wonder architecture
yoshihito nakano tezuka lab 2020 - 2021
1
YOSHIHITO NAKANO EDUCATION 2017
AWARD
Graduated from Kanagawa Prefectural Tsurumine High School
B1
Weekend House
1st prize
Enroll in the Department of Architecture, Tokyo City University
B2
Wooden House
Top 10 people
2019
Assigned to Takaharu Tezuka Laboratory
Community Center
1st prize
2021
Graduated from the Department of Architecture,Tokyo City
Apartment
Top 10 people
Cafe
Fukushima Award
Enroll in the Architecture and Civil Engineering, Graduate School of
Campus
2nd prize , Tominaga Award
Integrative Science and Engineering, Tokyo City University
Third Place
Top 10 people
Primary School
1st prize , Endo Award
Redevelopment
Top 10 people
Diploma Design
1st prize（Kurata place）, Individual Award
University
SKILL app action
B3
B4
autocad/rhinoceroce/flowdesigner photoshop/illustrator/indesign
(Yamanashi Award , Takatuka Award , Ishida Award)
make model/sketch/guitar/snowboard/hitchhike
Akarenga Diploma Collection 2022 3rd prize JIA competition 3rd prize
ADDRESS e-mail
yoshihito.tennis@gmail.com
tell
080-4788-2511
Kanazawa Historical Competition 4th prize M1
House
2nd prize
Nosaku Award
Public Hall
2nd prize
Murayama Award
CONTENTS
MANIFESTO title
wonder architecture = sense of wonder = thaumazein
P3
Diploma Design
TALE OF SAND CITY
text
I believe that it is possible to discover an unknown aspect of
P 27
House
DIVINE HOUSE
familiar life. Therefore, I want to create architecture that creates
P 51
Public Hall
MULTIPLE LAYERS OF CHANGE
an opportunity to wonder why.
P 73
Book Design
inch W
2
TALE OF SAND CITY City that lives on buried in the sand
KANAGAWA, CHIGASAKI 2020
A city buried in sand and connected to the sea again My hometown, Chigasaki, is a city that thrived on sand dunes. The dunes used to protect the city from the sea. One day, a national highway was built along the sea, severing the relationship with the sea. The
Sea
Sand dune
Rural village
Sea
city changed its way of life. Therefore, we designed an architecture that accepts sand between the dunes and the existing town on the premise that the national highway would be filled with sand. This is a proposal to change the existence of the town and the nature It also expresses how we will live with the sand in the future. The national highway will return to the dunes, and as time goes by, it is expected that the sand will flow toward the city. When the various models were actually brought to the dune, they were all buried in the sand. If this is nature, it does not prevent sand from flowing, but allows it to flow, catch it, and bury it. I think this is the way a building should be, a way to live with the sand. It appears and disappears as part of the natural cycle. I hope that this architecture will transcend the interests of human society.
5
1800's Dunes served as natural levees
That
Highway
Town
2000's
t highway separates the city from the sea
6
Sea
Sand dune （Highway）
Sand grabbing Town
Town
Sea
Sand dune
Sand grabbing Town
proposal
100 million years later
Allow the dunes to connect to the sea
Architecture expands, future part of the dunes
7
Dune piloti leading to the sea
↓ Enter through courtyard entrance
Rooftop garden as future entrance
8
9
0
5
10
20
50m
The entrance to the building is a courtyard created by avoiding existing trees / 2040's Plan
10
11
2040's / Section 0
5
10
20
The building floats so you can walk on sand to the sea / 2040's Section
12
50m
0
5m
A city that lives with dunes I found sand dunes between the sea and the city. The city now refuses sand. Therefore, hundreds of millions of dollars are spent every year to bring sand back to the sea. The existing city cannot be changed quickly. I propose a
Dunes where boathouses and
Dunes that served as school grounds
National highway separating
city that accepts sand between
seine nets were located
1900's
the sea from the city
the existing city and the sea.
1960's
1870's
Sea
Small boats and seine nets
1900's
Sea
Walking is the way to the sea
1930's
Sea
Highway at the beginning of the Seaside Park Project
1960's
Sea
Established as a national highway, traffic volume increases
Pine groves used for
1990's
Sea
Pine forests and national highway divide the sea from the city
Nursing homes are bui
2020's
Sea
Highway
2040's
13
1870's
City that doesn't feel like
Dunes that serve as natural levees
Pine forests creating a good environment for tuberculosis patients
Expans
the sea
Sand dunes spread out along the sea
Dunes covered with houses
Dunes reduced by waves and National highway
2020's
1870's
1960's
2020's
Low-density pine forest
Sanatorium to be built in the dunes
Village of seine fishing
Shrine from Mt.Oyama,Isehara
The road from the station to the sanatorium is crowded
Sanatorium at its peak with medical equipment and public facilities
Approach and Shrine
The sanatorium was used by the U.S. military
Approach and Shrine
Older residential areas remain around the greenbelt
ilt and the sea is cut off from the city
Approach and Shrine
Older residential areas remain around the greenbelt
sion of nursing homes
Approach and Shrine
Older residential areas remain around the greenbelt
firewood and replanted many times
Site
14
residential area
1870's
Villa in green area
1900's
Villa in green area
1930's
1960's
1990's
2020's
2040's
15
Sand mounds burying the sick and dying of cholera
Sand taken from green tract of land during the war
A small village connecting to Tokaido
Stores and inns created for the villa and hospital
Expanding Shopping District
More people give up their vacation homes after the war
Villa to be demolished due to aging
Museum Opens in Former Villa
Swamp left behind when the sea was uplifted
Rice paddies are reduced and commercial districts are formed
Statio
Rotary in front of the station
Rotary in front of the station
The downtown area expands
Rotary in front of the station
The downtown area expands
Chigasaki Station to be redesigned
Field for growing mulberry and sweet potato
Tokaido Highway between Hiratsuka-juku and Fujisawa-juku
on construction changes town center
Rural areas spread to the north due to the station
Chigasaki Station
Silk mill started by a former patient of Nankoin
Chigasaki Station
Shopping area extends to the north
Chigasaki Station to be redesigned
Chigasaki Station
Expanding city with more factories to the north
Large facilities have been built since the postwar period
Large commercial facilities stand in a row
A multi-level walkway has been added
0
16
20
50
100
200m
Rebuilding the highway and public facilities to go to the sea The residential area retains the shape of the old road. However, the highway and public facilities are now lined up along the seaside. So the road to the sea is cut. Therefore, the Highway is made into a tunnel and passes through the sand dunes. People will be able to walk through the dunes to the sea. Existing facilities will enter the new dune city, and life will continue.
17
18
Consideration of structures that accept sand
Structure that continues to change with the sand I sought a new framework for the city. I actually went to the beach in Chigasaki and placed a model. Gradually, the sea wind buried the model. The weakly structured model soon broke down. Among them, I selected a fractal-shaped structure that successfully received the sand. The wall columns facing diagonally to the sea well received the sand. Furthermore, this structure is a series of hexagons, which allows for free planar development.
19
20
flying sand
forest
200
Rolling sand
200
Jumping sand
200
Flying sand
Chigasaki has the most rolling sand
Windbreak forests also prevent flying sand
Amount of sand deposited is about 200mm/year
Future flow line after buried in sand
trees room room
Current flow line before being buried in sand
Courtyard entrance
Dune piloti
Courtyard entrance and dune pilotis to catch sand and flow people This dune pilotis and courtyard entrance will allow the building to continue to be used regardless of the sand. A courtyard is created when the building is placed avoiding the existing trees. The courtyard functions as an eternal gateway when it is buried in the sand from the periphery of the building. The courtyard entrance is less susceptible to sea breezes. Therefore, it is used for drying laundry and as an axis of life. Cross-sectionally, the dune pilotis is created by making it a high floor. This allows people to walk on the
Vaults where things and natural seeds are stored / Dune piloti
↓ Axis of life less exposed to sea breezes / Courtyard entrance
dune to the sea. The dune pilotis is used as a storage area for fishing equipment. It will also serve as a natural seed depository.
21
22
23
Public functions such as library, nursery school, cafe, etc / 2F
Residential functions such as shared house, terrace, etc / 3F
Structure of the city that continues to be with the sand This building will be built along the ocean and exposed to sea breezes. Consideration unreinforced concrete as a measure against salt damage. The building will continue to exist alongside the sand. By the time everything is buried, this building will collapse and disappear.
24
Mortar structure model / S=1:100
will be given to building with
25
26
House where wishes come true through rituals
DIVINE HOUSE TOKYO, AZABU 2021
29
Incorporating wishes latent in rituals into housing Rituals hidden in housing seem excessive and eerie for a living space. Rituals are filled with people's wishes and thoughts. Therefore, I made the function of the house as if it were a ritual. There appears a sound-absorbing bedroom where you can pamper yourself without limit, and a stairwell living room where you can dress up and act socially. I hope that the house will embrace both the good side of being sociable and the bad side of being confined.
Nando /hemp floor/ bedroom
Mikveh / staircase-style bathing / bathtub
Hinukan / Three Stones / Kamado
Revelation Show
Hallway
Stairwell Living Room Sound Absorption Bedroom
Bathroom Dressing Room
Hallway Lantern Entrance
30
1 ｜ Life as Ritual
2 ｜ Showing rituals to the outside
3 ｜ Something like road
4 ｜ Embrace greed and ideals
Reviewing the acts of daily life, we will
Baths and bedrooms have been
You may feel something, just as you
A place to fulfill each desire and a
reconsider the various rooms based on
derived from ritualized places.
felt God in the setting of the room.
space where one may feel something.
the history of rituals.
Place the ritualized rooms along the
These are the houses that fill people's
boundary of the site.
hearts
31
32
33
Dressing room and bathroom
↓ Meditation baths
34
7150 1650
4400 1650
敷
地
境
↓ Revelation shower that feels like a dip or a waterfall
5
界
Staircase meditation bathtub
線
Ritual spaces sharpen our thinking Create a space for each act of life. In the shower, drops of water pour down from a height and hit the body. It is like the ritual of a waterfall. Specifically, water pipes are stretched around the perimeter and hot water rains down from a height. The space is bathed in hot water along with light. Generally, showering is a process to get into a bathtub. Here, however, it is reaffirmed as a special act of covering one's body with hot water. Taking this shower may remind you of your childhood memories of playing in a fountain, or you may get some good ideas as your evil thoughts disappear.
110
110
135
20
20
36
90
90
天啓シャワー
内壁： コンクリート打ち放し （普通ベニヤ型枠）
上部トップライト 内壁： 水道管 φ=20~60mm 配管固定用 SUSアングル金具 (U ボルト共）
リビング 水道管 φ=200mm
コンロツメ シンク
35 リビング FL +2750
外部吹き抜け
36
37
Lantern entrance and Cafe behind the stairs
↓ Staircase small room looking up from the lantern door
Lantern entrance / Elevation
38
4400 975
165 1650
1625
敷
地
境
界
線
Distorted space that looks like something A distorted one-room that was created in the process of creating a ritual space. In Japan, there is a ritual in which three stones are lined up in a row to obtain the god of fire again. They look like mere stones, but they also look like stones for supporting pots used for cooking. The use of the room may also be read in the signs on the legs of the desk, the nails on the stove, and the cushions. Depending on the interpretation, the room would be used as a kitchen, stage, or other social space.
上部トップライト
110
110
135
20
20
90
天啓シャ
90
内壁：
36
t=30mm 外部壁乾式工法
上部トップ
内壁： コンクリート打ち放し （普通ベニヤ型枠）
階段小部屋 FL +4250
テーブルレッグ
内壁： 水道管 φ=20~60mm 配管固定用 SUSアングル金具 (U ボルト共）
水道管 φ=200mm
コンロツメ シンク
リビング FL +2750
床：ブナフローリング t=12mm 内壁： PB t=12.5mm
クロス仕上げ 外部吹き抜け
20
90
90
33
クッション 450角
t=250mm
20
110
70
内壁： コンクリート打ち放し （普通ベニヤ型枠）
20
90
20
外部吹き抜け
内壁： ミラー貼り t=8mm （両面粘着シールマット t=3mm) PB t=12.5mm
36
90
39 リビング リビング
FL +1750
20
内壁： PB t=12.5mm クロス仕上げ
62 110
110 47
@455 内壁： モルタル t=20mm 掻落し撥水剤塗布 ラス網・防水紙 PB t=12.5mm
階段小部屋 FL +1250
@455
56 90
90 60
40
41
Reflective living room
↓ Sound-absorbing bedroom
90
33
クッション 450角
t=250mm
110
70
内壁： コンクリート打ち放し （普通ベニヤ型枠）
20
Space for a certain act and
内壁： ミラー貼り t=8mm （両面粘着シールマット t=3mm) PB t=12.5mm
リビング
space for something else
リビング
FL +1750
A spiritual space dedicated to ritual and a social space for doing
36
90
90
20
20
110 47
90
内壁： PB t=12.5mm クロス仕上げ
that people have and cannot be separated. The stairwell
@455
階段小部屋
56 90
90 60
@455 内壁： モルタル t=20mm 掻落し撥水剤塗布 ラス網・防水紙 PB t=12.5mm
something. Both are aspects
62 110
0
living room exists behind the FL +1250
内壁： 吸音材 300mm角 t=30mm PB t=12.5mm 不燃断熱材吹き付け t=25mm
sound-absorbing bedroom. A
吸音寝室
上部トップライト reflecting mirror appears behind
the sound-absorbing material.
FL +3640
F r o m t h e s t a i r c a s e l iv i n g room, it appears to be a mirror for going out. From the soundabsorbing bedroom, it feels like
m
a room where you can lie down
床： マットレス h=190mm スノコ t=30mm ラワン合板t=5.5mm 構造用合板 t=12mm 乾式二重床システム
外壁： コンクリート打ち放し 浸透系撥水剤塗布
敷地
62 110
110
62 110
110 62
anywhere.
20
62 110
110
20
吸音寝室 FL +3640
床： 吸音材 300mm角 t=30mm 下地PB t=9.5mm
FL +4600
内壁： 吸音材 300mm角 t=30mm PB t=12.5mm 不燃断熱材吹き付け t=25mm
境界
線
2775 42
760
7150
715
600
1050
7150 1100
4400 975
1625
1650
敷
地
線
FL +4250
20 110
110
上部トップライト
135
内壁： PB t=12.5mm
36
t=30mm 外部壁乾式工法
内壁： 水道管 φ=20~60mm 配管固定用 SUSアングル金具 (U ボルト共）
クロス仕上げ
テーブルレッグ
内壁： PB t=12.5mm
床：ブナフローリング t=12mm
90
90
20
110
70
20
内壁： コンクリート打ち放し （普通ベニヤ型枠）
FL +2750
外部吹き抜け
33
前室
クッション 450角
t=250mm
外部吹き抜け
70
20 20
20 110
内壁： 鏡貼り t=8mm （両面粘着シールマット t=3mm) PB t=12.5mm
FL +1750 33
110
110
20
@455
階段小部屋 FL +1250
775
上部トップライト
56 90
内壁： 吸音材 300mm角 t=30mm PB t=12.5mm
110 62
FL +3640
床： マットレス h=190mm スノコ t=30mm ラワン合板t=5.5mm 構造用合板 t=12mm 乾式二重床システム
不燃断熱材吹き付け t=25mm
110 62
62 110
110
クロス仕上げ
内壁： モルタル t=20mm 掻落し撥水剤塗布 ラス網・防水紙 PB t=12.5mm
20
2285
62 110
内壁： PB t=12.5mm
1525
110
1300
20
吸音寝室
90 60
1100
内壁： ガルバリウム鋼板小波 t=12mm
6610
90
上部トップライト
1600
3300
クロス仕上げ
リビング
20
6610
シンク 内壁： 水道管 φ=200mm
2725
床： タイルカーペット 500mm角 t=9mm レベル調整モルタル t=9mm コンクリート金コテ t＝65mm 硬質スタイロフォーム t=50mm
36 90
925
コンロツメ
FL +3250
1600
20
天啓シャワー
90
内壁：
90
敷 地 境 界 線
1250
界
階段小部屋
上部トップライト 外壁： コンクリート打ち放し 浸透系撥水剤塗布
境
1625
150
1650
760 敷地 境界 線
760
床： 吸音材 300mm角 t=30mm 下地PB t=9.5mm
敷地
外壁： コンクリート打ち放し 浸透系撥水剤塗布
境界
648
602
線
2775
760
7150
43
715
600
1050
Meditation Baths
Revelation Shower
20
上部トップライト
90
敷 地 境 界 線
外壁： コンクリート打ち放し 浸透系撥水剤塗布
90
内壁：
36
t=30mm 外部壁乾式工法
階段小部屋 FL +4250
Hallway
テーブルレッグ Dressing Room
Stairwell Living Room
コンロツメ
Bathroom Sound Absorption Bedroom
Hallway
リビング FL +2750
床：ブナフローリング t=12mm 内壁： PB t=12.5mm
クロス仕上げ
Lantern Entrance 20
90
90
33
クッション 450角
t=250mm
上部トップライト
Hallways for Switching 外部吹き抜け
Consciousness It is not easy for people to switch their usage depending on the space. T h r o u g h t h e h a l l w a y, 内壁： people can switch back and ミラー貼り t=8mm t=3mm) forth（両面粘着シールマット between PB the stairwell t=12.5mm
前室
110
110
living room and the other
20 110 47
FL +3250
33
内壁： ガルバリウム鋼板小波 t=12mm
62 110
@455
床： タイルカーペット 500mm角 t=9mm レベル調整モルタル t=9mm コンクリート金コテ t＝65mm 硬質スタイロフォーム t=50mm
110
makes people realize the difference in how they use each other's space. The same materials are used in the two hallways to make 吸音材 300mm角 t=30mm
they are hallways. PB t=12.5mm 不燃断熱材吹き付け t=25mm
FL +3640
20
rooms of the ritual. This
内壁： people understand that
吸音寝室
リビング
吸音寝室 FL +3640
床： マットレス h=190mm スノコ t=30mm ラワン合板t=5.5mm 構造用合板 t=12mm 乾式二重床システム
62 110
110 62
62 110
44
床： マットレス h=190mm スノコ t=30mm ラワン合板t=5.5mm 構造用合板 t=12mm 乾式二重床システム
外壁： コンクリート打ち放し
吸音寝室 FL +3640
床： 吸音材 300mm角 t=30mm 下地PB t=9.5mm
45
46
Cafe behind the stairs / Elevation
47 隣地境界線
1450
810
2975
595
1227
最高高さ=GL+8279
道路境界線
1725
屋根： 防水コンクリート （コンプラスト)
水勾配 50
5650
1
天井： コンクリート打ち放し
内壁：
内壁： ガルバリウム鋼板小波 t=12mm @455 内壁： PB t=12.5mm
クロス仕上げ
t=30mm 外部壁乾式工法
階段小部屋 LF +4250
テーブル 外壁： コンクリート打ち放し 浸透系撥水剤塗布
リビング LF +2750 シンク
階段小部屋 屋根： 防水コンクリート （コンプラスト)
水勾配 50
内壁： コンクリート打ち放し
LF +2250
1
1 内壁： ミラー貼り t=8mm （両面粘着シールマット t=3mm) PB t=12.5mm
クッション 450角 t=250mm
2FL=GL+2629
水勾配 50
外壁： コンクリート打ち放し 浸透系撥水剤塗布
扉： 青紫ビニールカーテン t=0.5mm
提灯玄関
天井： ポリウレタン t=15mm 貼り付け
床： ナラ無垢フローリング t=15mm 捨て合板 t=15mm
階段下カフェ
内壁： コンクリート打ち放し 浸透系撥水剤塗布
2750
LF ±0
真鍮ボックス
床： ゴムチップウレタン （競技用タータン） t=9mm アスファルト t=50 砕石 t=150
床： 石タイル t=9mm モルタル t=20mm
1FL=GL-121
瞑想湯船 LF-1000
1680
内壁： タイル貼り t=10mm モルタル t=25mm スタイロフォーム t=30mm
コンクリートスラブ t=400mm 捨てコン t=50mm 砕石 t=60mm
1974
921
2050
2004
925
700
B1FL=GL-1801
700
a'
排水槽
1450
瞑想湯船
825
1177
FL-1000
天啓シャワー
600
A café where you can relax in many ways The café is influenced by the staircase, like a stairwell
2161
階段下カフェ
living room. People are more active when they are 1819
脱衣所 上部吹き抜け
531
トイレ
is covered with polyurethane fabric. From these signs, one might relax as in a Japanese tatami room or bar counter. Expect the relaxation to unfold in multiple layers.
カフェ厨房 階段小部屋 FL +1000 前室
GL -150
提灯玄関
a' GL -450
975
1800
900
850
1325
1050
2500
2250
under staircase ceiling. Brass boxes are placed, the floor is covered with athletics tartan, and the back of the staircase
上部吹き抜け
1974
outside. Here, they find various ways to relax using the
1050
GL +300
49
50
Building where offices are converted into housing
MULTIPLE LAYERS OF CHANGE TOKYO, TODOROKI 2021
Community centers prepared against disasters Japan, where we live, has been hit by many disasters. However, temporary housing is built only after a disaster. Therefore, I designed an architecture that allows a community center to be converted into housing. This building is equipped with features that allow ordinary people without special skills to shape a house. Normally, the building is used as a closed office where people can concentrate on their work. In the event of a disaster, it becomes an open house where people can connect with
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On a daily basis, they want to concentrate on their work.
Everyday life closes inward, and in times of disaster it opens outward. In daily life, it becomes a box to
After the disaster, they want to heal. Architecture adjusts
achieve various purposes. After the disaster, it will be an open house to heal people.
our relationship with the surrounding environment.
53
e
from a b am a te
nner
Te
g
A building that opens and closes
T
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ity Meet
king part
un
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Architecture that can be adjusted
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C
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Mothe
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The sm
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shimme
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Grandma
PostDisaster Mood
Pu
k
s
archite cture
Daily mood
al a w
le
ta
s ke
f
e
the environment and with each other.
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Hedge arche that interact with nature and neighbors
Secluded entrance for privacy
Rotating furniture that switches between office and kitchen
Three layers to support offices and residences Three layers will be provided to support two different uses. The first is a layer of hedge arche. When used as an office, it provides a distance from the public street, allowing people to concentrate on their work. When used as a residence, it provides a place to interact with nature and neighbors. The second is the layer of alleys. The alley softly divides each room of the office and ensures sound insulation. When used as a residence, it becomes a gathering place where anyone can come. The third is the layer of rotating furniture . These divide each room in the office. When rotated, it turns into furniture for relaxing outside.
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浸透圧によってプランが変容
Offices for rent by the hour
高圧の状態
Entrance changes between daily life and after the disaster
回転家具が生活の軸に
Houses with courtyard
低圧の状態
When the office is rented by the hour, a single entrance is used and diffused to each room. At the time of housing, multiple courtyards serve as entrances to each house.
日常と災害時での動線と中心が変化する
Conference room with kitchenette
Houses with courtyard kitchen
A hub for meetings becomes a hub for dining courtyard kitchen and dining table. The fittings with tables willコワーキングスペースと光庭 rotate. What used to be a conference room table and a washroom in the kitchenette will become a住居と中庭キッチンへ転用
道沿いの会議室だったものが、個人の部屋になると読書会の拠点へ 中庭に向いた給湯室は、昼食のための土間キッチンへ
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Atrium to let in light and wind / Overhead view Wind blowing in from the courtyard / Wind analysis
Courtyard adjusting the living environment Breezes blow down from the atrium at the top of the courtyard. In addition, breezes blow through the arch hedges to the surrounding area. the public bath on the second floor is located around the courtyard. This allows fresh light and wind to enter the building without being seen by anyone.
flow of wind
Ahedge arch to protect residents from earthquakes and surrounding views Rotating furniture that opens outward and hedge arches wrap around people. It also cuts off sight lines from the surrounding residences while bringing light to the second floor. The hedge arch is connected to the second-floor slab. It will be a wall that receives seismic forces.
Building where wind escapes and greenery grows / collaged cross-section
Rotating furniture and hedge arches
Personal Desk 2 Personal Desk 1
Courtyard 4 Courtyard 6
Personal Counter
Entrance
Personal Desk 3
Courtyard 5
Entrance
Meeting Room 1
Hall
Courtyard 1
Meeting Room 2
Courtyard 3
Audio Room
Courtyard 2
Meeting Room 3 Meeting Room 4
Office for hourly rentals during daily hours / Plan 1F
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0
1
2
5
10m
Housing1-3
Housing1-1
Housing2-1
Courtyard Kitchen1
Housing4-1
Housing2-2
housing1-2 Courtyard Kitchen2
Housing4-2
Courtyard Kitchen4
Housing2-3
Courtyard Kitchen3 Housing5-1
Housing5-2
Housing4-3
Housing3-1 Housing3-2
Courtyard Kitchen5
Housing7-2
Housing6-2
Housing5-3
Housing7-1
Housing5-4
Housing6-1
Housing7-3
Courtyard Kitchen7
Courtyard Kitchen6
Housing6-3
Housing7-4
Housing7-5
Housing6-4
Post-disaster housing / Plan 1F
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0
1
2
5
10m
Entrance 2
Dressing Room2
Dressing Room3
Public Bath1
Public Bath2
Entrance 3
Courtyard 4 Courtyard 6
Dressing
Dressing Room4
Room1
Courtyard 5 Entrance 1
Shared Kitchen 1
Courtyard 1 Terrace
Courtyard 3
Courtyard 2
Entrance 4
Shared Kitchen 2
Main Entrance
Changing public bathhouse and shared kitchen / Plan 2F
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0
1
2
5
10m
A public bathhouse for men and women turns into a family bath Dressing Room 2
Men's public baths
Dressing Room 3
Dressing Room 2
Dressing Room 1
Dressing Room 5
Dressing Room 6
On a daily basis, the two public bathhouses are
Woman's public baths Family Bath1
Family Bath5
Family Bath6
divided into male and female baths. After the disaster, they will become seven baths that can be
Family Bath2
rented by the hour to each family. The location of the baths cannot be
Family Bath3 Dressing Dressing Room 1
Dressing Room 4
changed. By increasing
Room 3 Family Bath7
Dressing Room 7
Family Bath4
rooms, it will be possible
Dressing
to separate the baths.
Room 4
Two public bathhouses for men and women
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the number of changing
Seven family baths
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Expandable bellows binding
inch W ROLl PAPER, 339×246 2021
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Binding design that expands and contracts like an inchworm I thought of a book binding that expands and contracts. By folding it into a bellows, it becomes a compact book. By extending it, it becomes a long paper that can be read by a large number of people. Folding it into a bellows increases the strength of the paper and makes it easier to flip through. The simple binding regulates the gap between the book and the cover when opening and closing. I aimed to create a book that is easy to make, easy to read, easy to store, and easy to bind.
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