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T H E WO R L D ’ S B E ST- S E L L I N G H O M E S M A G A Z I N E INSIDE MILAN DESIGN WEEK

Chic

SOUTH AFRICA

&

Cosy

SOUTH AFRICA JUNE 2018

N°124 R41,00

Eco Escapes LUXURY GOES GREEN

N$41,00 NAMIBIA

Living Room Rules THROWS, SCATTERS, SOFAS & MORE

The Winter Style Edit BEAUTIFUL HOMES FROM CAPE TOWN TO AMSTERDAM

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Design + Performance and Legendary Performance Fabrics are trademarks and Sunbrella is a registered trademark of Glen Raven, Inc.

SU N B R E L L A .CO M

L EG E N DA R Y PE R F O R M A N C E FA B R I C S FA D E PR O O F / E A S Y C A R E / B L E AC H C L E A N A B L E

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CONTENTS

SPOTLIGHT

THE

12

MY STYLISH LIFE Pianist, vocalist and composer Thandi Ntuli on what inspires her, her favourite beauty product and her dream collaborations

14

DIGITAL The latest on DECO’s digital platforms

WI NTE R

18

TRENDS, INNOVATIONS, WORD OF MOUTH Olfactory art, photography, classic Swiss modular furniture, botany and fabulous throws

26

PREVIEW Cape Town’s new Norval Foundation displays artworks in a unique setting which is itself an aesthetic triumph

34

MILAN DESIGN WEEK This year’s event featured incredible offerings from some of the world’s most imaginative designers

40

SHORTLIST Architect Sumayya Vally on her favourite things

IS SUE

SHOPPING 46

TREND ALERT Contrasting tones, coloured transparencies and futuristic pieces are hot this season

50

ETCETERA Create a curated feel in your living area with statement side-tables

54

TOOLBOX Great ideas for adding warmth to your living area during winter

76 34 HOMES 64

ROOM TO BREATHE A modern barn home in suburban Jo’burg is simple, but luxurious

76

URBAN HAVEN Artist Galia Gluckman’s Cape Town abode combines contemporary comfort with artistic flair

86

INFINITY AND BEYOND A seaside retreat in the foothills of the Banks Peninsula in New Zealand merges seamlessly into its magnificent rural surrounds

96

THE LIGHT OF DAY A house in the middle of Amsterdam brings eco-friendly ingenuity and traditional warmth into a compact space

26

www.elledecoration.co.za

T H E WO R L D ’ S B E ST- S E L L I N G H O M E S M A G A Z I N E

116 TRAVEL Deluxe, green resorts around the world where both guests and the environment are well cared for

INSIDE MILAN DESIGN WEEK

120 WEEKEND GETAWAY Fabulous restaurants, accommodation and fashion in SA Chic

SOUTH AFRICA

&

122 FOOD AND DRINK The latest restaurant offering from Chef James Diack 126 ICON: ANDREW TSHABANGU An examination of photographer Tshabangu’s life’s work

Cosy

128 GARDENS Top tips for planting indoor bulbs for spring UTH RICA E 2018

124

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Eco Escapes LUXURY GOES GREEN

00

Living Room Rules THROWS, SCATTERS, SOFAS & MORE

The Winter Style Edit

COVER IMAGE BY KASIA GATKOWSKA

130 LAST LOOK The Bouroullec brothers’ exquisite Alcova collection of molten-glass vases, alcoves and backs

PHOTOGRAPHS KASIA GATKOWSKA, ADAM LETCH

LIVING

Danish design - directly to you

Harper

ZAR 15,899,-

Showrooms in Cape Town and Johannesburg

PUBLISHER’S NOTE

x @khanyidhlomo

Versace dress R21 895 Steve Madden shoes R1 499 Thula Sindi dress Khanyi’s own Roller table lamp R10 000, Legs11 powder-coated stool R3 900 (excluding fabric) and Nesting bronze crescent table R9 500, all Studio 19 Diamond Shuttle Weave Dhurrie carpet R2 995, Weylandts

‘June is also Youth Month, when we celebrate the dynamic, resilient and confident generation of South Africans who are coming up as our future leaders, artists, social architects and visionaries’

6 ELLEDECORATION.CO.ZA THE WINTER ISSUE

t the risk of outraging lovers of Northern Hemisphere winters, I have a confession to make: I’ve never really understood the fuss made of white winters, with snow-covered landscapes, icy (and treacherously slippery!) roads, icicle-covered windows and not a hint of colour, other than the odd twig or hedge. While I appreciate the beauty of snowscapes on postcards and in movies, I’m too much of an African to imagine winter without our gloriously blue skies, our frosty, crystalclear early mornings and – above all – the searing loveliness of the veld, with its profusion of pale russets, creams, browns and greens, and the sight of thorn-tree branches twisting upward and outward, as if in communion with a force above. The colours of Africa at this time of year are arguably even more beautiful than they are in summer.

In this issue, we celebrate the cold season in our country with a look at interiors that exude warmth, earthiness and comfort. We also feature homes in Cape Town, New Zealand, Johannesburg and – strikingly – Amsterdam, where the fusion of imaginative brilliance, practicality and traditional touches has created a unique dwelling that speaks to the aesthetic heritage of Holland, but is also firmly in the 21st century.

And if the chilly weather’s leaving you dejected, try a weekend escape to the verdant KwaZulu-Natal Midlands, where the hills and gentle, ethereal mist transport visitors to a time and ethos beyond the here and now. The area’s dotted with great little eateries and hotels where you can enjoy a mid-year break, indulge in comfort food and lose yourself in the vast openness of the landscape.

June is also Youth Month, when we celebrate the dynamic, resilient and confident generation of South Africans who are coming up as our future leaders, artists, social architects and visionaries. They offer boundless hope and reassurance that the future of our country is in good hands.

Have a great month!

PHOTOGRAPH SHAUN MALLETT; MAKE-UP BY CLARA BANX

@KhanyiDhlomo

Bryanston, Sandton.

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‘Beautiful design is everywhere, often in unexpected places’

eautiful design is everywhere, often in unexpected places. Even at peak information overload during Milan Design Week, when there were ever more mind-bending new collections of chairs (can there ever be enough of those?), lights, rugs – you name it – to take note of in one showroom or gallery after another, there were also the pauses in between when I’d unwittingly stumble on something so lovely that it took my breath away. Often, it was while what felt like trespassing: wandering through one of those huge arched doorways endemic to the city, drawn in because of the particular hue of pink marble on the floor, or a brush of wisteria across the entrance. Inside, there’d invariably be a small satellite installation or pop-up shop, people milling around with glasses of Prosecco and Instagramming with abandon. It’s admittedly hard to distill all the impressions gathered during a full week of design immersion (for that’s exactly what Milan Design Week is all about), but in this issue, we offer a glimpse of some of the many wonderful things that stood out (and there’s a whole lot more on Elledecoration.co.za).

Returning to Cape Town coincided with the opening of the much-anticipated Norval Foundation, which seemed to be on the radar of many design cognoscenti even in Milan. And with good reason. Dhk Architects’ monumental building, which also happens to sit lightly on its sensitive eco-site, adds to the all-important conversations about architecture and public-use space in this country while providing the scale required to exhibit some equally colossal (in size and significance) works of art. See our overview of the building, its collections and the team behind it all.

Each of the homes in this issue celebrates beautiful design, but perhaps more pleasingly so the two local abodes featured: a super-chic Johannesburg project taken on by interiors maven Julia Day of Generation and the inspiring family residence of Cape Town-based artist Galia Gluckman, which is filled with her striking works. It’s a firm reminder that South African style holds its ground anywhere in the world.

leigh.robertson@ndalomedia.com x @lil_robertson

ADAM LETCH Architectural photographer Adam Letch has a background in fine art, which translates into strong visual compositions of the built environment, as seen in his images captured at the Norval Foundation. While a long-term resident of Woodstock in Cape Town, his recent assignments have taken him from North America to Australia. Nevertheless, he always finds time to trawl at least one indie record store for unique vinyl finds.

8 ELLEDECORATION.CO.ZA THE WINTER ISSUE

FIONA DAVERN Journalist Fiona Davern, who profiled Chef James Diack’s new restaurant in Melville on our food and drinks page, has been in the magazine world for almost 20 years. When she’s not on the hunt for ideas or crafting her blog (foxtrotindigo.com), you’ll see her out and about exploring Johannesburg’s latest restaurants and hangouts.

SHARON SOROUR-MORRIS Seasoned journalist Sharon Sorour-Morris has been working with words for nearly three decades, but she’s still inspired by stories like the one she wrote on artist Galia Gluckman’s home. It featured many of the things that make Sharon’s heart sing, including art, architecture, design, style, a talented woman at the top of her game and oldfashioned family values.

PHOTOGRAPH ADAM LETCH

ED-IN-CHIEF’S NOTE

PUBLISHER & CEO: NDALO MEDIA

Khanyi Dhlomo EDITOR-IN-CHIEF

Leigh Robertson ASSISTANT EDITOR

Ntombenhle Shezi MANAGING EDITOR

Karen Tennent DECOR DECOR STYLIST Sanri Pienaar DECOR INTERN Pieter von Wielligh

ART CREATIVE DIRECTOR Marushka Stipinovich DESIGNER Lauren Brits

EDITORIAL & PRODUCTION COPY EDITOR Gwen Podbrey PRODUCTION CO-ORDINATOR Karen Buys CONTRIBUTORS Mila Crewe-Brown, Fiona

DIGITAL GROUP DIGITAL STRATEGIST Kim Garner GROUP DIGITAL DESIGN DIRECTOR Neo Mutuma DIGITAL DESIGNER Precious Mphoreng MULTIMEDIA PRODUCER & DIGITAL DESIGNER Karabo Maboe CONTENT PRODUCERS Palesa Kgasane MULTIMEDIA JOURNALIST Lufuno Ramadwa

Davern, Estee Kershoff, Mary Maurel, Sharon Sorour-Morris, Jessica Spiro, Hilary Prendini Toffoli

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“Interesting things happen when the creative impulse is cultivated with curiosity, freedom and intensity.”

Saul Bass Award-winning American Designer

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MY STYLISH LIFE

x @thandi_ntuli PHOTOGRAPHS TSELISO MONAHENG, GALLO IMAGES/GETTY IMAGES/ALAMY, COURTESY OF TYBURN GALLERY

thandintuli.com

Born and raised in Soshanguve, Tshwane, Ntuli‘s equally proficient as a pianist, vocalist and composer. Her new album, Exiled, explores the ideas of exile and displacement as a state of being in love, society and spiritually. On it, she‘s stretched herself by combining electronic elements in a way that challenged her from a production perspective, and showcases her piano skills over 15 tracks – including the radio hit ‘Cosmic Light’. ‘I see art as an arsenal, and love and music are my weapons of choice,’ she says.

What are you inspired by at the moment? Mam’ Winnie MadikizelaMandela’s legacy, the Internet and all the possibilities it presents (even though it poses many challenges to creators), as well as my nieces’ and nephews’ growing minds and the way they’re developing a greater sense of identity.

Go-to scents? I love frankincense, sandalwood and white sage incense. I like my soaps fresh, rather than fruity. I love the aroma of coffee, although I’m not a big coffee-drinker, and lemongrass is one of my favourite oils.

Artists’ works you’d like to see hanging on your wall? Malcolm Jiyane, Lina Iris Viktor and Lady Skollie.

The decor trend you’re loving right now? I’m not sure if it’s a trend, but plants, plants, plants. I love the way they make my environment feel and I like having my space charged with that good energy.

12 ELLEDECORATION.CO.ZA THE WINTER ISSUE

Most iconic style moment? When I realised that my mom was way ahead of her time. She wore (and still wears) African cloths with striking prints, doeks and beaded jewellery long before it was ever fashionable. I’ve always known her to dress that way. That affirmation of her love for who she is as an African woman and being comfortable enough to express herself through her fashion choices really inspires me.

An important part of your everyday style? Comfort.

What’s on your decor wish list? Does a Grammy count as decor!? I adore beautifully carved furniture, so I’d love to have that in my home.

The book that changed your life?

The Go-Giver by Bob Burg and John D Mann, which laid a foundation for how I approach my journey as an entrepreneur.

It‘s helped me try my best to operate in a ‘what can I get?’ environment with a ‘how can I serve?’ attitude: in that way, I can always be happy with the choices I make.

I recommend it to anyone wanting to build an ethos of ethical business practices.

Favourite beauty item? MAC’s Instigator lipstick. Lipstick is my favourite beauty item, mostly because I don’t wear much make-up on a normal day, other than mascara and some colour on my lips.

Artists (dead or alive) with whom you’d love to collaborate? Oumou Sangaré, Stevie Wonder, Michael Jackson and Busi Mhlongo.

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The winner of the 2018 Standard Bank Young Artist Award for Jazz, Ntuli’s style is greatly influenced by the way her mother expresses herself through her proudly African fashion choices

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THE STYLISH LIFE OF THANDI NTULI

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Winnie MadikizelaMandela

‘Khoisan Kween Mother’ by Lady Skollie

Malcolm Jiyane

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DIGITAL

EXPERT OPINION

GO GREEN

The opening of the Norval Foundation in the Steenberg area of Cape Town marks an increased appreciation of art in the country. Don’t miss our video, where we speak to the Executive Director and curators about the space.

From sustainable abodes to eco-friendly resorts and helpful how-to’s, we celebrate World Environment Day on 5 June with a range of features relating to the preservation of our precious planet.

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GREAT MINDS

BEHIND THE SCENES With its thoughtful detailing, relaxed aesthetic and refined, yet understated interiors courtesy of designer Julia Day of Generation, this month’s Johannesburg home epitomises sophisticated simplicity. Take a video tour through this urban barn house in Inanda Estate to discover more.

x @ELLE_DECO b ELLEDECORATIONSA d ELLE_DECOSA a @ELLE_DECO

PHOTOGRAPHS ADAM LETCH, ELSA YOUNG, CRISTINA CELESTINO BY MATTIA BALSAMINI

The annual Salone del Mobile in Milan presents the ideal opportunity for innovative collaboration between designers of iconic brands, so we’ve rounded up the projects that made a huge impact at this year’s showcase.

Get the inside scoop on all things interior, design, decor, travel, food and art by following ELLE Decoration on Instagram at @elle_deco.

MEIR BLACK The Bathroom Collection

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SPOTLIGHT PHOTOGRAPH COURTESTY OF KETTAL; BITTA DINING ARMCHAIR DESIGNED BY RODOLFO DORDONI

ARCHITECTURE • DESIGN • ART • CULTURE • PEOPLE • PL ACES

Start with a showcase of innovations, covetables and creatives (p18), then get a glimpse inside Cape Town’s art complex the Norval Foundation (p26), see our highlights of this year’s Milan Design Week (p34) and meet architect and lecturer Sumayya Vally (p40)

PHOTOGRAPH DAVID ZANARDI

MONUMENTAL DISPLAY An installation that examined water in all its changing forms, Altered States by Snarkitecture ft Caesarstone exhibited at the Palazzo dell'Ufficio Elettorale di Porta Romana during Milan Design Week, where visitors were guided through an immersive experience of a conceptual kitchen island, which was surrounded by seating platforms formed from Caesarstone’s new Metropolitan series. Two spheres of ice were positioned on a central island and melted into water, cascading down Caesarstone slabs onto a hot surface, resulting in steam. The brand’s aim was to ‘ inspire architects and designers to think about the future of the kitchen and use our material in new ways’. snarkitecture.com

SPOTLIGHT: TREND

A stylish blend For an updated winter look, juxtapose organic materials and warm, natural tones with crisp white, black and metallic additions

(clockwise, from top left) ‘The Window II’ artwork by Rosie Mudge R23 500, Smith Studio; Ohio vase R7 300 and Arizona bowl R10 200, both Casarredo; Norika side-plate R315, Esque; Gear candleholder

by New Works from R1 350, Establishment.co.za; Jackalberry trestle dining table R128 500, Kuni; Lume candleholder

by Bosa R3 050, Limeline; ‘Backbone’ sculpture by Adam Birch R82 800, Southern Guild; Tasili rug by Gan from R8 955 and T- Table Special Edition coffee table by Bosa R14 650, both Limeline; NXZX basket R414, Ilala Weavers; Joburg armchair 2 R9 706 David Krynauw

SURFACE APPEAL For all the kitchen trends and tech innovations that will shape the design scene in 2018, turn to Caesarstone’s latest book, Caesarstone: Kitchen Trends. The brand presents four stories ranging from lifestyle and cultural trends to surface treatments and finishes that will not only give you insight into current decor aesthetics, but also reveal the way in which kitchens have become the hub of the home. Complete with useful pop-out colour and material palettes, Caesarstone: Kitchen Trends is a great resource for design aficionados. caesarstone.co.za

She might be more readily associated with the raw cowhide that dominates her artistic output, but Nandipha Mntambo has expanded the scope of her work to include that of fragrance. The Swazi-born artist, widely celebrated for her body of work spanning performance, photography, video, printmaking and painting, has collaborated with master perfumer Tammy Frazer to create a limited-edition offering, titled ‘Dissonance’, that defies convention.

With just 20 of the leather-packaged ‘artist’s boxes’ produced, each edition comprises a hand-blown glass bottle by David Reade, perfume by Frazer and two gold-leafed lithographic prints by Mntambo. ‘Tammy was intrigued by the possibility of creating a scent that would evoke the feel of the work I make in cowhide,’ she explains. ‘Obviously, we couldn’t make a fragrance that smelt of raw cowhide, as it had to be something people would want to wear, but Tammy’s idea was that it should in some way suggest the material. The name “Dissonance” came quite easily, as it evokes the inherent contradictions of the idea, and the differences in our professional backgrounds.’ Enquiries via robertsherwooddesign.com.

PHOTOGRAPHS KATHRIN SHAFBAUER

SENSORY INTERSECTION

SPOTLIGHT: WORD OF MOUTH

Soft touch DECO loves the beautiful new product ranges by Cape Town-based textile company cowgirlblues, crafted with fine local yarns using traditional methods. From delicate, wearable knits to ultra-chic textured throws, there’s an innate luxuriousness to every item, thanks not only to the sumptuous blends of kid mohair with silk or merino wool, but also to a sense of each creation being unique.

Individually hand-dyed, the collections draw on a palette inspired by the local landscape. cowgirlblues.co.za x @cowgirlblues

PILLOW GOALS Give your furniture an instant update with a mix-and-match selection of pillows by Skinny la Minx. The Cape Town design studio has launched its Colour Pop Pillows, consisting of 12 cushions in a distinctive MidCentury palette of petrol blues, dirty pinks, burnt orange, chartreuse and cocoa, all with co-ordinating piping. skinnylaminx.com

THE NEW BOTANY Discover the fascinating world of flora in The Accidental Botanist (Clearview), a captivating book by Zimbabwe-born adventurer and plantsman Robbie Honey, lavishly illustrated not with professionally taken images, but with impressive captures from his iPhone. With a background in horticulture, interior design and photography, as well as in floral design for luxury brands ranging from Valentino to Dior, Honey counts lecturing among his current occupations and has also developed a collection of scented candles. This unique photographic book presents an artistic, modern take on traditional botany and is a must-have for lovers of the natural world. x @RobbieHoney

THE WINTER ISSUE ELLEDECORATION.CO.ZA 21

THE SHAPE OF CLAY

You’re currently working with clay.

Do you use other materials?

I have lots of ideas for things I want to create, so I wouldn’t want to limit myself to one way of making them. I love making my own clothes and bags, and I occasionally do beading, photography, graphic design and mosaics.

Each of your pieces is handmade and therefore unique. How important is this to your design process?

It’s super-important because I can never make the same piece twice. Even if I try to replicate a shape, it will always end up being different in some way. As I make more pieces, I’m slowly realising how each work seems to develop from the previous one.

Tell us about your vases and what inspired their almost totemic shapes.

I didn’t intend my pieces to have a totemic or symbolic feel to them, but if that’s what you see, then I’m very happy!

I’m Jewish and I feel that sometimes, subliminally, my shapes resemble Jewish symbols or objects, like a Chanukiah, for example. Then there are certain aspects of the making of ceramics that are completely out of my control. I have control over the shapes I create, but I can’t control the way my pieces shrink slightly in the kiln, or how the glazes react to the clay. That’s up to nature.

PHOTOGRAPHS LAUREN BRITS, KARL NORLUND

A prodigious young artist whose work ranges from photography to his current collection of earthy ceramics, Cape Townbased Ben Orkin goes by the moniker Nebnikro (his name spelt backwards) and, although currently living with his parents, dreams of one day filling his own apartment ‘with beautiful furniture and pottery, and everything I love and have collected or made myself ’. DECO checked in to discuss his work and the design philosophy behind it. x @nebnikro

SPOTLIGHT: INNOVATION

GREEN DESIGN LESSONS Stockholm-based designer Monica Förster has made a career of bringing a modern Swedish sensibility to creating furniture and objects for high-end producers around the world. For recent projects with Bosnian company Zanat – with its focus on designing pieces that respect the environment, creating jobs and preserving traditional skills – as well as developing a new line of products made from recycled materials for Swedish furniture company Swedese, Förster’s been exploring multiple angles of what it means to design sustainably in the 21st century. ELLE Decoration Sweden’s Designer of the Year in 2015, Förster won another ELLE Decoration Sweden Design Award in 2018 for Best Interior Accessory for her Nur hand mirror for Zanat, a work of functional art with a carved base. Behind it is a story that begins with a traditional hand-carving technique, Konjic woodcarving, recognised as part of the world’s cultural heritage

by UNESCO in 2017. Zanat’s sustainability practices have had a positive effect on Förster’s own work process too. ‘I’ve become more aware and also try to influence other producers to move along this path,’ she says. ‘Collaboration and exchanging ideas is a great way to learn and grow.’ monicaforster.se, zanat.org

FORM FOLLOWS FUNCTION Iconic Swiss brand USM Modular Furniture has arrived in Johannesburg, with a newly opened showroom in Hyde Square offering devotees of contemporary design a wide range of its classic modular pieces, whether for offices or living spaces.

The furniture system was developed five decades ago by engineer Paul Schärer and architect Fritz Haller, combining a practical and modern aesthetic with a slick industrial edge, and its enduring style has led to its inclusion in the collection of New York’s Museum of Modern Art. Shop 10, Hyde Square, cnr North Rd & Jan Smuts Ave, Dunkeld West THE WINTER ISSUE ELLEDECORATION.CO.ZA 23

I M A G I N E

M O R E

LOVE AT FIRST SIGHT, AGAIN AND AGAIN LOVE WHERE YOU LIVE What is love? The shot of excitement; that feeling of butterflies in your stomach; the sheer thrill of finding that exquisite new couch and discovering how everything else in the room just fits. Now that’s a feeling you want to have every day.

Available from your nearest @homelivingspace.

New Furniture Catalogue available mid June. Get yours in store or view online.

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ART

GA M E - CH A N G E R Cape Town’s imposing new art complex, Norval Foundation, aims to put South Africa firmly on the global cultural map TEXT HILARY PRENDINI TOFFOLI PHOTOGRAPHS ADAM LETCH PHOTOGRAPHER’S ASSISTANT CARA GILLOUGLEY

FEATURE

this page (from left) One wall of Norval Foundation’s 9m-high sculpture gallery is glass and looks onto the back of Table Mountain; the curvaceous slatted-wood reception area was designed and manufactured by dhk Architects; a collection of Edoardo Villa’s work is on display, including his spiky colossus ‘Africa’, which was last seen in public in 1960. opposite A Villa retrospective from 1958 onwards fills the huge sculpture gallery.

earness to nature is what gives Norval Foundation its edge. This monumental new art museum in Cape Town faces the heart-lifting Steenberg Mountains and lies against a carefully preserved wetland, one of whose well-known inhabitants is the western leopard toad.

You can hear its call from the museum’s restaurant deck.

The survival of this endangered amphibian has been of almost as much concern to the designers of the magnificent three-storey concrete, glass and granite structure as its nine state-of-the-art galleries and its extensive storage vaults for the art collection of the visionary behind it all, property magnate Louis Norval.

It’s a project that took six years to reach fruition. Creating the museum’s undeniably world-class facilities involved several trips to the globe’s great art establishments, to which Norval took his partner, Mareli Vorster, and Senior Curator Karel Nel. ‘Louis wanted a destination museum away from the city centre, where people could have a four-hour visit enjoying the art, a meal, the sculpture garden and the shop,’ says Nel. ‘He wanted it to be family-friendly, so there are even picnic baskets that people can take out into the sculpture garden.’

One of the foundation’s aims is to reposition South African artists no longer in the public eye so that they can be discovered by new generations of art-lovers, both local and foreign. Which is why Nel – himself an internationally known, Johannesburgbased artist with a sculpture background – has focused on two of the country’s inspired early sculptors for one of the museum’s opening exhibitions. This is the first-ever major retrospective of Ezrom Legae and Sydney Kumalo.

Seamlessly fusing African sculptural traditions with European modernism, their finely finished bronze figures provide a haunting visual commentary on black life during the dark days of apartheid. The exhibit runs until the end of August.

They honed their talents in Edoardo Villa’s studio and a collection of his work is here too: his spiky 6,7m colossus, ‘Africa’, surrounded by numerous smaller works. Nel says that ‘Africa’ was last seen in public in 1960 at Johannesburg’s Milner Park showgrounds.

THE WINTER ISSUE ELLEDECORATION.CO.ZA 27

“Nearness to nature is what gives Norval Foundation its edge�

FEATURE

this page From left are curators Owen Martin and Khanyisile Mbongwa, Executive Director Elana Brundyn and Senior Curator Karel Nel. opposite (clockwise, from top) Michele Mathison’s ‘Volition’, 2017, is one of 12 works in the sculpture garden; glass, concrete and granite combine in the three-storey structure designed by Derick Henstra and his team at dhk Architects; Serge Alain Nitegeka’s installation is in the centre of the building; ‘Again Again’ (monumental), 2016, by Brett Murray.

Now relocated from its former home at the then Iscor headquarters, it’s made of black 5cm-thick powder-coated steel and weighs seven tons. Fortunately, the museum’s concrete floor can take up to eight tons. At 9m high, this sculpture gallery must be the most voluminous art space in the country. One wall is glass, and looks onto the back of Table Mountain.

Cecil Skotnes mentored artists like Legae and Kumalo at Polly Street Art Centre in Johannesburg, one of the apartheid era’s few schools for black artists. So the Norval Foundation restaurant has been named after him, with one of his famous carved and painted panels installed in the bar on the floor above.

The decor in this elegant, double-volume restaurant was done by Pretoria-based interior design company Reddeco. Here, you can enjoy both the view and the classic South African dishes dreamed up by Phil de Villiers, former chef at Primal Eatery, Eat Out’s Best Steakhouse of 2017. Then you can walk out onto the deck overlooking the sculpture garden.

Dotted among fynbos planted by Keith Kirsten’s gardeners is a variety of contemporary pieces: Brett Murray’s ‘Again Again’ (monumental), 2016 Pop Art bulls; a striding yellow figure by Nigerian sculptor Victor Ehikhamenor aptly titled ‘The Unknowable’; Wim Botha’s cluster of disembodied wings emerging like birds from the water below.

However, of the 12 sculptures on display, it’s Angus Taylor’s whimsical, stone-stacked giant that makes the biggest impact. The colossus lies on his back in what looks like a tricky yoga pose, one leg stretched almost 7m into the air. He’s irresistible, especially since the Belfast granite rocks of which he’s made look as if nature put them there. Taylor named him ‘Holderstebolder’, an Afrikaans word meaning ‘head over heels’, derived from the Dutch word holderdebolder, which suggests the noise of rolling boulders. The sculpture’s a clever, modern take on the prehistoric tradition of heaping boulders together as markers. Taylor says that the appeal of the local stone from around his Pretoria-based studio is its humility: ‘Stone has a profound history written in the material itself. It has an “is-ness”, or tzu-jan. It tells a narrative, if you know how to read it,’ he explains.

In the heart of the building, another giant artwork fills a double-volume atrium.

This dauntingly massive labyrinthine tangle of black wooden planks represents the traumatic border crossings traversed by its internationally recognised Burundian creator, Serge Alain Nitegeka, on his journey here. It boggles the mind.

Various inaugural exhibitions have been mounted. Pulling at Threads, curated

by Owen Martin, includes a William Kentridge tapestry made by Marguerite

THE WINTER ISSUE ELLEDECORATION.CO.ZA 29

this page (clockwise, from top left) Included in the building is the Skotnes Restaurant, an elegant addition named after Cecil Skotnes and headed by Executive Chef Phil de Villiers; the menu pays homage to traditional local cuisine, as seen in De Villiers‘s reinterpretation of bobotie; one of Skotnes‘s iconic carved wooden panels decorates the bar; chic furniture by Guideline is present throughout. opposite A woven chandelier by Ashlee Ainsley Lloyd complements the ceiling by Pro Timber.

Stephens. Spectrality, Sorcery and the Spirit has been curated by Portia Malatjie and US, THEM & I by Khanyisile Mbongwa.

With open-plan administrative oices upstairs and a research library stocked with digitalised South African art books, the building itself has the feeling of an artwork. Designed by Derick Henstra and his team from dhk Architects, it’s a deceptively simple, elongated construction enlivened by random, laser-cut detailing that provides texture against off-shutter concrete.

A floating roof structure houses solar power, while the granite-clad podium supporting the building has parking for 150 cars, as well as extensive environmentally controlled storage space for Norval’s art collection. It includes works by major South African artists such as Irma Stern, Alexis Preller, Maggie Laubser, Gerard Sekoto, Deborah Bell, Peter Clarke and Dumile Feni, as well as John Meyer’s famous 14 Boer War paintings.

Then there’s the shop. Also a large space, it’s filled with home- and bodywear from a range of South African brands – Dismoi, Fabrikate Studio, Willowlamp, Shweshwe Baby and Chapman Collection, to name a few.

The executive director of it all is Elana Brundyn. An art professional who founded her own Cape Town gallery over a decade ago, before joining the development team of Zeitz MOCAA, she’s passionate about what she sees as the new perspective this impressive venture will add to the cultural legacy of the African continent. Q norvalfoundation.org Entry to the museum costs R140 for over-18s and is free on Mondays. Admission for under-18s is free at all times.

FEATURE

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MISSONI HOME Now you can match your interior mood to your Chinese horoscope character or to suit 2018’s Year of the Dog with Missoni Home’s riff on the artworks by Piero Zuffi, depicting a series of zoomorphic figures with mythological masks. The collection includes smalls like embroidered cushions in printed cotton satin and velvet, as well as furniture like the Tektonic modular sofa, elegant dining chairs, a wooden coffee table and a tufted rug gently engraved in delicate grey hues.

OBSERVATORY

by Lee Broom Broom electrified Milan with his spectacular Observatory presentation, revealing progressive lighting collections that mark a new direction for the British designer.

The celestial-inspired designs feature customised LED lighting systems and bulbs, and play with proportions of vertical and horizontal space, spherical form, and the refraction and reflection of light. From the Eclipse pendant lights that live up to their beguiling name with a system of mirror-polished chrome and acrylic discs that interact and obscure, to the Orion modular tube lights with opposing opaque and polishedgold spheres, and the show-stopping scalable Aurora chandelier, Broom‘s creations represent a heavenly constellation of future design favourites.

REPORT-BACK: MILAN DESIGN WEEK 2018

NILUFAR GALLERY

by Nina Yashar Yashar’s Nilufar Gallery presented a post-modern Renaissance-inspired space, characterised by lively colour combinations and an array of directional pieces by contemporary designers promoted by the gallery, including Sabine Marcelis’ chandeliers, Bethan Laura Wood’s Sputnik floor lamps and Roberto Baciocchi’s opulent furnishings.

#ohsomilano From the mega halls of high-end furniture at Salone del Mobile to the city’s vibrant design districts – each boasting its own inspiration-packed exhibitions and installations – Milan Design Week is where it’s at to pick up on new directions and catch the latest launches by both the established and rising stars of the design world. We present some of our highlights from this year’s unrivalled feast of design perfection, provocation and innovation COMPILED BY LEIGH ROBERTSON

CHEZ NINA by India Mahdavi x Nina Yashar Architect and designer Mahdavi’s collaborative forays with illustrious French brands de Gournay and Pierre Frey couldn’t have been better showcased than in the lush private-club atmosphere of Chez Nina, named after Nilufar Gallery founder Yashar and boasting a selection of vintage and contemporary items sourced from her collection. Benches upholstered in Mahdavi’s True Velvet range for Pierre Frey, silk tapestries by de Gournay, two-tone glass coffee tables, Gio Ponti’s Casa e Giardino armchairs and rare lamps set the scene for chic drinks.

TRAM CORALLO

by Cristina Celestino Celestino literally took to the streets with her modern re-imagining of Milan’s historic trams: a fantastical travelling salon in a streetcar from the 1920s. Plush seating, abundant drapes and soft, inlaid carpeting in dominant tones of coral, aqua green and grey created the ambience of an elegant sitting room. Finishing touches like ottomans inspired by antique jewellery boxes and a table lamp in brass and blown Murano milk glass add to the cool, quirky charm of Celestino’s interior aesthetic.

PET LAMP RAMINGINING SEKU

by Sebastian Herkner for Moroso A striking addition to Moroso’s M’Afrique collection, Herkner’s Seku lounge chair makes a big statement with its hand-woven polyethylene strand cover, flashy shades and distinctive shape.

PET Lamp merges the re-use of PET plastic bottles with traditional weaving techniques from across the globe in order to create unique handmade lampshades. Founded by designer Alvaro Catalán de Ocón, the project’s latest manifestation was co-designed with indigenous artisans from Ramingining in Australia’s Northern Territory and incorporates symbols from the community‘s paintings.

SIX PROJECT Milanese design workshop SIX combined a versatile creative space and bistro with the launch of its own furniture and product range by founders David Lopez Quincoces and Fanny Bauer Grung. SIX Project comprises a collection of lamps, armchairs, tables and coffee tables characterised by natural, neutral forms and a palette based on the tones and textures of an American desert. Chairs and tables feature combinations of walnut, maple and myrtle briar with bronzed-brass legs and lacquered bases in mustard, maroon, dark green, pink and blue, and lamps in brass and Murano blown glass.

REPORT-BACK: MILAN DESIGN WEEK 2018 MARNI LA VEREDA Fashion label Marni channels the colours, mood and traditions of Colombia’s veredas – the tiny urban settlements that develop around clusters of houses – in its range of furnishings and accessories.

Crafted with Colombian artisans, the brand’s chairs get an update by way of unexpected shapes and finishes with a loom-woven effect, matched with wicker-and-plastic baskets and papier-mâché-and-bead hens. Marni’s annual Salone del Mobile project helps to raise funds for a children’s charity and community-focused projects.

CASA MODERNISTA

by Doshi Levien for Moroso A revamp on a classic, the British design duo’s Casa Modernista sofa for Moroso sports a deeper, more welcoming seat and a boldly modern palette.

YUMI by Niels Bendtsen for Moroso A tubular structure traces the profile of the whole range of lounge chairs, dining chairs and coffee tables in Bendtsen’s Yumi collection for Moroso. In the case of the chairs, the tubular frame supports a wrap-around back that can be woven or padded.

THE RISING

by Francesco Librizzi for DVNE The Rising, designed by Librizzi for DVNE, had the effect of a delightful diversion on a busy street intersection in Brera, effectively creating a pedestrian courtyard and an invitation to look up and be dazzled by the shimmering chromatic effects of the aluminium-surfaced ‘sun’.

THE WINTER ISSUE ELLEDECORATION.CO.ZA 37

BVLGARI INSTALLATION Luxury brand Bvlgari welcomed visitors into an abstract universe in its stunning labrythine installation in the Brera design district, while its Mirror Cube exhibit, installed in the garden of Bvlgari Hotel Milano, created a dream-like space as part of the luxury Italian brand‘s Reinventing Design Rules journey.

GIARDINO DELLE DELIZIE

by Cristina Celestino

WIENER BOX by Cristian Mohaded for GTV Woven cane – Gebrüder Thonet Vienna’s signature feature – fuses harmoniously with wood and metal, becoming a characteristic element of the classic Wiener Box coffee tables by Mohaded.

Fornace Brioni’s new tile collection designed by Celestino takes its influence from the grottos of Italy’s Renaissance gardens, drawing on ornamental elements such as seashells to delightful visual effect. In glazes ranging in hue from candy pink to raspberry and mint green, the individual tiles interact to generate sophisticated geometric designs.

WOODY COLLECTION by Philippe Starck for Kartell ‘WOODY answers a desire and also a need for wood,‘ says French industrial designer Starck of his latest collection for Kartell, which consists of the Kingwood armchair, the Queenwood chair and the Princesswood armchair and footrest.

‘After more than 30 years of research, we’ve finally created wooden seats that really express, thanks to the alliance with plastic, the true essence of wood.’

TOY MOSCHINO

by Jeremy Scott for Kartell In TOY Moschino, the iconic Moschino bear – re-launched

by Scott, at the helm of the fashion house since 2013 – becomes a lamp for Kartell that interprets the playful and irreverent style that the two brands have in common.

REPORT-BACK: MILAN DESIGN WEEK 2018 TAPIS ROUGE ATELIER x Askeri Design The sketches of designer Angelina Askeri are brought to life in this richly hued, sumptuous collection of carpets produced in collaboration with rug atelier Tapis Rouge. Askeri’s designs draw inspiration from the language of Art Nouveau and the geometry-infused motifs of Russian artists Wassily Kandinsky and Kazimir Malevich. Hand-woven in Nepal and combining New Zealand wool and Chinese silk with shimmering silver and gold threads, each rug is a striking work of art in its own right.

TARGA

by GamFratesi at GTV Storied brand Gebrüder Thonet Vienna continues its successful collaboration with the Italian-Danish duo GamFratesi (established

by Danish and Italian architects Stine Gam and Enrico Fratesi) with a new modular sofa for the renowned Targa upholstery collection.

PERFECTLY IMPERFECT by Dimore Studio In an installation titled Perfettamente Imperfetto, Dimore Studio’s Emiliano Salci and Britt Moran presented signature furniture pieces and objets d‘art inspired by the salons of Milan and Rome in the 1960s and 1970s. The creations stand out for their unique stylistic fusions and considered use of materials, combining bamboo and Viennese woven cane with bronze, polished brass and wood, and drawing on a dark, moody palette.

THE WINTER ISSUE ELLEDECORATION.CO.ZA 39

SHORTLIST

1. ALICE'S ADVENTURES IN WONDERLAND BY LEWIS CARROLL

x @sumi_v

Many books have moved me, but the impact that fiction had on my young mind was life-changing. Alice's Adventures in Wonderland opened a door to my imagination.

@_counterspace @gsa_unit12 gsa.ac.za

2. THE OLD PALACE SECTION OF THE TAJ MAHAL IN MUMBAI, INDIA

Architect, lecturer and co-founder of experimental architecture and research firm Counterspace, Vally discusses a few of her favourite things

The Rothko Room

Glove clutch

Kassena cabinet The Old Palace section of the Taj Mahal

Vally’s preoccupation with digital collage and adopting a forensic approach to space illuminates her obsession with deconstructing and reconstructing images and space. Whether unpacking Johannesburg through a microscope or via satellite imagery, her interests lie in exposing and working with invisible parts of the city. Both her practice and teaching studios are focused on imagining and awakening a uniquely Johannesburg and African design language.

‘Rather than “solving”, I’m interested in asking, posing and forging questions about territory and identity in design in Johannesburg,’ she says. In 2015, Vally co-founded the experimental architecture and research firm Counterspace, and currently teaches design at the University of Johannesburg as co-leader of Unit 12, An African Almanac, at the university’s Graduate School of Architecture. ‘I’ve always thought of Jo’burg as a rough, fast, working place (in the nicest possible way), and there’s so much in the city and in the lives of people living here that becomes an inspiration for new design,’ Vally explains.

3. THE ROTHKO ROOM AT THE TATE MODERN GALLERY IN LONDON

This is my favourite gallery space. At home, I love going to the Wits Art Museum, and I also enjoy the experience of CIRCA Gallery as a piece of architecture.

4. OUD ISPAHAN BY DIOR

I simply adore this fragrance.

5. FANTASTIC MR FOX

BY WES ANDERSON

The scenes in the supermarket and where the wild wolf first arises are particularly visually well done.

6. KASSENA CABINETS BY DOKTER AND MISSES FROM SOUTHERN GUILD

These, as well as Dokter and Misses’s Moon Jelly lights, are on my decor wish list. Included on my fashion wish list is a glove clutch from the Perrin Paris and Zaha Hadid collection.

7. YSL NOIR RADICAL MASCARA

It’s a make-up item I can’t live without.

8. A MINE DUMP OR ROOFTOP IN JO’BURG

This is where I go to find inspiration. There’s something about seeing the innards of the city, as well as the characters who inhabit it, that’s waiting for a new design form.

9. HALLMARK HOUSE IN JO’BURG’S MABONENG PRECINCT

I really like watching Jo’burg wake up from the steps of Hallmark House, a hotel designed by British-Ghanaian architect Sir David Adjaye.

PHOTOGRAPHS LEBOGANG TLHAKO, GALLO IMAGES/GETTY IMAGES/ALAMY

SUMAYYA VALLY

I love this part of the city. It’s in one of the most colourful and bustling areas of Mumbai – full of new fashion, street life and trade, all set against an old-world backdrop on the water’s edge.

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DE TAILS • DECOR • TRENDS • TIPS • PALE T TE • SURFACES

Freshen up your interiors in a flash with the three decor trends to know right now (p46), a stellar selection of statement side-tables (p50), and our top tips, tricks and updates to help you heat up your living area this winter (p54)

Black and gold drum side-table R2 999, @home Pomare fabric in Monochrome by Jim Thompson R3 062/m, T&CO

Multi-stripe planter R162, Woolworths

Retro light R1 250, SHF

B-4 table lamp

by GUBI R6 605, CRÉMA

Molton Gold glassware R69 each, @home

Black deepframed oval mirror R3 190, Knus

DUO

Toned

When investing in high-impact designs, focus on contrasting tones and textures

Parliament floor lamps

by Le Corbusier for NEMO R18 155 each, True Design

Black epoxy steel and oak shelf R4 450, LIM

Scale bone side-table R9 000, SHF

Fendi Fall/Winter 2018, Milan Fashion Week

Babilonia vase by BS Collection R26 676, Casarredo

Jacquard-weave cushion cover R229, H&M Home

Pantella desk lamp R1 695, Block & Chisel

TREND ALERT ‘Wouldn’t Want to Change a Thing’ print by Mariette Kotza R2 950, Design Store

Jade Wabi Sabi dessert bowl by Clementina R639, The Storer

Parison pendant lights

by Resident R13 452 each, Establishment. co.za

Lightline table lamps by Brokis from R16 556 each, CRÉMA

WINTER

Ethereals

Green blownglass vases R4 100 each, Anatomy Design

Opulent, coloured transparencies and muted shades make for a moody, sumptuous effect

Smokey Amber glass vase R659, Zara Home

PHOTOGRAPHS IMAXTREE.COM

The Bomboneria in Barcelona room spray by Lola James Harper R600, Maison Mara

Regency dining chair R1 000, MRP Home

Fly Medium light

by Kartell R5 488, True Design

T-Tables by Kartell from R4 750 each, True Design

Sies Marjan Fall/Winter 2018, New York Fashion Week

Insignia wall covering from the Oculaire collection

by Arte R5 486/m, Home Fabrics Small glass vase R149, H&M Home

Large ridge planter R1 500, SHF

TREND ALERT Taz table lamp from R33 610, Roche Bobois Cut pendant light by Tom Dixon R15 076, CRÉMA

Dita mirror from R6 900, Casarredo

Soap pendant light R9 995, Weylandts

Blob pendant light R2 723, Esque

Small ceramic vase R80, H&M Home

Blurr side-table R12 000, Tonic Design

Blue Zero table

by La Chance from R23 970, Establishment.co.za

C H IC

Electric Futuristic pieces with electric finishes will give your space both depth and dimension

Nuages vases by Vitra from R2 053 each, CUBE Gallery

Hexx table lamp by Diesel with Foscarini R15 217, CRÉMA

Diapo Square dining table from R43 650, Roche Bobois

Calvin Klein Fall/Winter 2018, New York Fashion Week

Hans dining chair R2 895, Block & Chisel

Moire Code wall covering from the Vertigo collection by Arte R6 593/m, Home Fabrics

Mini Bon-Bon vases R2 017 for a set of three, Esque

Blom table lamp

by FontanaArte from R3 200, Casarredo

PHOTOGRAPHS IMAXTREE.COM

Zig-zag bamboo stool R1 618, Esque

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Come and experience the best of local and international style.

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Experience more at

O N TH E T A B L E Create a curated feel in your living area by combining statement side-tables in different styles, shapes and materials PHOTOGRAPHS SARAH DE PINA PRODUCTION AND STYLING SANRI PIENAAR PRODUCTION ASSISTANT PIETER VON WIELLIGH

(clockwise, from bottom left) Inlay rug R69 230, Roche Bobois; Slit table by Hay R9 874, CRÉMA; olive ceramic bowl R1 400, Tonic Design; Black Wave woven basket by Design Afrika R4 200, Egg Designs; Caliza side-table R15 000, Tonic Design; Tonga stool R328, Amatuli; Manfred oneseater sofa R34 000, Gatto Grande table lamp by Achille and Pier Giacomo Castiglioni for Flos R13 000, two-colour glazed ceramic chalice R1 000 and Simple round side-table from R6 000, all Tonic Design; woven reed basket/pot R1 400, Egg Designs; Sparkle side-table by Kartell R5 155, True Design; Cipher round table R3 200, Egg Designs; wooden drinking cup R328, Amatuli; Cipher triangular table R3 200 and large terracotta narrow-necked pot by Hillford Pottery R950, both Egg Designs; Star-Gazer stool R1 480, Amatuli

ETCETERA

Antique mirror side-tables R1 799, @home

Lato tables by &tradition R10 857 each, CRÉMA

Colorado end-table R26 680, Roche Bobois

Monica side-table R1 020, Knus

Marble-topped coffee table

by Douglas and Douglas R10 350, Design Store

Sprout mushroom side-table R5 871, Esque

Noor side-table by Minotti R32 950, Limeline

Tabouret Solvay side-table

by Jean Prouvé from R7 596, CUBE Gallery

Isla side-table R2 250, SHF

Black epoxy cubic frame side-table R2 900, LIM

Blessing side-table R7 400, Egg Designs

Scallop side-table R4 200, Anatomy Design

THE WINTER ISSUE ELLEDECORATION.CO.ZA 51

RENDERING BY TALCIK&DEMOVICOVA TALCIKDEMOVICOVA.COM

Impremta Garden by Whyte Lilja whyte-lilja.com

EASY LIVING As the cool weather approaches, heat up your lounge area with our selection of tips, ideas and updates TEXT KAREN TENNENT COMPILED BY SANRI PIENAAR ASSISTANT PIETER VON WIELLIGH

TOOLBOX

Colour Liven up a neutral palette by incorporating pops of colour in the form of vessels, soft furnishings or foliage. A blank canvas is a great opportunity for mixing and matching.

Paddington House by Fiona Lynch fionalynch.com.au Photo by Sharyn Cairns

Pink matte and shiny ceramic vase R439, Zara Home; Pod vase R780 and Corset vase R1 050, both Mezzanine; Marine-shape ceramic vase R659 and blue matte and shiny ceramic vase R439, both Zara Home

WINTER CALLS FOR COSY DECORATING, WHICH CAN EASILY BE ACHIEVED WITH OTTOMANS, POUFFES, SCATTER CUSHIONS AND THROWS, RESULTING IN A COMFORTABLE, HOMEY AESTHETIC

DECORATIVES Often, all that is needed to freshen up a room is a selection of carefully considered collectibles in a range of shapes, materials and finishes. Reflect your personality by displaying special ornaments, books, wall hangings or artworks that mean something to you. (top right) Scandinavian Zen by Olga Fradina Interior Design olgafradina.com Photo by Andrey Avdeenko (right) Lugano Apartment by Dimore Studio dimorestudio.eu Photo by Paola Pansini

ACCENTS & ACCESSORIES The addition of smalls is a simple and inexpensive way to revamp any room.

Pair pieces in different shades and textures for an interesting, layered effect

Nomad leather scatter cushion R2 500, The Storer; linen scatter cushion cover with metal rings R659, Zara Home; Woven tassel scatter cushion R332, Woolworths; velvet scatter cushion R249, @home; jute wall hanging with tassels R5 999, The Storer THE WINTER ISSUE ELLEDECORATION.CO.ZA 55

WALLS & FLOORS Because they form the majority of a living area, walls and floors are essential surfaces that can make or break your space. There’s a plethora of treatments from which to choose, but be sure to go for something that won’t date, rather than fleeting trends.

SLEEK, CHIC AND SOPHISTICATED, DARK FLOORS WILL BALANCE OUT LIGHT DECOR AND WORK WELL IN A SPOT WITH AN ABUNDANCE OF NATURAL LIGHT

(right) RM0500 ottoman by House Doctor housedoctor.dk (below) Casa Fayette Hotel by Dimore Studio designhotels.com

PAINT Walls painted in rich, deep hues will help give a cooler room the illusion of warmth.

MAGNOLIA Double Velvet paint in My Magnolia R560 for 5L, Plascon

EMERALD Acrylic PVA paint in Emerald City R210 for 1L, Dulux

CARAMEL Acrylic PVA paint in Caramelo R210 for 1L, Dulux

WALLPAPER Add subtle depth and dimension with patterned wallpaper in natural tones. (from left) Memphis wallpaper in 0225 R570/m2 and Check wallpaper in 0244 R570/m2, both Lemon; Fanfare wallpaper in W71 46-05 from the Belvoir collection by Osborne & Little R3 716/m and Unite wallpaper in 80601 from the Oculaire collection by Arte R6 168/m, both Home Fabrics

TOOLBOX (from top, left) Lanvin fabric in Flax R552/m and Luxe Chenille fabric in Aqua R258/m, both St Leger & Viney; Villa Nova fabric in Velleta Fountain R949/m, Romo; Tosca fabric in Petal R343/m, St Leger & Viney; Sahara fabric in 502 R514/m, Halogen International; Villa Nova fabric in Velleta Spruce R949/m, Romo

Curtains Not only do curtains shield against nippy drafts and create a snug feel, they can also be used to divide an open-plan layout

Fudge Lounge by Amr Moussa behance.net/Amr-Moussa

Nottingham Ambrosia wooden flooring R358/m2, Belgotex Floors

Cerato hand-chiselled wooden flooring in Mink Grey R1 594/m2, Oggie Flooring

Woodline Parquetry Antique Himalayas wooden flooring R1 014/m2, FINfloor

Flux tiles in Pewter R515/m2, Monn

Flooring

Cloud sofa by Luca Nichetto for &tradition andtradition.com

CARPETS ARE A POPULAR CHOICE FOR A REASON: THEY ABSORB SOUND, ARE GENTLE UNDERFOOT AND WILL PROTECT YOUR FLOORS FROM DENTS AND SCRATCHES

When deciding what flooring is best for you, take into account your lifestyle: because laminate is made from pressed wood, it’s durable and resistant to wear and tear, while glazed ceramic tiles don’t let in moisture and are easy to clean, making them ideal if you have children or pets.

Although there are cheap alternatives out there, high-quality flooring is a worthy long-term investment that will serve you well for years.

THE WINTER ISSUE ELLEDECORATION.CO.ZA 57

WARMTH & TEXTURE While underoor heating is a straightforward and effective method of combatting the chill (visit warmup.co.za for more), introducing tactile elements and textiles will help you warm up a room with ease Hotel St George stgeorgehelsinki.com

TOOLBOX

Best of…

FIREPLACES There’s something to be said for environmentally friendly heating solutions, proving that fireplaces still have a big part to play in homes today. For a Mid-Century Modern-type look, opt for a stylish and retro free-standing version.

Lugano Apartment by Dimore Studio dimorestudio.eu Photo by Paola Pansini

Firewood box R2 399, Morso

AN AREA RUG CAN DEFINE A SPACE, ANCHOR FURNITURE AND INSULATE COLD, HARD FLOORS

(from left) Vintage Beni Ourain rug R20 000, The Storer; Autumn rug from R56 800, Mae Rugs; Diseno rug in Orange R80 740, Roche Bobois

(from left) P943M freestanding fireplace R94 000, Calore; Siria pellet fireplace POA, Italfire

Picasso insert fireplace from the Abstract range R10 625, Infiniti Fires

UPHOLSTERY If your sofas and armchairs have slipcovers, swap summer upholstery for heavier fabrics such as velvet, leather and wool. Alternatively, bring warmth to existing seating via throws, quilts and blankets in mohair, fleece and cashmere. As for colours, blues and greys are calming, practical and go with just about anything.

Paddington House by Fiona Lynch fionalynch.com.au Photo by Sharyn Cairns (from left) Emerald fabric in 600 R768/m, Halogen International; Ballito fabric in Riviera R736/m, Ballito fabric in Lagoon R736/m and Magical fabric in Reef R334/m, all Hertex

Pendants Low-hanging pendant lights are alluring focal points that will draw attention to high ceilings and result in arresting pools of illumination.

Distribute them individually, clustered together or at alternating levels, depending on what you want to accentuate.

Nobis Suite from Nobis Hotel Copenhagen designhotels.com

LIGHTING & AMBIENCE A room’s atmosphere is largely determined by its lighting, so consider dimmers and know what effect you want to achieve before installing any fittings

(from left) Game wall lamp R2 290, Pezula Interiors; Masina wall lamp by Bert Frank from R17 669, establishment.co.za; P901OP Hallstat pendant light R3 692 and P966 Gable pendant light R832, both Eurolux; TossB pendant light from Tribes Family R16 455, ELDC

LAMPS Whether floor-standing, directional or placed on a table, use lamps to highlight designs and carve out pockets of intimacy.

Milano Solferino by Dimore Studio dimorestudio.eu Photo by Beppe Brancato

(from left) Spotlight Volumes table lamp by ANDlight from R13 537, establishment.co.za; Vasco table lamp R6 500, La Grange Interiors; Hairpin table lamp R1 750, SHF; Whizz standing lamp by Faro R2 596, Newport Lighting; Steady standing lamp R2 950, SHF

TOOLBOX

1 2 THE IT LIST What would a living room be without a complementary contrast of furniture in varying styles, sizes and shapes? Draw inspiration from our round-up of essentials

3 4 (from top, left) 1. Safari sling chair from R6 100, The Private House Company; 401 Break armchair by Cassina R46 280, True Design; Volley Chair swivel base armchair by Resident from R22 600, Establishment.co.za; Nicci Nouveau armchair R44 592, Okha; Fil Noir armchair by Minotti R54 000, Limeline; 2. Brasilia high cabinet R16 999, Sedgars; Kyoto server R23 857, Mezzanine; Hoffmeyer shelf R13 900, La Grange Interiors; black epoxy shelves R5 990, LIM; 3. Connect sofa by Muuto from R58 245, CRÉMA; Hadley day-bed R15 199, Sofacompany.com; DIVA sofa R17 200, Klooftique; Big Easy sofa R79 329, Okha; Nohr sofa R21 899, Sofacompany.com; Moonshine couch R19 707, Mezzanine; 4. Bronze mirror cube side-table R2 990, LIM; Reze side-table from R11 620, Roche Bobois; Kyoto side-table R5 083, Mezzanine; Chinnu lamp tables R2 999 for a set of two, Coricraft; Marble Patch side-table R11 600, Egg Designs THE WINTER ISSUE ELLEDECORATION.CO.ZA 61

FOURWAYS The Gantry on Witkoppen Rd, Entrance The Straight

SILVER LAKES Cnr Silverlakes and Graham Roads, Silverlakes, Pretoria

UMHLANGA Shop 120, The Crescent Shopping Centre, Sunset Crescent, Umhlanga Ridge, KZN

Tel: (011) 691-7700

Tel: (012) 809-3519

Tel: (031) 566-6777

www.sevens.co.za

HOMES

PHOTOGRAPH ELSA YOUNG

JOHANNESBURG • NE W ZE AL AND • CAPE TOWN • AMSTERDAM

From a luxurious urban barn home in Johannesburg (p64) and a secluded couple’s retreat in New Zealand (p76) to an artist’s contemporary city pad in Cape Town (p86) and a subtly sustainable abode in Amsterdam (p96), these are beautiful spaces to inspire

this page On the veranda of this Johannesburg home by interior designer Julia Day of Generation, Jasper Morrison’s Soft Modular sofas are arranged around a trio of Dan tables by Jørgen Møller, which are also featured inside. opposite The voluminous entrance area sees a Tavolo ’95 table by Achille Castiglioni paired with a sculpture

by William Kentridge and Wiener GTV’s iconic Hideout chair, whose black linear frame Day intentionally references.

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ROOM TO BREATHE A modern barn in the suburbs of Johannesburg reveals that there’s luxury in simplicity TEXT MILA CREWE-BROWN PHOTOGRAPHS ELSA YOUNG STYLING SANRI PIENAAR

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this page (clockwise from top left) Inside, an artwork by Karel Nel complements Maarten van Severen’s LLO4 leather lounge chair; Day created refined interiors that rank high on the comfort scale; the dining area includes Vico Magistretti’s Vidun table and Chesto dining chairs

by Patrick Norguet; landscaper Greg Thompson celebrated the existing trees in the garden.

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implicity is really more complex a quality than the word lets on. And we don’t mean the kind of simplicity restricted by budget, nor the rustic or minimalist kind. As it turns out, holding back to achieve a quieter, more honest aesthetic requires real skill to master. It’s a case of style by understatement, since there’s elegance in design that’s discreet.

Simplicity, refinement and comfort were what the owners of this urban barn home in an Inanda estate were seeking. At their side from concept to completion was designer Julia Day of Generation and architect Joe van Rooyen of JVR Architects, comprising a formidable team. Since estate homes are typically in close quarters, this one’s objective was to cleverly conceal its borders, ofering its owners privacy, solace and calm. To achieve this, an open and flowing layout was conceptualised, consisting of intimate spaces that rank high on the comfort scale.

For Day, conceiving a home that was both luxurious and understated required thoughtful detailing, a palette of muted and natural finishes and a show-stopping selection of iconic furniture, chosen for its honesty, purity and exceptional handcrafted quality. ‘Interleading spaces that speak to the senses, as well as to the client’s lifestyle, is really what this interior’s all about,’ she explains.

For Van Rooyen, it was about creating a stripped-back, contemporary barn that hinges on openness and light. The layout is dominated by three parallel barns, each housing the living and sleeping zones, as well as two silos incorporating the home’s more functional uses: a lift well, cloakroom and sauna. Van Rooyen’s intentional separation of livable versus purely functional areas references the late American architect Louis Kahn’s notion of served and servant spaces, grouping these two spacial categories apart from each other and thereby bringing order to the layout.

Oak, steel and exposed concrete keep the aesthetic pared back, while generous proportions and a lack of decoration allow the house to breathe. No more successfully are these three materials combined than in Van Rooyen’s staircase, which features hefty cast-concrete and timber steps and fine, suspended steel balustrades.

From the breezy double-volume entrance, one’s eye journeys over a slate tiled floor and out to a pool of water.

Overhead, an oak-clad bridge connects the barns beneath a raw of-shutter concrete ceiling. Around you, the room’s almost bare, save for a couple of staggering design pieces such as a Snoopy table lamp and Tavolo ’95 table, both by Achille Castiglioni, and a bevy of notable artworks that inhabit the gallery-like space.

There’s little distinction between indoors and out, with vast openings aforded by cavity and stacking doors, as well as distinctly un-outdoorsy furniture. ‘I’m very anti-patio furniture, so we opted for indoor pieces, carrying the carpets and tones through from the interior so that it feels like one space,’ explains Day regarding the seamless transition between lounge and terrace. That seamlessness, gained by way of continuity, creates a palpable sense of peace.

Then there are the details, without which such simplicity would fall flat on its face. The floor, wall and ceiling junctions are indistinguishable, allowing the eye to travel through the home unhindered. Day has echoed the linear accent of Van Rooyen’s striking black steel handrails elsewhere, giving her understated scheme a counterpoint.

The black line appears on the contours of Wiener GTV’s Hideout chair and the Rif Light rug in the dining room, as well as in bathroom fixtures and architectural elements.

The concept of the barn and agricultural practice in general is pervasive, bolstering a sense of homogeneity throughout the home. The Michele de Lucchi Donzelletta chairs in the cigar lounge are the designer’s ode to the plough, while the Vidun dining table by Vico Magistretti includes enormous, height-adjustable wooden screws, speaking to craft and its tools.

Resisting decoration for decoration’s sake, this is a home that gets to the heart of simplicity, proving that true luxury isn’t about ostentation – it holds back on excess, allowing the bones of a space to breathe, and nominates quality before quantity. Q generationdesign.co.za, jvrarchitects.co.za

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‘Interleading spaces that speak to the senses, as well as to the client’s lifestyle, is really what this interior’s all about,’ explains Day

HOME JOHANNESBURG

this spread ‘The lounge gets lots of use and is deliberately un-precious,’ explains Day. Here, Nendo’s contemplative Ishi table has been teamed with a hand-tufted woollen and silk rug from Lund Rug Gallery and two Louisiana armchairs by Magistretti. The curtains are made of chocolate linen from Romo.

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this page Shutters conceal the braai in the outside area, with its rare Tee-table by Tomoya Tabuchi. opposite (clockwise from top left) Designed by Marina Giovitto of Mosaic Arts, the floor mosaic is based on the home-owner’s family crest; Van Rooyen merged concrete, timber and steel in the staircase; trees were planted for privacy and to conceal the walls.

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Oak, steel and exposed concrete keep the aesthetic pared back, while generous proportions and a lack of decoration allow the house to breathe

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HOME JOHANNESBURG

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this page Black and inky blue accents bring drama to the guest bedroom, as seen in a Targa pouffe by GamFratesi, available exclusively from Generation. opposite GTV’s statement bent-wood ladder finds a home in the all-black guest cloakroom.

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this page A work by Kentridge adorns the wall of the pyjama lounge. opposite (clockwise from top left) Day’s goal in the main bedroom was to encourage ‘complete decompression’; wall tiles from Amuse Tiles echo the patterned rug in the guest bedroom; the interiors’ muted palette is reflected in Magistretti’s Tondo 05 armchairs, as well as marble vessels by Elisa Ossino; black-stained oak panels create moody contrast.

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Resisting decoration for decoration’s sake, this is a home that gets to the heart of simplicity

HOME JOHANNESBURG

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INFINITY

The Pacific Ocean laps the feet of this contemporary architectural refuge nestled in the foothills of the Banks Peninsula in New Zealand, a remote and exclusive place where the wild landscape is a natural work of art

TEXT ANA M JIMÉNEZ PHOTOGRAPHS SIMON DEVITT

AND

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BEYOND

this spread New Zealand architect Andrew Patterson of Patterson & Associates designed Seascape in Banks Peninsula, New Zealand, as a honeymoon retreat. The 176m2 structure includes a living roof that acts as an extension of the steep escarpment above it.

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this spread Intent on maximising the escape’s natural landscape, Patterson incorporated large glass panels so that the cottage occupants could view the breathtaking surrounds. The living area is a comfortable, cosy space heated by a cast-iron chimney designed by Patterson & Associates and made by DML Engineering.

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this page A glass fireplace by Cameron Fogga heats the deck, with its Dama coffee table by Poliform finished in cedar.

A petrified wooden stool from Studio Italia is positioned next to a leather armchair by Simon James, which is just one of many New Zealand creations present throughout the house. opposite Transparencies reign in this glazed corner so that light can circulate freely in all directions.

The iconic Bubble chair was created by Eero Aarnio in 1968.

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The house merges seamlessly into its environment, a fact enhanced by the presence of a living roof that’s been integrated into the escarpment above

” uilt into a steep escarpment on the tiny, boulder-strewn South Pacific cove of New Zealand’s Banks Peninsula lies Seascape, an aptly named cottage that was created as a honeymoon retreat for paying guests and its owner’s family. New Zealand architect Andrew Patterson of Patterson & Associates designed the building to align with a view of ‘The Comb’, a double rock arch that was situated just of shore, but unfortunately collapsed into a simple stone spire during the Christchurch earthquake.

Nevertheless, Seascape still boasts unrivalled vistas of both the sparkling ocean beyond and the serene landscape that surrounds it, most of which has been left uninhabited and untouched.

The unobtrusive structure is located on the 10km of rugged coastline belonging to Annandale, a 10ha working farm that’s home to 500 cattle, a vast herd of sheep and a quarry that provided the rock used to construct Seascape. As a result, the house merges seamlessly into its environment, a fact enhanced by the presence of a living roof that’s been integrated into the escarpment above to protect its occupants from falling rock debris, should there be a seismic event.

Inside, the interlocking open-plan layout responds to views both near and far, creating the impression of a richer built environment that feels much larger than its 176m2. In situ poured-concrete floors and ceilings make up the basis of the interior, which consists of a lobby, a living area, a raised bedroom and a bathroom, while local Macrocarpa timber panels form integrated joinery that simultaneously warms the abode and adds geometric interest. Expansive floor-to-ceiling, double-glazed windows with earthquake-resistant, shatter-proof steel mullions frame the ocean and Kaikoura mountain range, an awe-inspiring sight that’s best enjoyed from the comfort of the wooden deck.

While maximising the landscape was the primary objective of the construction, there was also a large focus on incorporating New Zealand designs wherever possible. As a result, many of the furnishings and details are by local creatives, as seen on the deck with its black leather armchair by Simon James and glass fireplace by Cameron Foggo. Emily Siddel’s decorative garlands can be found in the bathroom and living area – where David Shaw’s Matteo sofa upholstered in New Zealand wool is the perfect spot from which to enjoy the warmth of the cast-iron chimney designed by Patterson & Associates and made by DML Engineering. In the bedroom, stone carvings lined with linen by Chris Charteris take pride of place above a bed that was custom-made to fit the space by Davor Popadich of Patterson & Associates.

Accessible only by farm track or helicopter, Seascape is a private, romantic hideaway where couples can enjoy each other’s company and nature, oblivious to the demands of the outside modern world. It truly is the epitome of an exclusive, elegant escape. Q pattersons.com; annandale.com

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this spread Located in what was the landscape’s original cave, the bedroom – with its custom bed by Davor Popadich of Patterson & Associates – has the atmosphere of a romantic haven. Both the ceiling and kitchen cabinets were constructed using Macrocarpa timber from New Zealand’s forests. Emily Siddell’s shell garland adorns the back wall, while in the living area, David Shaw’s Matteo sofa upholstered in New Zealand wool offers ample seating.

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Inside, the interlocking open-plan layout responds to views both near and far, creating the impression of a richer built environment that feels much larger than its 176m 2

this spread Seascape is located on Annandale, a 10 000ha working farm whose quarry provided the rock used to construct the building’s stone walls. The Kaikoura mountain range can be seen from the wooden deck, where modular landscape seating by Kettal has been installed.

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this spread Artist Galia Gluckman and her husband Gary fell in love with the large wooden doors that separate the dining room from the lounge of their family home in Cape Town, and it’s here that coves were designed to display ceramic vessels by Martine Jackson. The artwork in the foreground, titled ‘Nunc (now)’, 2017, is by Galia.

URBAN HAVEN

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Artist Galia Gluckman’s Cape Town home is not only an ode to contemporary city living, but a relaxed and vibrant family retreat TEXT SHARON SOROUR-MORRIS PHOTOGRAPHS KARL ROGERS

this page An ornate iron gate that was custom-made by blacksmith Ivor Sola graces the top of the staircase and the landing, which leads to the bedrooms on the first floor. The artwork, ‘Easy Street’, 2015, is one of Galia’s creations. ‘Colour plays a big role in my life – it can be very powerful,’ she says. opposite Galia in her loft studio with dogs Rio and Verdell.

HOME CAPE TOWN

or all its urban sophistication, there’s a warmth and eclectic charm to the cosmopolitan Cape Town home of acclaimed visual artist Galia Gluckman and her husband, Gary.

The couple, who returned to South Africa in 2010 after living in New York City for several years, share this contemporary city space with two lively children, Ella (12) and nine-year-old Levi, as well as two boisterous dogs, Rio and Verdell.

Galia, whose large-scale, multi-faceted collages are in private and corporate collections around the world, confirms what meets a visitor’s eye: there’s a bucketload of style, but very little pretension here. ‘There’s nothing fussy about this house: it’s a home that “holds” our family and is perfect for our casual and busy lifestyle,’ says Galia, who recently had a successful solo exhibition at the Everard Read/CIRCA Gallery in Cape Town.

But the abode was far from perfect when Galia and Gary bought it and it took an extensive, ‘nightmarish’ renovation to transform what was an outdated house into the spacious home it is today. ‘It had really good bones, with lovely high ceilings and beautiful wooden doors,’ explains Galia, ‘but the inside spaces were small, inefficient and impractical for the way we like to live, so we made quite radical changes.’

Using no architect, they redesigned the house themselves, with Gary – who’s a physicist and entrepreneur – doing the 3D design work on his computer. ‘My husband and I collaborate well together,’ says Galia. ‘When we were ready, we called in an engineer to make sure that the walls wouldn’t collapse!’

Key to the renovation was maximising the building’s ideal position and orientation: on its back doorstep is Table Mountain, while Table Bay is on display in all its glory from the couple’s bedroom balcony.

Although it’s a double-storey, the home has three levels: downstairs you’ll find expansive living areas, a guest bathroom and a home office, while the three bedrooms, two bathrooms and the kids’ office-cum-TV lounge are up a gorgeously simple flight of stairs. Then there’s the light-filled loft, which acts as Galia’s bolthole – her artist’s eyrie, where she spends hours creating her detailed paint-and-paper collages.

The house, with its dark doors and calm walls, is the perfect foil for these large, vivid artworks. And with Galia’s discerning taste, finding the right colour for the walls was crucial. ‘Colour plays a big role in my life – it can be very powerful,’ she explains. For this reason, she asked renowned Cape Town colourist Freya Lincoln, with whom she’d worked before, to help her recreate the feel of a Manhattan brownstone. ‘I wanted the look of a New York City apartment,’ recalls Galia.

‘We’d opened up the spaces and with Freya’s magical touch – and a handful of colours – the house just came into its own.’

Then it was time to shake things up a little. ‘Through colour, you can create harmony – but also tension. I do this with my art, but I also do it in my home. I like to achieve a satisfying balance by combining colours to create a sense of order – and then introduce the unpredictable!’

The result is a vibrant eclecticism that sees an indigo velvet ottoman sharing space with sunshine-yellow scatter cushions and a swimming pool-blue cofee table in the lounge. This philosophy is extended with the pieces, big and small, which are perfectly placed throughout the other rooms. ‘The most beautiful items in our home are those that I’ve inherited from my parents, who live in Israel now, and my late grandmother,’ says Galia, who grew up in a creative home in Durban.

With her curator’s eye, Galia has selected every item with love and care. Her style and penchant for mixing old and new are most evident in her beloved dining room, ‘which feels genuine and honest’. The room, with its heirloom pieces and paintings, ‘pays homage to my family’s past’.

This decorating aesthetic is very much in keeping with Galia’s objective of making her home warm, functional and dynamic.

‘It’s ever-evolving and will always be a work in progress,’ she says. Q Galia’s solo exhibition will be hosted by the Everard Read/CIRCA Gallery in Johannesburg in August and September. For more details, visit everard-read.co.za

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this spread Galia’s love of mixing old pieces with new is most evident in the dining room, where a red chair

by Vogel Design offsets floating antique Scandinavian cupboards and a white Ikea chest of drawers, whose handles she replaced with ones found at a market in Tel Aviv, Israel. The art installation, by Picture Hanging Services, is a charming mix of ‘European oldies’ and works by Galia’s mother (fashion designer Dina Adiv) and her daughter, Ella.

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With her curator’s eye, Galia has selected every item with love and care

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‘There’s nothing fussy about this house. It’s a home that “holds” our family and is perfect for our casual and busy lifestyle,’ says Galia

HOME CAPE TOWN this page In the kitchen, new cabinetry was made by Leigh Ehret of Cameleighon Decorative Paint Finishes. Fog and Mørup pendant lights from The New Modernist add a copper touch to the grey space. opposite Just off the kitchen, a sunroom opens onto the garden and pool, and boasts a spectacular view of Table Mountain as well as Galia’s artwork ‘Stripes’, 2015.

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For all its urban sophistication, there’s a warmth and eclectic charm to this cosmopolitan home

”

HOME CAPE TOWN this page The Persian carpet in the main en-suite bathroom is a family heirloom and adds texture and variety to the clean-lined room.

Galia liked the original hardware and bath, so she incorporated them in her renovation. opposite Side-tables from Crate & Barrel in New York City are topped with ceramics by Jackson in the main bedroom, whose double doors lead onto a small balcony with a picturesque view of Table Bay.

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this page A NeoWall sofa by Piero Lissoni for Living Divani provides comfortable seating in the sunken lounge of Laurens and Lidia’s family home in Amsterdam, Holland. opposite Designed by American architect Ron Radziner, the sustainable building relies predominantly on natural lighting and embraces its surrounds.

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T H E L I G H T O F DAY With a focus on natural materials and sustainability, this Amsterdam home brings together the most forward-thinking elements in a new modernism that’s both beautifully green and perfectly thought out TEXT LISA VAN DER KLOK PHOTOGRAPHS KASIA GATKOWSKA ENGLISH ADAPTATION BRONWYN MAHONEY

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HOME AMSTERDAM this spread The thoughtful addition of small items makes this house a home, as seen in the living room’s vintage spherical candleholders, candle pins by Sebastian Bergne for Eno and throw from Zara Home.

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The house is subtly eco-friendly, from the roof all the way down to the floor. Or, more correctly, under the floor

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this page Radziner used brick, wood and concrete to achieve a harmonious feel throughout the abode. opposite (from left) The garden was inspired by the work of Dutch landscape designer Piet Oudolf; leather and wood combine in The Hunting Chair

by Børge Mogensen, reflecting Koch’s focus on natural materials.

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urrounded by grasses and nature, it’s difficult to believe that this home is only a 15-minute bike ride from the centre of Amsterdam. Expansive windows take advantage of the unobstructed view of the garden and beyond, and it’s here that Laurens, Lidia and their three children have been settled for almost a year, after moving out of a two-bedroomed apartment. ‘Thanks to the large windows, we now suddenly live a lot closer to nature,’ they say.

American architect Ron Radziner of acclaimed practice Marmol Radziner designed the 450m2 home, localising his standard Los Angeles approach by employing brick, wood and concrete to create harmonious spaces that flow seamlessly into one another.

The house is subtly eco-friendly, from the roof all the way down to the floor. Or, more correctly, under the floor. Heat wells were dug 100m beneath the garden: in winter, warm water is pumped through them and below the floors, while in summer, cool water keeps temperatures down, negating the need for air-conditioning. Up on top, the water for this geothermal system is heated by solar panels on the roof. That roof – which has been built flat, in line with the city ordinance for all homes in this neighbourhood – is actually on two levels, with solar panels on the higher back section providing energy to heat water and create most of the family’s electricity. The lower front section consists of a green roof with more than half a metre of earth. It helps retain heat in winter and cool the house in summer, and is just enough to allow small trees to grow. All the wood used in the build is from local, sustainable sources and has been heat-treated to reduce the amount of chemicals in the house – a process that has the added benefit of strengthening the natural material.

Bringing the outside inside was one of the design’s main aims, as seen in the windows that look out onto the garden. Inspired by

the work of Piet Oudolf, the influential Dutch landscape designer behind New York City’s 1,6km-long elevated linear park, the High Line, the garden ‘feels wild, as if it’s always been there’, say the owners. Nature’s also drawn into the home by the use of light, with skylights in the kitchen, for example, making the family far less reliant on artificial illumination.

The interior was designed by Floris Koch of interior agency Enter the Loft and there’s a distinct focus on natural materials in soft, earthy tones. The green provenance of the furnishings is nuanced, but clear, reflecting the company’s precept of keeping objects as close to their origin as possible. A mix of vintage and new exists, as seen in the re-upholstered antique dining chairs by Niels Otto Møller that were inherited from a grandparent, and the bedroom’s modern, eco-friendly Trinity rug by BIC. Made from the eco-textile Lyocell, the piece was created using closed-loop production, a sustainable approach that considers all elements of the supply chain.

The owners know what a gift it is to be able to begin from scratch in order to build sustainability into a home, but also acknowledge that there are places where everyone can start. ‘Solar panels are easy to add, especially with the new roof-tile versions,’ says Laurens.

One of their biggest discoveries, though, has been cooking with electricity. ‘Natural gas isn’t sustainable and cooking with electricity is great,’ he says. Though the fireplace isn’t strictly needed for heat, it was important to Laurens and Lidia to create a cosy feeling.

‘But it has a glass door, which prevents the air from being sucked into the chimney. You don’t lose heat,’ explains Laurens.

After a year, the family hasn’t lost any of their enjoyment in their new home. Now they’re just waiting for summer so that they can take advantage of the pool. Filtered by plants, of course. Q marmol-radziner.com; entertheloft.com THE WINTER ISSUE ELLEDECORATION.CO.ZA 101

this page In the living area, a Y-model suspended light by Anour hangs above the marble kitchen island and eco-friendly polypropylene Pato Sledge bar-stools by Fredericia. opposite Old merges with new in the decor by Floris Koch of Enter the Loft, as seen in the white Pebbles tableware by Annemieke Boots and the vintage dining chairs by Niels Otto Møller.

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All the wood used in the build is from local, sustainable sources and has been heat-treated to reduce the amount of chemicals in the house

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HOME AMSTERDAM this page Thanks to the presence of a skylight and vertical window, the bathroom is filled with light that highlights its walls finished in travertine panels from Zegstroo. opposite Atop the bedroom’s Mesa Console table by Heerenhuis stands a lamp by Menu, marble trinket boxes

by Nordstjerne and an artwork

by Maartje van den Noort.

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1. (from left) Vega fabric in Emerald R380/m, Hertex; Grey Quartzite tiles R424/m2, Union Tiles; Ballito fabric in Dijon R736/m, Hertex 2. Elsa lamp by Natuzzi from R14 500, Bitalian 3. LL04 leather lounger by De Padova POA, Generation 4. Atollo lamp by Oluce R19 100, Casarredo 5. Milky Cream optic vase R740, Cécile & Boyd 6. Rice Stitch chenille blanket R899, Zara Home 7. James sofa R50 000, Anatomy Design 8. Aplomb suspension lamp by Foscarini R8 996, CRÉMA 9. Series 1 ottoman R11 000, Anatomy Design 10. Design 127 rug from R64 900, Joseph & Joseph 11. Faux-leather appliqué linen cushion cover R659, Zara Home 12. Transmission candlestick holders by Diesel Living with Seletti from R1 570 each, Generation

tribes chandelier | design by David Abad

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1. (from left) Trance curtain fabric in Vanilla R520/m, Mokopane fabric in Wild Berry R655/m and Ural fabric in Moss R365/m, all Hertex 2. Casper Relax chair R4 400, Pezula Interiors 3. Modern Chobi rug R4 800/m2, Gonsenhausers 4. Hout bar-stool by Houtlander R2 950, Design Store 5. Costa pot R990, Pezula Interiors 6. Nordic-style stool R1 799, Zara Home 7. Small leaf platter R595, Block & Chisel 8. Coconut Button scatter cushion R130, MRP Home 9. Split-face stone cladding R275/m2, Durastone 10. Oak riempie chair by James Mudge R4 500, Design Store 11. Urban chenille herringbone throw in Olive from R1 430, Mungo 12. Square marble board R399, Knus

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HOME CAPE TOWN

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1. (from left) Colour hardener in Slate POA, Cemcrete; Luscious fabric in Cobalt R1 024/m, Home Fabrics; FINOak Oly Core Clear Grade flooring 190 in Dark Grey R1 271/m2, FINfloor 2. Idol Ink scatter cushion R950, SHF 3. Savanna scatter cushion cover R600, Design Store 4. Deep-frame soft-edge mirror from R4 450, Knus 5. Southern Guild chair R39 000, Anatomy Design 6. Alex day-bed R10 999, Sofacompany.com 7. ‘Turquoise 1’ wall art R2 950, SHF 8. Large Kamrak Smokey vase R2 430 and 9. Surf vase with cutting R370, both Cécile & Boyd 10. Tulip Saarinen side-chair

by Knoll from R25 800, Limeline 11. Fine Chinese silk 01 rug R195 000, Joseph & Joseph 12. Modern Moroccan ecru throw R1 500, The Storer

NEXT LEVEL WATER INNOVATION INTRODUCING COBRA FOCUS

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In a world intent on saving our most precious resources Cobra launches Focus. Combining modern design and state of the art water saving technology; Focus is a sophisticated range that will suit any contemporary eco savvy home. earth

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View more on: Lixil.co.za/cobra-focus National call centre: 0861 21 21 21

HOME AMSTERDAM

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Metallic accents and interesting shapes are all that you need to enhance a neutral colour palette

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1. (from left) Grigio Carnico imported marble tile R377/m2, Union Tiles; CreteCote flooring in grey POA, Cemcrete; Natural Legno Living flooring from R671/m2, Oggie Flooring 2. Spherical ceramic vase R439, Zara Home 3. Phoenix side-table R3 632, Esque 4. Xander occasional chair R4 995, Block & Chisel 5. Nero Portoro slab POA, Studio Masson 6. Goblet table lamp R1 750, SHF 7. ‘Black & White’ artwork R4 200, Cécile & Boyd 8. Pure salad bowl R345 and 9. Tassel-detail scatter cushion R395, both Weylandts 10. Metallic Hangman pendant light R12 000, Anatomy Design 11. Small pod vase R1 100, Clementina 12. Fringed woollen blanket R1 999, Zara Home 13. Rometti Sfera ceramic R6 300, Casarredo

LIVING PHOTOGRAPH COURTESY OF SIX SENSES RESORT, PORTUGAL

TR AVEL • FOOD • DRINKS • PEOPLE • GARDENS

Explore exclusive eco-friendly resorts around the world (p116), get ideas for your next local getaway (p120), discover chef James Diack’s latest culinary offering (p122), celebrate iconic photographer Andrew Tshabangu (p126) and learn about planting bulbs for indoors (p128)

KENYA SEGERA RETREAT X Rates from R15 108 per night, full board

Safari meets sustainability at this undeniably chic eco-resort in Kenya’s Laikipia county. The owner, Jochen Zeitz, had more than luxury on his mind when he opened Segera Retreat, which prides itself on wildlife and land conservation efforts. The villas are dotted with contemporary African art from Zeitz’s personal collection and a wine tower houses delectable blends. As you soak in the outdoor bathtub of your private villa, viewing elephants, zebras or even endangered black rhinos meandering past in the distance, you’ll never want to leave. segera.com

Dreamy GREEN RESORTS In celebration of World Environment Day on 5 June, we’ve rounded up 10 deluxe eco-friendly resorts that are looking after the planet as well as their guests TEXT TRISH NAGY

SPAIN LA GRANJA, IBIZA T Rates from R5 220 per night

La Granja isn’t your typical Ibiza hotel. At first glance, it’s a 200-year-old farmhouse exuding rustic, natural beauty, set among rolling hills and pine trees. But what distinguishes La Granja is its sense of community, from the vegetable gardens (cared for by La Granja’s farmer, as well as the guests) to the long discussions at the communal table and the daily music sets by musicians and DJs from around the world. La Granja has become the clubhouse for ‘Friends of a Farmer’, an international organisation fostering conversations about art, music and crops. With 10 bedroom suites and a separate two-bedroom property on 10ha of land, it’s a new level of mindful living in the heart of Ibiza. lagranjaibiza.com

TRAVEL

SWITZERLAND WHITEPOD X Rates from R3 729 per night

Imagine waking up in a white pod, located just above the ground of a snowy alpine hill. Then, as you step out of your sun-filled pod, you slip on your sunglasses, take in the breathtaking view from your terrace and hike over to the main lodge for an organic breakfast. This is how the day begins at Whitepod, where – aside from the activities (skiing on private slopes, dogsledding, paragliding, massages…) – there’s zero guilt over your eco-footprint. Most of the furniture’s made from recycled materials, the waste’s recycled again and composted, and the energy’s limited and sustainable. This is thinking outside the pod. whitepod.com

PERU INKATERRA RESERVA AMAZONICA T Rates from R8 128 per night, full board

Deep in the Peruvian Amazon lies a pioneer of sustainability and conservation: the iconic Inkaterra Reserva Amazonica eco-retreat. The founder’s been devoted to scientific research and conservation since Inkaterra launched in 1975, and the staff’s efforts go all the way from reforestation and recycling to cutting off electricity for a few hours each day. You’ll feel you’ve bonded with Mother Earth herself after a guided rainforest adventure, or as you fall asleep under the stars in the Canopy Tree House at this 100% carbon-neutral lodge. inkaterra.com/inkaterra/inkaterrareserva-amazonica/the-experience

MALDIVES PARK HYATT S Rates from R8 501 per night

Not only was the award-winning Park Hyatt designed and constructed in an environmentally sensitive manner, but its priority is ecoresponsibility as it strives to preserve the coral reef and marine life that surround it. Rainwater is collected and recycled, electricity consumption is monitored and even the coffee capsules are biodegradable. As with all Park Hyatts, expect an impeccable standard of quality, with opulently modern villas, a world-class spa, yoga classes, scuba-diving excursions and more. hyatt.com/en-US/hotel/maldives/parkhyatt-maldives-hadahaa/mldph THE WINTER ISSUE ELLEDECORATION.CO.ZA 117

RWANDA BISATE LODGE S Rates from R13 975 per night, full board

With six conical villas sitting on the rim of an eroded, extinct, volcanic cone in Volcanoes National Park, Bisate Lodge is an unforgettable hotel that has everything covered, from luxury accommodation to community engagement and environmental sustainability (recycling, treating waste water and reforestation are daily practices). The views? Breathtaking. The interiors?

Divine, and brimming with nods to local architecture and culture. What’s more, the lodge even organises gorilla treks so that you can watch these creatures in their natural habitat. wilderness-safaris.com/camps/bisate-lodge

PORTUGAL SIX SENSES DOURO VALLEY W Rates from R4 027 per night

High on a hill overlooking the Douro River in the eponymous valley, this Unesco World Heritage Site is home to a Six Senses resort. Situated in a 19th -century manor house, the resort takes great care not only of the guests who come through, but also of the land. After you’ve feasted on its organic, locally sourced fruits and vegetables and local wines, you won’t even realise the extent to which the environment’s respected: composting, recycling and energy-saving efforts, to name a few. Even the mineral water’s produced on-site, reducing its carbon footprint. Its elegant decor will have you coming back for more. sixsenses.com/ resorts/douro-valley/destination

TRAVEL USA AMANGIRI W Rates from R16 972 per night, full board

Translated as ‘peaceful mountain’, Amangiri fuses with the land, beautifully complementing its picturesque setting in the high desert of Utah. The Aman Resorts group, which has had sustainability in its DNA since it launched 30 years ago, ensures that its resorts preserve and protect the surroundings, all the way down to the locally sourced ingredients served to its guests. aman.com/resorts/amangiri

INDONESIA MISOOL X Rates from R34 303 for a seven-night stay, full board

Featuring thatched huts perched over a turquoise lagoon, Misool is a hidden gem only accessible by boat. Its management takes meticulous care of the lagoon and land (including composting, recycling and upcycling), and not a single tree was cut while constructing the resort. The team aims to keep their island pristine through the education and preservation efforts of the Misool Foundation. misool.info

AUSTRALIA LONGITUDE 131° T Rates from R13 363 per night, full board

Located in the Central Australian desert, Longitude 131°’s 15 eco-glamping tents and pool were pre-fabricated and bolted together on site, avoiding the need for trucks to come through this protected national park. Here the waste’s composted and recycled, the floors are covered in natural stone and solar panels provide energy. longitude131.com.au/destination

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GETAWAY TRAVEL SPOTLIGHT: KZN MIDLANDS Where to stay, visit and dine when next you’re in this amazing area of South Africa Hillhouse Described as a ‘shabby-chic shed’, this private, self-catering, five-bedroomed home located on a tranquil farm is ideal for a break with family or friends. Sink into the large, plump sofas in front of the open fireplace, share a delicious meal at the long wooden table or simply enjoy the scenery through the large picture windows. hillhouse.co.za

The Barn Owl Coffee Set up in a converted vintage caravan, the Barn Owl Coffee team travels around the area, so if you’re after great coffee, it’s best to follow them on social media to see where they’ve parked for the day, and then pop by. @thebarnowlcoffee Menu at Highgate This recently-opened restaurant is situated in the vineyards adjacent to the Piggly Wiggly complex and offers delectable, fresh and vibrant food created by young chefs who trained at the 1 000 Hills Chef School, as well as wine from the Highgate cellar.

It’s a popular place, so booking is essential. 082 817 8796.

GO LOCAL COMPILED BY ESTEE KERSHOFF

ASK THE TRAVELLER

KICK IT IN STYLE

Q&A: Dale Stevens The new head chef of Avondale wine estate’s FABER restaurant, Stevens shares his top local travel destinations with us Best wine farm to visit? Definitely Newton Johnson Family

The Pichulik x Superga range of sneakers for Autumn/Winter 2018 pays homage to the three cities that have played an important role in Pichulik’s evolution – Istanbul, Portofino and New York – with each of the styles encapsulating its own distinctive spirit. Shown here, Pichulik x Superga Azzuro sneakers draw on the classic elegance of Portofino on the Italian coast, with a colourway in crisp white and nautical blue. R1 099. superga.co.za

Vineyards in the Hemel-en-Aarde Valley. The views are breathtaking and the wines are delicious (though I might be slightly biased!).

Favourite holiday spot? The West Coast, as a whole, is an awesome area. My favourite spot is Kraalbaai, close to Langebaan.

With its crystal-clear water, it feels out of this world.

Luxe resort or off the beaten track? Off the beaten track – it’s the only way you’ll find gems such as The Roosterkoekhoek in Albertinia.

Best place you’ve stayed? Oewerzicht tented accommodation.

I spent the days braaiing using foraged wood, milling around the closest town, which is Greyton, and enjoying cold beers in a wood-fired hot tub.

It’s very private and rustic, and has incredible sunsets.

Top travel tip? Start by finding the spot that serves the coldest beer!

PHOTOGRAPHS OF THE BARN OWL WERE TAKEN AT THE PLANT IN DURBAN

You needn’t look to international shores for sensational restaurants, accommodation and fashion – they’re right here on your doorstep!

FARM TO TABLE La Stalla is a 100% sustainable eatery whose ingredients are sourced from Brightside, Chef James Diack’s family farm in Magaliesburg TEXT AND PRODUCTION FIONA DAVERN PHOTOGRAPHS ANNALIZE NEL

FOOD AND DRINK he charming La Stalla – meaning ‘The Stable’ – is the newest addition to Melville’s 7th Street.

Formerly The Federal, it’s part of Chef James Diack’s group of restaurants that includes Coobs, The National and Il Contadino. While they have different offerings, the restaurants all focus on fresh, organic ingredients and food made from scratch. Diack’s mother Janet is the farmer at Brightside, and also handles all the restaurants’ decor. ‘The farm’s looking more and more naked!’ she laughs. ‘Everything at La Stalla has been repurposed, including the trademark reclaimed wood-panelled wall. It’s simple and rustic.’

Diack and Head Chef Rausharn Griffin, who’ve worked together for almost five years, have formed a partnership fortified by similar cooking styles and a keen interest in sustainability. ‘Rausharn came to Coobs straight from chef school,’ says Diack. ‘Our food journey’s been closely linked and he’s been an integral part of the growth of the farm. So we’ve grown up in the kitchen together, trying to work out what’s sustainable on the farm.’ Today, Coobs and The National are 95% sustainable, while Il Contadino and La Stalla are 100% sustainable.

‘La Stalla is like Il Conti’s little sister – they’re on the same journey,’ says Griffin, who’s responsible for the restaurants’ day-to-day operations and management.

La Stalla offers simple, affordable countryside fare and an extended selection of well-priced small plates. There are also pizzas, wood-fired dishes, roast chicken and fresh salads. For dessert, there’s homemade gelato, lemon tart and cannoli. On the drinks menu, aside from the usual offerings, there’s OC Brewery craft beer and reasonably priced boutique wines.

Cosy and comfortable, La Stalla is a great place for shared meals and good, warm vibes.

Chefs Rausharn Griffin and James Diack

6, 7th St, Melville, Johannesburg 010 900 4876 x @lastallajhb VEGETARIAN PIZZA Serves 2

PIZZA DOUGH Serves 4

• 1 aubergine • 1 red onion • 1 red pepper • 1 leek • 2 sprigs of thyme • 100ml olive oil • 1 persimmon • 20g flour • A handful of pizza dough • 100ml Napoli sauce • 1 sprig of rosemary • 2 balls fresh mozzarella cheese • 10g salt • 10g black pepper

• 2,5kg cake flour • 1,5T salt • 1,5T sugar • 10g fresh yeast • 75g butter

Finely slice the aubergine, red onion, red pepper and leek. Take leaves from one sprig of thyme, drizzle with olive oil and place in a pan over a medium heat with the sliced vegetables.

Toss until slightly cooked. Remove from heat and set aside.

Finely slice the persimmon and set aside.

Dust a clean, dry surface with flour. Place the handful of pizza dough on the floured surface. Using a rolling pin, gently roll the dough out to a round pizza base about 2mm thick. Scoop 2-3 tablespoons of Napoli sauce onto the base, then add the vegetables, persimmon, leaves from one sprig of rosemary, remaining thyme leaves, torn mozzarella balls, salt and pepper.

Dust a pizza peel with flour before sliding it under the pizza. Place in a wood-fired pizza oven for 3 minutes, rotating at intervals.

• About 1L of warm water Place all the dry ingredients in a bowl, mix together and then add fresh yeast, butter and warm water.

Mix the ingredients thoroughly so that they form a partly stiff dough ball.

Remove the dough ball from the mixer and place in a flour-dusted bowl. Cover with a tea towel or cling-wrap and leave to rest for 1 hour.

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NAPOLI SAUCE Serves 4 • 4 carrots • 1 head of garlic • 2 red onions • 2 leeks • 100ml olive oil • 15 plum tomatoes • 50g fine salt • 50g black pepper • 50g basil leaves Chop the carrots, garlic and red onions into small pieces and slice the leeks. Heat the olive oil in a deep pot. When hot, add carrots, garlic, onions and leeks. Mix and allow to simmer over a medium heat.

Chop the tomatoes into small pieces, place in a food processor and blitz until smooth. Add tomato purée to vegetable mix.

Allow it to reach boiling point and add salt, pepper and basil leaves. Turn down the heat and leave to simmer for roughly 40 mins. Remove Napoli sauce from heat and allow to cool.

Vintage spoon R80, Ruth’s Antiques Linen selvedge napkin in Silver Grey R185, Mungo

FOOD AND DRINK

RUM RESURRECTION Rum distilleries have been popping up all over the country, with rum increasingly becoming a premium spirit and cocktail favourite. In the Western Cape, Inverroche crafts a rum from African blackstrap treacle molasses, the Mhoba Distillery in Mpumalanga creates one from sugar cane and ages it in toasted American white oak, and Time Anchor in Jo’burg produces an easy-sipping white rum with macadamia and caramel flavours. The first Jo’burg Craft Rum Festival takes place on 2 June at Ground in Muldersdrift, Gauteng.

THE MARBLED WAGYU Boasting beautiful views of De Kombuys estate’s vineyards in the Swartberg mountains of Oudtshoorn, The Marbled Wagyu is housed in a 150 -year-old Cape Dutch farm store. True to its name, the restaurant – which is headed

by Chef Roland Rossouw – specialises in wagyu beef.

De Kombuys, Cango Valley, Oudtshoorn, Western Cape, 044 272 7255

DON FASHIONED • 30ml Don Papa rum • muddled sugar • ice • 3 dashes bitters • orange wedge and 1 sprig of rosemary, for garnish Add Don Papa rum and muddled sugar to a tumbler, top up with ice and add bitters. Stir and garnish with an orange wedge and a sprig of rosemary.

THE LONELY HEARTS CLUB The Lonely Hearts Club in the gorgeous old La Luna building in Melville is a moody mix of parquet flooring, dark green marble, exposed brickwork and high-gloss black ceilings. Feel like dining solo?

Pull up a chair at the bar, order some tapas and enjoy a glass of wine while you watch the chefs cooking over flames in the kitchen. Try the fireroasted prawns and grilled artichoke. Musically, there’s a mix of blues, jazz, soul and swing.

9, 7th Street, Melville, Johannesburg, 082 267 1293

CARNELIAN AT THE ROCK A wine, cocktail and tapas bar, the Carnelian in Sandton is a good spot in which to unwind for post-work sundowners. The tapas menu offers 10 dishes and changes seasonally. Go for the haloumi wrapped in kataifi pastry served with syrupy fig preserve. If you like whiskey, the Old Fashioned packs a punch and is served with retro spherical ice, while the Speakeasy is a fruity, quaffable blend of vodka, pineapple juice, cassis and an angostura bitters float. Our main attraction? Cold Prosecco on tap.

Design Quarter, Leslie Avenue, Sandton, Johannesburg, 011 465 5011 THE WINTER ISSUE ELLEDECORATION.CO.ZA 125

DECO ICON:

ANDREW TSHABANGU

Many people will remember images of South Africa in the 1980s as mostly filtered through the eyes of a nation living at the height of a state of emergency – specifically the type of pictures that circulated in local and international media. Photographer Tshabangu’s life’s work captured the calm in between the storms TEXT NTOMBENHLE SHEZI PHOTOGRAPHS ANDREW TSHABANGU

When Tshabangu talks about his life’s work — and his impassioned career — he points to the fact that, unlike most photographers, for him, photography was never part of the original plan.

During the 1980s and early 1990s, while many turned their lens towards the turbulence of this transitionary period in South Africa, Tshabangu took a different approach. Away from the dominant narrative, he allowed his black and white stills to capture the continuity and quiet of the lives of people in spaces too often depicted as being on fire. ‘Yes, there was a lot going on politically in our country, but people were also carrying on.

They continued going to church. People continued going to stokvels, they continued falling in love,’ he says.

Born in Soweto in 1966, a young Tshabangu had dreams of pursuing a career in theatre when, after matriculating, a friend gifted him with a copy of Kenyan playwright Ngugi wa Thiong’o’s work, Ngaahika Ndeenda (I Will Marry When I Want), which was banned in the country at that time. After unsuccessfully auditioning for the School of Dramatic Art at the University of the Witwatersrand in Johannesburg, he took a year off to study photography at the Alexandra Community Art Centre, with the hope of building up a portfolio and credits to re-apply to Wits University. The practice stuck and Tshabangu continued to shoot, working as a photographer and freelancing briefly for the New Nation newspaper. Since then, he’s facilitated photographic workshops in Kenya, Ethiopia, Cameroon, Mozambique, Réunion Island and Guyana, as well as taking up several residencies in Réunion Island, London, New York and Nairobi.

His work – and, most notably, his incorporation of light – is often described as surrealist in its approach, but Tshabangu shows

little interest in ideas about aesthetics: his preference for black and white is simply inspired by the work of his predecessors, he says. It was while studying at the Alexandra Community Art Centre that he discovered books containing images he admired by photographers such as Peter Magubane from his Drum magazine era, Ernest Cole, W Eugene Smith, Roy DeCarava and Henri Cartier-Bresson — all shot in black and white. ‘You know when you read a book and you wish you’d written it? I felt similarly,’ he says. ‘Those photographers made an impression on me and I wished I’d taken those pictures.’

Shortly after finding his feet within his photographic career, Tshabangu talks about how an encounter with South African poet and novelist Mongane Wally Serote – who wrote the preface to Andrew Tshabangu: Footprints (Fourthwall Books), the first major published retrospective of Tshabangu’s work – encouraged him to look at his role as a photographer differently.

‘I remember telling him that I wanted to change the game,’ says Tshabangu. ‘He sat me down and pointed to people like himself and others in the world who’ve done what they’ve done with the idea of advancing humanity. That encouraged me to find my own voice and develop my own language.’

Over the past 20 years, Tshabangu’s developed his own visual vocabulary. In one of his popular images, which is on the cover of Andrew Tshabangu: Footprints, he captures the reflection of several children in a puddle. In the frame of another, he depicts two pairs of shoes on a doorstep, the curtain to the entrance giving only a slight glimpse of who could be living inside. These are the quiet moments that speak of the simplicity of humanity; moments that bear no evidence of a specific event or larger moment in time.

this page (from left) ’Township Reflection‘, 1994, from the City in Transition series; photographer Andrew Tshabangu

ICON

this page (clockwise from top left) ‘Women Praying at the Crucifix’, 2001 and ‘Prayer Sticks‘, 1999, both from the Bridges series; ’Brazer – Joubert Park 1‘, 1994, from the City in Transition series; ’Man Washing Clothes‘, 2003, from the Emakhaya series; ‘Two Women Carrying Fish‘, 2005, from the Water is Ours series

Through his work, Tshabangu also explores different ways in which we experience that which is sacred, on multiple levels. For example, his Bridges series captures people performing various spiritual and religious rituals, from a joyous procession of Shembe elders to the calm of a woman praying to a crucifix. Then there are images that depict the sacredness found in the places people call home, seen in both his Hostel Interiors and Emakhaya series. ‘My interest in these spaces comes from simply representing myself,’ he says. ‘I’m a product of my history, and this is something I continue to do in dialogue with myself.’

Tshabangu’s City in Transition series captures black people going about their occupations in different cities and opens an interesting dialogue about how cities connect, while exploring the idea of being black in the world and how these experiences aren’t monolithic.

Another subject prevalent in Tshabangu’s work is water, something he continues to build on as part of his ongoing Water is Ours series, where he examines the ways in which black people experience water from a spiritual, historical and contemporary perspective.

As part of the recent show Black Sonic Archives at the Orbit Jazz Club, Tshabangu presented his image ‘Tribute to the Ancestors of the Middle Passage’, shot in New York in 1999, while a live band interpreted the photograph socially. ‘When looking at Tshabangu’s photographs, we not only see, but also hear sounds and imagine rhythms, melodies and beats. We witness both silence and sonic manifestations,’ said curator Thembinkosi Goniwe of the experience.

Rather than looking into the future, Tshabangu sees himself as continuously finding comfort in the moment. ‘I’m dealing with time and dealing with human beings,’ he says. ‘My motto is that you’re only as good as the last photograph you took. Whether that was last week or last year, the next one has nothing to do with the past.’ Q

Bulbs FOR INDOORS By planting indoor containers with bulbs, you can enjoy spring throughout the gloomiest winter months TEXT MARY MAUREL

Spring blooms can infuse your home with scent and colour well before the season actually arrives. Hyacinths, narcissi and amaryllis are all good bulbs for indoors. Paper-white narcissi (Narcissus papyraceus) are my favourites. These elegant bulbs fill the room with fragrance and are incredibly easy to grow.

Planting bulbs only requires a little planning. Last year, I placed bulbs directly in water-filled containers. The whole process was engaging, from sprouting to watching the roots develop.

The trick is to stagger the planting of a few pots every seven days, thus allowing an extended flowering period. Florist

extraordinaire Sarah Raven recommends buying several cheap plastic colanders and planting one with bulbs each week.

As each colander comes into flower, she drops it into a favourite container, puts it on display and replaces the plant that has just finished flowering.

When planting the colander, fill it with a mixture of compost and grit, as drainage is crucial. Push the bulbs in just below the surface (about 10cm), pointy end up. Cover with a little more compost, push the soil down until firm and water well. They should flower within eight weeks.

Plant until the end of June for a welcome display in early spring.

PHOTOGRAPH GALLO IMAGES/GETTY IMAGES/ALAMY

GARDENS

NOTES

(13) @HOME 086 057 6576 | home.co.za AMATULI 011 440 5065 | amatuli.co.za (5) ANATOMY DESIGN 010 594 5397 | anatomydesign.co.za BELGOTEX FLOORS 011 380 9300 | belgotexfloors.co.za BITALIAN bitalian.co.za (8) BLOCK & CHISEL 011 442 0809 | blockandchisel. co.za CALORE calore.co.za (2) CASARREDO 011 786 6940 | casarredo.co.za CÊCILE & BOYD 021 405 1880 | cecileandboyd.com CEMCRETE 012 653 6808 | cemcrete.co.za CLEMENTINA 021 447 1398 | clementina.co.za CRÊMA 021 448 7775 | cremadesign. co.za CUBE GALLERY 011 463 7869 | cubegallery. co.za DAVID KRYNAUW 011 021 3415 | davidkrynauw. com DESIGN STORE 082 940 9200 | designstore. co.za DULUX dulux.co.za DURASTONE 032 551 2766 | durastone.co.za EGG DESIGNS 011 268 2378 | eggdesigns.co.za ELDC 021 448 8684 | eldc.co.za ESQUE esque.co.za ESTABLISHMENT.CO.ZA 021 462 6492 | establishment.co.za (9) EUROLUX 011 608 2970 | eurolux.co.za FINFLOOR 086 034 6356 | finfloor. co.za GENERATION 011 325 5963 | generationdesign. co.za GONSENHAUSERS 021 425 8998 | finerugs. co.za (7) H&M HOME 0860 690 707 | hm.com/za/ department/HOME HALOGEN INTERNATIONAL 011 448 2060 | halogen.co.za HERTEX 021 461 7420 | hertex. co.za HOME FABRICS 011 262 3492 | homefabrics.co.za ILALA DESIGNS ilaladesigns.com ITALFIRE 021 948 3411 | italfire.co.za JOSEPH & JOSEPH 011 262 2760 | josephandjoseph.co.za KLOOFTIQUE FURNISHERS 021 424 9458 | klooftique.com KNUS 021 825 9908 | knus. co KUNI kuni-collection.com LA GRANGE INTERIORS 021 447 3508 | lagrangeinteriors.co.za LEMON 011 262 4116 | madebylemon.co.za LIM 021 423 1200 | lim. co.za LIMELINE 021 424 8682 | limeline.co.za MAE RUGS 021 461 2025 | maerugs.com MAISON MARA 021 418 1600 | maisonmara.co.za MEZZANINE 011 778 1200 | mezzanineinteriors.co.za MONN 011 704 7379 | monn.co.za MORSO 021 696 9180 | morso.co.za MRP HOME 011 728 2168 | mrphome.com MUNGO mungo. co.za OGGIE FLOORING 021 510 2846 | oggieflooring. com (11) OKHA 021 461 7233 | okha.com PEZULA INTERIORS 021 424 2661 | pezulainteriors.co.za PLASCON 086 020 4060 | plascon.com (10) ROCHE BOBOIS 021 286 0793 | roche-bobois.com/ en-za ROMO 011 262 4167 | romosouthafrica.com SEDGARS 081 269 9082 | sedgarshome.co.za (3) SHF 010 492 5455 | shf. co.za SMITH STUDIO 021 442 0814 | smithstudio.co.za (6) SOFACOMPANY.COM 021 200 5904 | sofacompany. com SOUTHERN GUILD 010 594 5062 | southernguild. co.za ST LEGER & VINEY 011 444 6722 | stleger.co.za STUDIO MASSON 021 510 1946 | studiomasson.co.za T&CO 011 262 4718 | tandco.co.za THE PRIVATE HOUSE COMPANY 011 465 5600 | privatehouse.co.za THE STORER 011 679 2962 | thestorer.co TONIC DESIGN 011 262 4513 | tonicdesign.co.za (4) TRUE DESIGN 010 594 5109 | truedesign.co.za UNION TILES 011 791 4924 uniontiles.co.za (12) WEYLANDTS 021 914 1433 | weylandts.co.za (1) WOOLWORTHS Woolworths.co.za ZARA HOME zarahome.com/za

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LAST LOOK

Looking glass

PHOTOGRAPH ©STUDIO BOUROULLEC

Alcova by Ronan and Erwan Bouroullec with WonderGlass

Inspired by Giorgio Morandi’s still-lifes, Alcova is an exquisite collection of molten-glass vases, alcoves and backs by the Bouroullec brothers with the artisanal brand WonderGlass. ‘We wanted the exact opposite of extreme precision and to play with the material’s movement… we wanted all the pieces to be a bit different,’ says Ronan Bouroullec of Alcova, which highlights beauty in imperfection.

Alcova (meaning ‘a place where lovers meet’ in Italian) by Ronan and Erwan Bouroullec with WonderGlass was launched at this year’s Salone del Mobile in Milan. wonderglass.com/en/alcova

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