YourLuxury Africa February 2025 issue by yourluxury

t e art ofplay

ESTATE LIVING PERFECTED

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Set in 2 000 acres of indigenous parkland, this award-winning residential development has transformed Johannesburg’s ‘New North’. With exquisite homes for everyone from young executives to families and empty nesters, Steyn City is more than just a home, it’s a meticulously designed lifestyle where you can live your best life. Discover luxurious living in

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Stands | Homes | Apartments

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2025 Launches

CAMOUFLAGED BEAUTY: The extraordinary work of Kenyan photographer Thandiwe Muriu

GENTLE DISRUPTOR: We chat to Dr Greer Valley, new senior curator at Zeitz MOCAA in Cape Town

DESTINATION ART: Bespoke art collections in Cape Town’s luxury hotels

An exclusive look at Moya’s Vineyard, the Hemel-enAarde’s beautiful new villa

MY TOP PICKS

There are several reasons why I like February.

It’s the shortest month of the year, which means fewer days to spend typing ‘kind regards’, something I’m sure we all can appreciate. It’s also the month of love, and if you can look past the soppy commercialising side, it’s a time for public proposals, extravagant weddings, and declarations of a ection. Lastly, and most notably, my birthday is in February, so that means presents, spoils, and loads of birthday love for me. Plus, I share my birthday month with my favourite brother and favourite niece, which makes it even sweeter.

But I genuinely love February because it combines two of my favourite things – art and the city of Cape Town. Not only is it the Investec Cape Town Art Fair (21 – 23 February), but it’s also the start of the Stellenbosch Triennale (19 February – 30 April), making this one of the most prominent months on the art-world calendar. From Cape to Cairo and Spain to Senegal, curators, artists, travellers, scholars, and collectors will get to experience a di erent type of Cape Town, not just the superﬁcial Instagrammable city we’re often subjected to on social media.

To Paint Is In My Heart is a new and must-have book that explores the life and work of one of South Africa’s most revered artists, Esther Mahlangu.

I love astrology and fashion; 2025 is the Year of the Snake in Chinese zodiac and this Bvlgari Serpenti Cuore 1968 bag is the best way to celebrate this new year.

My birthstone is amethyst – shout out to my Aquarius and Pisces people – and this Emotion rose gold amethyst grand ring by Fabergé is a statement piece like no other.

than ever before, but we all know that social media is not a true depiction of reality. Through art, those lucky to be visiting the city this month will get to see it as a place where the duality of privilege and disparity co-exist. Understanding, recognising, and being familiar with all facets of Cape Town is one of the reasons people should visit – not just to snap up land because it’s a ordable when converted from pounds or dollars.

“I’m proud that our first issue of the year is about celebrating the best of South Africa”

The theme for this year’s ICTAF (page 28) is ‘PLAY’, while the Triennale will look at the state of breathing and being through the theme ‘Bazinzile, A Rehearsal for Breathing’. Stellenbosch will turn into a live exhibition where spaces in the town become canvasses for artists to express themselves. These curatorial teams have done an outstanding job of showcasing these destinations and their people.

By now most of us know the Mother City has been voted as the best food city in the world (by Conde Nast Traveller) and Time Out declared Cape Town as number one in the top 10 best cities in the world. I love Cape Town because of the late summer sunsets, the beach (even though the sea’s freezing), and the superior culinary experience that can’t be matched by any city in South Africa.

Thanks to the popularity of ‘digital nomads’, Cape Town has become more international

Beyond the art, there are the winelands. Jared Ruttenberg introduces us to the newly opened Moya’s Vineyard, just a two-hour drive from Cape Town in the Hemel-en-Aarde Valley (page 40), while Ryan Enslin shares luxury hotels that have infused art as part of their o ering (page 36).

I’m proud that our ﬁrst issue of the year is about celebrating the best of South Africa, and we’re thrilled to be the media partner for ICTAF as well as the Zeitz MOCAA Gala (read about their new senior curator, Greer Valley on page 35).

Our commitment to highlighting the people and the places – like Kenyan photographer and artist Thandiwe Muriu (page 32) – make us proud to be PanAfrican and will be even more pronounced this year. Our third year will be our most dynamic yet, as we expand and grow our community.

I wish you love, laughter, and luxury for the rest of 2025.

Tempest by Thandiwe Muriu

TREATING EVERY GAME LIKE HIS FIRST. GIANNIS ANTETOKOUNMPO WEARS THE CHRONOMAT.

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MEET OUR CONTRIBUTORS

RYAN ENSLIN

With a camera bag always within reach, Ryan journeys through life as a global communitarian, embracing the vibrant tapestry of cultures, landscapes, and human connections that deﬁne our world. Through every photograph and story, he o ers glimpses into worlds both familiar and unknown.

“I love Cape Town’s mix of cultures, ﬂavours, and styles that make its culinary scene truly world-class. The Japanese small plate o ering at Anthm Cocktail Bar on Loop Street takes it to the next level. It’s a perfect evening of indulgence, blending artistry, innovation, and bold ﬂavours.”

See: p36

Oupa began taking photos in 1998 with a pawn shop camera, before enrolling at the Market Photography Workshop. He started freelancing after graduating and has since run community projects, won a Bonani Africa award, worked at the Mail & Guardian, had work selected for exhibitions in Zimbabwe and Japan, and been invited to international workshops.

“Whenever I travel to Cape Town, living in land-locked Johannesburg, I prefer eating seafood at restaurants such as the Baia or reputable street kiosks while watching either the ocean or people walking past.”

See: p32

PALESA SEGOMOTSO MOTSUMI

Palesa is the founder of Sematsatsa Library, a social entrepreneurial initiative focused on empowering and strengthening the work of the youth and women of colour in the creative industries, speciﬁcally within the Visual Arts. She’s an experienced writer with extensive knowledge of the Visual Arts sector in South Africa.

“One of my favourite spots to eat in Cape Town on special occasions is the Azure Restaurant at the 12 Apostles Hotel. I also like Bobo’s by the Kove Collective in Mouille Point for a date, and Kloof Street House in Gardens for catch-up sessions with friends.”

See: p35

OUPA NKOSI

FASHION FORWARD

New York Fashion Week is renowned for setting global trends and providing a platform for both established fashion brands and emerging talent. This year, look out for Nigerian designer Tolu Coker (right), who brings an infusion of bold narratives and cultural sophistication to the runway. Known for her striking storytelling, Tolu’s work pushes the boundaries of identity and heritage in modern fashion. From 6 – 11 February. For more details, visit fashionweekonline.com/new-york.

Also on our fashion radar, Nigerian designer Tokyo James (left), celebrated for blending sharp tailoring with a fearless exploration of identity, will reveal his latest collection at Milan Fashion Week. Synonymous with luxury and sophistication, Tokyo will showcase his collection alongside the greats of the fashion world in the heart of Italy’s design capital. From 25 February – 3 March. For more information, visit fashionweekonline.com.

ARTFUL (AF)FAIRS

Now in its 13th year, the Salon Art + Design fair returns to New York’s Park Avenue Armory from 7 to 11 November, presenting a captivating blend of contemporary creativity and historical mastery by renowned designers, galleries, and artists from across the globe. With this year’s emphasis on innovation, expect a carefully curated collection of furniture, decor, and ﬁne art. For more info, visit thesalonny.com.

INVESTEC CAPE TOWN ART FAIR

African’s largest art fair continues to establish itself as a gateway to African contemporary art. On from 21 to 23 February, this year’s highlights include Tomorrows/Today, a platform spotlighting emerging artists such as Zimbabwe’s Georgina Maxim and, whose works interrogate personal and political narratives. The Global Platforms section features leading international galleries, while numerous local galleries will be showcased. For tickets and details, visit investeccapetownartfair.co.za.

CULTURE

DIARY

1-54 CONTEMPORARY AFRICAN ART FAIR, MARRAKECH

Returning to Marrakech in Morocco, 1-54 champions contemporary African art against the backdrop of La Mamounia’s timeless architecture. This year, the fair highlights the growing presence of North African artists, with a special focus on works that blur the boundaries between tradition and innovation. Marrakech becomes part of the narrative – a living canvas where art, history, and modernity collide. From 30 January – 2 February. For more info, visit 1-54.com/Marrakech.

FRIEZE LOS ANGELES

With a carefully curated line-up bridging a range of local and international perspectives, Frieze Los Angeles returns to Santa Monica Airport from 14 to 16 February despite the wildﬁres that devastated the city last month. Notably, South Africa’s Goodman Gallery will be present, representing African artists such as William Kentridge, whose layered works continue to captivate global audiences. For more information, visit frieze.com/fairs/frieze-los-angeles.

MADE BY HEART . CRAFTED BY PATIENCE.

1. Set in a 36mm polished stainlesssteel case with a diamond-set rose gold bezel, the Dior Grand Soir Automate CNY Snake wristwatch features a mother-of-pearl dial with layered leaves and flowers. Rose gold accents the opaline snake, butterflies, flowers, Dauphine hour and minute hands, and logo on this 38-piece limited edition POA, dior.com, bhhboutique.co.za

2. The Legend of the Chinese Zodiac heralds the launch of a new Métiers d’Art series by Vacheron Constantin, a 12-year cycle beginning with the Year of the Snake. A cobra sculpted in pink or white gold and a rock in ochre or anthracite grey is depicted on the dial to suit the pink-gold or platinum 25-piece limited editions. Grand feu enamel is used for the dial background and ﬂuxcoated miniature opaque enamel for the ﬂora. POA, vacheron-constantin.com, elegancejewellers.com

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LUXURY WATCHMAKERS HONOUR 2025 BEING THE CHINESE YEAR OF THE WOOD SNAKE WITH INTRICATE DESIGNS THAT BLEND ARTISTRY AND CRAFTSMANSHIP

COMPILED BY DEBBIE HATHWAY

3. Limited to 88 pieces, the open dial of the Hublot Spirit of Big Bang Year of the Snake showcases a 3D golden snake, engraved using laser technology. The serpent is coiled artfully around the chronograph’s three counters, its scales patterned along the ceramic bezel and onto the rubber strap. POA, hublot.com tanur.co.za

4. Chinese artist Wu Jian'an drew the “Divine Snake Presents Treasure” emblem engraved on the case back of the Longines Conquest Heritage model. Reinterpreting an aspect of a Chinese tale, the serpent is holding a Lingzhi mushroom in its mouth. The watch is limited to 2 025 pieces. POA, longines.com, vandeijl.co.za, charlesgreig.co.za

5. The IWC Portoﬁno Automatic Moon Phase 37 special edition is presented in a 37mm stainless-steel case with a burgundy dial, gold hour markers, and moon phase. The serpent-shaped rotor is goldplated, as seen through the case back. POA, iwc.com

MASTER OF MATERIALS

CAPTAIN COOK HIGH-TECH CERAMIC SKELETON

INTERNATIONAL

Clockwise from top:

Sparkling stones,

stones,

Chopard Happy Hearts pendant in ethical 18kt rose gold, featuring a blue aventurine heart and small heart with dancing diamond. R69 500, chopard.com, bhhboutique.co.za

Watermelon Sugar collection playing on the bicolour nature of watermelon tourmaline gemstones from Genevieve Schwartz Jewellery the 2024 UK National Association of Jewellers (NAJ) Designer of the Year. POA, genevieveschwartz.com

White gold bands adorned with iolites and blue topazes in sky and Swiss blue tones; yellow gold bands paired with garnets and smoky quartz, both customisable by Moraglione. POA, moraglione.com, shemer.co.za

Colours of Love rose gold amethyst and pink sapphire rainbow teardrop earrings by Fabergé, featuring rubies, coloured sapphires, amethysts and tsavorites set in 18kt rose gold. The collection features Mozambican rubies and Zambian emeralds from Gemﬁelds’ mines. POA, faberge.com, murdocks.co.za

FerriFirenze’s Bubbles collection, handcrafted in Florence, Italy, from 18kt yellow gold, white diamonds and turquoise or yellow diamonds and malachite. POA, ferriﬁrenze.com

hidden gems

STEP INTO A WORLD OF VIBRANT HUES AND INTRICATE DESIGNS AS WE EXPLORE THE CAPTIVATING ALLURE OF SEMI-PRECIOUS STONE JEWELLERY COMPILED BY DEBBIE HATHWAY

Clockwise from top: ANPA Emerald-cut prasiolite set in 18kt rose gold and silver ring, R13 500, and long oval prasiolite set in textured 24kt yellow gold and silver woven bracelet, R22 700; anpa.co.za; Tassel pendant in solid 9kt gold and green onyx beads by Robyn Cullum of So French. R15 000, instagram.com/robyncullum; 18kt rose gold multi-gem drop earrings by Charles Greig. R128 000, charlesgreig.co.za Kirsten Goss Chaleur studs, sterling silver electroplated in 18kt gold with iolite. R2 990, kirstengoss.co.za; 9kt rose and white gold ring with 4.65ct pink tourmaline, 9kt rose and white gold ring with 3.86ct green tourmaline, 9kt rose gold ring with 3.27ct pink tourmaline by Van Deijl Jewellers. POA, vandeijl.co.za

SHADES

of STYLE

Chimi Buggy Brown sunglasses, R7 399, chimi-online.com/za; Chimi store: 69 Shortmarket Street, Cape Town

Dior CD Diamond (DM40158I) sunglasses with clip-on lens, R14 500, picotandmoss.co.za

Fred sunglasses (FG40069), R16 500, picotandmoss.co.za

Karl Lagerfeld Logo sunglasses in red, R2 790, europaart.co.za

Kenzo blue tortoise sunglasses (KZ40162), R5 600, picotandmoss.co.za

Louis Vuitton 1.0 Millionaires in chocolate tortoise with gradient lenses, R14 500, louisvuitton.com

WHO SAYS YOU CAN’T USE YOUR OTHER HALF’S BEAUTY PRODUCTS? AFTER ALL, MODERN COSMETICS ARE DESIGNED TO BE SHARED COMPILED BY INGRID WOOD

1. Neutrogena Hydro Boost Hydrating Fluid SPF50 has a super-hydrating water-gel texture, making it the perfect lightweight sun protection. R209,95, selected retailers. 2. The Grey 3 In 1 Daily Face Cream has a mix of retinols, peptides, and antioxidants, repairing dry skin and softening signs of ageing on the face, neck, and eyes. R1 870, skins.co.za 3. Woody and spicy with a tropical chilli punch, the gender-free Maison Crivelli Citrus BatiKanga EDP is fresh and energising. From R2 050, skins.co.za 4. Kiehl’s Lip Balm #1 is a non-sticky lip balm infused with nourishing and smoothing ingredients. Perfect for her handbag and his lips. R285, edgars.co.za 5. Leif Desert Lime Body Cleanser is high in Vitamin C and antioxidants to stimulate and revitalise the skin. From R485, skins.co.za 6. The hydrating formula in Acqua Di Parma Barbiere Soft Shaving Cream makes it a luxe bathroom essential for hair-removal days. R1 300, skins.co.za 7. Argan oil is a great all-rounder for any head and facial hair. Use it to treat dry split ends or an itchy beard. Redken All Soft Argan-6 Multi-Care Argan Oil, R640, selected hair salons 8. Ease tension in sore and sti muscles with Africology Muscle Relaxant Body Oil. R490, africologyspa.com

IN TODAY’S FAST-PACED WORLD, LUXE LUGGAGE IS A STATEMENT OF PERSONAL STYLE AND COMES WITH THE LATEST TECHNOLOGY

WORDS IVEL GRIGOROVA

Back in the 1960s, when air travel was an exclusive club with just 106 million passengers worldwide, the travel case had one singular function: to transport personal belongings to the next destination. Today, as about 9.5 billion people take to the skies annually, luggage has become a sign of distinction, combining technology and design. With ‘digital nomads’, inﬂuencers, and content creators melding work and leisure, modern travellers are increasingly seeking solutions that cater to their growing needs for comfort and functionality on the go. Aesthetics reinforce personal style, but what truly deﬁnes great travel gear is the seamless experience it provides.

Luggage has evolved to combine innovation with safety and style: smart charging via integrated USB ports, quick-access padded laptop pockets, easy security pass-throughs for cosmetics, removable suit hangers, monogrammed luggage tags, and luggage locator systems.

In Mad Men, the critically acclaimed TV series about the high-pressure world of 1960s advertising, the episode ‘The Suitcase’ uses Samsonite luggage to explore themes of ambition, dreams, and baggage – both literal and emotional. The show’s sharp storytelling captures how luggage is a simple object that can hold deeper meanings, reﬂecting the aspirations and struggles of its owners.

BAGGAGE CLAIM

RETRO CHIC WITH A MODERN TWIST

“We love to make every trip a glamorous a air. It’s about embracing the romance of luxury travel and the gift of time, where the journey itself becomes a celebration of slowing down and savouring timeless sophistication,” says Sara Banks, founder and current CEO of SteamLine Luggage. A relatively new contender in the luxury luggage scene, SteamLine’s has quickly made its mark with its unique blend of vintage-inspired designs with a contemporary twist. O ering top grain and vegan leather, each piece is meticulously handcrafted by a skilled team of artisans who have worked together for more than 15 years.

From a luxury cruise or train trip to a simple weekend getaway, the brand delivers on its website promise: “SteamLine creates the world’s most photogenic highperformance luggage to enhance the joy of travel each step of their way”.

HERITAGE PIECES

When it comes to luxury luggage, few names command as much respect as Louis Vuitton (founded in 1854) and Goyard, which was established a year earlier. These iconic brands – almost considered pieces of art – launched leather trunks for the elite traveller, and today, their travel pieces are synonymous with authenticity and French savoir-faire. In 2018, a rare Louis Vuitton aluminium-bound Explorer Trunk was sold at Christie’s in London for a record-breaking price of R3 817 500, and the new Louis Vuitton store in Manhattan has been disguised during construction by a stack of LV trunks.

Goyard’s St. Louis Rolling Luggage, with its signature chevron pattern and meticulous design, remains a symbol of distinction. Available in selected stores, its exclusivity only adds to the brand’s allure. On the other hand, Louis Vuitton’s Horizon 55, adorned with the brand’s iconic monogram canvas, epitomises sophistication and timeless elegance with football legend Lionel Messi as brand ambassador.

DURABILITY AND DESIGN

German brand Rimowa and its American counterpart TUMI have redeﬁned modern travel with their use of high-performance materials like aluminium, titanium, and lightweight polycarbonate. Rimowa’s Essential Collection is a perfect example, blending minimalist construction with sleek style in a range of bold colours, and is favoured by the likes of Rihanna, LeBron James, Roger Federer, and Kylian Mbappé.

TUMI is another powerhouse in the world of high-performance luggage. Renowned for its aesthetic, the 19 Degree Collection is as striking as it is practical. A unique wavy design minimises scratches and it comes with two-stage expansion, push-button locks, smooth manoeuvrability, and the TUMI Tracer® programme, which helps reunite travellers with their lost items.

The brand was founded in the late 1960s by Charlie Cli ord, who spent two years in a remote Peruvian village, where he was inspired by the craftsmanship of local artisans. Determined to support them, he took their creations to the US market, where he established a small import business, named after an ancient ceremonial knife used by the Inca civilisation. In a 2022 podcast interview on How I Built This with Guy Raz, Charlie said, “Luggage is an infrequently purchased product. We discovered that most travellers didn’t want to buy a large leather suitcase because they felt that it might get damaged in transit when it was checked by the airlines, so we felt that moving into a synthetic fabric material would help us to penetrate this market. TUMI’s future was as a premium product.”

Originally popular in business circles, TUMI has since broadened its appeal, connecting with the worlds of Formula 1, esports, and street art.

“In 2018, a rare Louis Vuitton aluminium-bound Explorer Trunk was sold at Christie’s in London for a record-breaking price of R3 817 500”

PIONEERING THE FUTURE OF TRAVEL

Samsonite is globally renowned for its commitment to quality and innovation.

The brand pushes boundaries by creating alternative materials, such as Roxkin™ – a lightweight, multilayered texture that rebounds after impact – featured in the Proxis Collection. “The Proxis Collection is made for frequent travellers, combining exceptional lightness with superior durability. Its sleek design features multidirectional wheels, ergonomic handles, and a dedicated compartment for a portable battery, allowing for convenient smartphone charging on the go,” says Sebastien Valette, general manager of Samsonite France. This collection o ers a glimpse into the future of travel, providing impressive strength and scratch resistance.

The luggage we carry says a lot about where we’ve been and where we’re going. Whether for business or leisure, it’s an extension of who we are – stylish, strong, and ready for the next adventure. ■

TATUM WHEATLEY: from BEAUTY QUEEN to INVESTMENT GURU

THE FORMER MISS SOUTH AFRICA IS AT THE FOREFRONT OF A VENTURE CAPITAL REVOLUTION, OPENING CHINA’S DOORS TO SOUTH AFRICAN INVESTORS

It was back in 2008 that Durban-born Tatum Keshwar, now Tatum Wheatley, was crowned Miss South Africa, and her life revolved around official events, charity work, and representing the nation at the Miss World pageant in 2009, where she was the second runner-up. Seventeen years on, Tatum has established herself in the investment world. She’s the executive director of Altvest Credit Opportunities Fund (ACOF), with business interests ranging from hospitality to property and a high-profile Springbok bid. The company recently launched the Altvest Orient Opportunities Fund (AOOF), with an aim to open the Chinese market to South Africans.

We spoke to Tatum about the Chinese market, working with her husband and, of course, shopping in China.

WHAT IS AOOF? Altvest Capital is a JSE-listed investment platform, which brings alternative investment opportunities that would typically only be accessible to the ultra-wealthy, to the market. The AOOF is a venture capital opportunity to fund the growth of start-ups in China. Companies within the Orient Fund are vetted and tracked venture capital startups not yet listed for public investment, but with high potential.

THE OFFICIAL DOCUMENTS MENTION CLASS D SHARES.

WHAT ARE THOSE? Altvest creates instruments (shares) that give buyers economic exposure to an investment theme or asset. We give them different names. For example, our Class A shares give exposure to Umganu Lodge. Class D, which is listed, is the share for investors wanting exposure to AOOF.

WHY CHINA? China has great growth potential, unmatched anywhere else in the world. It’s truly mind-blowing.

SOUTH AFRICANS ARE CONSERVATIVE INVESTORS. HOW DO YOU CONVINCE PEOPLE WITH SPARE CASH TO TAKE THE LEAP? I believe our country is at a crossroads politically, and with all eyes on our next move, Altvest is more hopeful about the future of South Africa than ever before. We believe in South Africa and are convinced we can impact our economy while improving the lives of all South Africans through our platform and empowerment funds. IT’S INTERESTING THAT YOUR MISSION AS MISS SOUTH AFRICA FOCUSED

ON EMPOWERMENT, AND NOW, IN A DIFFERENT SPACE, THE CORE DRIVER REMAINS… Altvest Capital was conceptualised by our founder and CEO, Warren Wheatley, with the mission to empower people.

Empowerment remains one of our core values, along with inclusion, innovation, collaboration, and agility.

WHAT HAS BEEN YOUR SINGLE BIGGEST LESSON ON THIS JOURNEY? We did due diligence with RisCura on a tech start-up founded just three years ago, meeting the 30-year-old founder and CEO. In that time, the company’s value had grown to over R150M. He shared his story of launching the business during COVID and eventually competing with major American companies, and how venture capital played a crucial role in its rapid growth. The key takeaway from meeting with several founders during the due diligence process as an investor was: ‘get in early and stay the course.’

WE CAN’T TALK ABOUT TRAVEL WITHOUT MENTIONING SHOPPING… My biggest splurge was on silk and pearls. I can’t wait to wear them somewhere special. I also bought a pair of Akoya pearl and diamond earrings from a pearl market in the heart of downtown China.

For more information on AOOF, visit AltvestCapital.co.za

art APLFYUL L

THIS MONTH THE INVESTEC CAPE TOWN ART FAIR IS BACK FOR A TWELFTH YEAR, AND IS SET TO FEATURE 30 NEW EXHIBITORS WORDS LERATO TSHABALALA

Welcome to the Mother City. Crowned as the number one food destination in the world by the 2024 Condé Nast Traveller Readers’ Choice Awards, Cape Town has also surpassed Spain as the city with the most Airbnb’s, making it the most desirable travel destination in the world. Whether you’re having sundowners at Open Wine, brunch at Our Local or dinner at The Nines, you’re likely to hear many accents and languages and see all colours (races, hair, and dress that is). Cape Town has gone from being South Africa’s ‘slow, urban city’ to the top spot for digital nomads, travellers, and tourists, and this February, the finest in the art world will once again descend on the city for the 12th annual Investec Cape Town Art Fair (ICTAF).

From 21 to 23 February, collectors, galleries, artists, and art enthusiasts arrive on the tip of Africa to take part in one of the most prestigious and significant fairs on the art-world calendar. “It’s been a pleasure to watch the growth of the fair and to play a part in bringing ‘Africa to the world, and the world to Africa’,” says Peta Dixon, Investec head of sponsorships, which has been a title sponsor for eight of the fair’s 12-year run. With an estimated 30 000 visitors, 6 500 VIPs from around the globe, 500 artists, and 124 exhibitors, ICTAF is Africa’s biggest art fair. According to fair director, Laura Vincenti, “The 2025 edition of the ICTAF is our most ambitious yet. We’re proud to be the largest and leading international art fair on the African continent, and we continue to innovate and challenge the boundaries of what an art fair can be.”

Find Your Balance by Jozua Gerrard

CLOCKWISE FROM TOP: Laura Vincenti, Zizipho Poswa, uBuhle boKhokho; Soly Cissé, II Collage; Stanislaw Trzebinski

The theme of the fair, PLAY, serves as a guiding influence for ICTAF’s curated sections, encouraging artists, curators, and guests to explore informal experimentation and the joy of discovery. It aims to foster an environment where play acts as a transformative catalyst for exploration and meaningful dialogue. “PLAY, in this context, is much more than childlike fun. It is about action, curiosity, and the inherent human desire to create. The limitless potential of art to surprise, challenge, and engage. It’s also about playing a role – seeing art as an active tool to shape culture and values to provoke new ways of thinking. Our hope is that both artists and audiences step into spaces where the unexpected can happen, where play catalyses change and, importantly, delights,” explains Laura, who’s been the fair’s director since 2017.

CLOCKWISE:

As she elaborates, “We’ve worked hard to carefully curate an experience that showcases the depth of talent across the globe, bringing the world’s best contemporary art under one roof in South Africa. We’re also joined by an exceptional selection of curators: Dr Mariella Franzoni, Céline Seror, Heba El Kayal, Alexander Richards and Dr Phokeng Setai of Exhibition Match, as well as Julia Buchanan. This fair is a reflection of their collective effort and passion.”

“‘PLAY/GROUND: Between whimsy and profundity’, the sub-theme for the SOLO section, aims to explore the diverse ways in which contemporary artists engage with the subject of play through whimsical experimentation, imaginative inquiry, and profound exploration,” shares the SOLO curator, Céline Seror. SOLOfeatured artists include SMAC-represented Frances Goodman (see page 56) and Southern Guild’s Stanislaw Trzebinski.

Trevyn McGowan, CEO and co-founder of Cape Town-based Southern Guild, one of the featured galleries, says, “Having just celebrated the first anniversary of the opening of our Los Angeles gallery, we have noted an increase in our collectors’ plans to visit Cape Town and interact personally with our artists, and ICTAF is the opportune moment for an arts-driven venture into the city.” This year, the fair features 30 new exhibitors, with galleries from Barcelona, Berlin, Cairo, Istanbul, Kampala, Kuwait City, Lagos, London, Luanda, Maputo, Modica, Paris, Tokyo, and Windhoek.

Johannesburg’s Kalashnikovv Gallery will feature some of its finest artists, including last year’s Tomorrows/ Today prize winner, Boemo Diale, as well as Mbali Tshabalala and the late Alfred Thoba, amongst others. Zanele Kumalo, associate director at Kalashnikovv, which opened a second office in Cape Town in May last year, says the ICTAF is a must for any major gallery in the country and on the continent. “Rather than asking our artists to create specific works for the theme PLAY, the team has selected works that respond to it. Our booth curation includes topics that explore leisure, colour, nostalgia, fantasy, surrealism, and liberation,” says Zanele.

The late Alfred Thoba; In Chaos there is Cosmos by Mbali Tshabalala; Ngqarutyana by Andile Dyalvane (pictured below right); Dominique Cheminais; Ayotunde Ojo

‘Utopian Playground’ is the sub-theme for the Tomorrows/Today section, which has always been a platform for emerging talent. “While play is widely used as an educational tool, we envision it as a practice of unlearning the rules of the game, challenging systems of power, and fostering the creation of new worlds through imagination. Playgrounds are places where imagination runs wild and where bodies and minds are fully engaged in activities that foster socialisation, excitement, wonder, and the making of new communities,” explains Tomorrows/ Today’s curator, Dr Mariella Franzoni.

CLOCKWISE FROM TOP: Boemo Diale; Suspended Blob by Yolanda Mazwana (pictured right); Passeurs V by Kristine Tsala (insert); Chuma Maweni; Bambatha by Zanele Muholi

With 2024 having been a shapeshifting year for everything from politics to celebrity scandals, and 2025 kicking off with devastating fires in Los Angeles and Donald Trump’s historic re-entry into office, the artists and galleries have plenty of subject matter to unpack. “Artists are using play as a way to engage with the serious issues of our time, making the conversation around these topics more accessible, dynamic, and at times even humorous. It’s this balance of gravity and levity that creates space for reflection and dialogue, and we are thrilled to be a platform for these essential conversations,” says Laura. ■

The Investec Cape Town Art Fair takes place from 21 to 23 February 2025 at the Cape Town Convention Centre. For more information, visit investeccapetownartfair.co.za

ICTAF 2025

CELEBRATING THE POWER OF PLAY

• (TROPHY) CABINET – CURATORS: ALEXANDER RICHARDS AND DR PHOKENG SETAI

This section invites 10 international galleries to transform the idea of a trophy cabinet into a dynamic space that captures the essence of play. Reflecting the energy of a sporting event, it highlights how creativity, identity, and societal complexities intersect within art and sport, both vital cultural exports and nation-builders in South Africa.

• TOMORROWS/TODAY – CURATOR: DR MARIELLA FRANZONI

Dedicated to emerging and underrepresented artists, this section provides a glimpse into future artistic trends. It culminates in the Tomorrows/Today Cash Prize (R80 000), awarded to the artist with the most compelling presentation, as selected by a panel of esteemed art professionals.

• SOLO – CURATOR: CÉLINE SEROR

Exploring the theme ‘PLAYSCAPES: Shaping Worlds and Selves,’ this section brings together works from 10 global galleries. It examines play as a creative and cultural force throughout history, from ancient art to modern surrealism, demonstrating its enduring relevance.

• GENERATIONS – CURATOR: HEBA EL KAYA

This section emphasises collaboration across time and space, celebrating artists who challenge traditions and engage deeply with their surroundings. It explores how adults lose the innate fluency of play, reflecting on the role of playfulness in fostering meaningful engagement with the world.

ULA ED UFLA DBE

AC M OUFLAGEDBE A U T Y AC M OUFLAGEDBE A U T Y

CAMO

IS A DYNAMIC ART BOOK AND THE FIRST PUBLICATION THAT CHRONICLES THE EXTRAORDINARY WORK OF 32-YEAR-OLD KENYAN PHOTOGRAPHER, THANDIWE MURIU

COMPILED BY OUPA NKOSI

Spanning eight years of her creative practice, Thandiwe Muriu’s book Camo –short for camouflage –takes the viewer on a colourful, reflective journey through her world as a woman living in modern-day Kenya. As she reinterprets contemporary African portraiture using surreal illusions, Thandiwe presents a bold new vision of the universal woman and her autonomy.

In Camo, Thandiwe’s beautiful dark-skinned women are dressed in colourful Ankara fabrics that match their studio background. Punctuated by expressive hairstyles and everyday objects, the bold images – which are not digitally manipulated – almost make the subject disappear through optical illusion.

Confronting the photographer’s own journey to discover the meaning of beauty and her identity as a woman, Thandiwe designs the outfits based on the stories she sees in the patterns, working with local tailors to create the final product. The images are then printed on paper to look more like paintings than photographs.

THANDIWE, DO YOU THINK CAMO ADDRESSES THE ISSUES YOU WANTED TO RAISE REGARDING THE ROLE OF WOMEN IN SOCIETY? The Camo series is not about African women, it’s about women and a universal struggle women face. One of my biggest surprises as I’ve travelled the world is that I always thought it was a problem I had, or maybe Kenyan or African women have, but this is every woman’s problem. My role as an artist is not to answer questions, but to create a platform for dialogue, and the book has done that. It’s allowed women to talk about their experiences.

HOW HAS THE CAMO PROJECT EVOLVED? My work has changed over the years and you can see that in chronological order in the book as I’ve grown older. Camo is my journey through womanhood. At its core, it’s about women being heard, challenging our perception of ourselves, and then celebrating the sweet moments of being a woman.

I spent 2024 researching textiles and the symbolism behind a specific Kenyan one called Kanga. I’m interested in symbolism and using textile as a language. Over the years I have passively observed textiles, but recently I began experimenting with being an active participant in their creation.

I have also added embroidery to my new works in the shape of a stamp because that freezes a moment in time. The country sees it as valuable enough to preserve for posterity, and yet in my research, I discovered most of the postal systems across Africa were developed in Europe. It’s very powerful that this symbol was not even chosen by us.

I wanted to use that symbolism to almost reclaim our value and our internal perspective of self-image. Furthermore, a stamp is a piece of paper that moves messages around the world so I can either see myself as a Kenyan or as an incredible contribution to the global landscape. I want to challenge the dual juxtaposition of self-bias using the stamp.

WHICH PHOTOGRAPHERS INFLUENCE AND INSPIRE YOU? I’ve recently developed a slight obsession with archiving, and there are incredible masters of photography who consistently archived the African way of life – how we saw ourselves and how we wanted to see ourselves – even though it was not our reality. Malick

“Photography has changed my dreams, world view, and has grown my own community”

Sidibé built this incredible archive that shows Africans with dignity, power, dreams and ambition. I’m deeply inspired by his lifelong commitment to do that.

I also enjoy contemporary photographers because I think we are in the middle of finding our voices and styles. While I may not be directly influenced by them, I’m deeply inspired by the consistent search for our voice, style, and unique way of expressing ourselves. And Seydou KeÏta is another icon.

PREVIOUS PAGE, OPENER: Camo 45

PREVIOUS PAGE, RIGHT:

Photographer Thandiwe Muriu, camouflaged in one of her set-ups THIS PAGE, FROM LEFT TO RIGHT: Call Me Please; It Takes Imagination; A Cycle of Joy

HOW HAS THE PARTICIPATION OF FEMALE PHOTOGRAPHERS CHANGED IN KENYA? The fact that I exist gives hope. It proves it’s possible. Hopefully, it will lead to a women’s movement in photography. I don't know if I’ve quite seen the fruits of it yet, but I do feel a lot of hope. I get wonderful messages from men and women who are aspiring to be photographers.

ANY ADVICE TO YOUNG PHOTOGRAPHERS? If you want to be a photographer, work on crafting your unique style. That takes a lot of experimentation and a lot of failures, but keep doing it because you can be the best at being yourself.

HOW HAS PHOTOGRAPHY CHANGED YOUR LIFE? It’s given me my career. Photography has humbled me completely, reminding me that art or images can go where words cannot speak. My work has seen more countries than me. It’s met more people than me. It has changed more people than me. Photography has changed my dreams, world view, and has grown my own community.

thandiwemuriu.com

Oftentimes, curators receive unsolicited curatorial feedback from patrons and collectors, but not so much from audience members. Unless they have proximity to the artist, that is, and even then, it is incredibly difficult to strike up a conversation about the artworks in either a museum or a commercial gallery space. Inevitably, it boils down to the visual and theoretical underpinnings of an exhibition space as well as its purpose articulated by the curatorial team or head curator.

The Zeitz Museum of Contemporary Art Africa (MOCAA), however, provides so much more than an exhibition space with the structures in place for those conversations. This, under the guidance of executive director and chief curator, Koyo Kouoh – the first black woman to be appointed as the curator of the 61st International Art Exhibition in 2026 taking place in Venice, Italy – and Dr Greer Valley, who was recently appointed as senior curator at Zeitz MOCAA.

Since its launch in September 2017, Zeitz MOCAA has solidified itself globally as an arts institution. It has hosted several exceptional exhibitions and programmes, including some of Africa’s best thinkers, writers, artists, musicians, and academics, surpassing local and international art critics and collectors’ expectations.

When the museum was established, Greer was completing her Masters in Visual Studies at the University of Stellenbosch. A qualified architect with a PhD in Art History and Curatorial Studies from the University of Cape Town, she made a seemingly unconventional decision to then pursue an art degree at the height of South Africa’s #FeesMustFall movement.

ON THE EVE OF AFRICA’S BIGGEST ART FAIR, YOURLUXURY AFRICA

CHATS TO DR GREER VALLEY, NEW SENIOR CURATOR AT THE ZEITZ MUSEUM OF CONTEMPORARY

ART AFRICA IN CAPE TOWN

WORDS

PALESA SEGOMOTSO MOTSUMI

Stellenbosch University, uniting different communities and voices through #OpenForum. Narrating actual and real experiences of students and artists on campus through this forum was probably one of her bravest moments – and perhaps a necessary disruption. In fact, when the Cecil Rhodes statue was toppled over by students at the University of Cape Town, Greer was in attendance. When she launched #OpenForum, the event’s discussion was centred around the theme ‘The Art of Social Justice’.

It is no surprise then, that her appointment at Zetiz MOCAA comes at a time when the museum is undergoing exciting changes.

“Art was always my first love,” Greer says, and the spark in her eyes when discussing it speaks volumes, a calm yet youthful look of someone who knows something we don’t.

She speaks fondly of Koyo – who she says is the reason she got the appointment – from a professional standpoint as well as a kindred spirit that is both rare and reciprocated when given with respect and trust. Koyo also mentions Greer’s contribution to scholarship in exhibition-making practices as well as museology. “The curatorial and scholarly work of Dr Valley has been shining through our field over the past decade. It’s an incredible privilege that we could encourage her to join the museum. Her contribution will strengthen our mission and deepen our theoretical ambitions,” she says.

With a formidable team behind her, the dynamic nature of Greer’s curatorial plans are more nuanced.

She does not shy away from the city’s visible issues, and points out the museum’s plans to tap into the local ecosystem.

At that time, the political current was palpable across South African universities, inspiring Greer to co-curate and begin a site-specific intervention on the campus of

The Zeitz

As senior curator, Greer has the difficult task of curating a series of exhibitions, accommodating the many facets of the city, its people, and its supporters – a tall order but one that is necessary for this gentle woman. She is built for it. ■

Gala will take place on 21 February in Cape Town. Proceeds from the Gala directly benefit the museum’s curatorial and education programming. For more information, visit zeitzmocaa.museum

MOCAA

ART DESTINATION

OLUXURY HOTELS IN CAPE TOWN ARE NO LONGER JUST PLACES TO REST AND RECHARGE, THEY’RE CULTURAL SANCTUARIES CURATING SOME OF THE WORLD’S BEST BESPOKE ART COLLECTIONS

WORDS RYAN ENSLIN

ver the last decade, Cape Town has forged a path for herself in the art world, officially becoming the nexus of contemporary African art. And while art and luxury have long been kindred spirits among aesthete-forward individuals, hotels are increasingly emerging as unexpected yet compelling canvases for cultural expression.

By spotlighting South African artists, these bespoke establishments create an authentic connection to the country’s soul, transforming hotels into more than just places to stay. They invite guests to see South Africa through the eyes of its artists – past and present – unearthing hidden narratives and incredible talent. As guests meander through corridors adorned with evocative paintings and textured, moody photographs, they become participants in a vital and ongoing creative dialogue.

ABOVE: Le Grand Jardin offers an exclusive villa breakaway in the heart of the Stellenbosch winelands

TOP: Triptych from his signature Cape Malay Portraits by Lionel Smit

ELLERMAN HOUSE

Poetically placed where the slopes of Lion’s Head meet the Atlantic Ocean in Bantry Bay, Ellerman House has one of the most representational private South African art collections in the world. It spans many facets of the lived South African experience, including the colonial period, apartheid, and the anti-apartheid movement, which was largely supported through the art community.

In-house art guides are available to take guests on private tours of the collection, spread throughout the house and a dedicated gallery space, fostering a deeper connection to a complex political and cultural history. Be sure to look out for works by award-winning Lady Skollie as well as pieces by internationally acclaimed pioneer artist Gerard Sekoto, contemporary artist William Kentridge, and modernist masters including J.H. Pierneef, Alexis Preller, and Irma Stern.

With more than 1 000 artworks, the Ellerman House collection represents over 200 years of South African history. Discover more at ellermanhouse.co.za

CLOCKWISE: Ellerman House in Bantry Bay has one of the most important private South African art collections in the world; Harbour by Irma Stern; Boy from Senegal by Gerard

LE GRAND JARDIN

If you thought curated art collections were confined to the Mother City alone, a short drive to the vineyards of Stellenbosch reveals the winelands to be just as culturally relevant. At Le Grand Jardin – a Herbert Baker-style, private winelands villa – a world of whimsical wonder awaits. It’s an eclectic haven where opulent antiques, Persian rugs, and modern art converge in a vibrant celebration of beauty and whimsy.

With an art collection inspired by the owners’ passionate support of local art and design, there are many key pieces in this bespoke collection. One highlight is a triptych by Lionel Smit showcasing his signature Cape Malay portraits. The African pride and feminine energy captured by the artist are arresting upon first glance, as the artist navigates issues of hybrid identity within a South African context. A conversation starter for sure in the villa’s blue cocktail lounge.

While roaming the corridors of the villa, take time to appreciate the 1956 blackand-white photograph by Jürgen Schadeberg of musician Hugh Masekela holding a trumpet he was given by Louis Armstrong. Or one of the Gregoire Boonzaier works; the artist was an exponent of Cape Impressionism and founder of the New Group (a South African art movement that emerged in 1937 to challenge prevailing conservative artistic norms), who also contributed artistically to the struggle against apartheid. Discover more at lejardin.co.za

TOP TO BOTTOM:

The Queen Victoria Hotel in the Portswood Ridge District of the V&A Waterfront offers seclusion amidst the hustle and bustle of this iconic tourist attraction; Ploeter by Klara-Marié den Heijer; Piece from the series Ask Not a Traveller How To Build a House by Kobus la Grange

Tucked away in the historic Portswood Ridge District of the iconic V&A Waterfront, the Queen Victoria Hotel possesses a unique collection of contemporary South African artworks in its public spaces. In their Terrarium Restaurant – the latest addition to the hotel’s fine dining options – a fusion of nature, art, and culinary innovation is on hand.

Local artist Klara-Marié den Heijer, known for her practice of handcrafting earthen pigments, sets the tone in her work Ploeter as you enter the space. This other-worldly contrasting landscape draws on the artist’s interest in the convention of landscape painting, and in so doing, presents questions of ownership and feelings of belonging, key issues in the contemporary South African narrative.

Curated by renowned gallerist Ilse Schermers, a space has been created where each artwork serves as an aesthetic yet tactile celebration of nature. A place where a momentary glance left reveals the allure of Table Mountain, seamlessly tied to the gallery-like space through art.

Look out for the textured wood carvings by Kobus la Grange from his Ask Not a Traveller How To Build a House series. Discover more at newmarkhotels.com/accommodation/ queen-victoria-hotel ■

Sekoto

THE QUEEN VICTORIA HOTEL

ADREAMY BRUNCH

MARKING ANOTHER EMPOWERING GATHERING, THE FIFTH ANNUAL VASTLY SAGE BRUNCH BROUGHT TOGETHER 500 DYNAMIC WOMEN TO CONNECT, SHARE, AND INSPIRE

Under the theme ‘The Dream Life Is Now’, 500 women from South Africa and neighbouring nations, all eager to connect, engage, and elevate their life journeys, gathered for the fifth annual Vastly Sage Brunch. The 2024 edition was held at the Mercedes Benz Sandton showroom in Johannesburg, a fitting backdrop for an opulent experience and a day of networking. Reflecting on the brunch’s exponential growth, Amanda Dambuza, the event’s visionary and creator, shared: “The Vastly Sage Brunch is more than just a gathering; it’s a movement. It is about women showing up for themselves and for one another – a space where connection meets purpose, and where we rise, collectively.”

The event featured a stellar line-up of speakers who shared invaluable life lessons, experiences, and inspiration.

Author Zahra Alli and entrepreneur Sibongile Martino opened the morning with a session on Corporate Lessons and Transitioning to Entrepreneurship, providing practical guidance for women pursuing business ventures. Following them, author and influencer Mpoomy Ledwaba emphasised aligning passion with purpose to achieve professional success, while Lerato Tshabalala, editor of YourLuxury Africa – the official media partner – encouraged attendees to reflect on what drives them.

A highlight of this year’s brunch was the strategic partnership between Vastly Sage and lead sponsor Telkom, which showcased a shared vision to create meaningful platforms for women’s empowerment. Attendees had the opportunity to engage directly with Telkom, whose commitment to innovation and connection perfectly aligns with Vastly Sage’s ethos.

The Bold Veuve Panel discussion –made possible through the continued partnership with Veuve Clicquot – was expertly moderated by University of Edinburgh PhD student Qondisa Sibeko, and was another standout element of the day with thought-provoking conversations on resilience and breaking barriers. South Africa’s first female Auditor-General, Tsakani Maluleke inspired the audience with her stories of resilience and determination in leadership roles, while Morongwe and Michelle Mokone of Mo’s Crib, and businesswoman Refilwe Sebothoma, also offered profound insights into their personal and professional journeys.

This year also marked an exciting new partnership with MSD, a collaboration that resulted in a discussion

by Dr Mpume Zenda on ‘A Woman’s Sexual Health’, sparking open and honest conversations about wellness and femininity.

From curated talks to gourmet catering and bespoke beverages, every emersive detail was designed to make guests feel cherished. Attendees were treated to moments of both reflection and celebration, while Amanda created an atmosphere of joy and sisterhood with her inspiring opening address.

An award-winning entrepreneur known for her authenticity and passion, Amanda said: “We cannot rise alone. At the heart of Vastly Sage is the belief that our stories shared boldly, become the bridges that connect us to our own strength and each other.”

While tickets for the 2025 brunch sold out within days of their release, The Vastly Sage Brunch continues to inspire and empower – one remarkable gathering at a time. As Amanda noted, “This is not just a brunch; it’s a declaration of courage, collaboration, and collective growth.”

For more information on the 2026 brunch, please contact vastlysage@amandadambuza.com

MOYA Magic

JARED RUTTENBERG GIVES AN EXCLUSIVE FIRST LOOK MOYA’S VINEYARD, A GORGEOUS NEW VILLA IN THE MAJESTIC HEMEL-EN-AARDE VALLEY

LEFT & ABOVE:

Tucked away in the Hemel-enAarde Valley, Moya’s Vineyard is a picturesque exclusive-use vineyard, accommodating up to 20 guests

TOP, RIGHT & ABOVE RIGHT: A mix of authentic farm style and modern African elements, you can expect every creature comfort for the perfect luxury escape yourluxury.africa

South Africa’s wine regions are renowned worldwide, attracting millions of visitors each year who are eager to indulge in wine, the sunshine, and breathtaking landscapes. Thankfully, there are still some quieter wine routes and the Hemel-en-Aarde (‘Heaven-and-Earth’ in Afrikaans) Valley just outside Hermanus in the Western Cape, is perhaps my favourite.

Here, an ancient conversation unfolds between mountain and ocean, with the gentle maritime breeze acting as a bridge between the two. As such, this area is perfect for producing premium wines and as a travel journalist who loves wine, I was eagerly anticipating my journey as I navigated my way up the valley to meet up with friends at Moya’s Vineyard. A new-tothe-market exclusive-use rental, it can accommodate 20 people and we were going to celebrate being together again.

Leaving the main road, the farm road meanders through vineyards and stately conifers until the farmhouse comes into view. Terracotta-plastered walls are framed by flowering hydrangeas in the foreground and towering mountains behind. The owners, captivated by the valley’s beauty, share their story: “We discovered this gem a few years ago; the beauty lies in its simplicity – the farm life, the tranquillity of a vineyard – all set in the most magical surroundings. Our vision has been to create a space where family and friends can come together to connect with nature and with one another, creating unforgettable experiences.”

BELOW:

Curated to guests’ unique tastes, each mealtime feels like an event on the vineyard

The accommodation consists of simply styled rooms that blend modern African interiors with authentic farm elements, always allowing the majestic surroundings to take centre stage. Four en-suite bedrooms are complemented by a large lounge and kitchen (both with dining areas), as well as a rather plush study for those needing to put in a few hours of work. The barn contains a king bedroom downstairs with a separate lounge, and upstairs, two spacious rooms, each with four single beds that can be converted to doubles, in addition to a central seating area.

Stepping outside, lush gardens wrap around the house and barn and verdant vegetable gardens are open for picking. Expansive lawns featuring a boules pitch lead to the vineyards and olive groves. Beyond, two dams offer respite from the summer heat. My favourite spaces, by far, were the large wraparound verandas and their spectacular views down the valley to the ocean, 10 kilometres away. With all this on offer, you’ll probably not want to leave the property. However, the wine estates of Hemel-en-Aarde are only minutes away, and Hermanus is just a short drive

Fruit from the farm’s vines is crafted into wine by local legend Hannes Storm of Storm Wines, although it is not currently available for commercial sale. Taking my brief for a group of close friends celebrating being together again, the Moya team was eager to create bespoke experiences on the farm – something they take great pride in doing. More than mere activities or a property jumping on the experience bandwagon, the staff arranged these as a labour of love. At lunchtime on the second day of our visit, we were asked to take a stroll to the top dam and to arrive hungry. Under a willow tree, a gourmet picnic was laid out with wines from the neighbouring farms.

On our final evening, we were invited to the orchard at sunset. Anticipating what was to follow, I had asked my companions to arrive in their finest. As the hour approached, the lawn was transformed into a red carpet, where dresses and suits gracefully made their way across as the mellifluous timbre of Diana Krall’s voice floated out from the outdoor speaker.

“The Moya team was eager to create bespoke experiences on the farm – something they take great pride in doing”

A G&T table, laden with condiments and nibbles, had been set up, and our host Nikki Bouic was clearly in her element. Crafting individual drinks based on our preferences and palates, I whispered to her that she looked like she was having fun while mixing our drinks. Beaming, she responded: “This is what makes me come alive – offering my guests high-end and personalised service. My aim is that our visitors leave with their expectations far exceeded.”

As if on cue, a cooling catabatic breeze gently descended the mountain, easing the heat of the day. The sun began to sink away, leaving champagnecoloured streaks across the sky. This is Moya magic – and judging by the social envy following each guest’s social media posts, Moya’s Vineyard will soon be home to a string of intimate gatherings where, to borrow from the valley’s name, heaven touches earth. ■ moyasvineyard.com

JOURNEY ARthrough

LEXUS CONTINUES ITS PARTNERSHIP WITH INVESTEC CAPE TOWN ART FAIR

Synonymous with leading automotive engineering, Lexus has forged a solid connection with the world of art and design, a reflection of its commitment to innovation and craftsmanship. And for the fifth consecutive year, it will offer a platform to highlight visionary concepts that push the boundaries of design and sustainability at the 2025 Investec Cape Town Art Fair (ICTAF). As the official vehicle partner, Lexus will also ensure that VIP guests arrive at the event in comfort and style.

AN EXTENSION OF PHILOSOPHY

Lexus is guided by the Japanese principle of Takumi – the art of mastery. With decades of experience, Takumi craftsmen bring an unparalleled level of precision and attention to detail to every Lexus vehicle. From the intricately hand-pleated door trims to the flawless application of the Kiriko glass accents, each component tells a story of heritage and innovation. This philosophy of artistry and human touch transcends the factory floor, influencing the brand’s partnerships with art fairs and design events, including Design Miami, the RMB Latitudes Art Fair, and Decorex Africa.

“Lexus views design as more than aesthetics; it is an interplay of emotion, functionality and imagination,” explains Simon Humphries, chief branding officer and head of Lexus global design. “By supporting art and design platforms, we align ourselves with creators who are shaping the future of beauty and ingenuity.”

The Cape Town Art Fair, a celebration of contemporary art and Africa’s diverse creative voices, provides the perfect stage for Lexus to amplify its design narrative. The brand’s participation goes beyond traditional sponsorship to align with the Lexus Japanese philosophy of Omotenashi – anticipating and delivering unique, thoughtful experiences.

The partnership also underscores its focus on sustainability, a theme increasingly central to both the art world and luxury markets. At the 2024 edition, Lexus showcased an immersive installation inspired by its latest all-electric model, the Lexus RZ.

LEFT:

Last year’s immersive installation at Design Miami

BELOW & FAR LEFT:

Some of the amazing art featured at last year’s fair

YourLuxury Africa is a media partner at the Investec Cape Town Art Fair. Please join us – and Lexus – for a glass of bubbly and an immersive experience. For more information, visit investeccapetownartfair.co.za

The installation blended sustainable materials, fluid forms, and lighting design to symbolise the seamless connection between advanced technology and the natural world. Visitors were invited to explore the intersection of art and mobility, with the installation demonstrating how design can inspire sustainable futures.

By championing innovation with a conscience, Lexus contributes to a global dialogue about how creativity and innovation can shape the future. Design is, after all, not just about what you see – it is on how it makes you feel.

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Driven LO VE by

FROM RUGGED OFF-ROADERS TO SOPHISTICATED SPORTS CARS AND FORWARDTHINKING ELECTRIC VEHICLES, THESE VEHICLES ARE THE ULTIMATE EXPRESSION OF PASSION WORDS EDWARD MOLEKE MAKWANA

Acar is more than a mode of transport – it’s a statement of style, a celebration of milestones, and a profound expression of care. With February being the month of love, what better way to express affection than with the gift of a dream car? Whether you’re looking for a family-friendly SUV or an electric marvel as a graduation gift, there’s a vehicle to match every love story. We explore some of the standout options that promise to make this year unforgettable.

THE ELECTRICALLY INCLINED

In the spirit of sustainability, the electric revolution offers vehicles that are as innovative as they are environmentally friendly.

MG CYBERSTER

A romantic nod to nostalgia meets highperformance technology in the MG Cyberster (left). Honouring the brand’s legacy, this electric roadster delivers an impressive 375kW of power and a range of over 500km. Its sleek design and customisable drive modes cater to every mood, whether you’re cruising the coast or chasing adrenaline around mountain passes. The allwheel-drive GT accelerates from 0 to 100km/h in just 3.2 seconds, making it MG’s fastest production car to date. The 77kWh battery offers rapid charging up to 150kW, enabling it to charge from 10 to 80 percent in only 40 minutes. Priced from R1 399 900.

LOTUS EMEYA

If your love is electric, the Lotus Emeya (above) – a hyper-GT built for the future – may be your ultimate match. Blending a flawless performance with inspiring design, the Emeya accelerates from 0 to 100km/h in under 2.8 seconds, making it one of the fastest electric grand tourers on the market. Luxurious and sustainable, this Lotus flagship model represents a bold vision for modern driving. Pricing can be obtained from the official local distributor, Daytona Melrose Arch.

THE BEST FAMILY SUVS

If your love language involves impromptu road trips to the coast or bush, a premium family SUV might be the perfect expression of your affection. Whether for school runs or weekend escapes, these models combine luxury, performance, and functionality.

THE NEW LEXUS GX

Elegance meets adventure in the all-new Lexus GX (above). Launched as a “Premium Off-Roader,” the GX redefines versatility with its rugged capability and refined comfort. Built on the innovative GA-F platform shared with the flagship Lexus LX, the GX possesses a potent 3.5L V6 twin-turbo engine, delivering a harmonious blend of power, fuel efficiency, and quietness. For eco-conscious drivers, Lexus introduces a 2.4l turbo-hybrid variant –a first for a body-on-frame SUV – offering exceptional fuel economy without compromising on performance. Whether navigating the urban jungle or conquering untamed terrains, the GX ensures every journey is as luxurious as it is breathtaking. Pricing not confirmed at the time of going to print. Visit lexus.co.za for more.

THE NEW BMW X3

Made in South Africa at the BMW Rosslyn Plant in Pretoria and loved worldwide, the fourth-generation BMW X3 (top) elevates the standards for luxury SUVs. Its striking design, modern technology, and enhanced driving dynamics make it a perfect companion for families on the go. From its intuitive BMW iDrive system to its spacious cabin, the X3 transforms every drive into an experience. Available in diesel, plug-in hybrid, and a high-performance variant, this locally built marvel seamlessly blends utility with sophistication. From R1 125 000 for the BMW X3 xDrive20d, R1 260 000 for the plug-in hybrid X3 xDrive30e, and R1 530 000 for the top-of-the-range X3 xDrive M50.

“To mark the 50th anniversary of the iconic Turbo, Porsche introduces a limited-edition model that’s equal parts nostalgia and innovation”

THE FAST & FABULOUS

For those who are more enamoured with speed than size, these models promise performance and jawdropping style, and are perfect for cruising down the highway or testing horsepower limits on an open road.

PORSCHE 911 TURBO 50 YEARS

Few cars embody the spirit of passion like the Porsche 911. To mark the 50th anniversary of the iconic Turbo, Porsche introduced a limited-edition model that’s equal parts nostalgia and innovation. With a blistering 0 to 100km/h time of just 2.7 seconds and exclusive design touches evoking its legendary predecessors, this masterpiece is a love letter to automotive excellence. Limited to 1 974 units globally, the 911 Turbo 50 Years (left) is a timeless expression of power and elegance. From R5 801 000.

FORD MUSTANG DARK HORSE

As the first new Mustang performance series in more than two decades, the Dark Horse (below) is made for lovers of American muscle cars. It combines a modern, immersive cockpit with a roaring 5.0L V8 engine generating a peak power of 334kW (6kW more than the new Mustang GT). Whether on the street or the track, this Mustang delivers unmatched excitement, ensuring every drive feels like a cinematic moment. From R1 500 000 for the Mustang Dark Horse 5.0L V8. ■

art the of and patronage partnership

Specialising in wealth and investment management for discerning clients, Private Clients by Old Mutual Wealth embraces fine art, wines, classic cars and other timeless collectibles as integral elements of building lasting legacies. Guided by our Distinctly Made philosophy – rooted in excellence, cultural distinction, and enduring legacies – we curate partnerships that resonate with the unique passions of our clients. Through collaboration with artists, collectors and thought leaders, we tailor experiences that celebrate and preserve the essence of true wealth.

AT PRIVATE CLIENTS BY OLD MUTUAL WEALTH, WE UNDERSTAND THAT TRUE WEALTH MANAGEMENT GOES BEYOND INVESTMENTS, CREATING MEANINGFUL MOMENTS THAT ENRICH LIVES AND CONNECT GENERATIONS

Art embodies the soul of human creativity and our collaboration with the Stellenbosch Outdoor Sculpture Trust (SOST) stands as a testament to this belief. Through the exhibition Freedom, I Dream Up for Myself and Others, curated by Anelisa Mangcu, we are proud to support a narrative of identity, history, and unity. Featuring luminaries such as Zanele Muholi and David Goldblatt, the exhibition amplifies the transformative power of African photography. SOST’s mission to make art accessible in public spaces culminates over the anticipated Stellenbosch Triennale, taking place from 19 February to 30 April. This celebration of creativity invites audiences to engage in critical thought and cultural appreciation, an ethos

Through this, we are also able to celebrate another revered cultural expression: wine. Entering its second year, our partnership with acclaimed Master of Wine, Tim Atkin, emphasises our commitment to nurturing South Africa’s vibrant wine industry. Tim’s South Africa Special Report has become a cornerstone in recognising our country’s vineyards, and we are honoured to contribute to this legacy. By hosting private tastings and exclusive events, our clients enjoy a rare opportunity to engage with Tim’s expert insights while savouring the finest vintages South Africa has to offer.

In addition, we are thrilled to sponsor the Cape 1000 Rally in 2025. These automotive masterpieces epitomise precision and heritage, mirroring the philosophy that defines our tailored approach to wealth management. Like art and wine, classic cars represent more than craftsmanship; they embody a commitment to legacy and the pursuit of excellence. This exclusive event invites enthusiasts to celebrate the synergy of engineering brilliance and timeless beauty.

A JOURNEY BEYOND WEALTH

At Private Clients by Old Mutual Wealth, we believe true wealth lies in the stories, experiences, and connections that shape a lifetime. Our partnerships with Zeitz MOCAA, the Val de Vie Freedom Exhibition, Tim Atkin, Cape 1000, and SOST underscore our pledge to curate moments that inspire and endure. This year we invite you to join us in celebrating the finer things in life –those rare experiences that elevate living to an art form. Visit wealthprivateclients.co.za for more information.

that resonates with Private Clients by Old Mutual Wealth.

“When a man is tired of London,” English writer Samuel Johnson famously wrote, “He is tired of life; for there is, in London, all that life can afford.” He’s not wrong, and I’ll certainly never tire of London’s colourful creative corners. But after years of visiting, I am tired of tramping the same old streets. Sure, Mayfair, Chelsea, and Covent Garden have their charm, but they also draw the crowds. So, on my last visit, I set out to discover a few lesserknown corners of the capital, where the city’s restless creativity comes to the fore in rejuvenated neighbourhoods and vibrant new developments.

Battersea

For close to a century, Battersea Power Station has been an indelible part of the London skyline south of the river Thames. The hulking brick outline and four chimneys skewering a grey London sky have become an iconic part of London’s architectural history, and as much a part of its cultural fabric as the famous red telephone boxes. Funny that, given they were both designed by architect Sir Giles Gilbert Scott.

Battersea almost went the way of the telephone boxes, in danger of irrelevance, until a multi-billion-pound private-sector rejuvenation transformed a neglected industrial landscape into one of the most vibrant corners of riverside London.

In what National Geographic has called “the capital’s most-anticipated regeneration”, today the Battersea Power Station anchors a precinct home to some of London’s most striking new buildings, designed by the likes of Frank Gehry and Foster+Partners.

At ground-level, public areas – in summer the wide riverfront gardens are a hit with locals and tourists – segue into a vibrant retail and restaurant area home to the largest ZARA in the UK, and a host of delightful riverside dining options:

A NEW LOOK AT

L O N D O N

LONDON IS CALLING… BUT THIS TIME, WE ANSWER BY VISITING THE COBBLED STREETS

LESS

TRAVELLED

WORDS RICHARD

HOLMES

El Pastor for true Mexican tacos, Battersea Brewery for craft brews, and Brindisa for authentic Spanish tapas. “While our menu is based on the traditional dishes of Catalunya, the approach at Brindisa is equally about working with these wonderfully authentic Spanish ingredients and creating something a little different,” explains Kelly Richardson, who heads up food operations for the group.

“But it all comes down to working with the best ingredients that we travel and source ourselves.

And the best dish on the menu, I ask?

“Well, our head chef is from Galicia (an autonomous community in Spain’s northwest region) so the octopus is excellent, but the Monte Enebro is also one of the best things on the menu,” says Kelly. This hand-crafted goat’s cheese topped with orange blossom honey and beetroot crisps is certainly unforgettable, especially when enjoyed with a glass of Viura, known as Macabeu in South Africa.

Once you’ve admired the striking architecture from the outside, step indoors and make a choice: Turbine A or Turbine B. The original turbine halls – look to the flooring for hints at the generators that once powered a fifth of London – now feature a thoroughly global menu of eateries and boutiques. There’s Arc’teryx for covetable outdoor and ski gear, UNIQLO and the flagship Apple store. Gordon Ramsay’s Bread Street Kitchen is a bistro charmer where the Beef Wellington is a signature not to miss. Arcade offers a vibrant global food hall experience where the menu rambles from Asian bao to tacos to a life-changing Basque-style cheesecake from Uruguayan café Solis.

But be sure to stop in at Control Room B for playful mixology – the menu is a blueprint and seats are framed by the original control panels and switches – that takes its cue from the Station’s industrial heritage. “Cocktails, brought to you by the people behind Cahoots and Mr Fogg’s, are guaranteed to be on point,” enthuses Time Out London

“Gordon

Ramsay’s Bread Street Kitchen is a bistro charmer where the Beef Wellington is a signature not to miss”

End your visit with a wander through the small interactive museum displays that kick off the Lift 109 experience. Here, an innovative glass viewing pod ascends inside the north-west chimney to pop out the top and deliver panoramic views of Battersea and London.

Want to stay longer? Book a night at London’s first art’otel – one of the city’s newest hotels aimed at “culture lovers, avid shoppers and culinary enthusiasts” – where the capital’s creativity fills the walls and the rooftop rim-flow pool (heated, thankfully) offers unforgettable views of Scott’s masterpiece. ■

Hackney Wick

London’s East End has enjoyed a surge in energy over the last two decades, with much of the attention focused on the artistic spaces that define Shoreditch and Hackney. But this year focus on the suburbs that bookend this creative hub: Dalston in the west and Hackney Wick in the east. Here the streets running down to the historic Regent’s Canal are lined with art galleries and craft breweries, independent boutiques and locally run restaurants. Take in the street art of Park District and wander through the creative studios of the artist-run London Centre for Book Arts. Need some fresh air? The Hackney Marshes are filled with well-marked paths and walking trails that adjoin London’s Queen Elizabeth Olympic Park.

Westbourne Grove

Skip the crowds of Notting Hill and head a few blocks east to Westbourne Grove. It’s a corner of the capital with all the villagey charm of its more famous neighbour, without the crush and the all-out gentrification. Here the term shabby chic comes to the fore in a suburb happy to wear its bohemian heart on its sleeve. Wander the cobbled street of St Luke’s Mews – home to that Keira Knightley scene in Love Actually – or pop in at Granger & Co. for brunch. For decor and design, don’t miss Soho Home or Trove by interior designer Tiffany Duggan.

ABOVE & RIGHT:

The colourful canals of Hackney Wick (right) and trendy spaces of Westbourne Grove (above) are less touristy and definitely worth a visit

ALSO, DON’T MISS…

SUN

repeat SEA SPA

EXPLORING THE RISE OF THE HOLISTIC CRUISE EXPERIENCE

WORDS INGRID WOOD

In recent years, cruising has transformed from indulgent escapes centred on dining and entertainment into holistic wellness retreats. Offering a blend of relaxation, fitness, and enrichment, wellness at sea has become one of the fastest-growing segments in the travel industry, and at the heart of this trend are luxurious onboard spas.

Embarking on Norwegian Cruise Line’s enormous Viva for a ‘wellness on the waves’ experience while sailing from

Barcelona to Rome, I was not prepared for the extent of what was on offer.

As I entered the Mandara Spa & Salon with its two-storey waterfall and marble staircase, I knew I was in for a treat.

“Wellbeing takes many forms, from connecting with family and friends to exploring new destinations, finding quiet moments with a book, or dancing under the stars.

Norwegian Cruise Line brings all these experiences together, giving our guests more to see, more to do and more to enjoy to truly create an enriching vacation,” explains Nirosha Sidat, NCL country manager, South Africa.

And there really is more to see and do. At the Mandara, you’ll find treatment rooms, a hair salon, nail bar, and a medi-spa for aesthetic treatments, while down the corridor is the Pulse Fitness Centre where you can go to a boot camp, indoor cycling, or yoga class, as well as a fully equipped gym with 270-degree ocean views. If hydrotherapy is your thing, the Thermal Suite has a salt room, aromatic steam room, flotation pool, ice and snow rooms for cold therapy, and multiple saunas –including a dry heat Finnish sauna and the world’s first charcoal sauna at sea, which helps detox, increase circulation and relieve muscle tension.

And it goes without saying that the treatments are on another level. During the innovative Zero Gravity Wellness Massage, for example, your body is suspended on a treatment table in eight positions, enabling each muscle group to be reached for tension release and improved body mechanics. The highly effective Elemis Biotec

A BOUTIQUE HOTEL WITHIN A SHIP

If the height of luxury and privacy are more in line with your expectations, consider The Haven. Located on top of the ship, this exclusive space is the ultimate luxury retreat with its own bar, lounge, restaurant, elevators, 24-hour dedicated concierge, butler, infinity pool and private sun deck. You can order just about any premium spirit that the ship stocks if you are on the Premium Plus beverage package while enjoying all the other services and amenities on the rest of the ship.

OPPOSITE, TOP: Mandara Spa Thermal Lounge LEFT: Infinity pool and views for miles on The Haven deck BELOW: Mandara Spa & Salon lobby and Thermal Pool

BOTTOM LEFT: Dominic Harris’ Every Wing Has a Silver Lining interactive digital art in the Metropolitan Bar features silver-winged butterflies which respond to movement

2.0 facial uses a combination of actives, touch, and bio-electric technology to ‘reawaken’ the skin. The five technologies (from one machine) include an ultrasonic peel, microcurrent lift, galvanic rejuvenation, light therapy, and oxygen infusion. The result is visibly energised skin, and being treated by a fellow South African – skincare therapist Lindiwe Tovela – was an added bonus. A ‘Gautenger’, Lindiwe told me that many South Africans work on the ship (I met another three) and the thing they miss most, besides family of course, is local food, adding that the kitchen staff sometimes creates a taste of home to curb homesickness.

Norwegian Viva also offers a selection of wellness workshops hosted by experts in various fields to help guests cultivate healthier habits and connect with their inner selves. We had the opportunity to spend time with skincare expert, make-up artist, and NCL beauty ambassador Nathalie Eleni, who shared her techniques for her famous Get the Glow facial. She took us through a deep cleanse, exfoliation, and lymphatic massage routine –ideal after a long flight when skin is dull and dehydrated. (More on this on yourluxury.africa.)

“Spa sailings are a balanced antidote for relaxation and adventure,” says Nathalie, who believes that due to the hi-tech treatments and equipment, these spas could rival some of the best wellness escapes around the world.

The challenge, of course, is choosing what to do and allocating time and budget, keeping in mind the list of other onboard activities. A ship the size of Norwegian Viva, which carries more than 3 000 passengers at double occupancy, has no shortage of entertainment options – a theatre, gaming hall, shops, interactive mini golf, a three-level racetrack, 10-storey slide, kids aqua park, and a casino. During the day, you can disembark to explore local ports and towns, and a variety of fully customisable excursions are available too.

And then there’s the food… With over 12 restaurants and cafés, every taste is catered for. One of the most entertaining meals I’ve ever had was at Teppanyaki, where it’s as much about the show as the food. Chef John expertly prepared our meal in front of us with flair and sizzle, belting out tunes and juggling eggs and knives.

“The allure lies in the luxury of choice and the ability to combine self-care with discovery”

All this may sound exhausting, but the allure lies in the luxury of choice and the ability to combine self-care with discovery. Imagine starting your day with sunrise yoga as you sail into port, disembarking for an exploratory cycle through a medieval town, experiencing the local cuisine at a family-run eatery, indulging in a restorative spa treatment onboard in the afternoon, enjoying live entertainment in the evening, and then journeying to a new destination overnight. It’s the perfect balance of activity and indulgence, and a break that will leave you feeling better than when you arrived. ■

A seven-day cruise onboard Norwegian Viva to the Greek Isles starts from around R47 500 per person (based on Balcony Stateroom for two guests). Look out for the NCL MORE at Sea upgrade package, which includes enhanced premium beverage and speciality dining experiences, enhanced Wi-Fi onboard and more. For more information, call 021 200 6586 or visit ncl.com.

FRANCES GOODMAN

ONE OF 10 ARTISTS WITH A SOLO EXHIBITION AT THE INVESTEC CAPE TOWN ART FAIR, JOBURG-BASED FRANCES GOODMAN IS AN INTERNATIONALLY ACCLAIMED, MULTIDISCIPLINARY ARTIST

COMPILED BY LERATO TSHABALALA

HOW DID YOUR ARTISTIC JOURNEY BEGIN? It began when I was a young girl. My parents appreciated art, loved attending exhibitions and museums, and had friends who were artists. I remember playing on the sculptures in artist Edoardo Villa’s garden in Johannesburg while my parents ate lunch with him, his wife, and their glamorous friends. The huge sculptures and their world intrigued and fascinated me.

YOUR THREE FAVOURITE ARTISTIC DESTINATIONS? This is a tough one to answer as there are so many places I haven’t been to yet. I’d love to visit Los Angeles, as well as China, Taiwan, and Japan, as I imagine the art and history must be fascinating and so di erent from South Africa. However, I always enjoy visiting Venice for the Biennale, and New York and Paris for all their excellent museums.

CAREER HIGHLIGHTS? Getting into Goldsmiths College after ﬁnishing at WITS, my ﬁrst solo exhibition in New York, being invited to a group exhibition by Marie-Ann Yemsi at Palais des Tokyo, Through The Glass Sparkling – the book I published with SMAC Gallery last year, and exhibiting my new ceramic sculptures on Frieze Sculpture in Regents Park are a few. WHAT INSPIRED YOU TO USE SEQUINS IN YOUR WORK? Apart from the fact that I’m a bit like a magpie – I’m attracted to sparkly things; I’ve always borrowed from the craft of dressmaking for my making process and the materials I use. One of the reasons I use sequins is that I’m fascinated by their refractory nature and how their colour and shine change depending on one’s viewpoint. This constantly shifting perspective reminds me of the complexity of life – things change according to how you look at them.

FAVOURITE ARTISTS OR ARTWORKS OF ALL TIME? As a teenager, I loved the painting Wanderer above the Sea of Fog by the German Romanticist artist Caspar David Friedrich. It made me think of the future, the vastness of the world, and its potential. Since then, there have been many artists and artworks that have moved me. The crazy, unsettling installations by Tony Oursler inspired me to become an artist, and artists such as Marylin Minter and Tracy Emin inspired me to embrace my femininity and use my voice as a woman.

TELL US ABOUT YOUR CERAMICS

Since most materials I’ve used during my career are man-made, synthetic, and mass-produced, moving to clay was an unexpected choice for many – me included. However, during the lockdown, I realised I needed something to jolt me out of my comfort zone, and ceramics were a challenging and intriguing option. After playing around with clay at home for a few months, I did a residency in the Netherlands focusing solely on ceramics. It’s an unpredictable, humbling, frustrating, and immensely satisfying medium, and I’m excited to see where it takes me.

WHAT IS LUXURY TO YOU? I used to think that luxury was beautiful clothes, objects, and people, but I increasingly realise that luxury is time. Time to think, to slow down and enjoy a moment, and time spent with people you care about.

WHAT CAN WE EXPECT FROM YOU AT INVESTEC CAPE TOWN ART FAIR? As the fair’s theme is ‘Play’, you can expect some whimsy in both the artwork and the installation. Think mirrors, bright colours, and ceramic pills you could pop for pain or pleasure.

YOUR TOP RESTAURANTS IN CAPE TOWN? For brunch, Loading Bay in De Waterkant for the mushroom ragu. For lunch, I like Maria’s Greek Café in Gardens for the outdoor setting and Obi on Long Street for the Agedashi Tofu. And dinner at Bodega Ramen in Wale Street for the Sichuan Hot Pot.

WHAT’S IN STORE FOR YOU IN 2025?

There are a lot of exciting projects in the pipeline, but I’m most excited about having the time and space to work on and develop new ceramic and sequin pieces. ■