baxter.it) Benchmark (benchmarkfurniture.com) Bennison (bennisonfabrics.com) Bert & May (bertandmay.com) BeSeated (beseated.co.uk) Bisazza (bisazza.it) Blackpop (blackpop.co.uk) Bosch (bosch-home.co.uk) Brian Yates (brian-yates.co.uk) Buly 1803 (buly1803.com) Burleigh (burleigh.co.uk)

C

Calico Wallpaper (calicowallpaper.com) Camengo (camengo.fr) Cappellini (cappellini.it) Caravane (caravane.fr) Carl Hansen & Søn (carlhansen.com) Casamance (casamance.com) Caselio (caselio.fr) Cassina (cassina.com) Charles Farris (charlesfarris.co.uk) Christopher Farr Cloth (christopherfarr.eu) Cire Trudon (trudon.com) Clarke & Clarke (clarkeandclarke.com) Claybrook (claybrookstudio.co.uk) Clayworks (clay-works.com) Cole & Son (cole-and-son.com) Concept Kitchens (conceptkitchens.co.uk) Concord (concord-lighting.com) Connox (connox.co.uk) Cox & Cox (coxandcox.co.uk) Crown (crownpaints.co.uk)

D

Darkroom (darkroomlondon.com) David Linley (davidliney.com) DCW Éditions (dcw-editions.fr) De Gournay (degournay.com) De Le Cuona (delecuona.com)

De La Espada (delaespada.com) Deirdre Dyson (deirdredyson.com) Desalto (desalto.it) Design Centre, Chelsea Harbour (dcch.co.uk) Designers Guild (designersguild.com) Dulux (dulux.co.uk) Duravit (duravit.co.uk)

E

Ecora (ecora.co.uk) Ercol (ercol.com) Established & Sons (establishedandsons.com) Etsy (etsy.com)

F

Fameed Khalique (fameedkhalique.com) Farrow & Ball (farrow-ball.com) Finnish Design Shop (finnishdesignshop.com) Fired Earth (firedearth.com) Flock (flock.org.uk) Fritz Hansen (fritzhansen.com) Fromental (fromental.co.uk)

G

Gail Bryson (gailbryson.co.uk) Genevieve Bennett (genevievebennett.com) George Nakashima Woodworkers (nakashimawoodworkers.com) Giopato & Coombes (giopatocoombes.com) GP & J Baker (gpjbaker.com) Graham & Brown (grahambrown.com) Graham & Green (grahamandgreen.co.uk) Granby Workshop (granbyworkshop.co.uk) Gubi (gubi.com)

H

H&M (hm.com) Habitat (habitat.co.uk) Harlequin (stylelibrary.com/harlequin) Hay (hay.dk) Heal’s (heals.com) House of Hackney (houseofhackney.com)

Kvadrat/Raf Simons (kvadratrafsimons.com)

L

Larghevedute (larghevedute.com) Larusi (larusi.com) Laura Meroni (laurameroni.com) Lelièvre (lelievreparis.com) Lema (lemamobili.com) Ligne Roset (ligne-roset-westend.co.uk) Lincrusta (lincrusta.com) Little Greene (littlegreene.com) Liza Giles (lizagilesart.com)

M

Made (made.com) Maker & Son (makerandson.com) Mark Alexander (markalexander.com) Marks & Spencer (marksandspencer.com) Marrakech Design (marrakechdesign.se) Maud & Mabel (maudandmabel.com) Menu (menu.as) Miller Harris (millerharris.com) Morris & Co (stylelibrary.com/morris&co) Murals Wallpaper (muralswallpaper.co.uk)

N

Naked Kitchens (nakedkitchens.com) Namon Gaston (namongaston.com) Nicholas Herbert (nicholasherbert.com)

O

Ochre (ochre.net) Oleg Klodt (olegklodt.com/en) Oluce (oluce.com) Original Style (originalstyle.com) Osborne & Little (osborneandlittle.com) Ottoline (ottoline.nl)

P

Jane Churchill (janechurchill.com) Jane Clayton (janeclayton.co.uk) Jessica Osborne (jessicaosborne.com) Jo Malone London (jomalone.co.uk) John Lewis (johnlewis.com) Julia Condon (juliacondon.com)

Parker and Jules (parkerandjules.com) Parterre (parterreatkeynestonmill.com) Perennials (perennialsfabric.com) Perfumer H (perfumerh.com) Pierre Frey (pierrefrey.com) Pinch (pinchdesign.com) Pooky (pooky.com) Porcelanosa (porcelanosa.com) Prestigious Textiles (prestigious.co.uk) Puckhaber Decorative Antiques (puckhaberdecorativeantiques.com)

K

Q

J

Kartell (kartell.com) Kasthall (kasthall.com) Kinnasand (kinnasand.com) Kirkby Design (kirkbydesign.com) Knots Rugs (knotsrugs.co.uk) Kravet (kravet.com)

Quooker (quooker.co.uk)

Roja Dove (rojadove.com) Romo (romo.com) Rose Uniacke (roseuniacke.com) Royal Doulton (royaldoulton.co.uk) Rubelli (rubelli.com)

S

Sahco (sahco.com) Samuel & Sons (samuelandsons.com) Sandberg (sandbergwallpaper.com) Sanderson (stylelibrary.com/sanderson) Scion (stylelibrary.com/scion) SCP (scp.co.uk) Siemens (siemens.com) Skandium (skandium.com) Skyeskyns (skyeskyns.co.uk) Soane (soane.co.uk) Soho Home (sohohome.com) Stone Design London (stonedesignlondon.com) Surface View (surfaceview.co.uk) Susi Bellamy (susi-bellamy.com) Suzy Hoodless (suzyhoodless.com)

T

Ted Todd (tedtodd.co.uk) The Conran Shop (conranshop.co.uk) The Rug Company (therugcompany.com) The Watermark Collection (thewatermarkcollection.eu) The White Company (thewhitecompany.com) The Wrong Shop (thewrongshop.co.uk) Toast (toa.st) Trill Farm (trillfarm.co.uk)

V

Vanderhurd (vanderhurd.com) Vitra (vitra.com) Vitsœ (vitsoe.com) Vola (en.vola.com) VV Rouleaux (vvrouleaux.com)

W

Wall & Decò (wallanddeco.com) Westfire (westfire.dk) Woodworks by Ted Todd (woodworksbytedtodd.com) Woud (woud.dk)

Z

Zeitraum (zeitraum-moebel.de) Zimmer + Rohde (zimmer-rohde.com) Zinc Textile (zinctextile.com) Zoffany (stylelibrary.com/zofany)

R

Retrouvius (retrouvius.com) Roger Oates (rogeroates.com)

PICTURE: KRISTY NOBLE

BE BOLD (P121) Fabrics and wallpapers, clockwise from top ‘Lilac Grandiflora’ fabric in ‘Syringa Vulgaris’, £600 for two rolls, Cole & Son (cole-and-son.com). ‘Skif 800’ fabric, £109 per metre, Lelièvre (lelievreparis.com). ‘Infinity’ fabric in blue by Donghia, £145 per metre, Rubelli (rubelli.com).

‘Pietra Blu’ wallpaper, £115 per roll, Susi Bellamy (susi-bellamy.com). ‘Alvar’ velvet in indigo, £20.50 per metre, Clarke & Clarke (clarke-clarke.com). ‘Ourobouros’ fabric, £189 per metre, Pierre Frey (pierrefrey.com). ‘Shinku’ fabric in ‘Putty’, £45 per metre, Scion (stylelibrary.com/scion). ‘Chico’ fabric in yellow, £57 per metre, Kvadrat (kvadrat.dk). ‘Alara’ fabric in ‘Teal/Gold’, £95 per metre, Jane Churchill (janechurchill.com). ‘Kirby’ linen in ‘Tangerine’, £92.50 per metre, Blithfield (blithfield.co.uk). Orange feathered velvet, £115 per metre, Susi Bellamy (susi-bellamy.com). ‘Storm’ wallpaper in ‘Dusk Pink’, £130 per roll, Flock (flock.org.uk). ‘Coloured Linen’ in ‘Antoinette & Old White’, £39.99 per metre, Annie Sloan (anniesloan.com). ‘Shiver’ fabric, price on application, Arte (arte-international.com). ‘Japan’ lacquered wallpaper in ‘Citrus’, £74 per roll, Andrew Martin (andrewmartin.co.uk). ‘Bhutan’ fabric in ‘Emerald’, £25 per metre, Clarke & Clarke (clarke-clarke.com)

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Create your dream living space with our inspiring collection

C.DORTHÉ FURNITURE Handmade, hand woven benches and stools in Nordic wood and Danish paper cord.

All furniture is signed by master carpenter Claes Dorthé. Besides our own design we collaborate with international companies in developing furniture and building prototypes.

Please contact us at mail: info@dorthe.se tel: +46703296521 and visit our website www.dorthe.se

CELEBRATE WILLOW & HALL'S NEW FABRIC COLLECTIONS WITH 5% OFF ALL ITEMS

British brand Willow & Hall has launched three new fabric collections; House, Signature and Heritage, taking their extensive range of fabrics from 130 to 259.

To celebrate, customers can save £100 on all orders £1,000 or above. As a reader of Elle Deco Willow & Hall are also ofering an exclusive 5% discount with code ELLE26918 when you order by 26th September. This exclusive readers discount can be used on all orders including those which already qualify for £100 of.

Choose from their range of handmade sofas, sofa beds, beds and accessories all made to order by skilled craftsmen in Britain.

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270 ELLEDECORATION.CO.UK OCTOBER 2018

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NATURE REALISED AS CONCEPT

Serip Organic Lighting draws inspiration from organic forms found in nature. The designs are handcrafted with artisanal time-honoured techniques, luxurious materials and unparalleled quality.

The Glamour Collection represents winter’s nature where trees turn into ice sculptures.

These lighting installations with inherent organic presence spread downwards and along ceilings and walls, being able to be an efectively adaptable piece in any interior. Regardless of the model design, the collection exposes an interesting dualism of weights and materials, in a varied range of chromatic and finishing options to be chosen for each project. The possibility to create any kind of colour combination opens the way to a versatile outcome, establishing a limitless key-piece.

Visit: www.serip.com.pt info@serip.com.pt

Lighting: Glamour Collection by Serip. Interior design by Ample Design.

JOELLE JOY

Joelle Joy is a fine art photographer,specialising in three-panel canvas art. She creates unique home décor by capturing nature from exotic locales. A large variety of her afordable original art is available to ship worldwide, including many statement pieces to fit your home or business.

To purchase art or learn more about her photography, contact her at www.joellejoy.com

BLACKPOP SHOW YOUR TRUE COLOURS

If you like your home full of character then Blackpop's statement wallpapers, fabrics, rugs, cushions and furniture set the scene with designs that punk up the rich tapestry of the past. 'Neo 13' [featured] is one of Blackpop’s new wallpapers, the 'Collector's Collection' launches five beautiful designs made in collaboration with the Sir John Soane's Museum. www.blackpop.co.uk

HANDMADEINBRIGHTON.COM

Every gorgeous live-edge table from artisans Payne-Vigour is made to reflect the client’s individual story – from 14-seater statement-piece dining tables to compact breakfast bars such as this Wild Elm table made for the Royal View Penthouse, Bath, where the industrial-rustic feel perfectly complements the sleek modern interior. hello@handmadeinbrighton.com Call: 07967 541185 www.handmadeinbrighton.com

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A collection of the most desirable pieces for your home

ONE PLUS ELEVEN

Fine graphical lines, the complexity of design and the passion for details. The concept furniture of the Berlin based design label ONE PLUS ELEVEN can be seen as unique art objects in a gallery. It is a limited and exclusive edition of furniture pieces inspired by the object art, where normal furnishings get transformed into art objects with a changeable practical benefit. The main focus lies on the fusion of art and functionality and therefore on artistic statements than on mass-produced products. It is a perfectionist precision work which closes the circle of conceptual design and craftmanship.

Behind ONE PLUS ELEVEN are the two creative minds Wim Yanov, an architect, and Melina Bellich, a designer, who know how to set a new milestone in the design branch and how to convert distinctive concept furniture into reality. ONE PLUS ELEVEN has the nature of a young evolving project with the philosophy to create unique and limited objects, which establish individual surroundings. www.oneeleven.eu info@oneeleven.eu +49 30 243 587 23 272 ELLEDECORATION.CO.UK OCTOBER 2018

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EXTENDABLE 4-SEATER DINING SET WITH £200 OFF!

The extendable Dansk table built in solid oak has a scratch resistant white top. Its compact design is perfect where space is a premium.

The four Bojan resin chairs feature comfortable padded seats.

Available in white or grey.

Was £499, now £299 when you quote EL30AUGA a saving of £200!

Visit outandout.com or call 02037 728752 by 30.09.18.

STYLISH GARDEN SAVINGS – £300 OFF!

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To receive your £300 discount quote code EL30AUG at checkout www.outandout.com before 30.09.18 or call 02037 728 752.

Available in Taupe & Dark Grey.

POOKY

POOKY creates spectacular lights that look like they cost a fortune, but don’t.

Their range of beautiful lamps, colourful lampshades, pendants, wall-lights, mirrors, chandeliers and more is easily browsed at www.pooky.com and delivery and returns are free.

Email hello@pooky.com or call them on 020 7351 3003 and their customer services team will help however they can.

LIFE SIZE WILDLIFE SCULPTURE Worldwide shipping www.andrewkaysculpture.co.uk (+44) 07740 306412

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Classifieds | A – Z

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Full time, part time and online design courses available.

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Creating award winning residential and commercial projects in the UK and abroad.

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FIREPLACES, STOVES & HEATING

BATHROOMS

For stockists and to see the full range of fireplaces and contemporary stoves please visit:

www.focus-fireplaces.com Boafocus gas ©

Design Centre, Chelsea Harbour samuel-heath.co.uk Made in England

What makes your Albion bath unique?

For 50 years, Focus has been imagining the future.

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We can paint your chosen bath in any colour - get ultimate exclusivity in your bathroom.

Request your brochure on: 01255 831605 or go to: www.albionbathco.com

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The finest new, antique and reclaimed wood floors

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WORDS: CLARE SARTIN PICTURE: KRISTY NOBLE

FINE PRINT /

‘PURE ARBUTUS’ FABRIC BY MORRIS & CO Designed by Kathleen Kersey for Morris & Co in 1913, this print has been reimagined for the British brand’s ‘North’ collection. Its calm colour and silvery highlights are inspired by sketches from Morris’s expedition to Iceland in 1871.

‘Pure Arbutus’ fabric in ‘Linen’ by Morris & Co, £125 per metre, Style Library (stylelibrary.com)

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VOLUME 3

SHOP THE L AT E S T TRENDS

I N S P I R AT I O N TO SUIT E V E RY S T Y L E

INSIDE THE B AT H R O O M O F ASHLEY HICKS

WAYS T O WOW W I T H MARBLE

THE S H OW R O O M GUIDE

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BAT H RO OM S

CO N TEN TS 9 NEWS

The latest product launches, from tiles and taps to bathtubs and accessories. Plus, the inside story of iconic bathroom brand Boi

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23 TECHNOLOGY

From a waterproof speaker to a customisable home spa, these gadgets will revolutionise your bathtime

27 TRENDS

We bring you the hottest bathroom looks of the season and all the products you need to recreate them

40 THE BIG IDEA

Luxurious, dramatic and always memorable, all-over marble is the decadent bathroom material to try

4 6 B AT H R O O M P R O F I L E S

Tastemakers Ashley Hicks, Tom Raield and Martin Brudnizki invite us into their bathrooms to discuss the ideas behind their three very diferent looks

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5 2 I N N O VAT I O N S

Bathroom designers are being more experimental than ever – we reveal the convention-breaking pieces to know

5 7 I N S P I R AT I O N

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An exclusive peek inside the world’s most beautiful bathrooms, where you’ll find unique decorating ideas and everything you need to steal their style

8 3 D I R E C T O RY

Our definitive guide to the best bathroom showrooms to visit across the country

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98 STOCKISTS

Love something you’ve seen in ELLE Decoration Bathrooms? Find out where to buy it

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BAT H RO OM S

PICTURE: ALTERNATIVE BATHROOMS (ALTERNATIVEBATHROOMS.COM)

C L E A N S TA R T I’ve not had a bath in about three years, but before you judge (or run a mile), it is of course because I’m more of a shower person. Many people, I know, love a soak in the tub, and for some it’s an almost meditative experience, or even a chance to catch up on the latest boxset. Whatever your bathing preference, the bathroom is no longer simply a place to get clean and, as a result, the way we plan and decorate it goes beyond pure function. Forwardthinking brands are designing products which encourage us to use the bathroom as a living space and, far from the sometimes clinical looks of the past, materials, colour, texture and pattern are now as important here as in any other room in the house.

Technology is still creeping in too, so whether you’re all for Wi-Fi while you wash, or you’d rather just relax with a luxury candle, we’ve rounded up the best ideas and bathroom innovations for you.

Supplement Editor

Executive Editor B E N S P R I G G S Chief Sub Editor C L A R E S A R T I N Senior Features Writer C H A R L O T T E B R O O K

Supplement Editor C L A U D I A B A I L L I E

Photography Director S H A R O N O ’ N E I L L Designer J A C K M E L R O S E

Picture Researcher P H O E B E L O W N D E S

Art Director P H I L I P P E B L A N C H I N Interiors Editor K I E R A B U C K L E Y - J O N E S

Junior Designer V I C T O R I A S M I T H

Sub Editor R E B E C C A H A S T I N G S

With thanks to R E B E C C A H A L V E R S O N , N A T A L I E E G L I N G

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BAT H ROOMS

Edited by CL AUDIA BAILLIE

A PERFECT PATINA Extra-large tiles are often used to recreate the look of expensive or tricky-to-maintain natural stones such as marble, but the ‘Storie’ collection by Zanellato/Bortotto Studio for Cedit takes its cue from a diferent source.

Looking to the walls of ageing buildings, the designers have created slabs replicating weathered paintwork and peeling plaster, evoking a sense of faded grandeur. From £146 per square metre, Domus (domusgroup.com).

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B AT H R O O M N E WS

O N TA P

SMALL WONDER ‘Torre Dee’ is the newest addition to The Albion Bath Company’s compact ‘Tubby’ collection. The 166cm-long tub fits neatly to the wall, giving the illusion of a freestanding bath, but with a much smaller footprint. It’s available in gold, iron, bronze and polished pewter, or colours by Farrow & Ball and Dulux. From £2,650 (albionbathco.com).

Combining the look and feel of industrial-style bathroom fixtures with the sculpted lines you would find in more modern designs, the ‘Inciso’ collection by award-winning US architecture and design studio The Rockwell Group is a sleeker take on the chunky architectural trend.

Manufactured by Italian brassware company Gessi, it comes in a range of finishes, including brass, black, nickel and bronze, and can be customised to suit individual schemes.

From £555.60, CP Hart (cphart.co.uk).

BEHIND THE SCENES Taking the concept of bathroom cabinetry to the next level is the ‘DeKauri’ bathroom credenza by Italian furniture brand Riva 1920, solid surface manufacturer Cosentino and architect and designer Daniel Germani. Crafted from 50,000-year-old Kauri wood salvaged from New Zealand, the vanity conceals a basin, a mirror and lighting behind two doors decorated with marquetry. From £17,107 (riva1920.it).

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B AT H R O O M N E WS

FIVE OF THE BEST SOAP DISPENSERS Brown glass pump

by Bloomingville, £19, Amara (amara.com)

Touch-free pump in ‘Rose Gold’

by Simplehuman, £69.99, Amazon (amazon.co.uk)

Concrete pump

by Mette Ditmer, £31, Royal Design (royaldesign.co.uk)

‘Ume’ pump in ‘Maroon Red’ by Zone Denmark, £39.95, Treacle George (treaclegeorge.com)

‘Birillo’ pump

by Alessi in dark grey, £27.50, Aria Shop (ariashop.co.uk)

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MODERN MIX Unveiled at this year’s Salone del Mobile in Milan, the ‘Plural’ collection

by Turkish bathroom manufacturer VitrA explores the increasingly popular concept of the bathroom as a living space. Comprising 22 curvaceous pieces, including this American walnut furniture, plus ceramics in a range of matt and gloss neutrals, the modular range can be mixed and matched. From £300, available April 2019 (vitra.co.uk).

ON THE SCENT Renowned for having impeccably designed stores around the globe, it’s perhaps surprising that Aesop hasn’t previously made a foray into home accessories. Now, though, you can own a little bit of its interiors magic with this luxurious oil burner.

Each piece has a unique character, thanks to an ancient wax-mould technique used to cast its solid brass shape. £120 (aesop.com).

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PALETTE PLAY Inject some modernity into your bathroom with these highgloss tiles from Porcelanosa. Available in both rectangular and square formats – and in a range of nine vibrant colours and three neutrals, including this steely grey – they’re all part of the new ‘White & Colors’ collection from the Spanish ceramic experts. From £49.72 per square metre (porcelanosa.com).

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B AT H R O O M N E WS

BATHING BELLES Queen of colour India Mahdavi isn’t one to shy away from a bold hue, and her second collection for Bisazza is as daring as one would expect. Her aim was to turn the bathroom into ‘a bubble of colour and humour’, an antidote to more clinical designs. The result is the joyfully named ‘Plouf ’ bathtub, ‘Splash’ sink,‘Wow’ mirror and ‘Bling’ taps, as well as these playful ‘Pinstripe’ mosaic tiles, all of which are available in uplifting shades of ‘Blueberry’, ‘Strawberry’ and ‘Pistachio’.

Tiles from £317 per square metre ( bisazza.com).

TALL ORDER Memphis Group co-founder Matteo Thun and his now design partner Antonio Rodriguez are the brains behind ‘T Tower’, a new radiator concept from Italian heating specialists Antrax IT. Available in more than 200 colours, the design is made from aluminium in order to maximise heat output, and can be plumbed in or specified as an electric model, providing the flexibility for it to be moved around your home. From £1,575, MHS Radiators (mhsradiators.co.uk).

J A PA N E S E D R E A M S Whether you’re lucky enough to be travelling East or not, Onsen of Japan (£16.99, Hardie Grant Books) is a glorious visual treat. From inner-city spas to deep-forest retreats and onsen towns, this indispensable guide explores the etiquette, customs and quirks of communal bathing in 140 of Japan’s incredible hot springs.

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B AT H R O O M N E WS

BATHSTORE X ELLE DECORATION ‘TRANSITION’

Traditional bathroom or contemporary bathroom?

It’s no longer a cut and dried decision based on the age of your property, and many of the most successful schemes are a clever combination of the two.

‘Transition’ is a collaboration between ELLE Decoration and Bathstore, designed to work equally well at either end of the spectrum. It features two freestanding baths, plus a range of sanitaryware, bathroom furniture, tiles and brassware, so pieces can be combined in the way that best suits your space (bathstore.com/elle-decoration).

‘Transition’ table, £199; ‘London’ bath, £699; ‘Transition’ freestanding chrome bath/shower mixer tap, £1,149; wall-hung vanity unit, from £469, all Bathstore (bathstore.com)

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B AT H R O O M N E WS

BATHSTORE X ELLE DECORATION

Left ‘Noir 1200’ radiator, £299; ‘Noir 1000’ walk-in shower, £399; ‘Noir 300’ round showerhead and ceiling arm, £298; ‘Noir’ shower handset, £139, all Bathstore (bathstore.com) Below ‘Noir 1000’ frame unit and basin, £749, Bathstore (bathstore.com)

‘NOIR’

Taking influences from both mid-century-style cabinetry and the angular structures of the Bauhaus movement, ‘Noir’ is the second collection from ELLE Decoration and Bathstore. Matt black finishes on brassware, shower enclosures, towel rails, mirrors and aluminium-framed furniture are complemented by hints of wood. There is also a range of smart ceramic basins, as well as round, square and rectangular wash bowls made from thermally efficient polymarble that allows for super-slim, ultra-modern edges (bathstore.com/elle-decoration).

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B AT H R O O M N E WS

I N S I D E S T O RY B O F F I

This Italian brand’s bespoke bathrooms are a combination of beauty, luxury and practicality

FOUR TO KNOW BOFFI’S HITS

‘Wood-In’ bathroom by Piero Lissoni Launched in 2016, this shows off Boffi’s flair for wood to great effect. It can be made with abonos oak (or bog oak), which has been naturally preserved underwater for millennia, giving it a rich patina and exceptional durability. From £18,000.

Earlier this year, Boi announced a new partnership with marble specialist Salvatori. One of the first creations from the collection is the ‘Floe’ marble washbasin by Keiji Takeuchi.

Its organic form is a recurring theme in Boi’s bathroom ranges. ‘The design challenges the rule that the luxury of beauty does not correspond to functionality,’ says Takeuchi.

In fact, this statement could stand for everything that Boi does. Founded in 1934 by Piero Boi, who left a career in the aircraft industry to start his own company, it was subsequently nurtured by his sons Dino, Pier Ugo and Paolo, who combined the latest technology with traditional handcrafting techniques. Today, the firm is headed by CEO Roberto Gavazzi, who stresses its role as a leader in design solutions, not just products.

What makes Boi unique is its forward-thinking vision of bathrooms as dynamic living spaces. Architect Piero Lissoni, the brand’s art director since 1990, has described how its BOFFI’S VISION ‘alphabet of products’ can be used in endless OF BATHROOMS diferent ways. In 2016, the ‘Boi_Code’ concept was created to provide a top-level AS DYNAMIC bespoke design service – within this, existing LIVING SPACES collections are conceived as ‘open systems’ that can be calibrated as you choose.

MAKES IT UNIQUE Boi’s first-ever bathroom collection, ‘Factory’ by Antonio Citterio and Paolo Nava (1980), set the template for its focus on intelligent storage. This quality is echoed in the new ‘Upper Wall’ bathroom by Piero Lissoni, which combines wood shelving with white marble. Oversized freestanding bathtubs are another speciality: these include the ‘Po’ by Claudio Silvestrin (1999), with its pebble shape, and Naoto Fukasawa’s pool-like ‘Terra’ (2006).

As well as numerous products by global architects and designers, Boi has innovated by acquiring brands whose visions match its own. Furniture brand De Padova came on board in 2015, boosting the concept of the bathroom as living space, and last year, Boi added Danish storage brand MA/U Studio to the fold. Boi’s famous logo may date back to the 1950s, but in every other respect, it looks to the future. boffi.com 20

‘Pipe’ shower by Marcel Wanders The humble shower becomes a statement object in the hands of Dutch maverick Marcel Wanders, whose industrial-style design is pared-back, yet impossible to ignore.

It gives a waterfall-style drenching and comes with a bright red handle. £4,640.

‘Faroe’ bathtub by Piero Lissoni Boffi’s newest bathtub is made of the high-tech mineral-and-resin composite Cristalplant, which has thermal properties that help keep water hot, and a seductive, velvety-smooth feel. Price on application.

WORDS: AMY BRADFORD

‘Po’ bathtub by Claudio Silvestrin, Boi (boi.co.uk)

‘L 14’ washbasin by Norbert Wangen With its extremely slender profile, this new design – which comes in white Carrara marble or Pietra d’Avola stone, and is inspired by the calming sight of water flowing over a flat pebble – is ideal for minimalist spaces. Price on application.

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TECHNOLOGY /

SPACE-AGE SUSTAINABILITY Orbital Systems’ ingenious ‘OAS’ shower uses 90 per cent less water than conventional models. Its state-of-the-art closed loop purification technology – developed by NASA for use in space – recirculates the same five to ten litres of clean water at the perfect temperature and pressure, making use of every single drop. £2,800 (orbital-systems.com).

FEEL RADIANT

The ‘UFO’ by Swedish firm Foreo gives you a Korean sheet mask facial in only 90 seconds.

It uses heat and pulsations to relax your skin and aid absorption, plus LED light therapy to promote fast tissue healing. £250 ( foreo.com).

HIDDEN TALENTS Roca’s ‘Stratum-N’ wall-hung basin taps into one of this year’s key bathroom trends: connectivity. It blends contemporary styling with integrated technology, including interior LED lighting and Bluetooth wireless speakers (hidden under the soft-close drawer), allowing you to start your morning with your favourite podcast or playlist. From £2,614 (uk.roca.com).

WAT E R W O R K S The gentle contours of Toto’s ‘Flotation Tub’ ease aching limbs into a reclining position that creates a feeling of weightlessness.

While you soak, the tub’s ‘Hydrohands’ jets – calibrated to provide a spiralling therapeutic massage – promote deep muscle relaxation, gently lifting your body as well as your spirits. £27,000, West One Bathrooms (westonebathrooms.com).

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T E C H N O L O GY

HOME SPA EXPERIENCE The ‘Small Size Personal Spa’ by Sieger is a modular wellness retreat that measures just six square metres. It can include everything from an invigorating Dornbracht horizontal shower (pictured) to touch-free basin taps and app-controlled LED lighting. If your bathroom is windowless, opt for digital screens that function as virtual vistas.

From £30,000, West One Bathrooms (westonebathrooms.com).

SPARKLE & SHINE From meditation apps to sleep trackers, the latest technology can help us achieve almost any wellness goal. Now, even electric toothbrushes are getting seriously smart. The futuristic Dentii ‘Electric’ (shown here in ‘Rose Gold’) uses 3D motion sensors to map your mouth, noting brushing paths and pressure.

The app then scores your technique out of 100 and coaches you to improve your oral health. From £80 (dentii.co.uk).

THE ART OF HYGIENE

Combining Swiss efficiency with a simple, pared back design, Laufen’s ‘Cleanet Riva’ is one of the sleekest shower-toilets we’ve seen, ofering easy-toprogram user profiles and a wide range of user-friendly, intuitive modes. There’s even an integrated self-cleaning function. £3,990 (laufen.co.uk).

Bluetooth speaker by Ultimate Ears isn’t just water resistant – it’s waterproof to IPX7 standards. That means you can take it into the shower or bath (it floats) to enjoy up to ten hours of 360-degree audio from the USB chargeable battery. £69, AO (ao.com).

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WORDS: TOM BAILEY

JUST ADD WATER The ‘Wonderboom’

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BAT H ROOMS

Edited by CL AUDIA BAILLIE

Introducing the hottest bathroom looks of the season, and the products you can buy now to recreate them in your home 27

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OR ANGE We have a renewed zest for this joyful colour, which adds instant sunshine

PICTURES: TIM VAN DE VELDE/ATELIER VENS VANBELLE, IYA TURABELIDZE AND EMIL DERVISH DESIGN, LAUFEN, MANDARIN STONE, RYSE BATHROOMS

From the punchiest satsuma-peel shades to gentler terracotta tones, there’s an orange to appeal to everyone’s decorating style. Be brave and use a juicy hue across an entire bathroom for a look guaranteed to incite get-up-and-go, or try a softer, cinnamon shade to evoke the calm of a Moroccan spa. Alternatively, add a condensed shot of colour in the form of tiling or accessories to add oomph to your morning routine.

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B AT H R O O M T R E N D S

Left The ‘Kartell by Laufen’ bathroom range, including a ‘Tangerine Orange’ mirror Above, clockwise from top left Zingy orange bathroom in a private home in Kiev, designed by Emil Dervish and Iya Turabelidze. ‘Carnaby’ tiles in ‘Sunset’ by Mandarin Stone. Pale, Moroccan orange used in a bathroom

by Atelier Vens Vanbelle architects. RYSE hotel bathroom designed by Michaelis Boyd with graphic slices of orange tiling ➤

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D E TA I L S

OR ANGE Give your bathroom a boost of vitamin C with these bright buys

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1 ‘Sanford’ parquet storage ladder, £299, Marks & Spencer (marksandspencer.com) 2 Clear soap dispenser in white by Nomess, £25, The Conran Shop (conranshop.co.uk) 3 ‘Koko’ storage box, £20, Habitat (habitat.co.uk) 4 Rubber stud floor tiles in ‘Chilli Pepper’, £49.95 per square metre, Harvey Maria (harveymaria.com) 5 ‘Herringbone’ tiles in ‘Dove/Milk’, £130 per square metre, Marrakech Design (marrakechdesign.se) 6 Round ‘Spot’ light in black, £210, Tom Dixon (tomdixon.net) 7 ‘HV1’ basin mixer tap in ‘05 Orange’, £458.40; ‘A63’ waste for basin in ‘05 Orange’, £85.20; ‘A34’ basin bottle trap in ‘40 Brushed Stainless Steel’, £284.40, all Vola (vola.co.uk) 8 ‘Fox’ concrete basin in ‘Iron’, £1,242, Kast Concrete Basins (kastconcretebasins.com) 9 ‘Barcelona 3’ freestanding bath,

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B AT H R O O M T R E N D S

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£3,545, Victoria + Albert (vandabaths.com) 10 ‘Woodrow’ bin in ‘Charcoal’ by Umbra, £20, Amara (amara.com) 11 Chalk paint in ‘Barcelona Orange’, £19.95 for one litre, Annie Sloan (anniesloan.com) 12 ‘Noir 600’ round mirror by Bathstore x ELLE Decoration, £199, Bathstore (bathstore.com) 13 ‘Brisa’ tiles, £62 per square metre, Ripples (ripplesbathrooms.com) 14 ‘Tape’ tiles by Raw Edges for Mutina, £114 per square metre, Domus (domusgroup.com) 15 ‘DLM (Don’t Leave Me)’ side table by Hay, £135, Skandium (skandium.com) 16 ‘Classic’ radiator in ‘Yellow Orange’, from £426, Bisque (bisque.co.uk) 17 ‘Lava’ stone tiles in a rough-honed finish, £192 per square metre, Salvatori (salvatori.it) ➤

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This page, from left Interior designer Roselind Wilson uses graphic stripes alongside taps by The Watermark Collection.

Vertical lines are used to elongate a shower space

STRIPES Vertical, horizontal or a combination of the two, glorious graphic lines are about to take over Add impact to your bathroom with a smart stripe. Bold bands of colour are a dramatic design choice, but they can, in fact, help to distort the proportions of a smaller space. Opt for vertical stripes to make a room feel higher, or use horizontal ones to visually widen even the most bijoux of bathrooms.

The easiest way to get the look is with simple metro tiles.

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PICTURES: NICOLAS MATHÉUS, TOMMASO SARTORI, RICHARD WAITE/ ROSELIND WILSON DESIGN, CERAMICA VOGUE, ANTON GRISHIN

Opposite, from top French interior design and architecture firm Double G uses intricate green tiles.

Delicate monochrome tiles decorate this bathroom by architect Anton Grishin.

‘Confetti’ stoneware tiles

by Marcante-Teste for Ceramica Vogue

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B AT H R O O M T R E N D S

PETITE PAT T E R N Small scale, big style – these miniature tiling designs all add massive impact From the tiniest of tiles to mini mosaics and intricate, fragmented patterns, these diminutive designs are a super-chic way to bring some energy into your bathroom scheme. Sheets of mosaics have an added advantage: they can be used to wrap curved walls. Alternatively, choose larger tiles or surfaces printed with a scaled-down repeat for an easy-to-achieve look. ➤

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D E TA I L S

S T R I P E S & P E T I T E PAT T E R N Shop two of this season’s biggest trends with our combined edit

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1 ‘Vadsjön’ shower curtain, £6, Ikea (ikea.com) 2 ‘Retro’ grey patterned ceramic beaker, £10, Habitat (habitat.co.uk) 3 ‘Tower’ bath rack by Yamazaki, £49, The Conran Shop (conranshop.com) 4 White gloss marble-effect floor tiles, £17.95 per square metre, Walls and Floors (wallsandfloors.co.uk) 5 ‘Noir 300’ matt black round showerhead by Bathstore x ELLE Decoration, £318, Bathstore (bathstore.com) 6 ‘Nero’ three-hole wall-mounted taps, £681, Aston Matthews (astonmatthews.co.uk) 7 ‘Grid’ freestanding bath, from £4,596, Aston Matthews (astonmatthews.co.uk) 8 ‘Round’ mirror in ‘Dusty Pink’ by Hay, £169, Heal’s

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B AT H R O O M T R E N D S

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(heals.com) 9 ‘Diarama’ tiles by Hella Jongerius for Mutina, £200 per square metre, Domus (domusgroup.com) 10 ‘Metro Flat’ wall tiles in ‘Gloss Black’ and ‘Gloss White’, both £25.95 per square metre, Victorian Plumbing (victorianplumbing.co.uk) 11 ‘Geofrey’ mirror by Alain Gilles, £800, Ligne Roset (ligne-roset.com) 12 ‘Weltsner’ honed limestone surface, price on application, Porter (porterbathroom.com) 13 ‘Jarron Umbela’ vase, £108; ‘Jarron Galium’ vase, £126; ‘Jarron Belis’ vase, £112, all by Sargadelos, WallpaperStore (store.wallpaper.com) 14 ‘In/Out’ stool by Gervasoni, £315, Milk Concept Boutique (milkconceptboutique.co.uk) ➤

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MOSS GREEN There’s no questioning that houseplants are back in vogue – and now, as a result, decorating with the colour green has become a popular way to bring the calming efect of nature indoors, even if you haven’t got the greenest of fingers. This mossy shade is a particularly soothing hue that works well with warm metallics, creating a laid back, serene atmosphere. ➤

This page Green and copper combine in this bathroom in Barcelona by Miriam Barrio Opposite, clockwise from top left ‘I Catini’ washstand

by A Parisio and G Pezzano for Cielo, available at CP Hart.

Green stone vanity unit by Gerald Culliford. A green cabinet by Superfront features in this bathroom by StudioE. Green onyx bathroom floor, also by Gerald Culliford

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PICTURES: STUDIOE DESIGN, CP HART, GERALD CULLIFORD, JOSE HEVIA/MIRIAM BARRIO STUDIO

Invite nature in with a restful hue that pairs wonderfully with copper and brass

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B AT H R O O M T R E N D S

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D E TA I L S

MOSS GREEN The essential buys for a naturally calming bathroom

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1 ‘Monty’ magnetic shelf wall light, £45, John Lewis (johnlewis.com) 2 ‘Geranium’ hand and body wash, £24, Bamford (bamford.com) 3 ‘Gold Leaf’ decorative glass tile, £266.60 per square metre, Original Style (originalstyle.com) 4 ‘Goose Eye’ tiles in ‘White/Pea Green’, £130 per square metre, Marrakech Design (marrakechdesign.se) 5 Large faux succulent in concrete pot, £29.50; 6 large faux Aloe plant in concrete pot, £29.50, both Marks & Spencer (marksandspencer.com) 7 ‘Portman Stone’ bath, £11,940, Porter (porterbathroom.com) 8 Small ‘Flora’ wall mirror in green, £800, Balineum (balineum.co.uk) 9 ‘Wild Rice’ quartz surface, £410 per square metre, Caesarstone (caesarstone.co.uk) 10 ‘Reflections’ tiles in ‘Antique

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B AT H R O O M T R E N D S

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Green’, £29.99 per square metre, Ceramic Tile Distributors (ctdtiles.co.uk) 11 ‘IC S2’ pendant light by Michael Anastassiades for Flos, £420, Heal’s (heals.com) 12 ‘Axor Starck Organic’ basin mixer tap without waste in ‘Polished Brass’, £660, Ripples (ripplesbathrooms.com) 13 ‘Korbo’ woven wire basket, £129, SCP (scp.co.uk) 14 ‘BeoSound 1’ portable wireless speaker, £1,085, Bang & Olufsen (beoplay.com) 15 ‘Componibili’ storage unit by Kartell, £106, Amara (amara.com) 16 ‘Verde Antico’ marble, £323 per square metre, Lapicida (lapicida.com) 17 ‘Odin’ bamboo bathroom towel ladder, £60, Habitat (habitat.co.uk)

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Daring, decadent and brilliantly dramatic, all-over stone can make a big impact

This showstopping bathroom was designed by architecture studio Mike Rundell Associates (rundellassociates.com) for a private house in London. The entire space, including the alcoves and shelves, is wrapped in Breccia Violetta, a marble known for its distinct veining and soft colours. ➤

PICTURE: JAMES HARRIS

IT’S A WRAP

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IN THE VEIN

Elegant bookmatched Milas Lilac marble is used across the walls and floor in this bathroom designed

by Rebecca James Studio (rebeccajamesstudio.com). The bath is the ‘Warndon’ by Victoria + Albert (vandabaths.com).

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THE BIG IDEA

PICTURE: JAMES HARRIS, ALEX JAMES

‘THERE’S BEEN A MOVE AWAY FROM BLAND MARBLES, WITH STRONGVEINED VARIETIES AND ONES FORMED FROM FRAGMENTS, KNOWN AS BRECCIA, GROWING IN POPULARITY’

DARK ARTS

When choosing the two marbles for this shower room, the homeowners travelled with architect Mike Rundell to Verona to find exactly the right blocks of dramatic Nero Portoro and golden Giallo Siena. ➤ 43

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Very precisely bookmatched slabs of heavily veined Viola marble create an incredible swirling pattern in this Kensington home, designed by Todhunter Earle (todhunterearle.com).

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PICTURE: RAY MAIN

MIRRORED IMAGE

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THE BIG IDEA

EXPERT GUIDE MASTER THE ART OF MARBLE

Architect Mike Rundell of Rundell Associates’ advice on choosing and using marble There’s definitely a move towards strong-veined marble, or varieties formed of large fragments bound together with smaller particles, known as breccia.

Bookmatching has also become popular – the drama of this kind of seamless pattern is unachievable with any other material.

Large marble patterns have the presence to fill bigger areas, so, if budget allows, use it to wrap around an entire room. In smaller spaces, delicate veining is better suited.

If your budget is tighter, make a basin surround from the best marble you can aford and carry the stone up the wall to the ceiling in order to create a really strong architectural element.

Good value marbles are Fior di Bosco, which is grey with fine veins of gold, white and orange, and the silvery-green Verde Antigua. Grigio Billiemi looks great, too, and costs less than other varieties. Pietra di Vicenza Grigio has very delicate figuring, ideal when pattern needs to be kept to a minimum.

Take care when bookmatching.

We photograph every panel and spend a long time working out the best layout. Ask your installer to use a glue joint rather than grout, which will create a wider line and destroy the rhythm of the stone.

If you’re sourcing marble, Livra (livra.co.uk) and MGLW (mglw.co.uk), both London-based yards, have good quantities of stock.

Alternatively, McMarmilloyd (mcmarmilloyd.co.uk) in Great Bedwyn, Wiltshire has some of the best marble in the UK. Visit Stone Circle (stone-circle.com) in Basingstoke, Hampshire if you want your stone worked into amazing shapes.

Expensive stone can be ruined by an inexperienced installer, so always check their previous work.

I use Stone Circle, or Stone Age (stone-age.co.uk) in London.

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INSIDER GUIDE

1THE THEATR IC AL BATHROOM ASHLEY HICKS, INTERIOR DESIGNER

Following in his father David Hicks’ footsteps, globally renowned British interior designer Ashley Hicks is known for his use of intricate patterns and eclectic designs. His award-winning interiors projects are instantly recognisable, as are his fabric, furniture and carpet collections This is in my London apartment or ‘set of chambers’ in Albany, Piccadilly. The bathroom is miniscule, cut from the original 1803 dressing room in this gentleman’s pied-a-terre. When I moved in, I discovered that my father had blocked up the small window over the loo because of the ugly view – he rather loathed daylight anyway – so I, of course, opened it up again. I decided to make the space bright and airy, in contrast to this dark brown bathing area.

I wanted to create a sort of glamorous, Caribbean treasure cave. To make it feel bigger, because it’s so tiny, I painted the walls and the ceiling a dark peat brown, and covered one entire wall in mirror. Now, the angled doorway forms a pointed arch, perfectly framing the turquoise and sand-coloured space beyond. Sitting in the bath feels like you’re resting in the shade with a view out to the clear sky and a sandy beach beyond – that’s the idea, at least! The bath is the most important thing in any home of mine because I like to lie in it and read for hours.

The idea was also to turn the room into a ‘bath museum’ by covering the walls with glass, which is reverse printed with my pictures of treasures from the Louvre in Paris and the Metropolitan Museum of Art in New York. All of the images are fitted into a virtual collector’s cabinet, and the colours of each were adjusted so that they work well with the turquoise in the adjoining room. The exhibits are all quite amusing and lovely to look at. There are pictures of wonderful ink blocks, originally from the Summer Palace in Beijing, for example, and each has a label naming the room for which it was made, such as the ‘Chamber for Writing about Beautiful Stones’. It feels very luxurious to be surrounded by so many beautiful things.

The bath has a shelf made of white Corian along the righthand side, for resting my cup of tea and telephone. The tub is a ‘Bette Classic’, always. Bette makes the most comfortable baths.

I simply cannot abide a tub set beneath a marble top – it’s never comfortable for the neck and takes up far too much space. The panel of laser-cut wood on the side spells ‘musaem’ – the original term for museum, and the home of The Muses of Ancient Greece.

I shower every morning and have a Hansgrohe rain shower, which is perfect. The loo is always Philippe Starck for Duravit – again, just right. The washbasin has to have an ‘Axor Starck’ tap

by Philippe Starck for Hansgrohe, which is the best. I loathe fake antique bath fittings – there’s nothing more hideous and absurd.

They should be as simple as possible, unless, of course, you can aford really beautiful old ones that actually work.

I painted the cabinet by hand in a sort of 1930s-style random grid using colours picked from the travertine flooring, and there are a couple of good vertical lights beside the mirror.

My favourite bath products include a tray from The Lacquer Company and towels and a bathrobe from Frette. I also use the ‘Opiat Dentaire’ toothpaste in ‘Mint, Coriander and Cucumber’

by Buly 1803, which my lovely wife always brings back from her trips to Paris for me. ashleyhicks.com ➤ 46

Images of curios from museums have been printed onto the glass behind the bathtub

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B AT H R O O M P R O F I L E

THE ESSENTIAL B AT H R O O M K I T

Invest in Ashley Hicks’ bathing luxuries

‘Raindance’ showerhead

by Hansgrohe, £480, CP Hart (cphart.co.uk) ‘Suede Brushed Travertine’ tile, from £299.99 per square metre, Mandarin Stone (mandarin stone.com)

‘Axor Starck’ basin mixer by Hansgrohe, £395, CP Hart (cphart.co.uk)

‘Marine no.78’ paint, £23 for one litre, Designers Guild (designersguild.com)

WORDS: CLAUDIA BAILLIE

‘Ocean’ inset bath

by Bette, £819.60, CP Hart (cphart.co.uk)

‘THE TUB IS A “BETTE CLASSIC”, ALWAYS. THE BATH IS THE MOST IMPORTANT THING IN ANY HOME OF MINE BECAUSE I LIKE TO LIE IN IT AND READ FOR HOURS’

‘Opiat Dentaire’ toothpaste by Buly 1803, £24, Selfridges (selfridges.com) Small ‘Belles Rives’ tray by The Lacquer Company, £174, Rita Konig (ritakonig.com)

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INSIDER GUIDE

2 TH E NATU RAL BATH ROOM TOM RAFFIELD, PRODUCT DESIGNER

British furniture and lighting designer Tom Raffield uses a unique steam-bending method that allows him to create a range of elegant pieces from a variety of woods. He and wife Danielle bought a 19th-century gamekeeper’s cottage in Cornwall and completely reinvented it in his signature style I definitely prefer a shower to a bath, and, in the morning, when it comes to the bathroom, I’m an in-and-out person.

The alarm goes of at six, and I usually head downstairs to have a speedy workout on my rowing machine before I have my cofee.

When my children are awake, they tend to join in with me – there are lots of attempts at headstands and press-ups, which I would imagine is hilarious to watch. In the evening, when I’m not in such a hurry, I do spend a bit more time in the bathroom.

My wife Danielle and I tried to design the bathroom so as to make it future-proof. Once you’ve got kids, it has to be a communal, functional space, but we also wanted it to be relaxing for us too.

Space planning was important, to make sure we could fit all five of us in there if needs be – three kids in the bath, plus room to brush teeth and read a story.

Wood for us was the perfect choice. A natural material that would be hard-wearing and durable was our main priority, and we loved the idea of having a bathroom reminiscent of a Nordic spa.

It also reminds me of a sauna, which adds to the Scandinavian vibe.

Wood has such an amazing warmth, both aesthetically and in relation to temperature retention. Large sheets might noticeably warp or distort when subjected to heat or humidity, but our cladding is made up of individual pieces that can move independently – we haven’t had any trouble so far!

The panelling in the bathroom is made from spalted beech, sweet chestnut, ash, beech and Norwegian spruce. It all came from our own woodland here at the workshops, so we weren’t overly precious about it. We haven’t treated it, apart from the area next to the basin, where we used ‘Natural Oil Woodstain’ by Osmo to make it more water-resistant. The floorboards were finished with a wash of ‘Hard Wax Oil’ by Fiddes. Everything dried really quickly thanks to the underfloor heating.

The main thing to consider when using wood is to balance it with materials that add contrast, but don’t overpower it.

A concrete basin works well with the muted tones and brings in a great masculine edge. This one is by an amazing Australian brand, Wood Melbourne, which we were lucky enough to meet at a trade show while we were building the house. We ended up using lots of its fixtures, as they’re handmade and crafted to a high quality. The taps are Wood Melbourne too – we love the sleek, geometric design.

We also included one of our own ‘Urchin’ pendant lights.

I built the storage, which is pretty basic but functional. Not having a door on the front of the bespoke vanity unit means it’s easy to find things quickly. We also installed our ‘Coat Loop’, which is a great place to hang wet towels and robes after use – just throw them straight over the steam-bent hoop to dry.

The best thing about working with wood is that, because it’s a natural material, each piece is different, challenging and individual. I can never get bored. Steam bending the wood makes it even more unique. Each time it turns out diferently, and it’s incredibly joyous to experiment with. tomraffield.com ➤ 48

‘WE LOVED THE IDEA OF A BATHROOM REMINISCENT OF A NORDIC SPA. WOOD HAS AMAZING WARMTH, BOTH AESTHETICALLY AND IN RELATION TO TEMPERATURE RETENTION’

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B AT H R O O M P R O F I L E

A concrete basin by Australian brand Wood Melbourne sits on a functional, open-fronted vanity unit. The all-wood room is accessorised with Tom’s own steam-bent designs, from the ‘Coat Loop’ towel pegs to the ‘Urchin’ pendant light

WORDS: CLAUDIA BAILLIE PICTURES: FIGOLUX, KIRSTIN PRISK

T H E E S S E N T I A L B AT H R O O M K I T How to achieve Tom Raffield’s organic style

‘We like Olive Soap from The Body Shop as it doesn’t contain any parain or nasties.’ £2.50 (thebodyshop.com)

‘Corsica Stripe’ hammam towels, from £8 each, The White Company (thewhite company.com)

‘Grey & Buf’ rattan wicker storage, from £11, The Basket Company (thebasketcompany.com)

‘Oscar’ round taps made using reclaimed Blackbutt timber, £503, Wood Melbourne (woodmelbourne.com)

‘Urchin’ pendant light, from £175, Tom Raield (tomraield.com)

‘Terra’ concrete basin, from £975, Kast Concrete Basins (kastconcretebasins.com)

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INSIDER GUIDE

3 TH E C LAS S I C BATH ROOM MARTIN BRUDNIZKI, INTERIOR DESIGNER

Swedish-born interior designer Martin Brudnizki splits his time between studios in London and New York. Specialising in restaurants, bars, hotels and private clubs, he has created iconic interiors around the world including at The Ivy, Sexy Fish and Annabel’s, as well as Soho House Miami I’m a morning person and tend to rise at around 5.30am.

I always start with an espresso before going to the gym. Doing exercise in the morning helps me get into the right frame of mind for the rest of the day. Once back and showered, I’ll spend an hour answering emails before heading to my studio for around 8.30am.

I had to be quite savvy when designing my bathroom as it’s such a small space. Storage was a key factor, and recessed shelves in the shower are perfect for holding bottles and accessories.

I incorporated a freestanding double vanity unit, but with just one basin so there’s a huge expanse of marble for placing lotions and potions. It sits on a frame, which creates the illusion of space, then I have large baskets for towels to make use of the area underneath.

I love marble and incorporate it into every interior I design.

In my bathroom, I covered every inch in two tones of grey marble tiles. The walls and bath are clad in rectangles, whereas on the floor I created a break with a honeycomb pattern. I like how a simple material in an understated shade can have such a striking efect. It’s like being cocooned in a cave and feels very serene.

It was important for me to create a space that felt private and calming, and soft lighting and a minimal palette of materials helped to achieve this. The bespoke pendant light fills the room with a warm glow, and wall lights either side of the mirror illuminate your reflection. This is the only space in my home that doesn’t have artwork or pops of colour, but the simplicity works.

I’ve been working on the Drummonds by And Objects (Martin’s product design studio, which he co-founded with long-term friend Nicholas Jeanes) collaboration for a number of years now. We’ve been steadily adding to the bathroom collection that includes two bathtubs, a vanity unit, mirror, lighting and taps.

Pieces take inspiration from the classical design style Drummonds is so well known for, but we’ve given them a uniquely And Objects twist by incorporating ergonomic lines and sleek metal finishes.

The new ‘Bestwood’ collection of taps and mixers is quirky yet elegant, and was inspired by traditional joinery and plumbing.

I believe we’re spending more time in our bathrooms, so they need to function as additional living spaces. This means including personal touches, such as seating and plants, that give a room life.

Practical accessories such as baskets add personality without making a bathroom feel cluttered. I like to decant liquid soap into brass soap dispensers and display skincare on a brass tray.

One thing a bathroom should always have is a mirror. Not just for obvious reasons, but because it’s a great way to increase light and create the illusion of a bigger space.

My advice when designing a bathroom would be to ensure your layout makes sense from the start. Work out where each item should be and check that the space flows – an ill-thought-out bathroom doesn’t make for a relaxing experience. At this stage, also think about whether hooks are in the right place, so you can grab a towel comfortably when you get out of the shower. It’s the little things that make your daily life easier. mbds.com 50

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B AT H R O O M P R O F I L E

THE ESSENTIAL B AT H R O O M K I T

Get Martin Brudnizki’s luxurious look

‘Wallingford’ soap dispenser in matt brass, £37.50, Waterworks (waterworks.com)

‘Hampton’ pendant light

by Davey Lighting, from £375, Original BTC (uk.originalbtc.com)

‘Luxury Hotel White’ towels, from £45 for a standard bale, Tielle (tielleloveluxury.co.uk)

Tap from the ‘Bestwood’ collection

by And Objects in collaboration with Drummonds, launching in September

Grey marble tiles in Martin’s bathroom and (bottom left) the ‘Henry’ taps and washstand

by Waterworks

WORDS: CLAUDIA BAILLIE

‘WE’RE SPENDING MORE TIME IN OUR BATHROOMS, SO THEY NEED TO FUNCTION AS ADDITIONAL LIVING SPACES. THIS MEANS INCLUDING THE PERSONAL TOUCHES THAT GIVE A ROOM LIFE’

‘Calacatta Borghini’ mosaic tiles by Ann Sacks, from £432 per square metre, West One bathrooms (westone bathrooms.com)

‘Heythrop’ oval basket, £65, Soho Home (sohohome.com)

‘Conroy’ bronze wall light with opaline glass shade, £576, Jamb (jamb.co.uk)

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TA K E S H A P E From left ‘Opus’ geometric vinyl wallpaper

by Carlo Colombo, from £78 per square metre, LondonArt (londonart.it). ‘Shui Comfort’ bathtub

by Paolo D’Arrigo for Cielo, £3,744, CP Hart (cphart.co.uk). ‘Shade’ wallcovering from the ‘Light on a Prism’ collection, from £142 per square metre, Glamora (glamora.it). ‘Revolving Moon’ mirror by Studiopepe, price on application, Agape at West One Bathrooms (westonebathrooms.com).

‘Stand’ washstand by Norm Architects, from £737, EX.T (ex-t.com). ‘Garden’ wall-mounted tap

by Piero Lissoni, £1,687, Boi (boi.com).

‘Unicobalt’ stoneware f loor tiles, price on application, Graniti Fiandre (granitifiandre.com)

T H E AVA N T- GA R D E Think bathroom design is devoid of creativity and colour? Think again. Designers are being more experimental than ever before, with convention-breaking tiling, taps and more…

Photography FEDERICO CEDRONE Styling STEFANIA VASQUES 52

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B A T H R O O M I N N O VA T I O N S

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TA P I N T O T H E T R E N D S 1 ‘Duet’ wall-mounted tap by Mario Tessarollo and Daniela Lorato, from £1,135, Cea (ceadesign.it) 2 ‘Gio Ponti’ wall-mounted mixer tap by Mamoli, £330, Rubinetteriashop (rubinetteriashop.com) 3 ‘Bucket’ washbasin by Giovanna Talocci for Scarabeo, from £303, Tatta Home (tattahome.com) 4 ‘AA/27’ mixer tap from the ‘Aboutwater’ range by Michael Anastassiades for Fantini in collaboration with Boi, from £811, Tatta Home (tattahome.com) 5 ‘DOT316’ mixer tap, from £588, Ritmonio (ritmonio.it) Background ‘Aquos’ resin panel (on floor), from £312 per square metre, Tecnografica Italian Wallcoverings (tecnografica.net). Wall paint from the ‘Color’ collection by Piero Lissoni, price on application, Kerakoll (kerakoll.com) ➤

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M O N O C H R O M AT I C 1 ‘Cloudy’ wallcovering by GamFratesi, price on application, Alpi (alpiwood.com) 2 Showerhead from the ‘Italica Leve’ collection, from £635, Stella at Alchemy Design Award (alchemyaward.com) 3 ‘Wall2Floor’ lime-based plaster, from £149 per square metre, Novacolor at Ray Munn (raymunn.co.uk) 4 ‘Square’ tiles in ‘Swing Charcoal’ by David Rockwell, £185 per square metre, Bisazza (bisazza.it) 5 ‘Variform’ basin for Pozzi Ginori, from £191, Rosco Bathrooms (roscobathrooms.co.uk) 6 ‘Twist Black’ glass mosaic tiles, price on application, Mosaico + (mosaicopiu.it) 7 ‘Ago85’ washstand by Mario Ferrarini for Antonio Lupi, £1,764, Liquid Design (liquiddesign.co.uk) 8 ‘Taormina’ tap, from £235, Ritmonio (ritmonio.it) 9 ‘Visual Hexagonal’ mirror by Lievore Altherr Molina, from £172, Sovet (sovet.com) 10 Basin from the ‘Belt’ collection

by Meneghello Paolelli, price on application, Arbi (arbiarredobagno.com) 11 ‘Palladiana’ porcelain tiles

by Studiopepe, from £74.40 per square metre, CeramicaBardelli (ceramicabardelli.com)

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B A T H R O O M I N N O VA T I O N S

SHOWERED IN PRAISE From left ‘Ambrosia’ vinyl wallpaper in ‘WDAM1801’ by Christian Benini, £100 per square metre, Wall & Decò (wallanddeco.com). ‘Mineral’ metal-effect f loor tiles, from £43 per square metre, Marazzi (marazzi.it). ‘SK’ shower wall from the ‘Sk-in’ collection, from £650, Vismaravetro (vismaravetro.it). ‘Stonetto’ shower tray by EOOS, from £620, Duravit (duravit.co.uk). ‘AF/21’ showerhead by Naoto Fukasawa for Fantini in collaboration with Boi, from £2,702, Tatta Home (tattahome.com). ‘PD 016’ square showerhead, from £42, Cristina (cristinarubinetterie.com). ‘WaterCandy’ handshower with massage function

by Ludovica + Roberto Palomba, from £294, Zucchetti (zucchettikos.it). ‘WX 520’ shower column, from £3,900, Cristina (cristinarubinetterie.com)

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BAT H ROOMS

Words by CL ARE SARTIN

CHECK M ATE Use standard square tiles to great efect by arranging them in a bold, chequerboard pattern.

When used as a backdrop for an architectural-style washstand, the result is fantastically graphic.

‘I Catini’ basin and stand by Cielo, from £1,580, CP Hart (cphart.co.uk) ➤

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PRECIOUS MOMENTS With their distressed, pearlescent surface, these ‘Crea’ wall tiles by Ariana Ceramica Italiana will add a low-key glamour to any space. Pair them with the clean lines of EX.T’s new brass edition of the ‘Stand’ bathtub and washstand by Norm Architects and the scheme has a soft and sophisticated look.

Wall tiles ‘Crea’ in ‘Pearl’, £39.40 per square metre; ‘Crea’ in ‘Stories’, £46.67 per square metre, both by Ariana, Tile Expert (tile.expert) Bath ‘Stand’ by Norm Architects, £5,732, EX.T (ex-t.com) Washstand ‘Stand’ by Norm Architects, £1,634, EX.T ( ex-t.com) Lighting ‘Void’ copper pendant lights by Tom Dixon, from £215 each, Heal’s (heals.com) Flooring ‘Legend’ wood-efect ceramic tiles in ‘Grey’ by Ariana, from £40.12 per square metre, Tile Expert (tile.expert) ➤

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B AT H R O O M I N S P I R AT I O N

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SUNSET STRIP Apply a real-life Instagram filter to your bathroom with a coloured glass shower screen. This yellow panel has a brilliantly mood-lifting tint that casts a permanently sunny glow over the otherwise pared-back palette of natural materials.

Screen Glass specialist Float Glass Design can create a bespoke tinted pane of glass (floatglassdesign.co.uk) Basin ‘Sonar’ by Patricia Urquiola, from £792, Laufen (laufen.com) Tap ‘Kartell’ mixer, from £636, Laufen (laufen.com) Cabinetry ‘Boutique’ double vanity unit, from £3,332; tall cabinet, from £1,964, both Laufen (laufen.com)

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B AT H R O O M I N S P I R AT I O N

FADE TO GREY The calm simplicity of Moroccan spas was the inspiration for this Swedish bathroom. A cast concrete bathtub sits against a backdrop of charcoal grey encaustic tiles, both of which have a pleasingly unfinished feel.

PICTURE: PERNILLA HED/HOUSE OF PICTURES (PHOTOGRAPHY), ISABELLE OLANDER (STYLING)

Tiles ‘Solid #3’, £84.60 per square metre, Marrakech Design (marrakechdesign.se) Bath Living Concrete can create bespoke designs (livingconcrete.co.uk) Tap ‘Evo EVM026’ bath and shower mixer, £342, Tapwell (tapwell.com) Shower ‘Evo TVM2200’ shower column, £962, Tapwell (tapwell.com) ➤

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BLUE IS THE COLOUR Interior designer Iya Turabelidze has used bright colour – in the form of the Klein Blue cabinetry – to ensure this bathroom in a private home in Russia leaves a lasting impression.

PICTURE: IYA TURABELIDZE

Tiles Bespoke design made from Ukrainian stone – for a similar look, try ‘Marini Base’ terrazzo tiles from Fired Earth, £124.80 per square metre (firedearth.com) Cabinetry The sink unit and mirror are bespoke designs made of stainless steel, which have been painted Klein Blue – ‘Ultra Blue’

by Little Greene is similar, £49 for 2.5 litres (littlegreene.com) Tap ‘Tara’ by Dornbracht, from £903, CP Hart (cphart.co.uk)

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B AT H R O O M I N S P I R AT I O N

SM ALL WONDER Transform a compact bathroom or cloakroom into something really special with daring wallpaper. This modern, monochrome mural by Sara B for Swedish brand Sandberg provides a great juxtaposition with the feminine feel of the repurposed antique washstand.

Wall mural ‘Österbro’ wall mural (270x360cm), £425, Sandberg (sandbergwallpaper.com) Furniture This vanity unit is a vintage piece. Try Selency for a selection (selency.co.uk) Tap For similar, try the ‘Impact’ basin mono mixer, £139, Bathstore (bathstore.com) ➤

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LIGHT INDUSTRY

Basins Bespoke stainless-steel designs set into a custom-made limestone countertop. Hansgrohe has a good selection, from £495 (hansgrohe.co.uk) Tiles For similar, try ‘Green Hexagonal’, £5.18 per square metre, Bert & May (bertandmay.com) Lighting Try the salvaged British bulkhead wall lights by Revo, £270 each, Skinflint (skinflintdesign.com) Mirrors Find similar vintage designs on Ebay (ebay.co.uk) Accessories Try H&M for rattan and seagrass baskets (hm.com)

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PICTURE: MAÍRA ACAYABA

Contrast is key in this Brazilian bathroom, where São Paulo-based design practice Estudio Penha (estudiopenha.com) has ofset contemporary custom-made basins and industrial-style bulkhead lights with pretty, mint green tiles and mismatched antique mirrors.

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B AT H R O O M I N S P I R AT I O N

PICTURE: NIN SOLIS/LIVING INSIDE

PRIVATE OASIS An open-plan layout gives you the luxury of an en-suite without making the space feel boxed in. In this rustic Mexican home, a simple concrete wall provides just enough privacy.

Shower For similar, try the ‘La Chapelle’ wall-mounted showerhead, £449, Holloways of Ludlow (hollowaysofludlow.com) Furniture ‘Backenzahn’ oak stool

by Philipp Mainzer for E15, £860, The Conran Shop (conranshop.co.uk) ➤

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PIPE DREAM The ‘Pipe’ shower by Marcel Wanders for Boi is an absolute design classic. Conceived by the Dutch designer 18 years ago, its simple yet functional design still looks as modern as ever, and it’s a perfect statement piece in this smart black and white bathroom.

PICTURE: BERTRAND LIMBOUR/HOUSE OF PICTURES

Shower ‘Pipe’ by Marcel Wanders, £4,640, Boi (boi.com) Taps ‘Minimal’ wall-mounted, £1,086 each, Boi (boi.com) Tiles Bespoke black Corian – for similar try the wide range at Jodari (jodari.co.uk)

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B AT H R O O M I N S P I R AT I O N

IN THE FR A ME

PICTURE: YAN DERET

Beautiful marble is a work of art, so treat it that way by mounting it within a frame, as seen in this bathroom by interior designer Tristan Auer for Wilson Associates (wilsonassociates.com), a creative studio in Paris. It’s an efective way of accentuating a smaller area of stone if your budget is limited.

Bath A custom-made design, carved from marble. Stone specialist Lapicida sells a range of hand-carved marble tubs (lapicida.com) Tap For similar, try the ‘Berkeley’ black china lever wall-mounted bath/ shower mixer, £894, Aston Matthews (astonmatthews.co.uk) Furniture ‘Palette Desk JH9’

by Jaime Hayón for And Tradition, £1,759, Aram (aram.co.uk) ➤

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SERENITY STONES Subtly textured Crema d’Orcia stone creates a feeling of refinement and harmony in this bathroom. The elegant, ridged design, called ‘Bamboo’, takes its inspiration from the calming quality of Eastern interiors, and is available as a finish on a number of diferent stones.

Tiles Crema d’Orcia limestone in ‘Bamboo’, £210 per square metre, Salvatori (salvatori.it) Cabinetry ‘Ciane’ modular drawers in Crema d’Orcia marble by Elisa Ossino, from £2,180, Salvatori (salvatori.it) Sink ‘Alfeo’ in Crema d’Orcia marble by Elisa Ossino, £3,240, Salvatori (salvatori.it) Mirror ‘Archimede’ by Elisa Ossino, £1,230, Salvatori (salvatori.it)

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B AT H R O O M I N S P I R AT I O N

MATERIAL WORLD A whole range of impressive elements, including rich woods, elegant marble and architectural metalwork, come together in this luxurious bathroom.

The centrepiece is a tall slab of ‘Azul Imperial’ quartzite, mined in Brazil for stone experts Gerald Culliford.

Stone panel ‘Azul Imperial’ quartzite, from £850 per square metre, Gerald Culliford (geraldculliford.co.uk) Bath For a similar look, try the ‘London’, £3,200, CP Hart (cphart.co.uk) Furniture The ‘Copenhague CPH20’ side table

by Hay is similar, £275, Connox (connox.co.uk) ➤

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SHOW YOUR METAL An antiqued metal wall adds warmth and character to this home just north of Copenhagen – a project by Norm Architects (normcph.com).

PICTURE: JONAS BERRE-POULSEN

Walls Panels of tombak (a brass alloy with a high copper content). A similar efect can be achieved with ‘Foxed on Bronze’ antiqued glass, £528 per square metre, Rough Old Glass (rougholdglass.co.uk) Flooring Resin-treated concrete. For a similar look, contact The Concrete Flooring Contractors (theconcreteflooring.com) Tap ‘1641T8’ two-handle mixer with bath spout and diverter in natural brass, £1,714, Vola (vola.com) Shower ‘2171T9’ wall-mounted one-handle mixer with handshower in natural brass, £1,354, Vola (vola.com)

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B AT H R O O M I N S P I R AT I O N

TURN UP THE TERRAZZO

PICTURE: GG ARCHARD

Centuries of Italian design can’t be wrong, and terrazzo is a trend that is set to endure. For the owners of this townhouse in north London, Heirloom Studio (heirloomstudio.co.uk) paired contemporary ‘Flecked’ tiling by Solus Ceramics with industrial-style brassware.

Tiles ‘Flecked’ terrazzo tiles in ‘Stippel’, from £57.60 per 60x60cm tile, Solus Ceramics (solusceramics.com) Shower ‘Brooklyn Deluge’ showerhead, £784; ‘Brooklyn’ thermostatic shower valve and handshower, £2,148, all The Watermark Collection (thewatermarkcollection.eu) ➤

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LEAD FROM THE FRONT Update your Ikea cabinet with some slick new doors from Superfront. The Scandinavian brand makes replacement panels that can be fitted quickly and easily to standard carcasses, creating a new look in an instant. Ridged wall lights by Original BTC work well with this dark blue option.

Cabinetry ‘Parallels’ cupboard front in ‘Infinity Blue’, from £49 for a drawer front; ‘Holy Wafer’ handles, £13 each; ‘Slender High’ legs, £35 each, all Superfront (superfront.com) Basin ‘Supersink Bath 37.5’ in brass, £425, Superfront (superfront.com) Tap ‘Tapwell Evo-078’ in brass, £382, Superfront (superfront.com) Lighting ‘Pillar’ LED wall lights in polished brass, £599 each, Original BTC (uk.originalbtc.com)

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B AT H R O O M I N S P I R AT I O N

NEON FUTURE The Italian home of architect and designer Patrizio Fradiani is rich in period details, from the hand-painted frescoes to original stone floors, but he refuses to be tied to the past.

This highlighter-bright yellow glass cubicle is an inspired and unexpected addition.

PICTURE: KRISTIAN SEPTIMIUS KROGH/HOUSE OF PICTURES

Cubicle Ion Glass can create bespoke, laminated coloured or tinted glass shower and toilet cubicles (ionglass.co.uk) ➤

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PORCELAIN PERFECTION If you long for the efect of luxurious marble, but have neither the budget to invest nor the patience to maintain the real thing, then choose a largescale porcelain tile that mimics the look exactly. This breathtaking bathroom features vast ‘Palazzo’ tiles

by Stone & Ceramic Warehouse.

Tiles ‘Palazzo’, £180 per square metre, Stone & Ceramic Warehouse (sacw.co.uk) Bath For similar, try the ‘Baìa’ by Antonio Lupi, £6,138, West One Bathrooms (westonebathrooms.com) Furniture ‘Eames Plywood Group LCW’ chair by Charles and Ray Eames for Vitra, £1,160; ‘Butterfly’ stool by Sori Yanagi for Vitra, from £509, both Heal’s (heals.com) Lighting ‘Grässhoppa’ floor lamp by Greta Grossman for Gubi, £666, Skandium (skandium.com) ➤

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B AT H R O O M I N S P I R AT I O N

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POSTMODERN PASTELS

Tiles ‘Accordi’ in pink and ‘Antilia’ in white, both by Australian firm Artedomus (artedomus.com).

For similar in the UK, try ‘Prismatics’ tiles in ‘Peach Sorbet’

by Johnson Tiles, from £29.95 per square metre; ‘Chalk Farm Tiles’

by Urban Chic, from £24.95 per square metre, both at Walls and Floors (wallsandfloors.co.uk) Basin ‘Novecento XL’ by Benedini Associati for Agape, £1,777, Tanini Home (uk.taninihome.com) Mirror Frameless wall mirror

by Moebe, £95, Twentytwentyone (twentytwentyone.com) Lighting ‘Discus’ pendant light, from £875, Volker Haug Studio (volkerhaug.com)

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PICTURE: SHARYN CAIRNS

Millenial pink, mixed scale tiles and jewellery-like hints of brass – the elements in this bathroom by interior designer Sonja Kritzler (sonjakritzlerdesign.com) could not be more of the moment.

An on-trend circular mirror completes the contemporary mix.

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B AT H R O O M I N S P I R AT I O N

ART DECO DR A M A Think beyond squares and rectangles and try triangles instead. Here, custom-made lava stone panels are teamed with deliberately dark grout to create an Art Deco design.

PICTURE: HEIDI LERKENFELDT/CPH EDITORIAL (PHOTOGRAPHY), PERNILLE VEST (STYLING)

Tiles ‘Ossido’ in a bespoke size, from £600 per square metre, Made a Mano (madeamano.com) Shower ‘060’ showerhead, £1,435, Vola (vola.com) Basin Bespoke design topped with Made a Mano tiles (madeamano.com) Tap ‘111XM’ tap in matt black, £1,006, Vola (vola.com) ➤

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B AT H R O O M I N S P I R AT I O N

NEW NEUTRAL Texture is everything in this muted bathroom. Cool stone panelling is teamed with a chic herringbone floor, while a spacious vanity unit with a gently corrugated front ensures essentials can be kept out of view.

Bath ‘Gloss White’ by Aqua, £5,655, Alternative Bathrooms (alternativebathrooms.com) Tap ‘Rubinetterie Treemme’ freestanding spout, £2,020, Alternative Bathrooms (alternativebathrooms.com) Furniture ‘Dolcevita’ double vanity unit with basins by Aqua, £6,533, Alternative Bathrooms (alternativebathrooms.com) Mirrors ‘Dolcevita’ mirrors by Aqua, £175 each, Alternative Bathrooms (alternativebathrooms.com) ➤

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PL AY WITH SCALE Be creative with your tiling and mix materials, sizes and styles – just stick to the same colour palette and you can’t go wrong. When paired with these smart, round mosaics, as well as the angular lines of the console, this dramatic honed marble looks cool and contemporary.

Tiles ‘Plaza Negra Penny’ mosaic tiles, from £179 per square metre; ‘Calacatta Viola’ honed marble tiles, from £89.98 per square metre, both Mandarin Stone (mandarinstone.com) Furniture ‘Girafe’ console, from £672, &New (andnew.bigcartel.com) Basin ‘Calacatta Viola Polished Marble Pluto’ basin, £474, Mandarin Stone (mandarinstone.com) Tap For similar, try Bert & May’s wall-mounted basin tap with lever handles, £960 (bertandmay.com)

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B AT H R O O M I N S P I R AT I O N

HIVE OF CREATIVITY

Large, honeycomb-shaped tiles in mint green help to give this bathroom, designed by Brian O’Tuama Architects (brianotuama.com), a palpable sense of tranquillity. A traditional-style washstand, aged brass taps and a roll-top bath complete the homely look.

PICTURE: SIOBHAN DORAN

Tiles ‘Hexagonal’ tiles (on walls and floor), £4.32 per tile, Bert & May (bertandmay.com) Bath For similar traditional styles, try Drummonds (drummonds-uk.com) Washstand ‘Happy D.2’ washbasin by Sieger Design, from £236; metal stand, from £395, both Duravit (duravit.co.uk) Taps ‘London’ floorstanding bathset with lever handles, £3,621; wall-mounted three-hole basin set with cross handles, £1,113, both The Watermark Collection (thewatermarkcollection.eu)

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BAT H ROOMS

Words by JACK Y PARKER

A GA P E AT WES T O N E BATHR OOMS

Founded in 1973, this Italian bathroom manufacturer is known for its sleek, minimal style. Working with design luminaries such as Patricia Urquiola and Neri & Hu has resulted in iconic collections that are both striking and simple to install.

Pictured ‘Immersion’ bathtub by Neri & Hu, from £6,277 236 Westbourne Park Road, London W11 (agapedesign.it) ➤ 83

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DIRECTORY /

A L B I O N BAT H C O M PANY

ALTER NATI VE BATHR OO MS

A Q ATA

A STON M AT T H E WS

BAG NO D ESI G N

B AT H RO O MS I N T E RN AT I O N A L B Y T H G

Creating a suitable alternative to cast iron or acrylic was the mission of this Essex-based bathroom brand. Its collection includes more than 50 luxury tubs made of durable Iso-Enamel.

Pictured ‘Torre Dee’ bathtub from the ‘Tubby’ collection, from £2,650 The Factory, High Birch Road, Weeley Heath CO16 (albionbathco.com)

An Islington stalwart since 1823, this heritage bathroom specialist has now opened a second showroom in Guildford.

Top European brands feature, with a good mix of products and styles to choose from.

Pictured ‘Acme’ three-hole deck-mounted basin mixer, £429 141–147A Essex Road, London N1 (astonmatthews.co.uk)

B ATH S T O RE

From taps and towel rails to vanity units, shelving, shower enclosures and two curated ELLE Decoration collections, you can stylishly kit out your bathroom on a budget when shopping at this brand.

Pictured ‘Noir 1000’ frame unit and basin, £749; ‘Noir 1200’ square radiator, £249; ‘Noir’ shelving unit, £399 Showrooms nationwide (bathstore.com)

A TV by the tub or speaker in the shower? Both are options at these three London showrooms, where you’ll also find a huge range of big brands spanning styles from classic to cutting-edge.

Pictured The ‘Dolcevita’ vanity basin, £5,638, and bath, £5,655 105–107 Wandsworth Bridge Road, London SW6 (alternativebathrooms.com)

Peruse this company’s eye-catching designs and discover new spa solutions, alongside contemporary baths, basins, showers, taps, fittings and furniture.

Pictured ‘BagnoSpa Waterfall’ showerhead, £495, with LED spotlights and waterproof switch, from £420 Showrooms nationwide ( bagnodesignlondon.com)

BER T & MAY

Initially known as an encaustic tile expert, the ofering here has grown to include beautiful bathrooms and much more. Artisanal collections featuring sculptural concrete basins, taps and shower fittings are displayed in situ.

Pictured ‘Green Majadas’ tiles, £6 each 67 Vyner Street, London E2 ( bertandmay.com)

This family-owned company manufactures glass shower screens and enclosures, with its made-to-measure service and expertise meaning even awkward spaces can accommodate a shower area.

Pictured ‘DS455’ hinged shower door, from £1,272 Brookfield, Harrowbrook Industrial Estate, Hinckley LE10 (aqata.co.uk)

Leaders in luxury style, there’s a distinctly French flavour to its new collections by Stéphanie Coutas and Gilles & Boissier.

Fine materials, such as marble and crystal, feature throughout.

Pictured ‘Les Ondes’ three-hole wall mixer by Gilles & Boissier, from £1,544 4 Pont Street, London SW1 (thg-paris.com)

BISAZZA

This Italian mosaic tile specialist branched into bathrooms with its beautiful ‘Bagno’ series five years ago, and continues to impress.

Pictured ‘Domiziana Basalto’ stone flooring from the ‘Bisazza Marble’ collection, £1,080 per square metre 60 Sloane Avenue, London SW3 ( bisazza.it) ➤ 85

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DIRECTORY /

B O FFI

Synonymous with innovation and a roster of illustrious designers, this Italian brand leads the way in super-sleek bathrooms. Head here for statement and high-performance products.

Pictured ‘Eclipse’ spout and mixer

by Studiocharlie, from £1,441 254 Brompton Road, London SW3 ( boffi.com)

CAESAR STONE

A great alternative to natural stone for shower enclosures, bath surrounds, wall cladding, flooring and vanity tops, this quartz specialist’s surfaces can resemble concrete, marble or terrazzo.

Pictured ‘Calacatta Nuvo’ quartz, from £900 per square metre Unit 3, Navigation Park, Monson Road, Enfield EN3 (caesarstone.co.uk)

C AT C H P O L E & RY E

Hand-crafted in a Kent foundry, its classic freestanding baths are made from cast iron, copper, brass or nickel using traditional methods. Washstands, basins and brassware are also available.

Pictured Double ‘Pyrford’ vanity unit, from £5,940 282–284 Fulham Road, London SW10 (catchpoleandrye.com)

C RO S S WAT E R

From taps to towel rails, this brand has a variety of compatible ranges for modern bathrooms. Its ‘Union’ taps push brassware boundaries, with fine looks and excellent flow control.

Pictured ‘Union’ basin set in ‘Brushed Black Chrome’, from £625 Lake View House, Rennie Drive, Dartford DA1 (crosswater.co.uk)

CZECH & SPEAKE

C P HA R T

With showrooms across London, the southeast and Manchester, there’s a great mix of luxe looks here. Plus, find the latest launches from Cielo, Dornbracht, Toto and Bette.

Pictured ‘Stand’ washstand in a brass finish with oval basin by Norm Architects for EX.T, from £1,223 Railway Arch 213, Newnham Terrace, Hercules Road, London SE1 (cphart.co.uk) 86

A top English brand, the high-quality brassware and sanitaryware collections here are inspired by the diverse artistic movements of the 20th century, including Cubism and Minimalism.

Pictured ‘Edwardian’ washbasin and pedestal in ‘White Alpine’, from £1,265 54 Pimlico Road, London SW1 (czechandspeake.com)

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D AY T RU E

This innovative design studio and showroom in Maida Vale was established five years ago, and a second exceptional outpost in Chelsea quickly followed.

Pictured ‘Hex Target’ tiles in ‘Azure + Milk’ by Popham Design, £225 per square metre 128 Elgin Avenue, London W9 (daytrue.com)

D ESI G NSPACE LOND ON

Exclusive stockists of Modulnova’s modern modular bathroom furniture.

Cabinetry is made to order and available in a multitude of colours and finishes.

Pictured ‘Moon Cross’ cabinetry, from £2,000; ‘Infinity’ freestanding bath, £8,718, both by Modulnova 120 Webber Street, London SE1 (designspacelondon.com)

DE V O N & DE V O N

This established supplier of classical and contemporary bathrooms has an aesthetic made up of Art Deco, Victorian, Belle Epoque and Florentine Renaissance styles.

Pictured ‘Casablanca’ wallpaper by Vito Nesta, £121.62 per square metre; ‘Celine’ bathtub, from £7,738 77–79 Westbourne Grove, London W2 (devon-devon.com)

D O M US

Renowned for its portfolio of stone, tiles and mosaics – including designer lines, such as the Bouroullecs for Mutina – this London outfit now also ofers solid wood, engineered timber and vinyl flooring.

Pictured ‘Sensations’ laminate flooring

by Pergo, from £35.34 per square metre 60 Queenstown Road, London SW8 (domustiles.co.uk)

DRUMMONDS

This manufacturer of classic bathrooms ofers period-style baths, basins, showers and sanitaryware that work with modern plumbing systems. Each piece is expertly crafted and available in diferent finishes.

Pictured ‘Double Locky’ vanity basin suite in ‘Antique Nickel’, from £7,140 642 King’s Road, London SW6 (drummonds-uk.com)

D UR AVI T

Combining quality ceramics with German engineering, this brand provides everything the 21st-century bathroom requires – from shower toilets to whirltubs and saunas.

Pictured ‘DuraSquare’ freestanding bathtub with ‘C1’ freestanding bath mixer, from £6,435; ‘DuraSquare’ double washbasin with console vanity unit in ‘Aubergine’ and ‘Walnut’; basin mixer and mirror, £6,883 36–42 Clerkenwell Road, London EC1 (duravit.co.uk) ➤ 87

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E D W I N S BAT H RO O M S

A company that caters to a variety of tastes, with a roster of top British and European bathroom brands, including Geberit, Grohe and Laufen. It also has a London ‘Spa and Wellness’ centre.

Pictured Grohe ‘Atrio’ single-lever floor-mounted bath mixer, from £1,307 19, 21 & 26 All Saints Road, London W11 (edwinsbathrooms.co.uk)

FI R E D EA RT H

From its origins as a tile retailer, the ofering here now incorporates paints and wallpapers, as well as baths, basins, sanitaryware, wood flooring and bathroom furniture, all expertly crafted.

Pictured ‘Geometric’ mosaic tiles in ‘Black Hexagon’ and ‘Super White Hexagon’, both £128.98 per square metre Stores nationwide ( firedearth.com)

HA NS G RO H E

See live displays of ergonomic taps and massaging shower jets from this pioneering German brand at its Water Studio in London’s Clerkenwell, then order through your nearest retailer.

Pictured ‘Select S’ Raindance shower with powder rain function, from £643 12–16 Clerkenwell Road, London EC1 (thewaterstudio.co.uk)

F LOR I M

This award-winning Italian ceramic tile manufacturer is a specialist in large-format countertops, floor and wall tiles. Its maxi sheets ensure minimal joins and a seamless appearance across walls, floors and surfaces.

Pictured ‘Archeologie’ ceramic surface by Franco Guerzoni for Cedit, price on application 60 Queenstown Road, London SW8 ( florim.com)

K OHLER AT WEST ONE BATHR OOMS

Head to London for the Kohler Experience Centre, which houses a fully functioning display of this bathroom behemoth’s showering and bathing products.

Pictured ‘Purist’ basin mixer, £813, and ‘Sartorial Herringbone’ basin, £1,122 44–48 Clerkenwell Road, London EC1 ( kohler.co.uk)

L E F RO Y B RO O K S

Manufacturers of classic British bathrooms, this brand exudes heritage elegance. The finely crafted collections span styles from late Victoriana through to Art Deco and sleek minimalist shapes.

Pictured ‘Mackintosh’ basin mixer with black levers, from £792 26 All Saints Road, London W11 ( lefroybrooks.com) ➤ 89

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LI V I NG S PA C E & PA RT NER S

State-of-the-art Italian bathrooms and a complementary interior design service are available at these three London showrooms, which promise to deliver home spas with a focus on ergonomics and aesthetics.

Pictured ‘Depth’ basin composition including taps and mirrors, £7,608; ‘36&8’ storage, including base and wall units, £2,779; ‘Et Voilà’ storage, £3,743, all by Lago 55 Baker Street, London W1 ( livingspaceuk.com)

LUNDHS

This family-run brand is Norway’s leading exporter of natural stone. Its primary material Larvikite is rich with feldspar crystals, resulting in a lustre that creates stunning surfaces.

Pictured ‘Lundhs Antique’ stone, from £970 per square metre Gerald Culliford, 52 Lower Marsh Lane, Kingston KT1 (lundhsrealstone.com) 90

MAND AR I N STONE

With ten UK showrooms, there’s a fabulous choice of beautiful natural stone, decorative tiles and wood, concrete or marble-efect porcelain.

Pictured ‘Fusion’ square tiles, from £40.80 per square metre; chevron tiles, from £70.69 per square metre, both in ‘Black Matt’ Stores nationwide (mandarinstone.com)

MA RA Z Z I

Like the look of timber, concrete, marble or stone but don’t want the maintenance?

This ceramic specialist’s porcelain tiles mimic beautiful, natural finishes.

Pictured ‘Grand Carpet’ tiles in ‘Smoke’

by Antonio Citterio and Patricia Viel, price on application 90–92 St John Street, London EC1 (marazzitile.co.uk)

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NE PTU N E

For a traditional take on bathroom storage, consider a solid timber washstand or vanity unit from this much-loved homeware manufacturer.

The painted timber units are available in a core palette of 28 shades.

Pictured ‘Edinburgh’ closed washstand topped with honed marble, £1,540 Showrooms nationwide (neptune.com)

NI CHOLAS ANTHONY

With showrooms in Ascot, Cambridge and Colchester, this company partners with top brands and can provide a complete design package.

Pictured Bathroom, with ‘Design’ bath

by Corian and ‘Laja’ tiles by Porcelanosa, from £30,000, including design 43–45 London Road, Colchester CO3 (nicholas-anthony.co.uk)

P E RRI N & RO W E

This premium British brand ofers precision-engineered and expertly crafted solid brass taps, showers and accessories in a select range of heritage and contemporary shapes.

Pictured ‘Hoxton 3412’ single-lever basin mixer in chrome, from £600 Design Centre, Chelsea Harbour, London SW10 (perrinandrowe.co.uk)

PO R C EL A N O S A

Launched in 1973 as a ceramic tile company, this Spanish manufacturer now ofers complete bathroom solutions across its 21 UK showrooms.

Pictured ‘XLight Premium’ porcelain tiles in ‘Moon White’ by Urbatek, from £243 per square metre Wandsworth Bridge Road, London SW6 (porcelanosa.com)

PO R T E R

Exceptional craftsmanship and natural materials are at the heart of this brand’s ethos. Its timeless, refined products are designed using European oak, prized marble and high-quality brass.

Pictured ‘Portman Painted’ bath, from £4,740 115 Queenstown Road, London SW8 (porterbathroom.com)

R I P P LES

An excellent selection of brands are stocked here, so all design tastes are catered for. Choose from Victorian-style bateau tubs, as well as more slick sanitaryware and a huge range of traditional and modern taps.

Pictured ‘Classic Boat’ bath in a painted finish, £1,922; ‘Axor Citterio E’ bath/shower mixer by Antonio Citterio, £1,169; ‘Avebury’ tiles in white, £80 per square metre Showrooms nationwide (ripplesbathrooms.com) ➤ 91

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R O C A L O N D O N G A L LERY

This Spanish innovator has worked with architectural and design luminaries such as David Chipperfield, Carlo Urbinati and Zaha Hadid to produce super-stylish bathrooms with clever features. Head here for water-saving taps, thermostatic showers and furniture with bluetooth connectivity.

Pictured ‘Beyond 1800’ bath, £6,240, and ‘Beyond’ basin with vanity unit, £2,348 Station Court, Townmead Road, London SW6 (uk.roca.com)

SA LVAT O RI

Working with design names such as Piero Lissoni and Vincent Van Duysen, this stone expert prides itself on its pioneering techniques, which sees the production of baths, basins, shower trays and textured surfaces.

Pictured ‘Alfeo’ basin by Elisa Ossino, from £3,240 26 Wigmore Street, London W1 (salvatori.it)

SAMUEL HEATH

Producers of British brassware since 1820, Samuel Heath is renowned for its designs, quality and craftsmanship. All of its products are made using brass hand-polished in the UK. Pictured ‘Landmark Pure’ bath filler in ‘Matt Black Chrome’, from £1,980 Design Centre, Chelsea Harbour, London SW10 (samuel-heath.co.uk)

S C AV O L I N I

Collaborations with leading designers ensure a fresh focus across each of the 11 contemporary bathroom collections by this Italian manufacturer. Its ‘Gym Space’ bathroom is launching here soon.

Pictured ‘Open Workshop’ bathroom

by Diesel, from £10,000 39 Fortune Green Road, London NW6 (scavolini.design) ➤ 93

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TO P P S T IL E S

With its network of 368 stores across the UK, including 12 tile boutiques and a vast product range, this is the go-to place for a wide choice in competitively priced tiles and mosaics.

Pictured ‘Staunton’ graphite tiles, £49 per square metre; ‘Staunton Clif’ mosaic tiles, £183 per square metre Showrooms nationwide (toppstiles.co.uk)

TOTO

Washing and wellness go hand in hand at this Japanese bathroom company, where a respect for ancient bathing rituals is fused with high-tech innovation and refined design.

Pictured ‘DaySpa’ overhead shower, from £735, and handheld shower, from £172 140–142 St John Street, London EC1 (gb.toto.com)

V I C T O RI A + A L B E RT

Find classic and contemporary freestanding baths and basins made from Quarrycast, a mix of volcanic limestone and resin that’s warmer and lighter than other traditional materials. The brand also stocks a range of elegant taps.

Pictured ‘Mozzano 2’ bath, £3,215 Design Centre, Chelsea Harbour, London SW10 (vandabaths.com)

V I L L E R O Y & BO C H

Germany’s heritage bathroom brand opened its first UK showroom at London’s Design Centre, Chelsea Harbour this year.

With a focus on wellness, there’s a chance to experience its sound-integrated mirrors and ambient lighting alongside its streamlined baths, basins and brassware.

Pictured The ‘Antheus’ collection by Christian Haas, including surface-mounted basin, from £651, marble countertop with stainless-steel frame, £3,480, mirror with solid wood frame, £864, rimless WC, from £585, and WC set and cover, £284 Design Centre, Chelsea Harbour, London SW10 (villeroy-boch.co.uk) ➤ 95

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VOLA

Arne Jacobsen’s ‘111’ mixer tap looks as good today as it did 50 years ago, and still informs the firm’s new products, which include showers and towel warmers.

Pictured ‘SC4’ deck-mounted valves with double-swivel bath spout and hand shower in stainless steel, from £1,679 32–36 Great Portland Street, London W1 (vola.com)

THE WATER MAR K COLLECTI ON

Made in Brooklyn, there’s an industrial edge to this brand’s designs. Eight new hand finishes allow the full range to be customised to taste. Appointment only.

Pictured ‘Brooklyn’ wall-mounted basin mixer in ‘Oil Rubbed Bronze’, £1,653 58 Riley Road, London SE1 (thewatermarkcollection.eu)

T H E WAT E R MO N O P O LY

For late 19th- and early 20th-century baths, basins, taps and sanitaryware, this vast showroom has plenty of options.

Painstakingly restored antiques sit beside faithful reproductions, plus showers and accessories.

Pictured ‘Lonsdale’ bath, from £6,300 10–14 Lonsdale Road, London NW6 (thewatermonopoly.com)

W E S T O N E B AT H RO O MS

This family-run company stocks the world’s best brands. Find designs from the likes of Bette, Kallista and Agape in both its Mayfair flagship and its showrooms around the capital.

Pictured ‘BetteLux Oval Couture’ basin

by Tesseraux + Partner, £7,650 45–46 South Audley Street, London W1 (westonebathrooms.com)

WILLIAM HOLLAND

WATE RW O RK S

Hailing from Connecticut, the look here is distinctly early 20th-century industrial.

Find hammered copper sinks, cast-iron bathtubs, made-to-order mosaics and a good range of tiles, including lava and cement.

Pictured ‘Regulator’ wall-mounted lavatory faucet, from £1,280 579–581 King’s Road, London SW6 (waterworks.com) 96

Copper baths, basins and brassware are the speciality here, with over 70 finishes available from ‘Verdigris’ to ‘Brushed Argenta’. Each bath is hand-finished to your specifications.

Pictured Copper ‘Bateau’ bath with artisan tin interior, £4,831 Lewell Barn, Lower Lewell Farm, West Staford DT2 (williamholland.com)

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A

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C Caesarstone

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D Dentii (dentii.co.uk)

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E EX.T (ex-t.com) F

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G

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H

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J

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K Kartell (kartell.com)

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N

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O

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P

Porcelanosa (porcelanosa.com) Porter (porterbathroom.com)

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T

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U

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W Wall & Decò (wallanddeco.com) WallpaperStore (store.wallpaper.com) Walls and Floors (wallsandfloors.co.uk) West One Bathrooms (westonebathrooms.com)

Z

Zucchetti. Kos (zucchettikos.it)

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