YourLuxury Africa - February 2024 Issue

AFRICA

Summer’s last revel

FEBRUARY 2024

IN THE

CAPE

B BA AN N TT R R YY B BA A YY AA Chr Chrysoprase ysoprase Collar Collar set set with with tsavorite, tsavorite, green green tourmaline, tourmaline, teal teal topaz topaz and and cognac cognac diamonds diamonds with with aa matching matching pair pair of of Pendant Pendant Earrings Earrings de d esig signe nedd and and m manufac anufacttur ureedd by by cchr hristo istopphe herr ggrreeig ig

www.charlesgreig.co.za www.charlesgreig.co.za 0800 0800 333 333 888 888

bmw.co.za/5

5

THE NEW

FEBRUARY 2024

26

CONTENTS

THE NEW VANGUARD OF CULTURE A new generation of voices are reshaping the Cape Town culture scene

34

CAPE CITIZEN Designer and creative director Lukhanyo Mdingi reflects on his place in the fashion landscape

50 26

12

14

50

SOUTH AFRICA’S PREMIER REAL ESTATE HUB Cape Town’s Atlantic Seaboard is becoming one of the world’s most sought-after destinations for luxury second-home investors

34 REGULARS

48

8

ED’S NOTE

10 YOUR LUXURY 12 YOUR WATCHES 14 YOUR JEWELS 16 YOUR BEAUTY 18 YOUR DIARY 36 YOUR TRAVEL 42 YOUR FOOD&DRINKS 46 YOUR WWW 54 YOUR COLLECTOR 56 YOUR DOWNTIME

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ogether with South Africa being named the best country to travel to, Cape Town was honoured as the Greatest City on Earth in the 2023 Telegraph Travel Awards. For the eighth year in a row, the largest city in the Western Cape got the nod for its combination of attractions, which include 1.6km of alluring coastline and the assuring presence of Table Mountain – one of the New 7 Wonders of the World. Cape Town is a cosmopolitan coastal city with a variety of experiences to offer, while its wider Cape region – with its winelands and charming coastal communities – is as spectacular a tourism magnet as the city itself.

on the city’s dynamic calendar. We’ve dedicated this issue to what we anticipate to be an unforgettable summer season finale in the region. From our station as media partners at the 11th Investec Cape Town Art Fair, we’ve extended eyes, ears and the rest of the senses to bring you the best of the Cape, and it’s hard to ignore the call for one last revel on the coast.

Maseko

EDITOR

FROM THE

NOTE

ED’S

N tokozo

The extraordinary 11.16 carat Bulgari Laguna Blu diamond will feature at the Met Gala on 6 May before being exhibited for sale at Sotheby’s Geneva Luxury Week later that month.

As always, this month promises to be spent making memories on the biodiverse beaches where days lead into nights, peppered with stellar wining and dining, or at one of the many culture events Blancpain x Swatch Scuba Fifty Fathoms watch, R8 999, Swatch V&A Waterfront | CALENDAR HIGHLIGHTS |

MY TOP PICKS

Charles Greig’s Seaside Blues Collection, featuring mabé pearls, golden citrine and blue topaz in various shades. charlesgreig.co.za

OUR COVER

Coinciding with the African Mining Indaba, MineShift celebrates the artistry and innovation of African jewellers, artists and manufacturers.

YourLuxury Africa is proud to be media partner at this exclusive event on Sunday 4 February, when MineShift will convert the Zeitz MOCAA into a nexus of art, culture and indulgence intersect.

AFRICA

The kitchen and lounge area on the first floor of the magnificent fourstorey Iron Man Villa in Clifton offers breathtaking panoramic views.

Aliya Homes (aliyahomesales.com) is the contactable listing agent and In Residence (inresidence.villas) the managing agents. Read more about this architectural marvel on yourluxury.africa.

Summer’s last revel

IN THE

FEBRUARY 2024

CAPE IMAGE: Supplied

The six-bedroom, six-bathroom Iron Man Villa in Clifton features an entertainment pavillion, spa, theatre room and two swimming pools

EDITORIAL: EDITOR Ntokozo Maseko Ntokozo@yourluxury.africa MANAGING EDITOR Rizwana Variawa rizwana@yourluxury.africa CREATIVE DIRECTOR Kate Walters BEAUTY EDITOR Ingrid Wood ingrid@yourluxury.africa COPY EDITOR Tamlyn Cumings PROOFREADER/CONTRIBUTOR Leigh Herringer IMAGE EDITOR Coralie Elske ADVERTISING & MARKETING: ADVERTISING DIRECTOR Yvonne Shaff +27 (82) 903 5641 I yvonne@yourluxury.africa ADVERTISING CO-ORDINATOR Yvette Mehl + 27 (21) 439 4907 I yvette@yourluxury.africa ACCOUNT MANAGER: NATIONAL Gina van de Wall I gina@yourluxury.africa MANAGEMENT: MANAGING DIRECTOR Yvonne Shaff PUBLISHER Ingrid Wood EDITORIAL DIRECTOR Jacquie Myburgh Chemaly jacquie@yourluxury.africa DISTRIBUTION & PRINT: DISTRIBUTION On the Dot, Media Support PRINTED BY CTP Printers, Cape Town for YourLuxuryPO Box 1053, Sea Point 8060, Cape Town. All rights reserved. Whereas precautions have been take n to ensure the accuracy of information, neither the editor nor YourLuxury Africa can be held liable for any inaccuracies, injury or damages that may arise. The opinions expressed in the articles may not reflect those of the publisher. All prices correct at time of going to print.

CTPprinters

CAPE TOWN

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IMAGES SUPPLIED EDITOR’S PHOTOGRAPH LOCATION: MAISON NOIR HOUT BAY

| A LUXURY ESCAPE |

LUXURY

YOUR

ONLINE NOW: The four-bedroom Owner’s Villa at Delaire Graff Estate in Stellenbosch – which has a 14 metre-long pool, private chef and butler – is one of the most exclusive private residences in Southern Africa.

Read the story on yourluxury.africa

JOIN US ONLINE www.yourluxury.africa FASHION • WATCHES • WHEELS, WINGS & WATER • TRAVEL • WEALTH • ART & CULTURE • FOOD & DRINKS

I N G R I D W O O D

S U D H I R M A T A I

N K G O P O L E N G M O L O I

D E B B I E H A T H WAY

As publisher and beauty editor of YourLuxury Africa, Ingrid gets to continue her love affair with magazines – a relationship which has spanned over 20 years. “My idea of coastal luxury in the Cape is scenic views, few people and not having to use a car. De Hoop Nature Reserve gives me that with sea, sand dunes, fauna and flora, and outdoor activities. On my list to visit is De Hoop’s new off-thegrid De Mond Villa overlooking the Ramsar Vlei.”

See: p16, p20

Sudhir is a well-known member of the motoring media fraternity, and an unrepentant petrolhead with a love of the finer things in life.

“The greater Cape region has so many places to visit, restaurants to sample and activities to engage in, so choosing only one is difficult.

I often take a drive around the scenic peninsula, simply to enjoy the view. When choosing places to overnight, there are few spots that lower one’s stress levels like Hermanus and the West Coast.”

See: p46

Nkgopoleng’s work has featured in Art Forum, Mail & Guardian and the British Journal of Photography. She recently curated Practices of Self-Fashioning, an exhibition exploring queer mobility, at the Goethe-Institut in Johannesburg. “Moving slowly from one place to another feels luxurious. A good day in the Cape involves a visit to Dear Rae on Bree Street for some locally crafted jewellery and a long lunch at Upper Union in Gardens.”

See: p26, p34

Debbie is a passionate senior writer renowned for crafting inspirational stories on watches, jewellery, writing instruments, travel, property investment and the arts. She’s a SADC award winner for her article on medical tourism in Mauritius.

“My preferred getaways in the Cape are the 12 Apostles Hotel & Spa and the One&Only, both known for their opulent spas and waterfront locations. The 12 Apostles has spellbinding ocean and mountain vistas.”

See: p12, p14, p52

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MEET OUR CONTRIBUTORS

WATCHES

YOUR

1.

2.

3.

EXPLORE THE DEPTHS OF LUXURY WATCHMAKING WITH A QUARTET OF EXQUISITE TIMEPIECES AND DISCOVER THE PERFECT COMPANION FOR YOUR UNDERWATER ESCAPADES WORDS DEBBIE HATHWAY

4.

CLASSIC TIMEKEEPING

MEETS AQUATIC MASTERY Planet Ocean Dark Grey, featuring groundbreaking silicon nitride ceramic [Si3N4]. This marks the first extensive use of silicon nitride in OMEGA watches – in the 45.5mm case body, NAIAD LOCK case back and bezel ring – creating a durable, lightweight timepiece ideal for adventurous pursuits. Grade 5 titanium accents on the bezel body, strap-folding clasp, and sand-blasted dial enhance durability without compromising weight. The OMEGA Co-Axial Master Chronometer Calibre 8906 in Grade 5 Titanium, with its GMT function, ensures precision and performance. The watch is water-resistant up to 600 metres, showcasing OMEGA’s commitment to advanced ocean technology. R493 000, omegawatches.com

2. The new 39mm LONGINES Legend Diver, instantly recognisable by its two crowns and internal rotating bezel, is faithful to the original 1959 model from which it takes inspiration.

It is certified as a diver’s watch with up to 300 metres of water resistance. The rhodium-plated and polished arrow hands are coated with Super LumiNova® for optimum visibility. Powered by the Longines L888.6 calibre, it has a power reserve of up to 72 hours. R76 900 for models with a stainless-steel or brown leather strap; R71 600 for the one with a synthetic strap, longines.com

3. BREITLING’s Chronomat South Sea Capsule Collection features three colourways – ice blue, green and pink – with metallic and mother-of-pearl dials, diamond-set hour markers, and multicoloured gem-set bezels. They are designed for those seeking effortless style and exquisite craftsmanship in a watch that is water resistant up to 100 metres. Powered by the COSCcertified Breitling Caliber 10 – known for precision and reliability – the watches boast a 42-hour power reserve. The 36mm stainless steel cases, with 18kt red or white gold bezels, are suitable for any adventure. From R239 500, breitling.com 4. ROLEX’s new Yacht-Master 42 in RLX titanium is a lightweight, durable timepiece designed for competitive sailing.

The alloy, known for strength and corrosion resistance, is used in the 42mm Oyster case and is waterproof up to 100 metres. This version has a 60-minute graduated Cerachrom insert in matt black ceramic on a bidirectional rotatable bezel. The raised numerals are moulded into the ceramic and polished, with the first 15 minutes graduated minute-by-minute for precise time reading. The Oyster bracelet includes the Oysterlock folding safety clasp to prevent accidental opening. Equipped with the calibre 3235 movement, it displays the date and boasts Superlative Chronometer certification.

R269 700, rolex.com

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1. OMEGA’s Seamaster collection introduces the new

JEWELS

YOUR

Earrings from

POMELLATO’s

Aquasumma necklace from PIAGET’s Metaphoria high jewellery collection in 750/1 000 white gold set with one pear-shaped aquamarine (approx.

4.16cts), six pear-shaped aquamarines (approx.

10.20cts), aquamarines, Akoya white pearls and diamonds. POA, piaget.com

Nudo collection, handmade with responsible gold, featuring London blue topaz, midnight blue lapis lazuli and blue sapphires offset with a pavé of blue sapphires. R150,000, bhhboutique.co.za

Miraggio necklace from CARTIER’s Le Voyage Recommencé high jewellery collection, featuring sapphires, emeralds, onyx, and diamonds set in white gold. POA, cartier.com

A suite of tanzanite and diamond jewellery in the Edwardian style. POA, CHRISTOPH Jewellers, Belmond Mount Nelson Hotel, Cape Town

18kt gold, cultured pearl, blue topaz and golden citrine Riviera necklace.

POA, charlesgreig.co.za

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available exclusively in South Africa at L’Atelier Paris Boutique, The Oceans Mall, Umhlanga. Cable price from R5,000; buckle price from R45 000, latelierparis.co.za

BLUE yourluxury.africa

OCEAN BLUES HAVE INSPIRED MANY AN ARTIST’S CREATIONS. THESE PIECES, FROM RARE TO READY-TO-WEAR, ARE ALL COVETABLE IN THEIR WAY WORDS DEBBIE HATHWAY

IMAGES SUPPLIED

OUT OF THE

FRED Force 10 bracelets,

Elegance is an attitude Regé-Jean Page

LONGINES SPIRIT ZULU TIME

BEAUTY

YOUR

Redken Acidic Bonding Concentrate 5-Min Liquid Mask boasts a powerful hair conditioning care complex for instant detangling and a moisture surge. R770, leading hair retail outlets

Wrap up your facial care with a layer of Diego dalla Palma Icon Time Gold Elixir Serum for visible skin regeneration.

R1 950, orleanscosmetics.co.za

A HOME SPA TREATMENT IS AN ACT OF SELF-CARE, AND THESE LUSH PRODUCTS WILL HELP YOU SLIP OUT OF REALITY INTO LANGUID LUXURY COMPILED BY INGRID WOOD

la

The restorative Laura Mercier Nourishing Rose Oil infuses the skin with natural oils to soothe, nourish and soften. R2 285, skins.co.za

Spa la

The patented Micro-Infusion Technology in La Prairie Platinum Rare Haute-Rejuvenation Mask allows hyaluronic acid and collagen to permeate the skin barrier for remarkable anti-ageing results.

R32 375, available at selected Edgars and Woolworths stores and online

Set the scene by scenting the room with Diptyque Citronelle Home Fragrance Diffuser, a revitalising burst of lemongrass, verbena, neroli and orange blossom. R3 940, skins.co.za

Apply Elim Illuminating Nail Cleanser to a nailbrush and give nails a gentle scrub for whiter, brighter tips. R265, orleanscosmetics.co.za

Chanel Hydra Beauty Micro Crème Yeux illuminates, hydrates and refreshes tired-looking eyes. R1 400, Chanel Fragrance & Beauty Boutique

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Sisley Gentle Facial Buffing Cream gently exfoliates and polishes the skin – the perfect prep for skin treats to follow. R1 750, selected beauty retail outlets

Dior J’adore Les Adorables transforms into a silky texture as you exfoliate, and wraps the skin in a pearlescent glow, thanks to 24kt gold particles. R1 930, selected beauty retail outlets

DIARY

YOUR

G A LVA N I Z I N G A R T The highly anticipated Zeitz Museum of Contemporary Art Africa Gala on 11 February is a significant event in the art world’s social calendar. The annual fundraiser provides crucial support for one of Africa’s leading art institutions and fosters a sense of community as private and corporate contributors gather to champion the arts.

This year artist Athi-Patra Ruga was commissioned by the museum to create the scenography for the communication materials and overall atmosphere of the evening. Proceeds of the Gala benefit Zeitz MOCAA’s curatorial and education programmes.

WELLINGTON’S FLAVOUR FEAST

For tickets and more information, visit zeitzmocaa.museum.

KRAAKTAFEL is a seasonal dining experience masterfully crafted by event specialists KRAAK. It takes place on 2 February (and 8 March) in the heart of Wellington and guests are treated to a unique menu that highlights local flavours and fine wines. Celebrating the seasons of the year, this curated culinary experience is a feast you simply can’t miss. kraak.co.za/tafel

CULTURE DIARY ENJOY THE CULTURE OFFERINGS IN THE CAPE THIS MONTH

B E Y O N D

B O U N D A R I E S :

THE INVESTEC CAPE T O W N A R T FA I R Investec’s Cape Town Art Fair is one of Africa’s top contemporary art fairs. Featuring leading artists and galleries from Africa and the world, the fair fosters dynamic connections among collectors, curators, artists and international art journalists. This is the 11th edition of the fair, and this year its theme is Unbound. From 16 – 18 February at the CTICC. investeccapetownartfair.co.za

THE GOLD RHINO OF MAPUNGUBWE BALLET

R E I M A G I N I N G H E R I T A G E , A R C H I V E S A N D M U S E U M S :

T O DAY / T O M O R R OW

An international symposium on the future of heritage, archives and museums takes place during Cape Town’s prestigious art season. Hosted by The Institut français d’Afrique du Sud (IFAS) and the French Embassy, experts, scholars, artists, and community leaders unite to establish a relational ethic between Southern Africa, France and broader African-European relations. The aim is to foster dialogue on practical tools for projects as well as promote a cultural exchange.

From 13 – 15 February. iqoqo.org/todaytomorrow

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IMAGES SUPPLIED, ZEITZ GALA LOGO, GOLD RHINO BALLET, KING HOUNDEKPINKOU COMPILED BY MONALISA MOLEFE

Not to be missed is the premiere of The Gold Rhino of Mapungubwe ballet, a subtle yet engaging dance production at the Baxter Theatre in Cape Town. The ballet is a seamless blend of choreography and musical compositions narrating the legacy of the ancient Mapubungwe Kingdom. The nuanced performance delves into African heritage and history and features three compostions from the Grammy-nominated album Pangaea written by Wouter Kellerman and David Arkenstone. Tickets available at baxter.uct.ac.za.

RADO.COM

MASTER OF MATERIALS

RADO CENTRIX

BEAUTY

YOUR

THE ART OF

Wellbeing THE AFRO-ART INSPIRED SPA AT DELAIRE GRAFF ESTATE IN STELLENBOSCH OFFERS A WHOLE NEW APPROACH TO RELAXATION AND WELLNESS WORDS INGRID WOOD

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LIVE VIRTUAL AUCTION

Curatorial Voices: African Landscapes, Past and Present Monday, 19 February 2024 at 7.00pm 35 Brickfield Road, Woodstock, Cape Town Cinga Samson, Hliso Street V, R 2 000 000 - 3 000 000

www.straussart.co.za

BEAUTY

YOUR

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Designed as a wellness sanctuary where visitors can embark on a journey of holistic healing and self-discovery, the spa’s neutral colours and rich textures epitomise the new interiors. Light abounds from the extensive use of glass, capitalising on the views, while the soothing sounds of trickling water set the mood. Materials include chiselled woods, stone, copper and handwoven textiles,

while the treatment rooms are bathed in soft ivory tones with subtle African detail and art. Each art piece has been carefully selected for the spa by owner Laurence Graff OBE from his personal collection, and allows guests take time to pause and reflect. Therapists – known here as “guardians of stillness, peace and serenity” – also draw inspiration from the artworks during treatments.

In addition to an infinity pool, sauna and steam room, heated jacuzzi and relaxation room, there is an extensive treatment list and a range of spa rituals.

But the real attraction for me – and what takes this spa experience to a level above the rest – is the bespoke approach that allows each therapist to focus on the results their client wants to achieve, as opposed to one-size-fits-all treatments.

Instead of selecting a specific therapy (although you can do this if you prefer), you book a time frame (from 45 minutes to 120 minutes), and during this time, the therapist crafts a treatment tailored to your needs, using products from global brands, including Augustinus Bader, Dr Barbara Sturm, ila and Jardin de Delaire. It’s impossible to fully explain the customised experience as it’s such a deeply personal journey, but suffice to say, under the expert hands of Hildegard

P R E V I O U S PA G E :

The Crossing by Deborah Bell inspires guests to embark on a spiritual journey at Delaire Spa A B O V E & R I G H T:

From the setting to the art and everything between, this is the epitome of luxury self care

Carstens, spa director and the most intuitive therapist I have encountered, what I expected when I stepped into the quiet space didn’t come close to what I ultimately experienced. It’s the difference between good and exceptional.

And it didn’t end there. Once I managed to emerge from my slumber, I was shown to the relaxation room for a tasting from the estate’s new Japanese restaurant HŌSEKI. I was then given a brush and ink to let my thoughts flow on paper.

Gazing out the ceiling-high window, my eyes were drawn to Sentinels by Deborah Bell, and once again I marvelled at the thoughtfulness and the considered detail that has gone into the design and philosophy of the spa. It’s the epitome of quiet luxury. ■

THE CREME OF ALL S PA T R E AT S The Lesedi La Rona experience is all about relaxation, rejuvenation and pure indulgence. Inspired by the 302.37 carat Lesedi La Rona – the world’s largest square emerald cut diamond – that required more than 18 months of craftsmanship to cut and polish, this is a journey of transformation designed to help you explore your inner sensory system for ‘personal repositioning’. The Spa – Art – Fragrance – Diamonds – Cuisine – Wine experience includes a Lesedi La Rona fragrance consultation, curated Delaire Graff Spa art tour, two bespoke spa rituals, a HŌSEKI three-course lunch and appointment at the Graff boutique.

Clients are gifted with a Graff Lesedi La Rona fragrance of choice, Augustinus Bader 30ml cream, Dr Barbara Sturm 10ml serum, Knesko Gemclinical 10ml serum, ila vital energy roller and a bottle of Delaire Graff Sunrise Brut Cap Classique.

Priced at R18 000pp. delaire.co.za/spa

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t’s said that mountain views can have a positive impact on mood and emotional wellbeing, and looking out at the peaks and valleys along the Helshoogte Pass linking the wine districts of Stellenbosch and Franschhoek – and one of the most beautiful roads in the Western Cape – I feel it. Delaire Graff Estate, located along the pass, takes full advantage of this natural uplifting benefit. Everything about the estate blends seamlessly into the natural beauty of the surrounding mountains, valleys and landscaped gardens, and the last scenic stretch to my destination – the refurbished spa – helped me slip into relaxation mode that much faster.

THE NEW VANGUARD

BETWEEN THE TOWERING MOUNTAINS, VERDANT FORESTS AND BREEZY OCEANS, CAPE TOWN IS ALSO KNOWN FOR ITS SOMETIMES ICY (READ: EXCLUSIONARY) NATURE. A NEW GENERATION OF CULTURAL WORKERS ARE BUILDING NEW MODELS OF RELATIONALITY AND A SHARP AWARENESS OF ETHICS. THEY ARE REIMAGINING PLACE WHILE CREATING NEW NARRATIVES OF BELONGING WORDS NKGOPOLENG MOLOI

I

n 2019, writer and curator Antwaun Sargent published the book The New Black Vanguard: Photography between Art and Fashion. In it, he defined vanguards as those who create a condition “that is inclusive and reflective of a wider world” while expanding notions of agency. This sensibility is evident in the philosophies upheld by the five Capetonians I interviewed in the lead-up to the city’s most vibrant art world calendar event – the 2024 Investec Cape Town Art Fair.

I sat down with Anelisa Mangcu, Seth Shezi, Heinrich Groenewald, Shona van der Merwe and Mpilo Ngcukana to talk about their influence and what living and working in Cape Town means to them. These new vanguards of culture operate under a different logic to the elitist nature of the art world, as well as the often-clannish Cape Town scene. They have mustered a voice, are tastemakers in their chosen fields, and are creating spaces of creativity and freedom for themselves and those not privy to the nerve centre of society. But it’s not all work and no play – each of them is keenly aware of all the city has to offer, from cultural events and nature adventures to where to eat and party.

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SETH: PHOTOGRAPHER: SARAH KEOGH LIGHTING: MOSES MULEZI MPILO: PHOTOGRAPHER: ZANDER OPPERMAN LIGHTING & DIGI: TIANO XAVIER

of culture in the Cape

CULTURE

YOUR

SETH SHEZI

THE CULTURE CHAMELEON When you meet Seth, he is bubbly, energetic and incredibly warm. We had lunch at Hemelhuijs in De Waterkant where he said he finds such comfort in appreciating the beautiful things around him. As a young Black South African, Seth is set on breaking boundaries and following his passions and feelings, not just his mind. “I go where my heart leads me,” he says.

Merging podcasting, creative direction and strategy, Seth is a cultural shapeshifter. His experience is vast and spans multiple industries. He began his journey as a business analyst for Metropolitan Health Group and Vox Orion before moving to business development and refining his creative pursuits and establishing Obsidian Studio in 2017. Obsidian is a black gemstone which naturally forms from volcanic lava, and inspired the name of his business as a nod to and celebration of Blackness, as well as its potential and strength.

Through his recent creative pursuit Breaking Eggs, a podcast series in audio-visual form, Seth hosts curious seekers and trailblazing mavericks

at the intersections of business and creative industries. Among others, he has interviewed businesswoman Carol Bouwer and chef Nick Charalambous of Greek Cypriot restaurant Ouzeri. He is also the curator and creative director of the cultural experience Little Gig – a three-day gathering of mind-expanding experiences in extraordinary settings (the last one took place on the tiny island of Lamu in Kenya). The festival blends art, performance and heritage with offerings from writers, poets, chefs and local musicians who tell beautiful stories of non-conformity against Western hegemonies.

For Seth, his career is about rebellion against exclusion. “Access and luxury are nebulous concepts. The height of luxury is to have the freedom to be oneself and to be rebellious. I’m interested in dreaming up worlds through acts of rebellion, which is about saying, ‘these are the things that I have chosen for my life and they do not fit into specific boxes’,” he says.

His voice is about to reverberate even further through his new position as part of the Board of Trustees at the Norval

Foundation — the art foundation in Steenberg dedicated to the research, understanding and care of 20th and 21st-century visual art from Africa and its diasporas. This new role gives him a firmer foot in the contemporary visual-art world, and an opportunity to champion young artists on the continent.

Coinciding with this year’s Investec Art Fair, the Norval Foundation continues to showcase Cinga Samson’s first museum exhibition, Ukhe Nje Wasondela, Ndakuphosa Kulo Mlambo, and a substantial body of work by modernist painter Alexis Preller, Mythical Lexicon, which draws on The Preller Archive housed at Norval Foundation.

THE CITY ACCORDING TO SETH Seth spends his time between Cape Town and London, but when he’s in town he enjoys Scheckters Raw in Sea Point for its delicious plant-based meals. He deems Hugo Social Club overlooking the Atlantic Seaboard as a good place to enjoy music and people-watch, and Salsify at the Roundhouse gets a nod too.

MPILO NGCUKANA THE CULTURE CHALLENGER

Within the local art ecosystem, very few Black-owned spaces survive, let alone flourish. Even fewer exist in locales that are traditionally marginalised and sidelined. Mpilo is a co-founder of art gallery 16 on Lerotholi in Langa, Cape Town’s oldest township. Formed as a result of South Africa’s 1923 Urban Areas Act, it has almost a century of history behind it. His mission is “to build a deeper appreciation for the diverse heritage, narratives and experiences of African people both within the Langa community, across the African continent, and beyond.”

Mpilo is clear on his belief: “When you immerse yourself in the experience of art, you're not just witnessing – you're feeling.” This is why 16 on Lerotholi is more than a gallery, but a space that inspires profound feeling, and what Mpilo reflects on as “a holistic approach encouraging a deeper sense of responsibility – a poetic way of knowing, often sidelined in Western culture's overemphasis on reductionist thinking.”

A B O V E:

A place of profound feeling: 16 on Lerotholi in Langa, Cape Town

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Unlike many white-cube galleries in Cape Town, 16 on Lerotholi actively encourages artists to reach out and directly submit their portfolios for consideration. This inclusive approach

A B O V E:

(From left) Shaun Williams, Mpilo Ngcukana, Khanyo Ngcukana and Thulani Fesi at 16 on Lerotholi R I G H T:

As Far As The Sea

by Inga Somdyala

goes a long way in creating a diverse, rich and rigorous programme. Having traversed through the challenges of the global pandemic (the gallery opened its doors three months before the national lockdown), 16 on Lerotholi is set for a resilient future with its gallery programme and continued collaboration with South Africa’s longest-running commercial gallery, Everard Read.

Participating under the ALT section of the 2024 Investec Art Fair, and as part of the VIP programme, 16 on Lerotholi will host a jazz afternoon on 17 February to accompany the opening of the exhibition Locating Identity: Unveiling African Artistry in the Inner Sanctums of Langa. “This event delves into the intellectual discourse surrounding African identity, challenging the notion that our creations must conform to spaces distant from our roots,” notes Mpilo.

THE CITY A C C O R D I N G T O M P I LO When he is not at the gallery or meeting artists, Mpilo enjoys local spots such as Loading Bay in De Waterkant, Kloof Street House, Athletics Social Club, and One Park in Gardens.

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RESERVOIR: PHOTOGRAPHER: SARAH KEOGH LIGHTING: MOSES MULEZI

In just a few years, the space has had a profound impact on how local audiences engage with art in Langa. The affectation of seeing oneself (and those like you) represented is palpable, which is why the gallery focuses on developing an identity and ethos grounded in close relationships with artists. Speaking to Mpilo, one gets a sense of intense vision and a true belief in the power of art being able to shape a different future. He also has a strong passion for place – Langa in particular.

“My engagement with local emerging artists is deeply rooted in a genuine passion for nurturing unique voices and compelling narratives within the art community,” he tells me.

CULTURE

YOUR

RESERVOIR

THE CULTURE COMMUNITY SHAPERS Known for its distinct curatorial voice, RESERVOIR is a minimalist’s dream.

Having worked within the gallery system for many years, Heinrich Groenewald and Shona van der Merwe (co-founders of RESERVOIR) noticed the everwidening gap between artists, collectors and audiences — often attributed to a neglect of the quality administration required to sustain close art community ties. They began with a nomadic model by curating shows in different contexts, while providing consultancy and bespoke services to a wide collector base. That model has developed into a project space with a strong curatorial arm, marrying good business sense with ethics, building community and creating space for emerging artists. “When we started, it was almost as if we were mobile gallerists,” recalls Shona.

lot of what we do is intuitive,” says Shona, who considers discernment as a critical component of what makes work compelling, adding that it’s about particular sensibilities and sensitivities to narratives that are specific to artists and their communities.

Although its roots are firmly grounded in Cape Town, RESERVOIR has expanded its footprint towards the European market.

In the past year, RESERVOIR exhibited

at Miart, Milan’s international modern and contemporary art fair, and at Artissima, Italy’s long-running contemporary art fair, where they received the 2023 New Entries Fund award.

On the local art scene, the pair began the year with a new project by artist Ana van der Ploeg in their gallery space. For this month’s Art Fair in Cape Town, they will present works by Alexandra Karakashian, Bella Knemeyer and Dale Lawrence in the

The name RESERVOIR comes from the idea of a space where information, collected over the years, circulates between different people. Within their working process, there is a deep respect and appreciation of relationships, and a process-driven curatorial approach places emphasis on solo projects. “A

main section, as well as host an open studio event at Bree Castle House. This is an effort to bring local audiences into artists’ studios to engage, challenge and enjoy the works being produced. “We love our central location as besides the flurry of wonderful eateries, Bree Street is one of the most social and creative arteries in the city,” says Shona.

THE CITY ACCORDING TO HEINRICH AND SHONA When they’re not hard at work at Bree Castle House, Heinrich and Shona hang out at Kasteel Café, Loading Bay, the General Store on Bree Street, or can be found having dinner and drinks at Hacienda or Obi Restaurant.

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ANELISA MANGCU THE CULTURE CURATOR

I first met Anelisa following her cocuration of the painting exhibition Everything was Beautiful and Nothing Hurt, which was staged at Keyes Art Mile as part of FNB Art Joburg Open City in 2021. Since then, I have watched her dedication to Black emerging artists from the continent in awe – particularly those who challenge the politics of representation through portraiture and figuration. Her commitment to artists whose visual articulations express histories and personal narratives remains unwavering.

We meet for coffee at Pauline’s, a spot with a small garden in Sea Point. Anelisa is adamant that the best way to get ideas flowing is to spend time outside, especially in a city filled with so much natural beauty, and so our interview was extended with a walk on the Promenade.

She spoke with clarity and passion about the community of artists she champions.

“I love working with young artists. I’m committed to creating opportunities where their work can thrive; where they can have the kinds of conversations that are not possible in White-owned spaces.”

A B O V E:

Green Views from the River Bank

by Adegboyega Adesina

In 2020, Anelisa founded the curatorial and advisory business Under the Aegis.

In line with its name, the company facilitates and supports relationships between artists, galleries and collectors within the African continent and its diaspora. As a curator, she started her career at the gallery Ebony Curated on Loop Street. She says her work is founded on care and authentic pursuits,

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and is interested in shifting perspectives and challenging conventions around emerging and independent artistic practice.

For Anelisa, the 2024 Investec Cape Town Art Fair carries special excitement as she will exhibit for the first time. Her booth brings together three artists working across diverse mediums and geographies: Nigerian-born Adegboyega Adesina

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ANELISA: PHOTOGRAPHER: ZANDER OPPERMAN LIGHTING & DIGI: TIANO XAVIER DRESS: H&M JEWELLERY: H&M AND GITHAN COOPOO

Brian from the Casper Kofi installation whose figurative painting practice draws from the art of body painting; Buqaqawuli Thamani Nobakada who uses her background in architecture to create richly textured mix-media works; and Dutch-Ghanaian photographer Casper Kofi whose intimate portraits capture personal ties.

As much as she is excited about participating in a world-class art fair as a young Black woman pursuing her curatorial goals independently, she’s also aware of the inherent contradictions.

She reflects that “Cape Town is an urban system entrenched in deep complexities from a variety of political, historical, social, economic and environmental factors. Despite my full access to the city and its wonderful offerings, I can’t help but think about Henri Lefebvre’s

The Right to the City and how Cape Town as a space can represent power dynamics. I often think about who has rights to the city, and how it manifests itself as a superior form of rights. Who has rights to the oeuvre and who has rights to participation and appropriation? Who has the right to habitat and the right to dwelling?” However, Anelisa says, “I am far more interested in spatial solidarity, community and collective exchange of solutions for marginalised groups occupying spaces that they are expected to merely exist and not thrive. Those who have experienced a city or country with a colonial history know how challenging it is to navigate the invisible borders of that space. I don’t have all the solutions for those who feel restricted – all I can do is contribute to opening up whatever space I can.” ■

THE CITY ACCORDING TO ANELISA “I’ve lived in Cape Town for the majority of my life. You can often find me at Villa 47 indulging in linguine pomodorino (with burrata) or a spaghetti ai frutti di mare. There is a new restaurant called Therapy in Gardens, and you can’t go wrong with their penne Alessandro. Most Fridays, you can find me at The Planet Bar at the Mount Nelson for a drink (or two) after work. Bascule Bar has the best view of the mountain and the perfect old fashioned. There are too many wine farms to mention, but I love the Constantia Valley Winelands, particularly Bistro Sixteen82.”

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COLLABORATION

PASSION’S TREASURE HUNT A VISIT TO CHRISTOFF JEWELLERY – AN ALADDIN’S CAVE TUCKED AWAY AT THE FOOT OF TABLE MOUNTAIN – REVEALS A GLORIOUS SELECTION OF GEMSTONE JEWELLERY, CHUNKY GOLD CHAINS, PEARL NECKLACES, RINGS AND EARRINGS

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hristoff Fine Jewellery is one of the Belmond Mount Nelson crown jewels, trading out of the inner sanctum for 10 years of its 124-year history.

It’s fair to say that the prestigious Cape Town boutique is as much an institution in designing and supplying custom-made jewellery to the world as the grand “pink lady” is to travellers seeking a retreat steeped in sophistication and glamour.

The jeweller’s windows sparkle with covetable creations, hinting at a treasure trove of multicoloured gemstones set in 18kt yellow or white gold. Interestingly, you’ll find sought-after tsavorite set in yellow gold or white gold because “its deep-green colour is well complemented by both”, says Christoff Jewellery MD Anne Tripp.

“Tsavorites are rarer than emeralds and I think they are pretty dramatic.”

Coloured stones are still prevalent, with the local ones (tsavorite, ruby, garnet, citrine and morganite from Mozambique) among the bestsellers. “People who come shopping for coloured stones recognise quality, so we try to only have the top end of the stone realm here. They often ask for something specific in amethyst, pink sapphire, or yellow sapphire – and because we make everything up ourselves, the yellow-gold and coloured-stone combination is a big thing. We do a lot of commission work,

shipping orders to clients when they are ready,” she says. “The American market is quite conservative, while Europeans are keener on the bigger, bolder pieces. We do well with our chains with coloured stones by the metre, which we make long enough so that you can wear them as a choker if you want to.”

Anne loves travelling to Tanzania to see her African suppliers if they aren’t able to reach her on home soil first, and she often visits Jaipur in India. “Jaipur is a major stone-cutting centre.

They source, cut and polish to the exact quality I want.”

One of her greatest finds this year is “the most wonderful pink morganite. It’s like a museum piece; it’s so huge.

It was presented by one of my gemstone suppliers who thought it might interest me.

It’s amazing!”

Earrings are a Christoff speciality, and are created in almost every design. “We try to keep their weight under about 6g. If they’re heavier, we fit them with a handmade clip, so they sit firmly on the ear,” Anne explains. A black onyx and diamond collection was particularly eye-catching among the glittering stones.

“The combination is an enduring classic.

People like it. It’s smart and it’ll never let them down,” she adds.

The same can be said of a jeweller of this stature. “Customers find our pieces quite good value, mainly because they have only passed through two pairs of hands – the person who makes them and me. We also love colour and have fun with it.”

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BORN IN THE EASTERN CAPE AND BASED IN CAPE TOWN, DESIGNER AND CREATIVE DIRECTOR OF EPONYMOUS LABEL, LUKHANYO MDINGI REFLECTS ON CARVING AN INTENTIONAL PLACE IN THE FASHION LANDSCAPE

CapeCitizen

WORDS NKGOPOLENG MOLOI

Lukhanyo speaks softly and with deliberate pauses. In our conversation, the word discernment comes up a few times, which I take to mean slow, contemplated and appraised.

Lukhanyo is a creative director with immense fashion authority whose accolades include a joint award of the LVMH Karl Lagerfeld Prize in 2021 and participation in the Ethical Fashion Initiative’s inaugural accelerator programme in 2020. The South African designer was awarded the 2023 AMIRI Prize — an inclusive annual award and incubator under the mentorship of American fashion designer Mike Amiri, which was established to encourage, nurture and showcase up-and-coming talent from fashion and its adjacent fields.

A typical day in his life involves arriving early at the office, setting up meetings with various team members, and facilitating and guiding creative output, which might involve admin, fieldwork

(visiting manufacturers for instance) and research – the foundation of the brand’s working process. “No matter what the inspiration is, the intention is to always understand provenance.

Whether through visuals, texts or images, the brand allows for what is at the core of the inspiration to come through,” he says. His rigorous focus on process and documentation allows him to create in previously unimagined ways while nodding to the sources that breathe life into the work. As an example, his eponymous Burkina Collection was influenced by the CABES textile community in Ouagadougou, Burkina Faso – a place he remembers fondly.

In an industry riddled with the cult of personality, Lukhanyo is a breath of fresh air — he is tender, contemplative and incredibly considered. Our conversation takes on a slow tempo as he describes the gratitude and sense of community that guide his practice. “I’m incredibly thankful for the opportunities and the challenges I have experienced over the last nine years.”

Since its launch in 2015, the brand has reached unbelievable heights. “I find myself looking at the next thing. I am committed to the big picture and am constantly thinking about what is

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t is a punishingly hot day in Cape Town when I catch Lukhanyo Mdingi over a Zoom call. I’m in the blistering heat while he’s in the more temperate Paris on a work trip following his AMIRI Prize win. Although he’s on a series of work trips in Europe when we speak, I don’t miss the opportunity to ask him about his home base.

“I love Cape Town. I love its sensibility and the community I’ve been able to create during my time here. It is home,” he says.

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“No matter what the INSPIRATION is, the intention is to always understand PROVENANCE” next,” says Lukhanyo. Talking about finding a healthy balance between work and the personal, he reminds me, “We live in a world where people want to know everything. I understand in terms of work, but that doesn’t mean having to expose one’s private life.” He holds this philosophy dearly as he gently steers the conversation to foreground his work.

The brand’s focus has remained resolute with an emphasis on sculptural precision and elegant, precise yet fluid designs. This now includes a sports capsule that premiered exclusively on lemkus.com in late 2023. From accessories (monogram print

scarves, brown cord necklaces, tiger’s eyes and gold earrings) to the sports collection and his exclusive tailored collection, the forms echo realms of natural beauty encapsulated by rich materials. Whether it’s organic cotton, merino wool or metal thread, the emphasis on craft and considered designs permeates authenticity. “There is a push and pull between the business and creative sides. This relationship can be extremely difficult.

I have learnt the importance of pragmatism and believe that a clear sense of strategy is crucial. The mix between flexibility and decisiveness ensures that the team and the business are protected,” Lukhanyo explains.

He is optimistic about the South African fashion landscape, seeing the visibility that many local brands and creatives are finally garnering for themselves. “I feel proud when I see my peers working hard and receiving recognition. There is such a beautiful spirit that is community-driven. It is a testament to the kind of resilient and wonderful human beings we are as South Africans,” he notes.

The designer tells me that the product of many months of hard work is about to come live — the launch of an e-commerce site that will allow direct-to-consumer engagement. This is a big step in expanding the brand’s accessibility, both locally and globally. The online shop, set to launch this month, will include the capsule collection, everyday pieces, accessories and a few homeware items. lukhanyomdingi.co.za ■

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Splendid Isolation THERE COMES A TIME WHEN THE INHABITANTS OF THE MOTHER CITY – AND OTHER URBAN ENCLAVES – NEED TO ESCAPE THE CROWDS. AS TRAVEL WRITER JARED RUTTENBURG DISCOVERED, ABRIKOOS KLOOF POD RESERVE IS THE DESTINATION TO DO JUST THAT WORDS JARED RUTTENBERG

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FA R L E F T, L E F T A N D B E L O W :

The newest member of Abrikoos Kloof is The Barn House, one of what will be seven stays on the reserve B OT TO M:

The Cave House, which opened mid-2023, is built into a natural rock overhang in a remote mountain kloof

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ucked away in the crags of the towering Cape Fold Mountains, just two and a half hours from Cape Town and 20 minutes from the historical town of Montagu in the Little Karoo, lies Abrikoos Kloof Pod Reserve. Relatively new on the map, the reserve quietly awaits guests who seek seclusion, and discerning explorers wanting to discover one of the Western Cape’s most remarkable stays.

Owner Dennis Viet, an ex-Joburger who now resides in London, takes every chance he can to return to this piece of Cape wilderness. His vision for the reserve – to create a space for people from all over the world to escape their busy lives and reconnect with nature and each other – is exciting and contagious.

With a small collection of seven exclusive stays that will blend into isolated spaces along the hills of the reserve, the Abrikoos Kloof story is one in the making. And for those who enjoy returning to their favourite destinations, the reserve offers the tempting option for multiple visits, each time trying a different pod.

The first pod, The Cave House, opened to guests in mid-2023, and I visited as soon as possible. It is built into a natural rock overhang in a remote mountain kloof. Make no mistake though, this is no rehash of The Flintstones – the luxury experience at Abrikoos Kloof ensures that every creature comfort is catered for.

Walking into the fully stocked kitchen, I smiled seeing the Delonghi coffee machine. Adjoining the four-poster bed and the bathroom (with a freestanding copper bathtub) is a double-sided log fireplace, keeping the cave toasty and warm. Then of course, there’s the Victorian loo with a view over the renosterveld.

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The Cave House has a private boma, fully stocked kitchen, and an open-plan living space with views over the renosterveld

Moving outside, the sunken boma firepit provides ambience for dining with the braai at night. As comfortable as the cave and its environs are, when it’s time to explore the rugged beauty of the reserve, heading out for a run in wild-open space, or going on a short scenic hike to a nearby cave, are invigorating and easy to do.

For those wanting to appreciate the wonders of nature a little more gently, there’s a wood-fired hot tub that’s hidden metres away from the cave.

A minute’s walk further and you’ll find a farm dam with a relaxation deck. With all of these carefully considered spaces and personalised touches, I have a sneaky suspicion that The Cave House is going to see its fair share of proposals.

Along the front veranda, a cut-out section of the covering allows abundant light to flood through it, providing a fitting frame for the natural beauty outside, where a short walk will take you to the swimming pool, hot tub, and pizza oven nearby.

The newest member of the Abrikoos Kloof collection is The Barn House.

The ultra-modern design is a striking feature in the landscape without detracting much from it: two living areas are joined by a glass corridor, with the whole structure clad in composite bamboo and custom-made brick work for the chimney stacks.

While self-catering is an easy option at both The Cave and The Barn, the property collaborates with local caterers to offer a range of enticing dining options – whether it’s gourmet ingredients to make your own Karoo pizza, a threecourse meal, or as in my case, a full breakfast basket to kick off the day.

Both bathing and showering are also nature immersions as the freestanding Devon Slipper bath looks out over the fynbos, and the outdoor shower stands proudly under the stars.

The company offers a range of earthfriendly products that are used at a number of lodges and guesthouses around South Africa. Liana also runs Botanical workshops on the farm.

On my way home, I joined one of these workshops, crafting my own bath salts from botanicals we harvested. Since then, every bath or scrub is a decadent reminder of the Little Karoo – and an aromatic hint to return for the next experience in the lineup of Abrikoos Kloof luxury escapes. abrikooskloof.co.za ■

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IMAGES SUPPLEID; JARED RUTTENBERG

As a celebration of the fragrant fynbos that surrounds the houses, products are provided by Fijn Botanicals. Liana Jansen is a proud Montagu local, and as a researcher, the area’s vegetation fascinated her to the point where she conceived Fijn Botanicals.

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Dinesh Govender B E LO W:

Phillip Wyatt

The art of pre-flight luxury YOUR TIME AT THE AIRPORT CAN SET THE TONE FOR AN ENTIRE TRIP, AND THE LOUNGE BY DISCOVERY IS TAKING THE PASSENGER EXPERIENCE TO NEW HEIGHTS

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inesh Govender, CEO of Discovery Vitality, and Phillip Wyatt, project director of interior architects IHBAZA, are the creative minds behind The Lounge by Discovery, in partnership with SAA at OR Tambo International Airport’s departures. They share how Discovery's experience in customercentric design has made The Lounge a destination in itself.

HOW IS THE LOUNGE GUIDED BY DISCOVERY’S KNOWLEDGE OF USER BEHAVIOUR?

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DINESH: Discovery’s experience in environmental design prioritises creating meaningful, memorable moments for our customers. The Lounge isn’t just a place to wait for your flight – it’s an environment carefully crafted to elicit a positive response from passengers.

We mapped out specific customer journeys, asking questions like: “What would a single business traveller with a short layover want before a flight?”

Premium coffee, fast internet, a quiet solo pod in which to work, and perhaps a meeting room with charging ports.

PHILLIP: And what about, for example, a family of five with a long wait before an international flight? Maybe a private, semi-enclosed space so their children don’t wander off, a selection of food and drinks and some comfortable seating.

After mapping these profiles, we set about catering for these needs in ways that offer each traveller a bespoke and memorable experience.

HOW DID YOU ACHIEVE THE FUSION BETWEEN LOCAL AND GLOBAL?

PHILLIP: We wanted to create an ambience that captures the essence of international luxury while staying rooted in South African culture. We collaborated with local craftsmen and artists, showcasing the best of their furniture production, and analysed how some highly praised lounges across the globe – such as those in Doha, Paris and London – meet consumer needs, and brought in those elements.

WHAT ARE SOME OF THE HIGHLIGHTS IN THE LOUNGE?

DINESH: Guests are treated to coffee artistry made by expert baristas on La Marzocco espresso machines, or they may opt for a drink from our signature cocktail menu. We also use a customised range of crockery that’s unique to The Lounge.

PHILLIP: My favourite space is the new buffet area where we’ve used aeronautical shapes to play up the preflight culinary experience. There are also booths to use as a quiet nook where guests can catch up on work or watch a series before boarding their flight.

WHAT CAN VISITORS EXPECT FROM THE LOUNGE’S DESIGN AND AMBIENCE?

PHILLIP: We worked with a team of experts in hospitality design to create a holistic experience. These included our interior architects IHBAZA, curators Art Gazette, and other specialists, like kitchen consultants. The design elements,

materials and art installations are sophisticated with a South African touch. Overall, the design is the perfect blend of functionality and aesthetics.

HOW TO ACCESS T H E LO U N G E Discovery Bank Purple, Black and Platinum cardholders can join SAA Business Class passengers and Star Alliance Gold members in accessing The Lounge by simply generating a voucher in their Discovery Bank app.

There is no capped time limit, so passengers can enjoy the space for as long as they need before catching their flight.

Discovery Bank Black and Purple cardholders also have exclusive access to the Discovery Priority Fast Track at OR Tambo and Cape Town International airports, along with entry to over 1 200 airport lounges worldwide, through loungekey access.

The refurbishments will be rolled out to the existing lounge network in the coming months, including the luxurious new Platinum lounge concept in Johannesburg and Cape Town. discovery.co.za

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WE SHARE HIGHLIGHTS FROM THE FOURTH INSTALMENT OF THE VASTLY SAGE BRUNCH, WHICH BROUGHT TOGETHER LIKE MINDS TO CONVERSE ABOUT LIFE AND THE WISDOM IT BRINGS FROM OUR DIFFERENT PATHS

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he beginnings of what has become a wildly successful event are anything but humble. Instead, the Vastly Sage Brunch was boldly brought to life in the midst of a pandemic hangover in 2020 as the brainchild of transformational author, international speaker, mentor and global award-winning businesswoman Amanda Dambuza. By 2023, the numbers – having risen to 500 guests with tickets selling out a year in advance – were testament that Amanda’s vision was right on time.

The Vastly Sage Brunch was founded on the basis that Amanda’s mentees craved a physical space to network, connect and transform, and the 2023 edition – held on a sunny November afternoon at luxury estate Steyn City just outside Johannesburg – delivered all that. As the hostess and MC for the day, Amanda laid an unshakable foundation in setting the tone, calling for everyone “to suspend judgement, receive with an open heart, have fun and learn.” An additional quip that “today we do not care if someone doesn’t have their Spanx on,” left guests in stitches, creating an atmosphere of relaxed expectancy.

The vast, private hangar-like space was filled with beautifully decorated tables, stylish guests, an abundant spread of culinary delights, and Veuve Clicquot flowing at the bar. But the highlight of the day was the speakers who fed both minds and hearts.

Clare Blackenberg, founder of the innovative business Reel Gardening and one of two Veuve Clicquot Bold Woman Award-winners in South Africa last year, spoke to a receptive audience about her entrepreneurial journey. Her most powerful message was that “simplicity is the zenith of sophistication”.

This is well demonstrated in her own life story – as an architect, she was able to see past all its complexities to spot a simple but important need from the communities for which she was designing humane housing: food security.

From there she simplified the process of gardening by inventing and patenting a new process for planting seed.

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O F T R A N S F O R M AT I O N

Bilala Mabuza, founder and head designer of Cocoon Lifestyle, expertly brought design thinking and solutions to women’s daily challenges – particularly in the corporate space. Having worked for years in corporate before taking the leap into entrepreneurship, Bilala gave frank advice about making the most of working life by tailoring it to one’s own needs. She shared how to negotiate or re-negotiate contracts and conditions of employment in ways that lead to a well-balanced life.

Samke Mhlongo, former investment banker turned wealth coach and author, took the stage by spirited storm with her

ingenious PIE-OF-LIFE lessons, where each letter of the phrase represents changes one can make to break the shackles of a scarcity-riddled life. Her humour and vulnerability about her own experiences inspired a resounding applause from an audience that seemed transformed in real time by her teachings.

Erik Kruger, founder of Modern Breed, accomplished author and leadership coach, brought the room back to attentive stillness, managing to break down practical ways on how to become ‘dangerous’. Guests appreciated his unique perspective that one needs to

become a threat to the threats that keep us trapped in survival mode.

Lastly, Shudufhadzo Musida, Miss SA 2020 and a leading mental health advocate, warmed hearts with her story.

From humble beginnings living on her grandmother’s social grants in Venda to enduring merciless bullying in her schooling years, she can now shine on the large platforms she occupies.

The Yourluxury Africa Lounge, curated by Bilala, provided the perfect place for us as a media partner to meet and mingle with guests throughout this beautiful day.

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T H E W I N E L A N D S

THE CAPE WINELANDS IS A VERITABLE TREASURE CHEST OF CULINARY GEMS, VINOUS INDULGENCE AND EXTRAORDINARY EXPERIENCES. THIS TIME, WE’VE GONE A LITTLE DEEPER TO FIND SOME OF THE BEST-KEPT SECRETS HIDDEN IN THE STELLENBOSH AND FRANSCHHOEK VALLEYS WORDS STEVE STEINFELD

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While Babylonstoren and its beautiful gardens are a staple on every must-visit list of the winelands, one of the estate’s best-kept secrets is the Italian evenings at the Old Bakery.

In the day, the bakery supplies fresh breads and pastries to the farm shop and restaurants. As the sun starts to dip, the bakery becomes an Italian eatery where guests are offered a set menu including antipasti and salads, homemade pastas, wood-fired pizzas, dessert and coffee. Available on Monday, Tuesday and Friday nights.

The Old Bakery also offers guests a chance to experience an authentic South African braai on Wednesday and Sunday evenings. Seated at a long communal table, the five-course menu showcases the farm-reared Chianina beef cut, which is aged in Babylonstoren’s Himalayan salt room. babylonstoren.com

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Formerly known as Cordoba Vineyards, Taaibosch is nestled on the slopes of the Helderberg looking out towards False bay. The lauded Taaibosch cellar is perhaps one of the most exclusive in the country as it’s only open to members of the Taaibosch wine club.

This cabernet franc-led Bordeaux blend has been making waves since the release of its debut 2018 vintage. The 2020 vintage delivers all the elegance of the cabernet franc and is a remarkable expression of time and place, offering a true reflection of its Helderberg site. The nose blossoms with florals, red fruit and a hint of tobacco, while stone fruit and blackcurrant mingle with notes of fynbos and cedar. With a lingering finish, it’s a remarkable wine.

The multi-volume space, lined with grand Foudre wine barrels, is where cellar master Schalk-Willem Joubert and winemaker Petri Venter bring the award-winning Taaibosch Crescendo to life.

Tastings are reserved for members of Taaibosch’s wine club or those who have purchased at least 12 bottles.

By appointment only. For details on how to join, please email info@taaiboschwines.com. taaiboschwines.com

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M E R T I A |

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A new project on our radar is Mertia fine-dining restaurant in the heart of Stellenbosch. General manager and owner Marais Kirsten-Uys brings with him a wealth of knowledge from his experience, having worked at NoMad Hotel in New York City, home to sister restaurant of the distinguished Eleven Madison Park. He also assisted with the assembly of the team for chef Jan Hendrick van der Westhuizen’s Klein Jan restaurant in the Kalahari. In the kitchen, chef Matt Van Den Berg draws from his time cooking in South Africa’s top restaurants, including Waterkloof, Greenhouse, The Test Kitchen and most recently, La Colombe.

At Mertia, guests can expect to indulge in a refined but approachable tasting menu that highlights nostalgic local flavours, such as the Mertia sweetie pie or the venison, pampoen and sage. Lunch, dinner and wine-experience menus are served within the elegant second-floor confines in an old bank building with grand arched windows and views of the tree tops.

Open for lunch from Thursday to Sunday (six courses), and for dinner Wednesday to Saturday (10 courses). Those looking for a more relaxed option, snacks and cocktails are available at Mertia’s bar and lounge. mertia.co.za

A CHEESE AND WINE GEM HIDDEN IN PLAIN SIGHT

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Gastronomes and oenophiles alike will be sure to revel in the superb array of fine wine and cheese on offer at La Cotte Inn, the inconspicuous cheese and wine emporium on Franschhoek’s main road. It stocks hundreds of local and international wines, so take time to delve into the cellar for interesting and unusual finds from far-flung wine regions, and look at the older vintages too. The cheese counter is a veritable wonderland – whether you’re a fan of Burgundy and Époisses or a grand South African red with a well-aged Gouda.

Wine and cheese deliveries are available nationally and worldwide. ■ lacotte.co.za

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A bottle or two along with an assortment of cheeses makes for the perfect picnic in this historic part of the Western Cape, and is also suited to a pre- or post-dinner serving.

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THE BOAT-BUILDING INDUSTRY IS THRIVING IN CAPE TOWN AND IT’S WOMEN LIKE CHARMAINE DU TOIT WHO ARE MAKING WAVES

A LEADING LADY IN LUXURY YACHTING

WORDS SUDHIR MATAI

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he idyllic harbour in the shadow of Table Mountain is the perfect backdrop to fulfil one’s sailing dreams, and it’s no surprise the luxury marine craft sector is currently thriving in Cape Town.

In a historically male-dominated industry, demographics are now opening up to the fairer sex. From hull- and sail-making all the way up to complete designs and ownership, luxury yacht building has women at the proverbial helm.

A prime example of a leading lady is Charmaine du Toit, co-founder and owner of the prestigious Du Toit Yacht Design company in Cape Town. We caught up with Charmaine to learn more about her background in the industry and the distinguished award she received last year.

WHAT IGNITED YOUR INTEREST IN THIS INDUSTRY?

I spent many years on my dad’s boat as a child. We moved to South Africa from Zimbabwe and lived in Saldanha.

I’d often be on the boat while my dad went diving. My husband Anton’s family is also deeply passionate about sailing and have sailed the open waters. In more recent years, I spent many evenings in Cape Town harbour watching Anton race in weekly events.

HOW DID YOUR JOURNEY IN LUXURY YACHT DESIGNS BEGIN?

I am a qualified nurse and was working at Kingsbury Hospital. In 2003, I experienced burnout from working in the ICU for nine years, and decided to take a break. During my year off, Anton asked if I’d like to learn how to draw. He taught me everything

he knew about CAD (computer-aided design). Once I got the hang of designing layouts for yacht interiors, I decided not to return to nursing.

In 2006, Anton and I started Du Toit Yacht Design. In the early years, I was very hands-on with interior layouts.

Today we have specialists who have taken over these duties and I now play a more managerial role.

WHAT SERVICES DO YOU OFFER?

Du Toit Yacht Design offers a full package of yacht design from the ground up.

All our designs are catamarans, which is where the market interest is at the moment. Our clients are mainly American and European privateers, with a small percentage of charter companies.

YOUR COMPANY HAS WON MULTIPLE AWARDS, THE MOST RECENT BEING THE “GIANT AWARD IN THE WOMEN IN BOAT BUILDING” CATEGORY AT THE 2023 SABBEX AWARDS. TELL US MORE ABOUT THE RECOGNITION.

The award was quite a surprise. I think, in part, it came from my long-term support of Anton and producing world-class designs from our company. I think

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there are other women who are more deserving of this award.

YOU’VE SAILED ACROSS OPEN WATER ON A TRIP FROM BRAZIL TO CAPE TOWN. WHAT OTHER DESTINATIONS WOULD YOU LIKE TO VISIT BY SEA?

I would love to go to the Mediterranean, especially the Greek Islands, Italian coastline and around the Croatia area.

These places just look so beautiful and they must be great to explore by boat.

I’d also like to sail through the Seychelles and in the Caribbean.

WHAT IS YOUR FAVOURITE SEA VESSEL?

I think monohulls are beautiful. The Herreshoff Design Tioga is one of my favourites. It has a classic look with large sails and wooden decks.

WHAT DOES LUXURY ON A YACHT MEAN TO YOU?

A great shower space with warm water is crucial to a luxurious yachting experience.

That, and a large bed with dry linen is my idea of luxury on a yacht. I think I may also include a large, well-designed galley (kitchen) to that list. ■ dutoityachtdesign.co.za

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NOTHING SAYS SUMMER QUITE LIKE AN OPEN-TOP DRIVE, AND THESE THREE CABRIOLETS WOULD MAKE FOR A THRILLING RIDE ALONG THE COAST WORDS JULIET MCGUIRE

COASTLINE CRUISERS

MASERATI MC20 CIELO Priced from R7 820 000 This cabriolet version of the MC20 coupe (otherwise known as “Spyder”) is, quite frankly, out of this world – and we are not just talking about the price. It was simply made to be near the ocean – one of its colours, Acquamarina, was inspired by the sea and the restless energy beneath the waves.

And just like the ocean, this car can move, and at insanely quick speeds. Think 0-100km/h in just 2.9 seconds. That’s 463kW of power and a whopping 730Nm of torque propelling you to a top speed of over 325km/h thanks to the 3.0-litre, V6 twinturbo petrol engine.

It also wows with its retractable glass roof, which uses Polymer-Dispersed Liquid Crystal technology to transform it from opaque to clear at the touch of a button. This means that you can “look up to the stars, even when the top is on.” The wow factor continues with the upward-opening butterfly doors that are thankfully retained from the coupe. There is absolutely nothing discreet about this car… and there shouldn’t be.

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BMW Z4 M40I Priced from R1 331 537 Z4 loyalists rejoice. This soft-top sportscar has become somewhat of a pop culture icon thanks, in part, to both its styling and performance. As BMW describes it, the vehicle is “open, sporty and uncompromising… it has only one aim: the freedom between the road and the open sky.”

We say the freedom between the road, the open sky, and the ocean.

The facelifted Z4 arrived in South Africa last year showcasing a redesigned grille with the kidneys adopting a horizontal inner structure and revised side air intakes. It’s also available in new exterior colours such as Portimao Blue metallic, Skyscraper Grey metallic and Thundernight metallic. And if you aren’t keen on the standard black fabric soft-top, you can opt for the Anthracite Silver.

Step inside to the Vernasca leather of your choice, be it in Cognac, Magma Red, Ivory White or Black. This is where your heart starts to race. Pop the top down, which will take all of 10 seconds at driving speeds up to 50km/h and enjoy what this car was designed to be: a true driver’s machine. Put your foot down and you’ll instantly feel the 3.0-litre twin-turbo straightsix petrol engine come to life – all 285kW and 500Nm of it! It will take you just 4.1 seconds to get to 100km/h. The Z4 strikes the perfect balance between agile handling, dynamic driving, and ride comfort, making it a fun car to drive, and a luxury seaside wanderer.

PORSCHE 911 TARGA 4S Priced from R2 892 000 At a time when there were calls for cabriolets to be banned in the United States due to safety concerns, Porsche responded with the Targa – originally marketed as a “safety cabriolet with an anti-roll bar.” The latest generation Targa features a fully automatic roof system, just like the original 1966 Targa model. It features a characteristic wide roll hoop, a moveable roof section above the front seat and a wraparound rear window. The roof can be opened or closed in 19 seconds.

The Targa 4S is powered by the same 3.0-litre twin-turbo flat-six engine as the Targa 4 derivative, but it has more power. The 4S boasts 331kW and 530Nm (as opposed to the 4’s 283kW and 450Nm). This means you will get to 100km/h in a lightning-quick 3.4 seconds. Don’t blink – you might just miss the ocean view!

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Maximum driving pleasure is available thanks to an eight-speed dual-clutch transmission (PDK) and intelligent all-wheel drive Porsche Traction Management as standard. Although, the 4S can be ordered with a newly developed seven-speed manual gearbox if you so choose.

Porsche has managed to combine two worlds within the 911 Targa: the advantages of opentop driving in a cabriolet combined with the everyday comfort and safety of a coupe. ■

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A RECENT STUDY RANKS SOUTH AFRICA AS THE FOURTH MOST AFFORDABLE COUNTRY FOR LUXURY SECOND-HOME INVESTORS, AND THE CAPE IS STILL THE TOP PERFORMER IN SALES WORDS DEBBIE HATHWAY

South Africa’s PREMIER REAL ESTATE HUB

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ccording to a study by Proven Partners, specialists in luxury real estate marketing, South Africa is the fourth most affordable country for UK investors looking for luxurious second homes. Ronan Hannan, co-CEO at Proven Partners, noted: “The resurgence of the luxury real estate market post pandemic has seen a spike in interest towards destinations like South Africa, where investors can enjoy both luxury and affordability.”

Underpinned by data from 3 600 luxury property listings on prestigious marketplace JamesEdition and other sources, the study ranked South Africa with Croatia joint fourth behind Ireland, Cyprus and Mauritius. Scores were based on affordability for UK second-home investors and factored in property prices, taxes, fine-dining costs, premium car hire rates, flight costs, and potential Airbnb revenue.

A simple comparison of prices per square metre shared by Pam Golding Property group chief executive Andrew Golding highlights the exceptional value for money buyers enjoy in Cape Town. One million US dollars will get you 200sqm in the Mother City, compared to 33sqm in New York, 34sqm in London, 43sqm in Paris, 44sqm in Sydney and 17sqm in Monaco.

International buyers widely agree that South African properties offer significant value and an appealing lifestyle comparable to the best worldwide. Indeed, they suit wealthy buyers seeking investment diversification within a market segment resilient to interest rate hikes. Pam Golding Properties’ international sales in the past year (to early December 2023) accounted for 5.4 percent, with top buyers hailing from the UK, Germany, Zimbabwe, the US, Netherlands, Belgium, Nigeria, Canada, Switzerland, Angola, Botswana, China, Italy, Congo, France, and Lesotho. Preferred locations vary, spanning the Cape Atlantic Seaboard, Cape Winelands, Whale Route, Garden Route towns, the Eastern Cape, and Johannesburg.

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Clifton is the country’s top location for holiday homes, with property prices ranging upwards of R20 million to over R200 million B E L O W L E F T & FA R L E F T :

This spectacular Clifton home designed by Stefan Antoni/SATOA will set you back R160 million

SOUTH AFRICA’S MOST ROBUST REAL ESTATE MARKET Seeff achieved some trophy home sales (R31.5m and R27.5m) in Camps Bay to Gauteng buyers in 2023. Ross Levin, Seeff licensee for the Atlantic Seaboard and City Bowl, says 2023 was a boom year, with sales in volume and value terms more than double that of 2019 (pre-pandemic).

Known for natural beauty, ocean views, and an upscale beach lifestyle, this area incorporates iconic attractions, such as Table Mountain and the V&A Waterfront. It offers much of the country’s premier real estate, featuring diverse properties from small apartments to super-luxury mansions.

While Ross predicts a slightly muted start to 2024 with a possible “wait-and-see” approach as the country moves into an election year, Cape Town’s reputation continues to grow.

“It is simply excelling on all fronts and that includes a strong and resilient property market. Those who have bought well, have reaped the benefits. The reality is that the longer you wait to invest, the more you will pay.”

Clifton currently boasts an average selling price of R33m compared to R15m for Bantry Bay, Camps Bay and the Waterfront, and R12m for Fresnaye.

COASTAL TOWNS IN DEMAND

BOOMING LUXURY RESIDENTIAL MARKET Moreover, Pam Golding Properties saw a remarkable 30 percent increase in unit sales in the luxury residential market priced at R25m and above, concluding notable transactions over R80m.

The Western Cape, particularly the Cape Metropole, recorded substantial deals in Bishopscourt, Clifton, Camps Bay, and Constantia, ranging from R20m to R170m.

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Coastal areas followed suit, with Pam Golding Properties setting a record price of R43m in Hermanus and achieving noteworthy sales in Betty’s Bay, George, Mossel Bay, and East London. A Port Shepstone home on the KwaZulu-Natal South Coast sold for R8m.

Andrew says, “Encouragingly, we are seeing a significant increase in tourists to the Cape, with the well-managed Cape Metro benefiting from a surge in semigration from various regions generally to the north of the country. In addition, international upheaval has paradoxically made the Cape an interesting proposition for numerous foreign buyers. Market sentiment is positive and prospective buyers are enjoying the unique and diverse lifestyle on offer, from the sandy white beaches of the Atlantic Seaboard with its vibrant V&A Waterfront to the vineyards and tranquillity of the Southern Suburbs.”

Big Bay and Bloubergstrand in Blouberg are proving popular for their proximity to beaches and various amenities, including restaurants and shopping centres. The premier kitesurfing destination offers properties in Big Bay priced up to R8m, while luxurious houses in Bloubergstrand can sell into the upper millions.

Meanwhile, the surge in demand for Western Cape coastal towns continues, driven by the semigration trend to the coast and investors’ desire for a second home that secures the beach lifestyle for a weekend or holiday getaway. At the same time, they can focus on work in economic centres like Gauteng.

Plettenberg Bay and Knysna on the Garden Route achieved some of the highest prices outside the Atlantic Seaboard, thanks to its fabulous climate and cosmopolitan beach lifestyle. Luxury apartments in Plett range from around R6.5m to R12.75m, while luxury homes can go for as much as R60m. Meanwhile, Knysna waterfront properties in Thesen Islands have achieved sales up to R15m.

Yael Geffen, CEO of Lew Geffen Sotheby’s, notes the rising trend towards rural retreats and second homes as individuals seek escapes from urban congestion and diversification in their property portfolios. She says the desire for tranquillity, outdoor amenities, and spacious properties drive demand for homes in rural and vacation destinations. This trend is fuelled by a shift in priorities and a re-evaluation of lifestyle choices. ■

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iving up to his motto of “If I rest, I rust”, maestro Plácido Domingo is preparing to perform again with José Carreras in Australia in March.

Born in 1941 in Madrid, Spain, Plácido has accumulated more than 150 roles in his operatic repertoire, 12 Grammy Awards and multiple honours and distinctions for his humanitarian commitment. He founded Operalia, the international competition for opera singers that recently celebrated its 30th anniversary in Cape Town, and is the worldwide ambassador of Spanish culture and Zarzuela.

WHAT ARE THE HIGHLIGHTS OF YOUR OPERATIC CAREER LEADING TO YOUR RECORDING OF “PERHAPS LOVE” WITH JOHN DENVER?

I started my performing career singing Zarzuela, the classic Spanish repertoire my parents sang and took to Mexico and South America when I was just a child. I was also greatly influenced by Mexican Rancheras – songs inspired by love, patriotism, and nature. Shortly after that, I went to discover and sing opera, my most identifiable genre. While in the United States, I met John Denver’s producer and dear friend Milton Okun, who proposed the duo with John. It was a true delight collaborating with him, an extraordinary musician, composer, singer, and kind colleague. Sadly, gone too soon.

I had already planned to cross over to and record Rancheras from Mexico, the Argentinian tango, Neapolitan songs, Christmas songs and other ballads in English and French, but the Perhaps Love album with all songs in English was my first crossover album. It came naturally, opening doors to many new and diverse projects and audiences. I perform Perhaps Love often with my son Plácido in concerts around the world, and the crossover repertoire is something that we later followed up with the Three Tenors concerts. It has been said that these concerts helped expand the opera’s audience. If that’s a fact, I am very happy.

I love opera, and I live for opera, so the greater the audience, the better.

WHAT WOULD YOU LIKE TO BE REMEMBERED FOR?

I have done a lot in my long career dedicated to music, to opera and to the support of new generations of opera singers. There is a whole history and a legacy that no one can unwrite. I have been a passionate artist and have always given my all on stage. I hope audiences will remember moments or whole evenings out of the more than 4 500 performances I have sung in my life.

I also have a long list of complete opera

Harmony Maestro:

CELEBRATING THE STORIED CAREER AND ENDURING OPERATIC LEGACY OF PLÁCIDO DOMINGO WORDS DEBBIE HATHWAY

recordings and DVDs, which, thanks to technology, can be enjoyed for time to come. Perhaps Operalia is my biggest contribution to the world of opera.

WHAT MOTIVATED YOU TO START OPERALIA? WHAT HAS BEEN ITS MOST SIGNIFICANT CHALLENGE AND REWARD?

This began long ago when my wife Marta and I lived in Tel Aviv, Israel, in the early 60s. We were guest artists at the Israel National Opera for almost three years. We were young, and with a dear friend and baritone from Mexico, we constantly worked together to study new repertoire, advise each other on our singing technique, learn languages and develop interpretation. It was an excellent foundation for my career and life. Since then, I thought it would be wonderful to give young singers guidance and instruction within the settings of a working opera house, and that’s what led me to create the young artists’

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programmes in Washington and LA in the US, and later, in Valencia, Spain. In addition, I felt that the efforts and talent of young aspiring singers had to be recognised and the start of their careers supported. That is why I created Operalia.

Seeing the results through the years and recognising Operalia laureates in the rosters of every major opera house in the world strengthens my resolve.

WHAT DO YOU LOVE ABOUT ZARZUELA?

Zarzuela was the very music that I felt and heard even before I was born. As a child, I attended [my parents’] rehearsals when not in school and stayed up late to hear performances. Other than soccer after school, the theatre and the stage were my playground. Later, in Mexico and already formally studying music and piano at the Conservatory, I used to accompany my parents and the ensemble at the piano. My first appearance on stage in Guadalajara at 16, singing a small

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part in the Zarzuela entitled Gigantes y cabezudos was exhilarating! I knew then that this was what I wanted to do. My mother was very important to the genre, and she and my father took Zarzuela across the Atlantic to the Americas. She was the Queen of La Zarzuela.

WHAT IS THE SIGNIFICANCE OF ROLEX’S ROLE IN OPERALIA?

We have just celebrated a 22-year partnership between Rolex and Operalia,

and I have been Rolex’s Cultural Testimonee for 40 years. We share a wish and a commitment to nurture and support new talents. Operalia has grown in prestige and resolve since I founded the competition 30 years ago. It is now an institution that stands independently and will hopefully continue to grow for many years. Rolex’s commitment to Operalia’s raison d’être [purpose] and objectives has aided in cementing the careers of legions of singers on stages worldwide.

WHAT IS YOUR ADVICE TO THE ASPIRING SINGERS?

To commit to their vocation regardless of their voice type and repertoire. It is important to try as hard as possible to discover whether a true calling or an adjacent one is where their real talent lies. It is essential to realise that a career in the arts may be tough and filled with sacrifices, but to create or perform remains the most enormous satisfaction and well worth the struggles. ■

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THE BUSINESS OF ART

MARIA BRITO

THE INIMITABLE NEW YORK ART ADVISOR, AUTHOR AND CREATIVITY CHAMPION SPOKE TO US ABOUT CURATING A VIBRANT WORLD AMONG GLOBAL ART STARS

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aria Brito is one of those enviable people capable of effortlessly articulating a newsletter or TED Talk while taking the pulse of the art world, all the while looking like a Bond Girl. “Chic is cool, but being clever is even better,” quips the Venezuelanborn Harvard Law School Graduate turned art advisor, curator and author.

Working with budgets that start at $25 000 and go well over $1 million for a project (excluding her fee), Maria acts as a purchasing proxy for clients and is on the lookout for works by established, mid-career, and emerging artists.

My first glimpse of Maria was late one Art Basel Miami Beach afternoon, as she glided through a sea of VVIPs towards the Goodman Gallery booth.

There she met senior curator of the Goodman Gallery Neil Dundas, and a man in shades and a Gucci T-shirt. Neil described an art piece to Maria and without skipping a beat, he reviewed the price tag, plastic changed hands and Maria left, followed by the celebrity and his entourage.

It’s hard to give advice on a business that’s become extremely complex in the last 10 years. I’d tell people to hire an advisor to help navigate a $68 billion market with competence and confidence.

ON HER PERSONAL STYLE AND DRESS COLLECTION…

I don’t have one specific shopping source and I’m not partial to just one brand. I shop mostly online from places like Farfetch and Net-a-Porter.

O N B E I N G T H E A R T A D V I S O R O F C H O I C E TO NEW YORKERS IN THE MUSIC INDUSTRY…

This happened mostly through referrals. My clients appreciate my tenacity and expertise.

The art market has become an enormous behemoth and there are way too many galleries and artists. The competition is fierce when it comes to securing the best works by the best artists. I’m almost always able to get what my clients want.

Fifteen years ago, Maria abandoned the legal profession, along with its all-nighters and what she describes as “obsolete corporate thinking”, in favour of becoming the person she wanted to be: an art advisor, curator, and author.

A R T I S T S TO K E E P A N E Y E O N A C R O S S A L L DISCIPLINES IN 2024…

She was already living in New York’s Chelsea art district surrounded by galleries and started building her own collection of (mostly) paintings. Maria took the leap, launching her art-buying consultancy with a small client base of high-net-worth individuals who trusted her guidance.

O N H E R PA S S I O N F O R B O T H C O L O U R A N D PA I N T …

Her tenacity and talent for recommending aesthetically pleasing artworks, likely to increase in value, got her friends buying and soon the artists became friends, as did the gallerists. Describing the New York art world as electrifying and citing “open mindedness and loyalty” as qualities she most appreciates in clients, Maria has not looked back, affirming that “the best is yet to come”.

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ON BUILDING AN ART COLLECTION…

“I’ve really loved working with Maria,” muses New York street artist Swoon over the sound of police sirens. “I’ve found her to be extraordinarily brave and heartful. That's a thing that is never unappreciated in the art world. Maria is unapologetically glamorous. She is so real and present, fiery and compassionate. I have felt seen by her. She takes the time to understand the depth and breadth of an artist's practice.” ■

Wynnie Mynerva, Studio Lenca, Grace Carney, Maia Cruz Palileo, Olivia Sterling, Carrie Rudd, and Eva Helene Pade.

Colour is life. It invigorates me to look at beautiful things and to feel the energy of artists who communicate with bold hues and outstanding colour palettes. It’s a privilege to be surrounded by art and to share in the stories these artists have to tell us.

C A R E E R H I G H P O I N T S TO D AT E …

The publishing of my new book, How Creativity Rules the World, which is a bestseller and recipient of several book awards. As well as my TEDx talk at the University of Mississippi, and building incredible art collections for my amazing clients.

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Head winegrower Edward Pietersen has been with Vilanfonté for almost 18 years A B O V E:

Mike Ratcliffe in 1979 R I G H T:

Vilafonté founders Mike Ratcliffe, Dr Zelma Long and Dr Phil Freese in 2005

WHEN WINE RUNS IN YOUR BLOOD IN 2002, THIRD GENERATION WINEMAKER MIKE RATCLIFFE AND HIS AMERICAN PARTNERS PIONEERED AN UNCONVENTIONAL PATH TO PRODUCE VILAFONTÉ, A UNIQUEWINE CULTIVATED FROM ANCIENT AFRICAN SOIL COMPILED BY NTOKOZO MASEKO

A common misconception is that the wine industry is glamorous, but it’s actually hard work, commitment and passion. My memories are of early mornings and late nights, long days in the sun, and not being able to see my friends during harvest because my parents were too busy. It’s been a struggle, but an amazing ride. I wouldn’t change a single day of this remarkable journey.

WAS THERE EVER A QUESTION THAT YOU WOULD WORK IN THE INDUSTRY?

My parents never made assumptions about my passion or direction. After university, I worked as a professional sailor exploring the Mediterranean, Atlantic and Eastern Pacific oceans. But it turned out that winemaking was my North Star, and I eventually gravitated back to this in my late 20s.

YOUR MOTHER IS THE FIRST LADY OF WARWICK ESTATE FAME. WHAT INFLUENCE DID SHE HAVE IN YOUR INVOLVEMENT WITH WINE?

My mother was my first winemaking role model. Later in life, as Vilafonté started to develop, I was fortunate to have two further strong role models

in Dr Zelma Long and Dr Phil Freese, who both became my Vilafonté co-conspirators.

DESCRIBE YOUR MOVE AWAY FROM TRADITIONAL WINEMAKING WITH VILAFONTÉ…

Vilafonté was always about taking a different path. It was conceived as an international project to unearth the potential of planting the most classic grape varieties in the world in the oldest soils in the world. We’ve stayed true to this by only producing South African blends using classic varietals made famous in Bordeaux. We take great pride that our wines are a truly African expression.

TELL US ABOUT YOUR RECENT RATING FROM ROBERT PARKER’S WINE ADVOCATE AND WHAT IT MEANS AS A REPRESENTATIVE OF THIS COUNTRY AND CONTINENT?

Vilafonté Series C recently received a 99 point rating – almost certainly the most influential rating in the world, and the highest rating ever for a South African red wine in the USA. South Africa has made phenomenal progress in imprinting our African wine DNA onto the global market and this report finally breaks the ‘glass ceiling’.

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WHAT ARE THE PERSONAL MARKERS OF LUXURY IN YOUR LIFE?

I’ve always been an old soul, so worn, weathered and treasured are words that spring to mind. My vintage Rolex Oyster Perpetual might not keep the best time, but it’s a classic. Our vintage Land Rover Defender 90 leaks oil, is clunky and slow, but it exudes style. Family and time are the epitome of true luxury.

AS A QUALIFIED YACHT MASTER, WHAT IS A HIGHLIGHT ABOUT CROSSING THE ATLANTIC?

I have been fortunate to cross the Atlantic under sail a number of times, in both directions, on a classic 130-foot twinmasted vintage wooden Schooner built in 1929. Sailing, like wine, is a slow pursuit, and a form of luxury that is able to soothe the soul and calm the nerves. ■ vilafonte.com; visitstellenbosch.org

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AS FAR AS CHILDHOOD MEMORIES GO, WHAT ARE THE HALLMARKS OF GROWING UP IN A WINEMAKING FAMILY?